• āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™āđƒāļ™āđ€āļāļēāļŦāļĨāļĩāđ€āļŦāļ™āļ·āļ­: āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļĄāļ·āļ­āđ€āļāđ‰āļēāļĢāļ°āļ§āļąāļ‡āļ‚āļ­āļ‡āļĢāļąāļāļšāļēāļĨ
    āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™āļ—āļĩāđˆāļ–āļđāļāļĨāļąāļāļĨāļ­āļšāļ™āļģāļ­āļ­āļāļˆāļēāļ āđ€āļāļēāļŦāļĨāļĩāđ€āļŦāļ™āļ·āļ­ āđ€āļœāļĒāđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļ–āļķāļ‡ āļĢāļ°āļšāļšāđ€āļāđ‰āļēāļĢāļ°āļ§āļąāļ‡āļ—āļĩāđˆāđ€āļ‚āđ‰āļĄāļ‡āļ§āļ” āļ‹āļķāđˆāļ‡āļĢāļąāļāļšāļēāļĨāđƒāļŠāđ‰āđƒāļ™āļāļēāļĢāļ„āļ§āļšāļ„āļļāļĄāļ›āļĢāļ°āļŠāļēāļŠāļ™ āđ‚āļ”āļĒāđ‚āļ—āļĢāļĻāļąāļžāļ—āđŒāđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰ āļˆāļąāļšāļ āļēāļžāļŦāļ™āđ‰āļēāļˆāļ­āļ—āļļāļ 5 āļ™āļēāļ—āļĩ āđāļĨāļ°āļšāļąāļ™āļ—āļķāļāļ‚āđ‰āļ­āļĄāļđāļĨāđƒāļ™āđ‚āļŸāļĨāđ€āļ”āļ­āļĢāđŒāļ—āļĩāđˆāļœāļđāđ‰āđƒāļŠāđ‰āđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āđ€āļ‚āđ‰āļēāļ–āļķāļ‡āđ„āļ”āđ‰

    āđāļĄāđ‰āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™āđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļˆāļ°āļĄāļĩāļĢāļđāļ›āļĨāļąāļāļĐāļ“āđŒāļ„āļĨāđ‰āļēāļĒāļāļąāļš Huawei āļŦāļĢāļ·āļ­ Honor āđāļ•āđˆāļ‹āļ­āļŸāļ•āđŒāđāļ§āļĢāđŒāļ āļēāļĒāđƒāļ™āļ–āļđāļ āļ›āļĢāļąāļšāđāļ•āđˆāļ‡āđ‚āļ”āļĒāļĢāļąāļāļšāļēāļĨ āđ€āļžāļ·āđˆāļ­āļˆāļģāļāļąāļ”āļāļēāļĢāđƒāļŠāđ‰āļ‡āļēāļ™āđāļĨāļ°āđ€āļžāļīāđˆāļĄāļāļēāļĢāļ•āļĢāļ§āļˆāļŠāļ­āļš

    āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļŸāļĩāđ€āļˆāļ­āļĢāđŒāļ—āļĩāđˆāļ™āđˆāļēāļ•āļāđƒāļˆāļ„āļ·āļ­ āļĢāļ°āļšāļšāđ€āļ‹āđ‡āļ™āđ€āļ‹āļ­āļĢāđŒāļ­āļąāļ•āđ‚āļ™āļĄāļąāļ•āļī āļ—āļĩāđˆāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļ„āļģāļšāļēāļ‡āļ„āļģāđƒāļŦāđ‰āļŠāļ­āļ”āļ„āļĨāđ‰āļ­āļ‡āļāļąāļš āļ­āļļāļ”āļĄāļāļēāļĢāļ“āđŒāļ‚āļ­āļ‡āļĢāļąāļ āđ€āļŠāđˆāļ™
    - āļ„āļģāļ§āđˆāļē "Oppa" āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļ„āļģāđ€āļĢāļĩāļĒāļāļžāļĩāđˆāļŠāļēāļĒāļŦāļĢāļ·āļ­āđāļŸāļ™āđƒāļ™āđ€āļāļēāļŦāļĨāļĩāđƒāļ•āđ‰ āļ–āļđāļāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđ€āļ›āđ‡āļ™ "Comrade"
    - āļ„āļģāļ§āđˆāļē "South Korea" āļ–āļđāļāđāļ—āļ™āļ—āļĩāđˆāļ”āđ‰āļ§āļĒ "Puppet State" āļ•āļēāļĄāļ āļēāļĐāļēāļ—āļēāļ‡āļāļēāļĢāļ‚āļ­āļ‡āļĢāļąāļāļšāļēāļĨ

    āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ āđ‚āļ—āļĢāļĻāļąāļžāļ—āđŒāđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āļ­āļīāļ™āđ€āļ—āļ­āļĢāđŒāđ€āļ™āđ‡āļ•āļ—āļąāđˆāļ§āđ‚āļĨāļ āđāļĨāļ°āļ–āļđāļāļ•āļĢāļ§āļˆāļŠāļ­āļšāđ‚āļ”āļĒ āļŦāļ™āđˆāļ§āļĒāļ‡āļēāļ™āļžāļīāđ€āļĻāļĐāļ—āļĩāđˆāļ„āļ­āļĒāļ„āđ‰āļ™āļŦāļēāļŠāļ·āđˆāļ­āļˆāļēāļāļ•āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻ

    āļ‚āđ‰āļ­āļĄāļđāļĨāļˆāļēāļāļ‚āđˆāļēāļ§
    - āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™āđƒāļ™āđ€āļāļēāļŦāļĨāļĩāđ€āļŦāļ™āļ·āļ­āļˆāļąāļšāļ āļēāļžāļŦāļ™āđ‰āļēāļˆāļ­āļ—āļļāļ 5 āļ™āļēāļ—āļĩ āđāļĨāļ°āļšāļąāļ™āļ—āļķāļāļ‚āđ‰āļ­āļĄāļđāļĨāđƒāļ™āđ‚āļŸāļĨāđ€āļ”āļ­āļĢāđŒāļ—āļĩāđˆāļœāļđāđ‰āđƒāļŠāđ‰āđ€āļ‚āđ‰āļēāļ–āļķāļ‡āđ„āļĄāđˆāđ„āļ”āđ‰
    - āļ‹āļ­āļŸāļ•āđŒāđāļ§āļĢāđŒāļ–āļđāļāļ›āļĢāļąāļšāđāļ•āđˆāļ‡āđ‚āļ”āļĒāļĢāļąāļāļšāļēāļĨāđ€āļžāļ·āđˆāļ­āļˆāļģāļāļąāļ”āļāļēāļĢāđƒāļŠāđ‰āļ‡āļēāļ™āđāļĨāļ°āđ€āļžāļīāđˆāļĄāļāļēāļĢāļ•āļĢāļ§āļˆāļŠāļ­āļš
    - āļĢāļ°āļšāļšāđ€āļ‹āđ‡āļ™āđ€āļ‹āļ­āļĢāđŒāļ­āļąāļ•āđ‚āļ™āļĄāļąāļ•āļīāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļ„āļģāļšāļēāļ‡āļ„āļģāđƒāļŦāđ‰āļŠāļ­āļ”āļ„āļĨāđ‰āļ­āļ‡āļāļąāļšāļ­āļļāļ”āļĄāļāļēāļĢāļ“āđŒāļ‚āļ­āļ‡āļĢāļąāļ
    - āđ‚āļ—āļĢāļĻāļąāļžāļ—āđŒāđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āļ­āļīāļ™āđ€āļ—āļ­āļĢāđŒāđ€āļ™āđ‡āļ•āļ—āļąāđˆāļ§āđ‚āļĨāļ
    - āļŦāļ™āđˆāļ§āļĒāļ‡āļēāļ™āļžāļīāđ€āļĻāļĐāļ•āļĢāļ§āļˆāļŠāļ­āļšāđ‚āļ—āļĢāļĻāļąāļžāļ—āđŒāđ€āļžāļ·āđˆāļ­āļ„āđ‰āļ™āļŦāļēāļŠāļ·āđˆāļ­āļˆāļēāļāļ•āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻ

    āļ„āļģāđ€āļ•āļ·āļ­āļ™āļ—āļĩāđˆāļ„āļ§āļĢāļžāļīāļˆāļēāļĢāļ“āļē
    - āļ›āļĢāļ°āļŠāļēāļŠāļ™āđƒāļ™āđ€āļāļēāļŦāļĨāļĩāđ€āļŦāļ™āļ·āļ­āđ„āļĄāđˆāļĄāļĩāļ­āļīāļŠāļĢāļ°āđƒāļ™āļāļēāļĢāđƒāļŠāđ‰āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩ āđāļĨāļ°āļ–āļđāļāļ•āļĢāļ§āļˆāļŠāļ­āļšāļ­āļĒāđˆāļēāļ‡āđ€āļ‚āđ‰āļĄāļ‡āļ§āļ”
    - āļāļēāļĢāđƒāļŠāđ‰āļ„āļģāļœāļīāļ”āļ­āļēāļˆāļ™āļģāđ„āļ›āļŠāļđāđˆāļāļēāļĢāļŠāļ­āļšāļŠāļ§āļ™āļŦāļĢāļ·āļ­āļšāļ—āļĨāļ‡āđ‚āļ—āļĐāļˆāļēāļāļĢāļąāļāļšāļēāļĨ
    - āļāļēāļĢāļĨāļąāļāļĨāļ­āļšāļ™āļģāļŠāļ·āđˆāļ­āļˆāļēāļāļ•āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāđ€āļ‚āđ‰āļēāđ„āļ›āđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻāļĄāļĩāļ„āļ§āļēāļĄāđ€āļŠāļĩāđˆāļĒāļ‡āļŠāļđāļ‡
    - āļ•āđ‰āļ­āļ‡āļ•āļīāļ”āļ•āļēāļĄāļ§āđˆāļēāļĢāļąāļāļšāļēāļĨāđ€āļāļēāļŦāļĨāļĩāđ€āļŦāļ™āļ·āļ­āļˆāļ°āđ€āļžāļīāđˆāļĄāļĄāļēāļ•āļĢāļāļēāļĢāđ€āļāđ‰āļēāļĢāļ°āļ§āļąāļ‡āļĄāļēāļāļ‚āļķāđ‰āļ™āđƒāļ™āļ­āļ™āļēāļ„āļ•āļŦāļĢāļ·āļ­āđ„āļĄāđˆ

    āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļ—āļĩāđˆāļ„āļ§āļĢāđ€āļ›āđ‡āļ™āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļĄāļ·āļ­āđƒāļ™āļāļēāļĢāđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āđ‚āļĨāļāļāļĨāļąāļšāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™ āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļĄāļ·āļ­āđ€āļāđ‰āļēāļĢāļ°āļ§āļąāļ‡āļ‚āļ­āļ‡āļĢāļąāļāļšāļēāļĨ āļ‹āļķāđˆāļ‡āļ—āļģāđƒāļŦāđ‰āļ›āļĢāļ°āļŠāļēāļŠāļ™ āđ„āļĄāđˆāļĄāļĩāļ­āļīāļŠāļĢāļ°āđƒāļ™āļāļēāļĢāļŠāļ·āđˆāļ­āļŠāļēāļĢāđāļĨāļ°āļĢāļąāļšāļ‚āđ‰āļ­āļĄāļđāļĨāļˆāļēāļāļ āļēāļĒāļ™āļ­āļ āļ­āļĒāđˆāļēāļ‡āđ„āļĢāļāđ‡āļ•āļēāļĄ āļĒāļąāļ‡āļĄāļĩāļ„āļ§āļēāļĄāļžāļĒāļēāļĒāļēāļĄāđƒāļ™āļāļēāļĢāļĨāļąāļāļĨāļ­āļšāļ™āļģāļŠāļ·āđˆāļ­āļˆāļēāļāļ•āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāđ€āļ‚āđ‰āļēāđ„āļ›āđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻ

    https://www.techspot.com/news/108156-north-korean-smartphone-secretly-takes-screenshot-every-5.html
    ðŸ“ą āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™āđƒāļ™āđ€āļāļēāļŦāļĨāļĩāđ€āļŦāļ™āļ·āļ­: āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļĄāļ·āļ­āđ€āļāđ‰āļēāļĢāļ°āļ§āļąāļ‡āļ‚āļ­āļ‡āļĢāļąāļāļšāļēāļĨ āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™āļ—āļĩāđˆāļ–āļđāļāļĨāļąāļāļĨāļ­āļšāļ™āļģāļ­āļ­āļāļˆāļēāļ āđ€āļāļēāļŦāļĨāļĩāđ€āļŦāļ™āļ·āļ­ āđ€āļœāļĒāđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļ–āļķāļ‡ āļĢāļ°āļšāļšāđ€āļāđ‰āļēāļĢāļ°āļ§āļąāļ‡āļ—āļĩāđˆāđ€āļ‚āđ‰āļĄāļ‡āļ§āļ” āļ‹āļķāđˆāļ‡āļĢāļąāļāļšāļēāļĨāđƒāļŠāđ‰āđƒāļ™āļāļēāļĢāļ„āļ§āļšāļ„āļļāļĄāļ›āļĢāļ°āļŠāļēāļŠāļ™ āđ‚āļ”āļĒāđ‚āļ—āļĢāļĻāļąāļžāļ—āđŒāđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰ āļˆāļąāļšāļ āļēāļžāļŦāļ™āđ‰āļēāļˆāļ­āļ—āļļāļ 5 āļ™āļēāļ—āļĩ āđāļĨāļ°āļšāļąāļ™āļ—āļķāļāļ‚āđ‰āļ­āļĄāļđāļĨāđƒāļ™āđ‚āļŸāļĨāđ€āļ”āļ­āļĢāđŒāļ—āļĩāđˆāļœāļđāđ‰āđƒāļŠāđ‰āđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āđ€āļ‚āđ‰āļēāļ–āļķāļ‡āđ„āļ”āđ‰ āđāļĄāđ‰āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™āđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļˆāļ°āļĄāļĩāļĢāļđāļ›āļĨāļąāļāļĐāļ“āđŒāļ„āļĨāđ‰āļēāļĒāļāļąāļš Huawei āļŦāļĢāļ·āļ­ Honor āđāļ•āđˆāļ‹āļ­āļŸāļ•āđŒāđāļ§āļĢāđŒāļ āļēāļĒāđƒāļ™āļ–āļđāļ āļ›āļĢāļąāļšāđāļ•āđˆāļ‡āđ‚āļ”āļĒāļĢāļąāļāļšāļēāļĨ āđ€āļžāļ·āđˆāļ­āļˆāļģāļāļąāļ”āļāļēāļĢāđƒāļŠāđ‰āļ‡āļēāļ™āđāļĨāļ°āđ€āļžāļīāđˆāļĄāļāļēāļĢāļ•āļĢāļ§āļˆāļŠāļ­āļš āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļŸāļĩāđ€āļˆāļ­āļĢāđŒāļ—āļĩāđˆāļ™āđˆāļēāļ•āļāđƒāļˆāļ„āļ·āļ­ āļĢāļ°āļšāļšāđ€āļ‹āđ‡āļ™āđ€āļ‹āļ­āļĢāđŒāļ­āļąāļ•āđ‚āļ™āļĄāļąāļ•āļī āļ—āļĩāđˆāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļ„āļģāļšāļēāļ‡āļ„āļģāđƒāļŦāđ‰āļŠāļ­āļ”āļ„āļĨāđ‰āļ­āļ‡āļāļąāļš āļ­āļļāļ”āļĄāļāļēāļĢāļ“āđŒāļ‚āļ­āļ‡āļĢāļąāļ āđ€āļŠāđˆāļ™ - āļ„āļģāļ§āđˆāļē "Oppa" āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļ„āļģāđ€āļĢāļĩāļĒāļāļžāļĩāđˆāļŠāļēāļĒāļŦāļĢāļ·āļ­āđāļŸāļ™āđƒāļ™āđ€āļāļēāļŦāļĨāļĩāđƒāļ•āđ‰ āļ–āļđāļāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđ€āļ›āđ‡āļ™ "Comrade" - āļ„āļģāļ§āđˆāļē "South Korea" āļ–āļđāļāđāļ—āļ™āļ—āļĩāđˆāļ”āđ‰āļ§āļĒ "Puppet State" āļ•āļēāļĄāļ āļēāļĐāļēāļ—āļēāļ‡āļāļēāļĢāļ‚āļ­āļ‡āļĢāļąāļāļšāļēāļĨ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ āđ‚āļ—āļĢāļĻāļąāļžāļ—āđŒāđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āļ­āļīāļ™āđ€āļ—āļ­āļĢāđŒāđ€āļ™āđ‡āļ•āļ—āļąāđˆāļ§āđ‚āļĨāļ āđāļĨāļ°āļ–āļđāļāļ•āļĢāļ§āļˆāļŠāļ­āļšāđ‚āļ”āļĒ āļŦāļ™āđˆāļ§āļĒāļ‡āļēāļ™āļžāļīāđ€āļĻāļĐāļ—āļĩāđˆāļ„āļ­āļĒāļ„āđ‰āļ™āļŦāļēāļŠāļ·āđˆāļ­āļˆāļēāļāļ•āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻ âœ… āļ‚āđ‰āļ­āļĄāļđāļĨāļˆāļēāļāļ‚āđˆāļēāļ§ - āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™āđƒāļ™āđ€āļāļēāļŦāļĨāļĩāđ€āļŦāļ™āļ·āļ­āļˆāļąāļšāļ āļēāļžāļŦāļ™āđ‰āļēāļˆāļ­āļ—āļļāļ 5 āļ™āļēāļ—āļĩ āđāļĨāļ°āļšāļąāļ™āļ—āļķāļāļ‚āđ‰āļ­āļĄāļđāļĨāđƒāļ™āđ‚āļŸāļĨāđ€āļ”āļ­āļĢāđŒāļ—āļĩāđˆāļœāļđāđ‰āđƒāļŠāđ‰āđ€āļ‚āđ‰āļēāļ–āļķāļ‡āđ„āļĄāđˆāđ„āļ”āđ‰ - āļ‹āļ­āļŸāļ•āđŒāđāļ§āļĢāđŒāļ–āļđāļāļ›āļĢāļąāļšāđāļ•āđˆāļ‡āđ‚āļ”āļĒāļĢāļąāļāļšāļēāļĨāđ€āļžāļ·āđˆāļ­āļˆāļģāļāļąāļ”āļāļēāļĢāđƒāļŠāđ‰āļ‡āļēāļ™āđāļĨāļ°āđ€āļžāļīāđˆāļĄāļāļēāļĢāļ•āļĢāļ§āļˆāļŠāļ­āļš - āļĢāļ°āļšāļšāđ€āļ‹āđ‡āļ™āđ€āļ‹āļ­āļĢāđŒāļ­āļąāļ•āđ‚āļ™āļĄāļąāļ•āļīāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļ„āļģāļšāļēāļ‡āļ„āļģāđƒāļŦāđ‰āļŠāļ­āļ”āļ„āļĨāđ‰āļ­āļ‡āļāļąāļšāļ­āļļāļ”āļĄāļāļēāļĢāļ“āđŒāļ‚āļ­āļ‡āļĢāļąāļ - āđ‚āļ—āļĢāļĻāļąāļžāļ—āđŒāđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āļ­āļīāļ™āđ€āļ—āļ­āļĢāđŒāđ€āļ™āđ‡āļ•āļ—āļąāđˆāļ§āđ‚āļĨāļ - āļŦāļ™āđˆāļ§āļĒāļ‡āļēāļ™āļžāļīāđ€āļĻāļĐāļ•āļĢāļ§āļˆāļŠāļ­āļšāđ‚āļ—āļĢāļĻāļąāļžāļ—āđŒāđ€āļžāļ·āđˆāļ­āļ„āđ‰āļ™āļŦāļēāļŠāļ·āđˆāļ­āļˆāļēāļāļ•āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻ â€žïļ āļ„āļģāđ€āļ•āļ·āļ­āļ™āļ—āļĩāđˆāļ„āļ§āļĢāļžāļīāļˆāļēāļĢāļ“āļē - āļ›āļĢāļ°āļŠāļēāļŠāļ™āđƒāļ™āđ€āļāļēāļŦāļĨāļĩāđ€āļŦāļ™āļ·āļ­āđ„āļĄāđˆāļĄāļĩāļ­āļīāļŠāļĢāļ°āđƒāļ™āļāļēāļĢāđƒāļŠāđ‰āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩ āđāļĨāļ°āļ–āļđāļāļ•āļĢāļ§āļˆāļŠāļ­āļšāļ­āļĒāđˆāļēāļ‡āđ€āļ‚āđ‰āļĄāļ‡āļ§āļ” - āļāļēāļĢāđƒāļŠāđ‰āļ„āļģāļœāļīāļ”āļ­āļēāļˆāļ™āļģāđ„āļ›āļŠāļđāđˆāļāļēāļĢāļŠāļ­āļšāļŠāļ§āļ™āļŦāļĢāļ·āļ­āļšāļ—āļĨāļ‡āđ‚āļ—āļĐāļˆāļēāļāļĢāļąāļāļšāļēāļĨ - āļāļēāļĢāļĨāļąāļāļĨāļ­āļšāļ™āļģāļŠāļ·āđˆāļ­āļˆāļēāļāļ•āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāđ€āļ‚āđ‰āļēāđ„āļ›āđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻāļĄāļĩāļ„āļ§āļēāļĄāđ€āļŠāļĩāđˆāļĒāļ‡āļŠāļđāļ‡ - āļ•āđ‰āļ­āļ‡āļ•āļīāļ”āļ•āļēāļĄāļ§āđˆāļēāļĢāļąāļāļšāļēāļĨāđ€āļāļēāļŦāļĨāļĩāđ€āļŦāļ™āļ·āļ­āļˆāļ°āđ€āļžāļīāđˆāļĄāļĄāļēāļ•āļĢāļāļēāļĢāđ€āļāđ‰āļēāļĢāļ°āļ§āļąāļ‡āļĄāļēāļāļ‚āļķāđ‰āļ™āđƒāļ™āļ­āļ™āļēāļ„āļ•āļŦāļĢāļ·āļ­āđ„āļĄāđˆ āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļ—āļĩāđˆāļ„āļ§āļĢāđ€āļ›āđ‡āļ™āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļĄāļ·āļ­āđƒāļ™āļāļēāļĢāđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āđ‚āļĨāļāļāļĨāļąāļšāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™ āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļĄāļ·āļ­āđ€āļāđ‰āļēāļĢāļ°āļ§āļąāļ‡āļ‚āļ­āļ‡āļĢāļąāļāļšāļēāļĨ āļ‹āļķāđˆāļ‡āļ—āļģāđƒāļŦāđ‰āļ›āļĢāļ°āļŠāļēāļŠāļ™ āđ„āļĄāđˆāļĄāļĩāļ­āļīāļŠāļĢāļ°āđƒāļ™āļāļēāļĢāļŠāļ·āđˆāļ­āļŠāļēāļĢāđāļĨāļ°āļĢāļąāļšāļ‚āđ‰āļ­āļĄāļđāļĨāļˆāļēāļāļ āļēāļĒāļ™āļ­āļ āļ­āļĒāđˆāļēāļ‡āđ„āļĢāļāđ‡āļ•āļēāļĄ āļĒāļąāļ‡āļĄāļĩāļ„āļ§āļēāļĄāļžāļĒāļēāļĒāļēāļĄāđƒāļ™āļāļēāļĢāļĨāļąāļāļĨāļ­āļšāļ™āļģāļŠāļ·āđˆāļ­āļˆāļēāļāļ•āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāđ€āļ‚āđ‰āļēāđ„āļ›āđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻ https://www.techspot.com/news/108156-north-korean-smartphone-secretly-takes-screenshot-every-5.html
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    In North Korea, your phone secretly takes screenshots every 5 minutes for government surveillance
    The phone was featured in a BBC video, which showed it powering on with an animated North Korean flag waving across the screen. While the report did...
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    Qualcomm āđ„āļ”āđ‰āđ€āļ›āļīāļ”āļ•āļąāļ§ Snapdragon 7 Gen 4 Mobile Platform āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļŠāļīāļ›āđ€āļ‹āđ‡āļ•āđƒāļŦāļĄāđˆāđƒāļ™āļ‹āļĩāļĢāļĩāļŠāđŒ 7 āļ—āļĩāđˆāļ­āļ­āļāđāļšāļšāļĄāļēāđ€āļžāļ·āđˆāļ­ āđ€āļžāļīāđˆāļĄāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļ”āđ‰āļēāļ™āļĄāļąāļĨāļ•āļīāļĄāļĩāđ€āļ”āļĩāļĒāđāļĨāļ°āļāļēāļĢāđ€āļĨāđˆāļ™āđ€āļāļĄ āļĢāļ§āļĄāļ–āļķāļ‡ āļĢāļ­āļ‡āļĢāļąāļš AI āļ‚āļąāđ‰āļ™āļŠāļđāļ‡ āļ—āļĩāđˆāļŠāļēāļĄāļēāļĢāļ–āļĢāļąāļ™āđ‚āļĄāđ€āļ”āļĨāļ āļēāļĐāļēāļ‚āļ™āļēāļ”āđƒāļŦāļāđˆ (LLMs) āđ„āļ”āđ‰āđ‚āļ”āļĒāļ•āļĢāļ‡āļšāļ™āļ­āļļāļ›āļāļĢāļ“āđŒ

    Snapdragon 7 Gen 4 āļĢāļ­āļ‡āļĢāļąāļš AI assistants āđāļĨāļ°āđ‚āļĄāđ€āļ”āļĨāļ āļēāļĐāļēāļ‚āļ™āļēāļ”āđƒāļŦāļāđˆ (LLMs) āļšāļ™āļ­āļļāļ›āļāļĢāļ“āđŒ
    - āļŠāļēāļĄāļēāļĢāļ–āđƒāļŠāđ‰ Stable Diffusion āļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ āļēāļžāļ”āđ‰āļ§āļĒ AI āđ„āļ”āđ‰āđ‚āļ”āļĒāļ•āļĢāļ‡

    āļĄāļēāļžāļĢāđ‰āļ­āļĄ Snapdragon Elite Gaming āļ—āļĩāđˆāļŠāđˆāļ§āļĒāđ€āļžāļīāđˆāļĄāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļāļēāļĢāđ€āļĨāđˆāļ™āđ€āļāļĄ
    - āļĢāļ­āļ‡āļĢāļąāļš āļāļēāļĢāđ€āļĢāļ™āđ€āļ”āļ­āļĢāđŒāļāļĢāļēāļŸāļīāļāļ—āļĩāđˆāļĨāļ·āđˆāļ™āđ„āļŦāļĨāđāļĨāļ°āļāļēāļĢāļ•āļ­āļšāļŠāļ™āļ­āļ‡āļ—āļĩāđˆāļĢāļ§āļ”āđ€āļĢāđ‡āļ§

    HONOR āđāļĨāļ° vivo āđ€āļ›āđ‡āļ™āđāļšāļĢāļ™āļ”āđŒāđāļĢāļāļ—āļĩāđˆāļ™āļģ Snapdragon 7 Gen 4 āđ„āļ›āđƒāļŠāđ‰āđƒāļ™āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™āļ‚āļ­āļ‡āļ•āļ™
    - āļ„āļēāļ”āļ§āđˆāļē āļˆāļ°āļĄāļĩāļāļēāļĢāđ€āļ›āļīāļ”āļ•āļąāļ§āļ­āļļāļ›āļāļĢāļ“āđŒāļ—āļĩāđˆāđƒāļŠāđ‰āļŠāļīāļ›āļ™āļĩāđ‰āļ āļēāļĒāđƒāļ™āđ€āļ”āļ·āļ­āļ™āļ™āļĩāđ‰

    āļĢāļ­āļ‡āļĢāļąāļš Qualcomm Expanded Personal Area Network (XPAN) āđ€āļ›āđ‡āļ™āļ„āļĢāļąāđ‰āļ‡āđāļĢāļāđƒāļ™āļ‹āļĩāļĢāļĩāļŠāđŒ 7
    - āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļ™āļĩāđ‰ āļŠāđˆāļ§āļĒāđ€āļžāļīāđˆāļĄāļ„āļļāļ“āļ āļēāļžāđ€āļŠāļĩāļĒāļ‡āđāļĨāļ°āļāļēāļĢāđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āđ„āļĢāđ‰āļŠāļēāļĒ

    Snapdragon Sound āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļ„āļļāļ“āļ āļēāļžāđ€āļŠāļĩāļĒāļ‡āļĢāļ°āļ”āļąāļšāļžāļĢāļĩāđ€āļĄāļĩāļĒāļĄāđ€āļ‚āđ‰āļēāļ–āļķāļ‡āļœāļđāđ‰āđƒāļŠāđ‰āđ„āļ”āđ‰āļĄāļēāļāļ‚āļķāđ‰āļ™
    - āļĢāļ­āļ‡āļĢāļąāļš āđ€āļŠāļĩāļĒāļ‡āļ„āļ§āļēāļĄāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļŠāļđāļ‡āđāļĨāļ°āļāļēāļĢāđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āļ—āļĩāđˆāđ€āļŠāļ–āļĩāļĒāļĢ

    https://www.techpowerup.com/336821/qualcomm-unveils-the-snapdragon-7-gen-4-mobile-platform
    Qualcomm āđ€āļ›āļīāļ”āļ•āļąāļ§ Snapdragon 7 Gen 4: āļŠāļīāļ›āļĄāļ·āļ­āļ–āļ·āļ­āļ—āļĩāđˆāļĄāļēāļžāļĢāđ‰āļ­āļĄ AI āđāļĨāļ°āļāļēāļĢāđ€āļĨāđˆāļ™āđ€āļāļĄāļĢāļ°āļ”āļąāļšāļŠāļđāļ‡ Qualcomm āđ„āļ”āđ‰āđ€āļ›āļīāļ”āļ•āļąāļ§ Snapdragon 7 Gen 4 Mobile Platform āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļŠāļīāļ›āđ€āļ‹āđ‡āļ•āđƒāļŦāļĄāđˆāđƒāļ™āļ‹āļĩāļĢāļĩāļŠāđŒ 7 āļ—āļĩāđˆāļ­āļ­āļāđāļšāļšāļĄāļēāđ€āļžāļ·āđˆāļ­ āđ€āļžāļīāđˆāļĄāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļ”āđ‰āļēāļ™āļĄāļąāļĨāļ•āļīāļĄāļĩāđ€āļ”āļĩāļĒāđāļĨāļ°āļāļēāļĢāđ€āļĨāđˆāļ™āđ€āļāļĄ āļĢāļ§āļĄāļ–āļķāļ‡ āļĢāļ­āļ‡āļĢāļąāļš AI āļ‚āļąāđ‰āļ™āļŠāļđāļ‡ āļ—āļĩāđˆāļŠāļēāļĄāļēāļĢāļ–āļĢāļąāļ™āđ‚āļĄāđ€āļ”āļĨāļ āļēāļĐāļēāļ‚āļ™āļēāļ”āđƒāļŦāļāđˆ (LLMs) āđ„āļ”āđ‰āđ‚āļ”āļĒāļ•āļĢāļ‡āļšāļ™āļ­āļļāļ›āļāļĢāļ“āđŒ ✅ Snapdragon 7 Gen 4 āļĢāļ­āļ‡āļĢāļąāļš AI assistants āđāļĨāļ°āđ‚āļĄāđ€āļ”āļĨāļ āļēāļĐāļēāļ‚āļ™āļēāļ”āđƒāļŦāļāđˆ (LLMs) āļšāļ™āļ­āļļāļ›āļāļĢāļ“āđŒ - āļŠāļēāļĄāļēāļĢāļ–āđƒāļŠāđ‰ Stable Diffusion āļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ āļēāļžāļ”āđ‰āļ§āļĒ AI āđ„āļ”āđ‰āđ‚āļ”āļĒāļ•āļĢāļ‡ âœ… āļĄāļēāļžāļĢāđ‰āļ­āļĄ Snapdragon Elite Gaming āļ—āļĩāđˆāļŠāđˆāļ§āļĒāđ€āļžāļīāđˆāļĄāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļāļēāļĢāđ€āļĨāđˆāļ™āđ€āļāļĄ - āļĢāļ­āļ‡āļĢāļąāļš āļāļēāļĢāđ€āļĢāļ™āđ€āļ”āļ­āļĢāđŒāļāļĢāļēāļŸāļīāļāļ—āļĩāđˆāļĨāļ·āđˆāļ™āđ„āļŦāļĨāđāļĨāļ°āļāļēāļĢāļ•āļ­āļšāļŠāļ™āļ­āļ‡āļ—āļĩāđˆāļĢāļ§āļ”āđ€āļĢāđ‡āļ§ âœ… HONOR āđāļĨāļ° vivo āđ€āļ›āđ‡āļ™āđāļšāļĢāļ™āļ”āđŒāđāļĢāļāļ—āļĩāđˆāļ™āļģ Snapdragon 7 Gen 4 āđ„āļ›āđƒāļŠāđ‰āđƒāļ™āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™āļ‚āļ­āļ‡āļ•āļ™ - āļ„āļēāļ”āļ§āđˆāļē āļˆāļ°āļĄāļĩāļāļēāļĢāđ€āļ›āļīāļ”āļ•āļąāļ§āļ­āļļāļ›āļāļĢāļ“āđŒāļ—āļĩāđˆāđƒāļŠāđ‰āļŠāļīāļ›āļ™āļĩāđ‰āļ āļēāļĒāđƒāļ™āđ€āļ”āļ·āļ­āļ™āļ™āļĩāđ‰ ✅ āļĢāļ­āļ‡āļĢāļąāļš Qualcomm Expanded Personal Area Network (XPAN) āđ€āļ›āđ‡āļ™āļ„āļĢāļąāđ‰āļ‡āđāļĢāļāđƒāļ™āļ‹āļĩāļĢāļĩāļŠāđŒ 7 - āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļ™āļĩāđ‰ āļŠāđˆāļ§āļĒāđ€āļžāļīāđˆāļĄāļ„āļļāļ“āļ āļēāļžāđ€āļŠāļĩāļĒāļ‡āđāļĨāļ°āļāļēāļĢāđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āđ„āļĢāđ‰āļŠāļēāļĒ âœ… Snapdragon Sound āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļ„āļļāļ“āļ āļēāļžāđ€āļŠāļĩāļĒāļ‡āļĢāļ°āļ”āļąāļšāļžāļĢāļĩāđ€āļĄāļĩāļĒāļĄāđ€āļ‚āđ‰āļēāļ–āļķāļ‡āļœāļđāđ‰āđƒāļŠāđ‰āđ„āļ”āđ‰āļĄāļēāļāļ‚āļķāđ‰āļ™ - āļĢāļ­āļ‡āļĢāļąāļš āđ€āļŠāļĩāļĒāļ‡āļ„āļ§āļēāļĄāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļŠāļđāļ‡āđāļĨāļ°āļāļēāļĢāđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āļ—āļĩāđˆāđ€āļŠāļ–āļĩāļĒāļĢ https://www.techpowerup.com/336821/qualcomm-unveils-the-snapdragon-7-gen-4-mobile-platform
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    Qualcomm Unveils the Snapdragon 7 Gen 4 Mobile Platform
    Qualcomm Technologies, Inc. today unveiled the latest addition to its 7-series lineup - the Snapdragon 7 Gen 4 Mobile Platform. This brand-new platform is designed to enhance users' favorite multimedia experiences and deliver robust performance across the board. Whether capturing priceless moments w...
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  • Huawei āđ€āļ›āļīāļ”āļ•āļąāļ§ HarmonyOS 5 āđāļ—āļ™ Windows āļšāļ™āđāļĨāđ‡āļ›āļ—āđ‡āļ­āļ› āļŦāļĨāļąāļ‡āļŦāļĄāļ”āļŠāļąāļāļāļēāļāļąāļš Microsoft Huawei āđ„āļ”āđ‰āđ€āļ›āļīāļ”āļ•āļąāļ§ HarmonyOS 5 (āļŦāļĢāļ·āļ­ HarmonyOS Next) āđ€āļ›āđ‡āļ™āļĢāļ°āļšāļšāļ›āļāļīāļšāļąāļ•āļīāļāļēāļĢāđƒāļŦāļĄāđˆāļŠāļģāļŦāļĢāļąāļšāđāļĨāđ‡āļ›āļ—āđ‡āļ­āļ› āļŦāļĨāļąāļ‡āļˆāļēāļāļ—āļĩāđˆ āđƒāļšāļ­āļ™āļļāļāļēāļ•āđƒāļŠāđ‰ Windows āļŦāļĄāļ”āļ­āļēāļĒāļļāđƒāļ™āđ€āļ”āļ·āļ­āļ™āļĄāļĩāļ™āļēāļ„āļĄāļ—āļĩāđˆāļœāđˆāļēāļ™āļĄāļē āđāļĨāļ°āđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āļ•āđˆāļ­āļŠāļąāļāļāļēāđ„āļ”āđ‰āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļ āļĄāļēāļ•āļĢāļāļēāļĢāļ„āļ§āđˆāļģāļšāļēāļ•āļĢāļ‚āļ­āļ‡āļŠāļŦāļĢāļąāļāļŊ

    HarmonyOS 5 āđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļžāļąāļ’āļ™āļēāļĄāļēāļ•āļąāđ‰āļ‡āđāļ•āđˆāļ›āļĩ 2012 āđāļĨāļ°āđ€āļĢāļīāđˆāļĄāđƒāļŠāđ‰āļ‡āļēāļ™āđƒāļ™ āļŠāļĄāļēāļĢāđŒāļ—āļ—āļĩāļ§āļĩ Honor Vision āđƒāļ™āļ›āļĩ 2019 āļāđˆāļ­āļ™āļ—āļĩāđˆāļˆāļ°āļ–āļđāļāļ™āļģāļĄāļēāđƒāļŠāđ‰āđƒāļ™ āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™āļ‚āļ­āļ‡ Huawei āđƒāļ™āļ›āļĩ 2021 āđ‚āļ”āļĒāļĢāļ°āļšāļšāļ›āļāļīāļšāļąāļ•āļīāļāļēāļĢāļ™āļĩāđ‰āļŠāđˆāļ§āļĒāđƒāļŦāđ‰ āļ­āļļāļ›āļāļĢāļ“āđŒāļ‚āļ­āļ‡ Huawei āļŠāļēāļĄāļēāļĢāļ–āļ—āļģāļ‡āļēāļ™āļĢāđˆāļ§āļĄāļāļąāļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđ„āļĢāđ‰āļĢāļ­āļĒāļ•āđˆāļ­ āļ„āļĨāđ‰āļēāļĒāļāļąāļš āļĢāļ°āļšāļšāļ™āļīāđ€āļ§āļĻāļ‚āļ­āļ‡ Apple

    Huawei āđ€āļ›āļīāļ”āļ•āļąāļ§āđāļĨāđ‡āļ›āļ—āđ‡āļ­āļ›āļ—āļĩāđˆāđƒāļŠāđ‰ HarmonyOS 5 āđāļ—āļ™ Windows
    - āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļ āđƒāļšāļ­āļ™āļļāļāļēāļ•āđƒāļŠāđ‰ Windows āļŦāļĄāļ”āļ­āļēāļĒāļļāđāļĨāļ°āđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āļ•āđˆāļ­āļŠāļąāļāļāļēāđ„āļ”āđ‰

    HarmonyOS 5 āđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļžāļąāļ’āļ™āļēāļĄāļēāļ•āļąāđ‰āļ‡āđāļ•āđˆāļ›āļĩ 2012 āđāļĨāļ°āđ€āļĢāļīāđˆāļĄāđƒāļŠāđ‰āļ‡āļēāļ™āđƒāļ™āļ­āļļāļ›āļāļĢāļ“āđŒāļ•āđˆāļēāļ‡ āđ† āļ•āļąāđ‰āļ‡āđāļ•āđˆāļ›āļĩ 2019
    - āđƒāļŠāđ‰āđƒāļ™ āļŠāļĄāļēāļĢāđŒāļ—āļ—āļĩāļ§āļĩ, āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™, āđāļ—āđ‡āļšāđ€āļĨāđ‡āļ• āđāļĨāļ°āđāļĨāđ‡āļ›āļ—āđ‡āļ­āļ›

    āļŠāđˆāļ§āļĒāđƒāļŦāđ‰ Huawei āļŠāļĢāđ‰āļēāļ‡āļĢāļ°āļšāļšāļ™āļīāđ€āļ§āļĻāļ‚āļ­āļ‡āļ•āļąāļ§āđ€āļ­āļ‡ āļ„āļĨāđ‰āļēāļĒāļāļąāļš Apple
    - āļ­āļļāļ›āļāļĢāļ“āđŒāļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļŠāļēāļĄāļēāļĢāļ– āļ—āļģāļ‡āļēāļ™āļĢāđˆāļ§āļĄāļāļąāļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđ„āļĢāđ‰āļĢāļ­āļĒāļ•āđˆāļ­

    āđāļĨāđ‡āļ›āļ—āđ‡āļ­āļ›āļ—āļĩāđˆāđƒāļŠāđ‰ HarmonyOS 5 āļˆāļ°āļĢāļ­āļ‡āļĢāļąāļšāđāļ­āļ›āļžāļĨāļīāđ€āļ„āļŠāļąāļ™āļĄāļ·āļ­āļ–āļ·āļ­āļ‚āļ­āļ‡ Huawei
    - āđ€āļŠāđˆāļ™ WPS Office āđāļĨāļ° DingTalk

    Huawei āđāļ‹āļ‡āļŦāļ™āđ‰āļē Apple āđƒāļ™āļ•āļĨāļēāļ”āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™āļˆāļĩāļ™ āļ”āđ‰āļ§āļĒāļŠāđˆāļ§āļ™āđāļšāđˆāļ‡āļ•āļĨāļēāļ” 19% āđ€āļ—āļĩāļĒāļšāļāļąāļš 17% āļ‚āļ­āļ‡ Apple
    - āļ­āļēāļˆāļŠāđˆāļ§āļĒāđƒāļŦāđ‰ HarmonyOS āđ„āļ”āđ‰āļĢāļąāļšāļ„āļ§āļēāļĄāļ™āļīāļĒāļĄāļĄāļēāļāļ‚āļķāđ‰āļ™āđƒāļ™āļˆāļĩāļ™

    https://www.tomshardware.com/software/operating-systems/harmonyos-replacing-windows-on-huawei-laptops-delivers-connectivity-across-the-ecosystem
    Huawei āđ€āļ›āļīāļ”āļ•āļąāļ§ HarmonyOS 5 āđāļ—āļ™ Windows āļšāļ™āđāļĨāđ‡āļ›āļ—āđ‡āļ­āļ› āļŦāļĨāļąāļ‡āļŦāļĄāļ”āļŠāļąāļāļāļēāļāļąāļš Microsoft Huawei āđ„āļ”āđ‰āđ€āļ›āļīāļ”āļ•āļąāļ§ HarmonyOS 5 (āļŦāļĢāļ·āļ­ HarmonyOS Next) āđ€āļ›āđ‡āļ™āļĢāļ°āļšāļšāļ›āļāļīāļšāļąāļ•āļīāļāļēāļĢāđƒāļŦāļĄāđˆāļŠāļģāļŦāļĢāļąāļšāđāļĨāđ‡āļ›āļ—āđ‡āļ­āļ› āļŦāļĨāļąāļ‡āļˆāļēāļāļ—āļĩāđˆ āđƒāļšāļ­āļ™āļļāļāļēāļ•āđƒāļŠāđ‰ Windows āļŦāļĄāļ”āļ­āļēāļĒāļļāđƒāļ™āđ€āļ”āļ·āļ­āļ™āļĄāļĩāļ™āļēāļ„āļĄāļ—āļĩāđˆāļœāđˆāļēāļ™āļĄāļē āđāļĨāļ°āđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āļ•āđˆāļ­āļŠāļąāļāļāļēāđ„āļ”āđ‰āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļ āļĄāļēāļ•āļĢāļāļēāļĢāļ„āļ§āđˆāļģāļšāļēāļ•āļĢāļ‚āļ­āļ‡āļŠāļŦāļĢāļąāļāļŊ HarmonyOS 5 āđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļžāļąāļ’āļ™āļēāļĄāļēāļ•āļąāđ‰āļ‡āđāļ•āđˆāļ›āļĩ 2012 āđāļĨāļ°āđ€āļĢāļīāđˆāļĄāđƒāļŠāđ‰āļ‡āļēāļ™āđƒāļ™ āļŠāļĄāļēāļĢāđŒāļ—āļ—āļĩāļ§āļĩ Honor Vision āđƒāļ™āļ›āļĩ 2019 āļāđˆāļ­āļ™āļ—āļĩāđˆāļˆāļ°āļ–āļđāļāļ™āļģāļĄāļēāđƒāļŠāđ‰āđƒāļ™ āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™āļ‚āļ­āļ‡ Huawei āđƒāļ™āļ›āļĩ 2021 āđ‚āļ”āļĒāļĢāļ°āļšāļšāļ›āļāļīāļšāļąāļ•āļīāļāļēāļĢāļ™āļĩāđ‰āļŠāđˆāļ§āļĒāđƒāļŦāđ‰ āļ­āļļāļ›āļāļĢāļ“āđŒāļ‚āļ­āļ‡ Huawei āļŠāļēāļĄāļēāļĢāļ–āļ—āļģāļ‡āļēāļ™āļĢāđˆāļ§āļĄāļāļąāļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđ„āļĢāđ‰āļĢāļ­āļĒāļ•āđˆāļ­ āļ„āļĨāđ‰āļēāļĒāļāļąāļš āļĢāļ°āļšāļšāļ™āļīāđ€āļ§āļĻāļ‚āļ­āļ‡ Apple ✅ Huawei āđ€āļ›āļīāļ”āļ•āļąāļ§āđāļĨāđ‡āļ›āļ—āđ‡āļ­āļ›āļ—āļĩāđˆāđƒāļŠāđ‰ HarmonyOS 5 āđāļ—āļ™ Windows - āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļ āđƒāļšāļ­āļ™āļļāļāļēāļ•āđƒāļŠāđ‰ Windows āļŦāļĄāļ”āļ­āļēāļĒāļļāđāļĨāļ°āđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āļ•āđˆāļ­āļŠāļąāļāļāļēāđ„āļ”āđ‰ ✅ HarmonyOS 5 āđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļžāļąāļ’āļ™āļēāļĄāļēāļ•āļąāđ‰āļ‡āđāļ•āđˆāļ›āļĩ 2012 āđāļĨāļ°āđ€āļĢāļīāđˆāļĄāđƒāļŠāđ‰āļ‡āļēāļ™āđƒāļ™āļ­āļļāļ›āļāļĢāļ“āđŒāļ•āđˆāļēāļ‡ āđ† āļ•āļąāđ‰āļ‡āđāļ•āđˆāļ›āļĩ 2019 - āđƒāļŠāđ‰āđƒāļ™ āļŠāļĄāļēāļĢāđŒāļ—āļ—āļĩāļ§āļĩ, āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™, āđāļ—āđ‡āļšāđ€āļĨāđ‡āļ• āđāļĨāļ°āđāļĨāđ‡āļ›āļ—āđ‡āļ­āļ› âœ… āļŠāđˆāļ§āļĒāđƒāļŦāđ‰ Huawei āļŠāļĢāđ‰āļēāļ‡āļĢāļ°āļšāļšāļ™āļīāđ€āļ§āļĻāļ‚āļ­āļ‡āļ•āļąāļ§āđ€āļ­āļ‡ āļ„āļĨāđ‰āļēāļĒāļāļąāļš Apple - āļ­āļļāļ›āļāļĢāļ“āđŒāļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļŠāļēāļĄāļēāļĢāļ– āļ—āļģāļ‡āļēāļ™āļĢāđˆāļ§āļĄāļāļąāļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđ„āļĢāđ‰āļĢāļ­āļĒāļ•āđˆāļ­ âœ… āđāļĨāđ‡āļ›āļ—āđ‡āļ­āļ›āļ—āļĩāđˆāđƒāļŠāđ‰ HarmonyOS 5 āļˆāļ°āļĢāļ­āļ‡āļĢāļąāļšāđāļ­āļ›āļžāļĨāļīāđ€āļ„āļŠāļąāļ™āļĄāļ·āļ­āļ–āļ·āļ­āļ‚āļ­āļ‡ Huawei - āđ€āļŠāđˆāļ™ WPS Office āđāļĨāļ° DingTalk ✅ Huawei āđāļ‹āļ‡āļŦāļ™āđ‰āļē Apple āđƒāļ™āļ•āļĨāļēāļ”āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™āļˆāļĩāļ™ āļ”āđ‰āļ§āļĒāļŠāđˆāļ§āļ™āđāļšāđˆāļ‡āļ•āļĨāļēāļ” 19% āđ€āļ—āļĩāļĒāļšāļāļąāļš 17% āļ‚āļ­āļ‡ Apple - āļ­āļēāļˆāļŠāđˆāļ§āļĒāđƒāļŦāđ‰ HarmonyOS āđ„āļ”āđ‰āļĢāļąāļšāļ„āļ§āļēāļĄāļ™āļīāļĒāļĄāļĄāļēāļāļ‚āļķāđ‰āļ™āđƒāļ™āļˆāļĩāļ™ https://www.tomshardware.com/software/operating-systems/harmonyos-replacing-windows-on-huawei-laptops-delivers-connectivity-across-the-ecosystem
    WWW.TOMSHARDWARE.COM
    HarmonyOS replacing Windows on Huawei laptops — delivers connectivity across the ecosystem
    The Chinese tech giant is forced to use its own operating system after its Microsoft license expired.
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  • UPCOMING TODAY MAY 1, 2025

    Movement IV – The Symphony of Life

    Life is not simply lived — it is created with every thought, every decision, and every silence we choose to honor.

    This piece invites you to pause, reflect, and take Conscientious Responsibility for the life you are shaping — not only for yourself but for all life interconnected with yours.

    "The Symphony of Life" is not a soundtrack to escape life, but a reminder to listen to it more deeply.

    The journey continues on May 1, 2025.
    Pre-save now and be ready to walk into the sound of your own becoming.

    âžĪ https://distrokid.com/hyperfollow/sweetnationfathermotherdaughterandson/movement-iv-eternal-genesis

    Sweet Nation: Father mother daughter & son
    UPCOMING TODAY MAY 1, 2025 🌌 Movement IV – The Symphony of Life 🌌 Life is not simply lived — it is created with every thought, every decision, and every silence we choose to honor. This piece invites you to pause, reflect, and take Conscientious Responsibility for the life you are shaping — not only for yourself but for all life interconnected with yours. "The Symphony of Life" is not a soundtrack to escape life, but a reminder to listen to it more deeply. ðŸŽĩ The journey continues on May 1, 2025. Pre-save now and be ready to walk into the sound of your own becoming. âžĪ https://distrokid.com/hyperfollow/sweetnationfathermotherdaughterandson/movement-iv-eternal-genesis Sweet Nation: Father mother daughter & son
    DISTROKID.COM
    Movement IV-Eternal Genesis by Sweet Nation: Father, mother, daughter & son
    Stream and Save Movement IV-Eternal Genesis - Distributed by DistroKid
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  • āļ•āļģāļ™āļēāļ™āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒ EP.1: Little Round Top āļāļĨāļĒāļļāļ—āļ˜āđŒāļžāļĨāļīāļāđ€āļāļĄāļ‚āļ­āļ‡āļžāļąāļ™āđ€āļ­āļāļ­āļēāļˆāļēāļĢāļĒāđŒāļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļŠāļēāļĒāļ§āļēāļ—āļĻāļēāļŠāļ•āļĢāđŒ

    āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđƒāļ™āļ§āļąāļ™āļ—āļĩāđˆ 2 āļāļĢāļāļŽāļēāļ„āļĄ āļ„.āļĻ.1863 (āļž.āļĻ.2406) āđƒāļ™āļŠāđˆāļ§āļ‡āļŠāļ‡āļ„āļĢāļēāļĄāļāļĨāļēāļ‡āđ€āļĄāļ·āļ­āļ‡āļ­āđ€āļĄāļĢāļīāļāļē āļ§āļąāļ™āļ—āļĩāđˆāļŠāļ­āļ‡āļ‚āļ­āļ‡āļŠāļĄāļĢāļ āļđāļĄāļīāđ€āļāđ‡āļ•āļ•āļĩāđ‰āđ€āļšāļīāļĢāđŒāļ āļĒāļļāļ—āļ˜āļāļēāļĢāļ™āļ­āļ‡āđ€āļĨāļ·āļ­āļ”āļ—āļĩāđˆāļˆāļ°āļ•āļąāļ”āļŠāļīāļ™āļŠāļ°āļ•āļēāļāļĢāļĢāļĄāļ‚āļ­āļ‡āļŠāļŦāļĢāļąāļāļ­āđ€āļĄāļĢāļīāļāļē āļ“ āļšāļĢāļīāđ€āļ§āļ“āđ€āļ™āļīāļ™āļĨāļīāļ•āđ€āļ•āļīāđ‰āļĨāļĢāļēāļ§āļ”āđŒāļ—āđ‡āļ­āļ›āļāļĢāļĄāļ—āļŦāļēāļĢāļĢāļēāļšāļĢāļąāļāđ€āļĄāļ™āļ—āļĩāđˆ 20 āļ āļēāļĒāđƒāļ•āđ‰āļāļēāļĢāļ™āļģāļ‚āļ­āļ‡āļžāļąāļ™āđ€āļ­āļāđ‚āļˆāļŠāļąāļ§āļĢāđŒ āļĨāļ­āļ§āđŒāđ€āļĢāļ™ āđāļŠāļĄāđ€āļšāļ­āļĢāđŒāđ€āļĨāļ™ (Joshua Lawrence Chamberlain) āđ„āļ”āđ‰āđ€āļ‚āđ‰āļēāļĄāļēāļ•āļąāđ‰āļ‡āļĢāļąāļšāđƒāļ™āļšāļĢāļīāđ€āļ§āļ“āļ›āļĩāļāļ‹āđ‰āļēāļĒāļŠāļļāļ”āļ‚āļ­āļ‡āļāļ­āļ‡āļ—āļąāļžāđ‚āļžāđ‚āļ• (Army of Potomac) āđāļĄāļ„āļ āļēāļĒāđƒāļ•āđ‰āļāļēāļĢāļ™āļģāļ‚āļ­āļ‡āļ™āļēāļĒāļžāļĨāļˆāļ­āļĢāđŒāļˆ āļāļ­āļĢāđŒāļ”āļ­āļ™ āļĄāļĩāļ” (George Gordon Meades) āļŦāļēāļāđ€āļŠāļĩāļĒāļ—āļĩāđˆāļĄāļąāđˆāļ™āļ•āļĢāļ‡āļ™āļĩāđ‰āđ„āļ› āļāļ­āļ‡āļ—āļąāļžāđ‚āļžāđ‚āļ•āđāļĄāļ„āļ—āļĩāđˆāđ€āļŦāļĨāļ·āļ­āļˆāļ°āļ–āļđāļāļāļ§āļēāļ”āļĨāđ‰āļēāļ‡āđ‚āļ”āļĒāļāļ­āļ‡āļ—āļąāļžāđ€āļ§āļ­āļĢāđŒāļˆāļīāđ€āļ™āļĩāļĒāđ€āļŦāļ™āļ·āļ­ (Army of Northern Virginia) āđāļŦāđˆāļ‡āļŠāļĄāļēāļžāļąāļ™āļ˜āļĢāļąāļāļ āļēāļĒāđƒāļ•āđ‰āļāļēāļĢāļ™āļģāļ‚āļ­āļ‡āļ™āļēāļĒāļžāļĨāđ‚āļĢāđ€āļšāļīāļĢāđŒāļ• āļ­āļĩ. āļĨāļĩ (Roberts E. Lee) āļœāļđāđ‰āđ€āļ›āđ‡āļ™āļ•āļģāļ™āļēāļ™

    āđƒāļ™āļāļēāļĢāļŠāļđāđ‰āļĢāļšāļ‚āļ­āļ‡āļ§āļąāļ™āļ™āļąāđ‰āļ™āļāļĢāļĄāļ—āļŦāļēāļĢāļĢāļēāļšāļĢāļąāļāđ€āļĄāļ™āļ—āļĩāđˆ 20 āļ āļēāļĒāđƒāļ•āđ‰āļāļēāļĢāļ™āļģāļ‚āļ­āļ‡āđ€āļ‚āļēāđ„āļ”āđ‰āđ€āļœāļŠāļīāļāļŦāļ™āđ‰āļēāļāļąāļšāļāļĢāļĄāļ—āļŦāļēāļĢāļĢāļēāļšāļĢāļąāļāļ­āļ°āđāļĨāļšāļēāļĄāļēāļ—āļĩāđˆ 15 āļ āļēāļĒāđƒāļ•āđ‰āļāļēāļĢāļ™āļģāļ‚āļ­āļ‡āļžāļąāļ™āđ€āļ­āļāļ§āļīāļĨāđ€āļĨāļĩāđˆāļĒāļĄ āļ‹āļĩ. āđ‚āļ­āļ—āļŠāđŒ (William C. Oates) āļžāļ§āļāđ€āļ‚āļēāļ•āđˆāļ­āļŠāļđāđ‰āļāļąāļšāļ—āļŦāļēāļĢāļ‚āđ‰āļēāļĻāļķāļāļˆāļ™āļāļĢāļ°āļŠāļļāļ™āđ€āļĢāļīāđˆāļĄāļĢāđˆāļ­āļĒāļŦāļĢāļ­āļĨāļ‡ āļˆāļ™āļŦāļĄāļ”āļĨāļ‡āđƒāļ™āļ—āļĩāđˆāļŠāļļāļ” āđƒāļ™āļ—āļĩāđāļĢāļāļ™āļēāļĒāļ—āļŦāļēāļĢāļ„āļ™āļŠāļ™āļīāļ—āļ‚āļ­āļ‡āđ€āļ‚āļē…āļĢāđ‰āļ­āļĒāđ€āļ­āļāđ€āļ­āļĨāļĨāļīāļŠ āļŠāđ€āļ›āļĩāļĒāļĢāđŒ (Ellis Spear) āļˆāļ°āļ‚āļ­āđƒāļŦāđ‰āđ€āļ‚āļēāļ–āļ­āļ™āļāļģāļĨāļąāļ‡ āđāļ•āđˆāļžāļ§āļāđ€āļ‚āļēāļ„āļ·āļ­āļ—āļĩāđˆāļĄāļąāđˆāļ™āļŠāļļāļ”āļ—āđ‰āļēāļĒāđāļĨāđ‰āļ§ āđ€āļžāļĢāļēāļ°āļŦāļēāļāļžāļ§āļāđ€āļ‚āļēāļ–āļ­āļĒāļ—āļąāļžāđāļĨāļ°āļāļ­āļ‡āļ—āļąāļžāļāđˆāļēāļĒāđ€āļŦāļ™āļ·āļ­āļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļ–āļđāļāļāļ§āļēāļ”āļĨāđ‰āļēāļ‡ āļāļ­āļ‡āļ—āļąāļžāļāđˆāļēāļĒāđƒāļ•āđ‰āļˆāļ°āđ€āļ„āļĨāļ·āđˆāļ­āļ™āļžāļĨāļŠāļđāđˆāļāļĢāļļāļ‡āļ§āļ­āļŠāļīāļ‡āļ•āļąāļ™ āļ”āļĩ.āļ‹āļĩ.

