• āđ€āļĢāļ·āđˆāļ­āļ‡āđ€āļĨāđˆāļēāļˆāļēāļāđ‚āļĨāļāļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒ: āđ€āļĄāļ·āđˆāļ­āđ„āļĨāļāđŒāđāļĨāļ°āļ­āļĩāđ‚āļĄāļˆāļīāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ”āļēāļšāļŠāļ­āļ‡āļ„āļĄāđƒāļ™āļ„āļ§āļēāļĄāļĢāļąāļāļĒāļļāļ„āļ”āļīāļˆāļīāļ—āļąāļĨ

    āđƒāļ™āļĒāļļāļ„āļ—āļĩāđˆāļāļēāļĢāļˆāļĩāļšāļāļąāļ™āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļˆāļēāļāļāļēāļĢāđāļĄāļ•āļŠāđŒāđƒāļ™āđāļ­āļ› āđāļĨāđ‰āļ§āļ•āļēāļĄāļ”āđ‰āļ§āļĒāļāļēāļĢāđāļĨāļ Instagram āđāļ—āļ™āļāļēāļĢāļ„āļļāļĒāļāļąāļ™āļ•āļĢāļ‡ āđ† āļŦāļĨāļēāļĒāļ„āļ™āļāļĨāļąāļšāļžāļšāļ§āđˆāļēāļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāđ„āļĄāđˆāđ„āļ”āđ‰āđ€āļ”āļīāļ™āļŦāļ™āđ‰āļēāļ­āļĒāđˆāļēāļ‡āļ—āļĩāđˆāļ„āļīāļ” āđ€āļžāļĢāļēāļ°āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ”āļđāđ€āļŦāļĄāļ·āļ­āļ™ “āļāļēāļĢāļĄāļĩāļ›āļāļīāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒ” āđ€āļŠāđˆāļ™ āđ„āļĨāļāđŒ āļ”āļđāļŠāļ•āļ­āļĢāļĩāđˆ āļŦāļĢāļ·āļ­āļŠāđˆāļ‡āļ­āļĩāđ‚āļĄāļˆāļī āļāļĨāļąāļšāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļāļēāļĢāļŠāļ·āđˆāļ­āļŠāļēāļĢāļ—āļĩāđˆāļ„āļĨāļļāļĄāđ€āļ„āļĢāļ·āļ­āđāļĨāļ°āļ—āļģāđƒāļŦāđ‰āđ€āļāļīāļ”āļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāđƒāļˆāļœāļīāļ”

    Alla Rakhmatullina āļ™āļąāļāļˆāļąāļ”āļ‡āļēāļ™ Dating Day āļšāļ­āļāļ§āđˆāļē āļ„āļ™āļˆāļģāļ™āļ§āļ™āļĄāļēāļāļ„āļīāļ”āļ§āđˆāļēāļ•āļąāļ§āđ€āļ­āļ‡āļāļģāļĨāļąāļ‡āļŠāļ·āđˆāļ­āļŠāļēāļĢāļ­āļĒāļđāđˆ āđāļ•āđˆāļˆāļĢāļīāļ‡ āđ† āđāļĨāđ‰āļ§āđ„āļĄāđˆāđ„āļ”āđ‰āļžāļđāļ”āļ­āļ°āđ„āļĢāđ€āļĨāļĒ āđ„āļĨāļāđŒāđ„āļĄāđˆāđƒāļŠāđˆāļšāļ—āļŠāļ™āļ—āļ™āļē āđāļĨāļ°āļĄāļąāļāļ–āļđāļāļ•āļĩāļ„āļ§āļēāļĄāļœāļīāļ” āđ€āļŠāđˆāļ™ āļœāļđāđ‰āļŠāļēāļĒāļ„āļīāļ”āļ§āđˆāļēāļāļēāļĢāđ„āļĨāļāđŒāļ‹āđ‰āļģ āđ† āļ„āļ·āļ­āļāļēāļĢāļˆāļĩāļš āļŠāđˆāļ§āļ™āļœāļđāđ‰āļŦāļāļīāļ‡āļāļĨāļąāļšāđ„āļĄāđˆāđāļ™āđˆāđƒāļˆāļ§āđˆāļēāļ™āļąāđˆāļ™āļ„āļ·āļ­āļ„āļ§āļēāļĄāļŠāļ™āđƒāļˆāļˆāļĢāļīāļ‡āļŦāļĢāļ·āļ­āđāļ„āđˆāļ„āļ§āļēāļĄāļŠāļļāļ āļēāļž

