• Obsidian 1.9.0 āđ€āļ›āļīāļ”āļ•āļąāļ§āļžāļĢāđ‰āļ­āļĄāļŸāļĩāđ€āļˆāļ­āļĢāđŒāđƒāļŦāļĄāđˆ āļĢāļ§āļĄāļ–āļķāļ‡āļĢāļđāļ›āđāļšāļšāđ„āļŸāļĨāđŒāđƒāļŦāļĄāđˆāđāļĨāļ°āļ›āļĨāļąāđŠāļāļ­āļīāļ™ Footnotes View

    Obsidian āđ€āļ›āđ‡āļ™āđāļ­āļ›āļˆāļ”āļšāļąāļ™āļ—āļķāļāļ—āļĩāđˆāđ€āļ™āđ‰āļ™āļāļēāļĢāļˆāļąāļ”āđ€āļāđ‡āļšāļ‚āđ‰āļ­āļĄāļđāļĨāđāļšāļš Markdown āđ„āļ§āđ‰āđƒāļ™āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āđ‚āļ”āļĒāđ„āļĄāđˆāļĄāļĩāļāļēāļĢāļĨāđ‡āļ­āļāļ­āļīāļ™āļ„āļĨāļēāļ§āļ”āđŒ āļĨāđˆāļēāļŠāļļāļ” āđ€āļ§āļ­āļĢāđŒāļŠāļąāļ™ 1.9.0 āđ„āļ”āđ‰āđ€āļ›āļīāļ”āļ•āļąāļ§āđƒāļ™ Early Access āļžāļĢāđ‰āļ­āļĄāļŸāļĩāđ€āļˆāļ­āļĢāđŒāđƒāļŦāļĄāđˆāļ—āļĩāđˆāļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļāļēāļĢāļˆāļąāļ”āļāļēāļĢāđ‚āļ™āđ‰āļ•āļĄāļĩāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļĄāļēāļāļ‚āļķāđ‰āļ™

    āļŸāļĩāđ€āļˆāļ­āļĢāđŒāđƒāļŦāļĄāđˆāđƒāļ™ Obsidian 1.9.0
    āđ€āļ›āļīāļ”āļ•āļąāļ§āļ›āļĨāļąāđŠāļāļ­āļīāļ™āđƒāļŦāļĄāđˆ "Bases" āļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļˆāļąāļ”āļāļēāļĢāđ‚āļ™āđ‰āļ•āđāļšāļšāļāļēāļ™āļ‚āđ‰āļ­āļĄāļđāļĨ
    - āļŠāđˆāļ§āļĒāđƒāļŦāđ‰ āļŠāļēāļĄāļēāļĢāļ–āļŠāļĢāđ‰āļēāļ‡āļ•āļēāļĢāļēāļ‡āļ‚āđ‰āļ­āļĄāļđāļĨ āļāļĢāļ­āļ‡āđ‚āļ™āđ‰āļ•āļ•āļēāļĄāļ„āļļāļ“āļŠāļĄāļšāļąāļ•āļī āđāļĨāļ°āđƒāļŠāđ‰āļŠāļđāļ•āļĢāļ„āļģāļ™āļ§āļ“āļ„āđˆāļēāđāļšāļšāđ„āļ”āļ™āļēāļĄāļīāļ

    āļĢāļ­āļ‡āļĢāļąāļšāļĢāļđāļ›āđāļšāļšāđ„āļŸāļĨāđŒāđƒāļŦāļĄāđˆ ".base" āđ€āļžāļ·āđˆāļ­āđƒāļŠāđ‰āļāļąāļšāļŸāļĩāđ€āļˆāļ­āļĢāđŒ Bases
    - āđāļ•āđˆ āļ‚āđ‰āļ­āļĄāļđāļĨāļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļĒāļąāļ‡āļ„āļ‡āļ–āļđāļāļˆāļąāļ”āđ€āļāđ‡āļšāđƒāļ™āđ„āļŸāļĨāđŒ Markdown āđāļĨāļ° YAML frontmatter

    āđ€āļžāļīāđˆāļĄāļ›āļĨāļąāđŠāļāļ­āļīāļ™ "Footnotes View" āļŠāļģāļŦāļĢāļąāļšāļˆāļąāļ”āļāļēāļĢāđ€āļŠāļīāļ‡āļ­āļĢāļĢāļ–āđƒāļ™āđ€āļ­āļāļŠāļēāļĢ
    - āļŠāđˆāļ§āļĒāđƒāļŦāđ‰ āļŠāļēāļĄāļēāļĢāļ–āļ”āļđāđāļĨāļ°āđāļāđ‰āđ„āļ‚āđ€āļŠāļīāļ‡āļ­āļĢāļĢāļ–āđ„āļ”āđ‰āļ‡āđˆāļēāļĒāļ‚āļķāđ‰āļ™āđ‚āļ”āļĒāđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āđ€āļĨāļ·āđˆāļ­āļ™āđ€āļ­āļāļŠāļēāļĢāđ„āļ›āļĄāļē

    āļ›āļĢāļąāļšāļ›āļĢāļļāļ‡āļĢāļ°āļšāļšāļ„āđ‰āļ™āļŦāļēāđ„āļŸāļĨāđŒāđƒāļŦāđ‰āļĢāļ­āļ‡āļĢāļąāļšāļāļēāļĢāļ„āđ‰āļ™āļŦāļēāđāļšāļš Fuzzy Search
    - āļ—āļģāđƒāļŦāđ‰ āļŠāļēāļĄāļēāļĢāļ–āļ„āđ‰āļ™āļŦāļēāđ‚āļ™āđ‰āļ•āđ„āļ”āđ‰āļĢāļ§āļ”āđ€āļĢāđ‡āļ§āđāļĨāļ°āđāļĄāđˆāļ™āļĒāļģāļ‚āļķāđ‰āļ™

    āđ€āļžāļīāđˆāļĄāļāļēāļĢāļ›āļĢāļąāļšāļ›āļĢāļļāļ‡ UI āđ€āļŠāđˆāļ™ āļāļēāļĢāđ€āļĨāļ·āļ­āļāļ‚āđ‰āļ­āļ„āļ§āļēāļĄāđƒāļ™āđ‚āļŦāļĄāļ”āļĄāļ·āļ”āļ—āļĩāđˆāļĄāļĩāļ„āļ§āļēāļĄāļ„āļĄāļŠāļąāļ”āļĄāļēāļāļ‚āļķāđ‰āļ™
    - āļĢāļ§āļĄāļ–āļķāļ‡ āļāļēāļĢāđāļāđ‰āđ„āļ‚āļ›āļąāļāļŦāļēāļāļēāļĢāļˆāļąāļ”āļāļēāļĢāđ„āļŸāļĨāđŒāđāļĨāļ°āļāļēāļĢāđāļŠāļ”āļ‡āļœāļĨ Markdown tables

    https://www.neowin.net/news/obsidian-190-launches-with-new-file-format-footnotes-view-plugin-and-more/
    Obsidian 1.9.0 āđ€āļ›āļīāļ”āļ•āļąāļ§āļžāļĢāđ‰āļ­āļĄāļŸāļĩāđ€āļˆāļ­āļĢāđŒāđƒāļŦāļĄāđˆ āļĢāļ§āļĄāļ–āļķāļ‡āļĢāļđāļ›āđāļšāļšāđ„āļŸāļĨāđŒāđƒāļŦāļĄāđˆāđāļĨāļ°āļ›āļĨāļąāđŠāļāļ­āļīāļ™ Footnotes View Obsidian āđ€āļ›āđ‡āļ™āđāļ­āļ›āļˆāļ”āļšāļąāļ™āļ—āļķāļāļ—āļĩāđˆāđ€āļ™āđ‰āļ™āļāļēāļĢāļˆāļąāļ”āđ€āļāđ‡āļšāļ‚āđ‰āļ­āļĄāļđāļĨāđāļšāļš Markdown āđ„āļ§āđ‰āđƒāļ™āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āđ‚āļ”āļĒāđ„āļĄāđˆāļĄāļĩāļāļēāļĢāļĨāđ‡āļ­āļāļ­āļīāļ™āļ„āļĨāļēāļ§āļ”āđŒ āļĨāđˆāļēāļŠāļļāļ” āđ€āļ§āļ­āļĢāđŒāļŠāļąāļ™ 1.9.0 āđ„āļ”āđ‰āđ€āļ›āļīāļ”āļ•āļąāļ§āđƒāļ™ Early Access āļžāļĢāđ‰āļ­āļĄāļŸāļĩāđ€āļˆāļ­āļĢāđŒāđƒāļŦāļĄāđˆāļ—āļĩāđˆāļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļāļēāļĢāļˆāļąāļ”āļāļēāļĢāđ‚āļ™āđ‰āļ•āļĄāļĩāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļĄāļēāļāļ‚āļķāđ‰āļ™ ðŸ” āļŸāļĩāđ€āļˆāļ­āļĢāđŒāđƒāļŦāļĄāđˆāđƒāļ™ Obsidian 1.9.0 ✅ āđ€āļ›āļīāļ”āļ•āļąāļ§āļ›āļĨāļąāđŠāļāļ­āļīāļ™āđƒāļŦāļĄāđˆ "Bases" āļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļˆāļąāļ”āļāļēāļĢāđ‚āļ™āđ‰āļ•āđāļšāļšāļāļēāļ™āļ‚āđ‰āļ­āļĄāļđāļĨ - āļŠāđˆāļ§āļĒāđƒāļŦāđ‰ āļŠāļēāļĄāļēāļĢāļ–āļŠāļĢāđ‰āļēāļ‡āļ•āļēāļĢāļēāļ‡āļ‚āđ‰āļ­āļĄāļđāļĨ āļāļĢāļ­āļ‡āđ‚āļ™āđ‰āļ•āļ•āļēāļĄāļ„āļļāļ“āļŠāļĄāļšāļąāļ•āļī āđāļĨāļ°āđƒāļŠāđ‰āļŠāļđāļ•āļĢāļ„āļģāļ™āļ§āļ“āļ„āđˆāļēāđāļšāļšāđ„āļ”āļ™āļēāļĄāļīāļ âœ… āļĢāļ­āļ‡āļĢāļąāļšāļĢāļđāļ›āđāļšāļšāđ„āļŸāļĨāđŒāđƒāļŦāļĄāđˆ ".base" āđ€āļžāļ·āđˆāļ­āđƒāļŠāđ‰āļāļąāļšāļŸāļĩāđ€āļˆāļ­āļĢāđŒ Bases - āđāļ•āđˆ āļ‚āđ‰āļ­āļĄāļđāļĨāļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļĒāļąāļ‡āļ„āļ‡āļ–āļđāļāļˆāļąāļ”āđ€āļāđ‡āļšāđƒāļ™āđ„āļŸāļĨāđŒ Markdown āđāļĨāļ° YAML frontmatter ✅ āđ€āļžāļīāđˆāļĄāļ›āļĨāļąāđŠāļāļ­āļīāļ™ "Footnotes View" āļŠāļģāļŦāļĢāļąāļšāļˆāļąāļ”āļāļēāļĢāđ€āļŠāļīāļ‡āļ­āļĢāļĢāļ–āđƒāļ™āđ€āļ­āļāļŠāļēāļĢ - āļŠāđˆāļ§āļĒāđƒāļŦāđ‰ āļŠāļēāļĄāļēāļĢāļ–āļ”āļđāđāļĨāļ°āđāļāđ‰āđ„āļ‚āđ€āļŠāļīāļ‡āļ­āļĢāļĢāļ–āđ„āļ”āđ‰āļ‡āđˆāļēāļĒāļ‚āļķāđ‰āļ™āđ‚āļ”āļĒāđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āđ€āļĨāļ·āđˆāļ­āļ™āđ€āļ­āļāļŠāļēāļĢāđ„āļ›āļĄāļē ✅ āļ›āļĢāļąāļšāļ›āļĢāļļāļ‡āļĢāļ°āļšāļšāļ„āđ‰āļ™āļŦāļēāđ„āļŸāļĨāđŒāđƒāļŦāđ‰āļĢāļ­āļ‡āļĢāļąāļšāļāļēāļĢāļ„āđ‰āļ™āļŦāļēāđāļšāļš Fuzzy Search - āļ—āļģāđƒāļŦāđ‰ āļŠāļēāļĄāļēāļĢāļ–āļ„āđ‰āļ™āļŦāļēāđ‚āļ™āđ‰āļ•āđ„āļ”āđ‰āļĢāļ§āļ”āđ€āļĢāđ‡āļ§āđāļĨāļ°āđāļĄāđˆāļ™āļĒāļģāļ‚āļķāđ‰āļ™ âœ… āđ€āļžāļīāđˆāļĄāļāļēāļĢāļ›āļĢāļąāļšāļ›āļĢāļļāļ‡ UI āđ€āļŠāđˆāļ™ āļāļēāļĢāđ€āļĨāļ·āļ­āļāļ‚āđ‰āļ­āļ„āļ§āļēāļĄāđƒāļ™āđ‚āļŦāļĄāļ”āļĄāļ·āļ”āļ—āļĩāđˆāļĄāļĩāļ„āļ§āļēāļĄāļ„āļĄāļŠāļąāļ”āļĄāļēāļāļ‚āļķāđ‰āļ™ - āļĢāļ§āļĄāļ–āļķāļ‡ āļāļēāļĢāđāļāđ‰āđ„āļ‚āļ›āļąāļāļŦāļēāļāļēāļĢāļˆāļąāļ”āļāļēāļĢāđ„āļŸāļĨāđŒāđāļĨāļ°āļāļēāļĢāđāļŠāļ”āļ‡āļœāļĨ Markdown tables https://www.neowin.net/news/obsidian-190-launches-with-new-file-format-footnotes-view-plugin-and-more/
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    Obsidian 1.9.0 launches with new file format, Footnotes view plugin, and more
    Obsidian has rolled out version 1.9.0 as an early access release, introducing new core plugins, a range of improvements, and several bug fixes.
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  • TikTok āļāļģāļĨāļąāļ‡āļ—āļ”āļŠāļ­āļšāļŸāļĩāđ€āļˆāļ­āļĢāđŒāđƒāļŦāļĄāđˆāļ—āļĩāđˆāļŠāļ·āđˆāļ­āļ§āđˆāļē Footnotes āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļĢāļ°āļšāļšāļ—āļĩāđˆāļ„āļĨāđ‰āļēāļĒāļāļąāļš Community Notes āļ‚āļ­āļ‡ X (Twitter āđ€āļ”āļīāļĄ) āđ‚āļ”āļĒāđƒāļŦāđ‰āļœāļđāđ‰āđƒāļŠāđ‰āļŠāļēāļĄāļēāļĢāļ–āđ€āļžāļīāđˆāļĄāļ‚āđ‰āļ­āļĄāļđāļĨāđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄāļĨāļ‡āđƒāļ™āļ§āļīāļ”āļĩāđ‚āļ­āđ€āļžāļ·āđˆāļ­āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āđ€āļ™āļ·āđ‰āļ­āļŦāļēāļĄāļĩāļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāđƒāļˆāļĄāļēāļāļ‚āļķāđ‰āļ™