    āļžāļąāļ™āđ€āļ­āļāđāļŠāļĄāđ€āļšāļ­āļĢāđŒāđ€āļĨāļ™āļˆāļķāļ‡āļ•āļąāļ”āļŠāļīāļ™āđƒāļˆāļŠāļąāđˆāļ‡āđƒāļŦāđ‰āļ—āļŦāļēāļĢāļ—āļĩāđˆāđ€āļŦāļĨāļ·āļ­āļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļ•āļīāļ”āļ”āļēāļšāļ›āļĨāļēāļĒāļ›āļ·āļ™āđ€āļžāļ·āđˆāļ­āđ€āļ•āļĢāļĩāļĒāļĄāđ€āļ‚āđ‰āļēāļŠāļēāļĢāđŒāļˆāļĻāļąāļ•āļĢāļđ āđ‚āļ”āļĒāđ€āļ‚āļēāđ„āļ”āđ‰āļ™āļģāļŦāļĨāļąāļāļ•āļĢāļĢāļāļ°āļĻāļēāļŠāļ•āļĢāđŒāļ—āļĩāđˆāđ€āļ‚āļēāļ–āļ™āļąāļ”āļĄāļēāđƒāļŠāđ‰āļ”āđ‰āļ§āļĒāđ€āļ‚āļēāđ€āļĢāļĩāļĒāļāļ§āđˆāļē “āļāļĨāļĒāļļāļ—āļ˜āđŒāļšāļēāļ™āļžāļąāļšāļ›āļĢāļ°āļ•āļđ” āđ‚āļ”āļĒāđƒāļŦāđ‰āļāļ­āļ‡āļĢāđ‰āļ­āļĒāļ›āļĩāļāļ‹āđ‰āļēāļĒāļ āļēāļĒāđƒāļ•āđ‰āļāļēāļĢāļ™āļģāļ‚āļ­āļ‡āļĢāđ‰āļ­āļĒāđ€āļ­āļāļŠāđ€āļ›āļĩāļĒāļĢāđŒāđ‚āļˆāļĄāļ•āļĩāļˆāļēāļāļ—āļēāļ‡āļ”āđ‰āļēāļ™āļ‚āđ‰āļēāļ‡ (Flanking Maneuver) āļ‚āļ“āļ°āļ—āļĩāđˆāđ€āļ‚āļēāđāļĨāļ°āļ™āđ‰āļ­āļ‡āļŠāļēāļĒāļ‚āļ­āļ‡āđ€āļ‚āļē…āļĢāđ‰āļ­āļĒāđ‚āļ—āđ‚āļ˜āļĄāļąāļŠ āđ€āļ”āļ§āļĩāđˆ āđāļŠāļĄāđ€āļšāļ­āļĢāđŒāđ€āļĨāļ™ (Thomas Davee Chamberlain) āđ„āļ”āđ‰āļ™āļģāļāļ­āļ‡āļĢāđ‰āļ­āļĒāļ›āļĩāļāļ‚āļ§āļēāđ‚āļˆāļĄāļ•āļĩāļ‚āđ‰āļēāļĻāļķāļāļˆāļēāļāļ”āđ‰āļēāļ™āļŦāļ™āđ‰āļē (Frontal Assault)

    āļŠāļēāđ€āļŦāļ•āļļāļ—āļĩāđˆāļžāļąāļ™āđ€āļ­āļāđāļŠāļĄāđ€āļšāļ­āļĢāđŒāđ€āļĨāļ™āđƒāļŠāđ‰āļ§āļīāļ˜āļĩāļ™āļĩāđ‰āđ€āļžāļĢāļēāļ°āļ§āđˆāļēāļāļ­āļ‡āļ—āļŦāļēāļĢāļ‚āđ‰āļēāļĻāļķāļāļ—āļĩāđˆāđ€āļ‚āđ‰āļēāđ‚āļˆāļĄāļ•āļĩāļžāļ§āļāđ€āļ‚āļēāļ™āļąāđ‰āļ™āļĢāļšāļ•āļīāļ”āļžāļąāļ™āļāļąāļšāļžāļ§āļāđ€āļ‚āļēāļĄāļēāļ—āļąāđ‰āļ‡āļ§āļąāļ™āđāļĨāļ°āļ™āđˆāļēāļˆāļ°āđ€āļŦāļ™āļ·āđˆāļ­āļĒāļˆāļēāļāļāļēāļĢāđ€āļ”āļīāļ™āļ—āļąāļžāļ‚āļķāđ‰āļ™āđ€āļ™āļīāļ™āđ€āļ‚āđ‰āļēāļĄāļēāļ•āļĩāļžāļ§āļāđ€āļ‚āļē (āļ•āļēāļĄāļšāļąāļ™āļ—āļķāļāļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāļˆāļēāļāļĒāļļāļ—āļ˜āļāļēāļĢāđ€āļāđ‡āļ•āļ•āļĩāđ‰āđ€āļšāļīāļĢāđŒāļ āļāļĢāļĄāļ—āļŦāļēāļĢāļĢāļēāļšāļĢāļąāļāļ­āļ°āđāļĨāļšāļēāļĄāļēāļ—āļĩāđˆ 15 āđ€āļ”āļīāļ™āļ—āļēāļ‡āļĄāļēāļ–āļķāļ‡āļŠāļ™āļēāļĄāļĢāļšāđƒāļ™āļ§āļąāļ™āļ—āļĩāđˆāļŠāļ­āļ‡āļ‚āļ­āļ‡āļāļēāļĢāļĢāļšāđāļĨāļ°āļ–āļđāļāļŠāđˆāļ‡āđ€āļ‚āđ‰āļēāļ•āļĩāļ›āļĩāļāļ‹āđ‰āļēāļĒāļ‚āļ­āļ‡āļāļ­āļ‡āļ—āļąāļžāļŠāļŦāļ āļēāļžāđƒāļ™āļ—āļąāļ™āļ—āļĩāļ•āļēāļĄāļ„āļģāļŠāļąāđˆāļ‡āļ‚āļ­āļ‡āļ™āļēāļĒāļžāļĨāļĨāļĩ āđ‚āļ”āļĒāļ—āļĩāđˆāļžāļ§āļāđ€āļ‚āļēāļŠāđˆāļ§āļ™āđƒāļŦāļāđˆāļĒāļąāļ‡āđ„āļĄāđˆāđ„āļ”āđ‰āđāļĄāđ‰āđāļ•āđˆāđ€āļ•āļīāļĄāļ™āđ‰āļģāļ”āļ·āđˆāļĄāļāđˆāļ­āļ™āļ­āļ­āļāļĢāļšāđ€āļĨāļĒ) āļœāļĨāļ‚āļ­āļ‡āļāļēāļĢāļĢāāļāļĢāļĄāļ—āļŦāļēāļĢāļĢāļēāļšāļĢāļąāļāđ€āļĄāļ™āļ—āļĩāđˆ 20 āļŠāļēāļĄāļēāļĢāļ–āļ‚āļąāļšāđ„āļĨāđˆāļāļ­āļ‡āļ—āļŦāļēāļĢāļāđˆāļēāļĒāđƒāļ•āđ‰āļ­āļ­āļāđ„āļ›āđ„āļ”āđ‰āđāļĨāļ°āļŠāļēāļĄāļēāļĢāļ–āļˆāļąāļšāđ€āļŠāļĨāļĒāļĻāļķāļāļ—āļĩāđˆāļ•āļāļ•āļ°āļĨāļķāļ‡āļāļąāļšāļāļēāļĢāļšāļļāļāđāļĨāļ°āļŦāļĄāļ”āđāļĢāļ‡āđ€āļāļīāļ™āļāļ§āđˆāļēāļˆāļ°āļŦāļ™āļĩāđ„āļ”āđ‰āđ€āļ›āđ‡āļ™āļˆāļģāļ™āļ§āļ™āļĄāļēāļ āđƒāļ™āļŠāđˆāļ§āļ‡āļ‚āļ­āļ‡āļāļēāļĢāļšāļļāļāļžāļąāļ™āđ€āļ­āļāđāļŠāļĄāđ€āļšāļ­āļĢāđŒāđ€āļĨāļ™āđ€āļāļ·āļ­āļšāļ–āļđāļāļĒāļīāļ‡āļ”āđ‰āļ§āļĒāļ›āļ·āļ™āļĨāļđāļāđ‚āļĄāđˆāļˆāļēāļāļ™āļēāļĒāļ—āļŦāļēāļĢāļāđˆāļēāļĒāđƒāļ•āđ‰āļ™āļēāļĒāļ™āļķāļ‡ āļŠāļļāļ”āļ—āđ‰āļēāļĒāđ€āļ‚āļēāļˆāļąāļšāļ™āļēāļĒāļ—āļŦāļēāļĢāļ„āļ™āļ™āļąāđ‰āļ™āđāļĨāļ°āļĒāļķāļ”āļ›āļ·āļ™āļ‚āļ­āļ‡āđ€āļ‚āļēāļĄāļēāđ„āļ”āđ‰

    āļˆāļēāļāļ§āļĩāļĢāļāļĢāļĢāļĄāļ‚āļ­āļ‡āđ€āļ‚āļēāđƒāļ™āļ„āļĢāļąāđ‰āļ‡āļ™āļĩāđ‰āļ—āļģāđƒāļŦāđ‰āđ€āļ‚āļēāđ„āļ”āđ‰āļĢāļąāļšāđ€āļŦāļĢāļĩāļĒāļāļāļĨāđ‰āļēāļŦāļēāļ Medal of Honor āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ­āļīāļŠāļĢāļīāļĒāļēāļ āļĢāļ“āđŒāļŠāļģāļŦāļĢāļąāļšāļ—āļŦāļēāļĢāļ—āļĩāđˆāļĄāļĩāļŠāļ·āđˆāļ­āđ€āļŠāļĩāļĒāļ‡āđ€āļāļĩāļĒāļĢāļ•āļīāļĒāļĻāđāļĨāļ°āļĢāļ°āļ”āļąāļšāļŠāļđāļ‡āļŠāļļāļ”āđƒāļ™āļŠāļŦāļĢāļąāļāļ­āđ€āļĄāļĢāļīāļāļēāļ‹āļķāđˆāļ‡āļ­āļēāļˆāđ€āļ›āđ‡āļ™āļāļēāļĢāļ›āļđāļ™āļšāļģāđ€āļŦāļ™āđ‡āļˆāđ€āļžāļ·āđˆāļ­āļĒāļāļĒāđˆāļ­āļ‡āđāļāđˆāļ—āļŦāļēāļĢāđƒāļ™āļāļ­āļ‡āļ—āļąāļžāļŠāļŦāļĢāļąāļāļ—āļĩāđˆāļĄāļĩāļŠāļ·āđˆāļ­āđ€āļŠāļĩāļĒāļ‡āđ‚āļ”āļ”āđ€āļ”āđˆāļ™

    āļ āļēāļĒāļŦāļĨāļąāļ‡āļŠāļ‡āļ„āļĢāļēāļĄāļˆāļšāļĨāļ‡ āđāļŠāļĄāđ€āļšāļ­āļĢāđŒāđ€āļĨāļ™āļ­āļ­āļāļˆāļēāļāļāļ­āļ‡āļ—āļąāļž āđāļĨāļ°āļ”āđ‰āļ§āļĒāļŠāļ·āđˆāļ­āđ€āļŠāļĩāļĒāļ‡āļ‚āļ­āļ‡āđ€āļ‚āļē āđ€āļ‚āļēāđ„āļ”āđ‰āļĨāļ‡āļŠāļĄāļąāļ„āļĢāđ€āļĨāļ·āļ­āļāļ•āļąāđ‰āļ‡āđ€āļ›āđ‡āļ™āļœāļđāđ‰āļ§āđˆāļēāļāļēāļĢāļĢāļąāļāđ€āļĄāļ™ āđ€āļ‚āļēāļŠāļ™āļ°āļāļēāļĢāđ€āļĨāļ·āļ­āļāļ•āļąāđ‰āļ‡āļ–āļķāļ‡āļŠāļĩāđˆāļŠāļĄāļąāļĒ āļ•āļąāđ‰āļ‡āđāļ•āđˆāļ›āļĩ āļ„.āļĻ.1866-1869 (āļž.āļĻ.2409-2412) āđ‚āļ”āļĒāđ€āļ‚āļēāļŠāļąāļ‡āļāļąāļ”āļžāļĢāļĢāļ„āļĢāļĩāļžāļąāļšāļĨāļīāļāļąāļ™ āđāļĨāļ°āđƒāļ™āļ›āļĩ āļ„.āļĻ.1871 (āļž.āļĻ.2414) āđ€āļ‚āļēāđ„āļ”āđ‰āļāļĨāļēāļĒāļĄāļēāđ€āļ›āđ‡āļ™āļ­āļ˜āļīāļāļēāļĢāļšāļ”āļĩāđāļŦāđˆāļ‡āļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđ‚āļšāļ§āđŒāļ”āļīāļ™āļ—āļĩāđˆāđ€āļ‚āļēāđ€āļ„āļĒāļŠāļ­āļ™āļ­āļĒāļđāđˆ

    āļžāļąāļ™āđ€āļ­āļāđ‚āļˆāļŠāļąāļ§āļĢāđŒ āļĨāļ­āļ§āđŒāđ€āļĢāļ™ āđāļŠāļĄāđ€āļšāļ­āļĢāđŒāđ€āļĨāļ™āđ€āļŠāļĩāļĒāļŠāļĩāļ§āļīāļ•āļĨāļ‡āđƒāļ™āļ§āļąāļ™āļ—āļĩāđˆ 24 āļāļļāļĄāļ āļēāļžāļąāļ™āļ˜āđŒ āļ„.āļĻ.1914 (āļž.āļĻ.2457) āđƒāļ™āļ§āļąāļĒ 85āļ›āļĩ āļ—āļĩāđˆāđ€āļĄāļ·āļ­āļ‡āļžāļ­āļĢāđŒāļ—āđāļĨāļ™āļ”āđŒ, āļĢāļąāļāđ€āļĄāļ™, āļŠāļŦāļĢāļąāļāļŊ āđ€āļ›āđ‡āļ™āļ­āļąāļ™āļ›āļīāļ”āļ•āļģāļ™āļēāļ™āļ‚āļ­āļ‡āļžāļąāļ™āđ€āļ­āļāļ­āļēāļˆāļēāļĢāļĒāđŒāļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļŠāļēāļĒāļ§āļēāļ—āļĻāļēāļŠāļ•āļĢāđŒ

    āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ‚āļ­āļ‡āđ€āļ‚āļēāđāļĨāļ°āļ™āđ‰āļ­āļ‡āļŠāļēāļĒāļ‚āļ­āļ‡āđ€āļ‚āļēāđ„āļ”āđ‰āļ–āļđāļāļ™āļģāđ„āļ›āļ•āļĩāđāļœāđˆāļĨāļ‡āđƒāļ™āļ™āļīāļĒāļēāļĒāđ€āļĢāļ·āđˆāļ­āļ‡ The Killer Angels (1974) āđ‚āļ”āļĒāļ™āļąāļāđ€āļ‚āļĩāļĒāļ™āļ™āļ§āļ™āļīāļĒāļēāļĒāļ­āļīāļ‡āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāļ™āļēāļĄ…āđ„āļĄāđ€āļ„āļīāļĨ āļŠāļēāļĢāļē āļ‹āļķāđˆāļ‡āļ•āđˆāļ­āļĄāļēāđ„āļ”āđ‰āļ–āļđāļāļ”āļąāļ”āđāļ›āļĨāļ‡āđ€āļ›āđ‡āļ™āļ āļēāļžāļĒāļ™āļ•āļĢāđŒāđ€āļĢāļ·āđˆāļ­āļ‡ Gettysburg (1993) āđāļĨāļ°āļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡āđƒāļ™āļ™āļ§āļ™āļīāļĒāļēāļĒāđ€āļĢāļ·āđˆāļ­āļ‡ God and Generals (1996) āļ—āļĩāđˆāļ–āļđāļāļ”āļąāļ”āđāļ›āļĨāļ‡āđ€āļ›āđ‡āļ™āļ āļēāļžāļĒāļ™āļ•āļĢāđŒāđƒāļ™āļ›āļĩ 2003 āđƒāļ™āļŠāļ·āđˆāļ­āđ€āļ”āļĩāļĒāļ§āļāļąāļ™ āļ—āļąāđ‰āļ‡āļŠāļ­āļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āļ™āļąāļāđāļŠāļ”āļ‡āļœāļđāđ‰āļĢāļąāļšāļšāļ—āļžāļąāļ™āđ€āļ­āļāđāļŠāļĄāđ€āļšāļ­āļĢāđŒāđ€āļĨāļ™āļ„āļ·āļ­ āđ€āļˆāļŸ āđāļ”āđ€āļ™āļĩāļĒāļĨ

    (āđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄ: āļ‰āļēāļāļāļēāļĢāļ•āđˆāļ­āļŠāļđāđ‰āļ—āļĩāđˆāđ€āļ™āļīāļ™āļĨāļīāļ•āđ€āļ•āļīāđ‰āļĨāļĢāļēāļ§āļ”āđŒāļ—āđ‡āļ­āļ›āđƒāļ™āļ āļēāļžāļĒāļ™āļ•āļĢāđŒ Gettysburg 1993 āđāļ­āļ”āļšāļ­āļāđ„āļ”āđ‰āđ€āļĨāļĒāļ§āđˆāļēāļŠāļ™āļļāļāļĄāļēāļ)
    āļ•āļģāļ™āļēāļ™āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒ EP.1: Little Round Top āļāļĨāļĒāļļāļ—āļ˜āđŒāļžāļĨāļīāļāđ€āļāļĄāļ‚āļ­āļ‡āļžāļąāļ™āđ€āļ­āļāļ­āļēāļˆāļēāļĢāļĒāđŒāļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļŠāļēāļĒāļ§āļēāļ—āļĻāļēāļŠāļ•āļĢāđŒ āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđƒāļ™āļ§āļąāļ™āļ—āļĩāđˆ 2 āļāļĢāļāļŽāļēāļ„āļĄ āļ„.āļĻ.1863 (āļž.āļĻ.2406) āđƒāļ™āļŠāđˆāļ§āļ‡āļŠāļ‡āļ„āļĢāļēāļĄāļāļĨāļēāļ‡āđ€āļĄāļ·āļ­āļ‡āļ­āđ€āļĄāļĢāļīāļāļē āļ§āļąāļ™āļ—āļĩāđˆāļŠāļ­āļ‡āļ‚āļ­āļ‡āļŠāļĄāļĢāļ āļđāļĄāļīāđ€āļāđ‡āļ•āļ•āļĩāđ‰āđ€āļšāļīāļĢāđŒāļ āļĒāļļāļ—āļ˜āļāļēāļĢāļ™āļ­āļ‡āđ€āļĨāļ·āļ­āļ”āļ—āļĩāđˆāļˆāļ°āļ•āļąāļ”āļŠāļīāļ™āļŠāļ°āļ•āļēāļāļĢāļĢāļĄāļ‚āļ­āļ‡āļŠāļŦāļĢāļąāļāļ­āđ€āļĄāļĢāļīāļāļē āļ“ āļšāļĢāļīāđ€āļ§āļ“āđ€āļ™āļīāļ™āļĨāļīāļ•āđ€āļ•āļīāđ‰āļĨāļĢāļēāļ§āļ”āđŒāļ—āđ‡āļ­āļ›āļāļĢāļĄāļ—āļŦāļēāļĢāļĢāļēāļšāļĢāļąāļāđ€āļĄāļ™āļ—āļĩāđˆ 20 āļ āļēāļĒāđƒāļ•āđ‰āļāļēāļĢāļ™āļģāļ‚āļ­āļ‡āļžāļąāļ™āđ€āļ­āļāđ‚āļˆāļŠāļąāļ§āļĢāđŒ āļĨāļ­āļ§āđŒāđ€āļĢāļ™ āđāļŠāļĄāđ€āļšāļ­āļĢāđŒāđ€āļĨāļ™ (Joshua Lawrence Chamberlain) āđ„āļ”āđ‰āđ€āļ‚āđ‰āļēāļĄāļēāļ•āļąāđ‰āļ‡āļĢāļąāļšāđƒāļ™āļšāļĢāļīāđ€āļ§āļ“āļ›āļĩāļāļ‹āđ‰āļēāļĒāļŠāļļāļ”āļ‚āļ­āļ‡āļāļ­āļ‡āļ—āļąāļžāđ‚āļžāđ‚āļ• (Army of Potomac) āđāļĄāļ„āļ āļēāļĒāđƒāļ•āđ‰āļāļēāļĢāļ™āļģāļ‚āļ­āļ‡āļ™āļēāļĒāļžāļĨāļˆāļ­āļĢāđŒāļˆ āļāļ­āļĢāđŒāļ”āļ­āļ™ āļĄāļĩāļ” (George Gordon Meades) āļŦāļēāļāđ€āļŠāļĩāļĒāļ—āļĩāđˆāļĄāļąāđˆāļ™āļ•āļĢāļ‡āļ™āļĩāđ‰āđ„āļ› āļāļ­āļ‡āļ—āļąāļžāđ‚āļžāđ‚āļ•āđāļĄāļ„āļ—āļĩāđˆāđ€āļŦāļĨāļ·āļ­āļˆāļ°āļ–āļđāļāļāļ§āļēāļ”āļĨāđ‰āļēāļ‡āđ‚āļ”āļĒāļāļ­āļ‡āļ—āļąāļžāđ€āļ§āļ­āļĢāđŒāļˆāļīāđ€āļ™āļĩāļĒāđ€āļŦāļ™āļ·āļ­ (Army of Northern Virginia) āđāļŦāđˆāļ‡āļŠāļĄāļēāļžāļąāļ™āļ˜āļĢāļąāļāļ āļēāļĒāđƒāļ•āđ‰āļāļēāļĢāļ™āļģāļ‚āļ­āļ‡āļ™āļēāļĒāļžāļĨāđ‚āļĢāđ€āļšāļīāļĢāđŒāļ• āļ­āļĩ. āļĨāļĩ (Roberts E. Lee) āļœāļđāđ‰āđ€āļ›āđ‡āļ™āļ•āļģāļ™āļēāļ™ āđƒāļ™āļāļēāļĢāļŠāļđāđ‰āļĢāļšāļ‚āļ­āļ‡āļ§āļąāļ™āļ™āļąāđ‰āļ™āļāļĢāļĄāļ—āļŦāļēāļĢāļĢāļēāļšāļĢāļąāļāđ€āļĄāļ™āļ—āļĩāđˆ 20 āļ āļēāļĒāđƒāļ•āđ‰āļāļēāļĢāļ™āļģāļ‚āļ­āļ‡āđ€āļ‚āļēāđ„āļ”āđ‰āđ€āļœāļŠāļīāļāļŦāļ™āđ‰āļēāļāļąāļšāļāļĢāļĄāļ—āļŦāļēāļĢāļĢāļēāļšāļĢāļąāļāļ­āļ°āđāļĨāļšāļēāļĄāļēāļ—āļĩāđˆ 15 āļ āļēāļĒāđƒāļ•āđ‰āļāļēāļĢāļ™āļģāļ‚āļ­āļ‡āļžāļąāļ™āđ€āļ­āļāļ§āļīāļĨāđ€āļĨāļĩāđˆāļĒāļĄ āļ‹āļĩ. āđ‚āļ­āļ—āļŠāđŒ (William C. Oates) āļžāļ§āļāđ€āļ‚āļēāļ•āđˆāļ­āļŠāļđāđ‰āļāļąāļšāļ—āļŦāļēāļĢāļ‚āđ‰āļēāļĻāļķāļāļˆāļ™āļāļĢāļ°āļŠāļļāļ™āđ€āļĢāļīāđˆāļĄāļĢāđˆāļ­āļĒāļŦāļĢāļ­āļĨāļ‡ āļˆāļ™āļŦāļĄāļ”āļĨāļ‡āđƒāļ™āļ—āļĩāđˆāļŠāļļāļ” āđƒāļ™āļ—āļĩāđāļĢāļāļ™āļēāļĒāļ—āļŦāļēāļĢāļ„āļ™āļŠāļ™āļīāļ—āļ‚āļ­āļ‡āđ€āļ‚āļē…āļĢāđ‰āļ­āļĒāđ€āļ­āļāđ€āļ­āļĨāļĨāļīāļŠ āļŠāđ€āļ›āļĩāļĒāļĢāđŒ (Ellis Spear) āļˆāļ°āļ‚āļ­āđƒāļŦāđ‰āđ€āļ‚āļēāļ–āļ­āļ™āļāļģāļĨāļąāļ‡ āđāļ•āđˆāļžāļ§āļāđ€āļ‚āļēāļ„āļ·āļ­āļ—āļĩāđˆāļĄāļąāđˆāļ™āļŠāļļāļ”āļ—āđ‰āļēāļĒāđāļĨāđ‰āļ§ āđ€āļžāļĢāļēāļ°āļŦāļēāļāļžāļ§āļāđ€āļ‚āļēāļ–āļ­āļĒāļ—āļąāļžāđāļĨāļ°āļāļ­āļ‡āļ—āļąāļžāļāđˆāļēāļĒāđ€āļŦāļ™āļ·āļ­āļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļ–āļđāļāļāļ§āļēāļ”āļĨāđ‰āļēāļ‡ āļāļ­āļ‡āļ—āļąāļžāļāđˆāļēāļĒāđƒāļ•āđ‰āļˆāļ°āđ€āļ„āļĨāļ·āđˆāļ­āļ™āļžāļĨāļŠāļđāđˆāļāļĢāļļāļ‡āļ§āļ­āļŠāļīāļ‡āļ•āļąāļ™ āļ”āļĩ.āļ‹āļĩ. āļžāļąāļ™āđ€āļ­āļāđāļŠāļĄāđ€āļšāļ­āļĢāđŒāđ€āļĨāļ™āļˆāļķāļ‡āļ•āļąāļ”āļŠāļīāļ™āđƒāļˆāļŠāļąāđˆāļ‡āđƒāļŦāđ‰āļ—āļŦāļēāļĢāļ—āļĩāđˆāđ€āļŦāļĨāļ·āļ­āļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļ•āļīāļ”āļ”āļēāļšāļ›āļĨāļēāļĒāļ›āļ·āļ™āđ€āļžāļ·āđˆāļ­āđ€āļ•āļĢāļĩāļĒāļĄāđ€āļ‚āđ‰āļēāļŠāļēāļĢāđŒāļˆāļĻāļąāļ•āļĢāļđ āđ‚āļ”āļĒāđ€āļ‚āļēāđ„āļ”āđ‰āļ™āļģāļŦāļĨāļąāļāļ•āļĢāļĢāļāļ°āļĻāļēāļŠāļ•āļĢāđŒāļ—āļĩāđˆāđ€āļ‚āļēāļ–āļ™āļąāļ”āļĄāļēāđƒāļŠāđ‰āļ”āđ‰āļ§āļĒāđ€āļ‚āļēāđ€āļĢāļĩāļĒāļāļ§āđˆāļē “āļāļĨāļĒāļļāļ—āļ˜āđŒāļšāļēāļ™āļžāļąāļšāļ›āļĢāļ°āļ•āļđ” āđ‚āļ”āļĒāđƒāļŦāđ‰āļāļ­āļ‡āļĢāđ‰āļ­āļĒāļ›āļĩāļāļ‹āđ‰āļēāļĒāļ āļēāļĒāđƒāļ•āđ‰āļāļēāļĢāļ™āļģāļ‚āļ­āļ‡āļĢāđ‰āļ­āļĒāđ€āļ­āļāļŠāđ€āļ›āļĩāļĒāļĢāđŒāđ‚āļˆāļĄāļ•āļĩāļˆāļēāļāļ—āļēāļ‡āļ”āđ‰āļēāļ™āļ‚āđ‰āļēāļ‡ (Flanking Maneuver) āļ‚āļ“āļ°āļ—āļĩāđˆāđ€āļ‚āļēāđāļĨāļ°āļ™āđ‰āļ­āļ‡āļŠāļēāļĒāļ‚āļ­āļ‡āđ€āļ‚āļē…āļĢāđ‰āļ­āļĒāđ‚āļ—āđ‚āļ˜āļĄāļąāļŠ āđ€āļ”āļ§āļĩāđˆ āđāļŠāļĄāđ€āļšāļ­āļĢāđŒāđ€āļĨāļ™ (Thomas Davee Chamberlain) āđ„āļ”āđ‰āļ™āļģāļāļ­āļ‡āļĢāđ‰āļ­āļĒāļ›āļĩāļāļ‚āļ§āļēāđ‚āļˆāļĄāļ•āļĩāļ‚āđ‰āļēāļĻāļķāļāļˆāļēāļāļ”āđ‰āļēāļ™āļŦāļ™āđ‰āļē (Frontal Assault) āļŠāļēāđ€āļŦāļ•āļļāļ—āļĩāđˆāļžāļąāļ™āđ€āļ­āļāđāļŠāļĄāđ€āļšāļ­āļĢāđŒāđ€āļĨāļ™āđƒāļŠāđ‰āļ§āļīāļ˜āļĩāļ™āļĩāđ‰āđ€āļžāļĢāļēāļ°āļ§āđˆāļēāļāļ­āļ‡āļ—āļŦāļēāļĢāļ‚āđ‰āļēāļĻāļķāļāļ—āļĩāđˆāđ€āļ‚āđ‰āļēāđ‚āļˆāļĄāļ•āļĩāļžāļ§āļāđ€āļ‚āļēāļ™āļąāđ‰āļ™āļĢāļšāļ•āļīāļ”āļžāļąāļ™āļāļąāļšāļžāļ§āļāđ€āļ‚āļēāļĄāļēāļ—āļąāđ‰āļ‡āļ§āļąāļ™āđāļĨāļ°āļ™āđˆāļēāļˆāļ°āđ€āļŦāļ™āļ·āđˆāļ­āļĒāļˆāļēāļāļāļēāļĢāđ€āļ”āļīāļ™āļ—āļąāļžāļ‚āļķāđ‰āļ™āđ€āļ™āļīāļ™āđ€āļ‚āđ‰āļēāļĄāļēāļ•āļĩāļžāļ§āļāđ€āļ‚āļē (āļ•āļēāļĄāļšāļąāļ™āļ—āļķāļāļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāļˆāļēāļāļĒāļļāļ—āļ˜āļāļēāļĢāđ€āļāđ‡āļ•āļ•āļĩāđ‰āđ€āļšāļīāļĢāđŒāļ āļāļĢāļĄāļ—āļŦāļēāļĢāļĢāļēāļšāļĢāļąāļāļ­āļ°āđāļĨāļšāļēāļĄāļēāļ—āļĩāđˆ 15 āđ€āļ”āļīāļ™āļ—āļēāļ‡āļĄāļēāļ–āļķāļ‡āļŠāļ™āļēāļĄāļĢāļšāđƒāļ™āļ§āļąāļ™āļ—āļĩāđˆāļŠāļ­āļ‡āļ‚āļ­āļ‡āļāļēāļĢāļĢāļšāđāļĨāļ°āļ–āļđāļāļŠāđˆāļ‡āđ€āļ‚āđ‰āļēāļ•āļĩāļ›āļĩāļāļ‹āđ‰āļēāļĒāļ‚āļ­āļ‡āļāļ­āļ‡āļ—āļąāļžāļŠāļŦāļ āļēāļžāđƒāļ™āļ—āļąāļ™āļ—āļĩāļ•āļēāļĄāļ„āļģāļŠāļąāđˆāļ‡āļ‚āļ­āļ‡āļ™āļēāļĒāļžāļĨāļĨāļĩ āđ‚āļ”āļĒāļ—āļĩāđˆāļžāļ§āļāđ€āļ‚āļēāļŠāđˆāļ§āļ™āđƒāļŦāļāđˆāļĒāļąāļ‡āđ„āļĄāđˆāđ„āļ”āđ‰āđāļĄāđ‰āđāļ•āđˆāđ€āļ•āļīāļĄāļ™āđ‰āļģāļ”āļ·āđˆāļĄāļāđˆāļ­āļ™āļ­āļ­āļāļĢāļšāđ€āļĨāļĒ) āļœāļĨāļ‚āļ­āļ‡āļāļēāļĢāļĢāāļāļĢāļĄāļ—āļŦāļēāļĢāļĢāļēāļšāļĢāļąāļāđ€āļĄāļ™āļ—āļĩāđˆ 20 āļŠāļēāļĄāļēāļĢāļ–āļ‚āļąāļšāđ„āļĨāđˆāļāļ­āļ‡āļ—āļŦāļēāļĢāļāđˆāļēāļĒāđƒāļ•āđ‰āļ­āļ­āļāđ„āļ›āđ„āļ”āđ‰āđāļĨāļ°āļŠāļēāļĄāļēāļĢāļ–āļˆāļąāļšāđ€āļŠāļĨāļĒāļĻāļķāļāļ—āļĩāđˆāļ•āļāļ•āļ°āļĨāļķāļ‡āļāļąāļšāļāļēāļĢāļšāļļāļāđāļĨāļ°āļŦāļĄāļ”āđāļĢāļ‡āđ€āļāļīāļ™āļāļ§āđˆāļēāļˆāļ°āļŦāļ™āļĩāđ„āļ”āđ‰āđ€āļ›āđ‡āļ™āļˆāļģāļ™āļ§āļ™āļĄāļēāļ āđƒāļ™āļŠāđˆāļ§āļ‡āļ‚āļ­āļ‡āļāļēāļĢāļšāļļāļāļžāļąāļ™āđ€āļ­āļāđāļŠāļĄāđ€āļšāļ­āļĢāđŒāđ€āļĨāļ™āđ€āļāļ·āļ­āļšāļ–āļđāļāļĒāļīāļ‡āļ”āđ‰āļ§āļĒāļ›āļ·āļ™āļĨāļđāļāđ‚āļĄāđˆāļˆāļēāļāļ™āļēāļĒāļ—āļŦāļēāļĢāļāđˆāļēāļĒāđƒāļ•āđ‰āļ™āļēāļĒāļ™āļķāļ‡ āļŠāļļāļ”āļ—āđ‰āļēāļĒāđ€āļ‚āļēāļˆāļąāļšāļ™āļēāļĒāļ—āļŦāļēāļĢāļ„āļ™āļ™āļąāđ‰āļ™āđāļĨāļ°āļĒāļķāļ”āļ›āļ·āļ™āļ‚āļ­āļ‡āđ€āļ‚āļēāļĄāļēāđ„āļ”āđ‰ āļˆāļēāļāļ§āļĩāļĢāļāļĢāļĢāļĄāļ‚āļ­āļ‡āđ€āļ‚āļēāđƒāļ™āļ„āļĢāļąāđ‰āļ‡āļ™āļĩāđ‰āļ—āļģāđƒāļŦāđ‰āđ€āļ‚āļēāđ„āļ”āđ‰āļĢāļąāļšāđ€āļŦāļĢāļĩāļĒāļāļāļĨāđ‰āļēāļŦāļēāļ Medal of Honor āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ­āļīāļŠāļĢāļīāļĒāļēāļ āļĢāļ“āđŒāļŠāļģāļŦāļĢāļąāļšāļ—āļŦāļēāļĢāļ—āļĩāđˆāļĄāļĩāļŠāļ·āđˆāļ­āđ€āļŠāļĩāļĒāļ‡āđ€āļāļĩāļĒāļĢāļ•āļīāļĒāļĻāđāļĨāļ°āļĢāļ°āļ”āļąāļšāļŠāļđāļ‡āļŠāļļāļ”āđƒāļ™āļŠāļŦāļĢāļąāļāļ­āđ€āļĄāļĢāļīāļāļēāļ‹āļķāđˆāļ‡āļ­āļēāļˆāđ€āļ›āđ‡āļ™āļāļēāļĢāļ›āļđāļ™āļšāļģāđ€āļŦāļ™āđ‡āļˆāđ€āļžāļ·āđˆāļ­āļĒāļāļĒāđˆāļ­āļ‡āđāļāđˆāļ—āļŦāļēāļĢāđƒāļ™āļāļ­āļ‡āļ—āļąāļžāļŠāļŦāļĢāļąāļāļ—āļĩāđˆāļĄāļĩāļŠāļ·āđˆāļ­āđ€āļŠāļĩāļĒāļ‡āđ‚āļ”āļ”āđ€āļ”āđˆāļ™ āļ āļēāļĒāļŦāļĨāļąāļ‡āļŠāļ‡āļ„āļĢāļēāļĄāļˆāļšāļĨāļ‡ āđāļŠāļĄāđ€āļšāļ­āļĢāđŒāđ€āļĨāļ™āļ­āļ­āļāļˆāļēāļāļāļ­āļ‡āļ—āļąāļž āđāļĨāļ°āļ”āđ‰āļ§āļĒāļŠāļ·āđˆāļ­āđ€āļŠāļĩāļĒāļ‡āļ‚āļ­āļ‡āđ€āļ‚āļē āđ€āļ‚āļēāđ„āļ”āđ‰āļĨāļ‡āļŠāļĄāļąāļ„āļĢāđ€āļĨāļ·āļ­āļāļ•āļąāđ‰āļ‡āđ€āļ›āđ‡āļ™āļœāļđāđ‰āļ§āđˆāļēāļāļēāļĢāļĢāļąāļāđ€āļĄāļ™ āđ€āļ‚āļēāļŠāļ™āļ°āļāļēāļĢāđ€āļĨāļ·āļ­āļāļ•āļąāđ‰āļ‡āļ–āļķāļ‡āļŠāļĩāđˆāļŠāļĄāļąāļĒ āļ•āļąāđ‰āļ‡āđāļ•āđˆāļ›āļĩ āļ„.āļĻ.1866-1869 (āļž.āļĻ.2409-2412) āđ‚āļ”āļĒāđ€āļ‚āļēāļŠāļąāļ‡āļāļąāļ”āļžāļĢāļĢāļ„āļĢāļĩāļžāļąāļšāļĨāļīāļāļąāļ™ āđāļĨāļ°āđƒāļ™āļ›āļĩ āļ„.āļĻ.1871 (āļž.āļĻ.2414) āđ€āļ‚āļēāđ„āļ”āđ‰āļāļĨāļēāļĒāļĄāļēāđ€āļ›āđ‡āļ™āļ­āļ˜āļīāļāļēāļĢāļšāļ”āļĩāđāļŦāđˆāļ‡āļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđ‚āļšāļ§āđŒāļ”āļīāļ™āļ—āļĩāđˆāđ€āļ‚āļēāđ€āļ„āļĒāļŠāļ­āļ™āļ­āļĒāļđāđˆ āļžāļąāļ™āđ€āļ­āļāđ‚āļˆāļŠāļąāļ§āļĢāđŒ āļĨāļ­āļ§āđŒāđ€āļĢāļ™ āđāļŠāļĄāđ€āļšāļ­āļĢāđŒāđ€āļĨāļ™āđ€āļŠāļĩāļĒāļŠāļĩāļ§āļīāļ•āļĨāļ‡āđƒāļ™āļ§āļąāļ™āļ—āļĩāđˆ 24 āļāļļāļĄāļ āļēāļžāļąāļ™āļ˜āđŒ āļ„.āļĻ.1914 (āļž.āļĻ.2457) āđƒāļ™āļ§āļąāļĒ 85āļ›āļĩ āļ—āļĩāđˆāđ€āļĄāļ·āļ­āļ‡āļžāļ­āļĢāđŒāļ—āđāļĨāļ™āļ”āđŒ, āļĢāļąāļāđ€āļĄāļ™, āļŠāļŦāļĢāļąāļāļŊ āđ€āļ›āđ‡āļ™āļ­āļąāļ™āļ›āļīāļ”āļ•āļģāļ™āļēāļ™āļ‚āļ­āļ‡āļžāļąāļ™āđ€āļ­āļāļ­āļēāļˆāļēāļĢāļĒāđŒāļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļŠāļēāļĒāļ§āļēāļ—āļĻāļēāļŠāļ•āļĢāđŒ āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ‚āļ­āļ‡āđ€āļ‚āļēāđāļĨāļ°āļ™āđ‰āļ­āļ‡āļŠāļēāļĒāļ‚āļ­āļ‡āđ€āļ‚āļēāđ„āļ”āđ‰āļ–āļđāļāļ™āļģāđ„āļ›āļ•āļĩāđāļœāđˆāļĨāļ‡āđƒāļ™āļ™āļīāļĒāļēāļĒāđ€āļĢāļ·āđˆāļ­āļ‡ The Killer Angels (1974) āđ‚āļ”āļĒāļ™āļąāļāđ€āļ‚āļĩāļĒāļ™āļ™āļ§āļ™āļīāļĒāļēāļĒāļ­āļīāļ‡āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāļ™āļēāļĄ…āđ„āļĄāđ€āļ„āļīāļĨ āļŠāļēāļĢāļē āļ‹āļķāđˆāļ‡āļ•āđˆāļ­āļĄāļēāđ„āļ”āđ‰āļ–āļđāļāļ”āļąāļ”āđāļ›āļĨāļ‡āđ€āļ›āđ‡āļ™āļ āļēāļžāļĒāļ™āļ•āļĢāđŒāđ€āļĢāļ·āđˆāļ­āļ‡ Gettysburg (1993) āđāļĨāļ°āļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡āđƒāļ™āļ™āļ§āļ™āļīāļĒāļēāļĒāđ€āļĢāļ·āđˆāļ­āļ‡ God and Generals (1996) āļ—āļĩāđˆāļ–āļđāļāļ”āļąāļ”āđāļ›āļĨāļ‡āđ€āļ›āđ‡āļ™āļ āļēāļžāļĒāļ™āļ•āļĢāđŒāđƒāļ™āļ›āļĩ 2003 āđƒāļ™āļŠāļ·āđˆāļ­āđ€āļ”āļĩāļĒāļ§āļāļąāļ™ āļ—āļąāđ‰āļ‡āļŠāļ­āļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āļ™āļąāļāđāļŠāļ”āļ‡āļœāļđāđ‰āļĢāļąāļšāļšāļ—āļžāļąāļ™āđ€āļ­āļāđāļŠāļĄāđ€āļšāļ­āļĢāđŒāđ€āļĨāļ™āļ„āļ·āļ­ āđ€āļˆāļŸ āđāļ”āđ€āļ™āļĩāļĒāļĨ (āđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄ: āļ‰āļēāļāļāļēāļĢāļ•āđˆāļ­āļŠāļđāđ‰āļ—āļĩāđˆāđ€āļ™āļīāļ™āļĨāļīāļ•āđ€āļ•āļīāđ‰āļĨāļĢāļēāļ§āļ”āđŒāļ—āđ‡āļ­āļ›āđƒāļ™āļ āļēāļžāļĒāļ™āļ•āļĢāđŒ Gettysburg 1993 āđāļ­āļ”āļšāļ­āļāđ„āļ”āđ‰āđ€āļĨāļĒāļ§āđˆāļēāļŠāļ™āļļāļāļĄāļēāļ)
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    - āļ™āļąāļāļ§āļīāđ€āļ„āļĢāļēāļ°āļŦāđŒāļ„āļēāļ”āļ§āđˆāļē Apple āļ­āļēāļˆāđ€āļĨāļ·āļ­āļāļ—āļģāļĄāļ·āļ­āļ–āļ·āļ­āļžāļąāļšāđāļšāļšāļāļēāļžāļąāļšāđāļ—āļ™āļ—āļĩāđˆāļˆāļ°āđ€āļ›āđ‡āļ™āđāļ—āđ‡āļšāđ€āļĨāđ‡āļ•āļžāļąāļš āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āļĄāļĩāļĢāļēāļ„āļēāļ—āļĩāđˆāđ€āļ‚āđ‰āļēāļ–āļķāļ‡āļ‡āđˆāļēāļĒāļāļ§āđˆāļē

    āļĢāļēāļ„āļēāļĒāļąāļ‡āļ„āļ‡āđ€āļ›āđ‡āļ™āļ›āļąāļˆāļˆāļąāļĒāļŠāļģāļ„āļąāļāļ—āļĩāđˆāļ‰āļļāļ”āļ•āļĨāļēāļ”āļĄāļ·āļ­āļ–āļ·āļ­āļˆāļ­āļžāļąāļš
    - āļ„āļēāļ”āļ§āđˆāļē iPhone Fold āļ­āļēāļˆāļĄāļĩāļĢāļēāļ„āļē āļ›āļĢāļ°āļĄāļēāļ“ $2,000 āļ‹āļķāđˆāļ‡āļĒāļąāļ‡āļ„āļ‡āļŠāļđāļ‡āļĄāļēāļ
    - āđāļĄāđ‰āļ§āđˆāļēāļĢāļēāļ„āļēāļ­āļēāļˆāļĨāļ”āļĨāļ‡āđ€āļĄāļ·āđˆāļ­āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļĄāļĩāļ„āļ§āļēāļĄāđāļžāļĢāđˆāļŦāļĨāļēāļĒāļ‚āļķāđ‰āļ™ āđāļ•āđˆāļĒāļąāļ‡āđ„āļĄāđˆāļŠāļąāļ”āđ€āļˆāļ™āļ§āđˆāļēāļˆāļ°āļĨāļ”āļĨāļ‡āđāļ„āđˆāđ„āļŦāļ™

    https://www.techradar.com/phones/iphone/foldable-phone-sales-are-tipped-to-fall-this-year-and-apple-is-the-only-brand-that-could-turn-things-around
    Counterpoint Research āļĢāļēāļĒāļ‡āļēāļ™āļ§āđˆāļē āļĒāļ­āļ”āļ‚āļēāļĒāļĄāļ·āļ­āļ–āļ·āļ­āļˆāļ­āļžāļąāļšāđƒāļ™āļ›āļĩ 2025 āļ­āļēāļˆāļĨāļ”āļĨāļ‡ āđāļĄāđ‰āļ§āđˆāļēāļˆāļ°āđ€āļ•āļīāļšāđ‚āļ•āļ­āļĒāđˆāļēāļ‡āļŠāđ‰āļē āđ† āđƒāļ™āļ›āļĩ 2024 āđ‚āļ”āļĒāđāļšāļĢāļ™āļ”āđŒāđƒāļŦāļāđˆāđ€āļŠāđˆāļ™ Samsung, Google, Oppo, Huawei āđāļĨāļ° Motorola āļ•āđˆāļēāļ‡āļāđ‡āļĨāļ‡āļ—āļļāļ™āđƒāļ™āļ•āļĨāļēāļ”āļ™āļĩāđ‰āļ­āļĒāđˆāļēāļ‡āļŦāļ™āļąāļ āđāļ•āđˆāļĒāļąāļ‡āđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āļ‚āļĒāļēāļĒāļāļēāļ™āļœāļđāđ‰āđƒāļŠāđ‰āđ„āļ”āđ‰āļĄāļēāļāļžāļ­ āļ™āļąāļāļ§āļīāđ€āļ„āļĢāļēāļ°āļŦāđŒāļ„āļēāļ”āļ§āđˆāļē āļŦāļēāļ Apple āđ€āļ›āļīāļ”āļ•āļąāļ§ iPhone Fold āđƒāļ™āļ›āļĩ 2026 āļ­āļēāļˆāļŠāđˆāļ§āļĒāļžāļĨāļīāļāļ•āļĨāļēāļ”āđ„āļ”āđ‰ ✅ āļĄāļ·āļ­āļ–āļ·āļ­āļˆāļ­āļžāļąāļšāļĒāļąāļ‡āļ„āļ‡āđ€āļ›āđ‡āļ™āļāļĨāļļāđˆāļĄāđ€āļĨāđ‡āļāđƒāļ™āļ•āļĨāļēāļ”āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™ - āđāļĄāđ‰āļ§āđˆāļēāļŦāļĨāļēāļĒāđāļšāļĢāļ™āļ”āđŒāļˆāļ°āļ­āļ­āļāļœāļĨāļīāļ•āļ āļąāļ“āļ‘āđŒāđƒāļŦāļĄāđˆ āđāļ•āđˆ āļĒāļ­āļ”āļ‚āļēāļĒāļĄāļ·āļ­āļ–āļ·āļ­āļˆāļ­āļžāļąāļšāđ„āļĄāđˆāđ€āļ„āļĒāđ€āļāļīāļ™ 2% āļ‚āļ­āļ‡āļ•āļĨāļēāļ”āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” - āļ›āļąāļˆāļˆāļąāļĒāļŠāļģāļ„āļąāļāļ—āļĩāđˆāļ—āļģāđƒāļŦāđ‰āļœāļđāđ‰āđƒāļŠāđ‰āđ„āļĄāđˆāļŠāļ™āđƒāļˆāļ„āļ·āļ­ āļĢāļēāļ„āļēāļŠāļđāļ‡āđāļĨāļ°āļ‚āļēāļ”āļˆāļļāļ”āļ‚āļēāļĒāļ—āļĩāđˆāļ”āļķāļ‡āļ”āļđāļ”āļžāļ­ âœ… āđāļšāļĢāļ™āļ”āđŒāļ•āđˆāļēāļ‡ āđ† āļĒāļąāļ‡āļ„āļ‡āļĨāļ‡āļ—āļļāļ™ āđāļĄāđ‰āļœāļđāđ‰āđƒāļŠāđ‰āļĒāļąāļ‡āđ„āļĄāđˆāļ•āļ­āļšāļĢāļąāļšāđ€āļ•āđ‡āļĄāļ—āļĩāđˆ - Honor āđāļĨāļ° Oppo āļĄāļĩāļœāļĨāļīāļ•āļ āļąāļ“āļ‘āđŒāđƒāļŦāļĄāđˆāļ—āļĩāđˆāļŠāđˆāļ§āļĒāļ‚āļĒāļēāļĒāļ•āļĨāļēāļ”āļĄāļ·āļ­āļ–āļ·āļ­āļˆāļ­āļžāļąāļš āđāļ•āđˆ āļŠāđˆāļ§āļ™āđƒāļŦāļāđˆāļˆāļģāļāļąāļ”āļ­āļĒāļđāđˆāđƒāļ™āļˆāļĩāļ™āđāļĨāļ°āļĒāļļāđ‚āļĢāļ› - āļ™āļąāļāļ§āļīāđ€āļ„āļĢāļēāļ°āļŦāđŒāļĄāļ­āļ‡āļ§āđˆāļē āļ›āļĩ 2026 āļˆāļ°āđ€āļ›āđ‡āļ™āļˆāļļāļ”āđ€āļ›āļĨāļĩāđˆāļĒāļ™āļ‚āļ­āļ‡āļ•āļĨāļēāļ” āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āđ€āļĄāļ·āđˆāļ­ Apple āđ€āļ‚āđ‰āļēāļŠāļđāđˆāļ•āļĨāļēāļ” âœ… Apple āļ­āļēāļˆāđ€āļ›āļīāļ”āļ•āļąāļ§ iPhone Fold āđƒāļ™āļ›āļĩ 2026 - Apple āļĄāļąāļ āļĢāļ­āđƒāļŦāđ‰āļ•āļĨāļēāļ”āļĄāļĩāļ„āļ§āļēāļĄāļŠāļąāļ”āđ€āļˆāļ™āļāđˆāļ­āļ™ āđāļĨāđ‰āļ§āļ„āđˆāļ­āļĒāđ€āļ›āļīāļ”āļ•āļąāļ§āļœāļĨāļīāļ•āļ āļąāļ“āļ‘āđŒāļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļ­āļ­āļāđāļšāļšāļ­āļĒāđˆāļēāļ‡āļ”āļĩ - āļĄāļĩāļ‚āđˆāļēāļ§āļĨāļ·āļ­āļ§āđˆāļē iPhone Fold āļ­āļēāļˆāđƒāļŠāđ‰āļšāļēāļ™āļžāļąāļšāđ‚āļĨāļŦāļ°āđ€āļŦāļĨāļ§āđāļĨāļ°āļ”āļĩāđ„āļ‹āļ™āđŒāļšāļēāļ‡āđ€āļ›āđ‡āļ™āļžāļīāđ€āļĻāļĐ - āļ™āļąāļāļ§āļīāđ€āļ„āļĢāļēāļ°āļŦāđŒāļ„āļēāļ”āļ§āđˆāļē Apple āļ­āļēāļˆāđ€āļĨāļ·āļ­āļāļ—āļģāļĄāļ·āļ­āļ–āļ·āļ­āļžāļąāļšāđāļšāļšāļāļēāļžāļąāļšāđāļ—āļ™āļ—āļĩāđˆāļˆāļ°āđ€āļ›āđ‡āļ™āđāļ—āđ‡āļšāđ€āļĨāđ‡āļ•āļžāļąāļš āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āļĄāļĩāļĢāļēāļ„āļēāļ—āļĩāđˆāđ€āļ‚āđ‰āļēāļ–āļķāļ‡āļ‡āđˆāļēāļĒāļāļ§āđˆāļē ✅ āļĢāļēāļ„āļēāļĒāļąāļ‡āļ„āļ‡āđ€āļ›āđ‡āļ™āļ›āļąāļˆāļˆāļąāļĒāļŠāļģāļ„āļąāļāļ—āļĩāđˆāļ‰āļļāļ”āļ•āļĨāļēāļ”āļĄāļ·āļ­āļ–āļ·āļ­āļˆāļ­āļžāļąāļš - āļ„āļēāļ”āļ§āđˆāļē iPhone Fold āļ­āļēāļˆāļĄāļĩāļĢāļēāļ„āļē āļ›āļĢāļ°āļĄāļēāļ“ $2,000 āļ‹āļķāđˆāļ‡āļĒāļąāļ‡āļ„āļ‡āļŠāļđāļ‡āļĄāļēāļ - āđāļĄāđ‰āļ§āđˆāļēāļĢāļēāļ„āļēāļ­āļēāļˆāļĨāļ”āļĨāļ‡āđ€āļĄāļ·āđˆāļ­āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļĄāļĩāļ„āļ§āļēāļĄāđāļžāļĢāđˆāļŦāļĨāļēāļĒāļ‚āļķāđ‰āļ™ āđāļ•āđˆāļĒāļąāļ‡āđ„āļĄāđˆāļŠāļąāļ”āđ€āļˆāļ™āļ§āđˆāļēāļˆāļ°āļĨāļ”āļĨāļ‡āđāļ„āđˆāđ„āļŦāļ™ https://www.techradar.com/phones/iphone/foldable-phone-sales-are-tipped-to-fall-this-year-and-apple-is-the-only-brand-that-could-turn-things-around
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  • PRESTIGIOUS PARTNERSHIP ALERT

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    #EssentialOils #ItalianCitrus #BergamotOil #PremiumEssentials #TelvadaThailand #CitrusOils #ItalianExcellence #CalabriaCitrus #LuxuryEssentials #OrganicBeauty” #telvada #telvadaessentialoils #thailand #oleolio #essentialoils #italy #fyp
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  • Graduation Quotes To Lead You Into The Next Chapter

    Every spring, graduates of colleges and universities around the US are awarded their degrees at commencement ceremonies. “Pomp and Circumstance” will be played, mortarboard caps will be thrown, and a commencement address will be given by a notable figure. The goal of a commencement address is to give advice that can be taken into the “real world” after graduation. It’s an opportunity to reflect on what values are truly meaningful, the importance of education, and how to make a difference. Graduate or not, we can all stand to learn from the words of writers, politicians, musicians, and others. These 12 quotes from some of the most impactful or notable commencement addresses will inspire you, challenge you, and give you a new sense of purpose.

    1. “The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day.”
    —David Foster Wallace, 2005 Kenyon College commencement

    myriad

    In one of the most famous commencement addresses of all time, “This is Water,” writer David Foster Wallace encouraged graduates to rethink their ideas about freedom. The word myriad [ mir-ee-uhd ] means “of an indefinitely great number; innumerable.” Myriad comes from the Greek for “ten thousand,” and can be used in English to mean the same, but DFW didn’t have this meaning in mind here.

    2. “I don’t know what your future is, but if you are willing to take the harder way, the more complicated one, the one with more failures at first than successes, the one that has ultimately proven to have more meaning, more victory, more glory then you will not regret it.”
    —Chadwick Boseman, 2018 Howard University commencement

    glory

    The actor Chadwick Boseman died tragically at a young age from colon cancer. Knowing this makes his words to graduates at his alma mater, Howard, even more poignant. He shares his ideas about how one can achieve glory, “very great praise, honor, or distinction bestowed by common consent; renown.” While today glory has a very positive connotation, this wasn’t always the case. In its earliest uses, glory was used more in the sense of vainglory, “excessive elation or pride over one’s own achievements.”

    3. “As every past generation has had to disenthrall itself from an inheritance of truisms and stereotypes, so in our own time we must move on from the reassuring repetition of stale phrases to a new, difficult, but essential confrontation with reality. For the great enemy of truth is very often not the lie—deliberate, contrived, and dishonest—but the myth—persistent, persuasive, and unrealistic.”
    —President John F. Kennedy, 1962 Yale University commencement

    disenthrall

    President John F. Kennedy spent most of his 1962 commencement speech at Yale talking about his vision of government, but he also took time to give advice to the graduates. He says young people need to disenthrall themselves from old myths and stereotypes. Disenthrall is a verb meaning “to free from bondage; liberate.” Thrall is an old word meaning “a person who is morally or mentally enslaved by some power” or, more simply, “slavery.”

    4. “[T]hough it’s crucial to make a living, that shouldn’t be your inspiration or your aspiration. Do it for yourself, your highest self, for your own pride, joy, ego, gratification, expression, love, fulfillment, happiness—whatever you want to call it.”
    —Billy Joel, 1993 Berklee College of Music commencement

    fulfillment

    Activist and musician Billy Joel, addressing graduates of the prestigious music school Berklee College, gave advice on how to direct creative energies to making the world a better place. He encourages them to do work for their own fulfillment, “the state or act of bringing something to realization.” Fulfillment is often used to describe the feeling one has when one accomplishes something of personal significance.

    5. “I want you all to stay true to the most real, most sincere, most authentic parts of yourselves. I want you to ask those basic questions: Who do you want to be? What inspires you? How do you want to give back?”
    —First Lady Michelle Obama, 2015 Tuskegee University commencement

    authentic

    On a similar note as Billy Joel, former First Lady Michelle Obama exhorts students to be authentic, which here means “representing one’s true nature or beliefs; true to oneself.” The word authentic comes from the Greek authentikós, meaning “original, primary, at first hand.”

    6. “I hope you are never victims, but I hope you have no power over other people. And when you fail, and are defeated, and in pain, and in the dark, then I hope you will remember that darkness is your country, where you live, where no wars are fought and no wars are won, but where the future is.”
    —Ursula K. Le Guin, 1983 Mills College commencement

    future

    Science fiction writer Ursula K. Le Guin was no stranger to imagining new worlds and possibilities. So it makes sense that she talked to graduates about the future, “time that is to be or come hereafter.” While today we use future as a noun and adjective, in the mid-1600s, future was also used as a verb to mean “to put off to a future day,” as in They future their work because they are lazy.

    7. “As you approach your future, there will be ample opportunity to becomejadedand cynical, but I urge you to resist cynicism—the world is still a beautiful place and change is possible.”
    —Ellen Johnson Sirleaf, 2011 Harvard University commencement

    jaded

    Ellen Johnson Sirleaf is the former president of Liberia and was the first woman to lead an African nation. She spoke at her alma mater, Harvard, about the importance of advocating for change. She notes that many people become jaded as they age, a word that here means “worn out or wearied, as by overwork or overuse.” This sense of jaded comes from the Middle English jade, “a worn-out, broken-down, worthless, or vicious horse.”

    8. “Everything meaningful about this moment, and these four years, will be meaningful inside you, not outside you … As long as you store it inside yourself, it’s not going anywhere—or it’s going everywhere with you.”
    —Margaret Edson, 2008 Smith College commencement

    meaningful

    Educator and playwright Margaret Edson told graduates at Smith College that they will carry what is meaningful about their experience with them throughout their lives. Meaningful means “full of meaning, significance, purpose, or value.” Meaningful is formed from a combination of meaning and the suffix -ful, meaning “full of” or “characterized by.” It’s one of many suffixes from Old English that is still present in our language today.

    9. “If you really want to fly, just harness your power to your passion. Honor your calling. Everyone has one.”
    —Oprah Winfrey, 2008 Stanford commencement

    harness

    Television host Oprah Winfrey is known for being an inspiration, and her commencement speech at Stanford University in 2008 was certainly inspirational. She urged students to “harness [their] power to [their] passion.” Harness here is being used figuratively and as a verb to mean “to bring under conditions for effective use; gain control over for a particular end.” Harness comes from the Old Norse *hernest meaning “provisions for an armed force.” The word’s meaning has changed quite a lot since! [checking]

    10. “When things are going sweetly and peacefully, please pause a moment, and then say out loud, “If this isn’t nice, what is?””
    —Kurt Vonnegut, 1999 Agnes Scott College commencement

    sweetly

    The writer Kurt Vonnegut wanted graduates to take time to reflect on the goodness in life. He describes this as “when things are going sweetly,” a word commonly associated with sugar but that can also describe anything “pleasing or agreeable; delightful.” Sweet is an interesting word that is closely related to its ancient Proto-Indo-European original. You can learn more about the history of the word at our entry for sweet.

    11. “From my point of view, which is that of a storyteller, I see your life as already artful, waiting, just waiting and ready for you to make it art.”
    —Toni Morrison, 2004 Wellesley College commencement

    artful

    Novelist Toni Morrison in her commencement address at Wellesley College told graduates she saw their lives as artful. While this word can mean “slyly crafty or cunning; deceitful; tricky,” it is clear from the context that Morrison meant it in the sense of “done with or characterized by art or skill.” In other words, the graduates have the skills, power, and beauty to create a good life.

    12. “If I must give any of you advice it would be Say Yes. Say Yes, And … and create your own destiny.”
    —Maya Rudolph, 2015 Tulane University commencement

    destiny

    Graduation is a time to think about the future and one’s destiny, in the sense of “something that is to happen or has happened to a particular person or thing; lot or fortune.” Destiny is often taken to be something that is “predetermined, usually inevitable or irresistible.” But actor Maya Rudolph takes this word in a different direction, saying graduates should “create [their] own destiny.”

    Graduation season is a time to consider our own futures, destinies, passions, and desires. We hope these inspiring words give you something to chew on as you go forth into the “real world.”