    āļāļēāļĢāļ§āļ™āđ€āļ§āļĩāļĒāļ™āļ­āļĒāļđāđˆāđƒāļ™ “āļ§āļ‡āļˆāļĢāļāļēāļĢāļĄāļĩāļ›āļāļīāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāđāļšāļšāđ€āļ‰āļ·āđˆāļ­āļĒ” āļ—āļģāđƒāļŦāđ‰āļŦāļĨāļēāļĒāļ„āļđāđˆāđ„āļĄāđˆāđ€āļ„āļĒāđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļ„āļļāļĒāļāļąāļ™āļˆāļĢāļīāļ‡āļˆāļąāļ‡ āđāļĨāļ°āđ€āļĄāļ·āđˆāļ­āđ€āļāļīāļ”āļāļēāļĢ ghosting āļŦāļĢāļ·āļ­āļāļēāļĢāļŦāļēāļĒāđ„āļ›āđ‚āļ”āļĒāđ„āļĄāđˆāļ­āļ˜āļīāļšāļēāļĒ āļ„āļ§āļēāļĄāđ„āļĄāđˆāđāļ™āđˆāļ™āļ­āļ™āļ—āļēāļ‡āļ­āļēāļĢāļĄāļ“āđŒāļāđ‡āļĒāļīāđˆāļ‡āļ—āļ§āļĩāļ„āļđāļ“

    Dr. Salman Kareem āļˆāļīāļ•āđāļžāļ—āļĒāđŒāļˆāļēāļ Aster Clinic āđ€āļŠāļĢāļīāļĄāļ§āđˆāļē āļ„āļ™āļĒāļļāļ„āļ™āļĩāđ‰āļ„āļīāļ”āļĄāļēāļāļāļąāļšāļŠāļąāļāļāļēāļ“āļ”āļīāļˆāļīāļ—āļąāļĨ āđ€āļŠāđˆāļ™ āđ€āļ§āļĨāļēāļ•āļ­āļšāļ‚āđ‰āļ­āļ„āļ§āļēāļĄ āļŦāļĢāļ·āļ­āļāļēāļĢāļ­āđˆāļēāļ™āđāļĨāđ‰āļ§āđ„āļĄāđˆāļ•āļ­āļš āļ‹āļķāđˆāļ‡āļ—āļģāđƒāļŦāđ‰āđ€āļāļīāļ”āļ„āļ§āļēāļĄāļ§āļīāļ•āļāļāļąāļ‡āļ§āļĨ āđāļĨāļ°āļāļĨāļąāļ§āļāļēāļĢāļ–āļđāļāļ›āļāļīāđ€āļŠāļ˜āđāļšāļš “āļŠāļēāļ˜āļēāļĢāļ“āļ°” āđ€āļŠāđˆāļ™ āļāļēāļĢāļ–āļđāļ unfollow

    āđāļ•āđˆāđƒāļ™āļ­āļĩāļāļ”āđ‰āļēāļ™āļŦāļ™āļķāđˆāļ‡ āļ‡āļēāļ™āļ§āļīāļˆāļąāļĒāļˆāļēāļ University of Texas āļžāļšāļ§āđˆāļē āļāļēāļĢāđƒāļŠāđ‰ emoji āđƒāļ™āļ‚āđ‰āļ­āļ„āļ§āļēāļĄāļŠāđˆāļ§āļĒāđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļ§āđˆāļēāļ­āļĩāļāļāđˆāļēāļĒ “āđƒāļŠāđˆāđƒā āđāļĨāļ°āļ—āļģāđƒāļŦāđ‰āļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāđāļ™āđˆāļ™āđāļŸāđ‰āļ™āļ‚āļķāđ‰āļ™ āđ€āļžāļĢāļēāļ° emoji āļ—āļģāļŦāļ™āđ‰āļēāļ—āļĩāđˆāđ€āļŦāļĄāļ·āļ­āļ™āļ āļēāļĐāļēāļāļēāļĒāđƒāļ™āđ‚āļĨāļāļ”āļīāļˆāļīāļ—āļąāļĨ

    āđ„āļĨāļāđŒāđāļĨāļ°āļ­āļĩāđ‚āļĄāļˆāļīāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļĄāļ·āļ­āļŠāļ·āđˆāļ­āļŠāļēāļĢāļŦāļĨāļąāļāđƒāļ™āļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāļĒāļļāļ„āđƒāļŦāļĄāđˆ
    āđāļ•āđˆāļŦāļĨāļēāļĒāļ„āļ™āļ•āļĩāļ„āļ§āļēāļĄāļœāļīāļ”āļ§āđˆāļēāđ€āļ›āđ‡āļ™āļ„āļ§āļēāļĄāļŠāļ™āđƒāļˆāļˆāļĢāļīāļ‡