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    āļ‚āđ‰āļ­āļāļģāļŦāļ™āļ”āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āđƒāļŠāđ‰āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāđ€āļ›āđ‡āļ™āļœāļđāđ‰āđ€āļžāļīāđˆāļĄāđ‚āļ™āđ‰āļ•
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    Footnotes āđ„āļĄāđˆāđ„āļ”āđ‰āļĄāļēāđāļ—āļ™āļ—āļĩāđˆāļĢāļ°āļšāļšāļ•āļĢāļ§āļˆāļŠāļ­āļšāļ‚āđ‰āļ­āđ€āļ—āđ‡āļˆāļˆāļĢāļīāļ‡āļ‚āļ­āļ‡ TikTok
    - TikTok āļĒāļąāļ‡āļ„āļ‡āđƒāļŠāđ‰ āļ­āļ‡āļ„āđŒāļāļĢāļ•āļĢāļ§āļˆāļŠāļ­āļšāļ‚āđ‰āļ­āđ€āļ—āđ‡āļˆāļˆāļĢāļīāļ‡āļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļĢāļąāļšāļĢāļ­āļ‡āļˆāļēāļ IFCN
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    āđāļĢāļ‡āļšāļąāļ™āļ”āļēāļĨāđƒāļˆāļˆāļēāļ Community Notes āļ‚āļ­āļ‡ X
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    āļ„āļ§āļēāļĄāļ—āđ‰āļēāļ—āļēāļĒāđƒāļ™āļāļēāļĢāđƒāļŠāđ‰āļĢāļ°āļšāļšāļ•āļĢāļ§āļˆāļŠāļ­āļšāđ€āļ™āļ·āđ‰āļ­āļŦāļēāļ—āļĩāđˆāļ‚āļąāļšāđ€āļ„āļĨāļ·āđˆāļ­āļ™āđ‚āļ”āļĒāļŠāļļāļĄāļŠāļ™
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    āļœāļĨāļāļĢāļ°āļ—āļšāļ•āđˆāļ­āļāļēāļĢāļ„āļ§āļšāļ„āļļāļĄāļ‚āđ‰āļ­āļĄāļđāļĨāļœāļīāļ”āļšāļ™āđāļžāļĨāļ•āļŸāļ­āļĢāđŒāļĄ
    - āļĢāļēāļĒāļ‡āļēāļ™āļˆāļēāļ Center for Countering Digital Hate āļžāļšāļ§āđˆāļē Community Notes āļ‚āļ­āļ‡ X āļžāļĨāļēāļ”āļāļēāļĢāļ•āļĢāļ§āļˆāļˆāļąāļšāđ‚āļžāļŠāļ•āđŒāļ—āļĩāđˆāđƒāļŦāđ‰āļ‚āđ‰āļ­āļĄāļđāļĨāļœāļīāļ”āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļāļēāļĢāđ€āļĨāļ·āļ­āļāļ•āļąāđ‰āļ‡

    āđāļ™āļ§āđ‚āļ™āđ‰āļĄāļ‚āļ­āļ‡āļāļēāļĢāđƒāļŠāđ‰ AI āđāļĨāļ°āļŠāļļāļĄāļŠāļ™āđƒāļ™āļāļēāļĢāļ•āļĢāļ§āļˆāļŠāļ­āļšāđ€āļ™āļ·āđ‰āļ­āļŦāļē
    - TikTok āļ­āļēāļˆāļ•āđ‰āļ­āļ‡ āļ›āļĢāļąāļšāļ›āļĢāļļāļ‡āļĢāļ°āļšāļš Footnotes āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āļŠāļēāļĄāļēāļĢāļ–āļ•āļĢāļ§āļˆāļˆāļąāļšāļ‚āđ‰āļ­āļĄāļđāļĨāļœāļīāļ”āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļĄāļĩāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļĄāļēāļāļ‚āļķāđ‰āļ™

    https://www.neowin.net/news/tiktok-is-testing-its-own-version-of-community-notes-called-footnotes/
    TikTok āļāļģāļĨāļąāļ‡āļ—āļ”āļŠāļ­āļšāļŸāļĩāđ€āļˆāļ­āļĢāđŒāđƒāļŦāļĄāđˆāļ—āļĩāđˆāļŠāļ·āđˆāļ­āļ§āđˆāļē Footnotes āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļĢāļ°āļšāļšāļ—āļĩāđˆāļ„āļĨāđ‰āļēāļĒāļāļąāļš Community Notes āļ‚āļ­āļ‡ X (Twitter āđ€āļ”āļīāļĄ) āđ‚āļ”āļĒāđƒāļŦāđ‰āļœāļđāđ‰āđƒāļŠāđ‰āļŠāļēāļĄāļēāļĢāļ–āđ€āļžāļīāđˆāļĄāļ‚āđ‰āļ­āļĄāļđāļĨāđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄāļĨāļ‡āđƒāļ™āļ§āļīāļ”āļĩāđ‚āļ­āđ€āļžāļ·āđˆāļ­āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āđ€āļ™āļ·āđ‰āļ­āļŦāļēāļĄāļĩāļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāđƒāļˆāļĄāļēāļāļ‚āļķāđ‰āļ™ âœ… TikTok āđ€āļ›āļīāļ”āļ•āļąāļ§ Footnotes āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āļœāļđāđ‰āđƒāļŠāđ‰āļŠāđˆāļ§āļĒāļ•āļĢāļ§āļˆāļŠāļ­āļšāđ€āļ™āļ·āđ‰āļ­āļŦāļē - āļŸāļĩāđ€āļˆāļ­āļĢāđŒāļ™āļĩāđ‰āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļœāļđāđ‰āđƒāļŠāđ‰āļŠāļēāļĄāļēāļĢāļ– āđ€āļžāļīāđˆāļĄāļ‚āđ‰āļ­āļĄāļđāļĨāđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄāļĨāļ‡āđƒāļ™āļ§āļīāļ”āļĩāđ‚āļ­ āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āđ€āļ™āļ·āđ‰āļ­āļŦāļēāļĄāļĩāļ„āļ§āļēāļĄāđ‚āļ›āļĢāđˆāļ‡āđƒāļŠāļĄāļēāļāļ‚āļķāđ‰āļ™ - TikTok āļĢāļ°āļšāļļāļ§āđˆāļē Footnotes āļ–āļđāļāļ­āļ­āļāđāļšāļšāļĄāļēāđ€āļžāļ·āđˆāļ­ āđƒāļŦāđ‰āļŠāļļāļĄāļŠāļ™āļĄāļĩāļšāļĢāļīāļšāļ—āđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāđ€āļ™āļ·āđ‰āļ­āļŦāļēāļ—āļĩāđˆāļžāļ§āļāđ€āļ‚āļēāļ”āļđ ✅ Footnotes āđƒāļŠāđ‰āļĢāļ°āļšāļšāļāļēāļĢāđƒāļŦāđ‰āļ„āļ°āđāļ™āļ™āđāļšāļš "bridge-based ranking" - āļœāļđāđ‰āđƒāļŠāđ‰āļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļ­āļ™āļļāļāļēāļ•āļŠāļēāļĄāļēāļĢāļ– āđ€āļžāļīāđˆāļĄāđ‚āļ™āđ‰āļ•āđāļĨāļ°āđƒāļŦāđ‰āļ„āļ°āđāļ™āļ™āđ‚āļ™āđ‰āļ•āļ‚āļ­āļ‡āļœāļđāđ‰āļ­āļ·āđˆāļ™ - āđ‚āļ™āđ‰āļ•āļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļˆāļąāļ”āļ­āļąāļ™āļ”āļąāļšāļ§āđˆāļē "āļĄāļĩāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒ" āļˆāļēāļāļœāļđāđ‰āđƒāļŠāđ‰āļ—āļĩāđˆāļĄāļĩāļĄāļļāļĄāļĄāļ­āļ‡āđāļ•āļāļ•āđˆāļēāļ‡āļāļąāļ™ āļˆāļ°āļ–āļđāļāđ€āļœāļĒāđāļžāļĢāđˆāļŠāļđāđˆāļŠāļēāļ˜āļēāļĢāļ“āļ° âœ… āļ‚āđ‰āļ­āļāļģāļŦāļ™āļ”āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āđƒāļŠāđ‰āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāđ€āļ›āđ‡āļ™āļœāļđāđ‰āđ€āļžāļīāđˆāļĄāđ‚āļ™āđ‰āļ• - āļ•āđ‰āļ­āļ‡āļĄāļĩāļ­āļēāļĒāļļ 18 āļ›āļĩāļ‚āļķāđ‰āļ™āđ„āļ› - āļ•āđ‰āļ­āļ‡āļĄāļĩ āļ›āļĢāļ°āļ§āļąāļ•āļīāļāļēāļĢāđƒāļŠāđ‰āļ‡āļēāļ™āļ—āļĩāđˆāļ”āļĩ āđāļĨāļ°āļ­āļĒāļđāđˆāļšāļ™āđāļžāļĨāļ•āļŸāļ­āļĢāđŒāļĄāļĄāļēāļ­āļĒāđˆāļēāļ‡āļ™āđ‰āļ­āļĒ 6 āđ€āļ”āļ·āļ­āļ™ âœ… Footnotes āđ„āļĄāđˆāđ„āļ”āđ‰āļĄāļēāđāļ—āļ™āļ—āļĩāđˆāļĢāļ°āļšāļšāļ•āļĢāļ§āļˆāļŠāļ­āļšāļ‚āđ‰āļ­āđ€āļ—āđ‡āļˆāļˆāļĢāļīāļ‡āļ‚āļ­āļ‡ TikTok - TikTok āļĒāļąāļ‡āļ„āļ‡āđƒāļŠāđ‰ āļ­āļ‡āļ„āđŒāļāļĢāļ•āļĢāļ§āļˆāļŠāļ­āļšāļ‚āđ‰āļ­āđ€āļ—āđ‡āļˆāļˆāļĢāļīāļ‡āļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļĢāļąāļšāļĢāļ­āļ‡āļˆāļēāļ IFCN - Footnotes āđ€āļ›āđ‡āļ™āđ€āļžāļĩāļĒāļ‡ āļ­āļĩāļāļŦāļ™āļķāđˆāļ‡āļŠāļąāđ‰āļ™āļ‚āļ­āļ‡āļāļēāļĢāļ•āļĢāļ§āļˆāļŠāļ­āļšāđ€āļ™āļ·āđ‰āļ­āļŦāļē ✅ āđāļĢāļ‡āļšāļąāļ™āļ”āļēāļĨāđƒāļˆāļˆāļēāļ Community Notes āļ‚āļ­āļ‡ X - Community Notes āđ€āļ›āļīāļ”āļ•āļąāļ§āļ„āļĢāļąāđ‰āļ‡āđāļĢāļāđƒāļ™āļ›āļĩ 2021 āļ āļēāļĒāđƒāļ•āđ‰āļŠāļ·āđˆāļ­ Birdwatch - Elon Musk āļ™āļģāļĢāļ°āļšāļšāļ™āļĩāđ‰āļĄāļēāđƒāļŠāđ‰āđƒāļ™ X āđāļĨāļ°āđ€āļžāļīāđˆāļĄāļāļēāļĢāđ€āļ‚āđ‰āļēāļ–āļķāļ‡āđƒāļŦāđ‰āļāļ§āđ‰āļēāļ‡āļ‚āļķāđ‰āļ™ â„đïļ āļ„āļ§āļēāļĄāļ—āđ‰āļēāļ—āļēāļĒāđƒāļ™āļāļēāļĢāđƒāļŠāđ‰āļĢāļ°āļšāļšāļ•āļĢāļ§āļˆāļŠāļ­āļšāđ€āļ™āļ·āđ‰āļ­āļŦāļēāļ—āļĩāđˆāļ‚āļąāļšāđ€āļ„āļĨāļ·āđˆāļ­āļ™āđ‚āļ”āļĒāļŠāļļāļĄāļŠāļ™ - āđāļĄāđ‰āļĢāļ°āļšāļšāļ™āļĩāđ‰āļˆāļ°āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļœāļđāđ‰āđƒāļŠāđ‰āļĄāļĩāļŠāđˆāļ§āļ™āļĢāđˆāļ§āļĄāđƒāļ™āļāļēāļĢāļ•āļĢāļ§āļˆāļŠāļ­āļšāđ€āļ™āļ·āđ‰āļ­āļŦāļē āđāļ•āđˆāļāđ‡āļ­āļēāļˆ āđ€āļāļīāļ”āļ‚āđ‰āļ­āļœāļīāļ”āļžāļĨāļēāļ”āļŦāļĢāļ·āļ­āļāļēāļĢāļšāļīāļ”āđ€āļšāļ·āļ­āļ™āļ‚āđ‰āļ­āļĄāļđāļĨ āđ„āļ”āđ‰ â„đïļ āļœāļĨāļāļĢāļ°āļ—āļšāļ•āđˆāļ­āļāļēāļĢāļ„āļ§āļšāļ„āļļāļĄāļ‚āđ‰āļ­āļĄāļđāļĨāļœāļīāļ”āļšāļ™āđāļžāļĨāļ•āļŸāļ­āļĢāđŒāļĄ - āļĢāļēāļĒāļ‡āļēāļ™āļˆāļēāļ Center for Countering Digital Hate āļžāļšāļ§āđˆāļē Community Notes āļ‚āļ­āļ‡ X āļžāļĨāļēāļ”āļāļēāļĢāļ•āļĢāļ§āļˆāļˆāļąāļšāđ‚āļžāļŠāļ•āđŒāļ—āļĩāđˆāđƒāļŦāđ‰āļ‚āđ‰āļ­āļĄāļđāļĨāļœāļīāļ”āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļāļēāļĢāđ€āļĨāļ·āļ­āļāļ•āļąāđ‰āļ‡ â„đïļ āđāļ™āļ§āđ‚āļ™āđ‰āļĄāļ‚āļ­āļ‡āļāļēāļĢāđƒāļŠāđ‰ AI āđāļĨāļ°āļŠāļļāļĄāļŠāļ™āđƒāļ™āļāļēāļĢāļ•āļĢāļ§āļˆāļŠāļ­āļšāđ€āļ™āļ·āđ‰āļ­āļŦāļē - TikTok āļ­āļēāļˆāļ•āđ‰āļ­āļ‡ āļ›āļĢāļąāļšāļ›āļĢāļļāļ‡āļĢāļ°āļšāļš Footnotes āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āļŠāļēāļĄāļēāļĢāļ–āļ•āļĢāļ§āļˆāļˆāļąāļšāļ‚āđ‰āļ­āļĄāļđāļĨāļœāļīāļ”āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļĄāļĩāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļĄāļēāļāļ‚āļķāđ‰āļ™ https://www.neowin.net/news/tiktok-is-testing-its-own-version-of-community-notes-called-footnotes/
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    TikTok is testing its own version of Community Notes, called Footnotes
    X's Community Notes model seems to be catching the attention of other social platforms, and now TikTok is the latest to take a swing at it.
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  • 40 āļ„āļģāļ„āļĄāļ—āļĢāļ‡āļžāļĨāļąāļ‡āļˆāļēāļāđ€āļžāļĨāđ‚āļ• āļ›āļĢāļēāļŠāļāđŒāļœāļđāđ‰āļ§āļēāļ‡āļĢāļēāļāļāļēāļ™āļ›āļąāļāļāļēāļ•āļ°āļ§āļąāļ™āļ•āļ
    .
    āļāļ§āđˆāļēāļŠāļ­āļ‡āļžāļąāļ™āļŠāļĩāđˆāļĢāđ‰āļ­āļĒāļ›āļĩāļœāđˆāļēāļ™āđ„āļ› āđ€āļŠāļĩāļĒāļ‡āļāļąāļ‡āļ§āļēāļ™āđāļŦāđˆāļ‡āļ›āļąāļāļāļēāļ‚āļ­āļ‡āđ€āļžāļĨāđ‚āļ• (Plato, 428-348 BC) āļĒāļąāļ‡āļ„āļ‡āļāđ‰āļ­āļ‡āļāļķāļāđƒāļ™āđ‚āļĨāļāđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļ„āļīāļ” Plato āđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āđ€āļ›āđ‡āļ™āļœāļđāđ‰āļ§āļēāļ‡āļĢāļēāļāļāļēāļ™āļāļēāļĢāļ„āļīāļ”āđ€āļŠāļīāļ‡āļ›āļĢāļąāļŠāļāļēāđƒāļŦāđ‰āđāļāđˆāļ­āļēāļĢāļĒāļ˜āļĢāļĢāļĄāļ•āļ°āļ§āļąāļ™āļ•āļ āļˆāļ™āļĄāļĩāļœāļđāđ‰āļāļĨāđˆāļēāļ§āļ§āđˆāļē "Western philosophy is but a series of footnotes to Plato" (āļ›āļĢāļąāļŠāļāļēāļ•āļ°āļ§āļąāļ™āļ•āļāļ—āļąāđ‰āļ‡āļĄāļ§āļĨāđ€āļ›āđ‡āļ™āđ€āļžāļĩāļĒāļ‡āđ€āļŠāļīāļ‡āļ­āļĢāļĢāļ–āļ‚āļ­āļ‡āđ€āļžāļĨāđ‚āļ•)
    .
    āđƒāļ™āļāļēāļ™āļ°āļœāļđāđ‰āļāđˆāļ­āļ•āļąāđ‰āļ‡ Platonic Academy (āļŠāļģāļ™āļąāļāļ›āļĢāļąāļŠāļāļēāļ­āļ„āļēāđ€āļ”āļĄāļĩ) āļŠāļ–āļēāļšāļąāļ™āļāļēāļĢāļĻāļķāļāļĐāļēāđāļŦāđˆāļ‡āđāļĢāļāļ‚āļ­āļ‡āđ‚āļĨāļāļ•āļ°āļ§āļąāļ™āļ•āļ āđ€āļžāļĨāđ‚āļ•āđ„āļ”āđ‰āļŦāļ§āđˆāļēāļ™āđ€āļĄāļĨāđ‡āļ”āļžāļąāļ™āļ˜āļļāđŒāđāļŦāđˆāļ‡āļ›āļąāļāļāļēāļ—āļĩāđˆāļ‡āļ­āļāļ‡āļēāļĄāđ€āļ›āđ‡āļ™āļ•āđ‰āļ™āđ„āļĄāđ‰āđƒāļŦāļāđˆāđāļœāđˆāļāļīāđˆāļ‡āļāđ‰āļēāļ™āđ„āļ›āļ—āļąāđˆāļ§āđ‚āļĨāļ
    .
    āļœāļĨāļ‡āļēāļ™āļ­āļĄāļ•āļ°āļ‚āļ­āļ‡āđ€āļžāļĨāđ‚āļ•āļ—āļĩāđˆāļĒāļąāļ‡āļ„āļ‡āļ—āļĢāļ‡āļ­āļīāļ—āļ˜āļīāļžāļĨāļˆāļ§āļšāļˆāļ™āļ›āļąāļˆāļˆāļļāļšāļąāļ™ āļ­āļēāļ—āļī "Allegory of the Cave" (āļ­āļļāļ›āļĄāļēāļ–āđ‰āļģ) āļ—āļĩāđˆāđ€āļ›āļĢāļĩāļĒāļšāđ€āļ—āļĩāļĒāļšāļĄāļ™āļļāļĐāļĒāđŒāļœāļđāđ‰āļ•āļīāļ”āļ­āļĒāļđāđˆāļāļąāļšāđ‚āļĨāļāđāļŦāđˆāļ‡āđ€āļ‡āļē āđāļĨāļ° "Theory of Forms" (āļ—āļĪāļĐāļŽāļĩāđāļšāļš) āļ—āļĩāđˆāđ€āļŠāļ™āļ­āļ§āđˆāļēāļ—āļļāļāļŠāļīāđˆāļ‡āđƒāļ™āđ‚āļĨāļāļ§āļąāļ•āļ–āļļāļĨāđ‰āļ§āļ™āđ€āļ›āđ‡āļ™āđ€āļžāļĩāļĒāļ‡āđ€āļ‡āļēāļŠāļ°āļ—āđ‰āļ­āļ™āļ‚āļ­āļ‡āđāļšāļš āļŦāļĢāļ·āļ­āđāļĄāđˆāđāļšāļšāļ—āļĩāđˆāļŠāļĄāļšāļđāļĢāļ“āđŒāđāļšāļšāđƒāļ™āđ‚āļĨāļāđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļ„āļīāļ”
    .
    āļ‡āļēāļ™āđ€āļ‚āļĩāļĒāļ™āļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āđ€āļ‚āļēāļ­āļĒāđˆāļēāļ‡ "The Republic" (āļĢāļąāļ) āļ§āļēāļ‡āļĢāļēāļāļāļēāļ™āđāļ™āļ§āļ„āļīāļ”āļ—āļēāļ‡āļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āđāļĨāļ°āļāļēāļĢāļ›āļāļ„āļĢāļ­āļ‡ āļ‚āļ“āļ°āļ—āļĩāđˆ "Symposium" (āļ‡āļēāļ™āđ€āļĨāļĩāđ‰āļĒāļ‡āļŠāļ™āļ—āļ™āļē) āļ–āļāļ›āļĢāļ°āđ€āļ”āđ‡āļ™āļ„āļ§āļēāļĄāļĢāļąāļāđāļĨāļ°āļ„āļ§āļēāļĄāļ‡āļēāļĄāļ­āļąāļ™āđ€āļ›āđ‡āļ™āļ™āļīāļĢāļąāļ™āļ”āļĢāđŒ
    .
    āđāļ™āļ§āļ„āļīāļ”āļ‚āļ­āļ‡āđ€āļžāļĨāđ‚āļ•āđ„āļ”āđ‰āļŦāļĨāđˆāļ­āļŦāļĨāļ­āļĄāļ§āļīāļ˜āļĩāļ„āļīāļ”āļ‚āļ­āļ‡āđ‚āļĨāļāđƒāļ™āļ—āļļāļāđāļ‚āļ™āļ‡ āļ—āļąāđ‰āļ‡āļ›āļĢāļąāļŠāļāļē āļĻāļēāļŠāļ™āļē āļāļēāļĢāđ€āļĄāļ·āļ­āļ‡ āļāļēāļĢāļĻāļķāļāļĐāļē āļ§āļīāļ—āļĒāļēāļĻāļēāļŠāļ•āļĢāđŒ āđāļĨāļ°āļĻāļīāļĨāļ›āļ° āļ­āļīāļ—āļ˜āļīāļžāļĨāļ‚āļ­āļ‡āđ€āļ‚āļēāđāļœāđˆāļ‚āļĒāļēāļĒāļˆāļēāļāļāļĢāļĩāļāđ‚āļšāļĢāļēāļ“ āļœāđˆāļēāļ™āļˆāļąāļāļĢāļ§āļĢāļĢāļ”āļīāđ‚āļĢāļĄāļąāļ™ āļœāđˆāļēāļ™āļĒāļļāļ„āļāļĨāļēāļ‡ āļœāđˆāļēāļ™āļĒāļļāļ„āļŸāļ·āđ‰āļ™āļŸāļđāļĻāļīāļĨāļ›āļ§āļīāļ—āļĒāļē āļˆāļ™āļ–āļķāļ‡āđ‚āļĨāļāļŠāļĄāļąāļĒāđƒāļŦāļĄāđˆ āļ—āļąāđ‰āļ‡āđƒāļ™āđ‚āļĨāļāļ•āļ°āļ§āļąāļ™āļ•āļāđāļĨāļ°āļ•āļ°āļ§āļąāļ™āļ­āļ­āļ āļˆāļ™āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļĢāļēāļāļāļēāļ™āļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āļ­āļēāļĢāļĒāļ˜āļĢāļĢāļĄāđ‚āļĨāļ
    .
    40 āļ„āļģāļ„āļĄāļ‚āļ­āļ‡āđ€āļžāļĨāđ‚āļ•āļ—āļĩāđˆāļĢāļ§āļšāļĢāļ§āļĄāļĄāļēāļ™āļĩāđ‰āļŠāļ°āļ—āđ‰āļ­āļ™āļ–āļķāļ‡āļ„āļ§āļēāļĄāļĨāļļāđˆāļĄāļĨāļķāļāļ—āļēāļ‡āļ„āļ§āļēāļĄāļ„āļīāļ”āļ—āļĩāđˆāđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļŠāļ§āļĢāļĢāļ„āđŒāļāļąāļšāđ‚āļĨāļ āļ­āļļāļ”āļĄāļ„āļ•āļīāļāļąāļšāļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļˆāļĢāļīāļ‡ āđāļĨāļ°āļŠāļĩāđ‰āļ™āļģāļĄāļ™āļļāļĐāļĒāđŒāļŠāļđāđˆāļāļēāļĢāđāļŠāļ§āļ‡āļŦāļēāļŠāļąāļˆāļ˜āļĢāļĢāļĄāļ­āļąāļ™āļŠāļđāļ‡āļŠāļļāļ”
    .
    .
    1. "Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything."