    Copyright 2025, AAKKHRA, All Rights Reserved.
    Graduation Quotes To Lead You Into The Next Chapter Every spring, graduates of colleges and universities around the US are awarded their degrees at commencement ceremonies. “Pomp and Circumstance” will be played, mortarboard caps will be thrown, and a commencement address will be given by a notable figure. The goal of a commencement address is to give advice that can be taken into the “real world” after graduation. It’s an opportunity to reflect on what values are truly meaningful, the importance of education, and how to make a difference. Graduate or not, we can all stand to learn from the words of writers, politicians, musicians, and others. These 12 quotes from some of the most impactful or notable commencement addresses will inspire you, challenge you, and give you a new sense of purpose. 1. “The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day.” —David Foster Wallace, 2005 Kenyon College commencement myriad In one of the most famous commencement addresses of all time, “This is Water,” writer David Foster Wallace encouraged graduates to rethink their ideas about freedom. The word myriad [ mir-ee-uhd ] means “of an indefinitely great number; innumerable.” Myriad comes from the Greek for “ten thousand,” and can be used in English to mean the same, but DFW didn’t have this meaning in mind here. 2. “I don’t know what your future is, but if you are willing to take the harder way, the more complicated one, the one with more failures at first than successes, the one that has ultimately proven to have more meaning, more victory, more glory then you will not regret it.” —Chadwick Boseman, 2018 Howard University commencement glory The actor Chadwick Boseman died tragically at a young age from colon cancer. Knowing this makes his words to graduates at his alma mater, Howard, even more poignant. He shares his ideas about how one can achieve glory, “very great praise, honor, or distinction bestowed by common consent; renown.” While today glory has a very positive connotation, this wasn’t always the case. In its earliest uses, glory was used more in the sense of vainglory, “excessive elation or pride over one’s own achievements.” 3. “As every past generation has had to disenthrall itself from an inheritance of truisms and stereotypes, so in our own time we must move on from the reassuring repetition of stale phrases to a new, difficult, but essential confrontation with reality. For the great enemy of truth is very often not the lie—deliberate, contrived, and dishonest—but the myth—persistent, persuasive, and unrealistic.” —President John F. Kennedy, 1962 Yale University commencement disenthrall President John F. Kennedy spent most of his 1962 commencement speech at Yale talking about his vision of government, but he also took time to give advice to the graduates. He says young people need to disenthrall themselves from old myths and stereotypes. Disenthrall is a verb meaning “to free from bondage; liberate.” Thrall is an old word meaning “a person who is morally or mentally enslaved by some power” or, more simply, “slavery.” 4. “[T]hough it’s crucial to make a living, that shouldn’t be your inspiration or your aspiration. Do it for yourself, your highest self, for your own pride, joy, ego, gratification, expression, love, fulfillment, happiness—whatever you want to call it.” —Billy Joel, 1993 Berklee College of Music commencement fulfillment Activist and musician Billy Joel, addressing graduates of the prestigious music school Berklee College, gave advice on how to direct creative energies to making the world a better place. He encourages them to do work for their own fulfillment, “the state or act of bringing something to realization.” Fulfillment is often used to describe the feeling one has when one accomplishes something of personal significance. 5. “I want you all to stay true to the most real, most sincere, most authentic parts of yourselves. I want you to ask those basic questions: Who do you want to be? What inspires you? How do you want to give back?” —First Lady Michelle Obama, 2015 Tuskegee University commencement authentic On a similar note as Billy Joel, former First Lady Michelle Obama exhorts students to be authentic, which here means “representing one’s true nature or beliefs; true to oneself.” The word authentic comes from the Greek authentikós, meaning “original, primary, at first hand.” 6. “I hope you are never victims, but I hope you have no power over other people. And when you fail, and are defeated, and in pain, and in the dark, then I hope you will remember that darkness is your country, where you live, where no wars are fought and no wars are won, but where the future is.” —Ursula K. Le Guin, 1983 Mills College commencement future Science fiction writer Ursula K. Le Guin was no stranger to imagining new worlds and possibilities. So it makes sense that she talked to graduates about the future, “time that is to be or come hereafter.” While today we use future as a noun and adjective, in the mid-1600s, future was also used as a verb to mean “to put off to a future day,” as in They future their work because they are lazy. 7. “As you approach your future, there will be ample opportunity to becomejadedand cynical, but I urge you to resist cynicism—the world is still a beautiful place and change is possible.” —Ellen Johnson Sirleaf, 2011 Harvard University commencement jaded Ellen Johnson Sirleaf is the former president of Liberia and was the first woman to lead an African nation. She spoke at her alma mater, Harvard, about the importance of advocating for change. She notes that many people become jaded as they age, a word that here means “worn out or wearied, as by overwork or overuse.” This sense of jaded comes from the Middle English jade, “a worn-out, broken-down, worthless, or vicious horse.” 8. “Everything meaningful about this moment, and these four years, will be meaningful inside you, not outside you … As long as you store it inside yourself, it’s not going anywhere—or it’s going everywhere with you.” —Margaret Edson, 2008 Smith College commencement meaningful Educator and playwright Margaret Edson told graduates at Smith College that they will carry what is meaningful about their experience with them throughout their lives. Meaningful means “full of meaning, significance, purpose, or value.” Meaningful is formed from a combination of meaning and the suffix -ful, meaning “full of” or “characterized by.” It’s one of many suffixes from Old English that is still present in our language today. 9. “If you really want to fly, just harness your power to your passion. Honor your calling. Everyone has one.” —Oprah Winfrey, 2008 Stanford commencement harness Television host Oprah Winfrey is known for being an inspiration, and her commencement speech at Stanford University in 2008 was certainly inspirational. She urged students to “harness [their] power to [their] passion.” Harness here is being used figuratively and as a verb to mean “to bring under conditions for effective use; gain control over for a particular end.” Harness comes from the Old Norse *hernest meaning “provisions for an armed force.” The word’s meaning has changed quite a lot since! [checking] 10. “When things are going sweetly and peacefully, please pause a moment, and then say out loud, “If this isn’t nice, what is?”” —Kurt Vonnegut, 1999 Agnes Scott College commencement sweetly The writer Kurt Vonnegut wanted graduates to take time to reflect on the goodness in life. He describes this as “when things are going sweetly,” a word commonly associated with sugar but that can also describe anything “pleasing or agreeable; delightful.” Sweet is an interesting word that is closely related to its ancient Proto-Indo-European original. You can learn more about the history of the word at our entry for sweet. 11. “From my point of view, which is that of a storyteller, I see your life as already artful, waiting, just waiting and ready for you to make it art.” —Toni Morrison, 2004 Wellesley College commencement artful Novelist Toni Morrison in her commencement address at Wellesley College told graduates she saw their lives as artful. While this word can mean “slyly crafty or cunning; deceitful; tricky,” it is clear from the context that Morrison meant it in the sense of “done with or characterized by art or skill.” In other words, the graduates have the skills, power, and beauty to create a good life. 12. “If I must give any of you advice it would be Say Yes. Say Yes, And … and create your own destiny.” —Maya Rudolph, 2015 Tulane University commencement destiny Graduation is a time to think about the future and one’s destiny, in the sense of “something that is to happen or has happened to a particular person or thing; lot or fortune.” Destiny is often taken to be something that is “predetermined, usually inevitable or irresistible.” But actor Maya Rudolph takes this word in a different direction, saying graduates should “create [their] own destiny.” Graduation season is a time to consider our own futures, destinies, passions, and desires. We hope these inspiring words give you something to chew on as you go forth into the “real world.” Copyright 2025, AAKKHRA, All Rights Reserved.
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    āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ‚āļ­āļ‡āļ āļēāļžāļ„āļ·āļ­āđ€āļĢāļ·āđˆāļ­āļ‡āļ‚āļ­āļ‡āđ€āļĒāļĩāđˆāļĒāļ™āļˆāļĩāđ‹ āļ­āļ™āļļāļ āļĢāļĢāļĒāļēāļ‚āļ­āļ‡āđ€āļˆāļīāđ‰āļ‡āđ€āļŦāļ§āļīāļ™āļāļ‡ āđ€āļˆāđ‰āļēāļœāļđāđ‰āļ›āļāļ„āļĢāļ­āļ‡āđāļ„āļ§āđ‰āļ™āđ€āļˆāļīāđ‰āļ‡āđƒāļ™āļĒāļļāļ„āļŠāļĄāļąāļĒāļŠāļļāļ™āļŠāļīāļ§ (āļ‚āļ­āļ­āļ āļąāļĒāđ„āļĄāđˆāđƒāļŠāđ‰āļĢāļēāļŠāļēāļĻāļąāļžāļ—āđŒāđƒāļ™āļšāļ—āļ„āļ§āļēāļĄ) āļ™āļēāļ‡āļāļąāļ™āļ§āđˆāļēāļĄāļĩāđ€āļ—āļžāļ˜āļīāļ”āļēāļ™āļģāļ”āļ­āļāļŦāļĨāļąāļ™āļŪāļ§āļēāļĄāļēāļĄāļ­āļšāđƒāļŦāđ‰āđāļĨāļ°āļšāļ­āļāļ§āđˆāļēāļ”āļ­āļāđ„āļĄāđ‰āļ™āļĩāđ‰āļˆāļ°āļ—āļģāđƒāļŦāđ‰āļ™āļēāļ‡āđ„āļ”āđ‰āļĢāļąāļšāļ„āļ§āļēāļĄāļĢāļąāļāļˆāļēāļāđ€āļˆāļīāđ‰āļ‡āđ€āļŦāļ§āļīāļ™āļāļ‡āđāļĨāļ°āļˆāļ°āđ„āļ”āđ‰āļšāļļāļ•āļĢāļ—āļĩāđˆāđ‚āļ”āļ”āđ€āļ”āđˆāļ™āļĄāļēāđ€āļ›āđ‡āļ™āļœāļđāđ‰āļŠāļ·āļšāļ—āļ­āļ”āđāļœāđˆāļ™āļ”āļīāļ™āļ•āđˆāļ­āđ„āļ› āđāļĨāļ°āļ§āļĨāļĩ ‘āđ€āļĒāļĩāđˆāļĒāļ™āļˆāļĩāđ‹āđ€āļĄāļīāđˆāļ‡āļŦāļĨāļąāļ™’ āļ•āđˆāļ­āļĄāļēāļ–āļđāļāđƒāļŠāđ‰āđ€āļ›āļĢāļĩāļĒāļšāđ€āļ›āļĢāļĒāļ–āļķāļ‡āļ„āļ§āļēāļĄāļĢāļąāļāļ—āļĩāđˆāļ­āļ­āļāļ”āļ­āļāļ­āļ­āļāļœāļĨāđ€āļ›āđ‡āļ™āļĨāļđāļāļŦāļĨāļēāļ™ āđāļĨāļ°āļŠāļ°āļ—āđ‰āļ­āļ™āļ„āļ§āļēāļĄāļ™āļąāļĒāļ§āđˆāļē āļāļąāļ™āļ—āļĩāđˆāļ”āļĩāļ™āļģāļĄāļēāļ‹āļķāđˆāļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ”āļĩāđ† āđāļĨāļ°āļ āļēāļžāļ™āļĩāđ‰āļ–āļđāļāļ•āļĩāļ„āļ§āļēāļĄāļ§āđˆāļē āļŦāļĄāļēāļĒāļ–āļķāļ‡āļāļēāļĢāļ—āļģāļŠāļīāđˆāļ‡āļ—āļĩāđˆāļāļąāļ™āđƒāļŦāđ‰āđ€āļ›āđ‡āļ™āļˆāļĢāļīāļ‡

    āđ€āļĢāļ·āđˆāļ­āļ‡āļ™āļĩāđ‰āļ„āļļāđ‰āļ™āļŦāļđāļāļąāļ™āļšāđ‰āļēāļ‡āđ„āļŦāļĄ? StoryāļŊ āđ€āļ„āļĒāđ€āļĨāđˆāļēāļ–āļķāļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āļ™āļĩāđ‰āđāļĨāđ‰āļ§āļ•āļ­āļ™āļ—āļĩāđˆāļ„āļļāļĒāļ–āļķāļ‡āļ§āļĨāļĩ ‘āļŦāļĨāļąāļ™āļ­āļīāļ™āļ‹āļ§āļĩāđˆāļāļąāđˆāļ§’ āļĨāļ­āļ‡āļāļĨāļąāļšāđ„āļ›āļ­āđˆāļēāļ™āļ”āļđāļāļąāļ™āļ™āļ°āļ„āļ° (https://www.facebook.com/StoryfromStory/posts/731814662280162)

    āļ›āđ‰āļēāļĒāļ—āļĩāđˆāļžāļĢāļ°āļĢāļēāļŠāļ—āļēāļ™āļ„āļđāđˆāļāļąāļšāļ āļēāļžāļ™āļĩāđ‰āļ„āļ·āļ­ ‘āļˆāđ‰āļēāļ™āđ€āļ•āđ‹āļ­āļāļ‡āđ€āļŦāļ§āļĒ’ (čĩžåū·åŪŦ闱) āđāļ›āļĨāđ„āļ”āđ‰āļ›āļĢāļ°āļĄāļēāļ“āļ§āđˆāļē āļĻāļĩāļĨāļ˜āļĢāļĢāļĄāļ”āļĩāļ‡āļēāļĄāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļĒāļāļĒāđˆāļ­āļ‡āđ„āļ›āļ—āļąāđˆāļ§āļžāļĢāļ°āļĢāļēāļŠāļāļēāļ™āļ™āļēāļ‡āđƒāļ™

    āļˆāļšāđāļĨāđ‰āļ§āļāļąāļšāļŠāļīāļšāļŠāļ­āļ‡āļ āļēāļžāļ§āļēāļ” StoryāļŊ āļ™āļģāļĄāļēāđ€āļĢāļĩāļĒāļšāđ€āļĢāļĩāļĒāļ‡āļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡ āđ‚āļ”āļĒāđ€āļĢāļĩāļĒāļ‡āļĨāļģāļ”āļąāļšāļˆāļēāļāļžāļĢāļ°āļ•āļģāļŦāļ™āļąāļāļ—āļĩāđˆāļ­āļĒāļđāđˆāđƒāļāļĨāđ‰āļžāļĢāļ°āļ—āļĩāđˆāļ™āļąāđˆāļ‡āļŦāļĒāļąāđˆāļ‡āļ‹āļīāļ™āđ€āļ•āļĩāđ‰āļĒāļ™ (āļ—āļĩāđˆāļ›āļĢāļ°āļ—āļąāļšāļŪāđˆāļ­āļ‡āđ€āļ•āđ‰) āļ•āļēāļĄāļ™āļĩāđ‰āļ„āđˆāļ°

    1. āļ•āļģāļŦāļ™āļąāļāļ‰āļĩāđˆāđ€āļŠāļĩāļĒāļ‡āļāļ‡ āļŦāļĢāļ·āļ­āļ­āļĩāļāļŠāļ·āđˆāļ­āļŦāļ™āļķāđˆāļ‡āļ„āļ·āļ­ āđ„āļ—āđˆāļˆāļĩāđ‹āđ€āļ•āļĩāđ‰āļĒāļ™ (Hall of Supreme Principle) āļ āļēāļž ‘āđ€āļˆāļĩāļĒāļ‡āđ‚āļŪāđˆāļ§āļ—āļąāļ§āļˆāļēāļ™’ (å§œåŽč„ąį°Š / āļĄāđ€āļŦāļŠāļĩāđ€āļˆāļĩāļĒāļ‡āļ›āļĨāļ”āļ›āļīāđˆāļ™) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­āļ„āļĨāđ‰āļ­āļĒāļ•āļēāļĄāļŠāļēāļĄāļĩ āļ āļēāļžāļˆāļĢāļīāļ‡āļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§ (https://www.facebook.com/StoryfromStory/posts/791887496272878)
    2. āļ•āļģāļŦāļ™āļąāļāļ‰āļēāļ‡āļŠāļļāļ™āļāļ‡ (Palace of Eternal Spring) āļ āļēāļž ‘āđ„āļ—āđˆāļ‹āļķāļŪāļļāđˆāļĒāļˆāļ·āđˆāļ­’ (åĪŠå§’čŊē子/āđ„āļ—āđˆāļ‹āļķāļŠāļ­āļ™āļšāļļāļ•āļĢ) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­ āļŠāļąāđˆāļ‡āļŠāļ­āļ™āļšāļļāļ•āļĢ āļ āļēāļžāļˆāļĢāļīāļ‡āļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§ (https://www.facebook.com/StoryfromStory/posts/746257530835875)
    3. āļ•āļģāļŦāļ™āļąāļāļŦāļĒāđˆāļ‡āđ‚āļ‹āđˆāļ§āļāļ‡ (Palace of Eternal Longevity) āļ āļēāļž ‘āļ›āļąāļ™āļˆāļĩāļ‰āļ·āļ­āđ€āļŦāļ™āļĩāđˆāļĒāļ™’ (į­å§Žčūžčū‡å›ū / āļ›āļąāļ™āļˆāļĩāļœāļđāđ‰āļ‡āļēāļĄāļĄāļēāļĢāļĒāļēāļ—) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­ āļĢāļđāđ‰āļĄāļēāļĢāļĒāļēāļ—āđāļĨāļ°āļžāļīāļ˜āļĩāļāļēāļĢ āļ āļēāļžāļˆāļĢāļīāļ‡āļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§ (https://www.facebook.com/StoryfromStory/posts/750792533715708)
    4. āļ•āļģāļŦāļ™āļąāļāļ­āļĩāđ‰āļ„āļļāļ™āļāļ‡ (Palace of Earthly Honor) āļ āļēāļž ‘āļˆāļēāļ§āļŦāļĢāļ‡āļœāļīāļ‡āļ‹āļ·āļ­’ (昭åŪđčŊ„čŊ—å›ū / āļˆāļēāļ§āļŦāļĢāļ‡āļ•āļąāļ”āļŠāļīāļ™āļšāļ—āļāļ§āļĩ) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­ āļāļēāļĢāļĻāļķāļāļĐāļē āļ āļēāļžāļˆāļĢāļīāļ‡āļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§ (https://www.facebook.com/StoryfromStory/posts/764297899031838)
    5. āļ•āļģāļŦāļ™āļąāļāđ€āļŠāļĩāļĒāļ™āļāļđāļāļ‡ (Palace of Universal Happiness) āļ āļēāļž ‘āđ€āļˆāļĩāđ‹āļĒāļ­āļ§āļĩāđ‹āļ•āļąāđˆāļ‡āļŠāļĒā (åЕåĶĪå―“į†Šå›ū / āđ€āļˆāļĩāđ‹āļĒāļ­āļ§āļĩāđ‹āļ‚āļ§āļēāļ‡āļŦāļĄāļĩ) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­ āļāļĨāđ‰āļēāļŦāļēāļ āļ āļēāļžāļˆāļĢāļīāļ‡āļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§ (https://www.facebook.com/StoryfromStory/posts/768864935241801)
    6. āļ•āļģāļŦāļ™āļąāļāļ‰āļđāđˆāļ‹āļīāđˆāļ§āļāļ‡ (Palace of Gathered Elegance) āļ āļēāļž ‘āļ‹āļĩāļŦāļĨāļīāļ‡āđ€āļˆāļĩāļĒāļ§āļ‰āļēāļ™’ (čĨŋé™ĩæ•™čš•å›ū /āļ‹āļĩāļŦāļĨāļīāļ‡āļŠāļ­āļ™āđ€āļĨāļĩāđ‰āļĒāļ‡āđ„āļŦāļĄ) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­ āļ™āļ§āļąāļ•āļāļĢāļĢāļĄ āļ āļēāļžāļˆāļĢāļīāļ‡āļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§(https://www.facebook.com/StoryfromStory/posts/754042176724077)
    7. āļ•āļģāļŦāļ™āļąāļāļˆāļīāđˆāļ‡āđ€āļŦāļĢāļīāļ™āļāļ‡ (Palace of Great Benevolence) āļ āļēāļž ‘āđ€āļĒāļĩāđˆāļĒāļ™āļˆāļĩāđ‹āđ€āļĄāļīāđˆāļ‡āļŦāļĨāļąāļ™’ (į‡•å§žæĒĶ兰 / āđ€āļĒāļĩāđˆāļĒāļ™āļˆāļĩāđ‹āļāļąāļ™āļ–āļķāļ‡āļŦāļĨāļąāļ™āļŪāļ§āļē) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­ āļ§āļīāļŠāļąāļĒāļ—āļąāļĻāļ™āđŒ āļ āļēāļžāļˆāļĢāļīāļ‡āļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§ āļāđ‡āļ„āļ·āļ­āļšāļ—āļ„āļ§āļēāļĄāļ—āļĩāđˆāđ€āļĨāđˆāļēāļ–āļķāļ‡āļ‚āđ‰āļēāļ‡āļ•āđ‰āļ™āđƒāļ™āļ§āļąāļ™āļ™āļĩāđ‰
    8. āļ•āļģāļŦāļ™āļąāļāđ€āļ‰āļīāļ™āđ€āļ‰āļĩāļĒāļ™āļāļ‡ (Palace of Celestial Favor) āļ āļēāļž ‘āļŠāļ§āļĩāđ€āļŸāļĒāļˆāļ·āđ‹āļ­āđ€āļˆāļĩāđ‰āļĒāļ™’ (åūå̓į›ī谏 / āļŠāļ§āļĩāđ€āļŸāļĒāļ§āļīāļžāļēāļāļĐāđŒ) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­ āļˆāļ‡āļĢāļąāļāļ āļąāļāļ”āļĩāļ•āļĢāļ‡āđ„āļ›āļ•āļĢāļ‡āļĄāļē āļ āļēāļžāļˆāļĢāļīāļ‡āļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§ (https://www.facebook.com/StoryfromStory/posts/759313216196973)
    9. āļ•āļģāļŦāļ™āļąāļāļˆāļ‡āļŠāļļāđˆāļĒāļāļ‡ (Palace of Accumulated Purity) āļ āļēāļž ‘āļŠāļ§āļĩāđˆāđ‚āļŪāđˆāļ§āđ€āļŸāļīāđˆāļ‡āļ­āđ‰āļēāļ™’ (čŪļ后åĨ‰æĄˆ/ āļŠāļ§āļĩāđˆāļŪāļ­āļ‡āđ€āļŪāļēāļ–āļ§āļēāļĒāļžāļĢāļ°āļāļĢāļ°āļĒāļēāļŦāļēāļĢ) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­ āđ€āļ„āļēāļĢāļžāļœāļđāđ‰āļ­āļēāļ§āļļāđ‚āļŠ āļ āļēāļžāļˆāļĢāļīāļ‡āđ€āļāđ‡āļšāļ­āļĒāļđāđˆāļ—āļĩāđˆāļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒāļāļđāđ‰āļžāļĢāļ°āļĢāļēāļŠāļ§āļąāļ‡āļ•āđ‰āļ­āļ‡āļŦāđ‰āļēāļĄ (https://www.facebook.com/StoryfromStory/posts/773395164788778)
    10. āļ•āļģāļŦāļ™āļąāļāļˆāļīāđˆāļ‡āļŦāļĒāļēāļ‡āļāļ‡ (Palace of Great Brilliance) āļ āļēāļž ‘āļŦāļĄāđˆāļēāđ‚āļŪāđˆāļ§āđ€āļĨāļĩāđˆāļĒāļ™āļ­āļĩ’ (éĐŽåŽįŧƒčĄĢå›ū / āļŦāļĄāđˆāļēāļŪāļ­āļ‡āđ€āļŪāļēāļŠāļ§āļĄāļœāđ‰āļē) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­ āļĄāļąāļ˜āļĒāļąāļŠāļ–āđŒ āļ āļēāļžāļˆāļĢāļīāļ‡āļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§ (https://web.facebook.com/StoryfromStory/posts/797174585744169)
    11. āļ•āļģāļŦāļ™āļąāļāļŦāļĒāđˆāļ‡āđ€āļŦāļ­āļāļ‡ (Palace of Eternal Harmony) āļ āļēāļž ‘āļāļēāļ™āļˆāļĩāđ€āļˆāļĩāđ‰āļĒāļ™āđ€āļĨāļĩāđˆāļĒ’ (æĻŠå§Žč°įŒŽ / āļāļēāļ™āļˆāļĩāđ€āļ•āļ·āļ­āļ™āļŠāļ•āļīāđƒāļŦāđ‰āļŦāļĒāļļāļ”āļĨāđˆāļēāļŠāļąāļ•āļ§āđŒ) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­āđ€āļ•āļ·āļ­āļ™āļŠāļ•āļī āļ āļēāļžāļˆāļĢāļīāļ‡āļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§ (https://www.facebook.com/StoryfromStory/posts/786677160127245)
    12. āļ•āļģāļŦāļ™āļąāļāđ€āļŦāļĒāļĩāļĒāļ™āļŠāļĩāđˆāļāļ‡ (Palace of Prolonging Happiness) āļ āļēāļž ‘āđ€āļ‰āļēāđ‚āļŪāđˆāļ§āļˆāđ‰āļ‡āļŦāļ™ā (æ›đ后重农å›ū / āđ€āļ‰āļēāļŪāļ­āļ‡āđ€āļŪāļēāđƒāļŦāđ‰āļ„āļ§āļēāļĄāļŠāļģāļ„āļąāļāļāļąāļšāļāļēāļĢāđ€āļāļĐāļ•āļĢ) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­ āļ‚āļĒāļąāļ™āļ‚āļąāļ™āđāļ‚āđ‡āļ‡ āļ āļēāļžāļˆāļĢāļīāļ‡āļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§ (https://www.facebook.com/StoryfromStory/posts/777707414357553)

    āļŠāļĢāļļāļ›āļ§āđˆāļēāđƒāļ™āļšāļĢāļĢāļ”āļēāļŠāļīāļšāļŠāļ­āļ‡āļ āļēāļžāļ§āļēāļ”āļ™āļĩāđ‰ āđ€āļŦāļĨāļ·āļ­āļ‚āļ­āļ‡āļˆāļĢāļīāļ‡āļ­āļĒāļđāđˆāđ€āļžāļĩāļĒāļ‡āļ āļēāļžāđ€āļ”āļĩāļĒāļ§āļ„āļ·āļ­ ‘āļŠāļ§āļĩāđˆāđ‚āļŪāđˆāļ§āđ€āļŸāļīāđˆāļ‡āļ­āđ‰āļēāļ™’ āļ āļēāļžāļˆāļĢāļīāļ‡āđ€āļāđ‡āļšāļ­āļĒāļđāđˆāļ—āļĩāđˆāļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒāļāļđāđ‰āļāļ‡ StoryāļŊ āļ­āļēāļˆāđ€āļĨāđˆāļēāļŠāļ°āđ€āļ›āļ°āļŠāļ°āļ›āļ°āđ„āļ›āļŦāļ™āđˆāļ­āļĒāđāļĨāļ°āđƒāļŠāđ‰āđ€āļ§āļĨāļēāđ€āļĨāđˆāļēāļ™āļēāļ™āļāļ§āđˆāļēāļˆāļ°āļˆāļšāļ„āļĢāļšāļŠāļīāļšāļŠāļ­āļ‡āļ āļēāļž āļŦāļ§āļąāļ‡āļ§āđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āđƒāļ™āļ āļēāļžāļ§āļēāļ”āļāļ‡āļ‹āļ§āļīāđˆāļ™āļ–āļđāļˆāļ°āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāđ€āļžāļĨāļīāļ”āđ€āļžāļĨāļīāļ™āļ‚āļ­āļ‡āđ€āļžāļ·āđˆāļ­āļ™āđ€āļžāļˆāđ„āļĄāđˆāļĄāļēāļāļāđ‡āļ™āđ‰āļ­āļĒ

    (āļ›.āļĨ. āļŦāļēāļāļ­āđˆāļēāļ™āđāļĨāđ‰āļ§āļŠāļ­āļšāđƒāļˆ āļ­āļĒāđˆāļēāļĨāļ·āļĄāļāļ”āļ•āļīāļ”āļ•āļēāļĄāđ€āļžāļˆāļ™āļĩāđ‰āđ€āļžāļ·āđˆāļ­āļ›āđ‰āļ­āļ‡āļāļąāļ™āļāļēāļĢāļāļĩāļ”āļāļąāļ™āļ‚āļ­āļ‡āđ€āļŸāļ‹āļšāļļāđŠāļ„āļ”āđ‰āļ§āļĒāļ™āļ°āļ„āļ° #StoryfromStory)
    (āļ›.āļĨ. 2 āļŠāļ·āđˆāļ­āļžāļĢāļ°āļ•āļģāļŦāļ™āļąāļ StoryāļŊ āđāļ›āļĨāđ€āļ›āđ‡āļ™āđ„āļ—āļĒāđāļĨāđ‰āļ§āļĢāļđāđ‰āļŠāļķāļāļ§āđˆāļēāļˆāļąāđŠāļāļˆāļĩāđ‰ āđ€āļĨāļĒāđ€āļ­āļēāđ€āļ›āđ‡āļ™āļ„āļģāđāļ›āļĨāļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐāļĄāļēāļāļēāļāđāļ—āļ™)

    Credit āļĢāļđāļ›āļ āļēāļžāļˆāļēāļ:
    https://www.baike.com/wikiid/2576687878101900972?view_id=y3t51nqv02o00
    Metropolitan Museum of Arts
    Credit āļ‚āđ‰āļ­āļĄāļđāļĨāļĢāļ§āļšāļĢāļ§āļĄāļˆāļēāļ:
    https://www.163.com/dy/article/G0GD3GUH0537ML11.html
    https://www.xiumu.cn/ts/2018/0824/4278239.html
    https://www.travelchinaguide.com/attraction/beijing/forbidden/six_eastern.htm
    https://www.travelchinaguide.com/attraction/beijing/forbidden/six_western.htm

    #āđ€āļĨāđˆāļŦāđŒāļĢāļąāļāļ•āļģāļŦāļ™āļąāļāđ€āļŦāļĒāļĩāļĒāļ™āļŠāļĩāđˆ #āđ€āļĒāļĩāđˆāļĒāļ™āļˆāļĩāđ‹ #āđ€āļˆāļīāđ‰āļ‡āđ€āļŦāļ§āļīāļ™āļāļ‡ #āđ€āļĒāļĩāđˆāļĒāļ™āļˆāļĩāđ‹āđ€āļĄāļīāđˆāļ‡āļŦāļĨāļąāļ™ #āļŦāļĨāļąāļ™āļ­āļīāļ™āļ‹āļ§āļĩāđˆāļāļąāđˆāļ§ #āļāļ‡āļ‹āļ§āļīāđˆāļ™āļ–āļđ #āđ€āļ‰āļĩāļĒāļ™āļŦāļĨāļ‡āļŠāļīāļšāļŠāļ­āļ‡āļ āļēāļžāļ§āļēāļ”
    āđāļĨāļ°āđāļĨāđ‰āļ§āđ€āļĢāļēāļāđ‡āļ„āļļāļĒāļāļąāļ™āļĄāļēāļ–āļķāļ‡āļ āļēāļžāļŠāļļāļ”āļ—āđ‰āļēāļĒāļ‚āļ­āļ‡āļŠāļīāļšāļŠāļ­āļ‡āļ āļēāļžāļ§āļēāļ”āļāļ‡āļ‹āļ§āļīāđˆāļ™āļ–āļđ (åŪŦčŪ­å›ū) āļ—āļĩāđˆāđƒāļ™āļĨāļ°āļ„āļĢ <āđ€āļĨāđˆāļŦāđŒāļĢāļąāļāļ•āļģāļŦāļ™āļąāļāđ€āļŦāļĒāļĩāļĒāļ™āļŠāļĩāđˆ> āļŪāđˆāļ­āļ‡āđ€āļ•āđ‰āđ€āļ‰āļĩāļĒāļ™āļŦāļĨāļ‡āđ„āļ”āđ‰āļ—āļĢāļ‡āļžāļĢāļ°āļĢāļēāļŠāļ—āļēāļ™āđƒāļŦāđ‰āļšāļĢāļĢāļ”āļēāļžāļĢāļ°āļ āļĢāļĢāļĒāļēāđāļŦāđˆāļ‡āļŠāļīāļšāļŠāļ­āļ‡āļ•āļģāļŦāļ™āļąāļ āđ‚āļ”āļĒāđ€āļ›āđ‡āļ™āļ āļēāļžāļ—āļĩāđˆāđ€āļĨāđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ‚āļ­āļ‡āļžāļĢāļ°āļ āļĢāļĢāļĒāļēāđƒāļ™āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāļ—āļĩāđˆāļ–āļđāļāļˆāļēāļĢāļķāļāđ„āļ§āđ‰āļ‹āļķāđˆāļ‡āļ„āļļāļ“āļ‡āļēāļĄāļ„āļ§āļēāļĄāļ”āļĩ āļ āļēāļžāļ—āļĩāđˆāļˆāļ°āļāļĨāđˆāļēāļ§āļ–āļķāļ‡āđƒāļ™āļ§āļąāļ™āļ™āļĩāđ‰āđ€āļ›āđ‡āļ™āļ āļēāļžāļ—āļĩāđˆāļ–āļđāļāļžāļĢāļ°āļĢāļēāļŠāļ—āļēāļ™āđ„āļ›āļĒāļąāļ‡āļžāļĢāļ°āļ•āļģāļŦāļ™āļąāļāļˆāļīāđˆāļ‡āđ€āļŦāļĢāļīāļ™āļāļ‡ āļ”āļđāļˆāļēāļāđ„āļ—āļĄāđŒāđ„āļĨāļ™āđŒāđāļĨāđ‰āļ§āļ™āđˆāļēāļˆāļ°āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ›āļĢāļ°āļ—āļąāļšāļ‚āļ­āļ‡āļ‰āļļāļ™āđ€āļŸāļĒ āđāļ•āđˆāđƒāļ™āđ€āļĢāļ·āđˆāļ­āļ‡ <āđ€āļĨāđˆāļŦāđŒāļĢāļąāļāļ•āļģāļŦāļ™āļąāļāđ€āļŦāļĒāļĩāļĒāļ™āļŠāļĩāđˆ> āļ‰āļļāļ™āđ€āļŸāļĒāļ›āļĢāļ°āļ—āļąāļšāļ—āļĩāđˆāļžāļĢāļ°āļ•āļģāļŦāļ™āļąāļāļˆāļ‡āļŠāļļāđˆāļĒāļāļ‡ āļ āļēāļžāļ™āļĩāđ‰āļĄāļĩāļŠāļ·āđˆāļ­āļ§āđˆāļē ‘āđ€āļĒāļĩāđˆāļĒāļ™āļˆāļĩāđ‹āđ€āļĄāļīāđˆāļ‡āļŦāļĨāļąāļ™’ (į‡•å§žæĒĶ兰å›ū) āļŦāļ™āđ‰āļēāļ•āļēāđāļ—āđ‰āļˆāļĢāļīāļ‡āđ€āļ›āđ‡āļ™āļ­āļĒāđˆāļēāļ‡āđ„āļĢāđ„āļĄāđˆāļ—āļĢāļēāļšāđ„āļ”āđ‰ āđ€āļžāļĢāļēāļ°āļ§āđˆāļēāļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§ āļ āļēāļžāļ—āļĩāđˆāđāļ›āļ°āļĄāļēāđƒāļŦāđ‰āļ”āļđāđ€āļ›āđ‡āļ™āļ āļēāļžāļ§āļēāļ”āđ‚āļ”āļĒāļˆāļīāļ•āļĢāļāļĢāļāļĩāđˆāļ›āļļāđˆāļ™ āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ‚āļ­āļ‡āļ āļēāļžāļ„āļ·āļ­āđ€āļĢāļ·āđˆāļ­āļ‡āļ‚āļ­āļ‡āđ€āļĒāļĩāđˆāļĒāļ™āļˆāļĩāđ‹ āļ­āļ™āļļāļ āļĢāļĢāļĒāļēāļ‚āļ­āļ‡āđ€āļˆāļīāđ‰āļ‡āđ€āļŦāļ§āļīāļ™āļāļ‡ āđ€āļˆāđ‰āļēāļœāļđāđ‰āļ›āļāļ„āļĢāļ­āļ‡āđāļ„āļ§āđ‰āļ™āđ€āļˆāļīāđ‰āļ‡āđƒāļ™āļĒāļļāļ„āļŠāļĄāļąāļĒāļŠāļļāļ™āļŠāļīāļ§ (āļ‚āļ­āļ­āļ āļąāļĒāđ„āļĄāđˆāđƒāļŠāđ‰āļĢāļēāļŠāļēāļĻāļąāļžāļ—āđŒāđƒāļ™āļšāļ—āļ„āļ§āļēāļĄ) āļ™āļēāļ‡āļāļąāļ™āļ§āđˆāļēāļĄāļĩāđ€āļ—āļžāļ˜āļīāļ”āļēāļ™āļģāļ”āļ­āļāļŦāļĨāļąāļ™āļŪāļ§āļēāļĄāļēāļĄāļ­āļšāđƒāļŦāđ‰āđāļĨāļ°āļšāļ­āļāļ§āđˆāļēāļ”āļ­āļāđ„āļĄāđ‰āļ™āļĩāđ‰āļˆāļ°āļ—āļģāđƒāļŦāđ‰āļ™āļēāļ‡āđ„āļ”āđ‰āļĢāļąāļšāļ„āļ§āļēāļĄāļĢāļąāļāļˆāļēāļāđ€āļˆāļīāđ‰āļ‡āđ€āļŦāļ§āļīāļ™āļāļ‡āđāļĨāļ°āļˆāļ°āđ„āļ”āđ‰āļšāļļāļ•āļĢāļ—āļĩāđˆāđ‚āļ”āļ”āđ€āļ”āđˆāļ™āļĄāļēāđ€āļ›āđ‡āļ™āļœāļđāđ‰āļŠāļ·āļšāļ—āļ­āļ”āđāļœāđˆāļ™āļ”āļīāļ™āļ•āđˆāļ­āđ„āļ› āđāļĨāļ°āļ§āļĨāļĩ ‘āđ€āļĒāļĩāđˆāļĒāļ™āļˆāļĩāđ‹āđ€āļĄāļīāđˆāļ‡āļŦāļĨāļąāļ™’ āļ•āđˆāļ­āļĄāļēāļ–āļđāļāđƒāļŠāđ‰āđ€āļ›āļĢāļĩāļĒāļšāđ€āļ›āļĢāļĒāļ–āļķāļ‡āļ„āļ§āļēāļĄāļĢāļąāļāļ—āļĩāđˆāļ­āļ­āļāļ”āļ­āļāļ­āļ­āļāļœāļĨāđ€āļ›āđ‡āļ™āļĨāļđāļāļŦāļĨāļēāļ™ āđāļĨāļ°āļŠāļ°āļ—āđ‰āļ­āļ™āļ„āļ§āļēāļĄāļ™āļąāļĒāļ§āđˆāļē āļāļąāļ™āļ—āļĩāđˆāļ”āļĩāļ™āļģāļĄāļēāļ‹āļķāđˆāļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ”āļĩāđ† āđāļĨāļ°āļ āļēāļžāļ™āļĩāđ‰āļ–āļđāļāļ•āļĩāļ„āļ§āļēāļĄāļ§āđˆāļē āļŦāļĄāļēāļĒāļ–āļķāļ‡āļāļēāļĢāļ—āļģāļŠāļīāđˆāļ‡āļ—āļĩāđˆāļāļąāļ™āđƒāļŦāđ‰āđ€āļ›āđ‡āļ™āļˆāļĢāļīāļ‡ āđ€āļĢāļ·āđˆāļ­āļ‡āļ™āļĩāđ‰āļ„āļļāđ‰āļ™āļŦāļđāļāļąāļ™āļšāđ‰āļēāļ‡āđ„āļŦāļĄ? StoryāļŊ āđ€āļ„āļĒāđ€āļĨāđˆāļēāļ–āļķāļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āļ™āļĩāđ‰āđāļĨāđ‰āļ§āļ•āļ­āļ™āļ—āļĩāđˆāļ„āļļāļĒāļ–āļķāļ‡āļ§āļĨāļĩ ‘āļŦāļĨāļąāļ™āļ­āļīāļ™āļ‹āļ§āļĩāđˆāļāļąāđˆāļ§’ āļĨāļ­āļ‡āļāļĨāļąāļšāđ„āļ›āļ­āđˆāļēāļ™āļ”āļđāļāļąāļ™āļ™āļ°āļ„āļ° (https://www.facebook.com/StoryfromStory/posts/731814662280162) āļ›āđ‰āļēāļĒāļ—āļĩāđˆāļžāļĢāļ°āļĢāļēāļŠāļ—āļēāļ™āļ„āļđāđˆāļāļąāļšāļ āļēāļžāļ™āļĩāđ‰āļ„āļ·āļ­ ‘āļˆāđ‰āļēāļ™āđ€āļ•āđ‹āļ­āļāļ‡āđ€āļŦāļ§āļĒ’ (čĩžåū·åŪŦ闱) āđāļ›āļĨāđ„āļ”āđ‰āļ›āļĢāļ°āļĄāļēāļ“āļ§āđˆāļē āļĻāļĩāļĨāļ˜āļĢāļĢāļĄāļ”āļĩāļ‡āļēāļĄāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļĒāļāļĒāđˆāļ­āļ‡āđ„āļ›āļ—āļąāđˆāļ§āļžāļĢāļ°āļĢāļēāļŠāļāļēāļ™āļ™āļēāļ‡āđƒāļ™ āļˆāļšāđāļĨāđ‰āļ§āļāļąāļšāļŠāļīāļšāļŠāļ­āļ‡āļ āļēāļžāļ§āļēāļ” StoryāļŊ āļ™āļģāļĄāļēāđ€āļĢāļĩāļĒāļšāđ€āļĢāļĩāļĒāļ‡āļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡ āđ‚āļ”āļĒāđ€āļĢāļĩāļĒāļ‡āļĨāļģāļ”āļąāļšāļˆāļēāļāļžāļĢāļ°āļ•āļģāļŦāļ™āļąāļāļ—āļĩāđˆāļ­āļĒāļđāđˆāđƒāļāļĨāđ‰āļžāļĢāļ°āļ—āļĩāđˆāļ™āļąāđˆāļ‡āļŦāļĒāļąāđˆāļ‡āļ‹āļīāļ™āđ€āļ•āļĩāđ‰āļĒāļ™ (āļ—āļĩāđˆāļ›āļĢāļ°āļ—āļąāļšāļŪāđˆāļ­āļ‡āđ€āļ•āđ‰) āļ•āļēāļĄāļ™āļĩāđ‰āļ„āđˆāļ° 1. āļ•āļģāļŦāļ™āļąāļāļ‰āļĩāđˆāđ€āļŠāļĩāļĒāļ‡āļāļ‡ āļŦāļĢāļ·āļ­āļ­āļĩāļāļŠāļ·āđˆāļ­āļŦāļ™āļķāđˆāļ‡āļ„āļ·āļ­ āđ„āļ—āđˆāļˆāļĩāđ‹āđ€āļ•āļĩāđ‰āļĒāļ™ (Hall of Supreme Principle) āļ āļēāļž ‘āđ€āļˆāļĩāļĒāļ‡āđ‚āļŪāđˆāļ§āļ—āļąāļ§āļˆāļēāļ™’ (å§œåŽč„ąį°Š / āļĄāđ€āļŦāļŠāļĩāđ€āļˆāļĩāļĒāļ‡āļ›āļĨāļ”āļ›āļīāđˆāļ™) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­āļ„āļĨāđ‰āļ­āļĒāļ•āļēāļĄāļŠāļēāļĄāļĩ āļ āļēāļžāļˆāļĢāļīāļ‡āļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§ (https://www.facebook.com/StoryfromStory/posts/791887496272878) 2. āļ•āļģāļŦāļ™āļąāļāļ‰āļēāļ‡āļŠāļļāļ™āļāļ‡ (Palace of Eternal Spring) āļ āļēāļž ‘āđ„āļ—āđˆāļ‹āļķāļŪāļļāđˆāļĒāļˆāļ·āđˆāļ­’ (åĪŠå§’čŊē子/āđ„āļ—āđˆāļ‹āļķāļŠāļ­āļ™āļšāļļāļ•āļĢ) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­ āļŠāļąāđˆāļ‡āļŠāļ­āļ™āļšāļļāļ•āļĢ āļ āļēāļžāļˆāļĢāļīāļ‡āļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§ (https://www.facebook.com/StoryfromStory/posts/746257530835875) 3. āļ•āļģāļŦāļ™āļąāļāļŦāļĒāđˆāļ‡āđ‚āļ‹āđˆāļ§āļāļ‡ (Palace of Eternal Longevity) āļ āļēāļž ‘āļ›āļąāļ™āļˆāļĩāļ‰āļ·āļ­āđ€āļŦāļ™āļĩāđˆāļĒāļ™’ (į­å§Žčūžčū‡å›ū / āļ›āļąāļ™āļˆāļĩāļœāļđāđ‰āļ‡āļēāļĄāļĄāļēāļĢāļĒāļēāļ—) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­ āļĢāļđāđ‰āļĄāļēāļĢāļĒāļēāļ—āđāļĨāļ°āļžāļīāļ˜āļĩāļāļēāļĢ āļ āļēāļžāļˆāļĢāļīāļ‡āļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§ (https://www.facebook.com/StoryfromStory/posts/750792533715708) 4. āļ•āļģāļŦāļ™āļąāļāļ­āļĩāđ‰āļ„āļļāļ™āļāļ‡ (Palace of Earthly Honor) āļ āļēāļž ‘āļˆāļēāļ§āļŦāļĢāļ‡āļœāļīāļ‡āļ‹āļ·āļ­’ (昭åŪđčŊ„čŊ—å›ū / āļˆāļēāļ§āļŦāļĢāļ‡āļ•āļąāļ”āļŠāļīāļ™āļšāļ—āļāļ§āļĩ) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­ āļāļēāļĢāļĻāļķāļāļĐāļē āļ āļēāļžāļˆāļĢāļīāļ‡āļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§ (https://www.facebook.com/StoryfromStory/posts/764297899031838) 5. āļ•āļģāļŦāļ™āļąāļāđ€āļŠāļĩāļĒāļ™āļāļđāļāļ‡ (Palace of Universal Happiness) āļ āļēāļž ‘āđ€āļˆāļĩāđ‹āļĒāļ­āļ§āļĩāđ‹āļ•āļąāđˆāļ‡āļŠāļĒā (åЕåĶĪå―“į†Šå›ū / āđ€āļˆāļĩāđ‹āļĒāļ­āļ§āļĩāđ‹āļ‚āļ§āļēāļ‡āļŦāļĄāļĩ) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­ āļāļĨāđ‰āļēāļŦāļēāļ āļ āļēāļžāļˆāļĢāļīāļ‡āļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§ (https://www.facebook.com/StoryfromStory/posts/768864935241801) 6. āļ•āļģāļŦāļ™āļąāļāļ‰āļđāđˆāļ‹āļīāđˆāļ§āļāļ‡ (Palace of Gathered Elegance) āļ āļēāļž ‘āļ‹āļĩāļŦāļĨāļīāļ‡āđ€āļˆāļĩāļĒāļ§āļ‰āļēāļ™’ (čĨŋé™ĩæ•™čš•å›ū /āļ‹āļĩāļŦāļĨāļīāļ‡āļŠāļ­āļ™āđ€āļĨāļĩāđ‰āļĒāļ‡āđ„āļŦāļĄ) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­ āļ™āļ§āļąāļ•āļāļĢāļĢāļĄ āļ āļēāļžāļˆāļĢāļīāļ‡āļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§(https://www.facebook.com/StoryfromStory/posts/754042176724077) 7. āļ•āļģāļŦāļ™āļąāļāļˆāļīāđˆāļ‡āđ€āļŦāļĢāļīāļ™āļāļ‡ (Palace of Great Benevolence) āļ āļēāļž ‘āđ€āļĒāļĩāđˆāļĒāļ™āļˆāļĩāđ‹āđ€āļĄāļīāđˆāļ‡āļŦāļĨāļąāļ™’ (į‡•å§žæĒĶ兰 / āđ€āļĒāļĩāđˆāļĒāļ™āļˆāļĩāđ‹āļāļąāļ™āļ–āļķāļ‡āļŦāļĨāļąāļ™āļŪāļ§āļē) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­ āļ§āļīāļŠāļąāļĒāļ—āļąāļĻāļ™āđŒ āļ āļēāļžāļˆāļĢāļīāļ‡āļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§ āļāđ‡āļ„āļ·āļ­āļšāļ—āļ„āļ§āļēāļĄāļ—āļĩāđˆāđ€āļĨāđˆāļēāļ–āļķāļ‡āļ‚āđ‰āļēāļ‡āļ•āđ‰āļ™āđƒāļ™āļ§āļąāļ™āļ™āļĩāđ‰ 8. āļ•āļģāļŦāļ™āļąāļāđ€āļ‰āļīāļ™āđ€āļ‰āļĩāļĒāļ™āļāļ‡ (Palace of Celestial Favor) āļ āļēāļž ‘āļŠāļ§āļĩāđ€āļŸāļĒāļˆāļ·āđ‹āļ­āđ€āļˆāļĩāđ‰āļĒāļ™’ (åūå̓į›ī谏 / āļŠāļ§āļĩāđ€āļŸāļĒāļ§āļīāļžāļēāļāļĐāđŒ) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­ āļˆāļ‡āļĢāļąāļāļ āļąāļāļ”āļĩāļ•āļĢāļ‡āđ„āļ›āļ•āļĢāļ‡āļĄāļē āļ āļēāļžāļˆāļĢāļīāļ‡āļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§ (https://www.facebook.com/StoryfromStory/posts/759313216196973) 9. āļ•āļģāļŦāļ™āļąāļāļˆāļ‡āļŠāļļāđˆāļĒāļāļ‡ (Palace of Accumulated Purity) āļ āļēāļž ‘āļŠāļ§āļĩāđˆāđ‚āļŪāđˆāļ§āđ€āļŸāļīāđˆāļ‡āļ­āđ‰āļēāļ™’ (čŪļ后åĨ‰æĄˆ/ āļŠāļ§āļĩāđˆāļŪāļ­āļ‡āđ€āļŪāļēāļ–āļ§āļēāļĒāļžāļĢāļ°āļāļĢāļ°āļĒāļēāļŦāļēāļĢ) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­ āđ€āļ„āļēāļĢāļžāļœāļđāđ‰āļ­āļēāļ§āļļāđ‚āļŠ āļ āļēāļžāļˆāļĢāļīāļ‡āđ€āļāđ‡āļšāļ­āļĒāļđāđˆāļ—āļĩāđˆāļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒāļāļđāđ‰āļžāļĢāļ°āļĢāļēāļŠāļ§āļąāļ‡āļ•āđ‰āļ­āļ‡āļŦāđ‰āļēāļĄ (https://www.facebook.com/StoryfromStory/posts/773395164788778) 10. āļ•āļģāļŦāļ™āļąāļāļˆāļīāđˆāļ‡āļŦāļĒāļēāļ‡āļāļ‡ (Palace of Great Brilliance) āļ āļēāļž ‘āļŦāļĄāđˆāļēāđ‚āļŪāđˆāļ§āđ€āļĨāļĩāđˆāļĒāļ™āļ­āļĩ’ (éĐŽåŽįŧƒčĄĢå›ū / āļŦāļĄāđˆāļēāļŪāļ­āļ‡āđ€āļŪāļēāļŠāļ§āļĄāļœāđ‰āļē) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­ āļĄāļąāļ˜āļĒāļąāļŠāļ–āđŒ āļ āļēāļžāļˆāļĢāļīāļ‡āļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§ (https://web.facebook.com/StoryfromStory/posts/797174585744169) 11. āļ•āļģāļŦāļ™āļąāļāļŦāļĒāđˆāļ‡āđ€āļŦāļ­āļāļ‡ (Palace of Eternal Harmony) āļ āļēāļž ‘āļāļēāļ™āļˆāļĩāđ€āļˆāļĩāđ‰āļĒāļ™āđ€āļĨāļĩāđˆāļĒ’ (æĻŠå§Žč°įŒŽ / āļāļēāļ™āļˆāļĩāđ€āļ•āļ·āļ­āļ™āļŠāļ•āļīāđƒāļŦāđ‰āļŦāļĒāļļāļ”āļĨāđˆāļēāļŠāļąāļ•āļ§āđŒ) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­āđ€āļ•āļ·āļ­āļ™āļŠāļ•āļī āļ āļēāļžāļˆāļĢāļīāļ‡āļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§ (https://www.facebook.com/StoryfromStory/posts/786677160127245) 12. āļ•āļģāļŦāļ™āļąāļāđ€āļŦāļĒāļĩāļĒāļ™āļŠāļĩāđˆāļāļ‡ (Palace of Prolonging Happiness) āļ āļēāļž ‘āđ€āļ‰āļēāđ‚āļŪāđˆāļ§āļˆāđ‰āļ‡āļŦāļ™ā (æ›đ后重农å›ū / āđ€āļ‰āļēāļŪāļ­āļ‡āđ€āļŪāļēāđƒāļŦāđ‰āļ„āļ§āļēāļĄāļŠāļģāļ„āļąāļāļāļąāļšāļāļēāļĢāđ€āļāļĐāļ•āļĢ) āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļ„āļ·āļ­ āļ‚āļĒāļąāļ™āļ‚āļąāļ™āđāļ‚āđ‡āļ‡ āļ āļēāļžāļˆāļĢāļīāļ‡āļŠāļđāļāļŦāļēāļĒāđ„āļ›āđāļĨāđ‰āļ§ (https://www.facebook.com/StoryfromStory/posts/777707414357553) āļŠāļĢāļļāļ›āļ§āđˆāļēāđƒāļ™āļšāļĢāļĢāļ”āļēāļŠāļīāļšāļŠāļ­āļ‡āļ āļēāļžāļ§āļēāļ”āļ™āļĩāđ‰ āđ€āļŦāļĨāļ·āļ­āļ‚āļ­āļ‡āļˆāļĢāļīāļ‡āļ­āļĒāļđāđˆāđ€āļžāļĩāļĒāļ‡āļ āļēāļžāđ€āļ”āļĩāļĒāļ§āļ„āļ·āļ­ ‘āļŠāļ§āļĩāđˆāđ‚āļŪāđˆāļ§āđ€āļŸāļīāđˆāļ‡āļ­āđ‰āļēāļ™’ āļ āļēāļžāļˆāļĢāļīāļ‡āđ€āļāđ‡āļšāļ­āļĒāļđāđˆāļ—āļĩāđˆāļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒāļāļđāđ‰āļāļ‡ StoryāļŊ āļ­āļēāļˆāđ€āļĨāđˆāļēāļŠāļ°āđ€āļ›āļ°āļŠāļ°āļ›āļ°āđ„āļ›āļŦāļ™āđˆāļ­āļĒāđāļĨāļ°āđƒāļŠāđ‰āđ€āļ§āļĨāļēāđ€āļĨāđˆāļēāļ™āļēāļ™āļāļ§āđˆāļēāļˆāļ°āļˆāļšāļ„āļĢāļšāļŠāļīāļšāļŠāļ­āļ‡āļ āļēāļž āļŦāļ§āļąāļ‡āļ§āđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āđƒāļ™āļ āļēāļžāļ§āļēāļ”āļāļ‡āļ‹āļ§āļīāđˆāļ™āļ–āļđāļˆāļ°āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāđ€āļžāļĨāļīāļ”āđ€āļžāļĨāļīāļ™āļ‚āļ­āļ‡āđ€āļžāļ·āđˆāļ­āļ™āđ€āļžāļˆāđ„āļĄāđˆāļĄāļēāļāļāđ‡āļ™āđ‰āļ­āļĒ (āļ›.āļĨ. āļŦāļēāļāļ­āđˆāļēāļ™āđāļĨāđ‰āļ§āļŠāļ­āļšāđƒāļˆ āļ­āļĒāđˆāļēāļĨāļ·āļĄāļāļ”āļ•āļīāļ”āļ•āļēāļĄāđ€āļžāļˆāļ™āļĩāđ‰āđ€āļžāļ·āđˆāļ­āļ›āđ‰āļ­āļ‡āļāļąāļ™āļāļēāļĢāļāļĩāļ”āļāļąāļ™āļ‚āļ­āļ‡āđ€āļŸāļ‹āļšāļļāđŠāļ„āļ”āđ‰āļ§āļĒāļ™āļ°āļ„āļ° #StoryfromStory) (āļ›.āļĨ. 2 āļŠāļ·āđˆāļ­āļžāļĢāļ°āļ•āļģāļŦāļ™āļąāļ StoryāļŊ āđāļ›āļĨāđ€āļ›āđ‡āļ™āđ„āļ—āļĒāđāļĨāđ‰āļ§āļĢāļđāđ‰āļŠāļķāļāļ§āđˆāļēāļˆāļąāđŠāļāļˆāļĩāđ‰ āđ€āļĨāļĒāđ€āļ­āļēāđ€āļ›āđ‡āļ™āļ„āļģāđāļ›āļĨāļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐāļĄāļēāļāļēāļāđāļ—āļ™) Credit āļĢāļđāļ›āļ āļēāļžāļˆāļēāļ: https://www.baike.com/wikiid/2576687878101900972?view_id=y3t51nqv02o00 Metropolitan Museum of Arts Credit āļ‚āđ‰āļ­āļĄāļđāļĨāļĢāļ§āļšāļĢāļ§āļĄāļˆāļēāļ: https://www.163.com/dy/article/G0GD3GUH0537ML11.html https://www.xiumu.cn/ts/2018/0824/4278239.html https://www.travelchinaguide.com/attraction/beijing/forbidden/six_eastern.htm https://www.travelchinaguide.com/attraction/beijing/forbidden/six_western.htm #āđ€āļĨāđˆāļŦāđŒāļĢāļąāļāļ•āļģāļŦāļ™āļąāļāđ€āļŦāļĒāļĩāļĒāļ™āļŠāļĩāđˆ #āđ€āļĒāļĩāđˆāļĒāļ™āļˆāļĩāđ‹ #āđ€āļˆāļīāđ‰āļ‡āđ€āļŦāļ§āļīāļ™āļāļ‡ #āđ€āļĒāļĩāđˆāļĒāļ™āļˆāļĩāđ‹āđ€āļĄāļīāđˆāļ‡āļŦāļĨāļąāļ™ #āļŦāļĨāļąāļ™āļ­āļīāļ™āļ‹āļ§āļĩāđˆāļāļąāđˆāļ§ #āļāļ‡āļ‹āļ§āļīāđˆāļ™āļ–āļđ #āđ€āļ‰āļĩāļĒāļ™āļŦāļĨāļ‡āļŠāļīāļšāļŠāļ­āļ‡āļ āļēāļžāļ§āļēāļ”
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  • https://www.youtube.com/watch?v=AsI8xrgoZ9Y
    āļšāļ—āļŠāļ™āļ—āļ™āļēāļ§āļąāļ™āļ•āļĢāļļāļĐāļˆāļĩāļ™
    (āļ„āļĨāļīāļāļ­āđˆāļēāļ™āđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄ āđ€āļžāļ·āđˆāļ­āļ­āđˆāļēāļ™āļšāļ—āļŠāļ™āļ—āļ™āļēāļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐāđāļĨāļ°āđ„āļ—āļĒ āđāļĨāļ°āļ„āļģāļĻāļąāļžāļ—āđŒāļ™āđˆāļēāļĢāļđāđ‰)
    āđāļšāļšāļ—āļ”āļŠāļ­āļšāļāļēāļĢāļŸāļąāļ‡āļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐ āļˆāļēāļāļšāļ—āļŠāļ™āļ—āļ™āļēāļ§āļąāļ™āļ•āļĢāļļāļĐāļˆāļĩāļ™
    āļĄāļĩāļ„āļģāļ–āļēāļĄ 5 āļ‚āđ‰āļ­āļŦāļĨāļąāļ‡āļŸāļąāļ‡āđ€āļŠāļĢāđ‡āļˆ āđ€āļžāļ·āđˆāļ­āļ—āļ”āļŠāļ­āļšāļāļēāļĢāļŸāļąāļ‡āļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐāļ‚āļ­āļ‡āļ„āļļāļ“

    #āļšāļ—āļŠāļ™āļ—āļ™āļēāļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐ #āļāļķāļāļŸāļąāļ‡āļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐ #āļ•āļĢāļļāļĐāļˆāļĩāļ™

    The conversations from the clip :

    Jack: Hey, Anna! Are you ready for Chinese New Year?
    Anna: Hey, Jack! Almost! My family is busy preparing the offerings. How about you?
    Jack: Same here. My mom asked me to help buy fruits and incense sticks.
    Anna: That’s great! Did she give you a list of what to get?
    Jack: Yes, she said we need mandarin oranges, apples, and pears. They symbolize good fortune, peace, and prosperity.
    Anna: Oh, we’re buying similar things. But we also need pineapple because it’s considered a lucky fruit.
    Jack: That’s interesting! I didn’t know that. What about the incense and candles?
    Anna: My parents already got those. They said red candles are important for attracting positive energy.
    Jack: I see. Are you buying any sweets or snacks for the offerings?
    Anna: Yes, we’re getting sweet rice cakes and sesame balls. My grandma says they represent unity and success.
    Jack: That’s so meaningful! My family also includes some traditional pastries.
    Anna: What else do you prepare?
    Jack: We usually have a roasted duck and a whole fish to represent abundance.
    Anna: That’s nice! My family prepares chicken and pork. The elders say it’s to honor our ancestors.
    Jack: It’s amazing how every item has a symbolic meaning.
    Anna: Absolutely. I think that’s what makes Chinese New Year so special and meaningful.
    Jack: Agreed! Let’s finish our shopping soon so we don’t forget anything.
    Anna: Good idea! Let’s meet later and compare our shopping lists!

    āđāļˆāđ‡āļ„: āđ€āļŪāđ‰ āđāļ­āļ™āļ™āļē! āđ€āļ•āļĢāļĩāļĒāļĄāļ•āļąāļ§āļŠāļģāļŦāļĢāļąāļšāļ•āļĢāļļāļĐāļˆāļĩāļ™āļžāļĢāđ‰āļ­āļĄāļŦāļĢāļ·āļ­āļĒāļąāļ‡?
    āđāļ­āļ™āļ™āļē: āđ€āļŪāđ‰ āđāļˆāđ‡āļ„! āđ€āļāļ·āļ­āļšāđāļĨāđ‰āļ§! āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āļ‰āļąāļ™āļāļģāļĨāļąāļ‡āļĒāļļāđˆāļ‡āļāļąāļšāļāļēāļĢāđ€āļ•āļĢāļĩāļĒāļĄāļ‚āļ­āļ‡āđ„āļŦāļ§āđ‰ āđāļĨāđ‰āļ§āđ€āļ˜āļ­āļĨāđˆāļ°?
    āđāļˆāđ‡āļ„: āđ€āļŦāļĄāļ·āļ­āļ™āļāļąāļ™āđ€āļĨāļĒ āđāļĄāđˆāđƒāļŦāđ‰āļ‰āļąāļ™āļŠāđˆāļ§āļĒāļ‹āļ·āđ‰āļ­āļœāļĨāđ„āļĄāđ‰āļāļąāļšāļ˜āļđāļ›
    āđāļ­āļ™āļ™āļē: āļ”āļĩāļˆāļąāļ‡! āđāļĄāđˆāđ€āļ˜āļ­āđƒāļŦāđ‰āļĨāļīāļŠāļ•āđŒāļĄāļēāļ”āđ‰āļ§āļĒāļŦāļĢāļ·āļ­āđ€āļ›āļĨāđˆāļēāļ§āđˆāļēāļ•āđ‰āļ­āļ‡āļ‹āļ·āđ‰āļ­āļ­āļ°āđ„āļĢāļšāđ‰āļēāļ‡?
    āđāļˆāđ‡āļ„: āđƒāļŠāđˆ āđāļĄāđˆāļšāļ­āļāļ§āđˆāļēāļ•āđ‰āļ­āļ‡āļ‹āļ·āđ‰āļ­āļŠāđ‰āļĄāļŠāļĩāļ—āļ­āļ‡ āđāļ­āļ›āđ€āļ›āļīāļĨ āđāļĨāđ‰āļ§āļāđ‡āļĨāļđāļāđāļžāļĢāđŒ āđ€āļžāļĢāļēāļ°āļĄāļąāļ™āļŠāļ·āđˆāļ­āļ–āļķāļ‡āđ‚āļŠāļ„āļĨāļēāļ  āļ„āļ§āļēāļĄāļŠāļ‡āļšāļŠāļļāļ‚ āđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļˆāļĢāļīāļāļĢāļļāđˆāļ‡āđ€āļĢāļ·āļ­āļ‡
    āđāļ­āļ™āļ™āļē: āđ‚āļ­āđ‰ āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āļ‰āļąāļ™āļāđ‡āļ‹āļ·āđ‰āļ­āļ‚āļ­āļ‡āļ„āļĨāđ‰āļēāļĒ āđ† āļāļąāļ™ āđāļ•āđˆāļžāļ§āļāđ€āļĢāļēāļ•āđ‰āļ­āļ‡āļ‹āļ·āđ‰āļ­āļŠāļąāļšāļ›āļ°āļĢāļ”āļ”āđ‰āļ§āļĒ āđ€āļžāļĢāļēāļ°āļ–āļ·āļ­āļ§āđˆāļēāđ€āļ›āđ‡āļ™āļœāļĨāđ„āļĄāđ‰āļ™āļģāđ‚āļŠāļ„
    āđāļˆāđ‡āļ„: āļ™āđˆāļēāļŠāļ™āđƒāļˆāļˆāļąāļ‡! āļ‰āļąāļ™āđ„āļĄāđˆāđ€āļ„āļĒāļĢāļđāđ‰āļĄāļēāļāđˆāļ­āļ™ āđāļĨāđ‰āļ§āļžāļ§āļāļ˜āļđāļ›āļāļąāļšāđ€āļ—āļĩāļĒāļ™āļĨāđˆāļ°?
    āđāļ­āļ™āļ™āļē: āļžāđˆāļ­āđāļĄāđˆāļ‰āļąāļ™āļ‹āļ·āđ‰āļ­āļĄāļēāđ€āļĢāļĩāļĒāļšāļĢāđ‰āļ­āļĒāđāļĨāđ‰āļ§ āđ€āļ‚āļēāļšāļ­āļāļ§āđˆāļēāđ€āļ—āļĩāļĒāļ™āļŠāļĩāđāļ”āļ‡āļŠāļģāļ„āļąāļāļĄāļēāļ āđ€āļžāļĢāļēāļ°āļŠāđˆāļ§āļĒāļ”āļķāļ‡āļ”āļđāļ”āļžāļĨāļąāļ‡āļšāļ§āļ
    āđāļˆāđ‡āļ„: āđ€āļ‚āđ‰āļēāđƒāļˆāđāļĨāđ‰āļ§ āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āđ€āļ˜āļ­āļ‹āļ·āđ‰āļ­āļ‚āļ™āļĄāļŦāļĢāļ·āļ­āļ‚āļ­āļ‡āļāļīāļ™āđ€āļĨāđˆāļ™āļŠāļģāļŦāļĢāļąāļšāđ„āļŦāļ§āđ‰āļ”āđ‰āļ§āļĒāđ„āļŦāļĄ?
    āđāļ­āļ™āļ™āļē: āļ‹āļ·āđ‰āļ­āļŠāļī āđ€āļĢāļēāļ‹āļ·āđ‰āļ­āļ‚āļ™āļĄāđ€āļ‚āđˆāļ‡āļāļąāļšāļ‚āļ™āļĄāļ‡āļēāļ—āļ­āļ” āļĒāļēāļĒāļ‰āļąāļ™āļšāļ­āļāļ§āđˆāļēāļĄāļąāļ™āļŦāļĄāļēāļĒāļ–āļķāļ‡āļ„āļ§āļēāļĄāļŠāļēāļĄāļąāļ„āļ„āļĩāđāļĨāļ°āļ„āļ§āļēāļĄāļŠāļģāđ€āļĢāđ‡āļˆ
    āđāļˆāđ‡āļ„: āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļĨāļķāļāļ‹āļķāđ‰āļ‡āļˆāļąāļ‡! āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āļ‰āļąāļ™āļāđ‡āļĄāļĩāļžāļ§āļāļ‚āļ™āļĄāđāļšāļšāļ”āļąāđ‰āļ‡āđ€āļ”āļīāļĄāđ€āļŦāļĄāļ·āļ­āļ™āļāļąāļ™
    āđāļ­āļ™āļ™āļē: āđāļĨāđ‰āļ§āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āđ€āļ˜āļ­āđ€āļ•āļĢāļĩāļĒāļĄāļ­āļ°āđ„āļĢāļ­āļĩāļ?
    āđāļˆāđ‡āļ„: āļžāļ§āļāđ€āļĢāļēāļĄāļąāļāļˆāļ°āđ€āļ•āļĢāļĩāļĒāļĄāđ€āļ›āđ‡āļ”āļ­āļšāļāļąāļšāļ›āļĨāļēāļ—āļąāđ‰āļ‡āļ•āļąāļ§ āđ€āļžāļĢāļēāļ°āļĄāļąāļ™āļŦāļĄāļēāļĒāļ–āļķāļ‡āļ„āļ§āļēāļĄāļ­āļļāļ”āļĄāļŠāļĄāļšāļđāļĢāļ“āđŒ
    āđāļ­āļ™āļ™āļē: āļ”āļĩāļˆāļąāļ‡! āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āļ‰āļąāļ™āđ€āļ•āļĢāļĩāļĒāļĄāđ„āļāđˆāļāļąāļšāļŦāļĄāļđ āļ„āļ™āđāļāđˆāļšāļ­āļāļ§āđˆāļēāđ€āļžāļ·āđˆāļ­āđ€āļ›āđ‡āļ™āļāļēāļĢāđ€āļ„āļēāļĢāļžāļšāļĢāļĢāļžāļšāļļāļĢāļļāļĐ
    āđāļˆāđ‡āļ„: āļĄāļąāļ™āļ™āđˆāļēāļ—āļķāđˆāļ‡āļ™āļ°āļ—āļĩāđˆāļ—āļļāļāļ­āļĒāđˆāļēāļ‡āļĄāļĩāļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāđƒāļ™āđ€āļŠāļīāļ‡āļŠāļąāļāļĨāļąāļāļĐāļ“āđŒ
    āđāļ­āļ™āļ™āļē: āđƒāļŠāđˆāđ€āļĨāļĒ āļ‰āļąāļ™āļ„āļīāļ”āļ§āđˆāļēāļ™āļąāđˆāļ™āđāļŦāļĨāļ°āļ—āļĩāđˆāļ—āļģāđƒāļŦāđ‰āļ•āļĢāļļāļĐāļˆāļĩāļ™āļžāļīāđ€āļĻāļĐāđāļĨāļ°āļĄāļĩāļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļĄāļēāļ
    āđāļˆāđ‡āļ„: āđ€āļŦāđ‡āļ™āļ”āđ‰āļ§āļĒ! āđ€āļĢāļēāļĢāļĩāļšāļ‹āļ·āđ‰āļ­āļ‚āļ­āļ‡āđƒāļŦāđ‰āļ„āļĢāļšāđ€āļĢāđ‡āļ§ āđ† āļ”āļĩāļāļ§āđˆāļē āļˆāļ°āđ„āļ”āđ‰āđ„āļĄāđˆāļĨāļ·āļĄāļ­āļ°āđ„āļĢ
    āđāļ­āļ™āļ™āļē: āļ”āļĩāđ€āļĨāļĒ! āđ€āļ”āļĩāđ‹āļĒāļ§āđ€āļĢāļēāđ€āļˆāļ­āļāļąāļ™āļ—āļĩāļŦāļĨāļąāļ‡ āđāļĨāđ‰āļ§āļĄāļēāļ”āļđāļĨāļīāļŠāļ•āđŒāļ‚āļ­āļ‡āļāļąāļ™!