    āļ„āļ™āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļĄāļąāļāđ€āļĨāļ·āļ­āļāļ”āļđāļŠāļ•āļ­āļĢāļĩāđˆāļŦāļĢāļ·āļ­āđ„āļĨāļāđŒāđ‚āļžāļŠāļ•āđŒāđāļ—āļ™āļāļēāļĢāđ€āļĢāļīāđˆāļĄāļšāļ—āļŠāļ™āļ—āļ™āļē
    āļ—āļģāđƒāļŦāđ‰āļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāđ„āļĄāđˆāļžāļąāļ’āļ™āļē

    ghosting āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļ˜āļĢāļĢāļĄāļ”āļēāđƒāļ™āđ‚āļĨāļāļ”āļīāļˆāļīāļ—āļąāļĨ
    āļŠāđˆāļ‡āļœāļĨāđƒāļŦāđ‰āđ€āļāļīāļ”āļ„āļ§āļēāļĄāđ„āļĄāđˆāđāļ™āđˆāļ™āļ­āļ™āļ—āļēāļ‡āļ­āļēāļĢāļĄāļ“āđŒ

    Dr. Kareem āļĢāļ°āļšāļļāļ§āđˆāļēāļ„āļ™āļĒāļļāļ„āļ™āļĩāđ‰āļ„āļīāļ”āļĄāļēāļāļāļąāļšāļŠāļąāļāļāļēāļ“āļ”āļīāļˆāļīāļ—āļąāļĨ
    āđ€āļŠāđˆāļ™ āđ€āļ§āļĨāļēāļ•āļ­āļšāļ‚āđ‰āļ­āļ„āļ§āļēāļĄ āļŦāļĢāļ·āļ­āļāļēāļĢāļ–āļđāļ unfollow

    āđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āđ€āļĢāļīāđˆāļĄāļˆāļēāļāļāļēāļĢāļŠāļ·āđˆāļ­āļŠāļēāļĢāđāļšāļšāļŠāļšāļēāļĒ āđ† āđāļĨāđ‰āļ§āļ„āđˆāļ­āļĒāļžāļąāļ’āļ™āļēāđ€āļ›āđ‡āļ™āļāļēāļĢāļ„āļļāļĒāļ•āļĢāļ‡
    āđ€āļžāļ·āđˆāļ­āļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāļĄāļąāđˆāļ™āđƒāļˆāđƒāļ™āđ‚āļĨāļāļˆāļĢāļīāļ‡āļāđˆāļ­āļ™āļāļĨāļąāļšāđ„āļ›āļŠāļ·āđˆāļ­āļŠāļēāļĢāļ­āļ­āļ™āđ„āļĨāļ™āđŒ