    "āļ”āļ™āļ•āļĢāļĩāļĄāļ­āļšāļˆāļīāļ•āļ§āļīāļāļāļēāļ“āđƒāļŦāđ‰āļˆāļąāļāļĢāļ§āļēāļĨ āļĄāļ­āļšāļ›āļĩāļāđƒāļŦāđ‰āļ„āļ§āļēāļĄāļ„āļīāļ” āļĄāļ­āļšāļāļēāļĢāđ‚āļšāļĒāļšāļīāļ™āđƒāļŦāđ‰āļˆāļīāļ™āļ•āļ™āļēāļāļēāļĢ āđāļĨāļ°āļĄāļ­āļšāļŠāļĩāļ§āļīāļ•āđƒāļŦāđ‰āļ—āļļāļāļŠāļīāđˆāļ‡"
    .
    .
    2. "Wise men speak because they have something to say; fools because they have to say something."

    "āļ„āļ™āļ‰āļĨāļēāļ”āļžāļđāļ”āđ€āļžāļĢāļēāļ°āļĄāļĩāļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļˆāļ°āļšāļ­āļ āļ„āļ™āđ‚āļ‡āđˆāļžāļđāļ”āđ€āļžāļĢāļēāļ°āļ•āđ‰āļ­āļ‡āļžāļđāļ”āļ­āļ°āđ„āļĢāļŠāļąāļāļ­āļĒāđˆāļēāļ‡"
    .
    .
    3. "The beginning is the most important part of the work."

    "āļˆāļļāļ”āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļ„āļ·āļ­āļŠāđˆāļ§āļ™āļŠāļģāļ„āļąāļāļ—āļĩāđˆāļŠāļļāļ”āļ‚āļ­āļ‡āļ‡āļēāļ™"
    .
    .
    4. "No one is more hated than he who speaks the truth."

    "āđ„āļĄāđˆāļĄāļĩāđƒāļ„āļĢāļ–āļđāļāđ€āļāļĨāļĩāļĒāļ”āļĄāļēāļāđ„āļ›āļāļ§āđˆāļēāļœāļđāđ‰āļ—āļĩāđˆāļžāļđāļ”āļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡"
    .
    .
    5. "Necessity is the mother of invention."
    "āļ„āļ§āļēāļĄāļˆāļģāđ€āļ›āđ‡āļ™āļ„āļ·āļ­āļšāđˆāļ­āđ€āļāļīāļ”āđāļŦāđˆāļ‡āļāļēāļĢāļ›āļĢāļ°āļ”āļīāļĐāļāđŒāļ„āļīāļ”āļ„āđ‰āļ™"
    .
    .
    6. "Human behavior flows from three main sources: desire, emotion, and knowledge."

    "āļžāļĪāļ•āļīāļāļĢāļĢāļĄāļĄāļ™āļļāļĐāļĒāđŒāļŦāļĨāļąāđˆāļ‡āđ„āļŦāļĨāļĄāļēāļˆāļēāļāļŠāļēāļĄāđāļŦāļĨāđˆāļ‡āļŦāļĨāļąāļ: āļ„āļ§āļēāļĄāļ›āļĢāļēāļĢāļ–āļ™āļē āļ­āļēāļĢāļĄāļ“āđŒ āđāļĨāļ°āļ„āļ§āļēāļĄāļĢāļđāđ‰"
    .
    .
    7. "The measure of a man is what he does with power."

    "āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ§āļąāļ”āļ„āļļāļ“āļ„āđˆāļēāļ‚āļ­āļ‡āļĄāļ™āļļāļĐāļĒāđŒāļ„āļ·āļ­āļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļ‚āļēāļ—āļģāđ€āļĄāļ·āđˆāļ­āļĄāļĩāļ­āļģāļ™āļēāļˆ"
    .
    .
    8. "The first and best victory is to conquer self."

    "āļŠāļąāļĒāļŠāļ™āļ°āđāļĢāļāđāļĨāļ°āļĒāļīāđˆāļ‡āđƒāļŦāļāđˆāļ—āļĩāđˆāļŠāļļāļ”āļ„āļ·āļ­āļāļēāļĢāļŠāļ™āļ°āđƒāļˆāļ•āļ™āđ€āļ­āļ‡"
    .
    .
    9. "The penalty that good men pay for not being interested in politics is to be governed by men worse than themselves."

    "āļšāļ—āļĨāļ‡āđ‚āļ—āļĐāļ—āļĩāđˆāļ„āļ™āļ”āļĩāļ•āđ‰āļ­āļ‡āļˆāđˆāļēāļĒāļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāđ„āļĄāđˆāļŠāļ™āđƒāļˆāļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āļ„āļ·āļ­āļāļēāļĢāļ–āļđāļāļ›āļāļ„āļĢāļ­āļ‡āđ‚āļ”āļĒāļ„āļ™āļ—āļĩāđˆāđ€āļĨāļ§āļĢāđ‰āļēāļĒāļāļ§āđˆāļēāļ•āļ™"
    .
    .
    10. "Those who tell the stories rule society."

    "āļœāļđāđ‰āļ—āļĩāđˆāđ€āļĨāđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ„āļ·āļ­āļœāļđāđ‰āļ›āļāļ„āļĢāļ­āļ‡āļŠāļąāļ‡āļ„āļĄ"
    .
    .
    11. "No wealth can ever make a bad man at peace with himself."

    "āđ„āļĄāđˆāļĄāļĩāļ„āļ§āļēāļĄāļĄāļąāđˆāļ‡āļ„āļąāđˆāļ‡āđƒāļ”āļˆāļ°āļ—āļģāđƒāļŦāđ‰āļ„āļ™āđ€āļĨāļ§āļ­āļĒāļđāđˆāļ­āļĒāđˆāļēāļ‡āļŠāļ‡āļšāļāļąāļšāļ•āļąāļ§āđ€āļ­āļ‡āđ„āļ”āđ‰"
    .
    .
    12. "Ignorance, the root and the stem of every evil."

    "āļ„āļ§āļēāļĄāđ‚āļ‡āđˆāđ€āļ‚āļĨāļēāļ„āļ·āļ­āļĢāļēāļāđ€āļŦāļ‡āđ‰āļēāđāļĨāļ°āļĨāļģāļ•āđ‰āļ™āļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļŠāļąāđˆāļ§āļĢāđ‰āļēāļĒāļ—āļąāđ‰āļ‡āļ›āļ§āļ‡"
    .
    .
    13. "We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light."

    "āđ€āļĢāļēāđƒāļŦāđ‰āļ­āļ āļąāļĒāđ€āļ”āđ‡āļāļ—āļĩāđˆāļāļĨāļąāļ§āļ„āļ§āļēāļĄāļĄāļ·āļ”āđ„āļ”āđ‰āļ‡āđˆāļēāļĒ āđāļ•āđˆāđ‚āļĻāļāļ™āļēāļāļāļĢāļĢāļĄāļ—āļĩāđˆāđāļ—āđ‰āļˆāļĢāļīāļ‡āļ‚āļ­āļ‡āļŠāļĩāļ§āļīāļ•āļ„āļ·āļ­āđ€āļĄāļ·āđˆāļ­āļœāļđāđ‰āļ„āļ™āļāļĨāļąāļ§āđāļŠāļ‡āļŠāļ§āđˆāļēāļ‡"
    .
    .
    14. "The worst form of injustice is pretended justice."

    "āļ„āļ§āļēāļĄāļ­āļĒāļļāļ•āļīāļ˜āļĢāļĢāļĄāļ—āļĩāđˆāđ€āļĨāļ§āļĢāđ‰āļēāļĒāļ—āļĩāđˆāļŠāļļāļ”āļ„āļ·āļ­āļ„āļ§āļēāļĄāļĒāļļāļ•āļīāļ˜āļĢāļĢāļĄāļˆāļ­āļĄāļ›āļĨāļ­āļĄ"
    .
    .
    15. "Opinion is the medium between knowledge and ignorance."

    "āļ„āļ§āļēāļĄāļ„āļīāļ”āđ€āļŦāđ‡āļ™āļ„āļ·āļ­āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ­āļĒāļđāđˆāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ„āļ§āļēāļĄāļĢāļđāđ‰āđāļĨāļ°āļ„āļ§āļēāļĄāđ‚āļ‡āđˆāđ€āļ‚āļĨāļē"
    .
    .
    16. "Geometry existed before creation."