    Vocabulary (āļ„āļģāļĻāļąāļžāļ—āđŒāļ™āđˆāļēāļĢāļđāđ‰)

    Offerings (āļ­āļ­āļŸ-āđ€āļŸāļ­āļ°-āļĢāļīāļ‡āļŠāđŒ) n. āđāļ›āļĨāļ§āđˆāļē āļ‚āļ­āļ‡āđ„āļŦāļ§āđ‰
    Mandarin (āđāļĄāļ™-āļ”āļ°-āļĢāļīāļ™) n. āđāļ›āļĨāļ§āđˆāļē āļŠāđ‰āļĄāđāļĄāļ™āļ”āļēāļĢāļīāļ™
    Prosperity (āļžāļĢāļ­āļŠ-āđ€āļž-āļĢāļī-āļ—āļĩ) n. āđāļ›āļĨāļ§āđˆāļē āļ„āļ§āļēāļĄāđ€āļˆāļĢāļīāļāļĢāļļāđˆāļ‡āđ€āļĢāļ·āļ­āļ‡
    Fortune (āļŸāļ­āļĢāđŒ-āļŠāļđāļ™) n. āđāļ›āļĨāļ§āđˆāļē āđ‚āļŠāļ„āļĨāļēāļ 
    Symbolize (āļ‹āļīāļĄ-āđ‚āļšāļĨ-āđ„āļĨāļ‹āđŒ) v. āđāļ›āļĨāļ§āđˆāļē āđāļŠāļ”āļ‡āļ–āļķāļ‡ āļŦāļĢāļ·āļ­ āļŠāļ·āđˆāļ­āļ–āļķāļ‡
    Pineapple (āđ„āļž-āđāļ™āļ›-āđ€āļžāļīāļĨ) n. āđāļ›āļĨāļ§āđˆāļē āļŠāļąāļšāļ›āļ°āļĢāļ”
    Incense (āļ­āļīāļ™-āđ€āļ‹āļ™āļŠāđŒ) n. āđāļ›āļĨāļ§āđˆāļē āļ˜āļđāļ›
    Candles (āđāļ„āļ™-āđ€āļ”āļīāļĨāļŠāđŒ) n. āđāļ›āļĨāļ§āđˆāļē āđ€āļ—āļĩāļĒāļ™
    Positive energy (āļžāļ­āļ‹-āļ‹āļī-āļ—āļĩāļŸ āđ€āļ­āļ™-āđ€āļ™āļ­āļ°-āļˆāļĩ) n. āđāļ›āļĨāļ§āđˆāļē āļžāļĨāļąāļ‡āļšāļ§āļ
    Unity (āļĒāļđ-āļ™āļī-āļ—āļĩ) n. āđāļ›āļĨāļ§āđˆāļē āļ„āļ§āļēāļĄāļŠāļēāļĄāļąāļ„āļ„āļĩ
    Success (āļ‹āļąāļ„-āđ€āļ‹āļŠ) n. āđāļ›āļĨāļ§āđˆāļē āļ„āļ§āļēāļĄāļŠāļģāđ€āļĢāđ‡āļˆ
    Traditional (āļ—āļĢāļē-āļ”āļīāļŠ-āđ€āļŠāļ­āļ°-āđ€āļ™āļīāļĨ) adj. āđāļ›āļĨāļ§āđˆāļē āļ”āļąāđ‰āļ‡āđ€āļ”āļīāļĄ
    Pastries (āđ€āļžāļŠ-āļ—āļĢāļĩāļŠāđŒ) n. āđāļ›āļĨāļ§āđˆāļē āļ‚āļ™āļĄāļ­āļš
    Abundance (āļ­āļ°-āļšāļąāļ™-āđāļ”āļ™āļ‹āđŒ) n. āđāļ›āļĨāļ§āđˆāļē āļ„āļ§āļēāļĄāļ­āļļāļ”āļĄāļŠāļĄāļšāļđāļĢāļ“āđŒ
    Ancestors (āđāļ­āļ™-āđ€āļ‹āļŠ-āđ€āļ—āļ­āļ°āļŠāđŒ) n. āđāļ›āļĨāļ§āđˆāļē āļšāļĢāļĢāļžāļšāļļāļĢāļļāļĐ
    https://www.youtube.com/watch?v=AsI8xrgoZ9Y āļšāļ—āļŠāļ™āļ—āļ™āļēāļ§āļąāļ™āļ•āļĢāļļāļĐāļˆāļĩāļ™ (āļ„āļĨāļīāļāļ­āđˆāļēāļ™āđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄ āđ€āļžāļ·āđˆāļ­āļ­āđˆāļēāļ™āļšāļ—āļŠāļ™āļ—āļ™āļēāļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐāđāļĨāļ°āđ„āļ—āļĒ āđāļĨāļ°āļ„āļģāļĻāļąāļžāļ—āđŒāļ™āđˆāļēāļĢāļđāđ‰) āđāļšāļšāļ—āļ”āļŠāļ­āļšāļāļēāļĢāļŸāļąāļ‡āļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐ āļˆāļēāļāļšāļ—āļŠāļ™āļ—āļ™āļēāļ§āļąāļ™āļ•āļĢāļļāļĐāļˆāļĩāļ™ āļĄāļĩāļ„āļģāļ–āļēāļĄ 5 āļ‚āđ‰āļ­āļŦāļĨāļąāļ‡āļŸāļąāļ‡āđ€āļŠāļĢāđ‡āļˆ āđ€āļžāļ·āđˆāļ­āļ—āļ”āļŠāļ­āļšāļāļēāļĢāļŸāļąāļ‡āļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐāļ‚āļ­āļ‡āļ„āļļāļ“ #āļšāļ—āļŠāļ™āļ—āļ™āļēāļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐ #āļāļķāļāļŸāļąāļ‡āļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐ #āļ•āļĢāļļāļĐāļˆāļĩāļ™ The conversations from the clip : Jack: Hey, Anna! Are you ready for Chinese New Year? Anna: Hey, Jack! Almost! My family is busy preparing the offerings. How about you? Jack: Same here. My mom asked me to help buy fruits and incense sticks. Anna: That’s great! Did she give you a list of what to get? Jack: Yes, she said we need mandarin oranges, apples, and pears. They symbolize good fortune, peace, and prosperity. Anna: Oh, we’re buying similar things. But we also need pineapple because it’s considered a lucky fruit. Jack: That’s interesting! I didn’t know that. What about the incense and candles? Anna: My parents already got those. They said red candles are important for attracting positive energy. Jack: I see. Are you buying any sweets or snacks for the offerings? Anna: Yes, we’re getting sweet rice cakes and sesame balls. My grandma says they represent unity and success. Jack: That’s so meaningful! My family also includes some traditional pastries. Anna: What else do you prepare? Jack: We usually have a roasted duck and a whole fish to represent abundance. Anna: That’s nice! My family prepares chicken and pork. The elders say it’s to honor our ancestors. Jack: It’s amazing how every item has a symbolic meaning. Anna: Absolutely. I think that’s what makes Chinese New Year so special and meaningful. Jack: Agreed! Let’s finish our shopping soon so we don’t forget anything. Anna: Good idea! Let’s meet later and compare our shopping lists! āđāļˆāđ‡āļ„: āđ€āļŪāđ‰ āđāļ­āļ™āļ™āļē! āđ€āļ•āļĢāļĩāļĒāļĄāļ•āļąāļ§āļŠāļģāļŦāļĢāļąāļšāļ•āļĢāļļāļĐāļˆāļĩāļ™āļžāļĢāđ‰āļ­āļĄāļŦāļĢāļ·āļ­āļĒāļąāļ‡? āđāļ­āļ™āļ™āļē: āđ€āļŪāđ‰ āđāļˆāđ‡āļ„! āđ€āļāļ·āļ­āļšāđāļĨāđ‰āļ§! āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āļ‰āļąāļ™āļāļģāļĨāļąāļ‡āļĒāļļāđˆāļ‡āļāļąāļšāļāļēāļĢāđ€āļ•āļĢāļĩāļĒāļĄāļ‚āļ­āļ‡āđ„āļŦāļ§āđ‰ āđāļĨāđ‰āļ§āđ€āļ˜āļ­āļĨāđˆāļ°? āđāļˆāđ‡āļ„: āđ€āļŦāļĄāļ·āļ­āļ™āļāļąāļ™āđ€āļĨāļĒ āđāļĄāđˆāđƒāļŦāđ‰āļ‰āļąāļ™āļŠāđˆāļ§āļĒāļ‹āļ·āđ‰āļ­āļœāļĨāđ„āļĄāđ‰āļāļąāļšāļ˜āļđāļ› āđāļ­āļ™āļ™āļē: āļ”āļĩāļˆāļąāļ‡! āđāļĄāđˆāđ€āļ˜āļ­āđƒāļŦāđ‰āļĨāļīāļŠāļ•āđŒāļĄāļēāļ”āđ‰āļ§āļĒāļŦāļĢāļ·āļ­āđ€āļ›āļĨāđˆāļēāļ§āđˆāļēāļ•āđ‰āļ­āļ‡āļ‹āļ·āđ‰āļ­āļ­āļ°āđ„āļĢāļšāđ‰āļēāļ‡? āđāļˆāđ‡āļ„: āđƒāļŠāđˆ āđāļĄāđˆāļšāļ­āļāļ§āđˆāļēāļ•āđ‰āļ­āļ‡āļ‹āļ·āđ‰āļ­āļŠāđ‰āļĄāļŠāļĩāļ—āļ­āļ‡ āđāļ­āļ›āđ€āļ›āļīāļĨ āđāļĨāđ‰āļ§āļāđ‡āļĨāļđāļāđāļžāļĢāđŒ āđ€āļžāļĢāļēāļ°āļĄāļąāļ™āļŠāļ·āđˆāļ­āļ–āļķāļ‡āđ‚āļŠāļ„āļĨāļēāļ  āļ„āļ§āļēāļĄāļŠāļ‡āļšāļŠāļļāļ‚ āđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļˆāļĢāļīāļāļĢāļļāđˆāļ‡āđ€āļĢāļ·āļ­āļ‡ āđāļ­āļ™āļ™āļē: āđ‚āļ­āđ‰ āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āļ‰āļąāļ™āļāđ‡āļ‹āļ·āđ‰āļ­āļ‚āļ­āļ‡āļ„āļĨāđ‰āļēāļĒ āđ† āļāļąāļ™ āđāļ•āđˆāļžāļ§āļāđ€āļĢāļēāļ•āđ‰āļ­āļ‡āļ‹āļ·āđ‰āļ­āļŠāļąāļšāļ›āļ°āļĢāļ”āļ”āđ‰āļ§āļĒ āđ€āļžāļĢāļēāļ°āļ–āļ·āļ­āļ§āđˆāļēāđ€āļ›āđ‡āļ™āļœāļĨāđ„āļĄāđ‰āļ™āļģāđ‚āļŠāļ„ āđāļˆāđ‡āļ„: āļ™āđˆāļēāļŠāļ™āđƒāļˆāļˆāļąāļ‡! āļ‰āļąāļ™āđ„āļĄāđˆāđ€āļ„āļĒāļĢāļđāđ‰āļĄāļēāļāđˆāļ­āļ™ āđāļĨāđ‰āļ§āļžāļ§āļāļ˜āļđāļ›āļāļąāļšāđ€āļ—āļĩāļĒāļ™āļĨāđˆāļ°? āđāļ­āļ™āļ™āļē: āļžāđˆāļ­āđāļĄāđˆāļ‰āļąāļ™āļ‹āļ·āđ‰āļ­āļĄāļēāđ€āļĢāļĩāļĒāļšāļĢāđ‰āļ­āļĒāđāļĨāđ‰āļ§ āđ€āļ‚āļēāļšāļ­āļāļ§āđˆāļēāđ€āļ—āļĩāļĒāļ™āļŠāļĩāđāļ”āļ‡āļŠāļģāļ„āļąāļāļĄāļēāļ āđ€āļžāļĢāļēāļ°āļŠāđˆāļ§āļĒāļ”āļķāļ‡āļ”āļđāļ”āļžāļĨāļąāļ‡āļšāļ§āļ āđāļˆāđ‡āļ„: āđ€āļ‚āđ‰āļēāđƒāļˆāđāļĨāđ‰āļ§ āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āđ€āļ˜āļ­āļ‹āļ·āđ‰āļ­āļ‚āļ™āļĄāļŦāļĢāļ·āļ­āļ‚āļ­āļ‡āļāļīāļ™āđ€āļĨāđˆāļ™āļŠāļģāļŦāļĢāļąāļšāđ„āļŦāļ§āđ‰āļ”āđ‰āļ§āļĒāđ„āļŦāļĄ? āđāļ­āļ™āļ™āļē: āļ‹āļ·āđ‰āļ­āļŠāļī āđ€āļĢāļēāļ‹āļ·āđ‰āļ­āļ‚āļ™āļĄāđ€āļ‚āđˆāļ‡āļāļąāļšāļ‚āļ™āļĄāļ‡āļēāļ—āļ­āļ” āļĒāļēāļĒāļ‰āļąāļ™āļšāļ­āļāļ§āđˆāļēāļĄāļąāļ™āļŦāļĄāļēāļĒāļ–āļķāļ‡āļ„āļ§āļēāļĄāļŠāļēāļĄāļąāļ„āļ„āļĩāđāļĨāļ°āļ„āļ§āļēāļĄāļŠāļģāđ€āļĢāđ‡āļˆ āđāļˆāđ‡āļ„: āļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļĨāļķāļāļ‹āļķāđ‰āļ‡āļˆāļąāļ‡! āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āļ‰āļąāļ™āļāđ‡āļĄāļĩāļžāļ§āļāļ‚āļ™āļĄāđāļšāļšāļ”āļąāđ‰āļ‡āđ€āļ”āļīāļĄāđ€āļŦāļĄāļ·āļ­āļ™āļāļąāļ™ āđāļ­āļ™āļ™āļē: āđāļĨāđ‰āļ§āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āđ€āļ˜āļ­āđ€āļ•āļĢāļĩāļĒāļĄāļ­āļ°āđ„āļĢāļ­āļĩāļ? āđāļˆāđ‡āļ„: āļžāļ§āļāđ€āļĢāļēāļĄāļąāļāļˆāļ°āđ€āļ•āļĢāļĩāļĒāļĄāđ€āļ›āđ‡āļ”āļ­āļšāļāļąāļšāļ›āļĨāļēāļ—āļąāđ‰āļ‡āļ•āļąāļ§ āđ€āļžāļĢāļēāļ°āļĄāļąāļ™āļŦāļĄāļēāļĒāļ–āļķāļ‡āļ„āļ§āļēāļĄāļ­āļļāļ”āļĄāļŠāļĄāļšāļđāļĢāļ“āđŒ āđāļ­āļ™āļ™āļē: āļ”āļĩāļˆāļąāļ‡! āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āļ‰āļąāļ™āđ€āļ•āļĢāļĩāļĒāļĄāđ„āļāđˆāļāļąāļšāļŦāļĄāļđ āļ„āļ™āđāļāđˆāļšāļ­āļāļ§āđˆāļēāđ€āļžāļ·āđˆāļ­āđ€āļ›āđ‡āļ™āļāļēāļĢāđ€āļ„āļēāļĢāļžāļšāļĢāļĢāļžāļšāļļāļĢāļļāļĐ āđāļˆāđ‡āļ„: āļĄāļąāļ™āļ™āđˆāļēāļ—āļķāđˆāļ‡āļ™āļ°āļ—āļĩāđˆāļ—āļļāļāļ­āļĒāđˆāļēāļ‡āļĄāļĩāļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāđƒāļ™āđ€āļŠāļīāļ‡āļŠāļąāļāļĨāļąāļāļĐāļ“āđŒ āđāļ­āļ™āļ™āļē: āđƒāļŠāđˆāđ€āļĨāļĒ āļ‰āļąāļ™āļ„āļīāļ”āļ§āđˆāļēāļ™āļąāđˆāļ™āđāļŦāļĨāļ°āļ—āļĩāđˆāļ—āļģāđƒāļŦāđ‰āļ•āļĢāļļāļĐāļˆāļĩāļ™āļžāļīāđ€āļĻāļĐāđāļĨāļ°āļĄāļĩāļ„āļ§āļēāļĄāļŦāļĄāļēāļĒāļĄāļēāļ āđāļˆāđ‡āļ„: āđ€āļŦāđ‡āļ™āļ”āđ‰āļ§āļĒ! āđ€āļĢāļēāļĢāļĩāļšāļ‹āļ·āđ‰āļ­āļ‚āļ­āļ‡āđƒāļŦāđ‰āļ„āļĢāļšāđ€āļĢāđ‡āļ§ āđ† āļ”āļĩāļāļ§āđˆāļē āļˆāļ°āđ„āļ”āđ‰āđ„āļĄāđˆāļĨāļ·āļĄāļ­āļ°āđ„āļĢ āđāļ­āļ™āļ™āļē: āļ”āļĩāđ€āļĨāļĒ! āđ€āļ”āļĩāđ‹āļĒāļ§āđ€āļĢāļēāđ€āļˆāļ­āļāļąāļ™āļ—āļĩāļŦāļĨāļąāļ‡ āđāļĨāđ‰āļ§āļĄāļēāļ”āļđāļĨāļīāļŠāļ•āđŒāļ‚āļ­āļ‡āļāļąāļ™! Vocabulary (āļ„āļģāļĻāļąāļžāļ—āđŒāļ™āđˆāļēāļĢāļđāđ‰) Offerings (āļ­āļ­āļŸ-āđ€āļŸāļ­āļ°-āļĢāļīāļ‡āļŠāđŒ) n. āđāļ›āļĨāļ§āđˆāļē āļ‚āļ­āļ‡āđ„āļŦāļ§āđ‰ Mandarin (āđāļĄāļ™-āļ”āļ°-āļĢāļīāļ™) n. āđāļ›āļĨāļ§āđˆāļē āļŠāđ‰āļĄāđāļĄāļ™āļ”āļēāļĢāļīāļ™ Prosperity (āļžāļĢāļ­āļŠ-āđ€āļž-āļĢāļī-āļ—āļĩ) n. āđāļ›āļĨāļ§āđˆāļē āļ„āļ§āļēāļĄāđ€āļˆāļĢāļīāļāļĢāļļāđˆāļ‡āđ€āļĢāļ·āļ­āļ‡ Fortune (āļŸāļ­āļĢāđŒ-āļŠāļđāļ™) n. āđāļ›āļĨāļ§āđˆāļē āđ‚āļŠāļ„āļĨāļēāļ  Symbolize (āļ‹āļīāļĄ-āđ‚āļšāļĨ-āđ„āļĨāļ‹āđŒ) v. āđāļ›āļĨāļ§āđˆāļē āđāļŠāļ”āļ‡āļ–āļķāļ‡ āļŦāļĢāļ·āļ­ āļŠāļ·āđˆāļ­āļ–āļķāļ‡ Pineapple (āđ„āļž-āđāļ™āļ›-āđ€āļžāļīāļĨ) n. āđāļ›āļĨāļ§āđˆāļē āļŠāļąāļšāļ›āļ°āļĢāļ” Incense (āļ­āļīāļ™-āđ€āļ‹āļ™āļŠāđŒ) n. āđāļ›āļĨāļ§āđˆāļē āļ˜āļđāļ› Candles (āđāļ„āļ™-āđ€āļ”āļīāļĨāļŠāđŒ) n. āđāļ›āļĨāļ§āđˆāļē āđ€āļ—āļĩāļĒāļ™ Positive energy (āļžāļ­āļ‹-āļ‹āļī-āļ—āļĩāļŸ āđ€āļ­āļ™-āđ€āļ™āļ­āļ°-āļˆāļĩ) n. āđāļ›āļĨāļ§āđˆāļē āļžāļĨāļąāļ‡āļšāļ§āļ Unity (āļĒāļđ-āļ™āļī-āļ—āļĩ) n. āđāļ›āļĨāļ§āđˆāļē āļ„āļ§āļēāļĄāļŠāļēāļĄāļąāļ„āļ„āļĩ Success (āļ‹āļąāļ„-āđ€āļ‹āļŠ) n. āđāļ›āļĨāļ§āđˆāļē āļ„āļ§āļēāļĄāļŠāļģāđ€āļĢāđ‡āļˆ Traditional (āļ—āļĢāļē-āļ”āļīāļŠ-āđ€āļŠāļ­āļ°-āđ€āļ™āļīāļĨ) adj. āđāļ›āļĨāļ§āđˆāļē āļ”āļąāđ‰āļ‡āđ€āļ”āļīāļĄ Pastries (āđ€āļžāļŠ-āļ—āļĢāļĩāļŠāđŒ) n. āđāļ›āļĨāļ§āđˆāļē āļ‚āļ™āļĄāļ­āļš Abundance (āļ­āļ°-āļšāļąāļ™-āđāļ”āļ™āļ‹āđŒ) n. āđāļ›āļĨāļ§āđˆāļē āļ„āļ§āļēāļĄāļ­āļļāļ”āļĄāļŠāļĄāļšāļđāļĢāļ“āđŒ Ancestors (āđāļ­āļ™-āđ€āļ‹āļŠ-āđ€āļ—āļ­āļ°āļŠāđŒ) n. āđāļ›āļĨāļ§āđˆāļē āļšāļĢāļĢāļžāļšāļļāļĢāļļāļĐ
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    āļšāļ—āļ„āļ§āļēāļĄāļ–āļķāļ‡āļ—āđˆāļēāļ™āļžāđˆāļ­āļŦāļĨāļ§āļ‡(āđƒāļ™āļŦāļĨāļ§āļ‡āļĢāļąāļŠāļāļēāļĨāļ—āļĩāđˆ āđ™)āļ‰āļšāļąāļšāļ—āļĩāđˆ 4 āļ™āļĩāđˆāļāđ‡āđ€āļ›āđ‡āļ™āļ­āļĩāļāļŦāļ™āļķāđˆāļ‡āļšāļ—āđ€āļžāļĨāļ‡āļ—āļĩāđˆāļĄāļĩāļāļēāļĢāļšāļ­āļāđ€āļĨāđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ–āļķāļ‡āļ—āđˆāļēāļ™āļžāđˆāļ­āļŦāļĨāļ§āļ‡(āđƒāļ™āļŦāļĨāļ§āļ‡āļĢāļąāļŠāļāļēāļĨāļ—āļĩāđˆ āđ™)āļ­āļĩāļāļšāļ—āđ€āļžāļĨāļ‡āļŦāļ™āļķāđˆāļ‡āļ™āļ°āļ„āļĢāļąāļš āđƒāļ™āļĒāļđāļ—āļđāļ›āļ—āļĩāđˆāļŠāļ·āđˆāļ­ An Everlasting Light - international artists record in honor of H.M. King Bhumibol of Thailand
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  • How To Spell W And Other Letters Of The Alphabet

    No doubt you know your ABCs, but do you know how to spell the names of the letters themselves? For example, how would you spell the name of the letter W? In this article, we are going to take a look at how to spell out the different consonants of the alphabet. Why just the consonants? Well, spelling the names of the vowels is unusual, and the spellings vary widely.

    We don’t often have a reason to spell out the names of letters. They show up in some words or phrases, like tee-shirt or em-dash. Knowing how to spell out the letters is a good trick to have in your back pocket when playing word games like Scrabble and Words With Friends. Mostly though, the spelled-out names of the consonants are fun trivia any word lover will enjoy.

    B – bee
    The letter B is spelled just like the insect: b-e-e. The plural is bees, like something you might find in a hive. Before it was bee, the letter B was part of the Phoenician alphabet and was known as beth.

    C – cee
    The spelling of the letter C might surprise you. It isn’t spelled with an S but a C: c-e-e. The spelling cee might come in handy especially when writing about something “shaped or formed like the letter C,” as in she was curled in a cee, holding her pillow.

    D – dee
    You might be picking up on a pattern here. Like B and C, the letter D is spelled out with -ee: d-e-e. Like the letter B, dee originally had another name in the Phoenician alphabet: daleth.

    F – ef
    The letter F is spelled e-f. The spelled out name ef is occasionally used as an abbreviation for much saltier language.

    G – gee
    With the exception of ef, the letter G is spelled like the other letters we have seen so far: gee. Particularly in American slang, the spelled out name gee is used as an abbreviation for grand, in the sense of “thousand dollars.”

    H – aitch
    The letter H has a tricky spelling and pronunciation. It is spelled aitch, but the pronunciation of its name is [ eych ]. The letter comes from Northern Semitic languages and its modern corollary is the Hebrew letter heth.

    J – jay
    The letter J has a long and complicated history—it began as a swash, a typographical embellishment for the already existing I—but its spelling is relatively straightforward: jay. Like C, the spelling jay can be useful when describing something in the shape of the letter.

    K – kay
    You may already be familiar with the spelling of the letter K from the expression okay, or OK. Just like in okay, K is typically spelled k-a-y. Okay is a unique Americanism that you can read more about here.

    L – el
    El is most easily recognizable as the common abbreviation for elevated railroad. However, it is also the spelling for the letter L.

    M – em
    The spelling of the letter M, em, can be found in the name of the punctuation mark em dash (—). The name of the punctuation mark comes from the fact that it is the width of the letter M when printed.

    N – en
    Much like the letters em and en themselves, the em-dash and en-dash are often mixed up. The en dash is, you guessed it, the width of the letter N when printed. The en dash (–) is shorter than an em dash (—).

    P – pee
    The most scatological letter name is pee (P). The use of pee as a verb and noun to refer to urination actually comes from a euphemism for the vulgar piss, using the spelling of the initial letter in piss: P.

    Q – cue
    The letter Q has the honor of being one of two letters that is not included in the spelling of its own name: cue. The use of cue as a verb or noun to refer to “anything that excites to action” comes from another abbreviation related to the letter itself. In acting scripts, the Latin quandō, meaning “when” was abbreviated q, which later came to be spelled cue.

    R – ar
    The name of the letter R sounds like something a pirate might say: ar. The letter R was called by the Roman poet Persius littera canina or “the canine letter.” It was so named because pronouncing ar sounds like a dog’s growl.

    S – ess
    The snake-like S is spelled ess, with two terminal -s‘s. Along with cee and jay, ess can also be used to describe “something shaped like an S,” as in The roads were laid out nested double esses along the riverbank.

    T – tee
    A letter whose spelling you are more likely to be familiar with is T or tee, because it often appears in spellings of T-shirt (e.g., tee-shirt). The tee shirt is so named because it is a shirt in the shape of a T.

    V – vee
    Another letter that pops up in fashion is V or vee. You see this most often when describing certain clothing elements, such as a vee neckline or a vee-shaped dart.

    W – double-u
    The letter W is one of the stranger letters in the alphabet, and so is its spelling. As we noted already, we don’t usually spell vowels out, so we end up with the awkward double-u. The plural spelling is double-ues. Before it was merged into one letter (W), the sound was represented with the the digraph -uu- or double-u.

    X – ex
    The spelling of the letter X, ex, might seem foreboding. That’s because we often equate it with the prefix ex-, meaning “out of” or “without.” We also use ex as a verb to mean putting an X over something, literally or metaphorically, as in I exed out the name on the list. The letter X has found use as we explore new ways of describing gender identity and expression, which you can read about here.

    Y – wye
    The letter Y is spelled wye, like the river in Great Britain. Wye has been adopted into electrical and railroad terminology to describe circuits and track arrangements, respectively, that are in the shape of a Y. Interestingly, the letter Y replaced an Old English letter called thorn.

    Z – zee
    In American English, the letter Z is spelled and pronounced zee, patterned off of other consonants like dee and gee. However, in British English, the letter Z is named zed. Zed comes from the Middle French zede, itself from the ancient Greek zêta.

    Copyright 2025, AAKKHRA, All Rights Reserved.
    How To Spell W And Other Letters Of The Alphabet No doubt you know your ABCs, but do you know how to spell the names of the letters themselves? For example, how would you spell the name of the letter W? In this article, we are going to take a look at how to spell out the different consonants of the alphabet. Why just the consonants? Well, spelling the names of the vowels is unusual, and the spellings vary widely. We don’t often have a reason to spell out the names of letters. They show up in some words or phrases, like tee-shirt or em-dash. Knowing how to spell out the letters is a good trick to have in your back pocket when playing word games like Scrabble and Words With Friends. Mostly though, the spelled-out names of the consonants are fun trivia any word lover will enjoy. B – bee The letter B is spelled just like the insect: b-e-e. The plural is bees, like something you might find in a hive. Before it was bee, the letter B was part of the Phoenician alphabet and was known as beth. C – cee The spelling of the letter C might surprise you. It isn’t spelled with an S but a C: c-e-e. The spelling cee might come in handy especially when writing about something “shaped or formed like the letter C,” as in she was curled in a cee, holding her pillow. D – dee You might be picking up on a pattern here. Like B and C, the letter D is spelled out with -ee: d-e-e. Like the letter B, dee originally had another name in the Phoenician alphabet: daleth. F – ef The letter F is spelled e-f. The spelled out name ef is occasionally used as an abbreviation for much saltier language. G – gee With the exception of ef, the letter G is spelled like the other letters we have seen so far: gee. Particularly in American slang, the spelled out name gee is used as an abbreviation for grand, in the sense of “thousand dollars.” H – aitch The letter H has a tricky spelling and pronunciation. It is spelled aitch, but the pronunciation of its name is [ eych ]. The letter comes from Northern Semitic languages and its modern corollary is the Hebrew letter heth. J – jay The letter J has a long and complicated history—it began as a swash, a typographical embellishment for the already existing I—but its spelling is relatively straightforward: jay. Like C, the spelling jay can be useful when describing something in the shape of the letter. K – kay You may already be familiar with the spelling of the letter K from the expression okay, or OK. Just like in okay, K is typically spelled k-a-y. Okay is a unique Americanism that you can read more about here. L – el El is most easily recognizable as the common abbreviation for elevated railroad. However, it is also the spelling for the letter L. M – em The spelling of the letter M, em, can be found in the name of the punctuation mark em dash (—). The name of the punctuation mark comes from the fact that it is the width of the letter M when printed. N – en Much like the letters em and en themselves, the em-dash and en-dash are often mixed up. The en dash is, you guessed it, the width of the letter N when printed. The en dash (–) is shorter than an em dash (—). P – pee The most scatological letter name is pee (P). The use of pee as a verb and noun to refer to urination actually comes from a euphemism for the vulgar piss, using the spelling of the initial letter in piss: P. Q – cue The letter Q has the honor of being one of two letters that is not included in the spelling of its own name: cue. The use of cue as a verb or noun to refer to “anything that excites to action” comes from another abbreviation related to the letter itself. In acting scripts, the Latin quandō, meaning “when” was abbreviated q, which later came to be spelled cue. R – ar The name of the letter R sounds like something a pirate might say: ar. The letter R was called by the Roman poet Persius littera canina or “the canine letter.” It was so named because pronouncing ar sounds like a dog’s growl. S – ess The snake-like S is spelled ess, with two terminal -s‘s. Along with cee and jay, ess can also be used to describe “something shaped like an S,” as in The roads were laid out nested double esses along the riverbank. T – tee A letter whose spelling you are more likely to be familiar with is T or tee, because it often appears in spellings of T-shirt (e.g., tee-shirt). The tee shirt is so named because it is a shirt in the shape of a T. V – vee Another letter that pops up in fashion is V or vee. You see this most often when describing certain clothing elements, such as a vee neckline or a vee-shaped dart. W – double-u The letter W is one of the stranger letters in the alphabet, and so is its spelling. As we noted already, we don’t usually spell vowels out, so we end up with the awkward double-u. The plural spelling is double-ues. Before it was merged into one letter (W), the sound was represented with the the digraph -uu- or double-u. X – ex The spelling of the letter X, ex, might seem foreboding. That’s because we often equate it with the prefix ex-, meaning “out of” or “without.” We also use ex as a verb to mean putting an X over something, literally or metaphorically, as in I exed out the name on the list. The letter X has found use as we explore new ways of describing gender identity and expression, which you can read about here. Y – wye The letter Y is spelled wye, like the river in Great Britain. Wye has been adopted into electrical and railroad terminology to describe circuits and track arrangements, respectively, that are in the shape of a Y. Interestingly, the letter Y replaced an Old English letter called thorn. Z – zee In American English, the letter Z is spelled and pronounced zee, patterned off of other consonants like dee and gee. However, in British English, the letter Z is named zed. Zed comes from the Middle French zede, itself from the ancient Greek zêta. Copyright 2025, AAKKHRA, All Rights Reserved.
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  • 40 āļ„āļģāļ„āļĄāļ—āļĢāļ‡āļžāļĨāļąāļ‡āļˆāļēāļāđ€āļžāļĨāđ‚āļ• āļ›āļĢāļēāļŠāļāđŒāļœāļđāđ‰āļ§āļēāļ‡āļĢāļēāļāļāļēāļ™āļ›āļąāļāļāļēāļ•āļ°āļ§āļąāļ™āļ•āļ
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    āļāļ§āđˆāļēāļŠāļ­āļ‡āļžāļąāļ™āļŠāļĩāđˆāļĢāđ‰āļ­āļĒāļ›āļĩāļœāđˆāļēāļ™āđ„āļ› āđ€āļŠāļĩāļĒāļ‡āļāļąāļ‡āļ§āļēāļ™āđāļŦāđˆāļ‡āļ›āļąāļāļāļēāļ‚āļ­āļ‡āđ€āļžāļĨāđ‚āļ• (Plato, 428-348 BC) āļĒāļąāļ‡āļ„āļ‡āļāđ‰āļ­āļ‡āļāļķāļāđƒāļ™āđ‚āļĨāļāđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļ„āļīāļ” Plato āđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āđ€āļ›āđ‡āļ™āļœāļđāđ‰āļ§āļēāļ‡āļĢāļēāļāļāļēāļ™āļāļēāļĢāļ„āļīāļ”āđ€āļŠāļīāļ‡āļ›āļĢāļąāļŠāļāļēāđƒāļŦāđ‰āđāļāđˆāļ­āļēāļĢāļĒāļ˜āļĢāļĢāļĄāļ•āļ°āļ§āļąāļ™āļ•āļ āļˆāļ™āļĄāļĩāļœāļđāđ‰āļāļĨāđˆāļēāļ§āļ§āđˆāļē "Western philosophy is but a series of footnotes to Plato" (āļ›āļĢāļąāļŠāļāļēāļ•āļ°āļ§āļąāļ™āļ•āļāļ—āļąāđ‰āļ‡āļĄāļ§āļĨāđ€āļ›āđ‡āļ™āđ€āļžāļĩāļĒāļ‡āđ€āļŠāļīāļ‡āļ­āļĢāļĢāļ–āļ‚āļ­āļ‡āđ€āļžāļĨāđ‚āļ•)
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    āđƒāļ™āļāļēāļ™āļ°āļœāļđāđ‰āļāđˆāļ­āļ•āļąāđ‰āļ‡ Platonic Academy (āļŠāļģāļ™āļąāļāļ›āļĢāļąāļŠāļāļēāļ­āļ„āļēāđ€āļ”āļĄāļĩ) āļŠāļ–āļēāļšāļąāļ™āļāļēāļĢāļĻāļķāļāļĐāļēāđāļŦāđˆāļ‡āđāļĢāļāļ‚āļ­āļ‡āđ‚āļĨāļāļ•āļ°āļ§āļąāļ™āļ•āļ āđ€āļžāļĨāđ‚āļ•āđ„āļ”āđ‰āļŦāļ§āđˆāļēāļ™āđ€āļĄāļĨāđ‡āļ”āļžāļąāļ™āļ˜āļļāđŒāđāļŦāđˆāļ‡āļ›āļąāļāļāļēāļ—āļĩāđˆāļ‡āļ­āļāļ‡āļēāļĄāđ€āļ›āđ‡āļ™āļ•āđ‰āļ™āđ„āļĄāđ‰āđƒāļŦāļāđˆāđāļœāđˆāļāļīāđˆāļ‡āļāđ‰āļēāļ™āđ„āļ›āļ—āļąāđˆāļ§āđ‚āļĨāļ
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    āļœāļĨāļ‡āļēāļ™āļ­āļĄāļ•āļ°āļ‚āļ­āļ‡āđ€āļžāļĨāđ‚āļ•āļ—āļĩāđˆāļĒāļąāļ‡āļ„āļ‡āļ—āļĢāļ‡āļ­āļīāļ—āļ˜āļīāļžāļĨāļˆāļ§āļšāļˆāļ™āļ›āļąāļˆāļˆāļļāļšāļąāļ™ āļ­āļēāļ—āļī "Allegory of the Cave" (āļ­āļļāļ›āļĄāļēāļ–āđ‰āļģ) āļ—āļĩāđˆāđ€āļ›āļĢāļĩāļĒāļšāđ€āļ—āļĩāļĒāļšāļĄāļ™āļļāļĐāļĒāđŒāļœāļđāđ‰āļ•āļīāļ”āļ­āļĒāļđāđˆāļāļąāļšāđ‚āļĨāļāđāļŦāđˆāļ‡āđ€āļ‡āļē āđāļĨāļ° "Theory of Forms" (āļ—āļĪāļĐāļŽāļĩāđāļšāļš) āļ—āļĩāđˆāđ€āļŠāļ™āļ­āļ§āđˆāļēāļ—āļļāļāļŠāļīāđˆāļ‡āđƒāļ™āđ‚āļĨāļāļ§āļąāļ•āļ–āļļāļĨāđ‰āļ§āļ™āđ€āļ›āđ‡āļ™āđ€āļžāļĩāļĒāļ‡āđ€āļ‡āļēāļŠāļ°āļ—āđ‰āļ­āļ™āļ‚āļ­āļ‡āđāļšāļš āļŦāļĢāļ·āļ­āđāļĄāđˆāđāļšāļšāļ—āļĩāđˆāļŠāļĄāļšāļđāļĢāļ“āđŒāđāļšāļšāđƒāļ™āđ‚āļĨāļāđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļ„āļīāļ”
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    āļ‡āļēāļ™āđ€āļ‚āļĩāļĒāļ™āļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āđ€āļ‚āļēāļ­āļĒāđˆāļēāļ‡ "The Republic" (āļĢāļąāļ) āļ§āļēāļ‡āļĢāļēāļāļāļēāļ™āđāļ™āļ§āļ„āļīāļ”āļ—āļēāļ‡āļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āđāļĨāļ°āļāļēāļĢāļ›āļāļ„āļĢāļ­āļ‡ āļ‚āļ“āļ°āļ—āļĩāđˆ "Symposium" (āļ‡āļēāļ™āđ€āļĨāļĩāđ‰āļĒāļ‡āļŠāļ™āļ—āļ™āļē) āļ–āļāļ›āļĢāļ°āđ€āļ”āđ‡āļ™āļ„āļ§āļēāļĄāļĢāļąāļāđāļĨāļ°āļ„āļ§āļēāļĄāļ‡āļēāļĄāļ­āļąāļ™āđ€āļ›āđ‡āļ™āļ™āļīāļĢāļąāļ™āļ”āļĢāđŒ
    .
    āđāļ™āļ§āļ„āļīāļ”āļ‚āļ­āļ‡āđ€āļžāļĨāđ‚āļ•āđ„āļ”āđ‰āļŦāļĨāđˆāļ­āļŦāļĨāļ­āļĄāļ§āļīāļ˜āļĩāļ„āļīāļ”āļ‚āļ­āļ‡āđ‚āļĨāļāđƒāļ™āļ—āļļāļāđāļ‚āļ™āļ‡ āļ—āļąāđ‰āļ‡āļ›āļĢāļąāļŠāļāļē āļĻāļēāļŠāļ™āļē āļāļēāļĢāđ€āļĄāļ·āļ­āļ‡ āļāļēāļĢāļĻāļķāļāļĐāļē āļ§āļīāļ—āļĒāļēāļĻāļēāļŠāļ•āļĢāđŒ āđāļĨāļ°āļĻāļīāļĨāļ›āļ° āļ­āļīāļ—āļ˜āļīāļžāļĨāļ‚āļ­āļ‡āđ€āļ‚āļēāđāļœāđˆāļ‚āļĒāļēāļĒāļˆāļēāļāļāļĢāļĩāļāđ‚āļšāļĢāļēāļ“ āļœāđˆāļēāļ™āļˆāļąāļāļĢāļ§āļĢāļĢāļ”āļīāđ‚āļĢāļĄāļąāļ™ āļœāđˆāļēāļ™āļĒāļļāļ„āļāļĨāļēāļ‡ āļœāđˆāļēāļ™āļĒāļļāļ„āļŸāļ·āđ‰āļ™āļŸāļđāļĻāļīāļĨāļ›āļ§āļīāļ—āļĒāļē āļˆāļ™āļ–āļķāļ‡āđ‚āļĨāļāļŠāļĄāļąāļĒāđƒāļŦāļĄāđˆ āļ—āļąāđ‰āļ‡āđƒāļ™āđ‚āļĨāļāļ•āļ°āļ§āļąāļ™āļ•āļāđāļĨāļ°āļ•āļ°āļ§āļąāļ™āļ­āļ­āļ āļˆāļ™āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļĢāļēāļāļāļēāļ™āļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āļ­āļēāļĢāļĒāļ˜āļĢāļĢāļĄāđ‚āļĨāļ
    .
    40 āļ„āļģāļ„āļĄāļ‚āļ­āļ‡āđ€āļžāļĨāđ‚āļ•āļ—āļĩāđˆāļĢāļ§āļšāļĢāļ§āļĄāļĄāļēāļ™āļĩāđ‰āļŠāļ°āļ—āđ‰āļ­āļ™āļ–āļķāļ‡āļ„āļ§āļēāļĄāļĨāļļāđˆāļĄāļĨāļķāļāļ—āļēāļ‡āļ„āļ§āļēāļĄāļ„āļīāļ”āļ—āļĩāđˆāđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļŠāļ§āļĢāļĢāļ„āđŒāļāļąāļšāđ‚āļĨāļ āļ­āļļāļ”āļĄāļ„āļ•āļīāļāļąāļšāļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļˆāļĢāļīāļ‡ āđāļĨāļ°āļŠāļĩāđ‰āļ™āļģāļĄāļ™āļļāļĐāļĒāđŒāļŠāļđāđˆāļāļēāļĢāđāļŠāļ§āļ‡āļŦāļēāļŠāļąāļˆāļ˜āļĢāļĢāļĄāļ­āļąāļ™āļŠāļđāļ‡āļŠāļļāļ”
    .
    .
    1. "Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything."

    "āļ”āļ™āļ•āļĢāļĩāļĄāļ­āļšāļˆāļīāļ•āļ§āļīāļāļāļēāļ“āđƒāļŦāđ‰āļˆāļąāļāļĢāļ§āļēāļĨ āļĄāļ­āļšāļ›āļĩāļāđƒāļŦāđ‰āļ„āļ§āļēāļĄāļ„āļīāļ” āļĄāļ­āļšāļāļēāļĢāđ‚āļšāļĒāļšāļīāļ™āđƒāļŦāđ‰āļˆāļīāļ™āļ•āļ™āļēāļāļēāļĢ āđāļĨāļ°āļĄāļ­āļšāļŠāļĩāļ§āļīāļ•āđƒāļŦāđ‰āļ—āļļāļāļŠāļīāđˆāļ‡"
    .
    .
    2. "Wise men speak because they have something to say; fools because they have to say something."

    "āļ„āļ™āļ‰āļĨāļēāļ”āļžāļđāļ”āđ€āļžāļĢāļēāļ°āļĄāļĩāļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļˆāļ°āļšāļ­āļ āļ„āļ™āđ‚āļ‡āđˆāļžāļđāļ”āđ€āļžāļĢāļēāļ°āļ•āđ‰āļ­āļ‡āļžāļđāļ”āļ­āļ°āđ„āļĢāļŠāļąāļāļ­āļĒāđˆāļēāļ‡"
    .
    .
    3. "The beginning is the most important part of the work."

    "āļˆāļļāļ”āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļ„āļ·āļ­āļŠāđˆāļ§āļ™āļŠāļģāļ„āļąāļāļ—āļĩāđˆāļŠāļļāļ”āļ‚āļ­āļ‡āļ‡āļēāļ™"
    .
    .
    4. "No one is more hated than he who speaks the truth."

    "āđ„āļĄāđˆāļĄāļĩāđƒāļ„āļĢāļ–āļđāļāđ€āļāļĨāļĩāļĒāļ”āļĄāļēāļāđ„āļ›āļāļ§āđˆāļēāļœāļđāđ‰āļ—āļĩāđˆāļžāļđāļ”āļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡"
    .
    .
    5. "Necessity is the mother of invention."
    "āļ„āļ§āļēāļĄāļˆāļģāđ€āļ›āđ‡āļ™āļ„āļ·āļ­āļšāđˆāļ­āđ€āļāļīāļ”āđāļŦāđˆāļ‡āļāļēāļĢāļ›āļĢāļ°āļ”āļīāļĐāļāđŒāļ„āļīāļ”āļ„āđ‰āļ™"
    .
    .
    6. "Human behavior flows from three main sources: desire, emotion, and knowledge."

    "āļžāļĪāļ•āļīāļāļĢāļĢāļĄāļĄāļ™āļļāļĐāļĒāđŒāļŦāļĨāļąāđˆāļ‡āđ„āļŦāļĨāļĄāļēāļˆāļēāļāļŠāļēāļĄāđāļŦāļĨāđˆāļ‡āļŦāļĨāļąāļ: āļ„āļ§āļēāļĄāļ›āļĢāļēāļĢāļ–āļ™āļē āļ­āļēāļĢāļĄāļ“āđŒ āđāļĨāļ°āļ„āļ§āļēāļĄāļĢāļđāđ‰"
    .
    .
    7. "The measure of a man is what he does with power."

    "āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ§āļąāļ”āļ„āļļāļ“āļ„āđˆāļēāļ‚āļ­āļ‡āļĄāļ™āļļāļĐāļĒāđŒāļ„āļ·āļ­āļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļ‚āļēāļ—āļģāđ€āļĄāļ·āđˆāļ­āļĄāļĩāļ­āļģāļ™āļēāļˆ"
    .
    .
    8. "The first and best victory is to conquer self."

    "āļŠāļąāļĒāļŠāļ™āļ°āđāļĢāļāđāļĨāļ°āļĒāļīāđˆāļ‡āđƒāļŦāļāđˆāļ—āļĩāđˆāļŠāļļāļ”āļ„āļ·āļ­āļāļēāļĢāļŠāļ™āļ°āđƒāļˆāļ•āļ™āđ€āļ­āļ‡"
    .
    .
    9. "The penalty that good men pay for not being interested in politics is to be governed by men worse than themselves."

    "āļšāļ—āļĨāļ‡āđ‚āļ—āļĐāļ—āļĩāđˆāļ„āļ™āļ”āļĩāļ•āđ‰āļ­āļ‡āļˆāđˆāļēāļĒāļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāđ„āļĄāđˆāļŠāļ™āđƒāļˆāļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āļ„āļ·āļ­āļāļēāļĢāļ–āļđāļāļ›āļāļ„āļĢāļ­āļ‡āđ‚āļ”āļĒāļ„āļ™āļ—āļĩāđˆāđ€āļĨāļ§āļĢāđ‰āļēāļĒāļāļ§āđˆāļēāļ•āļ™"
    .
    .
    10. "Those who tell the stories rule society."

    "āļœāļđāđ‰āļ—āļĩāđˆāđ€āļĨāđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ„āļ·āļ­āļœāļđāđ‰āļ›āļāļ„āļĢāļ­āļ‡āļŠāļąāļ‡āļ„āļĄ"
    .
    .
    11. "No wealth can ever make a bad man at peace with himself."

    "āđ„āļĄāđˆāļĄāļĩāļ„āļ§āļēāļĄāļĄāļąāđˆāļ‡āļ„āļąāđˆāļ‡āđƒāļ”āļˆāļ°āļ—āļģāđƒāļŦāđ‰āļ„āļ™āđ€āļĨāļ§āļ­āļĒāļđāđˆāļ­āļĒāđˆāļēāļ‡āļŠāļ‡āļšāļāļąāļšāļ•āļąāļ§āđ€āļ­āļ‡āđ„āļ”āđ‰"
    .
    .
    12. "Ignorance, the root and the stem of every evil."

    "āļ„āļ§āļēāļĄāđ‚āļ‡āđˆāđ€āļ‚āļĨāļēāļ„āļ·āļ­āļĢāļēāļāđ€āļŦāļ‡āđ‰āļēāđāļĨāļ°āļĨāļģāļ•āđ‰āļ™āļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļŠāļąāđˆāļ§āļĢāđ‰āļēāļĒāļ—āļąāđ‰āļ‡āļ›āļ§āļ‡"
    .
    .
    13. "We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light."

    "āđ€āļĢāļēāđƒāļŦāđ‰āļ­āļ āļąāļĒāđ€āļ”āđ‡āļāļ—āļĩāđˆāļāļĨāļąāļ§āļ„āļ§āļēāļĄāļĄāļ·āļ”āđ„āļ”āđ‰āļ‡āđˆāļēāļĒ āđāļ•āđˆāđ‚āļĻāļāļ™āļēāļāļāļĢāļĢāļĄāļ—āļĩāđˆāđāļ—āđ‰āļˆāļĢāļīāļ‡āļ‚āļ­āļ‡āļŠāļĩāļ§āļīāļ•āļ„āļ·āļ­āđ€āļĄāļ·āđˆāļ­āļœāļđāđ‰āļ„āļ™āļāļĨāļąāļ§āđāļŠāļ‡āļŠāļ§āđˆāļēāļ‡"
    .
    .
    14. "The worst form of injustice is pretended justice."

    "āļ„āļ§āļēāļĄāļ­āļĒāļļāļ•āļīāļ˜āļĢāļĢāļĄāļ—āļĩāđˆāđ€āļĨāļ§āļĢāđ‰āļēāļĒāļ—āļĩāđˆāļŠāļļāļ”āļ„āļ·āļ­āļ„āļ§āļēāļĄāļĒāļļāļ•āļīāļ˜āļĢāļĢāļĄāļˆāļ­āļĄāļ›āļĨāļ­āļĄ"
    .
    .
    15. "Opinion is the medium between knowledge and ignorance."

    "āļ„āļ§āļēāļĄāļ„āļīāļ”āđ€āļŦāđ‡āļ™āļ„āļ·āļ­āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ­āļĒāļđāđˆāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ„āļ§āļēāļĄāļĢāļđāđ‰āđāļĨāļ°āļ„āļ§āļēāļĄāđ‚āļ‡āđˆāđ€āļ‚āļĨāļē"
    .
    .
    16. "Geometry existed before creation."

    "āđ€āļĢāļ‚āļēāļ„āļ“āļīāļ•āļĄāļĩāļ­āļĒāļđāđˆāļāđˆāļ­āļ™āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļŠāļĢāļĢāļ„āđŒ"
    .
    .
    17. "Writing is the geometry of the soul."
    "āļāļēāļĢāđ€āļ‚āļĩāļĒāļ™āļ„āļ·āļ­āđ€āļĢāļ‚āļēāļ„āļ“āļīāļ•āļ‚āļ­āļ‡āļˆāļīāļ•āļ§āļīāļāļāļēāļ“"
    .
    .
    18. "Courage is knowing what not to fear."

    "āļ„āļ§āļēāļĄāļāļĨāđ‰āļēāļŦāļēāļāļ„āļ·āļ­āļāļēāļĢāļĢāļđāđ‰āļ§āđˆāļēāļ­āļ°āđ„āļĢāđ„āļĄāđˆāļ„āļ§āļĢāļāļĨāļąāļ§"
    .
    .
    19. "An empty vessel makes the loudest sound, so they that have the least wit are the greatest babblers."

    "āļ āļēāļŠāļ™āļ°āļ—āļĩāđˆāļ§āđˆāļēāļ‡āđ€āļ›āļĨāđˆāļēāļŠāđˆāļ‡āđ€āļŠāļĩāļĒāļ‡āļ”āļąāļ‡āļ—āļĩāđˆāļŠāļļāļ” āđ€āļŠāđˆāļ™āđ€āļ”āļĩāļĒāļ§āļāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļĄāļĩāļŠāļ•āļīāļ›āļąāļāļāļēāļ™āđ‰āļ­āļĒāļ—āļĩāđˆāļŠāļļāļ”āļĄāļąāļāđ€āļ›āđ‡āļ™āļœāļđāđ‰āļžāļđāļ”āļĄāļēāļāļ—āļĩāđˆāļŠāļļāļ”"
    .
    .
    20. "Education is teaching our children to desire the right things."

    "āļāļēāļĢāļĻāļķāļāļĐāļēāļ„āļ·āļ­āļāļēāļĢāļŠāļ­āļ™āļĨāļđāļāļŦāļĨāļēāļ™āļ‚āļ­āļ‡āđ€āļĢāļēāđƒāļŦāđ‰āļ›āļĢāļēāļĢāļ–āļ™āļēāđƒāļ™āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ–āļđāļāļ•āđ‰āļ­āļ‡"
    .
    .
    21. "Philosophy is the highest music."

    "āļ›āļĢāļąāļŠāļāļēāļ„āļ·āļ­āļ”āļ™āļ•āļĢāļĩāļ—āļĩāđˆāļŠāļđāļ‡āļŠāđˆāļ‡āļ—āļĩāđˆāļŠāļļāļ”"
    .
    .
    22. "There are three classes of men; lovers of wisdom, lovers of honor, and lovers of gain."

    "āļĄāļ™āļļāļĐāļĒāđŒāļĄāļĩāļŠāļēāļĄāļ›āļĢāļ°āđ€āļ āļ—: āļœāļđāđ‰āļĢāļąāļāļ›āļąāļāļāļē āļœāļđāđ‰āļĢāļąāļāđ€āļāļĩāļĒāļĢāļ•āļīāļĒāļĻ āđāļĨāļ°āļœāļđāđ‰āļĢāļąāļāļœāļĨāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒ"
    .
    .
    23. "Do not train a child to learn by force or harshness; but direct them to it by what amuses their minds, so that you may be better able to discover with accuracy the peculiar bent of the genius of each."

    "āļ­āļĒāđˆāļēāļāļķāļāđ€āļ”āđ‡āļāđƒāļŦāđ‰āđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āļ”āđ‰āļ§āļĒāļāļēāļĢāļšāļąāļ‡āļ„āļąāļšāļŦāļĢāļ·āļ­āļ„āļ§āļēāļĄāļĢāļļāļ™āđāļĢāļ‡ āđāļ•āđˆāļˆāļ‡āļŠāļĩāđ‰āļ™āļģāļžāļ§āļāđ€āļ‚āļēāļ”āđ‰āļ§āļĒāļŠāļīāđˆāļ‡āļ—āļĩāđˆāļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāđ€āļžāļĨāļīāļ”āđ€āļžāļĨāļīāļ™āđƒāļŦāđ‰āļˆāļīāļ•āđƒāļˆ āđ€āļžāļ·āđˆāļ­āļ—āļĩāđˆāļ„āļļāļ“āļˆāļ°āļŠāļēāļĄāļēāļĢāļ–āļ„āđ‰āļ™āļžāļšāļ„āļ§āļēāļĄāđ‚āļ™āđ‰āļĄāđ€āļ­āļĩāļĒāļ‡āļžāļīāđ€āļĻāļĐāļ‚āļ­āļ‡āļ­āļąāļˆāļ‰āļĢāļīāļĒāļ āļēāļžāđƒāļ™āļ•āļąāļ§āļžāļ§āļāđ€āļ‚āļēāđāļ•āđˆāļĨāļ°āļ„āļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđāļĄāđˆāļ™āļĒāļģ"
    .
    .
    24. "You should not honor men more than truth."

    "āļ­āļĒāđˆāļēāđƒāļŦāđ‰āđ€āļāļĩāļĒāļĢāļ•āļīāļĄāļ™āļļāļĐāļĒāđŒāļĄāļēāļāļāļ§āđˆāļēāļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡"
    .
    .
    25. "A hero is born among a hundred, a wise man is found among a thousand, but an accomplished one might not be found even among a hundred thousand men."

    "āļ§āļĩāļĢāļšāļļāļĢāļļāļĐāđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđƒāļ™āļŦāļ™āļķāđˆāļ‡āļĢāđ‰āļ­āļĒ āļ›āļĢāļēāļŠāļāđŒāļžāļšāđ„āļ”āđ‰āđƒāļ™āļŦāļ™āļķāđˆāļ‡āļžāļąāļ™ āđāļ•āđˆāļœāļđāđ‰āļ—āļĩāđˆāļŠāļĄāļšāļđāļĢāļ“āđŒāđāļšāļšāļ­āļēāļˆāđ„āļĄāđˆāļžāļšāđāļĄāđ‰āđƒāļ™āļŦāļ™āļķāđˆāļ‡āđāļŠāļ™āļ„āļ™"
    .
    .
    26. "At the touch of love everyone becomes a poet."

    "āđ€āļĄāļ·āđˆāļ­āļŠāļąāļĄāļœāļąāļŠāļ„āļ§āļēāļĄāļĢāļąāļ āļ—āļļāļāļ„āļ™āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļāļ§āļĩ"
    .
    .
    27. "There should exist among the citizens neither extreme poverty nor again excessive wealth, for both are productive of great evil."

    "āđƒāļ™āļŦāļĄāļđāđˆāļžāļĨāđ€āļĄāļ·āļ­āļ‡āđ„āļĄāđˆāļ„āļ§āļĢāļĄāļĩāļ—āļąāđ‰āļ‡āļ„āļ§āļēāļĄāļĒāļēāļāļˆāļ™āļŠāļļāļ”āļ‚āļąāđ‰āļ§āļŦāļĢāļ·āļ­āļ„āļ§āļēāļĄāļĄāļąāđˆāļ‡āļ„āļąāđˆāļ‡āļĨāđ‰āļ™āđ€āļŦāļĨāļ·āļ­ āđ€āļžāļĢāļēāļ°āļ—āļąāđ‰āļ‡āļŠāļ­āļ‡āļŠāļīāđˆāļ‡āļĨāđ‰āļ§āļ™āļāđˆāļ­āđƒāļŦāđ‰āđ€āļāļīāļ”āļ„āļ§āļēāļĄāļŠāļąāđˆāļ§āļĢāđ‰āļēāļĒāļ­āļąāļ™āđƒāļŦāļāđˆāļŦāļĨāļ§āļ‡"
    .
    .
    28. "As the builders say, the larger stones do not lie well without the lesser."

    "āļ”āļąāļ‡āļ—āļĩāđˆāļŠāđˆāļēāļ‡āļāđˆāļ­āļŠāļĢāđ‰āļēāļ‡āļ§āđˆāļē āļŦāļīāļ™āļāđ‰āļ­āļ™āđƒāļŦāļāđˆāđ„āļĄāđˆāļ­āļēāļˆāļ§āļēāļ‡āđ„āļ”āđ‰āļ”āļĩāļŦāļēāļāļ›āļĢāļēāļĻāļˆāļēāļāļŦāļīāļ™āļāđ‰āļ­āļ™āđ€āļĨāđ‡āļ"
    .
    .
    29. "The most virtuous are those who content themselves with being virtuous without seeking to appear so."

    "āļœāļđāđ‰āļ—āļĩāđˆāļĄāļĩāļ„āļļāļ“āļ˜āļĢāļĢāļĄāļ—āļĩāđˆāļŠāļļāļ”āļ„āļ·āļ­āļœāļđāđ‰āļ—āļĩāđˆāļžāļ­āđƒāļˆāđƒāļ™āļāļēāļĢāļĄāļĩāļ„āļļāļ“āļ˜āļĢāļĢāļĄāđ‚āļ”āļĒāđ„āļĄāđˆāļžāļĒāļēāļĒāļēāļĄāļ—āļģāđƒāļŦāđ‰āļ”āļđāđ€āļŦāļĄāļ·āļ­āļ™āļ§āđˆāļēāļĄāļĩ"
    .
    .
    30. "For this feeling of wonder shows that you are a philosopher, since wonder is the only beginning of philosophy."

    "āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļ›āļĢāļ°āļŦāļĨāļēāļ”āđƒāļˆāļ™āļĩāđ‰āđāļŠāļ”āļ‡āļ§āđˆāļēāļ„āļļāļ“āđ€āļ›āđ‡āļ™āļ™āļąāļāļ›āļĢāļąāļŠāļāļē āđ€āļžāļĢāļēāļ°āļ„āļ§āļēāļĄāļ›āļĢāļ°āļŦāļĨāļēāļ”āđƒāļˆāļ„āļ·āļ­āļˆāļļāļ”āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āđ€āļžāļĩāļĒāļ‡āļŦāļ™āļķāđˆāļ‡āđ€āļ”āļĩāļĒāļ§āļ‚āļ­āļ‡āļ›āļĢāļąāļŠāļāļē"
    .
    .
    31. "Courage is a kind of salvation."

    "āļ„āļ§āļēāļĄāļāļĨāđ‰āļēāļŦāļēāļāļ„āļ·āļ­āļĢāļđāļ›āđāļšāļšāļŦāļ™āļķāđˆāļ‡āļ‚āļ­āļ‡āļāļēāļĢāļŦāļĨāļļāļ”āļžāđ‰āļ™"
    .
    .
    32. "The highest reach of injustice is to be deemed just when you are not."

    "āļˆāļļāļ”āļŠāļđāļ‡āļŠāļļāļ”āļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļ­āļĒāļļāļ•āļīāļ˜āļĢāļĢāļĄāļ„āļ·āļ­āļāļēāļĢāļ–āļđāļāļĄāļ­āļ‡āļ§āđˆāļēāļĒāļļāļ•āļīāļ˜āļĢāļĢāļĄāļ—āļąāđ‰āļ‡āļ—āļĩāđˆāđ„āļĄāđˆāđƒāļŠāđˆ"
    .
    .
    33. "No science or art considers or enjoins the interest of the stronger or superior, but only the interest of the subject and weaker."

    "āđ„āļĄāđˆāļĄāļĩāļ§āļīāļ—āļĒāļēāļĻāļēāļŠāļ•āļĢāđŒāļŦāļĢāļ·āļ­āļĻāļīāļĨāļ›āļ°āđƒāļ”āļžāļīāļˆāļēāļĢāļ“āļēāļŦāļĢāļ·āļ­āļšāļąāļ‡āļ„āļąāļšāļœāļĨāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļ‚āļ­āļ‡āļœāļđāđ‰āđāļ‚āđ‡āļ‡āđāļāļĢāđˆāļ‡āļŦāļĢāļ·āļ­āļœāļđāđ‰āđ€āļŦāļ™āļ·āļ­āļāļ§āđˆāļē āđāļ•āđˆāđ€āļžāļĩāļĒāļ‡āļœāļĨāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļ‚āļ­āļ‡āļœāļđāđ‰āļ­āļĒāļđāđˆāđƒāļ•āđ‰āļ›āļāļ„āļĢāļ­āļ‡āđāļĨāļ°āļœāļđāđ‰āļ­āđˆāļ­āļ™āđāļ­āļāļ§āđˆāļē"
    .
    .
    34. "For the uneducated, when they engage in argument about anything, give no thought to the truth about the subject of discussion but are only eager that those present will accept the position they have set forth."

    "āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āđ„āļĢāđ‰āļāļēāļĢāļĻāļķāļāļĐāļē āđ€āļĄāļ·āđˆāļ­āļžāļ§āļāđ€āļ‚āļēāđ‚āļ•āđ‰āđāļĒāđ‰āļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āđƒāļ”āļāđ‡āļ•āļēāļĄ āļžāļ§āļāđ€āļ‚āļēāđ„āļĄāđˆāļ„āļīāļ”āļ–āļķāļ‡āļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļŦāļąāļ§āļ‚āđ‰āļ­āļ—āļĩāđˆāļāļģāļĨāļąāļ‡āļ­āļ āļīāļ›āļĢāļēāļĒ āđāļ•āđˆāļāļĢāļ°āļ•āļ·āļ­āļĢāļ·āļ­āļĢāđ‰āļ™āđ€āļžāļĩāļĒāļ‡āđƒāļŦāđ‰āļœāļđāđ‰āļ—āļĩāđˆāļ­āļĒāļđāđˆāļ—āļĩāđˆāļ™āļąāđˆāļ™āļĒāļ­āļĄāļĢāļąāļšāļˆāļļāļ”āļĒāļ·āļ™āļ—āļĩāđˆāļžāļ§āļāđ€āļ‚āļēāļ™āļģāđ€āļŠāļ™āļ­āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™"
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    .
    35. "Neither do the ignorant seek after wisdom. For herein is the evil of ignorance, that he who is neither good nor wise is nevertheless satisfied with himself: he has no desire for that of which he feels no want."

    "āļ„āļ™āđ‚āļ‡āđˆāđ€āļ‚āļĨāļēāđ„āļĄāđˆāđāļŠāļ§āļ‡āļŦāļēāļ›āļąāļāļāļē āđ€āļžāļĢāļēāļ°āļ™āļĩāđˆāļ„āļ·āļ­āļ„āļ§āļēāļĄāļŠāļąāđˆāļ§āļĢāđ‰āļēāļĒāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāđ‚āļ‡āđˆāđ€āļ‚āļĨāļē āļ—āļĩāđˆāļœāļđāđ‰āļ‹āļķāđˆāļ‡āđ„āļĄāđˆāļ”āļĩāđāļĨāļ°āđ„āļĄāđˆāļ‰āļĨāļēāļ”āļāļĨāļąāļšāļžāļ­āđƒāļˆāđƒāļ™āļ•āļąāļ§āđ€āļ­āļ‡: āđ€āļ‚āļēāđ„āļĄāđˆāļĄāļĩāļ„āļ§āļēāļĄāļ›āļĢāļēāļĢāļ–āļ™āļēāđƒāļ™āļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļ‚āļēāļĢāļđāđ‰āļŠāļķāļāļ§āđˆāļēāđ„āļĄāđˆāļ‚āļēāļ”"
    .
    .
    36. "The man who finds that in the course of his life he has done a lot of wrong often wakes up at night in terror, like a child with a nightmare, and his life is full of foreboding: but the man who is conscious of no wrongdoing is filled with cheerfulness and with the comfort of old age."

    "āļœāļđāđ‰āļ—āļĩāđˆāļžāļšāļ§āđˆāļēāđƒāļ™āļŠāđˆāļ§āļ‡āļŠāļĩāļ§āļīāļ•āļ‚āļ­āļ‡āđ€āļ‚āļēāđ„āļ”āđ‰āļ—āļģāļœāļīāļ”āļĄāļēāļāļĄāļąāļāļ•āļ·āđˆāļ™āļ‚āļķāđ‰āļ™āļĄāļēāļ•āļ­āļ™āļāļĨāļēāļ‡āļ„āļ·āļ™āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļŦāļ§āļēāļ”āļāļĨāļąāļ§ āđ€āļŦāļĄāļ·āļ­āļ™āđ€āļ”āđ‡āļāļ—āļĩāđˆāļāļąāļ™āļĢāđ‰āļēāļĒ āđāļĨāļ°āļŠāļĩāļ§āļīāļ•āļ‚āļ­āļ‡āđ€āļ‚āļēāđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļĨāļēāļ‡āļĢāđ‰āļēāļĒ āđāļ•āđˆāļœāļđāđ‰āļ—āļĩāđˆāđ„āļĄāđˆāļĢāļđāđ‰āļŠāļķāļāļ§āđˆāļēāđ„āļ”āđ‰āļ—āļģāļœāļīāļ”āļˆāļ°āđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļĢāđˆāļēāđ€āļĢāļīāļ‡āđāļĨāļ°āļ„āļ§āļēāļĄāļŠāļšāļēāļĒāđƒāļˆāđƒāļ™āļ§āļąāļĒāļŠāļĢāļē"
    .
    .
    37. "Now early life is very impressible, and children ought not to learn what they will have to unlearn when they grow up; we must therefore have a censorship of nursery tales, banishing some and keeping others."