    https://www.thestar.com.my/tech/tech-news/2025/08/06/are-likes-and-emojis-ruining-modern-relationships
    💎âĪïļ āđ€āļĢāļ·āđˆāļ­āļ‡āđ€āļĨāđˆāļēāļˆāļēāļāđ‚āļĨāļāļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒ: āđ€āļĄāļ·āđˆāļ­āđ„āļĨāļāđŒāđāļĨāļ°āļ­āļĩāđ‚āļĄāļˆāļīāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ”āļēāļšāļŠāļ­āļ‡āļ„āļĄāđƒāļ™āļ„āļ§āļēāļĄāļĢāļąāļāļĒāļļāļ„āļ”āļīāļˆāļīāļ—āļąāļĨ āđƒāļ™āļĒāļļāļ„āļ—āļĩāđˆāļāļēāļĢāļˆāļĩāļšāļāļąāļ™āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļˆāļēāļāļāļēāļĢāđāļĄāļ•āļŠāđŒāđƒāļ™āđāļ­āļ› āđāļĨāđ‰āļ§āļ•āļēāļĄāļ”āđ‰āļ§āļĒāļāļēāļĢāđāļĨāļ Instagram āđāļ—āļ™āļāļēāļĢāļ„āļļāļĒāļāļąāļ™āļ•āļĢāļ‡ āđ† āļŦāļĨāļēāļĒāļ„āļ™āļāļĨāļąāļšāļžāļšāļ§āđˆāļēāļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāđ„āļĄāđˆāđ„āļ”āđ‰āđ€āļ”āļīāļ™āļŦāļ™āđ‰āļēāļ­āļĒāđˆāļēāļ‡āļ—āļĩāđˆāļ„āļīāļ” āđ€āļžāļĢāļēāļ°āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļ”āļđāđ€āļŦāļĄāļ·āļ­āļ™ “āļāļēāļĢāļĄāļĩāļ›āļāļīāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒ” āđ€āļŠāđˆāļ™ āđ„āļĨāļāđŒ āļ”āļđāļŠāļ•āļ­āļĢāļĩāđˆ āļŦāļĢāļ·āļ­āļŠāđˆāļ‡āļ­āļĩāđ‚āļĄāļˆāļī āļāļĨāļąāļšāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļāļēāļĢāļŠāļ·āđˆāļ­āļŠāļēāļĢāļ—āļĩāđˆāļ„āļĨāļļāļĄāđ€āļ„āļĢāļ·āļ­āđāļĨāļ°āļ—āļģāđƒāļŦāđ‰āđ€āļāļīāļ”āļ„āļ§āļēāļĄāđ€āļ‚āđ‰āļēāđƒāļˆāļœāļīāļ” Alla Rakhmatullina āļ™āļąāļāļˆāļąāļ”āļ‡āļēāļ™ Dating Day āļšāļ­āļāļ§āđˆāļē āļ„āļ™āļˆāļģāļ™āļ§āļ™āļĄāļēāļāļ„āļīāļ”āļ§āđˆāļēāļ•āļąāļ§āđ€āļ­āļ‡āļāļģāļĨāļąāļ‡āļŠāļ·āđˆāļ­āļŠāļēāļĢāļ­āļĒāļđāđˆ āđāļ•āđˆāļˆāļĢāļīāļ‡ āđ† āđāļĨāđ‰āļ§āđ„āļĄāđˆāđ„āļ”āđ‰āļžāļđāļ”āļ­āļ°āđ„āļĢāđ€āļĨāļĒ āđ„āļĨāļāđŒāđ„āļĄāđˆāđƒāļŠāđˆāļšāļ—āļŠāļ™āļ—āļ™āļē āđāļĨāļ°āļĄāļąāļāļ–āļđāļāļ•āļĩāļ„āļ§āļēāļĄāļœāļīāļ” āđ€āļŠāđˆāļ™ āļœāļđāđ‰āļŠāļēāļĒāļ„āļīāļ”āļ§āđˆāļēāļāļēāļĢāđ„āļĨāļāđŒāļ‹āđ‰āļģ āđ† āļ„āļ·āļ­āļāļēāļĢāļˆāļĩāļš āļŠāđˆāļ§āļ™āļœāļđāđ‰āļŦāļāļīāļ‡āļāļĨāļąāļšāđ„āļĄāđˆāđāļ™āđˆāđƒāļˆāļ§āđˆāļēāļ™āļąāđˆāļ™āļ„āļ·āļ­āļ„āļ§āļēāļĄāļŠāļ™āđƒāļˆāļˆāļĢāļīāļ‡āļŦāļĢāļ·āļ­āđāļ„āđˆāļ„āļ§āļēāļĄāļŠāļļāļ āļēāļž āļāļēāļĢāļ§āļ™āđ€āļ§āļĩāļĒāļ™āļ­āļĒāļđāđˆāđƒāļ™ “āļ§āļ‡āļˆāļĢāļāļēāļĢāļĄāļĩāļ›āļāļīāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāđāļšāļšāđ€āļ‰āļ·āđˆāļ­āļĒ” āļ—āļģāđƒāļŦāđ‰āļŦāļĨāļēāļĒāļ„āļđāđˆāđ„āļĄāđˆāđ€āļ„āļĒāđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļ„āļļāļĒāļāļąāļ™āļˆāļĢāļīāļ‡āļˆāļąāļ‡ āđāļĨāļ°āđ€āļĄāļ·āđˆāļ­āđ€āļāļīāļ”āļāļēāļĢ ghosting āļŦāļĢāļ·āļ­āļāļēāļĢāļŦāļēāļĒāđ„āļ›āđ‚āļ”āļĒāđ„āļĄāđˆāļ­āļ˜āļīāļšāļēāļĒ āļ„āļ§āļēāļĄāđ„āļĄāđˆāđāļ™āđˆāļ™āļ­āļ™āļ—āļēāļ‡āļ­āļēāļĢāļĄāļ“āđŒāļāđ‡āļĒāļīāđˆāļ‡āļ—āļ§āļĩāļ„āļđāļ“ Dr. Salman Kareem āļˆāļīāļ•āđāļžāļ—āļĒāđŒāļˆāļēāļ Aster Clinic āđ€āļŠāļĢāļīāļĄāļ§āđˆāļē āļ„āļ™āļĒāļļāļ„āļ™āļĩāđ‰āļ„āļīāļ”āļĄāļēāļāļāļąāļšāļŠāļąāļāļāļēāļ“āļ”āļīāļˆāļīāļ—āļąāļĨ āđ€āļŠāđˆāļ™ āđ€āļ§āļĨāļēāļ•āļ­āļšāļ‚āđ‰āļ­āļ„āļ§āļēāļĄ āļŦāļĢāļ·āļ­āļāļēāļĢāļ­āđˆāļēāļ™āđāļĨāđ‰āļ§āđ„āļĄāđˆāļ•āļ­āļš āļ‹āļķāđˆāļ‡āļ—āļģāđƒāļŦāđ‰āđ€āļāļīāļ”āļ„āļ§āļēāļĄāļ§āļīāļ•āļāļāļąāļ‡āļ§āļĨ āđāļĨāļ°āļāļĨāļąāļ§āļāļēāļĢāļ–āļđāļāļ›āļāļīāđ€āļŠāļ˜āđāļšāļš “āļŠāļēāļ˜āļēāļĢāļ“āļ°” āđ€āļŠāđˆāļ™ āļāļēāļĢāļ–āļđāļ unfollow āđāļ•āđˆāđƒāļ™āļ­āļĩāļāļ”āđ‰āļēāļ™āļŦāļ™āļķāđˆāļ‡ āļ‡āļēāļ™āļ§āļīāļˆāļąāļĒāļˆāļēāļ University of Texas āļžāļšāļ§āđˆāļē āļāļēāļĢāđƒāļŠāđ‰ emoji āđƒāļ™āļ‚āđ‰āļ­āļ„āļ§āļēāļĄāļŠāđˆāļ§āļĒāđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļāļ§āđˆāļēāļ­āļĩāļāļāđˆāļēāļĒ “āđƒāļŠāđˆāđƒā āđāļĨāļ°āļ—āļģāđƒāļŦāđ‰āļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāđāļ™āđˆāļ™āđāļŸāđ‰āļ™āļ‚āļķāđ‰āļ™ āđ€āļžāļĢāļēāļ° emoji āļ—āļģāļŦāļ™āđ‰āļēāļ—āļĩāđˆāđ€āļŦāļĄāļ·āļ­āļ™āļ āļēāļĐāļēāļāļēāļĒāđƒāļ™āđ‚āļĨāļāļ”āļīāļˆāļīāļ—āļąāļĨ ✅ āđ„āļĨāļāđŒāđāļĨāļ°āļ­āļĩāđ‚āļĄāļˆāļīāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļĄāļ·āļ­āļŠāļ·āđˆāļ­āļŠāļēāļĢāļŦāļĨāļąāļāđƒāļ™āļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāļĒāļļāļ„āđƒāļŦāļĄāđˆ ➡ïļ āđāļ•āđˆāļŦāļĨāļēāļĒāļ„āļ™āļ•āļĩāļ„āļ§āļēāļĄāļœāļīāļ”āļ§āđˆāļēāđ€āļ›āđ‡āļ™āļ„āļ§āļēāļĄāļŠāļ™āđƒāļˆāļˆāļĢāļīāļ‡ âœ… āļ„āļ™āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļĄāļąāļāđ€āļĨāļ·āļ­āļāļ”āļđāļŠāļ•āļ­āļĢāļĩāđˆāļŦāļĢāļ·āļ­āđ„āļĨāļāđŒāđ‚āļžāļŠāļ•āđŒāđāļ—āļ™āļāļēāļĢāđ€āļĢāļīāđˆāļĄāļšāļ—āļŠāļ™āļ—āļ™āļē ➡ïļ āļ—āļģāđƒāļŦāđ‰āļ„āļ§āļēāļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāđ„āļĄāđˆāļžāļąāļ’āļ™āļē ✅ ghosting āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļ˜āļĢāļĢāļĄāļ”āļēāđƒāļ™āđ‚āļĨāļāļ”āļīāļˆāļīāļ—āļąāļĨ ➡ïļ āļŠāđˆāļ‡āļœāļĨāđƒāļŦāđ‰āđ€āļāļīāļ”āļ„āļ§āļēāļĄāđ„āļĄāđˆāđāļ™āđˆāļ™āļ­āļ™āļ—āļēāļ‡āļ­āļēāļĢāļĄāļ“āđŒ ✅ Dr. Kareem āļĢāļ°āļšāļļāļ§āđˆāļēāļ„āļ™āļĒāļļāļ„āļ™āļĩāđ‰āļ„āļīāļ”āļĄāļēāļāļāļąāļšāļŠāļąāļāļāļēāļ“āļ”āļīāļˆāļīāļ—āļąāļĨ ➡ïļ āđ€āļŠāđˆāļ™ āđ€āļ§āļĨāļēāļ•āļ­āļšāļ‚āđ‰āļ­āļ„āļ§āļēāļĄ āļŦāļĢāļ·āļ­āļāļēāļĢāļ–āļđāļ unfollow ✅ āđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āđ€āļĢāļīāđˆāļĄāļˆāļēāļāļāļēāļĢāļŠāļ·āđˆāļ­āļŠāļēāļĢāđāļšāļšāļŠāļšāļēāļĒ āđ† āđāļĨāđ‰āļ§āļ„āđˆāļ­āļĒāļžāļąāļ’āļ™āļēāđ€āļ›āđ‡āļ™āļāļēāļĢāļ„āļļāļĒāļ•āļĢāļ‡ âžĄïļ āđ€āļžāļ·āđˆāļ­āļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāļĄāļąāđˆāļ™āđƒāļˆāđƒāļ™āđ‚āļĨāļāļˆāļĢāļīāļ‡āļāđˆāļ­āļ™āļāļĨāļąāļšāđ„āļ›āļŠāļ·āđˆāļ­āļŠāļēāļĢāļ­āļ­āļ™āđ„āļĨāļ™āđŒ https://www.thestar.com.my/tech/tech-news/2025/08/06/are-likes-and-emojis-ruining-modern-relationships
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    Are likes and emojis ruining modern relationships?
    Many people misinterpret passive digital gestures and actions as signs of true interest.
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  • When To Use “I” Or “Me”