    "āđ€āļĢāļ‚āļēāļ„āļ“āļīāļ•āļĄāļĩāļ­āļĒāļđāđˆāļāđˆāļ­āļ™āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļŠāļĢāļĢāļ„āđŒ"
    .
    .
    17. "Writing is the geometry of the soul."
    "āļāļēāļĢāđ€āļ‚āļĩāļĒāļ™āļ„āļ·āļ­āđ€āļĢāļ‚āļēāļ„āļ“āļīāļ•āļ‚āļ­āļ‡āļˆāļīāļ•āļ§āļīāļāļāļēāļ“"
    .
    .
    18. "Courage is knowing what not to fear."

    "āļ„āļ§āļēāļĄāļāļĨāđ‰āļēāļŦāļēāļāļ„āļ·āļ­āļāļēāļĢāļĢāļđāđ‰āļ§āđˆāļēāļ­āļ°āđ„āļĢāđ„āļĄāđˆāļ„āļ§āļĢāļāļĨāļąāļ§"
    .
    .
    19. "An empty vessel makes the loudest sound, so they that have the least wit are the greatest babblers."

    "āļ āļēāļŠāļ™āļ°āļ—āļĩāđˆāļ§āđˆāļēāļ‡āđ€āļ›āļĨāđˆāļēāļŠāđˆāļ‡āđ€āļŠāļĩāļĒāļ‡āļ”āļąāļ‡āļ—āļĩāđˆāļŠāļļāļ” āđ€āļŠāđˆāļ™āđ€āļ”āļĩāļĒāļ§āļāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļĄāļĩāļŠāļ•āļīāļ›āļąāļāļāļēāļ™āđ‰āļ­āļĒāļ—āļĩāđˆāļŠāļļāļ”āļĄāļąāļāđ€āļ›āđ‡āļ™āļœāļđāđ‰āļžāļđāļ”āļĄāļēāļāļ—āļĩāđˆāļŠāļļāļ”"
    .
    .
    20. "Education is teaching our children to desire the right things."

    "āļāļēāļĢāļĻāļķāļāļĐāļēāļ„āļ·āļ­āļāļēāļĢāļŠāļ­āļ™āļĨāļđāļāļŦāļĨāļēāļ™āļ‚āļ­āļ‡āđ€āļĢāļēāđƒāļŦāđ‰āļ›āļĢāļēāļĢāļ–āļ™āļēāđƒāļ™āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ–āļđāļāļ•āđ‰āļ­āļ‡"
    .
    .
    21. "Philosophy is the highest music."

    "āļ›āļĢāļąāļŠāļāļēāļ„āļ·āļ­āļ”āļ™āļ•āļĢāļĩāļ—āļĩāđˆāļŠāļđāļ‡āļŠāđˆāļ‡āļ—āļĩāđˆāļŠāļļāļ”"
    .
    .
    22. "There are three classes of men; lovers of wisdom, lovers of honor, and lovers of gain."

    "āļĄāļ™āļļāļĐāļĒāđŒāļĄāļĩāļŠāļēāļĄāļ›āļĢāļ°āđ€āļ āļ—: āļœāļđāđ‰āļĢāļąāļāļ›āļąāļāļāļē āļœāļđāđ‰āļĢāļąāļāđ€āļāļĩāļĒāļĢāļ•āļīāļĒāļĻ āđāļĨāļ°āļœāļđāđ‰āļĢāļąāļāļœāļĨāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒ"
    .
    .
    23. "Do not train a child to learn by force or harshness; but direct them to it by what amuses their minds, so that you may be better able to discover with accuracy the peculiar bent of the genius of each."

    "āļ­āļĒāđˆāļēāļāļķāļāđ€āļ”āđ‡āļāđƒāļŦāđ‰āđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āļ”āđ‰āļ§āļĒāļāļēāļĢāļšāļąāļ‡āļ„āļąāļšāļŦāļĢāļ·āļ­āļ„āļ§āļēāļĄāļĢāļļāļ™āđāļĢāļ‡ āđāļ•āđˆāļˆāļ‡āļŠāļĩāđ‰āļ™āļģāļžāļ§āļāđ€āļ‚āļēāļ”āđ‰āļ§āļĒāļŠāļīāđˆāļ‡āļ—āļĩāđˆāļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāđ€āļžāļĨāļīāļ”āđ€āļžāļĨāļīāļ™āđƒāļŦāđ‰āļˆāļīāļ•āđƒāļˆ āđ€āļžāļ·āđˆāļ­āļ—āļĩāđˆāļ„āļļāļ“āļˆāļ°āļŠāļēāļĄāļēāļĢāļ–āļ„āđ‰āļ™āļžāļšāļ„āļ§āļēāļĄāđ‚āļ™āđ‰āļĄāđ€āļ­āļĩāļĒāļ‡āļžāļīāđ€āļĻāļĐāļ‚āļ­āļ‡āļ­āļąāļˆāļ‰āļĢāļīāļĒāļ āļēāļžāđƒāļ™āļ•āļąāļ§āļžāļ§āļāđ€āļ‚āļēāđāļ•āđˆāļĨāļ°āļ„āļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđāļĄāđˆāļ™āļĒāļģ"
    .
    .
    24. "You should not honor men more than truth."

    "āļ­āļĒāđˆāļēāđƒāļŦāđ‰āđ€āļāļĩāļĒāļĢāļ•āļīāļĄāļ™āļļāļĐāļĒāđŒāļĄāļēāļāļāļ§āđˆāļēāļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡"
    .
    .
    25. "A hero is born among a hundred, a wise man is found among a thousand, but an accomplished one might not be found even among a hundred thousand men."

    "āļ§āļĩāļĢāļšāļļāļĢāļļāļĐāđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđƒāļ™āļŦāļ™āļķāđˆāļ‡āļĢāđ‰āļ­āļĒ āļ›āļĢāļēāļŠāļāđŒāļžāļšāđ„āļ”āđ‰āđƒāļ™āļŦāļ™āļķāđˆāļ‡āļžāļąāļ™ āđāļ•āđˆāļœāļđāđ‰āļ—āļĩāđˆāļŠāļĄāļšāļđāļĢāļ“āđŒāđāļšāļšāļ­āļēāļˆāđ„āļĄāđˆāļžāļšāđāļĄāđ‰āđƒāļ™āļŦāļ™āļķāđˆāļ‡āđāļŠāļ™āļ„āļ™"
    .
    .
    26. "At the touch of love everyone becomes a poet."

    "āđ€āļĄāļ·āđˆāļ­āļŠāļąāļĄāļœāļąāļŠāļ„āļ§āļēāļĄāļĢāļąāļ āļ—āļļāļāļ„āļ™āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļāļ§āļĩ"
    .
    .
    27. "There should exist among the citizens neither extreme poverty nor again excessive wealth, for both are productive of great evil."

    "āđƒāļ™āļŦāļĄāļđāđˆāļžāļĨāđ€āļĄāļ·āļ­āļ‡āđ„āļĄāđˆāļ„āļ§āļĢāļĄāļĩāļ—āļąāđ‰āļ‡āļ„āļ§āļēāļĄāļĒāļēāļāļˆāļ™āļŠāļļāļ”āļ‚āļąāđ‰āļ§āļŦāļĢāļ·āļ­āļ„āļ§āļēāļĄāļĄāļąāđˆāļ‡āļ„āļąāđˆāļ‡āļĨāđ‰āļ™āđ€āļŦāļĨāļ·āļ­ āđ€āļžāļĢāļēāļ°āļ—āļąāđ‰āļ‡āļŠāļ­āļ‡āļŠāļīāđˆāļ‡āļĨāđ‰āļ§āļ™āļāđˆāļ­āđƒāļŦāđ‰āđ€āļāļīāļ”āļ„āļ§āļēāļĄāļŠāļąāđˆāļ§āļĢāđ‰āļēāļĒāļ­āļąāļ™āđƒāļŦāļāđˆāļŦāļĨāļ§āļ‡"
    .
    .
    28. "As the builders say, the larger stones do not lie well without the lesser."

    "āļ”āļąāļ‡āļ—āļĩāđˆāļŠāđˆāļēāļ‡āļāđˆāļ­āļŠāļĢāđ‰āļēāļ‡āļ§āđˆāļē āļŦāļīāļ™āļāđ‰āļ­āļ™āđƒāļŦāļāđˆāđ„āļĄāđˆāļ­āļēāļˆāļ§āļēāļ‡āđ„āļ”āđ‰āļ”āļĩāļŦāļēāļāļ›āļĢāļēāļĻāļˆāļēāļāļŦāļīāļ™āļāđ‰āļ­āļ™āđ€āļĨāđ‡āļ"
    .
    .
    29. "The most virtuous are those who content themselves with being virtuous without seeking to appear so."

    "āļœāļđāđ‰āļ—āļĩāđˆāļĄāļĩāļ„āļļāļ“āļ˜āļĢāļĢāļĄāļ—āļĩāđˆāļŠāļļāļ”āļ„āļ·āļ­āļœāļđāđ‰āļ—āļĩāđˆāļžāļ­āđƒāļˆāđƒāļ™āļāļēāļĢāļĄāļĩāļ„āļļāļ“āļ˜āļĢāļĢāļĄāđ‚āļ”āļĒāđ„āļĄāđˆāļžāļĒāļēāļĒāļēāļĄāļ—āļģāđƒāļŦāđ‰āļ”āļđāđ€āļŦāļĄāļ·āļ­āļ™āļ§āđˆāļēāļĄāļĩ"
    .
    .
    30. "For this feeling of wonder shows that you are a philosopher, since wonder is the only beginning of philosophy."

    "āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļ›āļĢāļ°āļŦāļĨāļēāļ”āđƒāļˆāļ™āļĩāđ‰āđāļŠāļ”āļ‡āļ§āđˆāļēāļ„āļļāļ“āđ€āļ›āđ‡āļ™āļ™āļąāļāļ›āļĢāļąāļŠāļāļē āđ€āļžāļĢāļēāļ°āļ„āļ§āļēāļĄāļ›āļĢāļ°āļŦāļĨāļēāļ”āđƒāļˆāļ„āļ·āļ­āļˆāļļāļ”āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āđ€āļžāļĩāļĒāļ‡āļŦāļ™āļķāđˆāļ‡āđ€āļ”āļĩāļĒāļ§āļ‚āļ­āļ‡āļ›āļĢāļąāļŠāļāļē"
    .
    .
    31. "Courage is a kind of salvation."

    "āļ„āļ§āļēāļĄāļāļĨāđ‰āļēāļŦāļēāļāļ„āļ·āļ­āļĢāļđāļ›āđāļšāļšāļŦāļ™āļķāđˆāļ‡āļ‚āļ­āļ‡āļāļēāļĢāļŦāļĨāļļāļ”āļžāđ‰āļ™"
    .
    .
    32. "The highest reach of injustice is to be deemed just when you are not."

    "āļˆāļļāļ”āļŠāļđāļ‡āļŠāļļāļ”āļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļ­āļĒāļļāļ•āļīāļ˜āļĢāļĢāļĄāļ„āļ·āļ­āļāļēāļĢāļ–āļđāļāļĄāļ­āļ‡āļ§āđˆāļēāļĒāļļāļ•āļīāļ˜āļĢāļĢāļĄāļ—āļąāđ‰āļ‡āļ—āļĩāđˆāđ„āļĄāđˆāđƒāļŠāđˆ"
    .
    .
    33. "No science or art considers or enjoins the interest of the stronger or superior, but only the interest of the subject and weaker."

    "āđ„āļĄāđˆāļĄāļĩāļ§āļīāļ—āļĒāļēāļĻāļēāļŠāļ•āļĢāđŒāļŦāļĢāļ·āļ­āļĻāļīāļĨāļ›āļ°āđƒāļ”āļžāļīāļˆāļēāļĢāļ“āļēāļŦāļĢāļ·āļ­āļšāļąāļ‡āļ„āļąāļšāļœāļĨāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļ‚āļ­āļ‡āļœāļđāđ‰āđāļ‚āđ‡āļ‡āđāļāļĢāđˆāļ‡āļŦāļĢāļ·āļ­āļœāļđāđ‰āđ€āļŦāļ™āļ·āļ­āļāļ§āđˆāļē āđāļ•āđˆāđ€āļžāļĩāļĒāļ‡āļœāļĨāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļ‚āļ­āļ‡āļœāļđāđ‰āļ­āļĒāļđāđˆāđƒāļ•āđ‰āļ›āļāļ„āļĢāļ­āļ‡āđāļĨāļ°āļœāļđāđ‰āļ­āđˆāļ­āļ™āđāļ­āļāļ§āđˆāļē"
    .
    .
    34. "For the uneducated, when they engage in argument about anything, give no thought to the truth about the subject of discussion but are only eager that those present will accept the position they have set forth."

    "āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āđ„āļĢāđ‰āļāļēāļĢāļĻāļķāļāļĐāļē āđ€āļĄāļ·āđˆāļ­āļžāļ§āļāđ€āļ‚āļēāđ‚āļ•āđ‰āđāļĒāđ‰āļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āđƒāļ”āļāđ‡āļ•āļēāļĄ āļžāļ§āļāđ€āļ‚āļēāđ„āļĄāđˆāļ„āļīāļ”āļ–āļķāļ‡āļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļŦāļąāļ§āļ‚āđ‰āļ­āļ—āļĩāđˆāļāļģāļĨāļąāļ‡āļ­āļ āļīāļ›āļĢāļēāļĒ āđāļ•āđˆāļāļĢāļ°āļ•āļ·āļ­āļĢāļ·āļ­āļĢāđ‰āļ™āđ€āļžāļĩāļĒāļ‡āđƒāļŦāđ‰āļœāļđāđ‰āļ—āļĩāđˆāļ­āļĒāļđāđˆāļ—āļĩāđˆāļ™āļąāđˆāļ™āļĒāļ­āļĄāļĢāļąāļšāļˆāļļāļ”āļĒāļ·āļ™āļ—āļĩāđˆāļžāļ§āļāđ€āļ‚āļēāļ™āļģāđ€āļŠāļ™āļ­āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™"
    .
    .
    35. "Neither do the ignorant seek after wisdom. For herein is the evil of ignorance, that he who is neither good nor wise is nevertheless satisfied with himself: he has no desire for that of which he feels no want."

    "āļ„āļ™āđ‚āļ‡āđˆāđ€āļ‚āļĨāļēāđ„āļĄāđˆāđāļŠāļ§āļ‡āļŦāļēāļ›āļąāļāļāļē āđ€āļžāļĢāļēāļ°āļ™āļĩāđˆāļ„āļ·āļ­āļ„āļ§āļēāļĄāļŠāļąāđˆāļ§āļĢāđ‰āļēāļĒāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāđ‚āļ‡āđˆāđ€āļ‚āļĨāļē āļ—āļĩāđˆāļœāļđāđ‰āļ‹āļķāđˆāļ‡āđ„āļĄāđˆāļ”āļĩāđāļĨāļ°āđ„āļĄāđˆāļ‰āļĨāļēāļ”āļāļĨāļąāļšāļžāļ­āđƒāļˆāđƒāļ™āļ•āļąāļ§āđ€āļ­āļ‡: āđ€āļ‚āļēāđ„āļĄāđˆāļĄāļĩāļ„āļ§āļēāļĄāļ›āļĢāļēāļĢāļ–āļ™āļēāđƒāļ™āļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļ‚āļēāļĢāļđāđ‰āļŠāļķāļāļ§āđˆāļēāđ„āļĄāđˆāļ‚āļēāļ”"
    .
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    36. "The man who finds that in the course of his life he has done a lot of wrong often wakes up at night in terror, like a child with a nightmare, and his life is full of foreboding: but the man who is conscious of no wrongdoing is filled with cheerfulness and with the comfort of old age."