    "āļŠāļĩāļ§āļīāļ•āđƒāļ™āļ§āļąāļĒāļ•āđ‰āļ™āļ™āļąāđ‰āļ™āļĢāļąāļšāļ­āļīāļ—āļ˜āļīāļžāļĨāđ„āļ”āđ‰āļ‡āđˆāļēāļĒ āđāļĨāļ°āđ€āļ”āđ‡āļāđ† āđ„āļĄāđˆāļ„āļ§āļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļžāļ§āļāđ€āļ‚āļēāļˆāļ°āļ•āđ‰āļ­āļ‡āļĨāļ·āļĄāđ€āļĄāļ·āđˆāļ­āđ‚āļ•āļ‚āļķāđ‰āļ™ āđ€āļĢāļēāļˆāļķāļ‡āļ•āđ‰āļ­āļ‡āļĄāļĩāļāļēāļĢāļāļĨāļąāđˆāļ™āļāļĢāļ­āļ‡āļ™āļīāļ—āļēāļ™āļŠāļģāļŦāļĢāļąāļšāđ€āļ”āđ‡āļ āļāļģāļˆāļąāļ”āļšāļēāļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āđāļĨāļ°āđ€āļāđ‡āļšāļšāļēāļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āđ„āļ§āđ‰"
    .
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    38. "There's no difficulty in choosing vice in abundance: the road is smooth and it's hardly any distance to where it lives. But the gods have put sweat in the way of goodness, and a long, rough, steep road."

    "āđ„āļĄāđˆāļĄāļĩāļ„āļ§āļēāļĄāļĒāļēāļāļĨāļģāļšāļēāļāđƒāļ™āļāļēāļĢāđ€āļĨāļ·āļ­āļāļ„āļ§āļēāļĄāļŠāļąāđˆāļ§āļ—āļĩāđˆāļĄāļĩāļ­āļĒāļđāđˆāļĄāļēāļāļĄāļēāļĒ: āļ–āļ™āļ™āļĢāļēāļšāđ€āļĢāļĩāļĒāļšāđāļĨāļ°āđāļ—āļšāđ„āļĄāđˆāļĄāļĩāļĢāļ°āļĒāļ°āļ—āļēāļ‡āđ„āļ›āļ–āļķāļ‡āļ—āļĩāđˆāļ­āļĒāļđāđˆāļ‚āļ­āļ‡āļĄāļąāļ™ āđāļ•āđˆāđ€āļ—āļžāđ€āļˆāđ‰āļēāđ„āļ”āđ‰āļ§āļēāļ‡āđ€āļŦāļ‡āļ·āđˆāļ­āđ„āļ§āđ‰āđƒāļ™āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļ”āļĩ āđāļĨāļ°āđ€āļ›āđ‡āļ™āļ–āļ™āļ™āļ—āļĩāđˆāļĒāļēāļ§ āļ‚āļĢāļļāļ‚āļĢāļ° āđāļĨāļ°āļŠāļąāļ™"
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    39. "It is not Love absolutely that is good or praiseworthy, but only that Love which impels meant to love aright."

    "āđ„āļĄāđˆāđƒāļŠāđˆāļ„āļ§āļēāļĄāļĢāļąāļāļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļ—āļĩāđˆāļ”āļĩāļŦāļĢāļ·āļ­āļ™āđˆāļēāļŠāļĢāļĢāđ€āļŠāļĢāļīāļ āđāļ•āđˆāđ€āļ›āđ‡āļ™āđ€āļžāļĩāļĒāļ‡āļ„āļ§āļēāļĄāļĢāļąāļāļ—āļĩāđˆāļœāļĨāļąāļāļ”āļąāļ™āđƒāļŦāđ‰āļĢāļąāļāļ­āļĒāđˆāļēāļ‡āļ–āļđāļāļ•āđ‰āļ­āļ‡āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™"
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    40. "Both knowledge and truth are beautiful things, but the good is other and more beautiful than they."

    "āļ—āļąāđ‰āļ‡āļ„āļ§āļēāļĄāļĢāļđāđ‰āđāļĨāļ°āļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡āđ€āļ›āđ‡āļ™āļŠāļīāđˆāļ‡āļ‡āļ”āļ‡āļēāļĄ āđāļ•āđˆāļ„āļ§āļēāļĄāļ”āļĩāļ™āļąāđ‰āļ™āđāļ•āļāļ•āđˆāļēāļ‡āđāļĨāļ°āļ‡āļ”āļ‡āļēāļĄāļĒāļīāđˆāļ‡āļāļ§āđˆāļē"
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    #SuccessStrategies #Quotes #Plato #Mindset #Politic
    40 āļ„āļģāļ„āļĄāļ—āļĢāļ‡āļžāļĨāļąāļ‡āļˆāļēāļāđ€āļžāļĨāđ‚āļ• āļ›āļĢāļēāļŠāļāđŒāļœāļđāđ‰āļ§āļēāļ‡āļĢāļēāļāļāļēāļ™āļ›āļąāļāļāļēāļ•āļ°āļ§āļąāļ™āļ•āļ . āļāļ§āđˆāļēāļŠāļ­āļ‡āļžāļąāļ™āļŠāļĩāđˆāļĢāđ‰āļ­āļĒāļ›āļĩāļœāđˆāļēāļ™āđ„āļ› āđ€āļŠāļĩāļĒāļ‡āļāļąāļ‡āļ§āļēāļ™āđāļŦāđˆāļ‡āļ›āļąāļāļāļēāļ‚āļ­āļ‡āđ€āļžāļĨāđ‚āļ• (Plato, 428-348 BC) āļĒāļąāļ‡āļ„āļ‡āļāđ‰āļ­āļ‡āļāļķāļāđƒāļ™āđ‚āļĨāļāđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļ„āļīāļ” Plato āđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āđ€āļ›āđ‡āļ™āļœāļđāđ‰āļ§āļēāļ‡āļĢāļēāļāļāļēāļ™āļāļēāļĢāļ„āļīāļ”āđ€āļŠāļīāļ‡āļ›āļĢāļąāļŠāļāļēāđƒāļŦāđ‰āđāļāđˆāļ­āļēāļĢāļĒāļ˜āļĢāļĢāļĄāļ•āļ°āļ§āļąāļ™āļ•āļ āļˆāļ™āļĄāļĩāļœāļđāđ‰āļāļĨāđˆāļēāļ§āļ§āđˆāļē "Western philosophy is but a series of footnotes to Plato" (āļ›āļĢāļąāļŠāļāļēāļ•āļ°āļ§āļąāļ™āļ•āļāļ—āļąāđ‰āļ‡āļĄāļ§āļĨāđ€āļ›āđ‡āļ™āđ€āļžāļĩāļĒāļ‡āđ€āļŠāļīāļ‡āļ­āļĢāļĢāļ–āļ‚āļ­āļ‡āđ€āļžāļĨāđ‚āļ•) . āđƒāļ™āļāļēāļ™āļ°āļœāļđāđ‰āļāđˆāļ­āļ•āļąāđ‰āļ‡ Platonic Academy (āļŠāļģāļ™āļąāļāļ›āļĢāļąāļŠāļāļēāļ­āļ„āļēāđ€āļ”āļĄāļĩ) āļŠāļ–āļēāļšāļąāļ™āļāļēāļĢāļĻāļķāļāļĐāļēāđāļŦāđˆāļ‡āđāļĢāļāļ‚āļ­āļ‡āđ‚āļĨāļāļ•āļ°āļ§āļąāļ™āļ•āļ āđ€āļžāļĨāđ‚āļ•āđ„āļ”āđ‰āļŦāļ§āđˆāļēāļ™āđ€āļĄāļĨāđ‡āļ”āļžāļąāļ™āļ˜āļļāđŒāđāļŦāđˆāļ‡āļ›āļąāļāļāļēāļ—āļĩāđˆāļ‡āļ­āļāļ‡āļēāļĄāđ€āļ›āđ‡āļ™āļ•āđ‰āļ™āđ„āļĄāđ‰āđƒāļŦāļāđˆāđāļœāđˆāļāļīāđˆāļ‡āļāđ‰āļēāļ™āđ„āļ›āļ—āļąāđˆāļ§āđ‚āļĨāļ . āļœāļĨāļ‡āļēāļ™āļ­āļĄāļ•āļ°āļ‚āļ­āļ‡āđ€āļžāļĨāđ‚āļ•āļ—āļĩāđˆāļĒāļąāļ‡āļ„āļ‡āļ—āļĢāļ‡āļ­āļīāļ—āļ˜āļīāļžāļĨāļˆāļ§āļšāļˆāļ™āļ›āļąāļˆāļˆāļļāļšāļąāļ™ āļ­āļēāļ—āļī "Allegory of the Cave" (āļ­āļļāļ›āļĄāļēāļ–āđ‰āļģ) āļ—āļĩāđˆāđ€āļ›āļĢāļĩāļĒāļšāđ€āļ—āļĩāļĒāļšāļĄāļ™āļļāļĐāļĒāđŒāļœāļđāđ‰āļ•āļīāļ”āļ­āļĒāļđāđˆāļāļąāļšāđ‚āļĨāļāđāļŦāđˆāļ‡āđ€āļ‡āļē āđāļĨāļ° "Theory of Forms" (āļ—āļĪāļĐāļŽāļĩāđāļšāļš) āļ—āļĩāđˆāđ€āļŠāļ™āļ­āļ§āđˆāļēāļ—āļļāļāļŠāļīāđˆāļ‡āđƒāļ™āđ‚āļĨāļāļ§āļąāļ•āļ–āļļāļĨāđ‰āļ§āļ™āđ€āļ›āđ‡āļ™āđ€āļžāļĩāļĒāļ‡āđ€āļ‡āļēāļŠāļ°āļ—āđ‰āļ­āļ™āļ‚āļ­āļ‡āđāļšāļš āļŦāļĢāļ·āļ­āđāļĄāđˆāđāļšāļšāļ—āļĩāđˆāļŠāļĄāļšāļđāļĢāļ“āđŒāđāļšāļšāđƒāļ™āđ‚āļĨāļāđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļ„āļīāļ” . āļ‡āļēāļ™āđ€āļ‚āļĩāļĒāļ™āļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āđ€āļ‚āļēāļ­āļĒāđˆāļēāļ‡ "The Republic" (āļĢāļąāļ) āļ§āļēāļ‡āļĢāļēāļāļāļēāļ™āđāļ™āļ§āļ„āļīāļ”āļ—āļēāļ‡āļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āđāļĨāļ°āļāļēāļĢāļ›āļāļ„āļĢāļ­āļ‡ āļ‚āļ“āļ°āļ—āļĩāđˆ "Symposium" (āļ‡āļēāļ™āđ€āļĨāļĩāđ‰āļĒāļ‡āļŠāļ™āļ—āļ™āļē) āļ–āļāļ›āļĢāļ°āđ€āļ”āđ‡āļ™āļ„āļ§āļēāļĄāļĢāļąāļāđāļĨāļ°āļ„āļ§āļēāļĄāļ‡āļēāļĄāļ­āļąāļ™āđ€āļ›āđ‡āļ™āļ™āļīāļĢāļąāļ™āļ”āļĢāđŒ . āđāļ™āļ§āļ„āļīāļ”āļ‚āļ­āļ‡āđ€āļžāļĨāđ‚āļ•āđ„āļ”āđ‰āļŦāļĨāđˆāļ­āļŦāļĨāļ­āļĄāļ§āļīāļ˜āļĩāļ„āļīāļ”āļ‚āļ­āļ‡āđ‚āļĨāļāđƒāļ™āļ—āļļāļāđāļ‚āļ™āļ‡ āļ—āļąāđ‰āļ‡āļ›āļĢāļąāļŠāļāļē āļĻāļēāļŠāļ™āļē āļāļēāļĢāđ€āļĄāļ·āļ­āļ‡ āļāļēāļĢāļĻāļķāļāļĐāļē āļ§āļīāļ—āļĒāļēāļĻāļēāļŠāļ•āļĢāđŒ āđāļĨāļ°āļĻāļīāļĨāļ›āļ° āļ­āļīāļ—āļ˜āļīāļžāļĨāļ‚āļ­āļ‡āđ€āļ‚āļēāđāļœāđˆāļ‚āļĒāļēāļĒāļˆāļēāļāļāļĢāļĩāļāđ‚āļšāļĢāļēāļ“ āļœāđˆāļēāļ™āļˆāļąāļāļĢāļ§āļĢāļĢāļ”āļīāđ‚āļĢāļĄāļąāļ™ āļœāđˆāļēāļ™āļĒāļļāļ„āļāļĨāļēāļ‡ āļœāđˆāļēāļ™āļĒāļļāļ„āļŸāļ·āđ‰āļ™āļŸāļđāļĻāļīāļĨāļ›āļ§āļīāļ—āļĒāļē āļˆāļ™āļ–āļķāļ‡āđ‚āļĨāļāļŠāļĄāļąāļĒāđƒāļŦāļĄāđˆ āļ—āļąāđ‰āļ‡āđƒāļ™āđ‚āļĨāļāļ•āļ°āļ§āļąāļ™āļ•āļāđāļĨāļ°āļ•āļ°āļ§āļąāļ™āļ­āļ­āļ āļˆāļ™āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļĢāļēāļāļāļēāļ™āļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āļ­āļēāļĢāļĒāļ˜āļĢāļĢāļĄāđ‚āļĨāļ . 40 āļ„āļģāļ„āļĄāļ‚āļ­āļ‡āđ€āļžāļĨāđ‚āļ•āļ—āļĩāđˆāļĢāļ§āļšāļĢāļ§āļĄāļĄāļēāļ™āļĩāđ‰āļŠāļ°āļ—āđ‰āļ­āļ™āļ–āļķāļ‡āļ„āļ§āļēāļĄāļĨāļļāđˆāļĄāļĨāļķāļāļ—āļēāļ‡āļ„āļ§āļēāļĄāļ„āļīāļ”āļ—āļĩāđˆāđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļŠāļ§āļĢāļĢāļ„āđŒāļāļąāļšāđ‚āļĨāļ āļ­āļļāļ”āļĄāļ„āļ•āļīāļāļąāļšāļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļˆāļĢāļīāļ‡ āđāļĨāļ°āļŠāļĩāđ‰āļ™āļģāļĄāļ™āļļāļĐāļĒāđŒāļŠāļđāđˆāļāļēāļĢāđāļŠāļ§āļ‡āļŦāļēāļŠāļąāļˆāļ˜āļĢāļĢāļĄāļ­āļąāļ™āļŠāļđāļ‡āļŠāļļāļ” . . 1. "Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything." "āļ”āļ™āļ•āļĢāļĩāļĄāļ­āļšāļˆāļīāļ•āļ§āļīāļāļāļēāļ“āđƒāļŦāđ‰āļˆāļąāļāļĢāļ§āļēāļĨ āļĄāļ­āļšāļ›āļĩāļāđƒāļŦāđ‰āļ„āļ§āļēāļĄāļ„āļīāļ” āļĄāļ­āļšāļāļēāļĢāđ‚āļšāļĒāļšāļīāļ™āđƒāļŦāđ‰āļˆāļīāļ™āļ•āļ™āļēāļāļēāļĢ āđāļĨāļ°āļĄāļ­āļšāļŠāļĩāļ§āļīāļ•āđƒāļŦāđ‰āļ—āļļāļāļŠāļīāđˆāļ‡" . . 2. "Wise men speak because they have something to say; fools because they have to say something." "āļ„āļ™āļ‰āļĨāļēāļ”āļžāļđāļ”āđ€āļžāļĢāļēāļ°āļĄāļĩāļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļˆāļ°āļšāļ­āļ āļ„āļ™āđ‚āļ‡āđˆāļžāļđāļ”āđ€āļžāļĢāļēāļ°āļ•āđ‰āļ­āļ‡āļžāļđāļ”āļ­āļ°āđ„āļĢāļŠāļąāļāļ­āļĒāđˆāļēāļ‡" . . 3. "The beginning is the most important part of the work." "āļˆāļļāļ”āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļ„āļ·āļ­āļŠāđˆāļ§āļ™āļŠāļģāļ„āļąāļāļ—āļĩāđˆāļŠāļļāļ”āļ‚āļ­āļ‡āļ‡āļēāļ™" . . 4. "No one is more hated than he who speaks the truth." "āđ„āļĄāđˆāļĄāļĩāđƒāļ„āļĢāļ–āļđāļāđ€āļāļĨāļĩāļĒāļ”āļĄāļēāļāđ„āļ›āļāļ§āđˆāļēāļœāļđāđ‰āļ—āļĩāđˆāļžāļđāļ”āļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡" . . 5. "Necessity is the mother of invention." "āļ„āļ§āļēāļĄāļˆāļģāđ€āļ›āđ‡āļ™āļ„āļ·āļ­āļšāđˆāļ­āđ€āļāļīāļ”āđāļŦāđˆāļ‡āļāļēāļĢāļ›āļĢāļ°āļ”āļīāļĐāļāđŒāļ„āļīāļ”āļ„āđ‰āļ™" . . 6. "Human behavior flows from three main sources: desire, emotion, and knowledge." "āļžāļĪāļ•āļīāļāļĢāļĢāļĄāļĄāļ™āļļāļĐāļĒāđŒāļŦāļĨāļąāđˆāļ‡āđ„āļŦāļĨāļĄāļēāļˆāļēāļāļŠāļēāļĄāđāļŦāļĨāđˆāļ‡āļŦāļĨāļąāļ: āļ„āļ§āļēāļĄāļ›āļĢāļēāļĢāļ–āļ™āļē āļ­āļēāļĢāļĄāļ“āđŒ āđāļĨāļ°āļ„āļ§āļēāļĄāļĢāļđāđ‰" . . 7. "The measure of a man is what he does with power." "āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ§āļąāļ”āļ„āļļāļ“āļ„āđˆāļēāļ‚āļ­āļ‡āļĄāļ™āļļāļĐāļĒāđŒāļ„āļ·āļ­āļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļ‚āļēāļ—āļģāđ€āļĄāļ·āđˆāļ­āļĄāļĩāļ­āļģāļ™āļēāļˆ" . . 8. "The first and best victory is to conquer self." "āļŠāļąāļĒāļŠāļ™āļ°āđāļĢāļāđāļĨāļ°āļĒāļīāđˆāļ‡āđƒāļŦāļāđˆāļ—āļĩāđˆāļŠāļļāļ”āļ„āļ·āļ­āļāļēāļĢāļŠāļ™āļ°āđƒāļˆāļ•āļ™āđ€āļ­āļ‡" . . 9. "The penalty that good men pay for not being interested in politics is to be governed by men worse than themselves." "āļšāļ—āļĨāļ‡āđ‚āļ—āļĐāļ—āļĩāđˆāļ„āļ™āļ”āļĩāļ•āđ‰āļ­āļ‡āļˆāđˆāļēāļĒāļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāđ„āļĄāđˆāļŠāļ™āđƒāļˆāļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āļ„āļ·āļ­āļāļēāļĢāļ–āļđāļāļ›āļāļ„āļĢāļ­āļ‡āđ‚āļ”āļĒāļ„āļ™āļ—āļĩāđˆāđ€āļĨāļ§āļĢāđ‰āļēāļĒāļāļ§āđˆāļēāļ•āļ™" . . 10. "Those who tell the stories rule society." "āļœāļđāđ‰āļ—āļĩāđˆāđ€āļĨāđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ„āļ·āļ­āļœāļđāđ‰āļ›āļāļ„āļĢāļ­āļ‡āļŠāļąāļ‡āļ„āļĄ" . . 11. "No wealth can ever make a bad man at peace with himself." "āđ„āļĄāđˆāļĄāļĩāļ„āļ§āļēāļĄāļĄāļąāđˆāļ‡āļ„āļąāđˆāļ‡āđƒāļ”āļˆāļ°āļ—āļģāđƒāļŦāđ‰āļ„āļ™āđ€āļĨāļ§āļ­āļĒāļđāđˆāļ­āļĒāđˆāļēāļ‡āļŠāļ‡āļšāļāļąāļšāļ•āļąāļ§āđ€āļ­āļ‡āđ„āļ”āđ‰" . . 12. "Ignorance, the root and the stem of every evil." "āļ„āļ§āļēāļĄāđ‚āļ‡āđˆāđ€āļ‚āļĨāļēāļ„āļ·āļ­āļĢāļēāļāđ€āļŦāļ‡āđ‰āļēāđāļĨāļ°āļĨāļģāļ•āđ‰āļ™āļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļŠāļąāđˆāļ§āļĢāđ‰āļēāļĒāļ—āļąāđ‰āļ‡āļ›āļ§āļ‡" . . 13. "We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light." "āđ€āļĢāļēāđƒāļŦāđ‰āļ­āļ āļąāļĒāđ€āļ”āđ‡āļāļ—āļĩāđˆāļāļĨāļąāļ§āļ„āļ§āļēāļĄāļĄāļ·āļ”āđ„āļ”āđ‰āļ‡āđˆāļēāļĒ āđāļ•āđˆāđ‚āļĻāļāļ™āļēāļāļāļĢāļĢāļĄāļ—āļĩāđˆāđāļ—āđ‰āļˆāļĢāļīāļ‡āļ‚āļ­āļ‡āļŠāļĩāļ§āļīāļ•āļ„āļ·āļ­āđ€āļĄāļ·āđˆāļ­āļœāļđāđ‰āļ„āļ™āļāļĨāļąāļ§āđāļŠāļ‡āļŠāļ§āđˆāļēāļ‡" . . 14. "The worst form of injustice is pretended justice." "āļ„āļ§āļēāļĄāļ­āļĒāļļāļ•āļīāļ˜āļĢāļĢāļĄāļ—āļĩāđˆāđ€āļĨāļ§āļĢāđ‰āļēāļĒāļ—āļĩāđˆāļŠāļļāļ”āļ„āļ·āļ­āļ„āļ§āļēāļĄāļĒāļļāļ•āļīāļ˜āļĢāļĢāļĄāļˆāļ­āļĄāļ›āļĨāļ­āļĄ" . . 15. "Opinion is the medium between knowledge and ignorance." "āļ„āļ§āļēāļĄāļ„āļīāļ”āđ€āļŦāđ‡āļ™āļ„āļ·āļ­āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ­āļĒāļđāđˆāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ„āļ§āļēāļĄāļĢāļđāđ‰āđāļĨāļ°āļ„āļ§āļēāļĄāđ‚āļ‡āđˆāđ€āļ‚āļĨāļē" . . 16. "Geometry existed before creation." "āđ€āļĢāļ‚āļēāļ„āļ“āļīāļ•āļĄāļĩāļ­āļĒāļđāđˆāļāđˆāļ­āļ™āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļŠāļĢāļĢāļ„āđŒ" . . 17. "Writing is the geometry of the soul." "āļāļēāļĢāđ€āļ‚āļĩāļĒāļ™āļ„āļ·āļ­āđ€āļĢāļ‚āļēāļ„āļ“āļīāļ•āļ‚āļ­āļ‡āļˆāļīāļ•āļ§āļīāļāļāļēāļ“" . . 18. "Courage is knowing what not to fear." "āļ„āļ§āļēāļĄāļāļĨāđ‰āļēāļŦāļēāļāļ„āļ·āļ­āļāļēāļĢāļĢāļđāđ‰āļ§āđˆāļēāļ­āļ°āđ„āļĢāđ„āļĄāđˆāļ„āļ§āļĢāļāļĨāļąāļ§" . . 19. "An empty vessel makes the loudest sound, so they that have the least wit are the greatest babblers." "āļ āļēāļŠāļ™āļ°āļ—āļĩāđˆāļ§āđˆāļēāļ‡āđ€āļ›āļĨāđˆāļēāļŠāđˆāļ‡āđ€āļŠāļĩāļĒāļ‡āļ”āļąāļ‡āļ—āļĩāđˆāļŠāļļāļ” āđ€āļŠāđˆāļ™āđ€āļ”āļĩāļĒāļ§āļāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļĄāļĩāļŠāļ•āļīāļ›āļąāļāļāļēāļ™āđ‰āļ­āļĒāļ—āļĩāđˆāļŠāļļāļ”āļĄāļąāļāđ€āļ›āđ‡āļ™āļœāļđāđ‰āļžāļđāļ”āļĄāļēāļāļ—āļĩāđˆāļŠāļļāļ”" . . 20. "Education is teaching our children to desire the right things." "āļāļēāļĢāļĻāļķāļāļĐāļēāļ„āļ·āļ­āļāļēāļĢāļŠāļ­āļ™āļĨāļđāļāļŦāļĨāļēāļ™āļ‚āļ­āļ‡āđ€āļĢāļēāđƒāļŦāđ‰āļ›āļĢāļēāļĢāļ–āļ™āļēāđƒāļ™āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ–āļđāļāļ•āđ‰āļ­āļ‡" . . 21. "Philosophy is the highest music." "āļ›āļĢāļąāļŠāļāļēāļ„āļ·āļ­āļ”āļ™āļ•āļĢāļĩāļ—āļĩāđˆāļŠāļđāļ‡āļŠāđˆāļ‡āļ—āļĩāđˆāļŠāļļāļ”" . . 22. "There are three classes of men; lovers of wisdom, lovers of honor, and lovers of gain." "āļĄāļ™āļļāļĐāļĒāđŒāļĄāļĩāļŠāļēāļĄāļ›āļĢāļ°āđ€āļ āļ—: āļœāļđāđ‰āļĢāļąāļāļ›āļąāļāļāļē āļœāļđāđ‰āļĢāļąāļāđ€āļāļĩāļĒāļĢāļ•āļīāļĒāļĻ āđāļĨāļ°āļœāļđāđ‰āļĢāļąāļāļœāļĨāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒ" . . 23. "Do not train a child to learn by force or harshness; but direct them to it by what amuses their minds, so that you may be better able to discover with accuracy the peculiar bent of the genius of each." "āļ­āļĒāđˆāļēāļāļķāļāđ€āļ”āđ‡āļāđƒāļŦāđ‰āđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āļ”āđ‰āļ§āļĒāļāļēāļĢāļšāļąāļ‡āļ„āļąāļšāļŦāļĢāļ·āļ­āļ„āļ§āļēāļĄāļĢāļļāļ™āđāļĢāļ‡ āđāļ•āđˆāļˆāļ‡āļŠāļĩāđ‰āļ™āļģāļžāļ§āļāđ€āļ‚āļēāļ”āđ‰āļ§āļĒāļŠāļīāđˆāļ‡āļ—āļĩāđˆāļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāđ€āļžāļĨāļīāļ”āđ€āļžāļĨāļīāļ™āđƒāļŦāđ‰āļˆāļīāļ•āđƒāļˆ āđ€āļžāļ·āđˆāļ­āļ—āļĩāđˆāļ„āļļāļ“āļˆāļ°āļŠāļēāļĄāļēāļĢāļ–āļ„āđ‰āļ™āļžāļšāļ„āļ§āļēāļĄāđ‚āļ™āđ‰āļĄāđ€āļ­āļĩāļĒāļ‡āļžāļīāđ€āļĻāļĐāļ‚āļ­āļ‡āļ­āļąāļˆāļ‰āļĢāļīāļĒāļ āļēāļžāđƒāļ™āļ•āļąāļ§āļžāļ§āļāđ€āļ‚āļēāđāļ•āđˆāļĨāļ°āļ„āļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđāļĄāđˆāļ™āļĒāļģ" . . 24. "You should not honor men more than truth." "āļ­āļĒāđˆāļēāđƒāļŦāđ‰āđ€āļāļĩāļĒāļĢāļ•āļīāļĄāļ™āļļāļĐāļĒāđŒāļĄāļēāļāļāļ§āđˆāļēāļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡" . . 25. "A hero is born among a hundred, a wise man is found among a thousand, but an accomplished one might not be found even among a hundred thousand men." "āļ§āļĩāļĢāļšāļļāļĢāļļāļĐāđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđƒāļ™āļŦāļ™āļķāđˆāļ‡āļĢāđ‰āļ­āļĒ āļ›āļĢāļēāļŠāļāđŒāļžāļšāđ„āļ”āđ‰āđƒāļ™āļŦāļ™āļķāđˆāļ‡āļžāļąāļ™ āđāļ•āđˆāļœāļđāđ‰āļ—āļĩāđˆāļŠāļĄāļšāļđāļĢāļ“āđŒāđāļšāļšāļ­āļēāļˆāđ„āļĄāđˆāļžāļšāđāļĄāđ‰āđƒāļ™āļŦāļ™āļķāđˆāļ‡āđāļŠāļ™āļ„āļ™" . . 26. "At the touch of love everyone becomes a poet." "āđ€āļĄāļ·āđˆāļ­āļŠāļąāļĄāļœāļąāļŠāļ„āļ§āļēāļĄāļĢāļąāļ āļ—āļļāļāļ„āļ™āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļāļ§āļĩ" . . 27. "There should exist among the citizens neither extreme poverty nor again excessive wealth, for both are productive of great evil." "āđƒāļ™āļŦāļĄāļđāđˆāļžāļĨāđ€āļĄāļ·āļ­āļ‡āđ„āļĄāđˆāļ„āļ§āļĢāļĄāļĩāļ—āļąāđ‰āļ‡āļ„āļ§āļēāļĄāļĒāļēāļāļˆāļ™āļŠāļļāļ”āļ‚āļąāđ‰āļ§āļŦāļĢāļ·āļ­āļ„āļ§āļēāļĄāļĄāļąāđˆāļ‡āļ„āļąāđˆāļ‡āļĨāđ‰āļ™āđ€āļŦāļĨāļ·āļ­ āđ€āļžāļĢāļēāļ°āļ—āļąāđ‰āļ‡āļŠāļ­āļ‡āļŠāļīāđˆāļ‡āļĨāđ‰āļ§āļ™āļāđˆāļ­āđƒāļŦāđ‰āđ€āļāļīāļ”āļ„āļ§āļēāļĄāļŠāļąāđˆāļ§āļĢāđ‰āļēāļĒāļ­āļąāļ™āđƒāļŦāļāđˆāļŦāļĨāļ§āļ‡" . . 28. "As the builders say, the larger stones do not lie well without the lesser." "āļ”āļąāļ‡āļ—āļĩāđˆāļŠāđˆāļēāļ‡āļāđˆāļ­āļŠāļĢāđ‰āļēāļ‡āļ§āđˆāļē āļŦāļīāļ™āļāđ‰āļ­āļ™āđƒāļŦāļāđˆāđ„āļĄāđˆāļ­āļēāļˆāļ§āļēāļ‡āđ„āļ”āđ‰āļ”āļĩāļŦāļēāļāļ›āļĢāļēāļĻāļˆāļēāļāļŦāļīāļ™āļāđ‰āļ­āļ™āđ€āļĨāđ‡āļ" . . 29. "The most virtuous are those who content themselves with being virtuous without seeking to appear so." "āļœāļđāđ‰āļ—āļĩāđˆāļĄāļĩāļ„āļļāļ“āļ˜āļĢāļĢāļĄāļ—āļĩāđˆāļŠāļļāļ”āļ„āļ·āļ­āļœāļđāđ‰āļ—āļĩāđˆāļžāļ­āđƒāļˆāđƒāļ™āļāļēāļĢāļĄāļĩāļ„āļļāļ“āļ˜āļĢāļĢāļĄāđ‚āļ”āļĒāđ„āļĄāđˆāļžāļĒāļēāļĒāļēāļĄāļ—āļģāđƒāļŦāđ‰āļ”āļđāđ€āļŦāļĄāļ·āļ­āļ™āļ§āđˆāļēāļĄāļĩ" . . 30. "For this feeling of wonder shows that you are a philosopher, since wonder is the only beginning of philosophy." "āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļ›āļĢāļ°āļŦāļĨāļēāļ”āđƒāļˆāļ™āļĩāđ‰āđāļŠāļ”āļ‡āļ§āđˆāļēāļ„āļļāļ“āđ€āļ›āđ‡āļ™āļ™āļąāļāļ›āļĢāļąāļŠāļāļē āđ€āļžāļĢāļēāļ°āļ„āļ§āļēāļĄāļ›āļĢāļ°āļŦāļĨāļēāļ”āđƒāļˆāļ„āļ·āļ­āļˆāļļāļ”āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āđ€āļžāļĩāļĒāļ‡āļŦāļ™āļķāđˆāļ‡āđ€āļ”āļĩāļĒāļ§āļ‚āļ­āļ‡āļ›āļĢāļąāļŠāļāļē" . . 31. "Courage is a kind of salvation." "āļ„āļ§āļēāļĄāļāļĨāđ‰āļēāļŦāļēāļāļ„āļ·āļ­āļĢāļđāļ›āđāļšāļšāļŦāļ™āļķāđˆāļ‡āļ‚āļ­āļ‡āļāļēāļĢāļŦāļĨāļļāļ”āļžāđ‰āļ™" . . 32. "The highest reach of injustice is to be deemed just when you are not." "āļˆāļļāļ”āļŠāļđāļ‡āļŠāļļāļ”āļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļ­āļĒāļļāļ•āļīāļ˜āļĢāļĢāļĄāļ„āļ·āļ­āļāļēāļĢāļ–āļđāļāļĄāļ­āļ‡āļ§āđˆāļēāļĒāļļāļ•āļīāļ˜āļĢāļĢāļĄāļ—āļąāđ‰āļ‡āļ—āļĩāđˆāđ„āļĄāđˆāđƒāļŠāđˆ" . . 33. "No science or art considers or enjoins the interest of the stronger or superior, but only the interest of the subject and weaker." "āđ„āļĄāđˆāļĄāļĩāļ§āļīāļ—āļĒāļēāļĻāļēāļŠāļ•āļĢāđŒāļŦāļĢāļ·āļ­āļĻāļīāļĨāļ›āļ°āđƒāļ”āļžāļīāļˆāļēāļĢāļ“āļēāļŦāļĢāļ·āļ­āļšāļąāļ‡āļ„āļąāļšāļœāļĨāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļ‚āļ­āļ‡āļœāļđāđ‰āđāļ‚āđ‡āļ‡āđāļāļĢāđˆāļ‡āļŦāļĢāļ·āļ­āļœāļđāđ‰āđ€āļŦāļ™āļ·āļ­āļāļ§āđˆāļē āđāļ•āđˆāđ€āļžāļĩāļĒāļ‡āļœāļĨāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļ‚āļ­āļ‡āļœāļđāđ‰āļ­āļĒāļđāđˆāđƒāļ•āđ‰āļ›āļāļ„āļĢāļ­āļ‡āđāļĨāļ°āļœāļđāđ‰āļ­āđˆāļ­āļ™āđāļ­āļāļ§āđˆāļē" . . 34. "For the uneducated, when they engage in argument about anything, give no thought to the truth about the subject of discussion but are only eager that those present will accept the position they have set forth." "āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āđ„āļĢāđ‰āļāļēāļĢāļĻāļķāļāļĐāļē āđ€āļĄāļ·āđˆāļ­āļžāļ§āļāđ€āļ‚āļēāđ‚āļ•āđ‰āđāļĒāđ‰āļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āđƒāļ”āļāđ‡āļ•āļēāļĄ āļžāļ§āļāđ€āļ‚āļēāđ„āļĄāđˆāļ„āļīāļ”āļ–āļķāļ‡āļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļŦāļąāļ§āļ‚āđ‰āļ­āļ—āļĩāđˆāļāļģāļĨāļąāļ‡āļ­āļ āļīāļ›āļĢāļēāļĒ āđāļ•āđˆāļāļĢāļ°āļ•āļ·āļ­āļĢāļ·āļ­āļĢāđ‰āļ™āđ€āļžāļĩāļĒāļ‡āđƒāļŦāđ‰āļœāļđāđ‰āļ—āļĩāđˆāļ­āļĒāļđāđˆāļ—āļĩāđˆāļ™āļąāđˆāļ™āļĒāļ­āļĄāļĢāļąāļšāļˆāļļāļ”āļĒāļ·āļ™āļ—āļĩāđˆāļžāļ§āļāđ€āļ‚āļēāļ™āļģāđ€āļŠāļ™āļ­āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™" . . 35. "Neither do the ignorant seek after wisdom. For herein is the evil of ignorance, that he who is neither good nor wise is nevertheless satisfied with himself: he has no desire for that of which he feels no want." "āļ„āļ™āđ‚āļ‡āđˆāđ€āļ‚āļĨāļēāđ„āļĄāđˆāđāļŠāļ§āļ‡āļŦāļēāļ›āļąāļāļāļē āđ€āļžāļĢāļēāļ°āļ™āļĩāđˆāļ„āļ·āļ­āļ„āļ§āļēāļĄāļŠāļąāđˆāļ§āļĢāđ‰āļēāļĒāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāđ‚āļ‡āđˆāđ€āļ‚āļĨāļē āļ—āļĩāđˆāļœāļđāđ‰āļ‹āļķāđˆāļ‡āđ„āļĄāđˆāļ”āļĩāđāļĨāļ°āđ„āļĄāđˆāļ‰āļĨāļēāļ”āļāļĨāļąāļšāļžāļ­āđƒāļˆāđƒāļ™āļ•āļąāļ§āđ€āļ­āļ‡: āđ€āļ‚āļēāđ„āļĄāđˆāļĄāļĩāļ„āļ§āļēāļĄāļ›āļĢāļēāļĢāļ–āļ™āļēāđƒāļ™āļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļ‚āļēāļĢāļđāđ‰āļŠāļķāļāļ§āđˆāļēāđ„āļĄāđˆāļ‚āļēāļ”" . . 36. "The man who finds that in the course of his life he has done a lot of wrong often wakes up at night in terror, like a child with a nightmare, and his life is full of foreboding: but the man who is conscious of no wrongdoing is filled with cheerfulness and with the comfort of old age." "āļœāļđāđ‰āļ—āļĩāđˆāļžāļšāļ§āđˆāļēāđƒāļ™āļŠāđˆāļ§āļ‡āļŠāļĩāļ§āļīāļ•āļ‚āļ­āļ‡āđ€āļ‚āļēāđ„āļ”āđ‰āļ—āļģāļœāļīāļ”āļĄāļēāļāļĄāļąāļāļ•āļ·āđˆāļ™āļ‚āļķāđ‰āļ™āļĄāļēāļ•āļ­āļ™āļāļĨāļēāļ‡āļ„āļ·āļ™āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļŦāļ§āļēāļ”āļāļĨāļąāļ§ āđ€āļŦāļĄāļ·āļ­āļ™āđ€āļ”āđ‡āļāļ—āļĩāđˆāļāļąāļ™āļĢāđ‰āļēāļĒ āđāļĨāļ°āļŠāļĩāļ§āļīāļ•āļ‚āļ­āļ‡āđ€āļ‚āļēāđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļĨāļēāļ‡āļĢāđ‰āļēāļĒ āđāļ•āđˆāļœāļđāđ‰āļ—āļĩāđˆāđ„āļĄāđˆāļĢāļđāđ‰āļŠāļķāļāļ§āđˆāļēāđ„āļ”āđ‰āļ—āļģāļœāļīāļ”āļˆāļ°āđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļĢāđˆāļēāđ€āļĢāļīāļ‡āđāļĨāļ°āļ„āļ§āļēāļĄāļŠāļšāļēāļĒāđƒāļˆāđƒāļ™āļ§āļąāļĒāļŠāļĢāļē" . . 37. "Now early life is very impressible, and children ought not to learn what they will have to unlearn when they grow up; we must therefore have a censorship of nursery tales, banishing some and keeping others." "āļŠāļĩāļ§āļīāļ•āđƒāļ™āļ§āļąāļĒāļ•āđ‰āļ™āļ™āļąāđ‰āļ™āļĢāļąāļšāļ­āļīāļ—āļ˜āļīāļžāļĨāđ„āļ”āđ‰āļ‡āđˆāļēāļĒ āđāļĨāļ°āđ€āļ”āđ‡āļāđ† āđ„āļĄāđˆāļ„āļ§āļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļžāļ§āļāđ€āļ‚āļēāļˆāļ°āļ•āđ‰āļ­āļ‡āļĨāļ·āļĄāđ€āļĄāļ·āđˆāļ­āđ‚āļ•āļ‚āļķāđ‰āļ™ āđ€āļĢāļēāļˆāļķāļ‡āļ•āđ‰āļ­āļ‡āļĄāļĩāļāļēāļĢāļāļĨāļąāđˆāļ™āļāļĢāļ­āļ‡āļ™āļīāļ—āļēāļ™āļŠāļģāļŦāļĢāļąāļšāđ€āļ”āđ‡āļ āļāļģāļˆāļąāļ”āļšāļēāļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āđāļĨāļ°āđ€āļāđ‡āļšāļšāļēāļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āđ„āļ§āđ‰" . . 38. "There's no difficulty in choosing vice in abundance: the road is smooth and it's hardly any distance to where it lives. But the gods have put sweat in the way of goodness, and a long, rough, steep road." "āđ„āļĄāđˆāļĄāļĩāļ„āļ§āļēāļĄāļĒāļēāļāļĨāļģāļšāļēāļāđƒāļ™āļāļēāļĢāđ€āļĨāļ·āļ­āļāļ„āļ§āļēāļĄāļŠāļąāđˆāļ§āļ—āļĩāđˆāļĄāļĩāļ­āļĒāļđāđˆāļĄāļēāļāļĄāļēāļĒ: āļ–āļ™āļ™āļĢāļēāļšāđ€āļĢāļĩāļĒāļšāđāļĨāļ°āđāļ—āļšāđ„āļĄāđˆāļĄāļĩāļĢāļ°āļĒāļ°āļ—āļēāļ‡āđ„āļ›āļ–āļķāļ‡āļ—āļĩāđˆāļ­āļĒāļđāđˆāļ‚āļ­āļ‡āļĄāļąāļ™ āđāļ•āđˆāđ€āļ—āļžāđ€āļˆāđ‰āļēāđ„āļ”āđ‰āļ§āļēāļ‡āđ€āļŦāļ‡āļ·āđˆāļ­āđ„āļ§āđ‰āđƒāļ™āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļ”āļĩ āđāļĨāļ°āđ€āļ›āđ‡āļ™āļ–āļ™āļ™āļ—āļĩāđˆāļĒāļēāļ§ āļ‚āļĢāļļāļ‚āļĢāļ° āđāļĨāļ°āļŠāļąāļ™" . . 39. "It is not Love absolutely that is good or praiseworthy, but only that Love which impels meant to love aright." "āđ„āļĄāđˆāđƒāļŠāđˆāļ„āļ§āļēāļĄāļĢāļąāļāļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļ—āļĩāđˆāļ”āļĩāļŦāļĢāļ·āļ­āļ™āđˆāļēāļŠāļĢāļĢāđ€āļŠāļĢāļīāļ āđāļ•āđˆāđ€āļ›āđ‡āļ™āđ€āļžāļĩāļĒāļ‡āļ„āļ§āļēāļĄāļĢāļąāļāļ—āļĩāđˆāļœāļĨāļąāļāļ”āļąāļ™āđƒāļŦāđ‰āļĢāļąāļāļ­āļĒāđˆāļēāļ‡āļ–āļđāļāļ•āđ‰āļ­āļ‡āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™" . . 40. "Both knowledge and truth are beautiful things, but the good is other and more beautiful than they." "āļ—āļąāđ‰āļ‡āļ„āļ§āļēāļĄāļĢāļđāđ‰āđāļĨāļ°āļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡āđ€āļ›āđ‡āļ™āļŠāļīāđˆāļ‡āļ‡āļ”āļ‡āļēāļĄ āđāļ•āđˆāļ„āļ§āļēāļĄāļ”āļĩāļ™āļąāđ‰āļ™āđāļ•āļāļ•āđˆāļēāļ‡āđāļĨāļ°āļ‡āļ”āļ‡āļēāļĄāļĒāļīāđˆāļ‡āļāļ§āđˆāļē" . . . . #SuccessStrategies #Quotes #Plato #Mindset #Politic
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  • 10/1/68

    āļ—āļĢāļ‡āļžāļĢāļ°āđ€āļˆāļĢāļīāļāļĒāļīāđˆāļ‡āļĒāļ·āļ™āļ™āļēāļ™

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    2025 0108 HG

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    āļ§āļąāļ™āļ™āļĩāđ‰ āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđāļŦāđˆāļ‡āļŠāļēāļ•āļīāļŠāļīāļ‡āļ„āđ‚āļ›āļĢāđŒ (NUS) āļ—āļĢāļ‡āļžāļĢāļ°āļĢāļēāļŠāļ—āļēāļ™āļ›āļĢāļīāļāļāļēāļāļīāļ•āļ•āļīāļĄāļĻāļąāļāļ”āļīāđŒ āļŠāļēāļ‚āļēāļ§āļīāļŠāļēāļ­āļąāļāļĐāļĢāļĻāļēāļŠāļ•āļĢāđŒ āđāļāđˆāļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āđ€āļ—āļžāļĢāļąāļ•āļ™āļĢāļēāļŠāļŠāļļāļ”āļēāļŊ āļŠāļĒāļēāļĄāļšāļĢāļĄāļĢāļēāļŠāļāļļāļĄāļēāļĢāļĩ āđāļŦāđˆāļ‡āļĢāļēāļŠāļ­āļēāļ“āļēāļˆāļąāļāļĢāđ„āļ—āļĒ āđ€āļžāļ·āđˆāļ­āđ€āļ›āđ‡āļ™āļāļēāļĢāļĒāļāļĒāđˆāļ­āļ‡āļ„āļļāļ“āļđāļ›āļāļēāļĢāļ­āļąāļ™āļĒāļ­āļ”āđ€āļĒāļĩāđˆāļĒāļĄāļ‚āļ­āļ‡āļžāļĢāļ°āļ­āļ‡āļ„āđŒāđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒāđāļĨāļ°āđƒāļ™āļĢāļ°āļ”āļąāļšāļ™āļēāļ™āļēāļŠāļēāļ•āļī āļ‹āļķāđˆāļ‡āļŠāđˆāļ‡āļœāļĨāļ”āļĩāļ•āđˆāļ­āļŠāļĩāļ§āļīāļ•āļ‚āļ­āļ‡āļœāļđāđ‰āļ„āļ™āļˆāļģāļ™āļ§āļ™āļĄāļēāļāđāļĨāļ°āļ™āļģāļĄāļēāļ‹āļķāđˆāļ‡āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļ­āļĒāđˆāļēāļ‡āļŠāļģāļ„āļąāļāļ•āđˆāļ­āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒāđāļĨāļ°āļŠāļļāļĄāļŠāļ™āđ‚āļĨāļ

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    āļ›āļĢāļīāļāļāļēāļāļīāļ•āļ•āļīāļĄāļĻāļąāļāļ”āļīāđŒāļ–āļ·āļ­āđ€āļ›āđ‡āļ™āđ€āļāļĩāļĒāļĢāļ•āļīāļ„āļļāļ“āļŠāļđāļ‡āļŠāļļāļ”āļ‚āļ­āļ‡āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļŠāļģāļŦāļĢāļąāļšāļšāļļāļ„āļ„āļĨāļ—āļĩāđˆāđ‚āļ”āļ”āđ€āļ”āđˆāļ™āļ‹āļķāđˆāļ‡āļ­āļļāļ—āļīāļĻāļ•āļ™āđ€āļžāļ·āđˆāļ­āļŠāļąāļ‡āļ„āļĄāđāļĨāļ°āļŠāļĢāđ‰āļēāļ‡āļœāļĨāļāļĢāļ°āļ—āļšāļ­āļĒāđˆāļēāļ‡āļĄāļĩāļ™āļąāļĒāļŠāļģāļ„āļąāļāļ—āļąāđ‰āļ‡āđƒāļ™āļĢāļ°āļ”āļąāļšāļ—āđ‰āļ­āļ‡āļ–āļīāđˆāļ™āđāļĨāļ°āļĢāļ°āļ”āļąāļšāđ‚āļĨāļ āļžāļīāļ˜āļĩāļĄāļ­āļšāļ›āļĢāļīāļāļāļēāļāļīāļ•āļ•āļīāļĄāļĻāļąāļāļ”āļīāđŒāļˆāļąāļ”āļ‚āļķāđ‰āļ™āļ—āļĩāđˆ Istana āđƒāļ™āļŠāđˆāļ§āļ‡āļšāđˆāļēāļĒāļ‚āļ­āļ‡āļ§āļąāļ™āļ™āļĩāđ‰ āđ‚āļ”āļĒāļĄāļĩāļ™āļēāļĒ Tharman Shanmugaratnam āļ›āļĢāļ°āļ˜āļēāļ™āļēāļ˜āļīāļšāļ”āļĩāđāļŦāđˆāļ‡āļŠāļēāļ˜āļēāļĢāļ“āļĢāļąāļāļŠāļīāļ‡āļ„āđ‚āļ›āļĢāđŒāđāļĨāļ°āļ­āļ˜āļīāļāļēāļĢāļšāļ”āļĩāļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒ NUS āđ€āļ›āđ‡āļ™āļ›āļĢāļ°āļ˜āļēāļ™

    08January2025Press Releases

    Princess Maha Chakri Sirindhorn of Thailand awarded NUS Honorary Degree

    2025 0108 HG

    Conferment_NN_1
    President of the Republic of Singapore and NUS Chancellor Mr Tharman Shanmugaratnam (right) conferring the Honorary Doctor of Letters on Her Royal Highness Princess Maha Chakri Sirindhorn (left) of the Kingdom of Thailand.

    The National University of Singapore (NUS) today conferred the Honorary Degree of Doctor of Letters on Her Royal Highness Princess Maha Chakri Sirindhorn of the Kingdom of Thailand, in recognition of her remarkable contributions within Thailand and internationally, which have positively impacted the lives of many and brought significant benefits to Thailand and the global community.

    Princess Sirindhorn was the driving force behind several initiatives to bring the people of Singapore and Thailand, in particular our youths, together.

    The Honorary Degree is the University’s highest form of recognition for outstanding individuals who have rendered distinguished service and made significant impact, both locally and globally. A conferment ceremony, presided over by Mr Tharman Shanmugaratnam, President of the Republic of Singapore and NUS Chancellor, was held at the Istana this afternoon.
    10/1/68 āļ—āļĢāļ‡āļžāļĢāļ°āđ€āļˆāļĢāļīāļāļĒāļīāđˆāļ‡āļĒāļ·āļ™āļ™āļēāļ™ 08āļĄāļāļĢāļēāļ„āļĄ2568āļ‚āđˆāļēāļ§āļ›āļĢāļ°āļŠāļēāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒ āļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āđ€āļ—āļžāļĢāļąāļ•āļ™āļĢāļēāļŠāļŠāļļāļ”āļēāļŊ āļŠāļĒāļēāļĄāļšāļĢāļĄāļĢāļēāļŠāļāļļāļĄāļēāļĢāļĩāļ—āļĢāļ‡āđ„āļ”āđ‰āļĢāļąāļšāļžāļĢāļ°āļĢāļēāļŠāļ—āļēāļ™āļ›āļĢāļīāļāļāļēāļāļīāļ•āļ•āļīāļĄāļĻāļąāļāļ”āļīāđŒāļˆāļēāļāļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđāļŦāđˆāļ‡āļŠāļēāļ•āļīāļŠāļīāļ‡āļ„āđ‚āļ›āļĢāđŒ 2025 0108 HG āļāļēāļĢāļžāļĢāļ°āļĢāļēāļŠāļ—āļēāļ™āļ›āļĢāļīāļāļāļēāļāļīāļ•āļ•āļīāļĄāļĻāļąāļāļ”āļīāđŒ_NN_1 āļ›āļĢāļ°āļ˜āļēāļ™āļēāļ˜āļīāļšāļ”āļĩāđāļŦāđˆāļ‡āļŠāļēāļ˜āļēāļĢāļ“āļĢāļąāļāļŠāļīāļ‡āļ„āđ‚āļ›āļĢāđŒāđāļĨāļ°āļ­āļ˜āļīāļāļēāļĢāļšāļ”āļĩāļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđāļŦāđˆāļ‡āļŠāļēāļ•āļīāļŠāļīāļ‡āļ„āđ‚āļ›āļĢāđŒ āļ™āļēāļĒāļ˜āļēāļĢāđŒāļĄāļąāļ™ āļŠāļēāļ™āļĄāļđāļāļēāļĢāļąāļ•āļ™āļąāļĄ (āļ‚āļ§āļē) āļ—āļĢāļ‡āļžāļĢāļ°āļĢāļēāļŠāļ—āļēāļ™āļ›āļĢāļīāļāļāļēāļ­āļąāļāļĐāļĢāļĻāļēāļŠāļ•āļĢāđŒāļ”āļļāļĐāļŽāļĩāļšāļąāļ“āļ‘āļīāļ•āļāļīāļ•āļ•āļīāļĄāļĻāļąāļāļ”āļīāđŒ āđāļāđˆāļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āđ€āļ—āļžāļĢāļąāļ•āļ™āļĢāļēāļŠāļŠāļļāļ”āļēāļŊ āļŠāļĒāļēāļĄāļšāļĢāļĄāļĢāļēāļŠāļāļļāļĄāļēāļĢāļĩ (āļ‹āđ‰āļēāļĒ) āđāļŦāđˆāļ‡āļĢāļēāļŠāļ­āļēāļ“āļēāļˆāļąāļāļĢāđ„āļ—āļĒ āļ§āļąāļ™āļ™āļĩāđ‰ āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāđāļŦāđˆāļ‡āļŠāļēāļ•āļīāļŠāļīāļ‡āļ„āđ‚āļ›āļĢāđŒ (NUS) āļ—āļĢāļ‡āļžāļĢāļ°āļĢāļēāļŠāļ—āļēāļ™āļ›āļĢāļīāļāļāļēāļāļīāļ•āļ•āļīāļĄāļĻāļąāļāļ”āļīāđŒ āļŠāļēāļ‚āļēāļ§āļīāļŠāļēāļ­āļąāļāļĐāļĢāļĻāļēāļŠāļ•āļĢāđŒ āđāļāđˆāļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āđ€āļ—āļžāļĢāļąāļ•āļ™āļĢāļēāļŠāļŠāļļāļ”āļēāļŊ āļŠāļĒāļēāļĄāļšāļĢāļĄāļĢāļēāļŠāļāļļāļĄāļēāļĢāļĩ āđāļŦāđˆāļ‡āļĢāļēāļŠāļ­āļēāļ“āļēāļˆāļąāļāļĢāđ„āļ—āļĒ āđ€āļžāļ·āđˆāļ­āđ€āļ›āđ‡āļ™āļāļēāļĢāļĒāļāļĒāđˆāļ­āļ‡āļ„āļļāļ“āļđāļ›āļāļēāļĢāļ­āļąāļ™āļĒāļ­āļ”āđ€āļĒāļĩāđˆāļĒāļĄāļ‚āļ­āļ‡āļžāļĢāļ°āļ­āļ‡āļ„āđŒāđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒāđāļĨāļ°āđƒāļ™āļĢāļ°āļ”āļąāļšāļ™āļēāļ™āļēāļŠāļēāļ•āļī āļ‹āļķāđˆāļ‡āļŠāđˆāļ‡āļœāļĨāļ”āļĩāļ•āđˆāļ­āļŠāļĩāļ§āļīāļ•āļ‚āļ­āļ‡āļœāļđāđ‰āļ„āļ™āļˆāļģāļ™āļ§āļ™āļĄāļēāļāđāļĨāļ°āļ™āļģāļĄāļēāļ‹āļķāđˆāļ‡āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļ­āļĒāđˆāļēāļ‡āļŠāļģāļ„āļąāļāļ•āđˆāļ­āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒāđāļĨāļ°āļŠāļļāļĄāļŠāļ™āđ‚āļĨāļ āļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āđ€āļ—āļžāļĢāļąāļ•āļ™āļĢāļēāļŠāļŠāļļāļ”āļēāļŊ āļŠāļĒāļēāļĄāļšāļĢāļĄāļĢāļēāļŠāļāļļāļĄāļēāļĢāļĩāļ—āļĢāļ‡āđ€āļ›āđ‡āļ™āđāļĢāļ‡āļœāļĨāļąāļāļ”āļąāļ™āđ€āļšāļ·āđ‰āļ­āļ‡āļŦāļĨāļąāļ‡āļ„āļ§āļēāļĄāļ„āļīāļ”āļĢāļīāđ€āļĢāļīāđˆāļĄāļ•āđˆāļēāļ‡āđ† āļĄāļēāļāļĄāļēāļĒāđƒāļ™āļāļēāļĢāļ™āļģāļžāļēāļ›āļĢāļ°āļŠāļēāļŠāļ™āļ‚āļ­āļ‡āļŠāļīāļ‡āļ„āđ‚āļ›āļĢāđŒāđāļĨāļ°āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒ āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āđ€āļĒāļēāļ§āļŠāļ™āļ‚āļ­āļ‡āđ€āļĢāļēāđƒāļŦāđ‰āļĄāļēāļĢāļ§āļĄāļāļąāļ™ āļ›āļĢāļīāļāļāļēāļāļīāļ•āļ•āļīāļĄāļĻāļąāļāļ”āļīāđŒāļ–āļ·āļ­āđ€āļ›āđ‡āļ™āđ€āļāļĩāļĒāļĢāļ•āļīāļ„āļļāļ“āļŠāļđāļ‡āļŠāļļāļ”āļ‚āļ­āļ‡āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļŠāļģāļŦāļĢāļąāļšāļšāļļāļ„āļ„āļĨāļ—āļĩāđˆāđ‚āļ”āļ”āđ€āļ”āđˆāļ™āļ‹āļķāđˆāļ‡āļ­āļļāļ—āļīāļĻāļ•āļ™āđ€āļžāļ·āđˆāļ­āļŠāļąāļ‡āļ„āļĄāđāļĨāļ°āļŠāļĢāđ‰āļēāļ‡āļœāļĨāļāļĢāļ°āļ—āļšāļ­āļĒāđˆāļēāļ‡āļĄāļĩāļ™āļąāļĒāļŠāļģāļ„āļąāļāļ—āļąāđ‰āļ‡āđƒāļ™āļĢāļ°āļ”āļąāļšāļ—āđ‰āļ­āļ‡āļ–āļīāđˆāļ™āđāļĨāļ°āļĢāļ°āļ”āļąāļšāđ‚āļĨāļ āļžāļīāļ˜āļĩāļĄāļ­āļšāļ›āļĢāļīāļāļāļēāļāļīāļ•āļ•āļīāļĄāļĻāļąāļāļ”āļīāđŒāļˆāļąāļ”āļ‚āļķāđ‰āļ™āļ—āļĩāđˆ Istana āđƒāļ™āļŠāđˆāļ§āļ‡āļšāđˆāļēāļĒāļ‚āļ­āļ‡āļ§āļąāļ™āļ™āļĩāđ‰ āđ‚āļ”āļĒāļĄāļĩāļ™āļēāļĒ Tharman Shanmugaratnam āļ›āļĢāļ°āļ˜āļēāļ™āļēāļ˜āļīāļšāļ”āļĩāđāļŦāđˆāļ‡āļŠāļēāļ˜āļēāļĢāļ“āļĢāļąāļāļŠāļīāļ‡āļ„āđ‚āļ›āļĢāđŒāđāļĨāļ°āļ­āļ˜āļīāļāļēāļĢāļšāļ”āļĩāļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒ NUS āđ€āļ›āđ‡āļ™āļ›āļĢāļ°āļ˜āļēāļ™ 08January2025Press Releases Princess Maha Chakri Sirindhorn of Thailand awarded NUS Honorary Degree 2025 0108 HG Conferment_NN_1 President of the Republic of Singapore and NUS Chancellor Mr Tharman Shanmugaratnam (right) conferring the Honorary Doctor of Letters on Her Royal Highness Princess Maha Chakri Sirindhorn (left) of the Kingdom of Thailand. The National University of Singapore (NUS) today conferred the Honorary Degree of Doctor of Letters on Her Royal Highness Princess Maha Chakri Sirindhorn of the Kingdom of Thailand, in recognition of her remarkable contributions within Thailand and internationally, which have positively impacted the lives of many and brought significant benefits to Thailand and the global community. Princess Sirindhorn was the driving force behind several initiatives to bring the people of Singapore and Thailand, in particular our youths, together. The Honorary Degree is the University’s highest form of recognition for outstanding individuals who have rendered distinguished service and made significant impact, both locally and globally. A conferment ceremony, presided over by Mr Tharman Shanmugaratnam, President of the Republic of Singapore and NUS Chancellor, was held at the Istana this afternoon.
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  • https://www.youtube.com/watch?v=UbiuSgjAjlU
    āļšāļ—āļŠāļ™āļ—āļ™āļēāļ§āļąāļ™āļ›āļĩāđƒāļŦāļĄāđˆ
    (āļ„āļĨāļīāļāļ­āđˆāļēāļ™āđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄ āđ€āļžāļ·āđˆāļ­āļ­āđˆāļēāļ™āļšāļ—āļŠāļ™āļ—āļ™āļēāļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐāđāļĨāļ°āđ„āļ—āļĒ āđāļĨāļ°āļ„āļģāļĻāļąāļžāļ—āđŒāļ™āđˆāļēāļĢāļđāđ‰)
    āđāļšāļšāļ—āļ”āļŠāļ­āļšāļāļēāļĢāļŸāļąāļ‡āļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐ āļˆāļēāļāļšāļ—āļŠāļ™āļ—āļ™āļēāļ§āļąāļ™āļ›āļĩāđƒāļŦāļĄāđˆ
    āļĄāļĩāļ„āļģāļ–āļēāļĄ 5 āļ‚āđ‰āļ­āļŦāļĨāļąāļ‡āļŸāļąāļ‡āđ€āļŠāļĢāđ‡āļˆ āđ€āļžāļ·āđˆāļ­āļ—āļ”āļŠāļ­āļšāļāļēāļĢāļŸāļąāļ‡āļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐāļ‚āļ­āļ‡āļ„āļļāļ“

    #āļšāļ—āļŠāļ™āļ—āļ™āļēāļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐ #āļāļķāļāļŸāļąāļ‡āļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐ #āļ›āļĩāđƒāļŦāļĄāđˆ

    The conversations from the clip :

    Emily: Hi, Jack! Do you know how the New Year’s celebration started?
    Jack: Hey, Emily! Not exactly. I know it’s a global tradition, but what’s the history behind it?
    Emily: Well, the first recorded New Year’s celebration was over 4,000 years ago in ancient Babylon.
    Jack: Really? That’s so long ago! How did they celebrate?
    Emily: They celebrated during the spring equinox with a festival called Akitu. It lasted 11 days.
    Jack: Wow, 11 days of celebrations? That sounds intense!
    Emily: It was! They honored their gods and renewed their king's power during the festival.
    Jack: That’s fascinating. Did they celebrate on January 1st back then?
    Emily: No, the January 1st tradition started in 45 BCE when Julius Caesar introduced the Julian calendar.
    Jack: So, it was the Romans who set January 1st as New Year’s Day?
    Emily: Exactly. They dedicated the day to Janus, the god of beginnings and transitions.
    Jack: That’s why it’s called January! It makes so much sense now.
    Emily: Right! People would exchange gifts and make sacrifices to Janus for good fortune.
    Jack: Sounds similar to our modern traditions like resolutions and celebrations.
    Emily: Definitely! It’s amazing how some things have stayed the same for centuries.
    Jack: It really is. Thanks for the history lesson, Emily!
    Emily: Anytime, Jack! Happy early New Year, by the way!
    Jack: Same to you! Let’s celebrate and make it memorable this year.