    Is it “my friends and I” or “my friends and me”? Both I and me are pronouns. But there’s a clear difference between the two: I is what is known as a subject pronoun, and me is an object pronoun.

    So what exactly does that mean?

    The difference between I and me
    The pronoun I can be used as the subject of a sentence, and me can only be used as the object of one. I can perform an action, while me can only have actions performed upon it.

    When to use I
    A subject pronoun can replace the noun (person, place, or thing) that’s performing the action (or verb) in any sentence. I is most often used as the subject of a verb. I can do things. You can say things like “I ran” or “I sneezed.” This rules applies when there is more than one noun as the subject. For example: Jennifer and I researched Isabel Allende for class. How do you know whether to use I or me here? First, ignore Jennifer and. Consider each pronoun individually. Is “I researched” or “me researched” correct? The answer is “I researched.” So I is the right pronoun to use in this case.

    Traditionally, the use of I is also appropriate when it follows a linking verb like is, was, or were. Linking verbs express a state of being rather than describing an action. They’re usually paired with subject pronouns. Technically, that means saying it is I is correct, but English speakers tend to use it is me informally as well.

    Examples of I in a sentence
    I fixed the remote control. (subject)
    My husband and I checked into the hotel. (subject)
    Could I speak to Vanessa? – It is I. (after a linking verb)

    When to use me
    An object pronoun may replace a sentence’s direct object, indirect object, or the object of the preposition. The object pronoun me is typically used as the direct or indirect object of a sentence. It receives the action of the verb or shows the result of the action. So you shouldn’t really say “Me ran.” You can say “My dog ran to me,” because in this case me is receiving the action of the dog running.

    As we’ve already noted, the use of me is also appropriate following a linking verb like is, was, or were.

    Examples of me in a sentence
    My grandfather bought me a book. (object)
    Give me the money. (object)
    Albert, is that you? – Yes, it’s me. (after a linking verb)

    ÂĐ 2025, Aakkhra, All rights reserved.
    When To Use “I” Or “Me” Is it “my friends and I” or “my friends and me”? Both I and me are pronouns. But there’s a clear difference between the two: I is what is known as a subject pronoun, and me is an object pronoun. So what exactly does that mean? The difference between I and me The pronoun I can be used as the subject of a sentence, and me can only be used as the object of one. I can perform an action, while me can only have actions performed upon it. When to use I A subject pronoun can replace the noun (person, place, or thing) that’s performing the action (or verb) in any sentence. I is most often used as the subject of a verb. I can do things. You can say things like “I ran” or “I sneezed.” This rules applies when there is more than one noun as the subject. For example: Jennifer and I researched Isabel Allende for class. How do you know whether to use I or me here? First, ignore Jennifer and. Consider each pronoun individually. Is “I researched” or “me researched” correct? The answer is “I researched.” So I is the right pronoun to use in this case. Traditionally, the use of I is also appropriate when it follows a linking verb like is, was, or were. Linking verbs express a state of being rather than describing an action. They’re usually paired with subject pronouns. Technically, that means saying it is I is correct, but English speakers tend to use it is me informally as well. Examples of I in a sentence I fixed the remote control. (subject) My husband and I checked into the hotel. (subject) Could I speak to Vanessa? – It is I. (after a linking verb) When to use me An object pronoun may replace a sentence’s direct object, indirect object, or the object of the preposition. The object pronoun me is typically used as the direct or indirect object of a sentence. It receives the action of the verb or shows the result of the action. So you shouldn’t really say “Me ran.” You can say “My dog ran to me,” because in this case me is receiving the action of the dog running. As we’ve already noted, the use of me is also appropriate following a linking verb like is, was, or were. Examples of me in a sentence My grandfather bought me a book. (object) Give me the money. (object) Albert, is that you? – Yes, it’s me. (after a linking verb) © 2025, Aakkhra, All rights reserved.
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  • United States announcesld tariffs on the following countries