    "āļœāļđāđ‰āļ—āļĩāđˆāļžāļšāļ§āđˆāļēāđƒāļ™āļŠāđˆāļ§āļ‡āļŠāļĩāļ§āļīāļ•āļ‚āļ­āļ‡āđ€āļ‚āļēāđ„āļ”āđ‰āļ—āļģāļœāļīāļ”āļĄāļēāļāļĄāļąāļāļ•āļ·āđˆāļ™āļ‚āļķāđ‰āļ™āļĄāļēāļ•āļ­āļ™āļāļĨāļēāļ‡āļ„āļ·āļ™āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļŦāļ§āļēāļ”āļāļĨāļąāļ§ āđ€āļŦāļĄāļ·āļ­āļ™āđ€āļ”āđ‡āļāļ—āļĩāđˆāļāļąāļ™āļĢāđ‰āļēāļĒ āđāļĨāļ°āļŠāļĩāļ§āļīāļ•āļ‚āļ­āļ‡āđ€āļ‚āļēāđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļĨāļēāļ‡āļĢāđ‰āļēāļĒ āđāļ•āđˆāļœāļđāđ‰āļ—āļĩāđˆāđ„āļĄāđˆāļĢāļđāđ‰āļŠāļķāļāļ§āđˆāļēāđ„āļ”āđ‰āļ—āļģāļœāļīāļ”āļˆāļ°āđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļĢāđˆāļēāđ€āļĢāļīāļ‡āđāļĨāļ°āļ„āļ§āļēāļĄāļŠāļšāļēāļĒāđƒāļˆāđƒāļ™āļ§āļąāļĒāļŠāļĢāļē"
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    37. "Now early life is very impressible, and children ought not to learn what they will have to unlearn when they grow up; we must therefore have a censorship of nursery tales, banishing some and keeping others."

    "āļŠāļĩāļ§āļīāļ•āđƒāļ™āļ§āļąāļĒāļ•āđ‰āļ™āļ™āļąāđ‰āļ™āļĢāļąāļšāļ­āļīāļ—āļ˜āļīāļžāļĨāđ„āļ”āđ‰āļ‡āđˆāļēāļĒ āđāļĨāļ°āđ€āļ”āđ‡āļāđ† āđ„āļĄāđˆāļ„āļ§āļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļžāļ§āļāđ€āļ‚āļēāļˆāļ°āļ•āđ‰āļ­āļ‡āļĨāļ·āļĄāđ€āļĄāļ·āđˆāļ­āđ‚āļ•āļ‚āļķāđ‰āļ™ āđ€āļĢāļēāļˆāļķāļ‡āļ•āđ‰āļ­āļ‡āļĄāļĩāļāļēāļĢāļāļĨāļąāđˆāļ™āļāļĢāļ­āļ‡āļ™āļīāļ—āļēāļ™āļŠāļģāļŦāļĢāļąāļšāđ€āļ”āđ‡āļ āļāļģāļˆāļąāļ”āļšāļēāļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āđāļĨāļ°āđ€āļāđ‡āļšāļšāļēāļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āđ„āļ§āđ‰"
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    38. "There's no difficulty in choosing vice in abundance: the road is smooth and it's hardly any distance to where it lives. But the gods have put sweat in the way of goodness, and a long, rough, steep road."

    "āđ„āļĄāđˆāļĄāļĩāļ„āļ§āļēāļĄāļĒāļēāļāļĨāļģāļšāļēāļāđƒāļ™āļāļēāļĢāđ€āļĨāļ·āļ­āļāļ„āļ§āļēāļĄāļŠāļąāđˆāļ§āļ—āļĩāđˆāļĄāļĩāļ­āļĒāļđāđˆāļĄāļēāļāļĄāļēāļĒ: āļ–āļ™āļ™āļĢāļēāļšāđ€āļĢāļĩāļĒāļšāđāļĨāļ°āđāļ—āļšāđ„āļĄāđˆāļĄāļĩāļĢāļ°āļĒāļ°āļ—āļēāļ‡āđ„āļ›āļ–āļķāļ‡āļ—āļĩāđˆāļ­āļĒāļđāđˆāļ‚āļ­āļ‡āļĄāļąāļ™ āđāļ•āđˆāđ€āļ—āļžāđ€āļˆāđ‰āļēāđ„āļ”āđ‰āļ§āļēāļ‡āđ€āļŦāļ‡āļ·āđˆāļ­āđ„āļ§āđ‰āđƒāļ™āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļ”āļĩ āđāļĨāļ°āđ€āļ›āđ‡āļ™āļ–āļ™āļ™āļ—āļĩāđˆāļĒāļēāļ§ āļ‚āļĢāļļāļ‚āļĢāļ° āđāļĨāļ°āļŠāļąāļ™"
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    39. "It is not Love absolutely that is good or praiseworthy, but only that Love which impels meant to love aright."

    "āđ„āļĄāđˆāđƒāļŠāđˆāļ„āļ§āļēāļĄāļĢāļąāļāļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļ—āļĩāđˆāļ”āļĩāļŦāļĢāļ·āļ­āļ™āđˆāļēāļŠāļĢāļĢāđ€āļŠāļĢāļīāļ āđāļ•āđˆāđ€āļ›āđ‡āļ™āđ€āļžāļĩāļĒāļ‡āļ„āļ§āļēāļĄāļĢāļąāļāļ—āļĩāđˆāļœāļĨāļąāļāļ”āļąāļ™āđƒāļŦāđ‰āļĢāļąāļāļ­āļĒāđˆāļēāļ‡āļ–āļđāļāļ•āđ‰āļ­āļ‡āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™"
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    40. "Both knowledge and truth are beautiful things, but the good is other and more beautiful than they."