    Emily: āļŠāļ§āļąāļŠāļ”āļĩ āđāļˆāđ‡āļ„! āļ„āļļāļ“āļĢāļđāđ‰āđ„āļŦāļĄāļ§āđˆāļēāļāļēāļĢāđ€āļ‰āļĨāļīāļĄāļ‰āļĨāļ­āļ‡āļ›āļĩāđƒāļŦāļĄāđˆāđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļ‚āļķāđ‰āļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđ„āļĢ?
    Jack: āļŠāļ§āļąāļŠāļ”āļĩ āđ€āļ­āļĄāļīāļĨāļĩāđˆ! āđ„āļĄāđˆāļ„āđˆāļ­āļĒāđāļ™āđˆāđƒāļˆāļ™āļ° āļĢāļđāđ‰āđāļ„āđˆāļ§āđˆāļēāļĄāļąāļ™āđ€āļ›āđ‡āļ™āļ›āļĢāļ°āđ€āļžāļ“āļĩāļ—āļąāđˆāļ§āđ‚āļĨāļ āđāļ•āđˆāđ€āļšāļ·āđ‰āļ­āļ‡āļŦāļĨāļąāļ‡āļĄāļąāļ™āļ„āļ·āļ­āļ­āļ°āđ„āļĢāđ€āļŦāļĢāļ­?
    Emily: āđ€āļ­āļēāļĨāđˆāļ° āļāļēāļĢāđ€āļ‰āļĨāļīāļĄāļ‰āļĨāļ­āļ‡āļ›āļĩāđƒāļŦāļĄāđˆāļ„āļĢāļąāđ‰āļ‡āđāļĢāļāļ—āļĩāđˆāļšāļąāļ™āļ—āļķāļāđ„āļ§āđ‰āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđ€āļĄāļ·āđˆāļ­āļāļ§āđˆāļē 4,000 āļ›āļĩāļāđˆāļ­āļ™āđƒāļ™āļšāļēāļšāļīāđ‚āļĨāļ™āđ‚āļšāļĢāļēāļ“
    Jack: āļˆāļĢāļīāļ‡āđ€āļŦāļĢāļ­? āļ™āļēāļ™āļ‚āļ™āļēāļ”āļ™āļąāđ‰āļ™āđ€āļĨāļĒ! āļžāļ§āļāđ€āļ‚āļēāđ€āļ‰āļĨāļīāļĄāļ‰āļĨāļ­āļ‡āļāļąāļ™āļĒāļąāļ‡āđ„āļ‡?
    Emily: āļžāļ§āļāđ€āļ‚āļēāđ€āļ‰āļĨāļīāļĄāļ‰āļĨāļ­āļ‡āđƒāļ™āļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāļ—āļĩāđˆāļāļĨāļēāļ‡āļ§āļąāļ™āđ€āļ—āđˆāļēāļāļąāļšāļāļĨāļēāļ‡āļ„āļ·āļ™āđƒāļ™āļĪāļ”āļđāđƒāļšāđ„āļĄāđ‰āļœāļĨāļī āļ”āđ‰āļ§āļĒāđ€āļ—āļĻāļāļēāļĨāļ—āļĩāđˆāđ€āļĢāļĩāļĒāļāļ§āđˆāļē Akitu āļ‹āļķāđˆāļ‡āļāļīāļ™āđ€āļ§āļĨāļēāļ–āļķāļ‡ 11 āļ§āļąāļ™
    Jack: āļ§āđ‰āļēāļ§ āđ€āļ—āļĻāļāļēāļĨ 11 āļ§āļąāļ™āđ€āļĨāļĒāđ€āļŦāļĢāļ­? āļŸāļąāļ‡āļ”āļđāļĒāļīāđˆāļ‡āđƒāļŦāļāđˆāļĄāļēāļ!
    Emily: āđƒāļŠāđˆāđ€āļĨāļĒ! āļžāļ§āļāđ€āļ‚āļēāļšāļđāļŠāļēāđ€āļ—āļžāđ€āļˆāđ‰āļēāļ‚āļ­āļ‡āļžāļ§āļāđ€āļ‚āļē āđāļĨāļ°āļŸāļ·āđ‰āļ™āļŸāļđāļ­āļģāļ™āļēāļˆāļ‚āļ­āļ‡āļāļĐāļąāļ•āļĢāļīāļĒāđŒāđƒāļ™āļŠāđˆāļ§āļ‡āđ€āļ—āļĻāļāļēāļĨ
    Jack: āļ™āđˆāļēāļŠāļ™āđƒāļˆāļˆāļąāļ‡ āļ•āļ­āļ™āļ™āļąāđ‰āļ™āļžāļ§āļāđ€āļ‚āļēāđ€āļ‰āļĨāļīāļĄāļ‰āļĨāļ­āļ‡āļ§āļąāļ™āļ—āļĩāđˆ 1 āļĄāļāļĢāļēāļ„āļĄāļ”āđ‰āļ§āļĒāđ„āļŦāļĄ?
    Emily: āđ„āļĄāđˆāđ€āļĨāļĒ āļ›āļĢāļ°āđ€āļžāļ“āļĩāļ§āļąāļ™āļ—āļĩāđˆ 1 āļĄāļāļĢāļēāļ„āļĄāđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļ‚āļķāđ‰āļ™āđƒāļ™āļ›āļĩ 45 āļāđˆāļ­āļ™āļ„āļĢāļīāļŠāļ•āļāļēāļĨ āđ€āļĄāļ·āđˆāļ­āļˆāļđāđ€āļĨāļĩāļĒāļŠ āļ‹āļĩāļ‹āļēāļĢāđŒāđāļ™āļ°āļ™āļģāļ›āļāļīāļ—āļīāļ™āļˆāļđāđ€āļĨāļĩāļĒāļ™
    Jack: āļ­āđ‹āļ­ āļ‡āļąāđ‰āļ™āđ€āļ›āđ‡āļ™āļŠāļēāļ§āđ‚āļĢāļĄāļąāļ™āļŠāļīāļ™āļ°āļ—āļĩāđˆāļāļģāļŦāļ™āļ”āđƒāļŦāđ‰āļ§āļąāļ™āļ—āļĩāđˆ 1 āļĄāļāļĢāļēāļ„āļĄāđ€āļ›āđ‡āļ™āļ§āļąāļ™āļ›āļĩāđƒāļŦāļĄāđˆ?
    Emily: āļ–āļđāļāļ•āđ‰āļ­āļ‡ āļžāļ§āļāđ€āļ‚āļēāļ­āļļāļ—āļīāļĻāļ§āļąāļ™āļ™āļąāđ‰āļ™āđƒāļŦāđ‰āļāļąāļšāđ€āļˆāļ™āļąāļŠ āđ€āļ—āļžāđ€āļˆāđ‰āļēāđāļŦāđˆāļ‡āļāļēāļĢāđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āđāļĨāļ°āļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡
    Jack: āļ­āđ‹āļ­ āļ™āļąāđˆāļ™āļŠāļīāļ™āļ°āļ–āļķāļ‡āđ„āļ”āđ‰āđ€āļĢāļĩāļĒāļāļ§āđˆāļē "January"! āđ€āļ‚āđ‰āļēāđƒāļˆāđāļĨāđ‰āļ§āļĨāđˆāļ°
    Emily: āđƒāļŠāđˆāđ€āļĨāļĒ! āļ„āļ™āđƒāļ™āļĒāļļāļ„āļ™āļąāđ‰āļ™āļˆāļ°āđāļĨāļāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļ‚āļ­āļ‡āļ‚āļ§āļąāļāđāļĨāļ°āļ—āļģāļžāļīāļ˜āļĩāļšāļđāļŠāļēāđ€āļˆāļ™āļąāļŠāđ€āļžāļ·āđˆāļ­āļ„āļ§āļēāļĄāđ‚āļŠāļ„āļ”āļĩ
    Jack: āļŸāļąāļ‡āļ”āļđāļ„āļĨāđ‰āļēāļĒāļāļąāļšāļ›āļĢāļ°āđ€āļžāļ“āļĩāļ‚āļ­āļ‡āđ€āļĢāļēāđƒāļ™āļ›āļąāļˆāļˆāļļāļšāļąāļ™āđ€āļĨāļĒ āđ€āļŠāđˆāļ™ āļāļēāļĢāļ•āļąāđ‰āļ‡āļ›āļ“āļīāļ˜āļēāļ™āđāļĨāļ°āļāļēāļĢāđ€āļ‰āļĨāļīāļĄāļ‰āļĨāļ­āļ‡
    Emily: āđƒāļŠāđˆāđ€āļĨāļĒ! āļ™āđˆāļēāļ—āļķāđˆāļ‡āļ™āļ°āļ—āļĩāđˆāļšāļēāļ‡āļŠāļīāđˆāļ‡āļĒāļąāļ‡āļ„āļ‡āļ­āļĒāļđāđˆāļĄāļēāļŦāļĨāļēāļĒāļĻāļ•āļ§āļĢāļĢāļĐ
    Jack: āļˆāļĢāļīāļ‡āļĄāļēāļ āļ‚āļ­āļšāļ„āļļāļ“āļŠāļģāļŦāļĢāļąāļšāļšāļ—āđ€āļĢāļĩāļĒāļ™āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāļ™āļ° āđ€āļ­āļĄāļīāļĨāļĩāđˆ!
    Emily: āļĒāļīāļ™āļ”āļĩāđ€āļŠāļĄāļ­ āđāļˆāđ‡āļ„! āļ§āđˆāļēāđāļ•āđˆ āļŠāļļāļ‚āļŠāļąāļ™āļ•āđŒāļ›āļĩāđƒāļŦāļĄāđˆāļĨāđˆāļ§āļ‡āļŦāļ™āđ‰āļēāļ”āđ‰āļ§āļĒāļ™āļ°!
    Jack: āđ€āļŠāđˆāļ™āļāļąāļ™āđ€āļĨāļĒ! āļĄāļēāļ‰āļĨāļ­āļ‡āđƒāļŦāđ‰āļ›āļĩāļ™āļĩāđ‰āđ€āļ›āđ‡āļ™āļ›āļĩāļ—āļĩāđˆāļ™āđˆāļēāļˆāļ”āļˆāļģāļāļąāļ™āđ€āļ–āļ­āļ°

    Vocabulary (āļ„āļģāļĻāļąāļžāļ—āđŒāļ™āđˆāļēāļĢāļđāđ‰)

    Celebration (āđ€āļ‹āļĨ-āļĨāļ°-āđ€āļšāļĢ-āļŠāļąāļ™) n. āđāļ›āļĨāļ§āđˆāļē āļāļēāļĢāđ€āļ‰āļĨāļīāļĄāļ‰āļĨāļ­āļ‡
    Tradition (āļ—āļĢāļē-āļ”āļīāļŠ-āļŠāļąāļ™) n. āđāļ›āļĨāļ§āđˆāļē āļ›āļĢāļ°āđ€āļžāļ“āļĩ
    History (āļŪāļīāļŠ-āļ—āļ­-āļĢāļĩ) n. āđāļ›āļĨāļ§āđˆāļē āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒ
    Festival (āđ€āļŸāļŠ-āļ•āļī-āđ€āļ§āļīāļĨ) n. āđāļ›āļĨāļ§āđˆāļē āđ€āļ—āļĻāļāļēāļĨ
    Equinox (āļ­āļĩ-āļ„āļ§āļī-āļ™āļ­āļ„āļ‹) n. āđāļ›āļĨāļ§āđˆāļē āļ§āļąāļ™āļĢāļēāļ•āļĢāļĩāđ€āļŠāļĄāļ­āļ āļēāļ„
    Power (āđ€āļžāļē-āđ€āļ§āļ­āļĢāđŒ) n. āđāļ›āļĨāļ§āđˆāļē āļ­āļģāļ™āļēāļˆ
    Transition (āđāļ—āļĢāļ™-āļ‹āļīāļŠ-āļŠāļąāļ™) n. āđāļ›āļĨāļ§āđˆāļē āļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļœāđˆāļēāļ™
    Fortune (āļŸāļ­āļĢāđŒ-āļŠāļđāļ™) n. āđāļ›āļĨāļ§āđˆāļē āđ‚āļŠāļ„āļŠāļ°āļ•āļē
    Resolution (āđ€āļĢāļŠ-āļ‹āļ°-āļĨāļđ-āļŠāļąāļ™) n. āđāļ›āļĨāļ§āđˆāļē āļ›āļ“āļīāļ˜āļēāļ™
    Calendar (āđāļ„āļĨ-āđ€āļĨāļ™-āđ€āļ”āļ­āļĢāđŒ) n. āđāļ›āļĨāļ§āđˆāļē āļ›āļāļīāļ—āļīāļ™
    Gift (āļāļīāļŸāļ—āđŒ) n. āđāļ›āļĨāļ§āđˆāļē āļ‚āļ­āļ‡āļ‚āļ§āļąāļ
    Sacrifice (āđāļ‹āļ„-āļĢāļī-āđ„āļŸāļ‹) n. āđāļ›āļĨāļ§āđˆāļē āļāļēāļĢāļšāļđāļŠāļēāļĒāļąāļ
    Beginning (āļšāļīāļ-āļāļīāļ™-āļ™āļīāļ‡) n. āđāļ›āļĨāļ§āđˆāļē āļˆāļļāļ”āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™
    Lesson (āđ€āļĨāļŠ-āļ‹āļąāļ™) n. āđāļ›āļĨāļ§āđˆāļē āļšāļ—āđ€āļĢāļĩāļĒāļ™
    Fortune (āļŸāļ­āļĢāđŒ-āļŠāļđāļ™) n. āđāļ›āļĨāļ§āđˆāļē āļ„āļ§āļēāļĄāđ‚āļŠāļ„āļ”āļĩ
    https://www.youtube.com/watch?v=UbiuSgjAjlU āļšāļ—āļŠāļ™āļ—āļ™āļēāļ§āļąāļ™āļ›āļĩāđƒāļŦāļĄāđˆ (āļ„āļĨāļīāļāļ­āđˆāļēāļ™āđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄ āđ€āļžāļ·āđˆāļ­āļ­āđˆāļēāļ™āļšāļ—āļŠāļ™āļ—āļ™āļēāļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐāđāļĨāļ°āđ„āļ—āļĒ āđāļĨāļ°āļ„āļģāļĻāļąāļžāļ—āđŒāļ™āđˆāļēāļĢāļđāđ‰) āđāļšāļšāļ—āļ”āļŠāļ­āļšāļāļēāļĢāļŸāļąāļ‡āļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐ āļˆāļēāļāļšāļ—āļŠāļ™āļ—āļ™āļēāļ§āļąāļ™āļ›āļĩāđƒāļŦāļĄāđˆ āļĄāļĩāļ„āļģāļ–āļēāļĄ 5 āļ‚āđ‰āļ­āļŦāļĨāļąāļ‡āļŸāļąāļ‡āđ€āļŠāļĢāđ‡āļˆ āđ€āļžāļ·āđˆāļ­āļ—āļ”āļŠāļ­āļšāļāļēāļĢāļŸāļąāļ‡āļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐāļ‚āļ­āļ‡āļ„āļļāļ“ #āļšāļ—āļŠāļ™āļ—āļ™āļēāļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐ #āļāļķāļāļŸāļąāļ‡āļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐ #āļ›āļĩāđƒāļŦāļĄāđˆ The conversations from the clip : Emily: Hi, Jack! Do you know how the New Year’s celebration started? Jack: Hey, Emily! Not exactly. I know it’s a global tradition, but what’s the history behind it? Emily: Well, the first recorded New Year’s celebration was over 4,000 years ago in ancient Babylon. Jack: Really? That’s so long ago! How did they celebrate? Emily: They celebrated during the spring equinox with a festival called Akitu. It lasted 11 days. Jack: Wow, 11 days of celebrations? That sounds intense! Emily: It was! They honored their gods and renewed their king's power during the festival. Jack: That’s fascinating. Did they celebrate on January 1st back then? Emily: No, the January 1st tradition started in 45 BCE when Julius Caesar introduced the Julian calendar. Jack: So, it was the Romans who set January 1st as New Year’s Day? Emily: Exactly. They dedicated the day to Janus, the god of beginnings and transitions. Jack: That’s why it’s called January! It makes so much sense now. Emily: Right! People would exchange gifts and make sacrifices to Janus for good fortune. Jack: Sounds similar to our modern traditions like resolutions and celebrations. Emily: Definitely! It’s amazing how some things have stayed the same for centuries. Jack: It really is. Thanks for the history lesson, Emily! Emily: Anytime, Jack! Happy early New Year, by the way! Jack: Same to you! Let’s celebrate and make it memorable this year. Emily: āļŠāļ§āļąāļŠāļ”āļĩ āđāļˆāđ‡āļ„! āļ„āļļāļ“āļĢāļđāđ‰āđ„āļŦāļĄāļ§āđˆāļēāļāļēāļĢāđ€āļ‰āļĨāļīāļĄāļ‰āļĨāļ­āļ‡āļ›āļĩāđƒāļŦāļĄāđˆāđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļ‚āļķāđ‰āļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđ„āļĢ? Jack: āļŠāļ§āļąāļŠāļ”āļĩ āđ€āļ­āļĄāļīāļĨāļĩāđˆ! āđ„āļĄāđˆāļ„āđˆāļ­āļĒāđāļ™āđˆāđƒāļˆāļ™āļ° āļĢāļđāđ‰āđāļ„āđˆāļ§āđˆāļēāļĄāļąāļ™āđ€āļ›āđ‡āļ™āļ›āļĢāļ°āđ€āļžāļ“āļĩāļ—āļąāđˆāļ§āđ‚āļĨāļ āđāļ•āđˆāđ€āļšāļ·āđ‰āļ­āļ‡āļŦāļĨāļąāļ‡āļĄāļąāļ™āļ„āļ·āļ­āļ­āļ°āđ„āļĢāđ€āļŦāļĢāļ­? Emily: āđ€āļ­āļēāļĨāđˆāļ° āļāļēāļĢāđ€āļ‰āļĨāļīāļĄāļ‰āļĨāļ­āļ‡āļ›āļĩāđƒāļŦāļĄāđˆāļ„āļĢāļąāđ‰āļ‡āđāļĢāļāļ—āļĩāđˆāļšāļąāļ™āļ—āļķāļāđ„āļ§āđ‰āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđ€āļĄāļ·āđˆāļ­āļāļ§āđˆāļē 4,000 āļ›āļĩāļāđˆāļ­āļ™āđƒāļ™āļšāļēāļšāļīāđ‚āļĨāļ™āđ‚āļšāļĢāļēāļ“ Jack: āļˆāļĢāļīāļ‡āđ€āļŦāļĢāļ­? āļ™āļēāļ™āļ‚āļ™āļēāļ”āļ™āļąāđ‰āļ™āđ€āļĨāļĒ! āļžāļ§āļāđ€āļ‚āļēāđ€āļ‰āļĨāļīāļĄāļ‰āļĨāļ­āļ‡āļāļąāļ™āļĒāļąāļ‡āđ„āļ‡? Emily: āļžāļ§āļāđ€āļ‚āļēāđ€āļ‰āļĨāļīāļĄāļ‰āļĨāļ­āļ‡āđƒāļ™āļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāļ—āļĩāđˆāļāļĨāļēāļ‡āļ§āļąāļ™āđ€āļ—āđˆāļēāļāļąāļšāļāļĨāļēāļ‡āļ„āļ·āļ™āđƒāļ™āļĪāļ”āļđāđƒāļšāđ„āļĄāđ‰āļœāļĨāļī āļ”āđ‰āļ§āļĒāđ€āļ—āļĻāļāļēāļĨāļ—āļĩāđˆāđ€āļĢāļĩāļĒāļāļ§āđˆāļē Akitu āļ‹āļķāđˆāļ‡āļāļīāļ™āđ€āļ§āļĨāļēāļ–āļķāļ‡ 11 āļ§āļąāļ™ Jack: āļ§āđ‰āļēāļ§ āđ€āļ—āļĻāļāļēāļĨ 11 āļ§āļąāļ™āđ€āļĨāļĒāđ€āļŦāļĢāļ­? āļŸāļąāļ‡āļ”āļđāļĒāļīāđˆāļ‡āđƒāļŦāļāđˆāļĄāļēāļ! Emily: āđƒāļŠāđˆāđ€āļĨāļĒ! āļžāļ§āļāđ€āļ‚āļēāļšāļđāļŠāļēāđ€āļ—āļžāđ€āļˆāđ‰āļēāļ‚āļ­āļ‡āļžāļ§āļāđ€āļ‚āļē āđāļĨāļ°āļŸāļ·āđ‰āļ™āļŸāļđāļ­āļģāļ™āļēāļˆāļ‚āļ­āļ‡āļāļĐāļąāļ•āļĢāļīāļĒāđŒāđƒāļ™āļŠāđˆāļ§āļ‡āđ€āļ—āļĻāļāļēāļĨ Jack: āļ™āđˆāļēāļŠāļ™āđƒāļˆāļˆāļąāļ‡ āļ•āļ­āļ™āļ™āļąāđ‰āļ™āļžāļ§āļāđ€āļ‚āļēāđ€āļ‰āļĨāļīāļĄāļ‰āļĨāļ­āļ‡āļ§āļąāļ™āļ—āļĩāđˆ 1 āļĄāļāļĢāļēāļ„āļĄāļ”āđ‰āļ§āļĒāđ„āļŦāļĄ? Emily: āđ„āļĄāđˆāđ€āļĨāļĒ āļ›āļĢāļ°āđ€āļžāļ“āļĩāļ§āļąāļ™āļ—āļĩāđˆ 1 āļĄāļāļĢāļēāļ„āļĄāđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļ‚āļķāđ‰āļ™āđƒāļ™āļ›āļĩ 45 āļāđˆāļ­āļ™āļ„āļĢāļīāļŠāļ•āļāļēāļĨ āđ€āļĄāļ·āđˆāļ­āļˆāļđāđ€āļĨāļĩāļĒāļŠ āļ‹āļĩāļ‹āļēāļĢāđŒāđāļ™āļ°āļ™āļģāļ›āļāļīāļ—āļīāļ™āļˆāļđāđ€āļĨāļĩāļĒāļ™ Jack: āļ­āđ‹āļ­ āļ‡āļąāđ‰āļ™āđ€āļ›āđ‡āļ™āļŠāļēāļ§āđ‚āļĢāļĄāļąāļ™āļŠāļīāļ™āļ°āļ—āļĩāđˆāļāļģāļŦāļ™āļ”āđƒāļŦāđ‰āļ§āļąāļ™āļ—āļĩāđˆ 1 āļĄāļāļĢāļēāļ„āļĄāđ€āļ›āđ‡āļ™āļ§āļąāļ™āļ›āļĩāđƒāļŦāļĄāđˆ? Emily: āļ–āļđāļāļ•āđ‰āļ­āļ‡ āļžāļ§āļāđ€āļ‚āļēāļ­āļļāļ—āļīāļĻāļ§āļąāļ™āļ™āļąāđ‰āļ™āđƒāļŦāđ‰āļāļąāļšāđ€āļˆāļ™āļąāļŠ āđ€āļ—āļžāđ€āļˆāđ‰āļēāđāļŦāđˆāļ‡āļāļēāļĢāđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āđāļĨāļ°āļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡ Jack: āļ­āđ‹āļ­ āļ™āļąāđˆāļ™āļŠāļīāļ™āļ°āļ–āļķāļ‡āđ„āļ”āđ‰āđ€āļĢāļĩāļĒāļāļ§āđˆāļē "January"! āđ€āļ‚āđ‰āļēāđƒāļˆāđāļĨāđ‰āļ§āļĨāđˆāļ° Emily: āđƒāļŠāđˆāđ€āļĨāļĒ! āļ„āļ™āđƒāļ™āļĒāļļāļ„āļ™āļąāđ‰āļ™āļˆāļ°āđāļĨāļāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļ‚āļ­āļ‡āļ‚āļ§āļąāļāđāļĨāļ°āļ—āļģāļžāļīāļ˜āļĩāļšāļđāļŠāļēāđ€āļˆāļ™āļąāļŠāđ€āļžāļ·āđˆāļ­āļ„āļ§āļēāļĄāđ‚āļŠāļ„āļ”āļĩ Jack: āļŸāļąāļ‡āļ”āļđāļ„āļĨāđ‰āļēāļĒāļāļąāļšāļ›āļĢāļ°āđ€āļžāļ“āļĩāļ‚āļ­āļ‡āđ€āļĢāļēāđƒāļ™āļ›āļąāļˆāļˆāļļāļšāļąāļ™āđ€āļĨāļĒ āđ€āļŠāđˆāļ™ āļāļēāļĢāļ•āļąāđ‰āļ‡āļ›āļ“āļīāļ˜āļēāļ™āđāļĨāļ°āļāļēāļĢāđ€āļ‰āļĨāļīāļĄāļ‰āļĨāļ­āļ‡ Emily: āđƒāļŠāđˆāđ€āļĨāļĒ! āļ™āđˆāļēāļ—āļķāđˆāļ‡āļ™āļ°āļ—āļĩāđˆāļšāļēāļ‡āļŠāļīāđˆāļ‡āļĒāļąāļ‡āļ„āļ‡āļ­āļĒāļđāđˆāļĄāļēāļŦāļĨāļēāļĒāļĻāļ•āļ§āļĢāļĢāļĐ Jack: āļˆāļĢāļīāļ‡āļĄāļēāļ āļ‚āļ­āļšāļ„āļļāļ“āļŠāļģāļŦāļĢāļąāļšāļšāļ—āđ€āļĢāļĩāļĒāļ™āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāļ™āļ° āđ€āļ­āļĄāļīāļĨāļĩāđˆ! Emily: āļĒāļīāļ™āļ”āļĩāđ€āļŠāļĄāļ­ āđāļˆāđ‡āļ„! āļ§āđˆāļēāđāļ•āđˆ āļŠāļļāļ‚āļŠāļąāļ™āļ•āđŒāļ›āļĩāđƒāļŦāļĄāđˆāļĨāđˆāļ§āļ‡āļŦāļ™āđ‰āļēāļ”āđ‰āļ§āļĒāļ™āļ°! Jack: āđ€āļŠāđˆāļ™āļāļąāļ™āđ€āļĨāļĒ! āļĄāļēāļ‰āļĨāļ­āļ‡āđƒāļŦāđ‰āļ›āļĩāļ™āļĩāđ‰āđ€āļ›āđ‡āļ™āļ›āļĩāļ—āļĩāđˆāļ™āđˆāļēāļˆāļ”āļˆāļģāļāļąāļ™āđ€āļ–āļ­āļ° Vocabulary (āļ„āļģāļĻāļąāļžāļ—āđŒāļ™āđˆāļēāļĢāļđāđ‰) Celebration (āđ€āļ‹āļĨ-āļĨāļ°-āđ€āļšāļĢ-āļŠāļąāļ™) n. āđāļ›āļĨāļ§āđˆāļē āļāļēāļĢāđ€āļ‰āļĨāļīāļĄāļ‰āļĨāļ­āļ‡ Tradition (āļ—āļĢāļē-āļ”āļīāļŠ-āļŠāļąāļ™) n. āđāļ›āļĨāļ§āđˆāļē āļ›āļĢāļ°āđ€āļžāļ“āļĩ History (āļŪāļīāļŠ-āļ—āļ­-āļĢāļĩ) n. āđāļ›āļĨāļ§āđˆāļē āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒ Festival (āđ€āļŸāļŠ-āļ•āļī-āđ€āļ§āļīāļĨ) n. āđāļ›āļĨāļ§āđˆāļē āđ€āļ—āļĻāļāļēāļĨ Equinox (āļ­āļĩ-āļ„āļ§āļī-āļ™āļ­āļ„āļ‹) n. āđāļ›āļĨāļ§āđˆāļē āļ§āļąāļ™āļĢāļēāļ•āļĢāļĩāđ€āļŠāļĄāļ­āļ āļēāļ„ Power (āđ€āļžāļē-āđ€āļ§āļ­āļĢāđŒ) n. āđāļ›āļĨāļ§āđˆāļē āļ­āļģāļ™āļēāļˆ Transition (āđāļ—āļĢāļ™-āļ‹āļīāļŠ-āļŠāļąāļ™) n. āđāļ›āļĨāļ§āđˆāļē āļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļœāđˆāļēāļ™ Fortune (āļŸāļ­āļĢāđŒ-āļŠāļđāļ™) n. āđāļ›āļĨāļ§āđˆāļē āđ‚āļŠāļ„āļŠāļ°āļ•āļē Resolution (āđ€āļĢāļŠ-āļ‹āļ°-āļĨāļđ-āļŠāļąāļ™) n. āđāļ›āļĨāļ§āđˆāļē āļ›āļ“āļīāļ˜āļēāļ™ Calendar (āđāļ„āļĨ-āđ€āļĨāļ™-āđ€āļ”āļ­āļĢāđŒ) n. āđāļ›āļĨāļ§āđˆāļē āļ›āļāļīāļ—āļīāļ™ Gift (āļāļīāļŸāļ—āđŒ) n. āđāļ›āļĨāļ§āđˆāļē āļ‚āļ­āļ‡āļ‚āļ§āļąāļ Sacrifice (āđāļ‹āļ„-āļĢāļī-āđ„āļŸāļ‹) n. āđāļ›āļĨāļ§āđˆāļē āļāļēāļĢāļšāļđāļŠāļēāļĒāļąāļ Beginning (āļšāļīāļ-āļāļīāļ™-āļ™āļīāļ‡) n. āđāļ›āļĨāļ§āđˆāļē āļˆāļļāļ”āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™ Lesson (āđ€āļĨāļŠ-āļ‹āļąāļ™) n. āđāļ›āļĨāļ§āđˆāļē āļšāļ—āđ€āļĢāļĩāļĒāļ™ Fortune (āļŸāļ­āļĢāđŒ-āļŠāļđāļ™) n. āđāļ›āļĨāļ§āđˆāļē āļ„āļ§āļēāļĄāđ‚āļŠāļ„āļ”āļĩ
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  • āļ™āļēāļĒāļāļĢāļąāļāļĄāļ™āļ•āļĢāļĩāļ­āļīāļ™āđ€āļ”āļĩāļĒ āđ‚āļĄāļ”āļĩ āļĢāļąāļšāļĄāļ­āļšāļĢāļēāļ‡āļ§āļąāļĨāđ€āļāļĩāļĒāļĢāļ•āļīāļĒāļĻāļŠāļđāļ‡āļŠāļļāļ”āļ‚āļ­āļ‡āļ›āļĢāļ°āđ€āļ—āļĻāļ„āļđāđ€āļ§āļ•
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  • Fill Your Pot Of Gold With 18 Brilliant Words For St. Patrick’s Day

    Every March, people around the world celebrate St. Patrick’s Day with parades, street parties, festivals, sing-alongs, arts exhibitions, and yes, green rivers (such as the Chicago River, dyed green with what’s essentially food coloring). What began as a feast day for the patron saint of Ireland has evolved into a worldwide celebration of Irish culture and heritage—and it’s hard to resist the temptation to look for a lucky four-leaf clover come St. Patrick’s Day.

    But there’s more to the day and the culture of Ireland than the color green or traditional celebrations. In honor of this special holiday, here are 18 interesting words to help you learn more about Irish history, culture, and the roots of St. Patrick’s Day.

    blarney

    Have you heard the one about the Blarney stone? Blarney means “flattering or wheedling talk; cajolery.” It’s often applied to insincere flattery that’s used to gain favor. The word, which was first recorded in English in the late 1700s, comes from the centuries old legend of the Blarney stone. It’s said that anyone who kisses the stone in Blarney Castle near Cork, Ireland, is given the gift of flattery and eloquence.

    “Erin go Bragh”

    Erin go Bragh is a popular expression of loyalty to, or affection for, Ireland, its people, and its culture. The phrase, which means “Ireland forever,” is an Anglicization of Éire go Brách, which translates to “Ireland till the end of time.” The phrase may have first come to use during the Irish Rebellion of 1798 as a rallying cry for Irish independence. In the time since, it’s been used in music, sports, and during celebrations like St. Patrick’s Day to celebrate Irish pride and culture.

    leprechaun

    Leprechauns originated in Irish folklore, but they’ve become a famous symbol all over the world. A leprechaun is a dwarf or sprite, often depicted as “a little old man who will reveal the location of a hidden crock of gold to anyone who catches him.” Though leprechauns are usually seen as joyful or mischievous, some representations of leprechauns feature offensive stereotypes that should be avoided. For example, the University of Notre Dame’s “fighting Irish” leprechaun has been voted one of the most offensive mascots in US sports.

    banshee

    Leprechauns aren’t the only well-known figures from folklore. In Irish legend, a banshee is “a spirit in the form of a wailing woman who appears to or is heard by members of a family as a sign that one of them is about to die.” The word comes from the Irish Gaelic bean sídh, which translates to “woman of the fairy mound.” In legends, banshees most often appear at night, and some believe they can only be seen by those of Irish descent.

    Saint Patrick

    Although the origin of St. Patrick’s Day is a mix of fact and legend, Saint Patrick was a real person. The day commemorates the feast of Saint Patrick, a ​​British-born missionary and bishop who became the patron saint of Ireland. Saint Patrick is believed to have been born Maewyn Succat, and later chose the Latin name Patricius, or Patrick in English and Pádraig in Irish. He is credited with bringing Christianity to Ireland and famously believed to have used the shamrock as a metaphor for the Holy Trinity.

    Emerald Isle

    Ireland is sometimes called the Emerald Isle. This poetic nickname for Ireland stems from the lush, green land and rolling hills that make up many parts of the country. Emerald green is a “clear, deep green color” most often associated with the gem of the same name. Green is strongly associated with Ireland not only because of the landscape and symbols like the shamrock, but also because of its use among people fighting for Irish independence throughout history.

    luck

    If you’ve ever searched for a four leaf clover, then you know a little something about the supposed link between Irish culture and luck. Luck is “the force that seems to operate for good or ill in a person’s life,” and many people believe Irish symbols, particularly those seen on St. Patrick’s Day, have a special ability to attract good luck. Maybe you’ve heard the phrase the luck of the Irish? This phrase is considered a cliché and is mostly only used in the US, but it’s an example of just how common it is to think Irish culture is imbued with potent powers of good luck. (Need a few more serendipitous ways to say lucky?)

    Gaelic

    You’ll notice many of the words on this list have Gaelic roots. Gaelic isn’t only one language. The term encompasses Celtic languages that include the speech of ancient Ireland and more modern dialects that have developed from it, especially Irish, Manx, and Scottish Gaelic. Though the term Irish Gaelic is sometimes used outside of Ireland, Irish is made up of distinct dialects that vary in vocabulary, pronunciation, and grammar, and the words Gaelic and Irish shouldn’t be used interchangeably.

    shamrock

    Shamrocks are among the most famous symbols of St. Patrick’s Day. ​​The word shamrock can describe a number of trifoliate, or three-leafed, plants but especially “a small, yellow-flowered clover: the national emblem of Ireland.” Shamrock comes from the Irish Gaelic seamrōg, or “clover.” Saint Patrick’s close association with Ireland and legendary use of the shamrock as a symbol for Christianity helped make it a symbol of Irish culture. These days, shamrocks are so popular there is even a Shamrock emoji.

    donnybrook

    In English, donnybrook means ​​”an inordinately wild fight or contentious dispute; brawl; free-for-all.” It comes from Donnybrook Fair, a traditional fair that was held in Donnybrook, county Dublin, Ireland, until 1855. The fair featured livestock and produce and later evolved into a carnival. It was ultimately shut down due to its reputation for brawls and raucous behavior. The word donnybrook entered English in the mid-1800s. Fun fact: the Donnybrook Fair grounds are now the Donnybrook Rugby Ground.

    bodhran

    Music is a big part of many St. Patrick’s Day celebrations, and some of it includes the bodhran. A bodhran is “a handheld, shallow Irish drum with a single goatskin head, played with a stick.” It’s often used in traditional Celtic folk music, and it’s known for its deep, distinct sound. Bodhran is borrowed in English from the Irish bodhrán, which derives from the middle Irish bodar, meaning “deafening, deaf.”

    Celtic

    The Celts were once the largest group in ancient Europe, and their influence on the language and culture remains prominent today, especially in Ireland. Celtic is a term for the family of languages that includes Irish, Scottish Gaelic, Welsh, and Breton. More broadly, Celtic refers to anything “of the Celts or their language.”

    limerick

    A limerick is “a kind of humorous verse of five lines.” It’s also a county in Ireland, and the two share an interesting link. The first known use of limerick referring to the poem comes from the late 1800s, and the word is thought to have originated as a part of a party game. People playing the game took turns making up nonsense verses, then everyone would sing the refrain: “Will you come up to Limerick?” The refrain referenced Limerick, the place, but later came to represent the poems themselves.

    clover

    It’s said that if you find a four-leaf clover, it will bring you good luck. So, is a clover the same thing as a shamrock? It’s complicated. Clover and shamrock are both used to describe plants from similar species. While shamrock derives from an Irish word, clover has roots in Old English. Clovers may have two, three, four, or more leaves, while the traditional shamrock that’s used as a symbol of Ireland has three. In other words, shamrocks are a type of clover, but not every clover is a shamrock.

    balbriggan

    There are many things that take their names from places in Ireland. Balbriggan is one. In addition to being a city in Ireland, balbriggan is “a plain-knit cotton fabric, used especially in hosiery and underwear.” The fabric was first made in the town of the same name, and the word has been in use in English since the mid-1800s.

    shillelagh

    A shillelagh is a cudgel, or club, traditionally made of blackthorn or oak, and it’s become a recognizable symbol of Irish culture in some St. Patrick’s Day celebrations. The name shillelagh comes from the Irish Síol Éiligh, the name of a town in County Wicklow, Ireland. The adjoining forest once provided the wood for the clubs, which are now sometimes carried in parades or sold as souvenirs.

    brogue

    Let’s hear it for the brogue. A brogue is “an Irish accent in the pronunciation of English.” Believe it or not, this term may be related to shoes. The word brogue can also refer to “a coarse, usually untanned leather shoe once worn in Ireland and Scotland.” It’s thought that brogue in reference to accents may be a special use of the word; it was first recorded in English in the early 1700s.

    rainbow

    Rainbows are often associated with Ireland and St. Patrick’s Day. Some legends say leprechauns leave gold at the ends of rainbows. There may also be a scientific explanation for Ireland’s close association with rainbows. A rainbow is an “arc of prismatic colors appearing in the heavens opposite the sun and caused by the refraction and reflection of the sun’s rays in drops of rain.” Because of its rainy climate and latitude, Ireland may actually have better conditions for the formation of frequent rainbows than other places.

    Copyright 2024, AAKKHRA, All Rights Reserved.
    Fill Your Pot Of Gold With 18 Brilliant Words For St. Patrick’s Day Every March, people around the world celebrate St. Patrick’s Day with parades, street parties, festivals, sing-alongs, arts exhibitions, and yes, green rivers (such as the Chicago River, dyed green with what’s essentially food coloring). What began as a feast day for the patron saint of Ireland has evolved into a worldwide celebration of Irish culture and heritage—and it’s hard to resist the temptation to look for a lucky four-leaf clover come St. Patrick’s Day. But there’s more to the day and the culture of Ireland than the color green or traditional celebrations. In honor of this special holiday, here are 18 interesting words to help you learn more about Irish history, culture, and the roots of St. Patrick’s Day. blarney Have you heard the one about the Blarney stone? Blarney means “flattering or wheedling talk; cajolery.” It’s often applied to insincere flattery that’s used to gain favor. The word, which was first recorded in English in the late 1700s, comes from the centuries old legend of the Blarney stone. It’s said that anyone who kisses the stone in Blarney Castle near Cork, Ireland, is given the gift of flattery and eloquence. “Erin go Bragh” Erin go Bragh is a popular expression of loyalty to, or affection for, Ireland, its people, and its culture. The phrase, which means “Ireland forever,” is an Anglicization of Éire go Brách, which translates to “Ireland till the end of time.” The phrase may have first come to use during the Irish Rebellion of 1798 as a rallying cry for Irish independence. In the time since, it’s been used in music, sports, and during celebrations like St. Patrick’s Day to celebrate Irish pride and culture. leprechaun Leprechauns originated in Irish folklore, but they’ve become a famous symbol all over the world. A leprechaun is a dwarf or sprite, often depicted as “a little old man who will reveal the location of a hidden crock of gold to anyone who catches him.” Though leprechauns are usually seen as joyful or mischievous, some representations of leprechauns feature offensive stereotypes that should be avoided. For example, the University of Notre Dame’s “fighting Irish” leprechaun has been voted one of the most offensive mascots in US sports. banshee Leprechauns aren’t the only well-known figures from folklore. In Irish legend, a banshee is “a spirit in the form of a wailing woman who appears to or is heard by members of a family as a sign that one of them is about to die.” The word comes from the Irish Gaelic bean sídh, which translates to “woman of the fairy mound.” In legends, banshees most often appear at night, and some believe they can only be seen by those of Irish descent. Saint Patrick Although the origin of St. Patrick’s Day is a mix of fact and legend, Saint Patrick was a real person. The day commemorates the feast of Saint Patrick, a ​​British-born missionary and bishop who became the patron saint of Ireland. Saint Patrick is believed to have been born Maewyn Succat, and later chose the Latin name Patricius, or Patrick in English and Pádraig in Irish. He is credited with bringing Christianity to Ireland and famously believed to have used the shamrock as a metaphor for the Holy Trinity. Emerald Isle Ireland is sometimes called the Emerald Isle. This poetic nickname for Ireland stems from the lush, green land and rolling hills that make up many parts of the country. Emerald green is a “clear, deep green color” most often associated with the gem of the same name. Green is strongly associated with Ireland not only because of the landscape and symbols like the shamrock, but also because of its use among people fighting for Irish independence throughout history. luck If you’ve ever searched for a four leaf clover, then you know a little something about the supposed link between Irish culture and luck. Luck is “the force that seems to operate for good or ill in a person’s life,” and many people believe Irish symbols, particularly those seen on St. Patrick’s Day, have a special ability to attract good luck. Maybe you’ve heard the phrase the luck of the Irish? This phrase is considered a cliché and is mostly only used in the US, but it’s an example of just how common it is to think Irish culture is imbued with potent powers of good luck. (Need a few more serendipitous ways to say lucky?) Gaelic You’ll notice many of the words on this list have Gaelic roots. Gaelic isn’t only one language. The term encompasses Celtic languages that include the speech of ancient Ireland and more modern dialects that have developed from it, especially Irish, Manx, and Scottish Gaelic. Though the term Irish Gaelic is sometimes used outside of Ireland, Irish is made up of distinct dialects that vary in vocabulary, pronunciation, and grammar, and the words Gaelic and Irish shouldn’t be used interchangeably. shamrock Shamrocks are among the most famous symbols of St. Patrick’s Day. ​​The word shamrock can describe a number of trifoliate, or three-leafed, plants but especially “a small, yellow-flowered clover: the national emblem of Ireland.” Shamrock comes from the Irish Gaelic seamrōg, or “clover.” Saint Patrick’s close association with Ireland and legendary use of the shamrock as a symbol for Christianity helped make it a symbol of Irish culture. These days, shamrocks are so popular there is even a Shamrock emoji. donnybrook In English, donnybrook means ​​”an inordinately wild fight or contentious dispute; brawl; free-for-all.” It comes from Donnybrook Fair, a traditional fair that was held in Donnybrook, county Dublin, Ireland, until 1855. The fair featured livestock and produce and later evolved into a carnival. It was ultimately shut down due to its reputation for brawls and raucous behavior. The word donnybrook entered English in the mid-1800s. Fun fact: the Donnybrook Fair grounds are now the Donnybrook Rugby Ground. bodhran Music is a big part of many St. Patrick’s Day celebrations, and some of it includes the bodhran. A bodhran is “a handheld, shallow Irish drum with a single goatskin head, played with a stick.” It’s often used in traditional Celtic folk music, and it’s known for its deep, distinct sound. Bodhran is borrowed in English from the Irish bodhrán, which derives from the middle Irish bodar, meaning “deafening, deaf.” Celtic The Celts were once the largest group in ancient Europe, and their influence on the language and culture remains prominent today, especially in Ireland. Celtic is a term for the family of languages that includes Irish, Scottish Gaelic, Welsh, and Breton. More broadly, Celtic refers to anything “of the Celts or their language.” limerick A limerick is “a kind of humorous verse of five lines.” It’s also a county in Ireland, and the two share an interesting link. The first known use of limerick referring to the poem comes from the late 1800s, and the word is thought to have originated as a part of a party game. People playing the game took turns making up nonsense verses, then everyone would sing the refrain: “Will you come up to Limerick?” The refrain referenced Limerick, the place, but later came to represent the poems themselves. clover It’s said that if you find a four-leaf clover, it will bring you good luck. So, is a clover the same thing as a shamrock? It’s complicated. Clover and shamrock are both used to describe plants from similar species. While shamrock derives from an Irish word, clover has roots in Old English. Clovers may have two, three, four, or more leaves, while the traditional shamrock that’s used as a symbol of Ireland has three. In other words, shamrocks are a type of clover, but not every clover is a shamrock. balbriggan There are many things that take their names from places in Ireland. Balbriggan is one. In addition to being a city in Ireland, balbriggan is “a plain-knit cotton fabric, used especially in hosiery and underwear.” The fabric was first made in the town of the same name, and the word has been in use in English since the mid-1800s. shillelagh A shillelagh is a cudgel, or club, traditionally made of blackthorn or oak, and it’s become a recognizable symbol of Irish culture in some St. Patrick’s Day celebrations. The name shillelagh comes from the Irish Síol Éiligh, the name of a town in County Wicklow, Ireland. The adjoining forest once provided the wood for the clubs, which are now sometimes carried in parades or sold as souvenirs. brogue Let’s hear it for the brogue. A brogue is “an Irish accent in the pronunciation of English.” Believe it or not, this term may be related to shoes. The word brogue can also refer to “a coarse, usually untanned leather shoe once worn in Ireland and Scotland.” It’s thought that brogue in reference to accents may be a special use of the word; it was first recorded in English in the early 1700s. rainbow Rainbows are often associated with Ireland and St. Patrick’s Day. Some legends say leprechauns leave gold at the ends of rainbows. There may also be a scientific explanation for Ireland’s close association with rainbows. A rainbow is an “arc of prismatic colors appearing in the heavens opposite the sun and caused by the refraction and reflection of the sun’s rays in drops of rain.” Because of its rainy climate and latitude, Ireland may actually have better conditions for the formation of frequent rainbows than other places. Copyright 2024, AAKKHRA, All Rights Reserved.
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  • āļ­āļąāļ‡āļāļĪāļĐāļ™āđˆāļēāļˆāļ°āļĒāļ­āļĄāļ›āļāļīāļšāļąāļ•āļīāļ•āļēāļĄāļŦāļĄāļēāļĒāļˆāļąāļšāļ‚āļ­āļ‡āļĻāļēāļĨāļ­āļēāļāļēāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāļ•āđˆāļ­āļ™āļēāļĒāļāļĢāļąāļāļĄāļ™āļ•āļĢāļĩ āđ€āļšāļ™āļˆāļēāļĄāļīāļ™ āđ€āļ™āļ—āļąāļ™āļĒāļēāļŪāļđ āļ‚āļ­āļ‡āļ­āļīāļŠāļĢāļēāđ€āļ­āļĨ āļŦāļēāļāđ€āļ‚āļēāđ€āļ”āļīāļ™āļ—āļēāļ‡āļĄāļēāđ€āļĒāļ·āļ­āļ™ – āđ‚āļ†āļĐāļāļ‚āļ­āļ‡āļšāđ‰āļēāļ™āđ€āļĨāļ‚āļ—āļĩāđˆ āđ‘āđ āļ–āļ™āļ™āļ”āļēāļ§āļ™āļīāđˆāļ‡
    .
    Britain would most likely honor the International Criminal Court's arrest warrant against Israeli Prime Minister Benjamin Netanyahu if he were to visit – spokesman for 10 Downing Street
    .
    7:00 PM · Nov 23, 2024 · 5,215 Views
    https://x.com/RT_com/status/1860292215651631487
    āļ­āļąāļ‡āļāļĪāļĐāļ™āđˆāļēāļˆāļ°āļĒāļ­āļĄāļ›āļāļīāļšāļąāļ•āļīāļ•āļēāļĄāļŦāļĄāļēāļĒāļˆāļąāļšāļ‚āļ­āļ‡āļĻāļēāļĨāļ­āļēāļāļēāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāļ•āđˆāļ­āļ™āļēāļĒāļāļĢāļąāļāļĄāļ™āļ•āļĢāļĩ āđ€āļšāļ™āļˆāļēāļĄāļīāļ™ āđ€āļ™āļ—āļąāļ™āļĒāļēāļŪāļđ āļ‚āļ­āļ‡āļ­āļīāļŠāļĢāļēāđ€āļ­āļĨ āļŦāļēāļāđ€āļ‚āļēāđ€āļ”āļīāļ™āļ—āļēāļ‡āļĄāļēāđ€āļĒāļ·āļ­āļ™ – āđ‚āļ†āļĐāļāļ‚āļ­āļ‡āļšāđ‰āļēāļ™āđ€āļĨāļ‚āļ—āļĩāđˆ āđ‘āđ āļ–āļ™āļ™āļ”āļēāļ§āļ™āļīāđˆāļ‡ . Britain would most likely honor the International Criminal Court's arrest warrant against Israeli Prime Minister Benjamin Netanyahu if he were to visit – spokesman for 10 Downing Street . 7:00 PM · Nov 23, 2024 · 5,215 Views https://x.com/RT_com/status/1860292215651631487
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  • 5 Types Of Character Traits To Help You Create Your Complex Characters

    Characters are arguably the most important part of any fictional work. Whether in a book, television show, or movie, characters are the ones audiences identify with and the vehicles for telling the entire story. But how do you go about creating characters that people will love, fear, want to know more about, and find utterly unforgettable?

    It all begins with a character’s traits. Character traits are the essential building blocks of every character in a story, and choosing the right traits can help establish unique identities that will engage your audience from start to finish. Here’s what you need to know about writing great characters, the unique words you need to describe those characters, and how to get started on creating your own complex characters from scratch.

    What are character traits?
    When you meet a new person, you often learn about them by observing their traits. A trait is “a distinguishing characteristic or quality, especially of one’s personal nature.” The characters in stories have traits as well.

    A character trait is a literary term for adjectives and descriptions that writers use to add personality and depth to characters. In fictional stories, character traits serve a number of purposes, including:

    - Helping readers connect and identify with a character.
    - Providing insight into a character’s motivations.
    - Making it easier to differentiate between two characters.
    - Solidifying a character’s role, such as villain or hero, in the story.
    - Adding complexity to each character.


    Character traits may be internal or external. External traits are things another person might notice, like how someone looks, their particular accent when speaking, or how they carry themselves. Internal traits have more to do with what’s going on inside a character’s mind. They are the emotional elements, private thoughts, and actions that make up a character’s personality.

    The many different kinds of character traits
    When it comes to deciding on traits for your own characters, there are no rules. Just like no two people on earth are exactly alike, no two characters in a story will ever be exactly alike. Let’s check out some words you might use when describing your own characters’ one-of-a-kind traits.

    Personality

    charming
    stoic
    approachable
    reclusive
    ambitious
    impulsive
    demanding
    poised
    distrustful
    even-tempered


    Physical attributes

    lanky
    energetic
    petite
    elegant
    curvaceous
    rugged
    stately
    graceful
    fumbling
    brawny


    Beliefs and morals

    philosophical
    judicious
    greedy
    pious
    deceptive
    spiritual
    altruistic
    haughty
    stingy
    revolutionary


    Classic hero traits

    courageous
    adventurous
    honorable
    sincere
    visionary
    persistent
    humble
    reliable
    honest
    noble


    Classic villain traits

    envious
    demonic
    unscrupulous
    furtive
    mischievous
    deceitful
    brutal
    powerful
    wounded
    resourceful


    Building characters
    Now that you’re armed with a great character vocabulary, let’s learn a little more about how to build characters.

    Option one: Start with the character
    One method of character building is to begin with an idea of your character’s role or defining trait and build from there. For example: a queen.

    Ask yourself questions about your character’s motivations and the way others see them.

    - What does the queen look like?
    - How did the queen ascend to power?
    - Do people like this character? Why or why not?
    - What is someone’s first impression of this character?
    - What is this character afraid of?
    - What does this character want more than anything?

    As you answer questions about your character, their physical appearance, beliefs, personality and motivations will begin to emerge. The next step is to write them into a scene and see how these qualities impact their actions and interactions.

    Option two: Start with traits
    On the writing podcast Death of 1000 Cuts, author Tim Clare frequently uses timers and lists to flesh out ideas for everything from characters to story locations to plot points. The idea is to let the creative flow and avoid overthinking things.

    Try setting a timer for 10 minutes and making a list of interesting traits a character might possess. These might include physical attributes, personality quirks, preferences, and strengths and weaknesses, like:


    smart
    anxious
    curly hair
    wears a lot of purple
    loves video games
    hates chocolate
    lives in outer space
    holds grudges
    ambitious


    Once time has lapsed, look at your list and start to dig into the traits you wrote down. Circle 8–10 character traits and begin to flesh them out. How do these traits work together? How did your character come to possess these traits?

    As you begin to write your characters into scenes, their traits will solidify and you will get to know them better. Before you know it, they will feel real, and the traits you spent time cultivating will help drive the rest of your story.

    Copyright 2024, XAKKHRA, All Rights Reserved.
    5 Types Of Character Traits To Help You Create Your Complex Characters Characters are arguably the most important part of any fictional work. Whether in a book, television show, or movie, characters are the ones audiences identify with and the vehicles for telling the entire story. But how do you go about creating characters that people will love, fear, want to know more about, and find utterly unforgettable? It all begins with a character’s traits. Character traits are the essential building blocks of every character in a story, and choosing the right traits can help establish unique identities that will engage your audience from start to finish. Here’s what you need to know about writing great characters, the unique words you need to describe those characters, and how to get started on creating your own complex characters from scratch. What are character traits? When you meet a new person, you often learn about them by observing their traits. A trait is “a distinguishing characteristic or quality, especially of one’s personal nature.” The characters in stories have traits as well. A character trait is a literary term for adjectives and descriptions that writers use to add personality and depth to characters. In fictional stories, character traits serve a number of purposes, including: - Helping readers connect and identify with a character. - Providing insight into a character’s motivations. - Making it easier to differentiate between two characters. - Solidifying a character’s role, such as villain or hero, in the story. - Adding complexity to each character. Character traits may be internal or external. External traits are things another person might notice, like how someone looks, their particular accent when speaking, or how they carry themselves. Internal traits have more to do with what’s going on inside a character’s mind. They are the emotional elements, private thoughts, and actions that make up a character’s personality. The many different kinds of character traits When it comes to deciding on traits for your own characters, there are no rules. Just like no two people on earth are exactly alike, no two characters in a story will ever be exactly alike. Let’s check out some words you might use when describing your own characters’ one-of-a-kind traits. Personality charming stoic approachable reclusive ambitious impulsive demanding poised distrustful even-tempered Physical attributes lanky energetic petite elegant curvaceous rugged stately graceful fumbling brawny Beliefs and morals philosophical judicious greedy pious deceptive spiritual altruistic haughty stingy revolutionary Classic hero traits courageous adventurous honorable sincere visionary persistent humble reliable honest noble Classic villain traits envious demonic unscrupulous furtive mischievous deceitful brutal powerful wounded resourceful Building characters Now that you’re armed with a great character vocabulary, let’s learn a little more about how to build characters. Option one: Start with the character One method of character building is to begin with an idea of your character’s role or defining trait and build from there. For example: a queen. Ask yourself questions about your character’s motivations and the way others see them. - What does the queen look like? - How did the queen ascend to power? - Do people like this character? Why or why not? - What is someone’s first impression of this character? - What is this character afraid of? - What does this character want more than anything? As you answer questions about your character, their physical appearance, beliefs, personality and motivations will begin to emerge. The next step is to write them into a scene and see how these qualities impact their actions and interactions. Option two: Start with traits On the writing podcast Death of 1000 Cuts, author Tim Clare frequently uses timers and lists to flesh out ideas for everything from characters to story locations to plot points. The idea is to let the creative flow and avoid overthinking things. Try setting a timer for 10 minutes and making a list of interesting traits a character might possess. These might include physical attributes, personality quirks, preferences, and strengths and weaknesses, like: smart anxious curly hair wears a lot of purple loves video games hates chocolate lives in outer space holds grudges ambitious Once time has lapsed, look at your list and start to dig into the traits you wrote down. Circle 8–10 character traits and begin to flesh them out. How do these traits work together? How did your character come to possess these traits? As you begin to write your characters into scenes, their traits will solidify and you will get to know them better. Before you know it, they will feel real, and the traits you spent time cultivating will help drive the rest of your story. Copyright 2024, XAKKHRA, All Rights Reserved.
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  • ❗ïļāļ—āļĢāļąāļĄāļ›āđŒāļ›āļĢāļ°āļāļēāļĻāđ€āļĨāļ·āļ­āļ āđāļĄāļ•āļ•āđŒ āđ€āļāļ•āļ‹āđŒ āđ€āļ›āđ‡āļ™āļ­āļąāļĒāļāļēāļĢāļŠāļđāļ‡āļŠāļļāļ”

    āļ›āļĢāļ°āļ˜āļēāļ™āļēāļ˜āļīāļšāļ”āļĩāđ‚āļ”āļ™āļąāļĨāļ”āđŒ āļ—āļĢāļąāļĄāļ›āđŒāļāļĨāđˆāļēāļ§āđ€āļĄāļ·āđˆāļ­āļ§āļąāļ™āļžāļļāļ˜āļ§āđˆāļē āđ€āļ‚āļēāļˆāļ°āđ€āļŠāļ™āļ­āļŠāļ·āđˆāļ­āļŠāļĄāļēāļŠāļīāļāļŠāļ āļēāļœāļđāđ‰āđāļ—āļ™āļĢāļēāļĐāļŽāļĢ āđāļĄāļ•āļ•āđŒ āđ€āļāļ•āļ‹āđŒ āđƒāļŦāđ‰āļ”āļģāļĢāļ‡āļ•āļģāđāļŦāļ™āđˆāļ‡āļ­āļąāļĒāļāļēāļĢāļŠāļđāļ‡āļŠāļļāļ”āļ‚āļ­āļ‡āļŠāļŦāļĢāļąāļāļ­āđ€āļĄāļĢāļīāļāļē

    āļ—āļĢāļąāļĄāļ›āđŒāļāļĨāđˆāļēāļ§āđƒāļ™āļĢāļēāļĒāļāļēāļĢ Truth Social āļ§āđˆāļē "āļœāļĄāļĢāļđāđ‰āļŠāļķāļāđ€āļ›āđ‡āļ™āđ€āļāļĩāļĒāļĢāļ•āļīāļ­āļĒāđˆāļēāļ‡āļĒāļīāđˆāļ‡āļ—āļĩāđˆāļˆāļ°āļ›āļĢāļ°āļāļēāļĻāļ§āđˆāļēāļŠāļĄāļēāļŠāļīāļāļŠāļ āļēāļœāļđāđ‰āđāļ—āļ™āļĢāļēāļĐāļŽāļĢ āđāļĄāļ•āļ•āđŒ āđ€āļāļ•āļ‹āđŒ, āļˆāļēāļāļŸāļĨāļ­āļĢāļīāļ”āļē,āđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāđ€āļŠāļ™āļ­āļŠāļ·āđˆāļ­āđƒāļŦāđ‰āđ€āļ›āđ‡āļ™āļ­āļąāļĒāļāļēāļĢāļŠāļđāļ‡āļŠāļļāļ”āļ‚āļ­āļ‡āļŠāļŦāļĢāļąāļāļ­āđ€āļĄāļĢāļīāļāļē,"

    āļ—āļĢāļąāļĄāļ›āđŒāļ­āļ˜āļīāļšāļēāļĒāļ–āļķāļ‡āđ€āļāļ•āļ‹āđŒāļ§āđˆāļēāđ€āļ›āđ‡āļ™ "āļ—āļ™āļēāļĒāļ„āļ§āļēāļĄāļ—āļĩāđˆāļĄāļĩāļžāļĢāļŠāļ§āļĢāļĢāļ„āđŒāđāļĨāļ°āļ”āļ·āđ‰āļ­āļĢāļąāđ‰āļ™," āļ‹āļķāđˆāļ‡āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ”āļģāļĢāļ‡āļ•āļģāđāļŦāļ™āđˆāļ‡āđƒāļ™āļĢāļąāļāļŠāļ āļē āđ€āļ‚āļēāđ„āļ”āđ‰āļœāļĨāļąāļāļ”āļąāļ™āđƒāļŦāđ‰āļĄāļĩāļāļēāļĢāļ›āļāļīāļĢāļđāļ›āļāļĢāļ°āļ—āļĢāļ§āļ‡āļĒāļļāļ•āļīāļ˜āļĢāļĢāļĄāļ—āļĩāđˆāļˆāļģāđ€āļ›āđ‡āļ™āļ­āļĒāđˆāļēāļ‡āļĒāļīāđˆāļ‡

    āđ€āļ‚āļēāļĒāļąāļ‡āđ€āļ™āđ‰āļ™āļĒāđ‰āļģāļ–āļķāļ‡ "āļšāļ—āļšāļēāļ—āļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āđ€āļ‚āļēāđƒāļ™āļāļēāļĢāđ€āļ­āļēāļŠāļ™āļ°āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļąāļŠāđ€āļ‹āļĩāļĒ, āļĢāļąāļŠāđ€āļ‹āļĩāļĒ, āļ‚āđˆāļēāļ§āļĨāļ§āļ‡āļĢāļąāļŠāđ€āļ‹āļĩāļĒ, āđāļĨāļ°āļāļēāļĢāđ€āļ›āļīāļ”āđ‚āļ›āļ‡āļāļēāļĢāļ—āļļāļˆāļĢāļīāļ•āļ‚āļ­āļ‡āļĢāļąāļāļšāļēāļĨāļ—āļĩāđˆāļ™āđˆāļēāļ•āļāđƒāļˆāđāļĨāļ°āđ€āļ›āđ‡āļ™āļĢāļ°āļšāļš āļĢāļ§āļĄāļ–āļķāļ‡āļāļēāļĢāđƒāļŠāđ‰āļ­āļēāļ§āļļāļ˜" āđƒāļ™āļ‚āļ“āļ°āļ—āļĩāđˆāļ­āļĒāļđāđˆāđƒāļ™āļ„āļ“āļ°āļāļĢāļĢāļĄāļēāļ˜āļīāļāļēāļĢāļ•āļļāļĨāļēāļāļēāļĢāļ‚āļ­āļ‡āļŠāļ āļēāļœāļđāđ‰āđāļ—āļ™āļĢāļēāļĐāļŽāļĢ

    “āđāļĄāļ•āļ•āđŒāļˆāļ°āļĒāļļāļ•āļīāļĢāļąāļāļšāļēāļĨāļ—āļĩāđˆāđƒāļŠāđ‰āļ­āļēāļ§āļļāļ˜, āļ›āļāļ›āđ‰āļ­āļ‡āļžāļĢāļĄāđāļ”āļ™āļ‚āļ­āļ‡āđ€āļĢāļē, āļĒāļļāļšāļ­āļ‡āļ„āđŒāļāļĢāļ­āļēāļŠāļāļēāļāļĢ āđāļĨāļ°āļŸāļ·āđ‰āļ™āļ„āļ·āļ™āļĻāļĢāļąāļ—āļ˜āļēāđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļŠāļ·āđˆāļ­āļĄāļąāđˆāļ™āļ—āļĩāđˆāļšāļ­āļšāļŠāđ‰āļģāļ‚āļ­āļ‡āļŠāļēāļ§āļ­āđ€āļĄāļĢāļīāļāļąāļ™āļ—āļĩāđˆāļĄāļĩāļ•āđˆāļ­āļāļĢāļ°āļ—āļĢāļ§āļ‡āļĒāļļāļ•āļīāļ˜āļĢāļĢāļĄ,” āļ—āļĢāļąāļĄāļ›āđŒāļāļĨāđˆāļēāļ§
    .
    ❗ïļ TRUMP ANNOUNCES MATT GAETZ AS HIS PICK FOR ATTORNEY GENERAL

    President-elect Donald Trump said on Wednesday that he will nominate Congressman Matt Gaetz to serve as US Attorney General.

    "It is my Great Honor to announce that Congressman Matt Gaetz, of Florida, is hereby nominated to be The Attorney General of the United States," Trump said on Truth Social.

    Trump described Gaetz as a "deeply gifted and tenacious attorney," who during his term in Congress has pushed for "desperately needed reform at the Department of Justice."

    He also highlighted his "key role in defeating the Russia, Russia, Russia Hoax, and exposing alarming and systemic Government Corruption and Weaponization" while on the House Judiciary Committee.