    Thailand: 36%
    Cambodia: 36%
    Serbia: 35%
    Bangladesh: 35%
    Indonesia: 32%
    South Africa: 30%
    Bosnia: 30%
    Tunisia: 25%
    Malaysia: 25%
    Kazakhstan: 25%
    Japan: 25%
    South Korea: 25%
    Laos: 40%
    Myanmar: 40%
    🇚ðŸ‡ļ United States announcesld tariffs on the following countries ðŸ‡đ🇭 Thailand: 36% 🇰🇭 Cambodia: 36% 🇷ðŸ‡ļ Serbia: 35% 🇧ðŸ‡Đ Bangladesh: 35% ðŸ‡ŪðŸ‡Đ Indonesia: 32% ðŸ‡ŋðŸ‡Ķ South Africa: 30% 🇧ðŸ‡Ķ Bosnia: 30% ðŸ‡đðŸ‡ģ Tunisia: 25% ðŸ‡ēðŸ‡ū Malaysia: 25% 🇰ðŸ‡ŋ Kazakhstan: 25% ðŸ‡ŊðŸ‡ĩ Japan: 25% 🇰🇷 South Korea: 25% ðŸ‡ąðŸ‡Ķ Laos: 40% ðŸ‡ēðŸ‡ē Myanmar: 40%
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  • āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™āļˆāļēāļāļˆāļĩāļ™āļŦāļĨāļēāļĒāļĢāļļāđˆāļ™āđƒāļ™āļŠāđˆāļ§āļ‡āļ™āļĩāđ‰āļĄāļēāđāļĢāļ‡āļ”āđ‰āļēāļ™āļāļĨāđ‰āļ­āļ‡ āđ€āļŠāđˆāļ™ Xiaomi 15 Ultra āļ—āļĩāđˆāļĄāļĩāđ€āļ‹āļ™āđ€āļ‹āļ­āļĢāđŒ 1 āļ™āļīāđ‰āļ§ āđāļĨāļ° Vivo X200 Ultra āļ—āļĩāđˆāđƒāļŠāđˆāđ€āļĨāļ™āļŠāđŒāđ€āļŠāļĢāļīāļĄāđ„āļ”āđ‰ āđāļ•āđˆāļĨāđˆāļēāļŠāļļāļ” Huawei āđ€āļ›āļīāļ”āļ•āļąāļ§ Pura 80 Ultra āļ—āļĩāđˆ “āļĨāđ‰āļģāđāļšāļšāļ„āļīāļ”āđ„āļĄāđˆāļ–āļķā āļŠāļģāļŦāļĢāļąāļšāļŠāđˆāļēāļ‡āļ āļēāļžāļŠāļēāļĒāļĄāļ·āļ­āļ–āļ·āļ­

    āđ„āļŪāđ„āļĨāļ•āđŒāļŠāļļāļ”āđāļ›āļĨāļāļ„āļ·āļ­:
    - āļāļĨāđ‰āļ­āļ‡āļŦāļĨāļąāļ‡āļ”āļđāđ€āļŦāļĄāļ·āļ­āļ™āļĄāļĩ 3 āļ•āļąāļ§ āđāļ•āđˆāļˆāļĢāļīāļ‡ āđ† āđāļĨāđ‰āļ§āļĄāļĩ “āđ€āļĨāļ™āļŠāđŒāđ€āļ—āđ€āļĨ 2 āļĢāļ°āļĒāļ°āđƒāļ™āļŠāđˆāļ­āļ‡āđ€āļ”āļĩāļĒāļ§āļāļąāļ™”
    - āđƒāļŠāđ‰ āđ€āļĨāļ™āļŠāđŒ periscope āļ‹āđ‰āļ­āļ™āļāļąāļ™āđƒāļ™āļāļĨāđ‰āļ­āļ‡āđ€āļ”āļĩāļĒāļ§ āļžāļĢāđ‰āļ­āļĄāļŠāļ§āļīāļ•āļŠāđŒāļ›āļĢāļąāļšāļĢāļ°āļĒāļ° 3.7x (83mm) āđāļĨāļ° 9.4x (212mm)
    - āļ—āļąāđ‰āļ‡āļŠāļ­āļ‡āļĢāļ°āļĒāļ°āđƒāļŠāđ‰ āđ€āļ‹āļ™āđ€āļ‹āļ­āļĢāđŒāļ•āļąāļ§āđ€āļ”āļĩāļĒāļ§āļāļąāļ™āļ‚āļ™āļēāļ” 1/1.28 āļ™āļīāđ‰āļ§ āļ‹āļķāđˆāļ‡āđƒāļŦāļāđˆāļāļ§āđˆāļēāļ›āļāļ•āļīāļŠāļģāļŦāļĢāļąāļšāļāļĨāđ‰āļ­āļ‡āđ€āļ—āđ€āļĨ