    "āļ—āļąāđ‰āļ‡āļ„āļ§āļēāļĄāļĢāļđāđ‰āđāļĨāļ°āļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡āđ€āļ›āđ‡āļ™āļŠāļīāđˆāļ‡āļ‡āļ”āļ‡āļēāļĄ āđāļ•āđˆāļ„āļ§āļēāļĄāļ”āļĩāļ™āļąāđ‰āļ™āđāļ•āļāļ•āđˆāļēāļ‡āđāļĨāļ°āļ‡āļ”āļ‡āļēāļĄāļĒāļīāđˆāļ‡āļāļ§āđˆāļē"
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    #SuccessStrategies #Quotes #Plato #Mindset #Politic
    40 āļ„āļģāļ„āļĄāļ—āļĢāļ‡āļžāļĨāļąāļ‡āļˆāļēāļāđ€āļžāļĨāđ‚āļ• āļ›āļĢāļēāļŠāļāđŒāļœāļđāđ‰āļ§āļēāļ‡āļĢāļēāļāļāļēāļ™āļ›āļąāļāļāļēāļ•āļ°āļ§āļąāļ™āļ•āļ . āļāļ§āđˆāļēāļŠāļ­āļ‡āļžāļąāļ™āļŠāļĩāđˆāļĢāđ‰āļ­āļĒāļ›āļĩāļœāđˆāļēāļ™āđ„āļ› āđ€āļŠāļĩāļĒāļ‡āļāļąāļ‡āļ§āļēāļ™āđāļŦāđˆāļ‡āļ›āļąāļāļāļēāļ‚āļ­āļ‡āđ€āļžāļĨāđ‚āļ• (Plato, 428-348 BC) āļĒāļąāļ‡āļ„āļ‡āļāđ‰āļ­āļ‡āļāļķāļāđƒāļ™āđ‚āļĨāļāđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļ„āļīāļ” Plato āđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āđ€āļ›āđ‡āļ™āļœāļđāđ‰āļ§āļēāļ‡āļĢāļēāļāļāļēāļ™āļāļēāļĢāļ„āļīāļ”āđ€āļŠāļīāļ‡āļ›āļĢāļąāļŠāļāļēāđƒāļŦāđ‰āđāļāđˆāļ­āļēāļĢāļĒāļ˜āļĢāļĢāļĄāļ•āļ°āļ§āļąāļ™āļ•āļ āļˆāļ™āļĄāļĩāļœāļđāđ‰āļāļĨāđˆāļēāļ§āļ§āđˆāļē "Western philosophy is but a series of footnotes to Plato" (āļ›āļĢāļąāļŠāļāļēāļ•āļ°āļ§āļąāļ™āļ•āļāļ—āļąāđ‰āļ‡āļĄāļ§āļĨāđ€āļ›āđ‡āļ™āđ€āļžāļĩāļĒāļ‡āđ€āļŠāļīāļ‡āļ­āļĢāļĢāļ–āļ‚āļ­āļ‡āđ€āļžāļĨāđ‚āļ•) . āđƒāļ™āļāļēāļ™āļ°āļœāļđāđ‰āļāđˆāļ­āļ•āļąāđ‰āļ‡ Platonic Academy (āļŠāļģāļ™āļąāļāļ›āļĢāļąāļŠāļāļēāļ­āļ„āļēāđ€āļ”āļĄāļĩ) āļŠāļ–āļēāļšāļąāļ™āļāļēāļĢāļĻāļķāļāļĐāļēāđāļŦāđˆāļ‡āđāļĢāļāļ‚āļ­āļ‡āđ‚āļĨāļāļ•āļ°āļ§āļąāļ™āļ•āļ āđ€āļžāļĨāđ‚āļ•āđ„āļ”āđ‰āļŦāļ§āđˆāļēāļ™āđ€āļĄāļĨāđ‡āļ”āļžāļąāļ™āļ˜āļļāđŒāđāļŦāđˆāļ‡āļ›āļąāļāļāļēāļ—āļĩāđˆāļ‡āļ­āļāļ‡āļēāļĄāđ€āļ›āđ‡āļ™āļ•āđ‰āļ™āđ„āļĄāđ‰āđƒāļŦāļāđˆāđāļœāđˆāļāļīāđˆāļ‡āļāđ‰āļēāļ™āđ„āļ›āļ—āļąāđˆāļ§āđ‚āļĨāļ . āļœāļĨāļ‡āļēāļ™āļ­āļĄāļ•āļ°āļ‚āļ­āļ‡āđ€āļžāļĨāđ‚āļ•āļ—āļĩāđˆāļĒāļąāļ‡āļ„āļ‡āļ—āļĢāļ‡āļ­āļīāļ—āļ˜āļīāļžāļĨāļˆāļ§āļšāļˆāļ™āļ›āļąāļˆāļˆāļļāļšāļąāļ™ āļ­āļēāļ—āļī "Allegory of the Cave" (āļ­āļļāļ›āļĄāļēāļ–āđ‰āļģ) āļ—āļĩāđˆāđ€āļ›āļĢāļĩāļĒāļšāđ€āļ—āļĩāļĒāļšāļĄāļ™āļļāļĐāļĒāđŒāļœāļđāđ‰āļ•āļīāļ”āļ­āļĒāļđāđˆāļāļąāļšāđ‚āļĨāļāđāļŦāđˆāļ‡āđ€āļ‡āļē āđāļĨāļ° "Theory of Forms" (āļ—āļĪāļĐāļŽāļĩāđāļšāļš) āļ—āļĩāđˆāđ€āļŠāļ™āļ­āļ§āđˆāļēāļ—āļļāļāļŠāļīāđˆāļ‡āđƒāļ™āđ‚āļĨāļāļ§āļąāļ•āļ–āļļāļĨāđ‰āļ§āļ™āđ€āļ›āđ‡āļ™āđ€āļžāļĩāļĒāļ‡āđ€āļ‡āļēāļŠāļ°āļ—āđ‰āļ­āļ™āļ‚āļ­āļ‡āđāļšāļš āļŦāļĢāļ·āļ­āđāļĄāđˆāđāļšāļšāļ—āļĩāđˆāļŠāļĄāļšāļđāļĢāļ“āđŒāđāļšāļšāđƒāļ™āđ‚āļĨāļāđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļ„āļīāļ” . āļ‡āļēāļ™āđ€āļ‚āļĩāļĒāļ™āļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āđ€āļ‚āļēāļ­āļĒāđˆāļēāļ‡ "The Republic" (āļĢāļąāļ) āļ§āļēāļ‡āļĢāļēāļāļāļēāļ™āđāļ™āļ§āļ„āļīāļ”āļ—āļēāļ‡āļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āđāļĨāļ°āļāļēāļĢāļ›āļāļ„āļĢāļ­āļ‡ āļ‚āļ“āļ°āļ—āļĩāđˆ "Symposium" (āļ‡āļēāļ™āđ€āļĨāļĩāđ‰āļĒāļ‡āļŠāļ™āļ—āļ™āļē) āļ–āļāļ›āļĢāļ°āđ€āļ”āđ‡āļ™āļ„āļ§āļēāļĄāļĢāļąāļāđāļĨāļ°āļ„āļ§āļēāļĄāļ‡āļēāļĄāļ­āļąāļ™āđ€āļ›āđ‡āļ™āļ™āļīāļĢāļąāļ™āļ”āļĢāđŒ . āđāļ™āļ§āļ„āļīāļ”āļ‚āļ­āļ‡āđ€āļžāļĨāđ‚āļ•āđ„āļ”āđ‰āļŦāļĨāđˆāļ­āļŦāļĨāļ­āļĄāļ§āļīāļ˜āļĩāļ„āļīāļ”āļ‚āļ­āļ‡āđ‚āļĨāļāđƒāļ™āļ—āļļāļāđāļ‚āļ™āļ‡ āļ—āļąāđ‰āļ‡āļ›āļĢāļąāļŠāļāļē āļĻāļēāļŠāļ™āļē āļāļēāļĢāđ€āļĄāļ·āļ­āļ‡ āļāļēāļĢāļĻāļķāļāļĐāļē āļ§āļīāļ—āļĒāļēāļĻāļēāļŠāļ•āļĢāđŒ āđāļĨāļ°āļĻāļīāļĨāļ›āļ° āļ­āļīāļ—āļ˜āļīāļžāļĨāļ‚āļ­āļ‡āđ€āļ‚āļēāđāļœāđˆāļ‚āļĒāļēāļĒāļˆāļēāļāļāļĢāļĩāļāđ‚āļšāļĢāļēāļ“ āļœāđˆāļēāļ™āļˆāļąāļāļĢāļ§āļĢāļĢāļ”āļīāđ‚āļĢāļĄāļąāļ™ āļœāđˆāļēāļ™āļĒāļļāļ„āļāļĨāļēāļ‡ āļœāđˆāļēāļ™āļĒāļļāļ„āļŸāļ·āđ‰āļ™āļŸāļđāļĻāļīāļĨāļ›āļ§āļīāļ—āļĒāļē āļˆāļ™āļ–āļķāļ‡āđ‚āļĨāļāļŠāļĄāļąāļĒāđƒāļŦāļĄāđˆ āļ—āļąāđ‰āļ‡āđƒāļ™āđ‚āļĨāļāļ•āļ°āļ§āļąāļ™āļ•āļāđāļĨāļ°āļ•āļ°āļ§āļąāļ™āļ­āļ­āļ āļˆāļ™āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļĢāļēāļāļāļēāļ™āļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āļ­āļēāļĢāļĒāļ˜āļĢāļĢāļĄāđ‚āļĨāļ . 40 āļ„āļģāļ„āļĄāļ‚āļ­āļ‡āđ€āļžāļĨāđ‚āļ•āļ—āļĩāđˆāļĢāļ§āļšāļĢāļ§āļĄāļĄāļēāļ™āļĩāđ‰āļŠāļ°āļ—āđ‰āļ­āļ™āļ–āļķāļ‡āļ„āļ§āļēāļĄāļĨāļļāđˆāļĄāļĨāļķāļāļ—āļēāļ‡āļ„āļ§āļēāļĄāļ„āļīāļ”āļ—āļĩāđˆāđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļŠāļ§āļĢāļĢāļ„āđŒāļāļąāļšāđ‚āļĨāļ āļ­āļļāļ”āļĄāļ„āļ•āļīāļāļąāļšāļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļˆāļĢāļīāļ‡ āđāļĨāļ°āļŠāļĩāđ‰āļ™āļģāļĄāļ™āļļāļĐāļĒāđŒāļŠāļđāđˆāļāļēāļĢāđāļŠāļ§āļ‡āļŦāļēāļŠāļąāļˆāļ˜āļĢāļĢāļĄāļ­āļąāļ™āļŠāļđāļ‡āļŠāļļāļ” . . 1. "Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything." "āļ”āļ™āļ•āļĢāļĩāļĄāļ­āļšāļˆāļīāļ•āļ§āļīāļāļāļēāļ“āđƒāļŦāđ‰āļˆāļąāļāļĢāļ§āļēāļĨ āļĄāļ­āļšāļ›āļĩāļāđƒāļŦāđ‰āļ„āļ§āļēāļĄāļ„āļīāļ” āļĄāļ­āļšāļāļēāļĢāđ‚āļšāļĒāļšāļīāļ™āđƒāļŦāđ‰āļˆāļīāļ™āļ•āļ™āļēāļāļēāļĢ āđāļĨāļ°āļĄāļ­āļšāļŠāļĩāļ§āļīāļ•āđƒāļŦāđ‰āļ—āļļāļāļŠāļīāđˆāļ‡" . . 2. "Wise men speak because they have something to say; fools because they have to say something." "āļ„āļ™āļ‰āļĨāļēāļ”āļžāļđāļ”āđ€āļžāļĢāļēāļ°āļĄāļĩāļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļˆāļ°āļšāļ­āļ āļ„āļ™āđ‚āļ‡āđˆāļžāļđāļ”āđ€āļžāļĢāļēāļ°āļ•āđ‰āļ­āļ‡āļžāļđāļ”āļ­āļ°āđ„āļĢāļŠāļąāļāļ­āļĒāđˆāļēāļ‡" . . 3. "The beginning is the most important part of the work." "āļˆāļļāļ”āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļ„āļ·āļ­āļŠāđˆāļ§āļ™āļŠāļģāļ„āļąāļāļ—āļĩāđˆāļŠāļļāļ”āļ‚āļ­āļ‡āļ‡āļēāļ™" . . 4. "No one is more hated than he who speaks the truth." "āđ„āļĄāđˆāļĄāļĩāđƒāļ„āļĢāļ–āļđāļāđ€āļāļĨāļĩāļĒāļ”āļĄāļēāļāđ„āļ›āļāļ§āđˆāļēāļœāļđāđ‰āļ—āļĩāđˆāļžāļđāļ”āļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡" . . 5. "Necessity is the mother of invention." "āļ„āļ§āļēāļĄāļˆāļģāđ€āļ›āđ‡āļ™āļ„āļ·āļ­āļšāđˆāļ­āđ€āļāļīāļ”āđāļŦāđˆāļ‡āļāļēāļĢāļ›āļĢāļ°āļ”āļīāļĐāļāđŒāļ„āļīāļ”āļ„āđ‰āļ™" . . 6. "Human behavior flows from three main sources: desire, emotion, and knowledge." "āļžāļĪāļ•āļīāļāļĢāļĢāļĄāļĄāļ™āļļāļĐāļĒāđŒāļŦāļĨāļąāđˆāļ‡āđ„āļŦāļĨāļĄāļēāļˆāļēāļāļŠāļēāļĄāđāļŦāļĨāđˆāļ‡āļŦāļĨāļąāļ: āļ„āļ§āļēāļĄāļ›āļĢāļēāļĢāļ–āļ™āļē āļ­āļēāļĢāļĄāļ“āđŒ āđāļĨāļ°āļ„āļ§āļēāļĄāļĢāļđāđ‰" . . 7. "The measure of a man is what he does with power." "āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ§āļąāļ”āļ„āļļāļ“āļ„āđˆāļēāļ‚āļ­āļ‡āļĄāļ™āļļāļĐāļĒāđŒāļ„āļ·āļ­āļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļ‚āļēāļ—āļģāđ€āļĄāļ·āđˆāļ­āļĄāļĩāļ­āļģāļ™āļēāļˆ" . . 8. "The first and best victory is to conquer self." "āļŠāļąāļĒāļŠāļ™āļ°āđāļĢāļāđāļĨāļ°āļĒāļīāđˆāļ‡āđƒāļŦāļāđˆāļ—āļĩāđˆāļŠāļļāļ”āļ„āļ·āļ­āļāļēāļĢāļŠāļ™āļ°āđƒāļˆāļ•āļ™āđ€āļ­āļ‡" . . 9. "The penalty that good men pay for not being interested in politics is to be governed by men worse than themselves." "āļšāļ—āļĨāļ‡āđ‚āļ—āļĐāļ—āļĩāđˆāļ„āļ™āļ”āļĩāļ•āđ‰āļ­āļ‡āļˆāđˆāļēāļĒāļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāđ„āļĄāđˆāļŠāļ™āđƒāļˆāļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āļ„āļ·āļ­āļāļēāļĢāļ–āļđāļāļ›āļāļ„āļĢāļ­āļ‡āđ‚āļ”āļĒāļ„āļ™āļ—āļĩāđˆāđ€āļĨāļ§āļĢāđ‰āļēāļĒāļāļ§āđˆāļēāļ•āļ™" . . 10. "Those who tell the stories rule society." "āļœāļđāđ‰āļ—āļĩāđˆāđ€āļĨāđˆāļēāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ„āļ·āļ­āļœāļđāđ‰āļ›āļāļ„āļĢāļ­āļ‡āļŠāļąāļ‡āļ„āļĄ" . . 11. "No wealth can ever make a bad man at peace with himself." "āđ„āļĄāđˆāļĄāļĩāļ„āļ§āļēāļĄāļĄāļąāđˆāļ‡āļ„āļąāđˆāļ‡āđƒāļ”āļˆāļ°āļ—āļģāđƒāļŦāđ‰āļ„āļ™āđ€āļĨāļ§āļ­āļĒāļđāđˆāļ­āļĒāđˆāļēāļ‡āļŠāļ‡āļšāļāļąāļšāļ•āļąāļ§āđ€āļ­āļ‡āđ„āļ”āđ‰" . . 12. "Ignorance, the root and the stem of every evil." "āļ„āļ§āļēāļĄāđ‚āļ‡āđˆāđ€āļ‚āļĨāļēāļ„āļ·āļ­āļĢāļēāļāđ€āļŦāļ‡āđ‰āļēāđāļĨāļ°āļĨāļģāļ•āđ‰āļ™āļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļŠāļąāđˆāļ§āļĢāđ‰āļēāļĒāļ—āļąāđ‰āļ‡āļ›āļ§āļ‡" . . 13. "We can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light." "āđ€āļĢāļēāđƒāļŦāđ‰āļ­āļ āļąāļĒāđ€āļ”āđ‡āļāļ—āļĩāđˆāļāļĨāļąāļ§āļ„āļ§āļēāļĄāļĄāļ·āļ”āđ„āļ”āđ‰āļ‡āđˆāļēāļĒ āđāļ•āđˆāđ‚āļĻāļāļ™āļēāļāļāļĢāļĢāļĄāļ—āļĩāđˆāđāļ—āđ‰āļˆāļĢāļīāļ‡āļ‚āļ­āļ‡āļŠāļĩāļ§āļīāļ•āļ„āļ·āļ­āđ€āļĄāļ·āđˆāļ­āļœāļđāđ‰āļ„āļ™āļāļĨāļąāļ§āđāļŠāļ‡āļŠāļ§āđˆāļēāļ‡" . . 14. "The worst form of injustice is pretended justice." "āļ„āļ§āļēāļĄāļ­āļĒāļļāļ•āļīāļ˜āļĢāļĢāļĄāļ—āļĩāđˆāđ€āļĨāļ§āļĢāđ‰āļēāļĒāļ—āļĩāđˆāļŠāļļāļ”āļ„āļ·āļ­āļ„āļ§āļēāļĄāļĒāļļāļ•āļīāļ˜āļĢāļĢāļĄāļˆāļ­āļĄāļ›āļĨāļ­āļĄ" . . 15. "Opinion is the medium between knowledge and ignorance." "āļ„āļ§āļēāļĄāļ„āļīāļ”āđ€āļŦāđ‡āļ™āļ„āļ·āļ­āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ­āļĒāļđāđˆāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ„āļ§āļēāļĄāļĢāļđāđ‰āđāļĨāļ°āļ„āļ§āļēāļĄāđ‚āļ‡āđˆāđ€āļ‚āļĨāļē" . . 16. "Geometry existed before creation." "āđ€āļĢāļ‚āļēāļ„āļ“āļīāļ•āļĄāļĩāļ­āļĒāļđāđˆāļāđˆāļ­āļ™āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļŠāļĢāļĢāļ„āđŒ" . . 17. "Writing is the geometry of the soul." "āļāļēāļĢāđ€āļ‚āļĩāļĒāļ™āļ„āļ·āļ­āđ€āļĢāļ‚āļēāļ„āļ“āļīāļ•āļ‚āļ­āļ‡āļˆāļīāļ•āļ§āļīāļāļāļēāļ“" . . 18. "Courage is knowing what not to fear." "āļ„āļ§āļēāļĄāļāļĨāđ‰āļēāļŦāļēāļāļ„āļ·āļ­āļāļēāļĢāļĢāļđāđ‰āļ§āđˆāļēāļ­āļ°āđ„āļĢāđ„āļĄāđˆāļ„āļ§āļĢāļāļĨāļąāļ§" . . 19. "An empty vessel makes the loudest sound, so they that have the least wit are the greatest babblers." "āļ āļēāļŠāļ™āļ°āļ—āļĩāđˆāļ§āđˆāļēāļ‡āđ€āļ›āļĨāđˆāļēāļŠāđˆāļ‡āđ€āļŠāļĩāļĒāļ‡āļ”āļąāļ‡āļ—āļĩāđˆāļŠāļļāļ” āđ€āļŠāđˆāļ™āđ€āļ”āļĩāļĒāļ§āļāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļĄāļĩāļŠāļ•āļīāļ›āļąāļāļāļēāļ™āđ‰āļ­āļĒāļ—āļĩāđˆāļŠāļļāļ”āļĄāļąāļāđ€āļ›āđ‡āļ™āļœāļđāđ‰āļžāļđāļ”āļĄāļēāļāļ—āļĩāđˆāļŠāļļāļ”" . . 20. "Education is teaching our children to desire the right things." "āļāļēāļĢāļĻāļķāļāļĐāļēāļ„āļ·āļ­āļāļēāļĢāļŠāļ­āļ™āļĨāļđāļāļŦāļĨāļēāļ™āļ‚āļ­āļ‡āđ€āļĢāļēāđƒāļŦāđ‰āļ›āļĢāļēāļĢāļ–āļ™āļēāđƒāļ™āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ–āļđāļāļ•āđ‰āļ­āļ‡" . . 21. "Philosophy is the highest music." "āļ›āļĢāļąāļŠāļāļēāļ„āļ·āļ­āļ”āļ™āļ•āļĢāļĩāļ—āļĩāđˆāļŠāļđāļ‡āļŠāđˆāļ‡āļ—āļĩāđˆāļŠāļļāļ”" . . 22. "There are three classes of men; lovers of wisdom, lovers of honor, and lovers of gain." "āļĄāļ™āļļāļĐāļĒāđŒāļĄāļĩāļŠāļēāļĄāļ›āļĢāļ°āđ€āļ āļ—: āļœāļđāđ‰āļĢāļąāļāļ›āļąāļāļāļē āļœāļđāđ‰āļĢāļąāļāđ€āļāļĩāļĒāļĢāļ•āļīāļĒāļĻ āđāļĨāļ°āļœāļđāđ‰āļĢāļąāļāļœāļĨāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒ" . . 23. "Do not train a child to learn by force or harshness; but direct them to it by what amuses their minds, so that you may be better able to discover with accuracy the peculiar bent of the genius of each." "āļ­āļĒāđˆāļēāļāļķāļāđ€āļ”āđ‡āļāđƒāļŦāđ‰āđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āļ”āđ‰āļ§āļĒāļāļēāļĢāļšāļąāļ‡āļ„āļąāļšāļŦāļĢāļ·āļ­āļ„āļ§āļēāļĄāļĢāļļāļ™āđāļĢāļ‡ āđāļ•āđˆāļˆāļ‡āļŠāļĩāđ‰āļ™āļģāļžāļ§āļāđ€āļ‚āļēāļ”āđ‰āļ§āļĒāļŠāļīāđˆāļ‡āļ—āļĩāđˆāļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāđ€āļžāļĨāļīāļ”āđ€āļžāļĨāļīāļ™āđƒāļŦāđ‰āļˆāļīāļ•āđƒāļˆ āđ€āļžāļ·āđˆāļ­āļ—āļĩāđˆāļ„āļļāļ“āļˆāļ°āļŠāļēāļĄāļēāļĢāļ–āļ„āđ‰āļ™āļžāļšāļ„āļ§āļēāļĄāđ‚āļ™āđ‰āļĄāđ€āļ­āļĩāļĒāļ‡āļžāļīāđ€āļĻāļĐāļ‚āļ­āļ‡āļ­āļąāļˆāļ‰āļĢāļīāļĒāļ āļēāļžāđƒāļ™āļ•āļąāļ§āļžāļ§āļāđ€āļ‚āļēāđāļ•āđˆāļĨāļ°āļ„āļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđāļĄāđˆāļ™āļĒāļģ" . . 24. "You should not honor men more than truth." "āļ­āļĒāđˆāļēāđƒāļŦāđ‰āđ€āļāļĩāļĒāļĢāļ•āļīāļĄāļ™āļļāļĐāļĒāđŒāļĄāļēāļāļāļ§āđˆāļēāļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡" . . 25. "A hero is born among a hundred, a wise man is found among a thousand, but an accomplished one might not be found even among a hundred thousand men." "āļ§āļĩāļĢāļšāļļāļĢāļļāļĐāđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđƒāļ™āļŦāļ™āļķāđˆāļ‡āļĢāđ‰āļ­āļĒ āļ›āļĢāļēāļŠāļāđŒāļžāļšāđ„āļ”āđ‰āđƒāļ™āļŦāļ™āļķāđˆāļ‡āļžāļąāļ™ āđāļ•āđˆāļœāļđāđ‰āļ—āļĩāđˆāļŠāļĄāļšāļđāļĢāļ“āđŒāđāļšāļšāļ­āļēāļˆāđ„āļĄāđˆāļžāļšāđāļĄāđ‰āđƒāļ™āļŦāļ™āļķāđˆāļ‡āđāļŠāļ™āļ„āļ™" . . 26. "At the touch of love everyone becomes a poet." "āđ€āļĄāļ·āđˆāļ­āļŠāļąāļĄāļœāļąāļŠāļ„āļ§āļēāļĄāļĢāļąāļ āļ—āļļāļāļ„āļ™āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļāļ§āļĩ" . . 27. "There should exist among the citizens neither extreme poverty nor again excessive wealth, for both are productive of great evil." "āđƒāļ™āļŦāļĄāļđāđˆāļžāļĨāđ€āļĄāļ·āļ­āļ‡āđ„āļĄāđˆāļ„āļ§āļĢāļĄāļĩāļ—āļąāđ‰āļ‡āļ„āļ§āļēāļĄāļĒāļēāļāļˆāļ™āļŠāļļāļ”āļ‚āļąāđ‰āļ§āļŦāļĢāļ·āļ­āļ„āļ§āļēāļĄāļĄāļąāđˆāļ‡āļ„āļąāđˆāļ‡āļĨāđ‰āļ™āđ€āļŦāļĨāļ·āļ­ āđ€āļžāļĢāļēāļ°āļ—āļąāđ‰āļ‡āļŠāļ­āļ‡āļŠāļīāđˆāļ‡āļĨāđ‰āļ§āļ™āļāđˆāļ­āđƒāļŦāđ‰āđ€āļāļīāļ”āļ„āļ§āļēāļĄāļŠāļąāđˆāļ§āļĢāđ‰āļēāļĒāļ­āļąāļ™āđƒāļŦāļāđˆāļŦāļĨāļ§āļ‡" . . 28. "As the builders say, the larger stones do not lie well without the lesser." "āļ”āļąāļ‡āļ—āļĩāđˆāļŠāđˆāļēāļ‡āļāđˆāļ­āļŠāļĢāđ‰āļēāļ‡āļ§āđˆāļē āļŦāļīāļ™āļāđ‰āļ­āļ™āđƒāļŦāļāđˆāđ„āļĄāđˆāļ­āļēāļˆāļ§āļēāļ‡āđ„āļ”āđ‰āļ”āļĩāļŦāļēāļāļ›āļĢāļēāļĻāļˆāļēāļāļŦāļīāļ™āļāđ‰āļ­āļ™āđ€āļĨāđ‡āļ" . . 29. "The most virtuous are those who content themselves with being virtuous without seeking to appear so." "āļœāļđāđ‰āļ—āļĩāđˆāļĄāļĩāļ„āļļāļ“āļ˜āļĢāļĢāļĄāļ—āļĩāđˆāļŠāļļāļ”āļ„āļ·āļ­āļœāļđāđ‰āļ—āļĩāđˆāļžāļ­āđƒāļˆāđƒāļ™āļāļēāļĢāļĄāļĩāļ„āļļāļ“āļ˜āļĢāļĢāļĄāđ‚āļ”āļĒāđ„āļĄāđˆāļžāļĒāļēāļĒāļēāļĄāļ—āļģāđƒāļŦāđ‰āļ”āļđāđ€āļŦāļĄāļ·āļ­āļ™āļ§āđˆāļēāļĄāļĩ" . . 30. "For this feeling of wonder shows that you are a philosopher, since wonder is the only beginning of philosophy." "āļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļ›āļĢāļ°āļŦāļĨāļēāļ”āđƒāļˆāļ™āļĩāđ‰āđāļŠāļ”āļ‡āļ§āđˆāļēāļ„āļļāļ“āđ€āļ›āđ‡āļ™āļ™āļąāļāļ›āļĢāļąāļŠāļāļē āđ€āļžāļĢāļēāļ°āļ„āļ§āļēāļĄāļ›āļĢāļ°āļŦāļĨāļēāļ”āđƒāļˆāļ„āļ·āļ­āļˆāļļāļ”āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āđ€āļžāļĩāļĒāļ‡āļŦāļ™āļķāđˆāļ‡āđ€āļ”āļĩāļĒāļ§āļ‚āļ­āļ‡āļ›āļĢāļąāļŠāļāļē" . . 31. "Courage is a kind of salvation." "āļ„āļ§āļēāļĄāļāļĨāđ‰āļēāļŦāļēāļāļ„āļ·āļ­āļĢāļđāļ›āđāļšāļšāļŦāļ™āļķāđˆāļ‡āļ‚āļ­āļ‡āļāļēāļĢāļŦāļĨāļļāļ”āļžāđ‰āļ™" . . 32. "The highest reach of injustice is to be deemed just when you are not." "āļˆāļļāļ”āļŠāļđāļ‡āļŠāļļāļ”āļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļ­āļĒāļļāļ•āļīāļ˜āļĢāļĢāļĄāļ„āļ·āļ­āļāļēāļĢāļ–āļđāļāļĄāļ­āļ‡āļ§āđˆāļēāļĒāļļāļ•āļīāļ˜āļĢāļĢāļĄāļ—āļąāđ‰āļ‡āļ—āļĩāđˆāđ„āļĄāđˆāđƒāļŠāđˆ" . . 33. "No science or art considers or enjoins the interest of the stronger or superior, but only the interest of the subject and weaker." "āđ„āļĄāđˆāļĄāļĩāļ§āļīāļ—āļĒāļēāļĻāļēāļŠāļ•āļĢāđŒāļŦāļĢāļ·āļ­āļĻāļīāļĨāļ›āļ°āđƒāļ”āļžāļīāļˆāļēāļĢāļ“āļēāļŦāļĢāļ·āļ­āļšāļąāļ‡āļ„āļąāļšāļœāļĨāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļ‚āļ­āļ‡āļœāļđāđ‰āđāļ‚āđ‡āļ‡āđāļāļĢāđˆāļ‡āļŦāļĢāļ·āļ­āļœāļđāđ‰āđ€āļŦāļ™āļ·āļ­āļāļ§āđˆāļē āđāļ•āđˆāđ€āļžāļĩāļĒāļ‡āļœāļĨāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļ‚āļ­āļ‡āļœāļđāđ‰āļ­āļĒāļđāđˆāđƒāļ•āđ‰āļ›āļāļ„āļĢāļ­āļ‡āđāļĨāļ°āļœāļđāđ‰āļ­āđˆāļ­āļ™āđāļ­āļāļ§āđˆāļē" . . 34. "For the uneducated, when they engage in argument about anything, give no thought to the truth about the subject of discussion but are only eager that those present will accept the position they have set forth." "āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āđ„āļĢāđ‰āļāļēāļĢāļĻāļķāļāļĐāļē āđ€āļĄāļ·āđˆāļ­āļžāļ§āļāđ€āļ‚āļēāđ‚āļ•āđ‰āđāļĒāđ‰āļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āđƒāļ”āļāđ‡āļ•āļēāļĄ āļžāļ§āļāđ€āļ‚āļēāđ„āļĄāđˆāļ„āļīāļ”āļ–āļķāļ‡āļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļŦāļąāļ§āļ‚āđ‰āļ­āļ—āļĩāđˆāļāļģāļĨāļąāļ‡āļ­āļ āļīāļ›āļĢāļēāļĒ āđāļ•āđˆāļāļĢāļ°āļ•āļ·āļ­āļĢāļ·āļ­āļĢāđ‰āļ™āđ€āļžāļĩāļĒāļ‡āđƒāļŦāđ‰āļœāļđāđ‰āļ—āļĩāđˆāļ­āļĒāļđāđˆāļ—āļĩāđˆāļ™āļąāđˆāļ™āļĒāļ­āļĄāļĢāļąāļšāļˆāļļāļ”āļĒāļ·āļ™āļ—āļĩāđˆāļžāļ§āļāđ€āļ‚āļēāļ™āļģāđ€āļŠāļ™āļ­āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™" . . 35. "Neither do the ignorant seek after wisdom. For herein is the evil of ignorance, that he who is neither good nor wise is nevertheless satisfied with himself: he has no desire for that of which he feels no want." "āļ„āļ™āđ‚āļ‡āđˆāđ€āļ‚āļĨāļēāđ„āļĄāđˆāđāļŠāļ§āļ‡āļŦāļēāļ›āļąāļāļāļē āđ€āļžāļĢāļēāļ°āļ™āļĩāđˆāļ„āļ·āļ­āļ„āļ§āļēāļĄāļŠāļąāđˆāļ§āļĢāđ‰āļēāļĒāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāđ‚āļ‡āđˆāđ€āļ‚āļĨāļē āļ—āļĩāđˆāļœāļđāđ‰āļ‹āļķāđˆāļ‡āđ„āļĄāđˆāļ”āļĩāđāļĨāļ°āđ„āļĄāđˆāļ‰āļĨāļēāļ”āļāļĨāļąāļšāļžāļ­āđƒāļˆāđƒāļ™āļ•āļąāļ§āđ€āļ­āļ‡: āđ€āļ‚āļēāđ„āļĄāđˆāļĄāļĩāļ„āļ§āļēāļĄāļ›āļĢāļēāļĢāļ–āļ™āļēāđƒāļ™āļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļ‚āļēāļĢāļđāđ‰āļŠāļķāļāļ§āđˆāļēāđ„āļĄāđˆāļ‚āļēāļ”" . . 36. "The man who finds that in the course of his life he has done a lot of wrong often wakes up at night in terror, like a child with a nightmare, and his life is full of foreboding: but the man who is conscious of no wrongdoing is filled with cheerfulness and with the comfort of old age." "āļœāļđāđ‰āļ—āļĩāđˆāļžāļšāļ§āđˆāļēāđƒāļ™āļŠāđˆāļ§āļ‡āļŠāļĩāļ§āļīāļ•āļ‚āļ­āļ‡āđ€āļ‚āļēāđ„āļ”āđ‰āļ—āļģāļœāļīāļ”āļĄāļēāļāļĄāļąāļāļ•āļ·āđˆāļ™āļ‚āļķāđ‰āļ™āļĄāļēāļ•āļ­āļ™āļāļĨāļēāļ‡āļ„āļ·āļ™āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļŦāļ§āļēāļ”āļāļĨāļąāļ§ āđ€āļŦāļĄāļ·āļ­āļ™āđ€āļ”āđ‡āļāļ—āļĩāđˆāļāļąāļ™āļĢāđ‰āļēāļĒ āđāļĨāļ°āļŠāļĩāļ§āļīāļ•āļ‚āļ­āļ‡āđ€āļ‚āļēāđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļĨāļēāļ‡āļĢāđ‰āļēāļĒ āđāļ•āđˆāļœāļđāđ‰āļ—āļĩāđˆāđ„āļĄāđˆāļĢāļđāđ‰āļŠāļķāļāļ§āđˆāļēāđ„āļ”āđ‰āļ—āļģāļœāļīāļ”āļˆāļ°āđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļĢāđˆāļēāđ€āļĢāļīāļ‡āđāļĨāļ°āļ„āļ§āļēāļĄāļŠāļšāļēāļĒāđƒāļˆāđƒāļ™āļ§āļąāļĒāļŠāļĢāļē" . . 37. "Now early life is very impressible, and children ought not to learn what they will have to unlearn when they grow up; we must therefore have a censorship of nursery tales, banishing some and keeping others." "āļŠāļĩāļ§āļīāļ•āđƒāļ™āļ§āļąāļĒāļ•āđ‰āļ™āļ™āļąāđ‰āļ™āļĢāļąāļšāļ­āļīāļ—āļ˜āļīāļžāļĨāđ„āļ”āđ‰āļ‡āđˆāļēāļĒ āđāļĨāļ°āđ€āļ”āđ‡āļāđ† āđ„āļĄāđˆāļ„āļ§āļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļžāļ§āļāđ€āļ‚āļēāļˆāļ°āļ•āđ‰āļ­āļ‡āļĨāļ·āļĄāđ€āļĄāļ·āđˆāļ­āđ‚āļ•āļ‚āļķāđ‰āļ™ āđ€āļĢāļēāļˆāļķāļ‡āļ•āđ‰āļ­āļ‡āļĄāļĩāļāļēāļĢāļāļĨāļąāđˆāļ™āļāļĢāļ­āļ‡āļ™āļīāļ—āļēāļ™āļŠāļģāļŦāļĢāļąāļšāđ€āļ”āđ‡āļ āļāļģāļˆāļąāļ”āļšāļēāļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āđāļĨāļ°āđ€āļāđ‡āļšāļšāļēāļ‡āđ€āļĢāļ·āđˆāļ­āļ‡āđ„āļ§āđ‰" . . 38. "There's no difficulty in choosing vice in abundance: the road is smooth and it's hardly any distance to where it lives. But the gods have put sweat in the way of goodness, and a long, rough, steep road." "āđ„āļĄāđˆāļĄāļĩāļ„āļ§āļēāļĄāļĒāļēāļāļĨāļģāļšāļēāļāđƒāļ™āļāļēāļĢāđ€āļĨāļ·āļ­āļāļ„āļ§āļēāļĄāļŠāļąāđˆāļ§āļ—āļĩāđˆāļĄāļĩāļ­āļĒāļđāđˆāļĄāļēāļāļĄāļēāļĒ: āļ–āļ™āļ™āļĢāļēāļšāđ€āļĢāļĩāļĒāļšāđāļĨāļ°āđāļ—āļšāđ„āļĄāđˆāļĄāļĩāļĢāļ°āļĒāļ°āļ—āļēāļ‡āđ„āļ›āļ–āļķāļ‡āļ—āļĩāđˆāļ­āļĒāļđāđˆāļ‚āļ­āļ‡āļĄāļąāļ™ āđāļ•āđˆāđ€āļ—āļžāđ€āļˆāđ‰āļēāđ„āļ”āđ‰āļ§āļēāļ‡āđ€āļŦāļ‡āļ·āđˆāļ­āđ„āļ§āđ‰āđƒāļ™āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāļ”āļĩ āđāļĨāļ°āđ€āļ›āđ‡āļ™āļ–āļ™āļ™āļ—āļĩāđˆāļĒāļēāļ§ āļ‚āļĢāļļāļ‚āļĢāļ° āđāļĨāļ°āļŠāļąāļ™" . . 39. "It is not Love absolutely that is good or praiseworthy, but only that Love which impels meant to love aright." "āđ„āļĄāđˆāđƒāļŠāđˆāļ„āļ§āļēāļĄāļĢāļąāļāļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļ—āļĩāđˆāļ”āļĩāļŦāļĢāļ·āļ­āļ™āđˆāļēāļŠāļĢāļĢāđ€āļŠāļĢāļīāļ āđāļ•āđˆāđ€āļ›āđ‡āļ™āđ€āļžāļĩāļĒāļ‡āļ„āļ§āļēāļĄāļĢāļąāļāļ—āļĩāđˆāļœāļĨāļąāļāļ”āļąāļ™āđƒāļŦāđ‰āļĢāļąāļāļ­āļĒāđˆāļēāļ‡āļ–āļđāļāļ•āđ‰āļ­āļ‡āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™" . . 40. "Both knowledge and truth are beautiful things, but the good is other and more beautiful than they." "āļ—āļąāđ‰āļ‡āļ„āļ§āļēāļĄāļĢāļđāđ‰āđāļĨāļ°āļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡āđ€āļ›āđ‡āļ™āļŠāļīāđˆāļ‡āļ‡āļ”āļ‡āļēāļĄ āđāļ•āđˆāļ„āļ§āļēāļĄāļ”āļĩāļ™āļąāđ‰āļ™āđāļ•āļāļ•āđˆāļēāļ‡āđāļĨāļ°āļ‡āļ”āļ‡āļēāļĄāļĒāļīāđˆāļ‡āļāļ§āđˆāļē" . . . . #SuccessStrategies #Quotes #Plato #Mindset #Politic
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  • 26 Types of Punctuation Marks & Typographical Symbols