    "Matt will end Weaponized Government, protect our Borders, dismantle Criminal Organizations and restore Americans’ badly-shattered Faith and Confidence in the Justice Department," Trump said.
    .
    3:40 AM · Nov 14, 2024 · 3,157 Views
    https://x.com/SputnikInt/status/1856799318692200585
    ❗ïļāļ—āļĢāļąāļĄāļ›āđŒāļ›āļĢāļ°āļāļēāļĻāđ€āļĨāļ·āļ­āļ āđāļĄāļ•āļ•āđŒ āđ€āļāļ•āļ‹āđŒ āđ€āļ›āđ‡āļ™āļ­āļąāļĒāļāļēāļĢāļŠāļđāļ‡āļŠāļļāļ” āļ›āļĢāļ°āļ˜āļēāļ™āļēāļ˜āļīāļšāļ”āļĩāđ‚āļ”āļ™āļąāļĨāļ”āđŒ āļ—āļĢāļąāļĄāļ›āđŒāļāļĨāđˆāļēāļ§āđ€āļĄāļ·āđˆāļ­āļ§āļąāļ™āļžāļļāļ˜āļ§āđˆāļē āđ€āļ‚āļēāļˆāļ°āđ€āļŠāļ™āļ­āļŠāļ·āđˆāļ­āļŠāļĄāļēāļŠāļīāļāļŠāļ āļēāļœāļđāđ‰āđāļ—āļ™āļĢāļēāļĐāļŽāļĢ āđāļĄāļ•āļ•āđŒ āđ€āļāļ•āļ‹āđŒ āđƒāļŦāđ‰āļ”āļģāļĢāļ‡āļ•āļģāđāļŦāļ™āđˆāļ‡āļ­āļąāļĒāļāļēāļĢāļŠāļđāļ‡āļŠāļļāļ”āļ‚āļ­āļ‡āļŠāļŦāļĢāļąāļāļ­āđ€āļĄāļĢāļīāļāļē āļ—āļĢāļąāļĄāļ›āđŒāļāļĨāđˆāļēāļ§āđƒāļ™āļĢāļēāļĒāļāļēāļĢ Truth Social āļ§āđˆāļē "āļœāļĄāļĢāļđāđ‰āļŠāļķāļāđ€āļ›āđ‡āļ™āđ€āļāļĩāļĒāļĢāļ•āļīāļ­āļĒāđˆāļēāļ‡āļĒāļīāđˆāļ‡āļ—āļĩāđˆāļˆāļ°āļ›āļĢāļ°āļāļēāļĻāļ§āđˆāļēāļŠāļĄāļēāļŠāļīāļāļŠāļ āļēāļœāļđāđ‰āđāļ—āļ™āļĢāļēāļĐāļŽāļĢ āđāļĄāļ•āļ•āđŒ āđ€āļāļ•āļ‹āđŒ, āļˆāļēāļāļŸāļĨāļ­āļĢāļīāļ”āļē,āđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāđ€āļŠāļ™āļ­āļŠāļ·āđˆāļ­āđƒāļŦāđ‰āđ€āļ›āđ‡āļ™āļ­āļąāļĒāļāļēāļĢāļŠāļđāļ‡āļŠāļļāļ”āļ‚āļ­āļ‡āļŠāļŦāļĢāļąāļāļ­āđ€āļĄāļĢāļīāļāļē," āļ—āļĢāļąāļĄāļ›āđŒāļ­āļ˜āļīāļšāļēāļĒāļ–āļķāļ‡āđ€āļāļ•āļ‹āđŒāļ§āđˆāļēāđ€āļ›āđ‡āļ™ "āļ—āļ™āļēāļĒāļ„āļ§āļēāļĄāļ—āļĩāđˆāļĄāļĩāļžāļĢāļŠāļ§āļĢāļĢāļ„āđŒāđāļĨāļ°āļ”āļ·āđ‰āļ­āļĢāļąāđ‰āļ™," āļ‹āļķāđˆāļ‡āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ”āļģāļĢāļ‡āļ•āļģāđāļŦāļ™āđˆāļ‡āđƒāļ™āļĢāļąāļāļŠāļ āļē āđ€āļ‚āļēāđ„āļ”āđ‰āļœāļĨāļąāļāļ”āļąāļ™āđƒāļŦāđ‰āļĄāļĩāļāļēāļĢāļ›āļāļīāļĢāļđāļ›āļāļĢāļ°āļ—āļĢāļ§āļ‡āļĒāļļāļ•āļīāļ˜āļĢāļĢāļĄāļ—āļĩāđˆāļˆāļģāđ€āļ›āđ‡āļ™āļ­āļĒāđˆāļēāļ‡āļĒāļīāđˆāļ‡ āđ€āļ‚āļēāļĒāļąāļ‡āđ€āļ™āđ‰āļ™āļĒāđ‰āļģāļ–āļķāļ‡ "āļšāļ—āļšāļēāļ—āļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āđ€āļ‚āļēāđƒāļ™āļāļēāļĢāđ€āļ­āļēāļŠāļ™āļ°āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļąāļŠāđ€āļ‹āļĩāļĒ, āļĢāļąāļŠāđ€āļ‹āļĩāļĒ, āļ‚āđˆāļēāļ§āļĨāļ§āļ‡āļĢāļąāļŠāđ€āļ‹āļĩāļĒ, āđāļĨāļ°āļāļēāļĢāđ€āļ›āļīāļ”āđ‚āļ›āļ‡āļāļēāļĢāļ—āļļāļˆāļĢāļīāļ•āļ‚āļ­āļ‡āļĢāļąāļāļšāļēāļĨāļ—āļĩāđˆāļ™āđˆāļēāļ•āļāđƒāļˆāđāļĨāļ°āđ€āļ›āđ‡āļ™āļĢāļ°āļšāļš āļĢāļ§āļĄāļ–āļķāļ‡āļāļēāļĢāđƒāļŠāđ‰āļ­āļēāļ§āļļāļ˜" āđƒāļ™āļ‚āļ“āļ°āļ—āļĩāđˆāļ­āļĒāļđāđˆāđƒāļ™āļ„āļ“āļ°āļāļĢāļĢāļĄāļēāļ˜āļīāļāļēāļĢāļ•āļļāļĨāļēāļāļēāļĢāļ‚āļ­āļ‡āļŠāļ āļēāļœāļđāđ‰āđāļ—āļ™āļĢāļēāļĐāļŽāļĢ “āđāļĄāļ•āļ•āđŒāļˆāļ°āļĒāļļāļ•āļīāļĢāļąāļāļšāļēāļĨāļ—āļĩāđˆāđƒāļŠāđ‰āļ­āļēāļ§āļļāļ˜, āļ›āļāļ›āđ‰āļ­āļ‡āļžāļĢāļĄāđāļ”āļ™āļ‚āļ­āļ‡āđ€āļĢāļē, āļĒāļļāļšāļ­āļ‡āļ„āđŒāļāļĢāļ­āļēāļŠāļāļēāļāļĢ āđāļĨāļ°āļŸāļ·āđ‰āļ™āļ„āļ·āļ™āļĻāļĢāļąāļ—āļ˜āļēāđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļŠāļ·āđˆāļ­āļĄāļąāđˆāļ™āļ—āļĩāđˆāļšāļ­āļšāļŠāđ‰āļģāļ‚āļ­āļ‡āļŠāļēāļ§āļ­āđ€āļĄāļĢāļīāļāļąāļ™āļ—āļĩāđˆāļĄāļĩāļ•āđˆāļ­āļāļĢāļ°āļ—āļĢāļ§āļ‡āļĒāļļāļ•āļīāļ˜āļĢāļĢāļĄ,” āļ—āļĢāļąāļĄāļ›āđŒāļāļĨāđˆāļēāļ§ . ❗ïļ TRUMP ANNOUNCES MATT GAETZ AS HIS PICK FOR ATTORNEY GENERAL President-elect Donald Trump said on Wednesday that he will nominate Congressman Matt Gaetz to serve as US Attorney General. "It is my Great Honor to announce that Congressman Matt Gaetz, of Florida, is hereby nominated to be The Attorney General of the United States," Trump said on Truth Social. Trump described Gaetz as a "deeply gifted and tenacious attorney," who during his term in Congress has pushed for "desperately needed reform at the Department of Justice." He also highlighted his "key role in defeating the Russia, Russia, Russia Hoax, and exposing alarming and systemic Government Corruption and Weaponization" while on the House Judiciary Committee. "Matt will end Weaponized Government, protect our Borders, dismantle Criminal Organizations and restore Americans’ badly-shattered Faith and Confidence in the Justice Department," Trump said. . 3:40 AM · Nov 14, 2024 · 3,157 Views https://x.com/SputnikInt/status/1856799318692200585
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  • ❗ïļāļ—āļĢāļąāļĄāļ›āđŒāđ„āļ”āđ‰āđ€āļĨāļ·āļ­āļāļ§āļļāļ’āļīāļŠāļĄāļēāļŠāļīāļ āļĄāļēāļĢāđŒāđ‚āļ āļĢāļđāļšāļīāđ‚āļ­ āđ€āļ›āđ‡āļ™āļœāļđāđ‰āđ€āļ‚āđ‰āļēāļŠāļīāļ‡āļ•āļģāđāļŦāļ™āđˆāļ‡āļĢāļąāļāļĄāļ™āļ•āļĢāļĩāļ•āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāļ­āļĒāđˆāļēāļ‡āđ€āļ›āđ‡āļ™āļ—āļēāļ‡āļāļēāļĢ

    āđ‚āļ”āļ™āļąāļĨāļ”āđŒ āļ—āļĢāļąāļĄāļ›āđŒ āļ§āđˆāļēāļ—āļĩāđˆāļ›āļĢāļ°āļ˜āļēāļ™āļēāļ˜āļīāļšāļ”āļĩāļŠāļŦāļĢāļąāļāļŊ āļāļĨāđˆāļēāļ§āđ€āļĄāļ·āđˆāļ­āļ§āļąāļ™āļžāļļāļ˜āļ§āđˆāļē āđ€āļ‚āļēāļˆāļ°āđ€āļŠāļ™āļ­āļŠāļ·āđˆāļ­āļ§āļļāļ’āļīāļŠāļĄāļēāļŠāļīāļ āļĄāļēāļĢāđŒāđ‚āļ āļĢāļđāļšāļīāđ‚āļ­ āļˆāļēāļāļŸāļĨāļ­āļĢāļīāļ”āļēāđƒāļŦāđ‰āļ”āļģāļĢāļ‡āļ•āļģāđāļŦāļ™āđˆāļ‡āļĢāļąāļāļĄāļ™āļ•āļĢāļĩāļ•āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻ

    “āļœāļĄāļĢāļđāđ‰āļŠāļķāļāđ€āļ›āđ‡āļ™āđ€āļāļĩāļĒāļĢāļ•āļīāļ­āļĒāđˆāļēāļ‡āļĒāļīāđˆāļ‡āļ—āļĩāđˆāļˆāļ°āļ›āļĢāļ°āļāļēāļĻāļ§āđˆāļēāļ§āļļāļ’āļīāļŠāļĄāļēāļŠāļīāļ āļĄāļēāļĢāđŒāđ‚āļ āļĢāļđāļšāļīāđ‚āļ­, āļˆāļēāļāļŸāļĨāļ­āļĢāļīāļ”āļē, āđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāđ€āļŠāļ™āļ­āļŠāļ·āđˆāļ­āđƒāļŦāđ‰āļ”āļģāļĢāļ‡āļ•āļģāđāļŦāļ™āđˆāļ‡āļĢāļąāļāļĄāļ™āļ•āļĢāļĩāļ•āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāļŠāļŦāļĢāļąāļāļŊ āļĄāļēāļĢāđŒāđ‚āļāđ€āļ›āđ‡āļ™āļœāļđāđ‰āļ™āļģāļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāđ€āļ„āļēāļĢāļžāļ™āļąāļšāļ–āļ·āļ­, āđāļĨāļ°āđ€āļ›āđ‡āļ™āļāļĢāļ°āļšāļ­āļāđ€āļŠāļĩāļĒāļ‡āļ—āļĩāđˆāļ—āļĢāļ‡āļžāļĨāļąāļ‡āļŠāļģāļŦāļĢāļąāļšāđ€āļŠāļĢāļĩāļ āļēāļž āđ€āļ‚āļēāļˆāļ°āđ€āļ›āđ‡āļ™āļœāļđāđ‰āļŠāļ™āļąāļšāļŠāļ™āļļāļ™āļ›āļĢāļ°āđ€āļ—āļĻāļŠāļēāļ•āļīāļ‚āļ­āļ‡āđ€āļĢāļē, āđ€āļžāļ·āđˆāļ­āļ™āđāļ—āđ‰āļ‚āļ­āļ‡āļžāļąāļ™āļ˜āļĄāļīāļ•āļĢāļ‚āļ­āļ‡āđ€āļĢāļē, āđāļĨāļ°āđ€āļ›āđ‡āļ™āļ™āļąāļāļĢāļšāļœāļđāđ‰āļāļĨāđ‰āļēāļŦāļēāļāļ—āļĩāđˆāļˆāļ°āđ„āļĄāđˆāļĒāļ­āļĄāđāļžāđ‰āļ•āđˆāļ­āļĻāļąāļ•āļĢāļđ āļœāļĄāļ•āļąāđ‰āļ‡āļ•āļēāļĢāļ­āļ—āļĩāđˆāļˆāļ°āļĢāđˆāļ§āļĄāļ‡āļēāļ™āļāļąāļšāļĄāļēāļĢāđŒāđ‚āļāđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āļ›āļĢāļ°āđ€āļ—āļĻāļ­āđ€āļĄāļĢāļīāļāļē, āđāļĨāļ°āđ‚āļĨāļ, āļ›āļĨāļ­āļ”āļ āļąāļĒāđāļĨāļ°āļĒāļīāđˆāļ‡āđƒāļŦāļāđˆāļ‚āļķāđ‰āļ™āļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡!” āļ—āļĢāļąāļĄāļ›āđŒāļāļĨāđˆāļēāļ§āđƒāļ™āđāļ–āļĨāļ‡āļāļēāļĢāļ“āđŒ

    āļĢāļđāļšāļīāđ‚āļ­āļ–āļ·āļ­āđ€āļ›āđ‡āļ™āļ„āļđāđˆāļŦāļđāļ‚āļ­āļ‡āļ—āļĢāļąāļĄāļ›āđŒāđƒāļ™āļāļēāļĢāļŠāļīāļ‡āļ•āļģāđāļŦāļ™āđˆāļ‡āļĢāļ­āļ‡āļ›āļĢāļ°āļ˜āļēāļ™āļēāļ˜āļīāļšāļ”āļĩāļŠāļŦāļĢāļąāļāļŊ āđƒāļ™āļāļēāļĢāđ€āļĨāļ·āļ­āļāļ•āļąāđ‰āļ‡āļ›āļĩ āđ’āđāđ’āđ”, āđāļ•āđˆāđ€āļĨāļ·āļ­āļāļĢāļ­āļ‡āļ›āļĢāļ°āļ˜āļēāļ™āļēāļ˜āļīāļšāļ”āļĩ āđ€āļˆ.āļ”āļĩ. āđāļ§āļ™āļ‹āđŒāđāļ—āļ™ āļ™āļąāļšāļ•āļąāđ‰āļ‡āđāļ•āđˆāđ€āļĢāļīāđˆāļĄāļ›āļāļīāļšāļąāļ•āļīāļāļēāļĢāļžāļīāđ€āļĻāļĐāļ—āļēāļ‡āļ—āļŦāļēāļĢāļ‚āļ­āļ‡āļĢāļąāļŠāđ€āļ‹āļĩāļĒāđƒāļ™āļĒāļđāđ€āļ„āļĢāļ™, āđ€āļ‚āļēāđ„āļ”āđ‰āđ€āļŠāļ™āļ­āļĢāđˆāļēāļ‡āļāļŽāļŦāļĄāļēāļĒāļ•āđˆāļ­āļ•āđ‰āļēāļ™āļĢāļąāļŠāđ€āļ‹āļĩāļĒāļŦāļĨāļēāļĒāļ‰āļšāļąāļšāđāļĨāļ°āļĄāļĩāļĄāļļāļĄāļĄāļ­āļ‡āļ—āļĩāđˆāļĢāļļāļ™āđāļĢāļ‡āļ•āđˆāļ­āļˆāļĩāļ™āđāļĨāļ°āļĢāļąāļŠāđ€āļ‹āļĩāļĒ āļŦāļēāļāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāđāļ•āđˆāļ‡āļ•āļąāđ‰āļ‡, āļĢāļđāļšāļīāđ‚āļ­āļˆāļ°āđ€āļ›āđ‡āļ™āļĢāļąāļāļĄāļ™āļ•āļĢāļĩāļ•āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāļ„āļ™āđāļĢāļāļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļŠāļēāļ§āļŪāļīāļŠāđāļ›āļ™āļīāļ
    .
    ❗ïļ TRUMP HAS OFFICIALLY SELECTED SEN. MARCO RUBIO AS HIS PICK FOR SECRETARY OF STATE

    US President-elect Donald Trump said on Wednesday that he will nominate Florida Senator Marco Rubio to be the US Secretary of State.

    "It is my Great Honor to announce that Senator Marco Rubio, of Florida, is hereby nominated to be The United States Secretary of State. Marco is a Highly Respected Leader, and a very powerful Voice for Freedom. He will be a strong Advocate for our Nation, a true friend to our Allies, and a fearless Warrior who will never back down to our adversaries. I look forward to working with Marco to Make America, and the World, Safe and Great Again!" Trump said in a statement.

    Rubio was considered as Trump's running mate for the position of the US vice president in the 2024 election, but Vice President-elect J.D. Vance was chosen instead. Since the beginning of the Russian special military operation in Ukraine, he has introduced a number of Anti-Russian bills and holds harsh views on China and Russia. If appointed, Rubio would be the first Hispanic secretary of state.
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    Last edited 3:24 AM · Nov 14, 2024 · 2,086 Views
    https://x.com/SputnikInt/status/1856795310355300520
    ❗ïļāļ—āļĢāļąāļĄāļ›āđŒāđ„āļ”āđ‰āđ€āļĨāļ·āļ­āļāļ§āļļāļ’āļīāļŠāļĄāļēāļŠāļīāļ āļĄāļēāļĢāđŒāđ‚āļ āļĢāļđāļšāļīāđ‚āļ­ āđ€āļ›āđ‡āļ™āļœāļđāđ‰āđ€āļ‚āđ‰āļēāļŠāļīāļ‡āļ•āļģāđāļŦāļ™āđˆāļ‡āļĢāļąāļāļĄāļ™āļ•āļĢāļĩāļ•āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāļ­āļĒāđˆāļēāļ‡āđ€āļ›āđ‡āļ™āļ—āļēāļ‡āļāļēāļĢ āđ‚āļ”āļ™āļąāļĨāļ”āđŒ āļ—āļĢāļąāļĄāļ›āđŒ āļ§āđˆāļēāļ—āļĩāđˆāļ›āļĢāļ°āļ˜āļēāļ™āļēāļ˜āļīāļšāļ”āļĩāļŠāļŦāļĢāļąāļāļŊ āļāļĨāđˆāļēāļ§āđ€āļĄāļ·āđˆāļ­āļ§āļąāļ™āļžāļļāļ˜āļ§āđˆāļē āđ€āļ‚āļēāļˆāļ°āđ€āļŠāļ™āļ­āļŠāļ·āđˆāļ­āļ§āļļāļ’āļīāļŠāļĄāļēāļŠāļīāļ āļĄāļēāļĢāđŒāđ‚āļ āļĢāļđāļšāļīāđ‚āļ­ āļˆāļēāļāļŸāļĨāļ­āļĢāļīāļ”āļēāđƒāļŦāđ‰āļ”āļģāļĢāļ‡āļ•āļģāđāļŦāļ™āđˆāļ‡āļĢāļąāļāļĄāļ™āļ•āļĢāļĩāļ•āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻ “āļœāļĄāļĢāļđāđ‰āļŠāļķāļāđ€āļ›āđ‡āļ™āđ€āļāļĩāļĒāļĢāļ•āļīāļ­āļĒāđˆāļēāļ‡āļĒāļīāđˆāļ‡āļ—āļĩāđˆāļˆāļ°āļ›āļĢāļ°āļāļēāļĻāļ§āđˆāļēāļ§āļļāļ’āļīāļŠāļĄāļēāļŠāļīāļ āļĄāļēāļĢāđŒāđ‚āļ āļĢāļđāļšāļīāđ‚āļ­, āļˆāļēāļāļŸāļĨāļ­āļĢāļīāļ”āļē, āđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāđ€āļŠāļ™āļ­āļŠāļ·āđˆāļ­āđƒāļŦāđ‰āļ”āļģāļĢāļ‡āļ•āļģāđāļŦāļ™āđˆāļ‡āļĢāļąāļāļĄāļ™āļ•āļĢāļĩāļ•āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāļŠāļŦāļĢāļąāļāļŊ āļĄāļēāļĢāđŒāđ‚āļāđ€āļ›āđ‡āļ™āļœāļđāđ‰āļ™āļģāļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāđ€āļ„āļēāļĢāļžāļ™āļąāļšāļ–āļ·āļ­, āđāļĨāļ°āđ€āļ›āđ‡āļ™āļāļĢāļ°āļšāļ­āļāđ€āļŠāļĩāļĒāļ‡āļ—āļĩāđˆāļ—āļĢāļ‡āļžāļĨāļąāļ‡āļŠāļģāļŦāļĢāļąāļšāđ€āļŠāļĢāļĩāļ āļēāļž āđ€āļ‚āļēāļˆāļ°āđ€āļ›āđ‡āļ™āļœāļđāđ‰āļŠāļ™āļąāļšāļŠāļ™āļļāļ™āļ›āļĢāļ°āđ€āļ—āļĻāļŠāļēāļ•āļīāļ‚āļ­āļ‡āđ€āļĢāļē, āđ€āļžāļ·āđˆāļ­āļ™āđāļ—āđ‰āļ‚āļ­āļ‡āļžāļąāļ™āļ˜āļĄāļīāļ•āļĢāļ‚āļ­āļ‡āđ€āļĢāļē, āđāļĨāļ°āđ€āļ›āđ‡āļ™āļ™āļąāļāļĢāļšāļœāļđāđ‰āļāļĨāđ‰āļēāļŦāļēāļāļ—āļĩāđˆāļˆāļ°āđ„āļĄāđˆāļĒāļ­āļĄāđāļžāđ‰āļ•āđˆāļ­āļĻāļąāļ•āļĢāļđ āļœāļĄāļ•āļąāđ‰āļ‡āļ•āļēāļĢāļ­āļ—āļĩāđˆāļˆāļ°āļĢāđˆāļ§āļĄāļ‡āļēāļ™āļāļąāļšāļĄāļēāļĢāđŒāđ‚āļāđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āļ›āļĢāļ°āđ€āļ—āļĻāļ­āđ€āļĄāļĢāļīāļāļē, āđāļĨāļ°āđ‚āļĨāļ, āļ›āļĨāļ­āļ”āļ āļąāļĒāđāļĨāļ°āļĒāļīāđˆāļ‡āđƒāļŦāļāđˆāļ‚āļķāđ‰āļ™āļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡!” āļ—āļĢāļąāļĄāļ›āđŒāļāļĨāđˆāļēāļ§āđƒāļ™āđāļ–āļĨāļ‡āļāļēāļĢāļ“āđŒ āļĢāļđāļšāļīāđ‚āļ­āļ–āļ·āļ­āđ€āļ›āđ‡āļ™āļ„āļđāđˆāļŦāļđāļ‚āļ­āļ‡āļ—āļĢāļąāļĄāļ›āđŒāđƒāļ™āļāļēāļĢāļŠāļīāļ‡āļ•āļģāđāļŦāļ™āđˆāļ‡āļĢāļ­āļ‡āļ›āļĢāļ°āļ˜āļēāļ™āļēāļ˜āļīāļšāļ”āļĩāļŠāļŦāļĢāļąāļāļŊ āđƒāļ™āļāļēāļĢāđ€āļĨāļ·āļ­āļāļ•āļąāđ‰āļ‡āļ›āļĩ āđ’āđāđ’āđ”, āđāļ•āđˆāđ€āļĨāļ·āļ­āļāļĢāļ­āļ‡āļ›āļĢāļ°āļ˜āļēāļ™āļēāļ˜āļīāļšāļ”āļĩ āđ€āļˆ.āļ”āļĩ. āđāļ§āļ™āļ‹āđŒāđāļ—āļ™ āļ™āļąāļšāļ•āļąāđ‰āļ‡āđāļ•āđˆāđ€āļĢāļīāđˆāļĄāļ›āļāļīāļšāļąāļ•āļīāļāļēāļĢāļžāļīāđ€āļĻāļĐāļ—āļēāļ‡āļ—āļŦāļēāļĢāļ‚āļ­āļ‡āļĢāļąāļŠāđ€āļ‹āļĩāļĒāđƒāļ™āļĒāļđāđ€āļ„āļĢāļ™, āđ€āļ‚āļēāđ„āļ”āđ‰āđ€āļŠāļ™āļ­āļĢāđˆāļēāļ‡āļāļŽāļŦāļĄāļēāļĒāļ•āđˆāļ­āļ•āđ‰āļēāļ™āļĢāļąāļŠāđ€āļ‹āļĩāļĒāļŦāļĨāļēāļĒāļ‰āļšāļąāļšāđāļĨāļ°āļĄāļĩāļĄāļļāļĄāļĄāļ­āļ‡āļ—āļĩāđˆāļĢāļļāļ™āđāļĢāļ‡āļ•āđˆāļ­āļˆāļĩāļ™āđāļĨāļ°āļĢāļąāļŠāđ€āļ‹āļĩāļĒ āļŦāļēāļāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāđāļ•āđˆāļ‡āļ•āļąāđ‰āļ‡, āļĢāļđāļšāļīāđ‚āļ­āļˆāļ°āđ€āļ›āđ‡āļ™āļĢāļąāļāļĄāļ™āļ•āļĢāļĩāļ•āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāļ„āļ™āđāļĢāļāļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļŠāļēāļ§āļŪāļīāļŠāđāļ›āļ™āļīāļ . ❗ïļ TRUMP HAS OFFICIALLY SELECTED SEN. MARCO RUBIO AS HIS PICK FOR SECRETARY OF STATE US President-elect Donald Trump said on Wednesday that he will nominate Florida Senator Marco Rubio to be the US Secretary of State. "It is my Great Honor to announce that Senator Marco Rubio, of Florida, is hereby nominated to be The United States Secretary of State. Marco is a Highly Respected Leader, and a very powerful Voice for Freedom. He will be a strong Advocate for our Nation, a true friend to our Allies, and a fearless Warrior who will never back down to our adversaries. I look forward to working with Marco to Make America, and the World, Safe and Great Again!" Trump said in a statement. Rubio was considered as Trump's running mate for the position of the US vice president in the 2024 election, but Vice President-elect J.D. Vance was chosen instead. Since the beginning of the Russian special military operation in Ukraine, he has introduced a number of Anti-Russian bills and holds harsh views on China and Russia. If appointed, Rubio would be the first Hispanic secretary of state. . Last edited 3:24 AM · Nov 14, 2024 · 2,086 Views https://x.com/SputnikInt/status/1856795310355300520
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  • What To Write In A Holiday Card

    Just as we look forward to presents and parties this time of year, we can’t get enough of holiday cards! We love them all: from colorful cards sent by snail mail to animated emails to newsletters summing up what everyone in the family has been up to all year. Fun fact: the very first holiday card in 1843 depicted children toasting with wine—oops!

    But when it comes to sending your own holiday cards this season, it can be confusing to know how to get them just right. The fear of accidentally offending someone or leaving someone off your list can be daunting.

    That’s why we’ve put together these dos and don’ts to kickstart (or improve) your holiday writing tradition.

    Do start early

    You’ll want to leave yourself time to get (or make, if you’re ambitious) cards, write a message, and sign them. If your holiday card includes a picture of your adorable family in matching elf costumes, you’ll need even more time to get the costumes, take the photo, and have it printed. Keep that in mind!

    If you’re planning on sending your holiday cards via the post, it’s recommended you mail them before December 17. So think about the time you have, and what you can reasonably accomplish, which leads us to …

    Don’t be overly ambitious

    Maybe you’re one of these people who, like Martha Stewart, can handcraft a card for each person on your 40-person list and still get them out on time. But most of us mere mortals are not Martha Stewart (sadly).

    People are happy to get a holiday card because it shows you care about them and are thinking about them. Whether it’s store-bought or handmade, it’s the thought that counts.

    Now that we’ve set reasonable expectations, let’s get into the details of writing those holiday cards.

    Do write the recipient’s name

    Even if it’s a store-bought card with a pre-printed message, you want to be sure to write the recipient’s name(s) at the top of the card. You can be formal or informal, depending on the context.

    For a less formal card, you can use the formula of “Dear” plus first names: e.g., Dear Jack & Jill.

    If you’re writing a more formal card, then you’ll want to use honorifics and last names: e.g., Dear Mr. & Dr. Falldownhill or Dear Ms. Dalloway.

    Don’t guess the spelling

    When you’re writing the recipient’s name, make sure you get it right. If it’s a name you’re unfamiliar with or one that has multiple spellings, double-check your address book or other references (social media works) to ensure that you haven’t left out a letter or put in one too many. It’s not a good look.

    Do include a personal message

    Even if your holiday card comes from a box or is an online widget, you should include a personal message to the recipient. This can be short and sweet, as simple as:

    - Wishing you and your family a happy holiday season!
    - The holidays come but once a year: enjoy!
    - Thinking of you over the holidays.
    - Hoping you have a joyous and peaceful holiday.
    - Have a wonderful New Year!
    - Let the spirit of the season inspire you.
    - Warm wishes for the holiday and New Year.
    - Hope this season is filled with joy and cheer!
    - Sending you good luck into the New Year!

    Stock phrases are a good starting point, but you can also include some personal details. For instance, you might consider adding:

    - the important things that happened to you or your family this year, like marriages or births;
    - a wish for the recipient’s health, especially if you know they’ve been under the weather this year;
    - or a note about your desire to see them if they live far away.

    All that said, unless you’re writing a holiday letter, your holiday card note shouldn’t be too long. Aim for no more than 150 words.

    If you’re writing a holiday letter, keep it to a single page long (about 400 words). Nobody needs to know about every detail of your year, trust us.

    Don’t assume everyone celebrates the same holidays

    If you’re sending cards to people you know well, you probably know what holidays they celebrate, so feel free to write “Merry Christmas” and “Happy Hanukkah.” [Is it Tis the Season or ’Tis the Season? Find out!]

    But if you’re sending cards to coworkers, family, or friends you know less well, don’t assume they celebrate the same holidays you do. That can cause unnecessary offense.

    If you’re unsure, stick to the more generic happy holidays or season’s greetings. Make it easy on yourself. Or, as the Emily Post Institute suggests, you can also opt to send a more secular greeting for the new year.

    Do be funny (if you want)

    You can absolutely send formal holiday cards. In which case, we don’t recommend you include jokes.

    But if you’re sending cards to friends and family, a little bit of levity can be nice. That said, avoid any jokes that could be offensive. For example, many people include humorous pictures of their family on their holiday cards. It’s a little cheesy, but also kind of wonderful.

    Don’t be depressing

    Unless you’re Eeyore, you should try to keep a positive, happy tone in your holiday card message.

    Don’t write “This year has sucked” or “Everything is garbage.” If you feel that way, we get it—the holidays can be tough. But holiday cards are a place where the maxim If you don’t have anything nice to say, don’t say anything at all rules.

    If you’re too bummed out to think of any good news to share, just write a generic message like the ones we suggested above.

    Do have everyone in the family sign the card

    After you’ve written your short, thoughtful note in your card, be sure to sign it. If it’s just you, that’s simple enough.

    If you’re sending the card on behalf of your entire immediate family and are going the paper route, pass the card around the family to have them sign. If you’re sending an online card, just include everyone’s name in the signature line.

    Don’t boast

    Holiday cards and letters are an opportunity to reach out to the people you love and care about. It’s not an opportunity for you to boast about how wonderful you and your family are (although we are sure they are wonderful).

    This isn’t a resumé, it’s a highlight reel. Instead of listing every good deed every family member has done all year, pick one or two of the most important things to mention in your message. Moves, weddings, graduations, and births are worth mentioning. Volunteer work at the local soup kitchen, while admirable, is not.

    We wish you the best of luck with your holiday cards this season. Sometimes the cards are as hectic as the holidays … so grab a cup of eggnog and get writing!

    Copyright 2024, XAKKHRA, All Rights Reserved.
    What To Write In A Holiday Card Just as we look forward to presents and parties this time of year, we can’t get enough of holiday cards! We love them all: from colorful cards sent by snail mail to animated emails to newsletters summing up what everyone in the family has been up to all year. Fun fact: the very first holiday card in 1843 depicted children toasting with wine—oops! But when it comes to sending your own holiday cards this season, it can be confusing to know how to get them just right. The fear of accidentally offending someone or leaving someone off your list can be daunting. That’s why we’ve put together these dos and don’ts to kickstart (or improve) your holiday writing tradition. Do start early You’ll want to leave yourself time to get (or make, if you’re ambitious) cards, write a message, and sign them. If your holiday card includes a picture of your adorable family in matching elf costumes, you’ll need even more time to get the costumes, take the photo, and have it printed. Keep that in mind! If you’re planning on sending your holiday cards via the post, it’s recommended you mail them before December 17. So think about the time you have, and what you can reasonably accomplish, which leads us to … Don’t be overly ambitious Maybe you’re one of these people who, like Martha Stewart, can handcraft a card for each person on your 40-person list and still get them out on time. But most of us mere mortals are not Martha Stewart (sadly). People are happy to get a holiday card because it shows you care about them and are thinking about them. Whether it’s store-bought or handmade, it’s the thought that counts. Now that we’ve set reasonable expectations, let’s get into the details of writing those holiday cards. Do write the recipient’s name Even if it’s a store-bought card with a pre-printed message, you want to be sure to write the recipient’s name(s) at the top of the card. You can be formal or informal, depending on the context. For a less formal card, you can use the formula of “Dear” plus first names: e.g., Dear Jack & Jill. If you’re writing a more formal card, then you’ll want to use honorifics and last names: e.g., Dear Mr. & Dr. Falldownhill or Dear Ms. Dalloway. Don’t guess the spelling When you’re writing the recipient’s name, make sure you get it right. If it’s a name you’re unfamiliar with or one that has multiple spellings, double-check your address book or other references (social media works) to ensure that you haven’t left out a letter or put in one too many. It’s not a good look. Do include a personal message Even if your holiday card comes from a box or is an online widget, you should include a personal message to the recipient. This can be short and sweet, as simple as: - Wishing you and your family a happy holiday season! - The holidays come but once a year: enjoy! - Thinking of you over the holidays. - Hoping you have a joyous and peaceful holiday. - Have a wonderful New Year! - Let the spirit of the season inspire you. - Warm wishes for the holiday and New Year. - Hope this season is filled with joy and cheer! - Sending you good luck into the New Year! Stock phrases are a good starting point, but you can also include some personal details. For instance, you might consider adding: - the important things that happened to you or your family this year, like marriages or births; - a wish for the recipient’s health, especially if you know they’ve been under the weather this year; - or a note about your desire to see them if they live far away. All that said, unless you’re writing a holiday letter, your holiday card note shouldn’t be too long. Aim for no more than 150 words. If you’re writing a holiday letter, keep it to a single page long (about 400 words). Nobody needs to know about every detail of your year, trust us. Don’t assume everyone celebrates the same holidays If you’re sending cards to people you know well, you probably know what holidays they celebrate, so feel free to write “Merry Christmas” and “Happy Hanukkah.” [Is it Tis the Season or ’Tis the Season? Find out!] But if you’re sending cards to coworkers, family, or friends you know less well, don’t assume they celebrate the same holidays you do. That can cause unnecessary offense. If you’re unsure, stick to the more generic happy holidays or season’s greetings. Make it easy on yourself. Or, as the Emily Post Institute suggests, you can also opt to send a more secular greeting for the new year. Do be funny (if you want) You can absolutely send formal holiday cards. In which case, we don’t recommend you include jokes. But if you’re sending cards to friends and family, a little bit of levity can be nice. That said, avoid any jokes that could be offensive. For example, many people include humorous pictures of their family on their holiday cards. It’s a little cheesy, but also kind of wonderful. Don’t be depressing Unless you’re Eeyore, you should try to keep a positive, happy tone in your holiday card message. Don’t write “This year has sucked” or “Everything is garbage.” If you feel that way, we get it—the holidays can be tough. But holiday cards are a place where the maxim If you don’t have anything nice to say, don’t say anything at all rules. If you’re too bummed out to think of any good news to share, just write a generic message like the ones we suggested above. Do have everyone in the family sign the card After you’ve written your short, thoughtful note in your card, be sure to sign it. If it’s just you, that’s simple enough. If you’re sending the card on behalf of your entire immediate family and are going the paper route, pass the card around the family to have them sign. If you’re sending an online card, just include everyone’s name in the signature line. Don’t boast Holiday cards and letters are an opportunity to reach out to the people you love and care about. It’s not an opportunity for you to boast about how wonderful you and your family are (although we are sure they are wonderful). This isn’t a resumé, it’s a highlight reel. Instead of listing every good deed every family member has done all year, pick one or two of the most important things to mention in your message. Moves, weddings, graduations, and births are worth mentioning. Volunteer work at the local soup kitchen, while admirable, is not. We wish you the best of luck with your holiday cards this season. Sometimes the cards are as hectic as the holidays … so grab a cup of eggnog and get writing! Copyright 2024, XAKKHRA, All Rights Reserved.
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  • āļ›āļĢāļēāļāļāļāļēāļĢāļ“āđŒāļĄāļ™āļļāļĐāļĒāđŒāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ›āļĩāļĻāļēāļˆ

    āļ›āļĢāļēāļāļāļāļēāļĢāļ“āđŒāļ”āļąāļ‡āļāļĨāđˆāļēāļ§āļ›āļĢāļ°āļāļ­āļšāļ”āđ‰āļ§āļĒāļĨāļąāļāļĐāļ“āļ°āļŠāļģāļ„āļąāļāļĢāđˆāļ§āļĄāļāļąāļ™ 10 āļ›āļĢāļ°āļāļēāļĢ
    āļ—āļĩāđˆāļ—āļģāđƒāļŦāđ‰āđ€āļ›āļĨāļĩāđˆāļĒāļ™āļ”āđ‰āļēāļ™āļŠāļ§āđˆāļēāļ‡āļ‚āļ­āļ‡āļĄāļ™āļļāļĐāļĒāđŒāļ—āļĩāđˆāļ–āļ·āļ­āļ§āđˆāļēāđ€āļ›āđ‡āļ™āļŠāļąāļ•āļ§āđŒāļ›āļĢāļ°āđ€āļŠāļĢāļīāļāđāļĨāļ°āļŠāļĄāļ­āļ‡āļ–āļđāļāļ§āļīāļ§āļąāļ’āļ™āđŒ āļˆāļ™āļāļĢāļ°āļ—āļąāđˆāļ‡āļ„āļīāļ”āļ§āđˆāļēāļ›āļāļ„āļĢāļ­āļ‡āļžāļąāļ’āļ™āļēāļŠāļĩāļ§āļīāļ• āļāļēāļĢāđ€āļ›āđ‡āļ™āļ­āļĒāļđāđˆāļŠāļīāđˆāļ‡āđāļ§āļ”āļĨāđ‰āļ­āļĄāđƒāļŦāđ‰āļ”āļĩāļ—āļĩāđˆāļŠāļļāļ” āđ€āļžāļ·āđˆāļ­āđ€āļ­āļ·āđ‰āļ­āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāđƒāļŦāđ‰āļĄāļ™āļļāļĐāļĒāđŒāļ”āđ‰āļ§āļĒāļāļąāļ™
    āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ”āđ‰āļēāļ™āļĄāļ·āļ”āļ—āļĩāđˆāļŠāļļāļ” āļ—āļĩāđˆāļāļĢāļ°āļ—āļģāļ—āļļāļāļ­āļĒāđˆāļēāļ‡āđ„āļ”āđ‰āđ‚āļ”āļĒāđ„āļĄāđˆāļāļĢāļ°āļžāļĢāļīāļšāļ•āļē

    āļ—āļąāđ‰āļ‡āļ™āļĩāđ‰āļĢāļ§āļĄāļ–āļķāļ‡āļāļēāļĢāļ†āđˆāļēāļŸāļąāļ™ āļāļēāļĢāļ™āļģāļžāļēāļŠāļīāđˆāļ‡āļ­āļąāļ™āļ•āļĢāļēāļĒāļ•āđˆāļēāļ‡āđ† āļĄāļēāđƒāļŦāđ‰āļ„āļ™ āđ‚āļ”āļĒāļˆāļļāļ”āļ›āļĢāļ°āļŠāļ‡āļ„āđŒāđāļāļ‡āđ€āļžāļ·āđˆāļ­āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļĄāļŦāļēāļĻāļēāļĨāļĢāļ§āļĄāļ—āļąāđ‰āļ‡āļāļēāļĢāđ€āļāļ·āđ‰āļ­āļāļđāļĨāļžāļ§āļāđ€āļ”āļĩāļĒāļ§āļāļąāļ™āđ‚āļ”āļĒ āđƒāļŦāđ‰āļ­āļģāļ™āļēāļˆ āđ€āļ‡āļīāļ™ āļ­āļēāļĄāļīāļŠ āļŠāļīāļ™āļˆāđ‰āļēāļ‡ āļ—āļąāđ‰āļ‡āļ™āļĩāđ‰āļĨāđ‰āļēāļ‡āļŠāļĄāļ­āļ‡āļ•āļąāļ§āđ€āļ­āļ‡āļāđˆāļ­āļ™āđāļĨāļ°āļĨāđ‰āļēāļ‡āļŠāļĄāļ­āļ‡āđāļžāļĢāđˆāļ­āļ­āļāđ€āļ›āđ‡āļ™āļāļĨāļļāđˆāļĄāļāđ‰āļ­āļ™

    āļ›āļĢāļēāļāļāļāļēāļĢāļ“āđŒāđ€āļāļīāļ”āļ›āļĩāļĻāļēāļˆāļĢāđ‰āļēāļĒ āđ„āļ”āđ‰āļĄāļĩāļāļēāļĢāļĢāļ§āļšāļĢāļ§āļĄāđāļĨāļ°āļŠāļĢāļļāļ›āļˆāļēāļāļŦāļĄāļ­āļœāđˆāļēāļ•āļąāļ”āļŠāļĄāļ­āļ‡ Itzhak Fried āļˆāļēāļ University of California, Los Angeles āđƒāļ™āļ›āļĩ 1997 āđ‚āļ”āļĒāđ€āļĢāļĩāļĒāļāļ§āđˆāļē Syndrome E āđāļĨāļ° E āļĄāļēāļˆāļēāļ Evil

    āļāļĨāļļāđˆāļĄāļ­āļēāļāļēāļĢāļ—āļąāđ‰āļ‡ 10 āļ›āļĢāļ°āļāļ­āļšāļ”āđ‰āļ§āļĒ āļāļēāļĢāđāļŠāļ”āļ‡āļ­āļ­āļāļ‹āļķāđˆāļ‡āļ­āļ˜āļīāļšāļēāļĒāđ„āļ”āđ‰āļ—āļēāļ‡āļāļĨāđ„āļāļ›āļĢāļ°āļŠāļēāļ—āļ§āļīāļ—āļĒāļēāļĻāļēāļŠāļ•āļĢāđŒāļ—āļĩāđˆāļŠāđˆāļ‡āļœāļĨāļ—āļēāļ‡āļ”āđ‰āļēāļ™āļ­āļēāļĢāļĄāļ“āđŒāđāļĨāļ°āļžāļĪāļ•āļīāļāļĢāļĢāļĄ

    “āļāļēāļĢāļ›āļĢāļ°āļžāļĪāļ•āļīāļšāđˆāļ­āļĒ“ āļ™āļģāđ„āļ›āļŠāļđāđˆ

    “āļ„āļ§āļēāļĄāļ­āļĒāļēāļāļ—āļģāļ­āļĩā āđ‚āļ”āļĒāđ€āļĢāļīāđˆāļĄāļĄāļĩāļāļēāļĢāļŠāļģāļĢāļ°āļĨāđ‰āļēāļ‡āļ„āļ§āļēāļĄāļŠāļąāđˆāļ§āļ—āļĩāđˆāļ—āļģ āđƒāļŦāđ‰āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ”āļĩ

    “ āļāļēāļĢāļ—āļģāļ‹āđ‰āļģāđ†āļ—āļĩāđˆāļ„āļ§āļšāļ„āļļāļĄāđ„āļĄāđˆāđ„āļ”āđ‰” āđ‚āļ”āļĒāļŠāļ–āļēāļ™āļāļēāļĢāļ“āđŒāļ—āļĩāđˆāđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđ„āļĄāđˆāļĄāļĩāļœāļĨāļāļĢāļ°āļ—āļšāļ•āđˆāļ­ āļ­āļēāļĢāļĄāļ“āđŒāđāļĨāļ°āļˆāļīāļ•āđƒāļˆ āđāļĨāļ°āļ„āļ§āļēāļĄāļ›āļĢāļ°āļžāļĪāļ•āļīāļ›āļāļīāļšāļąāļ•āļī āļ•āđˆāļ­āļĄāļē āđāļĄāđ‰āļ§āđˆāļēāļˆāļ°āđ€āļāļīāļ”āļ„āļ§āļēāļĄāđ€āļŠāļĩāļĒāļŦāļēāļĒāđāļĄāđ‰āļāļĢāļ°āļ—āļąāđˆāļ‡āļ•āđˆāļ­āļ•āļ™āđ€āļ­āļ‡āļāđ‡āļ•āļēāļĄ

    “ āđ„āļĢāđ‰āļ­āļēāļĢāļĄāļ“āđŒāļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķā āđ€āļĄāļ·āđˆāļ­āļāļĢāļ°āļ—āļģāļŠāļąāđˆāļ§

    ” āļ„āļ§āļēāļĄāđ€āļĢāđ‰āļēāđƒā āđ€āļĄāļ·āđˆāļ­āļāļĢāļ°āļ—āļģāđ„āļ”āđ‰āļŠāļģāđ€āļĢāđ‡āļˆ āļ•āļąāļ§āļ­āļĒāđˆāļēāļ‡ āļ–āđ‰āļēāđ€āļ›āđ‡āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āđ€āļāļĩāđˆāļĒāļ§āļ‚āđ‰āļ­āļ‡āļāļąāļšāļŠāļĩāļ§āļīāļ•āļĄāļ™āļļāļĐāļĒāđŒ āļĒāļīāđˆāļ‡āļ•āļēāļĒāļĄāļēāļ āļžāļīāļāļēāļĢ āļ—āļĢāļĄāļēāļ™āļĄāļēāļ āđ€āļ—āđˆāļēāđ„āļŦāļĢāđˆ āļĒāļīāđˆāļ‡āđ€āļĢāđ‰āļēāđƒāļˆāļĄāļēāļ

    “ āļĒāļąāļ‡āļ”āļđāđ€āļŦāļĄāļ·āļ­āļ™āđ€āļ›āđ‡āļ™āļĄāļ™āļļāļĐāļĒāđŒāļ›āļāļ•āļī” āļŠāļĄāļ­āļ‡āļĒāļąāļ‡āļ„āļ‡āļ—āļģāļ‡āļēāļ™āđ„āļ”āđ‰ āļ„āļ§āļēāļĄāļˆāļģ āļāļēāļĢāļŠāļ·āđˆāļ­āļŠāļēāļĢ āļ„āļ§āļēāļĄāļŠāļēāļĄāļēāļĢāļ–āđƒāļ™āļāļēāļĢāđāļāđ‰āļ›āļąāļāļŦāļē āđāļĨāļ°āļ­āļ·āđˆāļ™āđ†

    “ āđ€āļāļīāļ”āļāļēāļĢāđ€āļŠāļžāļ•āļīāļ”” āđ€āļ‰āļĒāļŠāļē āđƒāļ™āļ„āļ§āļēāļĄāđ€āļĨāļ§āļĢāđ‰āļēāļĒ āļ—āļĩāđˆāļ•āļ™āļ•āļ™āđ€āļ­āļ‡āļ—āļģ

    “ āđāļšāđˆāļ‡āļŠāđˆāļ§āļ™āļāļąāļšāļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āļ•āļ™āđ€āļ­āļ‡āđ„āļ”āđ‰” āļĄāļĩāļŠāļĩāļ§āļīāļ•āļŠāļļāļ‚āļŠāļšāļēāļĒāļ›āļāļ•āļīāļāļąāļšāļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āļ•āļ™āđ€āļ­āļ‡ āđ„āļĄāđˆāļĄāļĩāđƒāļ„āļĢāļŠāļģāđ€āļŦāļ™āļĩāļĒāļ

    “ āļ–āļđāļāļāļĢāļ°āļ•āļļāđ‰āļ™āđ„āļ”āđ‰āļ‡āđˆāļēāļĒ“ āđ€āļĄāļ·āđˆāļ­āļĄāļĩāđ€āļŦāļ•āļļāļāļēāļĢāļ“āđŒāļ—āļĩāđˆāļĄāļĩāđ‚āļ­āļāļēāļĻāļ—āļģ āļˆāļ°āļĢāļĩāļšāļ™āļģāļžāļēāđ„āļ›āļŠāļđāđˆāļ„āļ§āļēāļĄāļ„āļīāļ”āđāļĨāļ°āļāļēāļĢāļāļĢāļ°āļ—āļģāļ—āļĩāđˆāļŠāļąāđˆāļ§āļĢāđ‰āļēāļĒ

    “ āđāļžāļĢāđˆāđ€āļŠāļ·āđ‰āļ­āđ€āļŦāļĄāļ·āļ­āļ™āđ‚āļĢāļ„āļĢāļ°āļšāļēāļ”” āļĄāļ™āļļāļĐāļĒāđŒāļ—āļĩāđˆāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ›āļĩāļĻāļēāļˆāļĄāļĩāļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ­āļĒāđˆāļēāļ‡āđāļĢāļ‡āļāļĨāđ‰āļēāļ—āļĩāđˆāļˆāļ°āđ€āļ›āļĨāļĩāđˆāļĒāļ™āļœāļđāđ‰āļ­āļ·āđˆāļ™āđƒāļŦāđ‰āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļžāļ§āļāđ€āļ”āļĩāļĒāļ§āļāļąāļ™āđƒāļ™āļ„āļ§āļēāļĄāļ„āļīāļ”āđāļĨāļ°āļāļēāļĢāļ›āļāļīāļšāļąāļ•āļīāđ€āļŦāļĄāļ·āļ­āļ™āļāļąāļ™

    āļĄāļ™āļļāļĐāļĒāđŒāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ›āļĩāļĻāļēāļˆāļ™āļąāđ‰āļ™āđ„āļĄāđˆāđƒāļŠāđˆāļĨāļąāļāļĐāļ“āļ°āđ€āļ”āļĩāļĒāļ§āļāļąāļš āļāļĨāļļāđˆāļĄāļ—āļĩāđˆ āļĄāļĩāļˆāļīāļ•āđāļĨāļ°āļ„āļ§āļēāļĄāļ›āļĢāļ°āļžāļĪāļ•āļīāļœāļīāļ”āļ›āļāļ•āļīāļ•āđˆāļ­āļ•āđ‰āļēāļ™āļŠāļąāļ‡āļ„āļĄāļ•āļąāđ‰āļ‡āđāļ•āđˆāļ•āđ‰āļ™ āđ€āļ›āļĢāļĩāļĒāļšāđ€āļŠāļĄāļ·āļ­āļ™āļ—āļŦāļēāļĢāļ™āļēāļ‹āļĩāļ—āļĩāđˆ āļŠāļēāļĄāļēāļĢāļ–āļ†āđˆāļēāđ„āļ”āđ‰āđ€āļ›āđ‡āļ™āļĨāđ‰āļēāļ™ āđāļĨāļ°āđƒāļ™āļ›āļąāļˆāļˆāļļāļšāļąāļ™āļ­āļīāļŠāļĢāļēāđ€āļ­āļĨāļ—āļĩāđˆāļ†āđˆāļēāđ„āļ”āđ‰āđ€āļ›āđ‡āļ™āļŦāļĄāļ·āđˆāļ™āđ€āļ›āđ‡āļ™āđāļŠāļ™ āđ‚āļ”āļĒāļ›āļĢāļ°āļāļēāļĻāļ•āļąāđ‰āļ‡āđ€āļ›āđ‰āļēāđ€āļ›āđ‡āļ™āļāļēāļĢāļ†āđˆāļēāļĨāđ‰āļēāļ‡āđ€āļœāđˆāļēāļžāļąāļ™āļ˜āļļāđŒ āđ€āļŠāđˆāļ™āđ€āļ”āļĩāļĒāļ§āļāļąāļšāļ—āļĩāđˆāđ€āļāļīāļ”āđƒāļ™āđāļ­āļŸāļĢāļīāļāļē

    āļ›āļĢāļēāļāļāļāļēāļĢāļ“āđŒ E āļ•āļąāđ‰āļ‡āđāļ•āđˆāļ›āļĩ 1997 āļ—āļģāđƒāļŦāđ‰āļĄāļĩāļāļēāļĢāļ›āļĢāļ°āļŠāļļāļĄāļāļĨāļļāđˆāļĄāļ™āļąāļāļ§āļīāļ—āļĒāļēāļĻāļēāļŠāļ•āļĢāđŒāļ—āļēāļ‡āļ”āđ‰āļēāļ™āļŠāļĄāļ­āļ‡ āļ™āļąāļāļˆāļīāļ•āļ§āļīāļ—āļĒāļēāļ—āļēāļ‡āļŠāļąāļ‡āļ„āļĄ āļˆāļīāļ•āđāļžāļ—āļĒāđŒ āļāļĨāļļāđˆāļĄāļ•āđˆāļ­āļ•āđ‰āļēāļ™āļœāļđāđ‰āļāđˆāļ­āļāļēāļĢāļĢāđ‰āļēāļĒ āļ™āļąāļāđ€āļŠāļĩāđˆāļĒāļ§āļŠāļēāļāļŠāļĢāļĩāļĢāļ°āļ§āļīāļ—āļĒāļēāļ—āļēāļ‡āļŠāļĄāļ­āļ‡ āļˆāļ™āļāļĢāļ°āļ—āļąāđˆāļ‡āļ–āļķāļ‡āļāļĨāļļāđˆāļĄāļ—āļēāļ‡āļāļŽāļŦāļĄāļēāļĒ āđ‚āļ”āļĒāļĄāļĩāļāļēāļĢāļ›āļĢāļ°āļŠāļļāļĄāļ—āļĩāđˆāļ›āļēāļĢāļĩāļŠāļŠāļēāļĄāļ„āļĢāļąāđ‰āļ‡āļĢāļ°āļŦāļ§āđˆāļēāļ‡ 2015 āļ–āļķāļ‡ 2017

    āđāļāļ™āļāļĨāļēāļ‡āļ›āļąāļˆāļˆāļąāļĒāļ‚āļ­āļ‡āļ›āļĢāļēāļāļāļāļēāļĢāļ“āđŒ E āļ„āļ·āļ­
    āļ„āļ§āļēāļĄāđ€āļ‰āļĒāļŠāļēāđ„āļĢāđ‰āļ­āļēāļĢāļĄāļ“āđŒ āļāđˆāļ­āļ™ āļĢāļ§āļĄāļ—āļąāđ‰āļ‡āđƒāļ™āļŠāđˆāļ§āļ‡āļ§āļēāļ‡āđāļœāļ™ āļˆāļ™ āļ‚āļ“āļ°āļāđˆāļ­ āļ„āļ§āļēāļĄāļŠāļąāđˆāļ§āļĢāđ‰āļēāļĒ āđāļĨāļ° āđāļĄāđ‰āļāļĢāļ°āļ—āļąāđˆāļ‡āļŦāļĨāļąāļ‡āļˆāļēāļāļ™āļąāđ‰āļ™ āđāļĄāđ‰āļ–āļķāļ‡āļāļąāļšāļ—āļģāđƒāļŦāđ‰āļ„āļĢāđˆāļēāļŠāļĩāļ§āļīāļ•āļ„āļ™āļ”āđ‰āļ§āļĒāļāļąāļ™ āđāļ•āđˆāđ„āļĄāđˆāđ„āļ”āđ‰āļĢāļđāđ‰āļŠāļķāļāđ€āļˆāđ‡āļšāļ›āļ§āļ” āļĢāļđāđ‰āļĢāđ‰āļ­āļ™āļĢāļđāđ‰āļŦāļ™āļēāļ§ āđāļ•āđˆāļāļąāļšāļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āļĒāļąāļ‡āđ€āļ›āđ‡āļ™āļ›āļāļ•āļī

    āđ€āļĄāļ·āđˆāļ­āđ€āļ›āđ‡āļ™āļāļēāļĢāļĨāđ‰āļēāļ‡āļŠāļĄāļ­āļ‡āļ­āļĒāđˆāļēāļ‡āļŠāļĄāļšāļđāļĢāļ“āđŒāđāļšāļš āđ„āļĢāđ‰āļ„āļ§āļēāļĄāđ€āļŦāđ‡āļ™āđƒāļˆ āđ„āļĄāđˆāļĄāļĩāļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāļ­āļāđ€āļ‚āđ‰āļēāđƒāļˆ āđāļ•āđˆāļŠāļēāļĄāļēāļĢāļ–āđāļŠāļĢāđ‰āļ‡āļ—āļģāļ›āļāļ•āļīāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđāļ™āļšāđ€āļ™āļĩāļĒāļ™ āļ•āļēāļĄāļŠāļ–āļēāļ™āļāļēāļĢāļ“āđŒāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļ™āļļāđˆāļĄāļ™āļ§āļĨ

    āđƒāļ™āļ‚āļ“āļ°āđ€āļ”āļĩāļĒāļ§āļāļąāļ™āļĄāļĩāļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāđ€āļŦāļĄāļ·āļ­āļ™āļ–āļđāļāļšāļĩāļšāļšāļąāļ‡āļ„āļąāļšāđ€āļĄāļ·āđˆāļ­āđ€āļˆāļ­āđ€āļŦāļ•āļļāļāļēāļĢāļ“āđŒāļ—āļĩāđˆāļ•āļ™āđ€āļ­āļ‡āļĢāļđāđ‰āļŠāļķāļāļ§āđˆāļē “āļ™āđˆāļēāļ—āļģ”

    āļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāļ­āļāđ€āļ‚āđ‰āļēāđƒāļˆāļ™āļąāđ‰āļ™āđ€āļ›āđ‡āļ™āļĨāļąāļāļĐāļ“āļ°āļŠāļģāļ„āļąāļāđƒāļ™āļāļēāļĢāđ€āļ•āļīāļšāđ‚āļ•āļ‚āļ­āļ‡āļĄāļ™āļļāļĐāļĒāđŒāđāļ•āđˆāļĨāļ°āļ„āļ™āļ—āļĩāđˆāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āļ—āļĩāđˆāļˆāļ°āļ­āļĒāļđāđˆāļĢāđˆāļ§āļĄāļāļąāļšāļ„āļ™āļ­āļ·āđˆāļ™āđ‚āļ”āļĒāđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđƒāļ™āļŠāđˆāļ§āļ‡āļŦāđ‰āļēāļ‚āļ§āļšāļ›āļĩāđāļĢāļ āđāļĨāļ°āļ—āļģāđƒāļŦāđ‰āļ•āļĢāļ°āļŦāļ™āļąāļāļ§āđˆāļēāļāļēāļĢāļāļĢāļ°āļ—āļģāļ‚āļ­āļ‡āļ•āļ™āđ€āļ­āļ‡āļ™āļąāđ‰āļ™āđ€āļ›āđ‡āļ™āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļĢāļąāļšāļĢāļđāđ‰āļˆāļēāļāļ„āļ™āļ­āļ·āđˆāļ™āļ”āđ‰āļ§āļĒ

    āļ”āļąāļ‡āļ™āļąāđ‰āļ™ āđ€āļ›āđ‡āļ™āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāļ•āļĢāļ°āļŦāļ™āļąāļāļ—āļĩāđˆāđƒāļŦāđ‰āđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āđƒāļ™āļŠāļąāļ‡āļ„āļĄ āđāļ•āđˆāļ—āļģāđƒāļŦāđ‰āļĄāļĩāļāļēāļĢāđāļšāđˆāļ‡āđāļĒāļāđ‚āļ”āļĒāļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļāļĨāļļāđˆāļĄāļ‚āļ­āļ‡āļ•āļ™āđ€āļ­āļ‡āđāļĨāļ°āļšāļđāļĨāļĨāļĩāđˆāļ„āļ™āđ€āļ„āļĢāļēāļ°āļŦāđŒāļĢāđ‰āļēāļĒ

    āđāļĨāļ°āļāļĨāļļāđˆāļĄāļ­āļēāļˆāļŠāļĢāđ‰āļēāļ‡āļ„āđˆāļēāļ™āļīāļĒāļĄāđƒāļŦāđ‰āđāļšāđˆāļ‡āļŠāļ™āļŠāļąāđ‰āļ™ (selective empathy) āļ”āļđāļ–āļđāļāļ„āļ™āđ„āļĢāđ‰āļšāđ‰āļēāļ™ āļ„āļ™āļ‚āđ‰āļēāļ‡āļ–āļ™āļ™ āļ„āļ™āļ—āļĩāđˆāļ”āđ‰āļ­āļĒāļāļ§āđˆāļē āđƒāļ™āļ—āļĩāđˆāļ—āļģāļ‡āļēāļ™ āđƒāļ™āļ˜āļļāļĢāļāļīāļˆ āđ€āļ›āđ‡āļ™āļāļēāļĢāļāļąāļ”āļāļĢāđˆāļ­āļ™ āļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāļ­āļāđ€āļ‚āđ‰āļēāđƒāļˆāļ„āļ™āļ”āđ‰āļ§āļĒāļāļąāļ™ (empathy erosion)
    āđāļĨāļ°āđƒāļ™āļ—āļĩāđˆāļŠāļļāļ”āļˆāļļāļ”āļ›āļĢāļ°āļāļēāļĒāļāļģāđ€āļ™āļīāļ”āļ„āļ§āļēāļĄāđ‚āļŦāļ”āļĢāđ‰āļēāļĒ āđāļĨāļ°āđ€āļ›āđ‡āļ™āļ”āđ‰āļēāļ™āļĄāļ·āļ”āļ‚āļ­āļ‡āļŠāļąāļ‡āļ„āļĄ āļ—āļĩāđˆāđ€āļžāļēāļ°āļšāđˆāļĄ āđ€āļŦāļĄāļ·āļ­āļ™āļāļąāļšāļāļēāļĢāļ•āļĩāļŠāļ­āļ‡āļŦāļ™āđ‰āļē āļŠāđˆāļ§āļĒāļžāļ§āļāđ€āļ”āļĩāļĒāļ§āļāļąāļ™āđ€āļ­āļ‡ āļ–āļĩāļšāļŦāļąāļ§āđ„āļŠāļŠāđˆāļ‡ āļĄāļ™āļļāļĐāļĒāđŒāļ—āļĩāđˆāđ„āļĄāđˆāđƒāļŠāđˆāļžāļ§āļāļ•āļąāļ§āđ€āļ­āļ‡ āļŦāļĢāļ·āļ­āļ”āđ‰āļ­āļĒāļāļ§āđˆāļē

    āļāļēāļĢāļ›āļĢāļąāļšāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļˆāļ™āđ€āļāļīāļ”āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļ›āļķāļāđāļœāđˆāļ™āļ‚āļ­āļ‡āļāļĨāļļāđˆāļĄāđāļĨāļ°āļŠāļąāļ‡āļ„āļĄ āļ­āļēāļˆāļĄāļĩāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāđƒāļ™āļāļēāļĢāļ›āđ‰āļ­āļ‡āļāļąāļ™āļĻāļąāļ•āļĢāļđāļ—āļĩāđˆāđ€āļ‚āđ‰āļēāļĄāļēāļĢāļļāļāļĢāļēāļ™

    āđāļ•āđˆāđāļĨāđ‰āļ§āļ—āļĩāđˆāđ€āļŦāđ‡āļ™āđƒāļ™āļ›āļąāļˆāļˆāļļāļšāļąāļ™āļ„āļ·āļ­āļāļēāļĢāļ•āļĩāļ„āļ§āļēāļĄ “āļĻāļąāļ•āļĢāļđ” āđƒāļŦāđ‰āļ­āļĒāļđāđˆāļĢāđˆāļ§āļĄāļāļąāļ™āđ„āļĄāđˆāđ„āļ”āđ‰āļ›āļĢāļ°āļ™āļĩāļ›āļĢāļ°āļ™āļ­āļĄāđ„āļĄāđˆāđ„āļ”āđ‰āđƒāļŠāđ‰āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļžāļ·āđ‰āļ™āđāļœāđˆāļ™āļ”āļīāļ™āļ—āļĢāļąāļžāļĒāļēāļāļĢāļĢāļ§āļĄāļāļąāļ™āđ„āļĄāđˆāđ„āļ”āđ‰ āđāļĨāļ°āļ•āđ‰āļ­āļ‡āļŦāļēāļĒāđ„āļ›āļˆāļēāļāļžāļ·āđ‰āļ™āđ‚āļĨāļāļ™āļĩāđ‰

    āļ§āļ‡āļˆāļĢāļŠāļĄāļ­āļ‡āļ—āļĩāđˆāļ›āļĢāļ°āļāļ­āļšāļ‚āļķāđ‰āļ™āļĄāļēāđƒāļ™āļāļēāļĢāđ€āļ›āđ‡āļ™āļ­āļēāļĢāļĄāļ“āđŒāđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāļ­āļāđ€āļ‚āđ‰āļēāđƒāļˆāļāļąāļ™āļ™āļąāđ‰āļ™ āļĄāļĩāļ„āļ§āļēāļĄāļ‹āļąāļšāļ‹āđ‰āļ­āļ™āđāļĨāļ°āļ›āļĢāļ°āļāļ­āļšāļ”āđ‰āļ§āļĒ

    āļŠāļĄāļ­āļ‡āļŠāđˆāļ§āļ™ vmPFC āļŦāļĢāļ·āļ­ ventromedial Prefrontal cortex OFC āļŦāļĢāļ·āļ­ orbito Frontal cortex āđāļĨāļ° āļŠāđˆāļ§āļ™ āļ‚āļ­āļ‡ amygdala āđƒāļ™āļĢāļ°āļšāļš limbic

    āļ›āļĢāļēāļāļāļāļēāļĢāļ“āđŒ āđ€āļ‰āļĒāļŠāļēāļ•āđˆāļ­āļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāļ­āļāđ€āļ‚āđ‰āļēāđƒāļˆ
    āļˆāļ°āļĄāļĩāļāļēāļĢāļāļĢāļ°āļ•āļļāđ‰āļ™āļœāļīāļ”āļ›āļāļ•āļīāļ‚āļ­āļ‡āļšāļĢāļīāđ€āļ§āļ“āļŠāļĄāļ­āļ‡āļŠāđˆāļ§āļ™āļŦāļ™āđ‰āļēāļ‹āļķāđˆāļ‡āļˆāļ°āļĒāļąāļšāļĒāļąāđ‰āļ‡ āļŠāļĄāļ­āļ‡āļŠāđˆāļ§āļ™ amygdala āđāļĨāļ°āļ­āļ˜āļīāļšāļēāļĒāđ„āļ”āđ‰āļˆāļ™āļāļĢāļ°āļ—āļąāđˆāļ‡āļ–āļķāļ‡āļ„āļ§āļēāļĄāļ„āļīāļ”āđāļĨāļ°āļāļēāļĢāļāļĢāļ°āļ—āļģāļ—āļĩāđˆāļ­āļ­āļāļĄāļēāđ€āļ›āđ‡āļ™āļĒāđ‰āļģāļ„āļīāļ”āļĒāđ‰āļģāļ—āļģāđāļĨāļ°āļ­āļĒāļēāļāļ†āđˆāļēāļ—āļģāļĢāđ‰āļēāļĒ āļĒāļēāđ€āļŠāļžāļ•āļīāļ” cocaine āļāđˆāļ­āđƒāļŦāđ‰āđ€āļāļīāļ”āļĨāļąāļāļĐāļ“āļ°āđ€āļŠāđˆāļ™āļ™āļĩāđ‰āđ„āļ”āđ‰

    āđāļ•āđˆāļ–āļķāļ‡āđāļĄāđ‰āļˆāļ°āļĢāļđāđ‰āļĢāļ°āļšāļšāļ§āļ‡āļˆāļĢāđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļĄāļēāļ™āļēāļ™āđāļĨāđ‰āļ§āļāđ‡āļ•āļēāļĄ āđāļ•āđˆāđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āļ­āļ˜āļīāļšāļēāļĒāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļŠāļĄāļšāļđāļĢāļ“āđŒ āļ–āļķāļ‡āļ›āļĢāļēāļāļāļāļēāļĢāļ“āđŒ E āļ‹āļķāđˆāļ‡āļ—āļģāđƒāļŦāđ‰āļĄāļ™āļļāļĐāļĒāđŒāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ›āļĩāļĻāļēāļˆāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļŦāļĄāļ”āļˆāļ” āđ€āļžāļĢāļēāļ°āļĄāļ™āļļāļĐāļĒāđŒāļ›āļĩāļĻāļēāļˆāļ™āļąāđ‰āļ™ āđāļĒāļāļ•āļąāļ§āđ€āļ­āļ‡āļˆāļēāļāļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļ āļˆāļ™āđ€āļ›āđ‡āļ™āļ„āļ§āļēāļĄāđāļ•āļāļŦāļąāļāļ‚āļ­āļ‡āļŠāļĄāļ­āļ‡āđāļĨāļ°āļ›āļąāļāļāļēāļ­āļąāļ™āļ›āļĢāļ°āđ€āļŠāļĢāļīāļ (cognitive fracture)
    āđ„āļĄāđˆāđ€āļ„āļĒāļĄāļĩāļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļœāļīāļ”āļŦāļĢāļ·āļ­āđ€āļŠāļĩāļĒāđƒāļˆāđƒāļ”āđ†āļ—āļąāđ‰āļ‡āļŠāļīāđ‰āļ™ āđāļĨāļ°āđ€āļāļīāļ”āđ„āļ”āđ‰āļ—āļļāļāđ€āļŠāļ·āđ‰āļ­āļŠāļēāļ•āļīāļ āļēāļĐāļē āđ€āļŠāđˆāļ™āđ€āļ‚āļĄāļĢāđāļ”āļ‡āļ—āļĢāļĄāļēāļ™āđāļĨāļ°āļ†āđˆāļēāļ—āļīāđ‰āļ‡

    āļ„āļ§āļēāļĄāđ€āļ‰āļĩāļĒāļšāļ„āļĄāļ‚āļ­āļ‡āļŠāļĄāļ­āļ‡āļ‚āļ­āļ‡āļĄāļ™āļļāļĐāļĒāđŒāļ›āļĩāļĻāļēāļˆāđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļĒāļąāļ‡āļ„āļ‡āļ­āļĒāļđāđˆ

    āļŠāļĢāļĢāļŦāļēāļ§āļīāļ˜āļĩāļāļēāļĢāļ—āļĢāļĄāļēāļ™āļ—āļĩāđˆāļ—āļģāđƒāļŦāđ‰āđ€āļˆāđ‡āļšāļ›āļ§āļ”āļ—āļĩāđˆāļŠāļļāļ” āļŦāļēāļ§āļīāļ˜āļĩāļ—āļĩāđˆāļĄāļĩāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļ—āļĩāđˆāļŠāļļāļ” āļ—āļĩāđˆāļ—āļģāđƒāļŦāđ‰āđ€āļāļīāļ”āļāļēāļĢāļŠāļąāļ‡āļŦāļēāļĢāļŦāļĄāļđāđˆāđ€āļ›āđ‡āļ™āļāļĨāļļāđˆāļĄāļāđ‰āļ­āļ™
    āđāļĄāđ‰āļāļĢāļ°āļ—āļąāđˆāļ‡āļĄāļĩāļāļēāļĢāđƒāļŠāđ‰āļĒāļē āļšāđ‰āļē amphetamine āđƒāļ™āļāļĨāļļāđˆāļĄ ISIS āđ‚āļ”āļĒāļ—āļģāđƒāļŦāđ‰āļĄāļĩāļāļēāļĢāļ—āļģāļ‡āļēāļ™āļ‚āļ­āļ‡āļĢāļ°āļšāļšāđ‚āļ”āļ›āļēāļĄāļĩāļ™ āđāļ›āļĢāļ›āļĢāļ§āļ™ āļĨāļ”āļāļēāļĢāļ—āļģāļ‡āļēāļ™āļ‚āļ­āļ‡ serotonin āđƒāļ™ OFC āļ™āļģāđ„āļ›āļŠāļđāđˆ āļžāļĪāļ•āļīāļāļĢāļĢāļĄāļ•āđˆāļ­āļ•āđ‰āļēāļ™āļŠāļąāļ‡āļ„āļĄāļ†āđˆāļēāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđ€āļ‰āļĒāļŠāļē āļĄāļĩāļ„āļ§āļēāļĄāļāđ‰āļēāļ§āļĢāđ‰āļēāļ§āđāļĨāļ°āļ—āļģāđ€āļ›āđ‡āļ™āļŠāļąāļ™āļ”āļēāļ™ āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļāļēāļĢāļāđˆāļ­āļāļēāļĢāļĢāđ‰āļēāļĒāđ‚āļ”āļĒāđƒāļŠāđ‰āļĒāļēāđ€āļŠāļžāļ•āļīāļ”āļĢāđˆāļ§āļĄāļ”āđ‰āļ§āļĒ (pharmaco-terrorism)

    āļāļēāļĢāļāļĢāļ°āļ—āļģāļŠāļąāđˆāļ§āļĢāđ‰āļēāļĒāļ‚āļ­āļ‡āļĄāļ™āļļāļĐāļĒāđŒāļ›āļĩāļĻāļēāļˆāđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļāđˆāļ­āđƒāļŦāđ‰āđ€āļāļīāļ”āļ­āļēāļĢāļĄāļ“āđŒ āļ›āļīāļ•āļī āļ›āļĨāļēāļšāļ›āļĨāļ·āđ‰āļĄ āļĄāļĩāļ„āļ§āļēāļĄāļŠāļļāļ‚āđ€āļ›āđ‡āļ™āļĢāļēāļ‡āļ§āļąāļĨāđƒāļŦāđ‰āļ•āļąāļ§āđ€āļ­āļ‡ āđāļĨāļ°āļ•āđ‰āļ­āļ‡āļ—āļģāļŠāļąāđˆāļ§āđ„āļ›āđ€āļžāļ·āđˆāļ­āļ„āļ§āļēāļĄāļŠāļļāļ‚āļ‚āļ­āļ‡āļ•āļ™āđ€āļ­āļ‡ āđāļĄāđ‰āļāļĢāļ°āļ—āļąāđˆāļ‡āļĄāļĩāļ„āļ§āļēāļĄāļ­āļīāđˆāļĄāđ€āļ­āļĄāđ€āļĄāļ·āđˆāļ­āđ€āļŦāđ‡āļ™āđ€āļŦāļĒāļ·āđˆāļ­āļĢāđ‰āļ­āļ‡āļ‚āļ­āļŠāļĩāļ§āļīāļ•

    āđƒāļ™āļ‚āļ“āļ°āđ€āļ”āļĩāļĒāļ§āļāļąāļ™āļ•āđ‰āļ­āļ‡āđ„āļĄāđˆāļĨāļ·āļĄāļ§āđˆāļē āļ›āļĢāļēāļāļāļāļēāļĢāļ“āđŒāļ›āļĩāļĻāļēāļˆāļ™āļĩāđ‰ āļĄāļ™āļļāļĐāļĒāđŒāļ—āļĩāđˆāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ›āļĩāļĻāļēāļˆāđ„āļ›āđāļĨāđ‰āļ§āļ™āļąāđ‰āļ™ āļˆāļ°āļĄāļĩāļ„āļ§āļēāļĄāļāļĢāļ°āļŦāļēāļĒāļ­āļĒāđˆāļēāļ‡āđāļĢāļ‡āļāļĨāđ‰āļēāļ—āļĩāđˆāļˆāļ°āļ—āļģāđƒāļŦāđ‰āļ„āļ™āļĢāļ­āļšāļ‚āđ‰āļēāļ‡āđ€āļŦāđ‡āļ™āļ”āļĩāđ€āļŦāđ‡āļ™āļ‡āļēāļĄāđ„āļ›āļāļąāļšāļāļēāļĢāļāļĢāļ°āļ—āļģāļ™āļąāđ‰āļ™ āđāļĨāļ°āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ›āļĩāļĻāļēāļˆāļ”āđ‰āļ§āļĒāļāļąāļ™ āđāļĨāļ°āļ›āļĩāļĻāļēāļˆāļ•āļąāļ§āļŦāļąāļ§āļŦāļ™āđ‰āļēāđƒāļŦāļāđˆ āđāļĄāđ‰āđ€āļĄāļ·āđˆāļ­āļ•āļēāļĒāđ„āļ›āđāļĨāđ‰āļ§āļāđ‡āļˆāļ°āļĄāļĩāļ›āļĩāļĻāļēāļˆāļ•āļąāļ§āļ­āļ·āđˆāļ™āđ†āļ—āļĒāļ­āļĒāļ‚āļķāđ‰āļ™āļĄāļēāđāļ•āļāļāļīāđˆāļ‡āļāđ‰āļēāļ™āļŠāļēāļ‚āļēāđ„āļ›āļ—āļąāđˆāļ§

    āļ–āļķāļ‡āļ•āļĢāļ‡āļ™āļĩāđ‰ āđ€āļĢāļēāļ—āļļāļāļ„āļ™āļ•āđ‰āļ­āļ‡āļ–āļēāļĄāļ•āļąāļ§āđ€āļ­āļ‡āļ§āđˆāļē āđ€āļĢāļēāđƒāļŠāđ‰āļ”āđ‰āļēāļ™āļĄāļ·āļ” āļˆāļ™āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ›āļĩāļĻāļēāļˆāđ„āļ›āđāļĨāđ‰āļ§āļŦāļĢāļ·āļ­āđ„āļĄāđˆ?

    āļĢāļ§āļšāļĢāļ§āļĄ āđ€āļĢāļĩāļĒāļšāđ€āļĢāļĩāļĒāļ‡āļˆāļēāļāļšāļ—āļ„āļ§āļēāļĄāđƒāļ™ aeon āļ‚āļ­āļ‡ Naga Arikha associate fellow āļ‚āļ­āļ‡ Warburg Institute (London) āđāļĨāļ° honorary fellow of the Center for the Politics of Feelings, and a research associate at the Institut Jean Nicod of the Ecole Normale Supérieure (Paris) 30 āļāļĢāļāļŽāļēāļ„āļĄ 2018

    āļĻ āļ™āļž āļ˜āļĩāļĢāļ°āļ§āļąāļ’āļ™āđŒ āđ€āļŦāļĄāļ°āļˆāļļāļ‘āļē āļ—āļĩāđˆāļ›āļĢāļķāļāļĐāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļāļēāļĢāđāļžāļ—āļĒāđŒāđāļœāļ™āļ•āļ°āļ§āļąāļ™āļ­āļ­āļ āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļĢāļąāļ‡āļŠāļīāļ•
    āļ›āļĢāļēāļāļāļāļēāļĢāļ“āđŒāļĄāļ™āļļāļĐāļĒāđŒāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ›āļĩāļĻāļēāļˆ āļ›āļĢāļēāļāļāļāļēāļĢāļ“āđŒāļ”āļąāļ‡āļāļĨāđˆāļēāļ§āļ›āļĢāļ°āļāļ­āļšāļ”āđ‰āļ§āļĒāļĨāļąāļāļĐāļ“āļ°āļŠāļģāļ„āļąāļāļĢāđˆāļ§āļĄāļāļąāļ™ 10 āļ›āļĢāļ°āļāļēāļĢ āļ—āļĩāđˆāļ—āļģāđƒāļŦāđ‰āđ€āļ›āļĨāļĩāđˆāļĒāļ™āļ”āđ‰āļēāļ™āļŠāļ§āđˆāļēāļ‡āļ‚āļ­āļ‡āļĄāļ™āļļāļĐāļĒāđŒāļ—āļĩāđˆāļ–āļ·āļ­āļ§āđˆāļēāđ€āļ›āđ‡āļ™āļŠāļąāļ•āļ§āđŒāļ›āļĢāļ°āđ€āļŠāļĢāļīāļāđāļĨāļ°āļŠāļĄāļ­āļ‡āļ–āļđāļāļ§āļīāļ§āļąāļ’āļ™āđŒ āļˆāļ™āļāļĢāļ°āļ—āļąāđˆāļ‡āļ„āļīāļ”āļ§āđˆāļēāļ›āļāļ„āļĢāļ­āļ‡āļžāļąāļ’āļ™āļēāļŠāļĩāļ§āļīāļ• āļāļēāļĢāđ€āļ›āđ‡āļ™āļ­āļĒāļđāđˆāļŠāļīāđˆāļ‡āđāļ§āļ”āļĨāđ‰āļ­āļĄāđƒāļŦāđ‰āļ”āļĩāļ—āļĩāđˆāļŠāļļāļ” āđ€āļžāļ·āđˆāļ­āđ€āļ­āļ·āđ‰āļ­āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāđƒāļŦāđ‰āļĄāļ™āļļāļĐāļĒāđŒāļ”āđ‰āļ§āļĒāļāļąāļ™ āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ”āđ‰āļēāļ™āļĄāļ·āļ”āļ—āļĩāđˆāļŠāļļāļ” āļ—āļĩāđˆāļāļĢāļ°āļ—āļģāļ—āļļāļāļ­āļĒāđˆāļēāļ‡āđ„āļ”āđ‰āđ‚āļ”āļĒāđ„āļĄāđˆāļāļĢāļ°āļžāļĢāļīāļšāļ•āļē āļ—āļąāđ‰āļ‡āļ™āļĩāđ‰āļĢāļ§āļĄāļ–āļķāļ‡āļāļēāļĢāļ†āđˆāļēāļŸāļąāļ™ āļāļēāļĢāļ™āļģāļžāļēāļŠāļīāđˆāļ‡āļ­āļąāļ™āļ•āļĢāļēāļĒāļ•āđˆāļēāļ‡āđ† āļĄāļēāđƒāļŦāđ‰āļ„āļ™ āđ‚āļ”āļĒāļˆāļļāļ”āļ›āļĢāļ°āļŠāļ‡āļ„āđŒāđāļāļ‡āđ€āļžāļ·āđˆāļ­āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļĄāļŦāļēāļĻāļēāļĨāļĢāļ§āļĄāļ—āļąāđ‰āļ‡āļāļēāļĢāđ€āļāļ·āđ‰āļ­āļāļđāļĨāļžāļ§āļāđ€āļ”āļĩāļĒāļ§āļāļąāļ™āđ‚āļ”āļĒ āđƒāļŦāđ‰āļ­āļģāļ™āļēāļˆ āđ€āļ‡āļīāļ™ āļ­āļēāļĄāļīāļŠ āļŠāļīāļ™āļˆāđ‰āļēāļ‡ āļ—āļąāđ‰āļ‡āļ™āļĩāđ‰āļĨāđ‰āļēāļ‡āļŠāļĄāļ­āļ‡āļ•āļąāļ§āđ€āļ­āļ‡āļāđˆāļ­āļ™āđāļĨāļ°āļĨāđ‰āļēāļ‡āļŠāļĄāļ­āļ‡āđāļžāļĢāđˆāļ­āļ­āļāđ€āļ›āđ‡āļ™āļāļĨāļļāđˆāļĄāļāđ‰āļ­āļ™ āļ›āļĢāļēāļāļāļāļēāļĢāļ“āđŒāđ€āļāļīāļ”āļ›āļĩāļĻāļēāļˆāļĢāđ‰āļēāļĒ āđ„āļ”āđ‰āļĄāļĩāļāļēāļĢāļĢāļ§āļšāļĢāļ§āļĄāđāļĨāļ°āļŠāļĢāļļāļ›āļˆāļēāļāļŦāļĄāļ­āļœāđˆāļēāļ•āļąāļ”āļŠāļĄāļ­āļ‡ Itzhak Fried āļˆāļēāļ University of California, Los Angeles āđƒāļ™āļ›āļĩ 1997 āđ‚āļ”āļĒāđ€āļĢāļĩāļĒāļāļ§āđˆāļē Syndrome E āđāļĨāļ° E āļĄāļēāļˆāļēāļ Evil āļāļĨāļļāđˆāļĄāļ­āļēāļāļēāļĢāļ—āļąāđ‰āļ‡ 10 āļ›āļĢāļ°āļāļ­āļšāļ”āđ‰āļ§āļĒ āļāļēāļĢāđāļŠāļ”āļ‡āļ­āļ­āļāļ‹āļķāđˆāļ‡āļ­āļ˜āļīāļšāļēāļĒāđ„āļ”āđ‰āļ—āļēāļ‡āļāļĨāđ„āļāļ›āļĢāļ°āļŠāļēāļ—āļ§āļīāļ—āļĒāļēāļĻāļēāļŠāļ•āļĢāđŒāļ—āļĩāđˆāļŠāđˆāļ‡āļœāļĨāļ—āļēāļ‡āļ”āđ‰āļēāļ™āļ­āļēāļĢāļĄāļ“āđŒāđāļĨāļ°āļžāļĪāļ•āļīāļāļĢāļĢāļĄ “āļāļēāļĢāļ›āļĢāļ°āļžāļĪāļ•āļīāļšāđˆāļ­āļĒ“ āļ™āļģāđ„āļ›āļŠāļđāđˆ “āļ„āļ§āļēāļĄāļ­āļĒāļēāļāļ—āļģāļ­āļĩā āđ‚āļ”āļĒāđ€āļĢāļīāđˆāļĄāļĄāļĩāļāļēāļĢāļŠāļģāļĢāļ°āļĨāđ‰āļēāļ‡āļ„āļ§āļēāļĄāļŠāļąāđˆāļ§āļ—āļĩāđˆāļ—āļģ āđƒāļŦāđ‰āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ”āļĩ “ āļāļēāļĢāļ—āļģāļ‹āđ‰āļģāđ†āļ—āļĩāđˆāļ„āļ§āļšāļ„āļļāļĄāđ„āļĄāđˆāđ„āļ”āđ‰” āđ‚āļ”āļĒāļŠāļ–āļēāļ™āļāļēāļĢāļ“āđŒāļ—āļĩāđˆāđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđ„āļĄāđˆāļĄāļĩāļœāļĨāļāļĢāļ°āļ—āļšāļ•āđˆāļ­ āļ­āļēāļĢāļĄāļ“āđŒāđāļĨāļ°āļˆāļīāļ•āđƒāļˆ āđāļĨāļ°āļ„āļ§āļēāļĄāļ›āļĢāļ°āļžāļĪāļ•āļīāļ›āļāļīāļšāļąāļ•āļī āļ•āđˆāļ­āļĄāļē āđāļĄāđ‰āļ§āđˆāļēāļˆāļ°āđ€āļāļīāļ”āļ„āļ§āļēāļĄāđ€āļŠāļĩāļĒāļŦāļēāļĒāđāļĄāđ‰āļāļĢāļ°āļ—āļąāđˆāļ‡āļ•āđˆāļ­āļ•āļ™āđ€āļ­āļ‡āļāđ‡āļ•āļēāļĄ “ āđ„āļĢāđ‰āļ­āļēāļĢāļĄāļ“āđŒāļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķā āđ€āļĄāļ·āđˆāļ­āļāļĢāļ°āļ—āļģāļŠāļąāđˆāļ§ ” āļ„āļ§āļēāļĄāđ€āļĢāđ‰āļēāđƒā āđ€āļĄāļ·āđˆāļ­āļāļĢāļ°āļ—āļģāđ„āļ”āđ‰āļŠāļģāđ€āļĢāđ‡āļˆ āļ•āļąāļ§āļ­āļĒāđˆāļēāļ‡ āļ–āđ‰āļēāđ€āļ›āđ‡āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āđ€āļāļĩāđˆāļĒāļ§āļ‚āđ‰āļ­āļ‡āļāļąāļšāļŠāļĩāļ§āļīāļ•āļĄāļ™āļļāļĐāļĒāđŒ āļĒāļīāđˆāļ‡āļ•āļēāļĒāļĄāļēāļ āļžāļīāļāļēāļĢ āļ—āļĢāļĄāļēāļ™āļĄāļēāļ āđ€āļ—āđˆāļēāđ„āļŦāļĢāđˆ āļĒāļīāđˆāļ‡āđ€āļĢāđ‰āļēāđƒāļˆāļĄāļēāļ “ āļĒāļąāļ‡āļ”āļđāđ€āļŦāļĄāļ·āļ­āļ™āđ€āļ›āđ‡āļ™āļĄāļ™āļļāļĐāļĒāđŒāļ›āļāļ•āļī” āļŠāļĄāļ­āļ‡āļĒāļąāļ‡āļ„āļ‡āļ—āļģāļ‡āļēāļ™āđ„āļ”āđ‰ āļ„āļ§āļēāļĄāļˆāļģ āļāļēāļĢāļŠāļ·āđˆāļ­āļŠāļēāļĢ āļ„āļ§āļēāļĄāļŠāļēāļĄāļēāļĢāļ–āđƒāļ™āļāļēāļĢāđāļāđ‰āļ›āļąāļāļŦāļē āđāļĨāļ°āļ­āļ·āđˆāļ™āđ† “ āđ€āļāļīāļ”āļāļēāļĢāđ€āļŠāļžāļ•āļīāļ”” āđ€āļ‰āļĒāļŠāļē āđƒāļ™āļ„āļ§āļēāļĄāđ€āļĨāļ§āļĢāđ‰āļēāļĒ āļ—āļĩāđˆāļ•āļ™āļ•āļ™āđ€āļ­āļ‡āļ—āļģ “ āđāļšāđˆāļ‡āļŠāđˆāļ§āļ™āļāļąāļšāļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āļ•āļ™āđ€āļ­āļ‡āđ„āļ”āđ‰” āļĄāļĩāļŠāļĩāļ§āļīāļ•āļŠāļļāļ‚āļŠāļšāļēāļĒāļ›āļāļ•āļīāļāļąāļšāļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āļ•āļ™āđ€āļ­āļ‡ āđ„āļĄāđˆāļĄāļĩāđƒāļ„āļĢāļŠāļģāđ€āļŦāļ™āļĩāļĒāļ “ āļ–āļđāļāļāļĢāļ°āļ•āļļāđ‰āļ™āđ„āļ”āđ‰āļ‡āđˆāļēāļĒ“ āđ€āļĄāļ·āđˆāļ­āļĄāļĩāđ€āļŦāļ•āļļāļāļēāļĢāļ“āđŒāļ—āļĩāđˆāļĄāļĩāđ‚āļ­āļāļēāļĻāļ—āļģ āļˆāļ°āļĢāļĩāļšāļ™āļģāļžāļēāđ„āļ›āļŠāļđāđˆāļ„āļ§āļēāļĄāļ„āļīāļ”āđāļĨāļ°āļāļēāļĢāļāļĢāļ°āļ—āļģāļ—āļĩāđˆāļŠāļąāđˆāļ§āļĢāđ‰āļēāļĒ “ āđāļžāļĢāđˆāđ€āļŠāļ·āđ‰āļ­āđ€āļŦāļĄāļ·āļ­āļ™āđ‚āļĢāļ„āļĢāļ°āļšāļēāļ”” āļĄāļ™āļļāļĐāļĒāđŒāļ—āļĩāđˆāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ›āļĩāļĻāļēāļˆāļĄāļĩāļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ­āļĒāđˆāļēāļ‡āđāļĢāļ‡āļāļĨāđ‰āļēāļ—āļĩāđˆāļˆāļ°āđ€āļ›āļĨāļĩāđˆāļĒāļ™āļœāļđāđ‰āļ­āļ·āđˆāļ™āđƒāļŦāđ‰āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļžāļ§āļāđ€āļ”āļĩāļĒāļ§āļāļąāļ™āđƒāļ™āļ„āļ§āļēāļĄāļ„āļīāļ”āđāļĨāļ°āļāļēāļĢāļ›āļāļīāļšāļąāļ•āļīāđ€āļŦāļĄāļ·āļ­āļ™āļāļąāļ™ āļĄāļ™āļļāļĐāļĒāđŒāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ›āļĩāļĻāļēāļˆāļ™āļąāđ‰āļ™āđ„āļĄāđˆāđƒāļŠāđˆāļĨāļąāļāļĐāļ“āļ°āđ€āļ”āļĩāļĒāļ§āļāļąāļš āļāļĨāļļāđˆāļĄāļ—āļĩāđˆ āļĄāļĩāļˆāļīāļ•āđāļĨāļ°āļ„āļ§āļēāļĄāļ›āļĢāļ°āļžāļĪāļ•āļīāļœāļīāļ”āļ›āļāļ•āļīāļ•āđˆāļ­āļ•āđ‰āļēāļ™āļŠāļąāļ‡āļ„āļĄāļ•āļąāđ‰āļ‡āđāļ•āđˆāļ•āđ‰āļ™ āđ€āļ›āļĢāļĩāļĒāļšāđ€āļŠāļĄāļ·āļ­āļ™āļ—āļŦāļēāļĢāļ™āļēāļ‹āļĩāļ—āļĩāđˆ āļŠāļēāļĄāļēāļĢāļ–āļ†āđˆāļēāđ„āļ”āđ‰āđ€āļ›āđ‡āļ™āļĨāđ‰āļēāļ™ āđāļĨāļ°āđƒāļ™āļ›āļąāļˆāļˆāļļāļšāļąāļ™āļ­āļīāļŠāļĢāļēāđ€āļ­āļĨāļ—āļĩāđˆāļ†āđˆāļēāđ„āļ”āđ‰āđ€āļ›āđ‡āļ™āļŦāļĄāļ·āđˆāļ™āđ€āļ›āđ‡āļ™āđāļŠāļ™ āđ‚āļ”āļĒāļ›āļĢāļ°āļāļēāļĻāļ•āļąāđ‰āļ‡āđ€āļ›āđ‰āļēāđ€āļ›āđ‡āļ™āļāļēāļĢāļ†āđˆāļēāļĨāđ‰āļēāļ‡āđ€āļœāđˆāļēāļžāļąāļ™āļ˜āļļāđŒ āđ€āļŠāđˆāļ™āđ€āļ”āļĩāļĒāļ§āļāļąāļšāļ—āļĩāđˆāđ€āļāļīāļ”āđƒāļ™āđāļ­āļŸāļĢāļīāļāļē āļ›āļĢāļēāļāļāļāļēāļĢāļ“āđŒ E āļ•āļąāđ‰āļ‡āđāļ•āđˆāļ›āļĩ 1997 āļ—āļģāđƒāļŦāđ‰āļĄāļĩāļāļēāļĢāļ›āļĢāļ°āļŠāļļāļĄāļāļĨāļļāđˆāļĄāļ™āļąāļāļ§āļīāļ—āļĒāļēāļĻāļēāļŠāļ•āļĢāđŒāļ—āļēāļ‡āļ”āđ‰āļēāļ™āļŠāļĄāļ­āļ‡ āļ™āļąāļāļˆāļīāļ•āļ§āļīāļ—āļĒāļēāļ—āļēāļ‡āļŠāļąāļ‡āļ„āļĄ āļˆāļīāļ•āđāļžāļ—āļĒāđŒ āļāļĨāļļāđˆāļĄāļ•āđˆāļ­āļ•āđ‰āļēāļ™āļœāļđāđ‰āļāđˆāļ­āļāļēāļĢāļĢāđ‰āļēāļĒ āļ™āļąāļāđ€āļŠāļĩāđˆāļĒāļ§āļŠāļēāļāļŠāļĢāļĩāļĢāļ°āļ§āļīāļ—āļĒāļēāļ—āļēāļ‡āļŠāļĄāļ­āļ‡ āļˆāļ™āļāļĢāļ°āļ—āļąāđˆāļ‡āļ–āļķāļ‡āļāļĨāļļāđˆāļĄāļ—āļēāļ‡āļāļŽāļŦāļĄāļēāļĒ āđ‚āļ”āļĒāļĄāļĩāļāļēāļĢāļ›āļĢāļ°āļŠāļļāļĄāļ—āļĩāđˆāļ›āļēāļĢāļĩāļŠāļŠāļēāļĄāļ„āļĢāļąāđ‰āļ‡āļĢāļ°āļŦāļ§āđˆāļēāļ‡ 2015 āļ–āļķāļ‡ 2017 āđāļāļ™āļāļĨāļēāļ‡āļ›āļąāļˆāļˆāļąāļĒāļ‚āļ­āļ‡āļ›āļĢāļēāļāļāļāļēāļĢāļ“āđŒ E āļ„āļ·āļ­ āļ„āļ§āļēāļĄāđ€āļ‰āļĒāļŠāļēāđ„āļĢāđ‰āļ­āļēāļĢāļĄāļ“āđŒ āļāđˆāļ­āļ™ āļĢāļ§āļĄāļ—āļąāđ‰āļ‡āđƒāļ™āļŠāđˆāļ§āļ‡āļ§āļēāļ‡āđāļœāļ™ āļˆāļ™ āļ‚āļ“āļ°āļāđˆāļ­ āļ„āļ§āļēāļĄāļŠāļąāđˆāļ§āļĢāđ‰āļēāļĒ āđāļĨāļ° āđāļĄāđ‰āļāļĢāļ°āļ—āļąāđˆāļ‡āļŦāļĨāļąāļ‡āļˆāļēāļāļ™āļąāđ‰āļ™ āđāļĄāđ‰āļ–āļķāļ‡āļāļąāļšāļ—āļģāđƒāļŦāđ‰āļ„āļĢāđˆāļēāļŠāļĩāļ§āļīāļ•āļ„āļ™āļ”āđ‰āļ§āļĒāļāļąāļ™ āđāļ•āđˆāđ„āļĄāđˆāđ„āļ”āđ‰āļĢāļđāđ‰āļŠāļķāļāđ€āļˆāđ‡āļšāļ›āļ§āļ” āļĢāļđāđ‰āļĢāđ‰āļ­āļ™āļĢāļđāđ‰āļŦāļ™āļēāļ§ āđāļ•āđˆāļāļąāļšāļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āļĒāļąāļ‡āđ€āļ›āđ‡āļ™āļ›āļāļ•āļī āđ€āļĄāļ·āđˆāļ­āđ€āļ›āđ‡āļ™āļāļēāļĢāļĨāđ‰āļēāļ‡āļŠāļĄāļ­āļ‡āļ­āļĒāđˆāļēāļ‡āļŠāļĄāļšāļđāļĢāļ“āđŒāđāļšāļš āđ„āļĢāđ‰āļ„āļ§āļēāļĄāđ€āļŦāđ‡āļ™āđƒāļˆ āđ„āļĄāđˆāļĄāļĩāļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāļ­āļāđ€āļ‚āđ‰āļēāđƒāļˆ āđāļ•āđˆāļŠāļēāļĄāļēāļĢāļ–āđāļŠāļĢāđ‰āļ‡āļ—āļģāļ›āļāļ•āļīāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđāļ™āļšāđ€āļ™āļĩāļĒāļ™ āļ•āļēāļĄāļŠāļ–āļēāļ™āļāļēāļĢāļ“āđŒāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļ™āļļāđˆāļĄāļ™āļ§āļĨ āđƒāļ™āļ‚āļ“āļ°āđ€āļ”āļĩāļĒāļ§āļāļąāļ™āļĄāļĩāļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāđ€āļŦāļĄāļ·āļ­āļ™āļ–āļđāļāļšāļĩāļšāļšāļąāļ‡āļ„āļąāļšāđ€āļĄāļ·āđˆāļ­āđ€āļˆāļ­āđ€āļŦāļ•āļļāļāļēāļĢāļ“āđŒāļ—āļĩāđˆāļ•āļ™āđ€āļ­āļ‡āļĢāļđāđ‰āļŠāļķāļāļ§āđˆāļē “āļ™āđˆāļēāļ—āļģ” āļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāļ­āļāđ€āļ‚āđ‰āļēāđƒāļˆāļ™āļąāđ‰āļ™āđ€āļ›āđ‡āļ™āļĨāļąāļāļĐāļ“āļ°āļŠāļģāļ„āļąāļāđƒāļ™āļāļēāļĢāđ€āļ•āļīāļšāđ‚āļ•āļ‚āļ­āļ‡āļĄāļ™āļļāļĐāļĒāđŒāđāļ•āđˆāļĨāļ°āļ„āļ™āļ—āļĩāđˆāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āļ—āļĩāđˆāļˆāļ°āļ­āļĒāļđāđˆāļĢāđˆāļ§āļĄāļāļąāļšāļ„āļ™āļ­āļ·āđˆāļ™āđ‚āļ”āļĒāđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđƒāļ™āļŠāđˆāļ§āļ‡āļŦāđ‰āļēāļ‚āļ§āļšāļ›āļĩāđāļĢāļ āđāļĨāļ°āļ—āļģāđƒāļŦāđ‰āļ•āļĢāļ°āļŦāļ™āļąāļāļ§āđˆāļēāļāļēāļĢāļāļĢāļ°āļ—āļģāļ‚āļ­āļ‡āļ•āļ™āđ€āļ­āļ‡āļ™āļąāđ‰āļ™āđ€āļ›āđ‡āļ™āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļĢāļąāļšāļĢāļđāđ‰āļˆāļēāļāļ„āļ™āļ­āļ·āđˆāļ™āļ”āđ‰āļ§āļĒ āļ”āļąāļ‡āļ™āļąāđ‰āļ™ āđ€āļ›āđ‡āļ™āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāļ•āļĢāļ°āļŦāļ™āļąāļāļ—āļĩāđˆāđƒāļŦāđ‰āđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āđƒāļ™āļŠāļąāļ‡āļ„āļĄ āđāļ•āđˆāļ—āļģāđƒāļŦāđ‰āļĄāļĩāļāļēāļĢāđāļšāđˆāļ‡āđāļĒāļāđ‚āļ”āļĒāļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļāļĨāļļāđˆāļĄāļ‚āļ­āļ‡āļ•āļ™āđ€āļ­āļ‡āđāļĨāļ°āļšāļđāļĨāļĨāļĩāđˆāļ„āļ™āđ€āļ„āļĢāļēāļ°āļŦāđŒāļĢāđ‰āļēāļĒ āđāļĨāļ°āļāļĨāļļāđˆāļĄāļ­āļēāļˆāļŠāļĢāđ‰āļēāļ‡āļ„āđˆāļēāļ™āļīāļĒāļĄāđƒāļŦāđ‰āđāļšāđˆāļ‡āļŠāļ™āļŠāļąāđ‰āļ™ (selective empathy) āļ”āļđāļ–āļđāļāļ„āļ™āđ„āļĢāđ‰āļšāđ‰āļēāļ™ āļ„āļ™āļ‚āđ‰āļēāļ‡āļ–āļ™āļ™ āļ„āļ™āļ—āļĩāđˆāļ”āđ‰āļ­āļĒāļāļ§āđˆāļē āđƒāļ™āļ—āļĩāđˆāļ—āļģāļ‡āļēāļ™ āđƒāļ™āļ˜āļļāļĢāļāļīāļˆ āđ€āļ›āđ‡āļ™āļāļēāļĢāļāļąāļ”āļāļĢāđˆāļ­āļ™ āļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāļ­āļāđ€āļ‚āđ‰āļēāđƒāļˆāļ„āļ™āļ”āđ‰āļ§āļĒāļāļąāļ™ (empathy erosion) āđāļĨāļ°āđƒāļ™āļ—āļĩāđˆāļŠāļļāļ”āļˆāļļāļ”āļ›āļĢāļ°āļāļēāļĒāļāļģāđ€āļ™āļīāļ”āļ„āļ§āļēāļĄāđ‚āļŦāļ”āļĢāđ‰āļēāļĒ āđāļĨāļ°āđ€āļ›āđ‡āļ™āļ”āđ‰āļēāļ™āļĄāļ·āļ”āļ‚āļ­āļ‡āļŠāļąāļ‡āļ„āļĄ āļ—āļĩāđˆāđ€āļžāļēāļ°āļšāđˆāļĄ āđ€āļŦāļĄāļ·āļ­āļ™āļāļąāļšāļāļēāļĢāļ•āļĩāļŠāļ­āļ‡āļŦāļ™āđ‰āļē āļŠāđˆāļ§āļĒāļžāļ§āļāđ€āļ”āļĩāļĒāļ§āļāļąāļ™āđ€āļ­āļ‡ āļ–āļĩāļšāļŦāļąāļ§āđ„āļŠāļŠāđˆāļ‡ āļĄāļ™āļļāļĐāļĒāđŒāļ—āļĩāđˆāđ„āļĄāđˆāđƒāļŠāđˆāļžāļ§āļāļ•āļąāļ§āđ€āļ­āļ‡ āļŦāļĢāļ·āļ­āļ”āđ‰āļ­āļĒāļāļ§āđˆāļē āļāļēāļĢāļ›āļĢāļąāļšāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļˆāļ™āđ€āļāļīāļ”āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļ›āļķāļāđāļœāđˆāļ™āļ‚āļ­āļ‡āļāļĨāļļāđˆāļĄāđāļĨāļ°āļŠāļąāļ‡āļ„āļĄ āļ­āļēāļˆāļĄāļĩāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāđƒāļ™āļāļēāļĢāļ›āđ‰āļ­āļ‡āļāļąāļ™āļĻāļąāļ•āļĢāļđāļ—āļĩāđˆāđ€āļ‚āđ‰āļēāļĄāļēāļĢāļļāļāļĢāļēāļ™ āđāļ•āđˆāđāļĨāđ‰āļ§āļ—āļĩāđˆāđ€āļŦāđ‡āļ™āđƒāļ™āļ›āļąāļˆāļˆāļļāļšāļąāļ™āļ„āļ·āļ­āļāļēāļĢāļ•āļĩāļ„āļ§āļēāļĄ “āļĻāļąāļ•āļĢāļđ” āđƒāļŦāđ‰āļ­āļĒāļđāđˆāļĢāđˆāļ§āļĄāļāļąāļ™āđ„āļĄāđˆāđ„āļ”āđ‰āļ›āļĢāļ°āļ™āļĩāļ›āļĢāļ°āļ™āļ­āļĄāđ„āļĄāđˆāđ„āļ”āđ‰āđƒāļŠāđ‰āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļžāļ·āđ‰āļ™āđāļœāđˆāļ™āļ”āļīāļ™āļ—āļĢāļąāļžāļĒāļēāļāļĢāļĢāļ§āļĄāļāļąāļ™āđ„āļĄāđˆāđ„āļ”āđ‰ āđāļĨāļ°āļ•āđ‰āļ­āļ‡āļŦāļēāļĒāđ„āļ›āļˆāļēāļāļžāļ·āđ‰āļ™āđ‚āļĨāļāļ™āļĩāđ‰ āļ§āļ‡āļˆāļĢāļŠāļĄāļ­āļ‡āļ—āļĩāđˆāļ›āļĢāļ°āļāļ­āļšāļ‚āļķāđ‰āļ™āļĄāļēāđƒāļ™āļāļēāļĢāđ€āļ›āđ‡āļ™āļ­āļēāļĢāļĄāļ“āđŒāđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāļ­āļāđ€āļ‚āđ‰āļēāđƒāļˆāļāļąāļ™āļ™āļąāđ‰āļ™ āļĄāļĩāļ„āļ§āļēāļĄāļ‹āļąāļšāļ‹āđ‰āļ­āļ™āđāļĨāļ°āļ›āļĢāļ°āļāļ­āļšāļ”āđ‰āļ§āļĒ āļŠāļĄāļ­āļ‡āļŠāđˆāļ§āļ™ vmPFC āļŦāļĢāļ·āļ­ ventromedial Prefrontal cortex OFC āļŦāļĢāļ·āļ­ orbito Frontal cortex āđāļĨāļ° āļŠāđˆāļ§āļ™ āļ‚āļ­āļ‡ amygdala āđƒāļ™āļĢāļ°āļšāļš limbic āļ›āļĢāļēāļāļāļāļēāļĢāļ“āđŒ āđ€āļ‰āļĒāļŠāļēāļ•āđˆāļ­āļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāļ­āļāđ€āļ‚āđ‰āļēāđƒāļˆ āļˆāļ°āļĄāļĩāļāļēāļĢāļāļĢāļ°āļ•āļļāđ‰āļ™āļœāļīāļ”āļ›āļāļ•āļīāļ‚āļ­āļ‡āļšāļĢāļīāđ€āļ§āļ“āļŠāļĄāļ­āļ‡āļŠāđˆāļ§āļ™āļŦāļ™āđ‰āļēāļ‹āļķāđˆāļ‡āļˆāļ°āļĒāļąāļšāļĒāļąāđ‰āļ‡ āļŠāļĄāļ­āļ‡āļŠāđˆāļ§āļ™ amygdala āđāļĨāļ°āļ­āļ˜āļīāļšāļēāļĒāđ„āļ”āđ‰āļˆāļ™āļāļĢāļ°āļ—āļąāđˆāļ‡āļ–āļķāļ‡āļ„āļ§āļēāļĄāļ„āļīāļ”āđāļĨāļ°āļāļēāļĢāļāļĢāļ°āļ—āļģāļ—āļĩāđˆāļ­āļ­āļāļĄāļēāđ€āļ›āđ‡āļ™āļĒāđ‰āļģāļ„āļīāļ”āļĒāđ‰āļģāļ—āļģāđāļĨāļ°āļ­āļĒāļēāļāļ†āđˆāļēāļ—āļģāļĢāđ‰āļēāļĒ āļĒāļēāđ€āļŠāļžāļ•āļīāļ” cocaine āļāđˆāļ­āđƒāļŦāđ‰āđ€āļāļīāļ”āļĨāļąāļāļĐāļ“āļ°āđ€āļŠāđˆāļ™āļ™āļĩāđ‰āđ„āļ”āđ‰ āđāļ•āđˆāļ–āļķāļ‡āđāļĄāđ‰āļˆāļ°āļĢāļđāđ‰āļĢāļ°āļšāļšāļ§āļ‡āļˆāļĢāđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļĄāļēāļ™āļēāļ™āđāļĨāđ‰āļ§āļāđ‡āļ•āļēāļĄ āđāļ•āđˆāđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āļ­āļ˜āļīāļšāļēāļĒāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļŠāļĄāļšāļđāļĢāļ“āđŒ āļ–āļķāļ‡āļ›āļĢāļēāļāļāļāļēāļĢāļ“āđŒ E āļ‹āļķāđˆāļ‡āļ—āļģāđƒāļŦāđ‰āļĄāļ™āļļāļĐāļĒāđŒāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ›āļĩāļĻāļēāļˆāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļŦāļĄāļ”āļˆāļ” āđ€āļžāļĢāļēāļ°āļĄāļ™āļļāļĐāļĒāđŒāļ›āļĩāļĻāļēāļˆāļ™āļąāđ‰āļ™ āđāļĒāļāļ•āļąāļ§āđ€āļ­āļ‡āļˆāļēāļāļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļ āļˆāļ™āđ€āļ›āđ‡āļ™āļ„āļ§āļēāļĄāđāļ•āļāļŦāļąāļāļ‚āļ­āļ‡āļŠāļĄāļ­āļ‡āđāļĨāļ°āļ›āļąāļāļāļēāļ­āļąāļ™āļ›āļĢāļ°āđ€āļŠāļĢāļīāļ (cognitive fracture) āđ„āļĄāđˆāđ€āļ„āļĒāļĄāļĩāļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļœāļīāļ”āļŦāļĢāļ·āļ­āđ€āļŠāļĩāļĒāđƒāļˆāđƒāļ”āđ†āļ—āļąāđ‰āļ‡āļŠāļīāđ‰āļ™ āđāļĨāļ°āđ€āļāļīāļ”āđ„āļ”āđ‰āļ—āļļāļāđ€āļŠāļ·āđ‰āļ­āļŠāļēāļ•āļīāļ āļēāļĐāļē āđ€āļŠāđˆāļ™āđ€āļ‚āļĄāļĢāđāļ”āļ‡āļ—āļĢāļĄāļēāļ™āđāļĨāļ°āļ†āđˆāļēāļ—āļīāđ‰āļ‡ āļ„āļ§āļēāļĄāđ€āļ‰āļĩāļĒāļšāļ„āļĄāļ‚āļ­āļ‡āļŠāļĄāļ­āļ‡āļ‚āļ­āļ‡āļĄāļ™āļļāļĐāļĒāđŒāļ›āļĩāļĻāļēāļˆāđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļĒāļąāļ‡āļ„āļ‡āļ­āļĒāļđāđˆ āļŠāļĢāļĢāļŦāļēāļ§āļīāļ˜āļĩāļāļēāļĢāļ—āļĢāļĄāļēāļ™āļ—āļĩāđˆāļ—āļģāđƒāļŦāđ‰āđ€āļˆāđ‡āļšāļ›āļ§āļ”āļ—āļĩāđˆāļŠāļļāļ” āļŦāļēāļ§āļīāļ˜āļĩāļ—āļĩāđˆāļĄāļĩāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļ—āļĩāđˆāļŠāļļāļ” āļ—āļĩāđˆāļ—āļģāđƒāļŦāđ‰āđ€āļāļīāļ”āļāļēāļĢāļŠāļąāļ‡āļŦāļēāļĢāļŦāļĄāļđāđˆāđ€āļ›āđ‡āļ™āļāļĨāļļāđˆāļĄāļāđ‰āļ­āļ™ āđāļĄāđ‰āļāļĢāļ°āļ—āļąāđˆāļ‡āļĄāļĩāļāļēāļĢāđƒāļŠāđ‰āļĒāļē āļšāđ‰āļē amphetamine āđƒāļ™āļāļĨāļļāđˆāļĄ ISIS āđ‚āļ”āļĒāļ—āļģāđƒāļŦāđ‰āļĄāļĩāļāļēāļĢāļ—āļģāļ‡āļēāļ™āļ‚āļ­āļ‡āļĢāļ°āļšāļšāđ‚āļ”āļ›āļēāļĄāļĩāļ™ āđāļ›āļĢāļ›āļĢāļ§āļ™ āļĨāļ”āļāļēāļĢāļ—āļģāļ‡āļēāļ™āļ‚āļ­āļ‡ serotonin āđƒāļ™ OFC āļ™āļģāđ„āļ›āļŠāļđāđˆ āļžāļĪāļ•āļīāļāļĢāļĢāļĄāļ•āđˆāļ­āļ•āđ‰āļēāļ™āļŠāļąāļ‡āļ„āļĄāļ†āđˆāļēāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđ€āļ‰āļĒāļŠāļē āļĄāļĩāļ„āļ§āļēāļĄāļāđ‰āļēāļ§āļĢāđ‰āļēāļ§āđāļĨāļ°āļ—āļģāđ€āļ›āđ‡āļ™āļŠāļąāļ™āļ”āļēāļ™ āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļāļēāļĢāļāđˆāļ­āļāļēāļĢāļĢāđ‰āļēāļĒāđ‚āļ”āļĒāđƒāļŠāđ‰āļĒāļēāđ€āļŠāļžāļ•āļīāļ”āļĢāđˆāļ§āļĄāļ”āđ‰āļ§āļĒ (pharmaco-terrorism) āļāļēāļĢāļāļĢāļ°āļ—āļģāļŠāļąāđˆāļ§āļĢāđ‰āļēāļĒāļ‚āļ­āļ‡āļĄāļ™āļļāļĐāļĒāđŒāļ›āļĩāļĻāļēāļˆāđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļāđˆāļ­āđƒāļŦāđ‰āđ€āļāļīāļ”āļ­āļēāļĢāļĄāļ“āđŒ āļ›āļīāļ•āļī āļ›āļĨāļēāļšāļ›āļĨāļ·āđ‰āļĄ āļĄāļĩāļ„āļ§āļēāļĄāļŠāļļāļ‚āđ€āļ›āđ‡āļ™āļĢāļēāļ‡āļ§āļąāļĨāđƒāļŦāđ‰āļ•āļąāļ§āđ€āļ­āļ‡ āđāļĨāļ°āļ•āđ‰āļ­āļ‡āļ—āļģāļŠāļąāđˆāļ§āđ„āļ›āđ€āļžāļ·āđˆāļ­āļ„āļ§āļēāļĄāļŠāļļāļ‚āļ‚āļ­āļ‡āļ•āļ™āđ€āļ­āļ‡ āđāļĄāđ‰āļāļĢāļ°āļ—āļąāđˆāļ‡āļĄāļĩāļ„āļ§āļēāļĄāļ­āļīāđˆāļĄāđ€āļ­āļĄāđ€āļĄāļ·āđˆāļ­āđ€āļŦāđ‡āļ™āđ€āļŦāļĒāļ·āđˆāļ­āļĢāđ‰āļ­āļ‡āļ‚āļ­āļŠāļĩāļ§āļīāļ• āđƒāļ™āļ‚āļ“āļ°āđ€āļ”āļĩāļĒāļ§āļāļąāļ™āļ•āđ‰āļ­āļ‡āđ„āļĄāđˆāļĨāļ·āļĄāļ§āđˆāļē āļ›āļĢāļēāļāļāļāļēāļĢāļ“āđŒāļ›āļĩāļĻāļēāļˆāļ™āļĩāđ‰ āļĄāļ™āļļāļĐāļĒāđŒāļ—āļĩāđˆāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ›āļĩāļĻāļēāļˆāđ„āļ›āđāļĨāđ‰āļ§āļ™āļąāđ‰āļ™ āļˆāļ°āļĄāļĩāļ„āļ§āļēāļĄāļāļĢāļ°āļŦāļēāļĒāļ­āļĒāđˆāļēāļ‡āđāļĢāļ‡āļāļĨāđ‰āļēāļ—āļĩāđˆāļˆāļ°āļ—āļģāđƒāļŦāđ‰āļ„āļ™āļĢāļ­āļšāļ‚āđ‰āļēāļ‡āđ€āļŦāđ‡āļ™āļ”āļĩāđ€āļŦāđ‡āļ™āļ‡āļēāļĄāđ„āļ›āļāļąāļšāļāļēāļĢāļāļĢāļ°āļ—āļģāļ™āļąāđ‰āļ™ āđāļĨāļ°āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ›āļĩāļĻāļēāļˆāļ”āđ‰āļ§āļĒāļāļąāļ™ āđāļĨāļ°āļ›āļĩāļĻāļēāļˆāļ•āļąāļ§āļŦāļąāļ§āļŦāļ™āđ‰āļēāđƒāļŦāļāđˆ āđāļĄāđ‰āđ€āļĄāļ·āđˆāļ­āļ•āļēāļĒāđ„āļ›āđāļĨāđ‰āļ§āļāđ‡āļˆāļ°āļĄāļĩāļ›āļĩāļĻāļēāļˆāļ•āļąāļ§āļ­āļ·āđˆāļ™āđ†āļ—āļĒāļ­āļĒāļ‚āļķāđ‰āļ™āļĄāļēāđāļ•āļāļāļīāđˆāļ‡āļāđ‰āļēāļ™āļŠāļēāļ‚āļēāđ„āļ›āļ—āļąāđˆāļ§ āļ–āļķāļ‡āļ•āļĢāļ‡āļ™āļĩāđ‰ āđ€āļĢāļēāļ—āļļāļāļ„āļ™āļ•āđ‰āļ­āļ‡āļ–āļēāļĄāļ•āļąāļ§āđ€āļ­āļ‡āļ§āđˆāļē āđ€āļĢāļēāđƒāļŠāđ‰āļ”āđ‰āļēāļ™āļĄāļ·āļ” āļˆāļ™āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ›āļĩāļĻāļēāļˆāđ„āļ›āđāļĨāđ‰āļ§āļŦāļĢāļ·āļ­āđ„āļĄāđˆ? āļĢāļ§āļšāļĢāļ§āļĄ āđ€āļĢāļĩāļĒāļšāđ€āļĢāļĩāļĒāļ‡āļˆāļēāļāļšāļ—āļ„āļ§āļēāļĄāđƒāļ™ aeon āļ‚āļ­āļ‡ Naga Arikha associate fellow āļ‚āļ­āļ‡ Warburg Institute (London) āđāļĨāļ° honorary fellow of the Center for the Politics of Feelings, and a research associate at the Institut Jean Nicod of the Ecole Normale Supérieure (Paris) 30 āļāļĢāļāļŽāļēāļ„āļĄ 2018 āļĻ āļ™āļž āļ˜āļĩāļĢāļ°āļ§āļąāļ’āļ™āđŒ āđ€āļŦāļĄāļ°āļˆāļļāļ‘āļē āļ—āļĩāđˆāļ›āļĢāļķāļāļĐāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļāļēāļĢāđāļžāļ—āļĒāđŒāđāļœāļ™āļ•āļ°āļ§āļąāļ™āļ­āļ­āļ āļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļĢāļąāļ‡āļŠāļīāļ•
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  • HONOR Magic V3 āļĄāļ·āļ­āļ–āļ·āļ­āļāļēāļžāļąāļšāļšāļēāļ‡āļ—āļĩāđˆāļŠāļļāļ”āđƒāļ™āđ‚āļĨāļ 12/10/67 #HONOR Magic V3 #āļĄāļ·āļ­āļ–āļ·āļ­āļāļēāļžāļąāļš #āļŠāļĄāļēāļĢāđŒāļ•āđ‚āļŸāļ™
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  • “Persons” vs. “People” vs. “Peoples”: Which Word Is The Right Choice?

    Persons, people, and peoples: we know what they mean, but the relationship between them can be confusing. What’s the correct plural of person—persons or people? Why does people have its own plural?

    Some of these questions have easy answers. But there are a number of nuanced aspects to their use, including those related to legal language, personal identity, and decisions about whether to emphasize individuals or groups. Then there are questions about capitalization, particularly for terms like people of color and Indigenous Peoples.

    In this article, we’ll address the frequently asked questions surrounding persons, people, and peoples, including:

    - When should persons be used instead of people?
    - When should peoples be used instead of people?
    - When should peoples be capitalized?
    - What are the possessive forms of persons, people, and peoples?

    Quick summary

    Both persons and people can be used as plural forms of person. Persons is often used in formal, legal contexts to emphasize individuals as opposed to a group. People is the plural of person that’s most commonly used in everyday communication to simply refer to multiple humans. But people can also be used as a singular noun to refer to a population or particular community. The plural of this sense of people is peoples, and it’s often used in terms like Indigenous Peoples (in which it’s often capitalized since it refers to specific communities).

    What is the plural of person? Persons or people?

    Both persons and people are acceptable plural forms of person. They’re not necessarily always interchangeable, but there is some overlap.

    The plural form people is more common. That’s because it can be used in any context to refer to multiple individuals—one person, two people (or 100 people or 8 billion people, etc.).

    Usually, you’ll see persons in more formal contexts, especially in legal and technical text, as well as a few other situations.

    When to use persons vs. people

    Persons is especially associated with its use in legal language, in which it’s often used rather than people to ensure clarity by emphasizing that the text is referring to multiple individuals, as opposed to a group as a whole, as in Occupancy is limited to 200 persons or Any person or persons found to be in violation of these rules shall be prohibited from participating.

    When persons is used in this way outside of legal texts, it has historically been regarded as overly formal or stilted—it wouldn’t be natural to say I invited 10 persons to the party, for example. Increasingly, however, there are cases in which persons is thought to be more appropriate than people for other reasons.

    This is especially the case in situations when you want to talk about individuals within a group, rather than the group as a whole. In this way, persons is sometimes used with terms related to identity to emphasize individuality, such as saying Jewish persons instead of Jewish people. Regardless of intent, though, statements that are about individuals with a common identity can lead to overgeneralizations or stereotyping, so it’s always best to consider whether the individuals’ common identity is an essential part of what you’re trying to say. Choosing how to refer to people can also be informed by preferences around language that’s person-first (as in person with autism) or identity-first (as in autistic person).

    More generally, the word people can also be a collective noun that refers to a specific group, nation, tribe, or community, as in We are a resilient people or The Statue of Liberty was a gift to the American people.

    When to use peoples

    The word peoples is specifically used as the plural of people in its sense as a collective singular noun referring to a nation, or tribe, or other community, as in Indigenous Peoples or the many peoples of the world.

    This usage emphasizes that you’re talking about several different specific groups that share a commonality. This can be important for clarity—the many people of the world means something different than the many peoples of the world.

    In practical terms, using peoples in this way can help to prevent erasure and homogenization of groups that are often lumped together in ways that obscure their specific, complex identities. In this way, the term Indigenous Peoples emphasizes the vast diversity among the world’s Indigenous groups while also implying that there are, in fact, separate and distinct groups.

    When should People and Peoples be capitalized?

    You may have noticed that Peoples is capitalized in Indigenous Peoples in this article (and in other articles that use the term).

    Capitalization is increasingly used as a form of respect and distinction for terms that relate to identity. (capitalizes Indigenous across the dictionary when it relates to identity in this way, just as we do for the word Black.)

    The word Peoples is most often capitalized when it follows a specific modifier, as in Hispanic Peoples and Indigenous Peoples. In cases when it’s capitalized, it is often due to the fact that it refers not to people in general but to specific, distinct communities.

    Similarly, the term People of Color is also sometimes capitalized, though not always, likely because it is typically used as a broad term that encompasses more specific identities, including Black and Indigenous people, for example (relatedly, this is what’s represented in the first part of the the abbreviation BIPOC).

    - What are the possessive forms of person, persons, people and peoples? Where should I put the apostrophe?
    - Is it people’s or peoples’? Person’s or persons’? All of these are valid possessives, but they indicate different things. Here is a breakdown of each possessive form, along with examples of their use.

    Person

    Possessive form: person’s (singular possessive)
    Example: One person’s trash is another person’s treasure.
    Persons

    Possessive form: persons’ (plural possessive)
    Example: The suspect confessed to the theft of several persons’ social security numbers.
    People

    Possessive form: people’s (plural and singular possessive)
    Plural example: Tech support should be able to fix all six people’s issues by the end of the day.
    Singular example: The French people’s love of fine food is well known.
    Peoples

    Possessive form: peoples’ (plural possessive)
    Example: The goal of the festival is to celebrate many different peoples’ cultures.

    Examples of persons, people, and peoples used in a sentence

    Here are some examples of the ways that each word is commonly used.

    - We were hoping that at least one person would apply for the job, but we received applications from 60 people!
    - The person or persons who may have witnessed the incident are being sought by police.
    - My partner and I, as persons with autism, have a unique perspective on the issue.
    - The class will be focused on the history, peoples, and cultures of the region.
    Indigenous Peoples’ Day is a time to honor Indigenous Peoples in the Americas and around the world.

    Copyright 2024, XAKKHRA, All Rights Reserved.
    “Persons” vs. “People” vs. “Peoples”: Which Word Is The Right Choice? Persons, people, and peoples: we know what they mean, but the relationship between them can be confusing. What’s the correct plural of person—persons or people? Why does people have its own plural? Some of these questions have easy answers. But there are a number of nuanced aspects to their use, including those related to legal language, personal identity, and decisions about whether to emphasize individuals or groups. Then there are questions about capitalization, particularly for terms like people of color and Indigenous Peoples. In this article, we’ll address the frequently asked questions surrounding persons, people, and peoples, including: - When should persons be used instead of people? - When should peoples be used instead of people? - When should peoples be capitalized? - What are the possessive forms of persons, people, and peoples? Quick summary Both persons and people can be used as plural forms of person. Persons is often used in formal, legal contexts to emphasize individuals as opposed to a group. People is the plural of person that’s most commonly used in everyday communication to simply refer to multiple humans. But people can also be used as a singular noun to refer to a population or particular community. The plural of this sense of people is peoples, and it’s often used in terms like Indigenous Peoples (in which it’s often capitalized since it refers to specific communities). What is the plural of person? Persons or people? Both persons and people are acceptable plural forms of person. They’re not necessarily always interchangeable, but there is some overlap. The plural form people is more common. That’s because it can be used in any context to refer to multiple individuals—one person, two people (or 100 people or 8 billion people, etc.). Usually, you’ll see persons in more formal contexts, especially in legal and technical text, as well as a few other situations. When to use persons vs. people Persons is especially associated with its use in legal language, in which it’s often used rather than people to ensure clarity by emphasizing that the text is referring to multiple individuals, as opposed to a group as a whole, as in Occupancy is limited to 200 persons or Any person or persons found to be in violation of these rules shall be prohibited from participating. When persons is used in this way outside of legal texts, it has historically been regarded as overly formal or stilted—it wouldn’t be natural to say I invited 10 persons to the party, for example. Increasingly, however, there are cases in which persons is thought to be more appropriate than people for other reasons. This is especially the case in situations when you want to talk about individuals within a group, rather than the group as a whole. In this way, persons is sometimes used with terms related to identity to emphasize individuality, such as saying Jewish persons instead of Jewish people. Regardless of intent, though, statements that are about individuals with a common identity can lead to overgeneralizations or stereotyping, so it’s always best to consider whether the individuals’ common identity is an essential part of what you’re trying to say. Choosing how to refer to people can also be informed by preferences around language that’s person-first (as in person with autism) or identity-first (as in autistic person). More generally, the word people can also be a collective noun that refers to a specific group, nation, tribe, or community, as in We are a resilient people or The Statue of Liberty was a gift to the American people. When to use peoples The word peoples is specifically used as the plural of people in its sense as a collective singular noun referring to a nation, or tribe, or other community, as in Indigenous Peoples or the many peoples of the world. This usage emphasizes that you’re talking about several different specific groups that share a commonality. This can be important for clarity—the many people of the world means something different than the many peoples of the world. In practical terms, using peoples in this way can help to prevent erasure and homogenization of groups that are often lumped together in ways that obscure their specific, complex identities. In this way, the term Indigenous Peoples emphasizes the vast diversity among the world’s Indigenous groups while also implying that there are, in fact, separate and distinct groups. When should People and Peoples be capitalized? You may have noticed that Peoples is capitalized in Indigenous Peoples in this article (and in other articles that use the term). Capitalization is increasingly used as a form of respect and distinction for terms that relate to identity. (capitalizes Indigenous across the dictionary when it relates to identity in this way, just as we do for the word Black.) The word Peoples is most often capitalized when it follows a specific modifier, as in Hispanic Peoples and Indigenous Peoples. In cases when it’s capitalized, it is often due to the fact that it refers not to people in general but to specific, distinct communities. Similarly, the term People of Color is also sometimes capitalized, though not always, likely because it is typically used as a broad term that encompasses more specific identities, including Black and Indigenous people, for example (relatedly, this is what’s represented in the first part of the the abbreviation BIPOC). - What are the possessive forms of person, persons, people and peoples? Where should I put the apostrophe? - Is it people’s or peoples’? Person’s or persons’? All of these are valid possessives, but they indicate different things. Here is a breakdown of each possessive form, along with examples of their use. Person Possessive form: person’s (singular possessive) Example: One person’s trash is another person’s treasure. Persons Possessive form: persons’ (plural possessive) Example: The suspect confessed to the theft of several persons’ social security numbers. People Possessive form: people’s (plural and singular possessive) Plural example: Tech support should be able to fix all six people’s issues by the end of the day. Singular example: The French people’s love of fine food is well known. Peoples Possessive form: peoples’ (plural possessive) Example: The goal of the festival is to celebrate many different peoples’ cultures. Examples of persons, people, and peoples used in a sentence Here are some examples of the ways that each word is commonly used. - We were hoping that at least one person would apply for the job, but we received applications from 60 people! - The person or persons who may have witnessed the incident are being sought by police. - My partner and I, as persons with autism, have a unique perspective on the issue. - The class will be focused on the history, peoples, and cultures of the region. Indigenous Peoples’ Day is a time to honor Indigenous Peoples in the Americas and around the world. Copyright 2024, XAKKHRA, All Rights Reserved.
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