    We use words in writing. Shocking, I know! Do you know what else we use in writing? Here is a hint: they have already appeared in this paragraph. In addition to words, we use many different symbols and characters to organize our thoughts and make text easier to read. All of these symbols come in two major categories: punctuation marks and typographical symbols. These symbols have many different uses and include everything from the humble period (.) to the rarely used caret symbol (^). There may even be a few symbols out there that you’ve never even heard of before that leave you scratching your head when you see them on your keyboard!

    What is punctuation?

    Punctuation is the act or system of using specific marks or symbols in writing to separate different elements from each other or to make writing more clear. Punctuation is used in English and the other languages that use the Latin alphabet. Many other writing systems also use punctuation, too. Thanks to punctuation, we don’t have to suffer through a block of text that looks like this:

    - My favorite color is red do you like red red is great my sister likes green she always says green is the color of champions regardless of which color is better we both agree that no one likes salmon which is a fish and not a color seriously.

    Punctuation examples

    The following sentences give examples of the many different punctuation marks that we use:

    - My dog, Bark Scruffalo, was featured in a superhero movie.
    - If there’s something strange in your neighborhood, who are you going to call?
    - A wise man once said, “Within the body of every person lies a skeleton.”
    - Hooray! I found everything on the map: the lake, the mountain, and the forest.
    - I told Ashley (if that was her real name) that I needed the copy lickety-split.

    What is a typographical symbol?

    The term typographical symbol, or any other number of phrases, refers to a character or symbol that isn’t considered to be a punctuation mark but may still be used in writing for various purposes. Typographical symbols are generally avoided in formal writing under most circumstances. However, you may see typographic symbols used quite a bit in informal writing.

    Typographical symbol examples

    The following examples show some ways that a writer might use typographical symbols. Keep in mind that some of these sentences may not be considered appropriate in formal writing.

    - The frustrated actor said she was tired of her co-star’s “annoying bull****.”
    - For questions, email us at anascabana@bananacabanas.fake!
    - The band had five #1 singles on the American music charts during the 1990s.
    - My internet provider is AT&T.

    Punctuation vs. typographical symbols

    Punctuation marks are considered part of grammar and often have well-established rules for how to use them properly. For example, the rules of proper grammar state that a letter after a period should be capitalized and that a comma must be used before a coordinating conjunction.

    Typographical symbols, on the other hand, may not have widely accepted rules for how, or even when, they should be used. Generally speaking, most grammar resources will only allow the use of typographical symbols under very specific circumstances and will otherwise advise a writer to avoid using them.

    Types of punctuation and symbols

    There are many different types of punctuation marks and typographical symbols. We’ll briefly touch on them now, but you can learn more about of these characters by checking out the links in this list and also each section below:

    Period
    Question mark
    Exclamation point
    Comma
    Colon
    Semicolon
    Hyphen
    En dash
    Em dash
    Parentheses
    Square brackets
    Curly brackets
    Angle brackets
    Quotation marks
    Apostrophe
    Slash
    Ellipses
    Asterisk
    Ampersand
    Bullet point
    Pound symbol
    Tilde
    Backslash
    At symbol
    Caret symbol
    Pipe symbol

    Period, question mark, and exclamation point

    These three commonly used punctuation marks are used for the same reason: to end an independent thought.

    Period (.)

    A period is used to end a declarative sentence. A period indicates that a sentence is finished.

    Today is Friday.

    Unique to them, periods are also often used in abbreviations.

    Prof. Dumbledore once again awarded a ludicrous amount of points to Gryffindor.

    Question mark (?)

    The question mark is used to end a question, also known as an interrogative sentence.

    Do you feel lucky?

    Exclamation point (!)

    The exclamation point is used at the end of exclamations and interjections.

    Our house is haunted!
    Wow!

    Comma, colon, and semicolon

    Commas, colons, and semicolons can all be used to connect sentences together.

    Comma (,)

    The comma is often the punctuation mark that gives writers the most problems. It has many different uses and often requires good knowledge of grammar to avoid making mistakes when using it. Some common uses of the comma include:

    Joining clauses: Mario loves Peach, and she loves him.
    Nonrestrictive elements: My favorite team, the Fighting Mongooses, won the championship this year.
    Lists: The flag was red, white, and blue.
    Coordinate adjectives: The cute, happy puppy licked my hand.

    Colon (:)

    The colon is typically used to introduce additional information.

    The detective had three suspects: the salesman, the gardener, and the lawyer.

    Like commas, colons can also connect clauses together.

    We forgot to ask the most important question: who was buying lunch?

    Colons have a few other uses, too.

    The meeting starts at 8:15 p.m.
    The priest started reading from Mark 3:6.

    Semicolon (;)

    Like the comma and the colon, the semicolon is used to connect sentences together. The semicolon typically indicates that the second sentence is closely related to the one before it.

    I can’t eat peanuts; I am highly allergic to them.
    Lucy loves to eat all kinds of sweets; lollipops are her favorite.

    Hyphen and dashes (en dash and em dash)

    All three of these punctuation marks are often referred to as “dashes.” However, they are all used for entirely different reasons.

    Hyphen (-)

    The hyphen is used to form compound words.

    I went to lunch with my father-in-law.
    She was playing with a jack-in-the-box.
    He was accused of having pro-British sympathies.

    En dash (–)

    The en dash is used to express ranges or is sometimes used in more complex compound words.

    The homework exercises are on pages 20–27.
    The songwriter had worked on many Tony Award–winning productions.

    Em dash (—)

    The em dash is used to indicate a pause or interrupted speech.

    The thief was someone nobody expected—me!
    “Those kids will—” was all he managed to say before he was hit by a water balloon.
    Test your knowledge on the different dashes here.

    Parentheses, brackets, and braces

    These pairs of punctuation marks look similar, but they all have different uses. In general, the parentheses are much more commonly used than the others.

    Parentheses ()

    Typically, parentheses are used to add additional information.

    I thought (for a very long time) if I should actually give an honest answer.
    Tomorrow is Christmas (my favorite holiday)!
    Parentheses have a variety of other uses, too.

    Pollution increased significantly. (See Chart 14B)
    He was at an Alcoholics Anonymous (AA) meeting.
    Richard I of England (1157–1199) had the heart of a lion.

    Square brackets []

    Typically, square brackets are used to clarify or add information to quotations.

    According to an eyewitness, the chimpanzees “climbed on the roof and juggled [bananas].”
    The judge said that “the defense attorney [Mr. Wright] had made it clear that the case was far from closed.”

    Curly brackets {}

    Curly brackets, also known as braces, are rarely used punctuation marks that are used to group a set.

    I was impressed by the many different colors {red, green, yellow, blue, purple, black, white} they selected for the flag’s design.

    Angle brackets <>

    Angle brackets have no usage in formal writing and are rarely ever used even in informal writing. These characters have more uses in other fields, such as math or computing.

    Quotation marks and apostrophe

    You’ll find these punctuation marks hanging out at the top of a line of text.

    Quotation marks (“”)

    The most common use of quotation marks is to contain quotations.

    She said, “Don’t let the dog out of the house.”
    Bob Ross liked to put “happy little trees” in many of his paintings.

    Apostrophe (‘)

    The apostrophe is most often used to form possessives and contractions.

    The house’s back door is open.
    My cousin’s birthday is next week.
    It isn’t ready yet.
    We should’ve stayed outside.

    Slash and ellipses

    These are two punctuation marks you may not see too often, but they are still useful.

    Slash (/)

    The slash has several different uses. Here are some examples:

    Relationships: The existence of boxer briefs somehow hasn’t ended the boxers/briefs debate.
    Alternatives: They accept cash and/or credit.
    Fractions: After an hour, 2/3 of the audience had already left.

    Ellipses (…)

    In formal writing, ellipses are used to indicate that words were removed from a quote.

    The mayor said, “The damages will be … paid for by the city … as soon as possible.”
    In informal writing, ellipses are often used to indicate pauses or speech that trails off.

    He nervously stammered and said, “Look, I … You see … I wasn’t … Forget it, okay.”

    Typographical symbols

    Typographical symbols rarely appear in formal writing. You are much more likely to see them used for a variety of reasons in informal writing.

    Asterisk (*)

    In formal writing, especially academic and scientific writing, the asterisk is used to indicate a footnote.

    Chocolate is the preferred flavor of ice cream.*
    *According to survey data from the Ice Cream Data Center.

    The asterisk may also be used to direct a reader toward a clarification or may be used to censor inappropriate words or phrases.

    Ampersand (&)

    The ampersand substitutes for the word and. Besides its use in the official names of things, the ampersand is typically avoided in formal writing.

    The band gave a speech at the Rock & Roll Hall of Fame.

    Bullet Point (•)

    Bullet points are used to create lists. For example,

    For this recipe you will need:

    • eggs
    • milk
    • sugar
    • flour
    • baking powder

    Pound symbol (#)

    Informally, the pound symbol is typically used to mean number or is used in social media hashtags.

    The catchy pop song reached #1 on the charts.
    Ready 4 Halloween 2morrow!!! #spooky #TrickorTreat
    Tilde (~)

    Besides being used as an accent mark in Spanish and Portuguese words, the tilde is rarely used. Informally, a person may use it to mean “about” or “approximately.”

    We visited São Paulo during our vacation.
    I think my dog weighs ~20 pounds.

    Backslash (\)

    The backslash is primarily used in computer programming and coding. It might be used online and in texting to draw emoticons, but it has no other common uses in writing. Be careful not to mix it up with the similar forward slash (/), which is a punctuation mark.

    At symbol (@)

    The at symbol substitutes for the word at in informal writing. In formal writing, it is used when writing email addresses.

    His email address is duckduck@goose.abc.

    Caret symbol (^)

    The caret symbol is used in proofreading, but may be used to indicate an exponent if a writer is unable to use superscript.

    Do you know what 3^4 (34) is equal to?

    Pipe symbol (|)

    The pipe symbol is not used in writing. Instead, it has a variety of functions in the fields of math, physics, or computing.

    Copyright 2024, AAKKHRA, All Rights Reserved.
    26 Types of Punctuation Marks & Typographical Symbols We use words in writing. Shocking, I know! Do you know what else we use in writing? Here is a hint: they have already appeared in this paragraph. In addition to words, we use many different symbols and characters to organize our thoughts and make text easier to read. All of these symbols come in two major categories: punctuation marks and typographical symbols. These symbols have many different uses and include everything from the humble period (.) to the rarely used caret symbol (^). There may even be a few symbols out there that you’ve never even heard of before that leave you scratching your head when you see them on your keyboard! What is punctuation? Punctuation is the act or system of using specific marks or symbols in writing to separate different elements from each other or to make writing more clear. Punctuation is used in English and the other languages that use the Latin alphabet. Many other writing systems also use punctuation, too. Thanks to punctuation, we don’t have to suffer through a block of text that looks like this: - My favorite color is red do you like red red is great my sister likes green she always says green is the color of champions regardless of which color is better we both agree that no one likes salmon which is a fish and not a color seriously. Punctuation examples The following sentences give examples of the many different punctuation marks that we use: - My dog, Bark Scruffalo, was featured in a superhero movie. - If there’s something strange in your neighborhood, who are you going to call? - A wise man once said, “Within the body of every person lies a skeleton.” - Hooray! I found everything on the map: the lake, the mountain, and the forest. - I told Ashley (if that was her real name) that I needed the copy lickety-split. What is a typographical symbol? The term typographical symbol, or any other number of phrases, refers to a character or symbol that isn’t considered to be a punctuation mark but may still be used in writing for various purposes. Typographical symbols are generally avoided in formal writing under most circumstances. However, you may see typographic symbols used quite a bit in informal writing. Typographical symbol examples The following examples show some ways that a writer might use typographical symbols. Keep in mind that some of these sentences may not be considered appropriate in formal writing. - The frustrated actor said she was tired of her co-star’s “annoying bull****.” - For questions, email us at anascabana@bananacabanas.fake! - The band had five #1 singles on the American music charts during the 1990s. - My internet provider is AT&T. Punctuation vs. typographical symbols Punctuation marks are considered part of grammar and often have well-established rules for how to use them properly. For example, the rules of proper grammar state that a letter after a period should be capitalized and that a comma must be used before a coordinating conjunction. Typographical symbols, on the other hand, may not have widely accepted rules for how, or even when, they should be used. Generally speaking, most grammar resources will only allow the use of typographical symbols under very specific circumstances and will otherwise advise a writer to avoid using them. Types of punctuation and symbols There are many different types of punctuation marks and typographical symbols. We’ll briefly touch on them now, but you can learn more about of these characters by checking out the links in this list and also each section below: Period Question mark Exclamation point Comma Colon Semicolon Hyphen En dash Em dash Parentheses Square brackets Curly brackets Angle brackets Quotation marks Apostrophe Slash Ellipses Asterisk Ampersand Bullet point Pound symbol Tilde Backslash At symbol Caret symbol Pipe symbol Period, question mark, and exclamation point These three commonly used punctuation marks are used for the same reason: to end an independent thought. Period (.) A period is used to end a declarative sentence. A period indicates that a sentence is finished. Today is Friday. Unique to them, periods are also often used in abbreviations. Prof. Dumbledore once again awarded a ludicrous amount of points to Gryffindor. Question mark (?) The question mark is used to end a question, also known as an interrogative sentence. Do you feel lucky? Exclamation point (!) The exclamation point is used at the end of exclamations and interjections. Our house is haunted! Wow! Comma, colon, and semicolon Commas, colons, and semicolons can all be used to connect sentences together. Comma (,) The comma is often the punctuation mark that gives writers the most problems. It has many different uses and often requires good knowledge of grammar to avoid making mistakes when using it. Some common uses of the comma include: Joining clauses: Mario loves Peach, and she loves him. Nonrestrictive elements: My favorite team, the Fighting Mongooses, won the championship this year. Lists: The flag was red, white, and blue. Coordinate adjectives: The cute, happy puppy licked my hand. Colon (:) The colon is typically used to introduce additional information. The detective had three suspects: the salesman, the gardener, and the lawyer. Like commas, colons can also connect clauses together. We forgot to ask the most important question: who was buying lunch? Colons have a few other uses, too. The meeting starts at 8:15 p.m. The priest started reading from Mark 3:6. Semicolon (;) Like the comma and the colon, the semicolon is used to connect sentences together. The semicolon typically indicates that the second sentence is closely related to the one before it. I can’t eat peanuts; I am highly allergic to them. Lucy loves to eat all kinds of sweets; lollipops are her favorite. Hyphen and dashes (en dash and em dash) All three of these punctuation marks are often referred to as “dashes.” However, they are all used for entirely different reasons. Hyphen (-) The hyphen is used to form compound words. I went to lunch with my father-in-law. She was playing with a jack-in-the-box. He was accused of having pro-British sympathies. En dash (–) The en dash is used to express ranges or is sometimes used in more complex compound words. The homework exercises are on pages 20–27. The songwriter had worked on many Tony Award–winning productions. Em dash (—) The em dash is used to indicate a pause or interrupted speech. The thief was someone nobody expected—me! “Those kids will—” was all he managed to say before he was hit by a water balloon. Test your knowledge on the different dashes here. Parentheses, brackets, and braces These pairs of punctuation marks look similar, but they all have different uses. In general, the parentheses are much more commonly used than the others. Parentheses () Typically, parentheses are used to add additional information. I thought (for a very long time) if I should actually give an honest answer. Tomorrow is Christmas (my favorite holiday)! Parentheses have a variety of other uses, too. Pollution increased significantly. (See Chart 14B) He was at an Alcoholics Anonymous (AA) meeting. Richard I of England (1157–1199) had the heart of a lion. Square brackets [] Typically, square brackets are used to clarify or add information to quotations. According to an eyewitness, the chimpanzees “climbed on the roof and juggled [bananas].” The judge said that “the defense attorney [Mr. Wright] had made it clear that the case was far from closed.” Curly brackets {} Curly brackets, also known as braces, are rarely used punctuation marks that are used to group a set. I was impressed by the many different colors {red, green, yellow, blue, purple, black, white} they selected for the flag’s design. Angle brackets <> Angle brackets have no usage in formal writing and are rarely ever used even in informal writing. These characters have more uses in other fields, such as math or computing. Quotation marks and apostrophe You’ll find these punctuation marks hanging out at the top of a line of text. Quotation marks (“”) The most common use of quotation marks is to contain quotations. She said, “Don’t let the dog out of the house.” Bob Ross liked to put “happy little trees” in many of his paintings. Apostrophe (‘) The apostrophe is most often used to form possessives and contractions. The house’s back door is open. My cousin’s birthday is next week. It isn’t ready yet. We should’ve stayed outside. Slash and ellipses These are two punctuation marks you may not see too often, but they are still useful. Slash (/) The slash has several different uses. Here are some examples: Relationships: The existence of boxer briefs somehow hasn’t ended the boxers/briefs debate. Alternatives: They accept cash and/or credit. Fractions: After an hour, 2/3 of the audience had already left. Ellipses (…) In formal writing, ellipses are used to indicate that words were removed from a quote. The mayor said, “The damages will be … paid for by the city … as soon as possible.” In informal writing, ellipses are often used to indicate pauses or speech that trails off. He nervously stammered and said, “Look, I … You see … I wasn’t … Forget it, okay.” Typographical symbols Typographical symbols rarely appear in formal writing. You are much more likely to see them used for a variety of reasons in informal writing. Asterisk (*) In formal writing, especially academic and scientific writing, the asterisk is used to indicate a footnote. Chocolate is the preferred flavor of ice cream.* *According to survey data from the Ice Cream Data Center. The asterisk may also be used to direct a reader toward a clarification or may be used to censor inappropriate words or phrases. Ampersand (&) The ampersand substitutes for the word and. Besides its use in the official names of things, the ampersand is typically avoided in formal writing. The band gave a speech at the Rock & Roll Hall of Fame. Bullet Point (•) Bullet points are used to create lists. For example, For this recipe you will need: • eggs • milk • sugar • flour • baking powder Pound symbol (#) Informally, the pound symbol is typically used to mean number or is used in social media hashtags. The catchy pop song reached #1 on the charts. Ready 4 Halloween 2morrow!!! #spooky #TrickorTreat Tilde (~) Besides being used as an accent mark in Spanish and Portuguese words, the tilde is rarely used. Informally, a person may use it to mean “about” or “approximately.” We visited São Paulo during our vacation. I think my dog weighs ~20 pounds. Backslash (\) The backslash is primarily used in computer programming and coding. It might be used online and in texting to draw emoticons, but it has no other common uses in writing. Be careful not to mix it up with the similar forward slash (/), which is a punctuation mark. At symbol (@) The at symbol substitutes for the word at in informal writing. In formal writing, it is used when writing email addresses. His email address is duckduck@goose.abc. Caret symbol (^) The caret symbol is used in proofreading, but may be used to indicate an exponent if a writer is unable to use superscript. Do you know what 3^4 (34) is equal to? Pipe symbol (|) The pipe symbol is not used in writing. Instead, it has a variety of functions in the fields of math, physics, or computing. Copyright 2024, AAKKHRA, All Rights Reserved.
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