    āļˆāļļāļ”āļ—āļĩāđˆāļ™āđˆāļēāļ—āļķāđˆāļ‡āļ„āļ·āļ­āļ„āļļāļ“āļ āļēāļžāļ āļēāļžāļˆāļēāļāļĢāļ°āļĒāļ° 3.7x āđāļĨāļ° 9.4x āļ”āļđāļ”āļĩāļĄāļēāļāļ—āļąāđ‰āļ‡āļ„āļđāđˆ āđāļ–āļĄāļĒāļąāļ‡ āđāļŠāļĢāđŒāđ€āļ‹āļ™āđ€āļ‹āļ­āļĢāđŒāđ€āļ”āļĩāļĒāļ§āļāļąāļ™ āđ€āļžāļ·āđˆāļ­āļĢāļąāļāļĐāļēāļ„āļļāļ“āļ āļēāļžāđƒāļŦāđ‰āļŠāļđāļ‡āļŠāļļāļ” āļĨāļ”āļŠāđˆāļ­āļ‡āđ€āļĨāđ‡āļāļŠāđˆāļ­āļ‡āļ™āđ‰āļ­āļĒāđƒāļ™āđ‚āļĄāļ”āļđāļĨāļāļĨāđ‰āļ­āļ‡

    āļāļĨāđ‰āļ­āļ‡āļŦāļĨāļąāļāļāđ‡āđ„āļĄāđˆāļ™āđ‰āļ­āļĒāļŦāļ™āđ‰āļē → āđƒāļŠāđ‰āđ€āļ‹āļ™āđ€āļ‹āļ­āļĢāđŒ 1 āļ™āļīāđ‰āļ§, āļ„āļ§āļēāļĄāļĨāļ°āđ€āļ­āļĩāļĒāļ” 50MP, āļĢāļđāļĢāļąāļšāđāļŠāļ‡āļ›āļĢāļąāļšāđ„āļ”āđ‰ f/1.6–f/4 āļžāļĢāđ‰āļ­āļĄāļ­āđ‰āļēāļ‡āļ§āđˆāļēāđƒāļŦāđ‰ dynamic range 16 stops āļ‹āļķāđˆāļ‡āļ­āļēāļˆāļ”āļĩāļ—āļĩāđˆāļŠāļļāļ”āđ€āļ—āđˆāļēāļ—āļĩāđˆāđ€āļ„āļĒāļĄāļĩāļĄāļēāđƒāļ™āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™

    āļĒāļąāļ‡āđ„āļĄāđˆāļŦāļĄāļ” — Huawei āļˆāļąāļšāļĄāļ·āļ­āļāļąāļš Tilta āļœāļĨāļīāļ• āļŠāļļāļ”āļāļĨāđ‰āļ­āļ‡āđ‚āļ›āļĢāđ€āļŠāļĢāļīāļĄāđāļšāļšāļ„āļĢāļšāđ€āļ‹āđ‡āļ•:
    - āļāļĢāļīāđŠāļ›āđ€āļŠāļĢāļīāļĄāļ—āļĢāļ‡āļāļĨāđ‰āļ­āļ‡ + āļžāļēāļ§āđ€āļ§āļ­āļĢāđŒāđāļšāļ‡āļāđŒāđƒāļ™āļ•āļąāļ§
    - āđ„āļŸ LED āļ•āđˆāļ­āđ€āļŠāļĢāļīāļĄ, āļ‚āļēāļ•āļąāđ‰āļ‡āđ„āļŸāđ€āļšāļ­āļĢāđŒ, āļĢāļ°āļšāļš follow focus āļŠāļģāļŦāļĢāļąāļšāļ§āļīāļ”āļĩāđ‚āļ­
    - āļĢāļ­āļ‡āļĢāļąāļšāļŸāļīāļĨāđ€āļ•āļ­āļĢāđŒ āđ€āļŠāđˆāļ™ ND
    - āđ€āļ„āļŠāļŠāđˆāļ§āļĒāļĢāļ°āļšāļēāļĒāļ„āļ§āļēāļĄāļĢāđ‰āļ­āļ™ āđāļĨāļ°āđ€āļžāļīāđˆāļĄāļžāļĨāļąāļ‡āļ‡āļēāļ™āđƒāļŦāđ‰āđ€āļ„āļĢāļ·āđˆāļ­āļ‡

    āļĄāļ·āļ­āļ–āļ·āļ­āļĢāļļāđˆāļ™āļ™āļĩāđ‰āđ€āļ›āļīāļ”āļ•āļąāļ§āđƒāļ™āļˆāļĩāļ™āđāļĨāđ‰āļ§āļ—āļĩāđˆāļĢāļēāļ„āļē CNY 9,999 (~$1,400) āđāļ•āđˆāļĒāļąāļ‡āđ„āļĄāđˆāļĄāļĩāđāļœāļ™āļ§āļēāļ‡āļˆāļģāļŦāļ™āđˆāļēāļĒāđƒāļ™āļŠāļŦāļĢāļąāļāļŊ

    https://www.techradar.com/cameras/im-a-photographer-and-huaweis-latest-camera-phone-has-some-of-the-wildest-tech-ive-seen-yet-including-this-world-first
    āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™āļˆāļēāļāļˆāļĩāļ™āļŦāļĨāļēāļĒāļĢāļļāđˆāļ™āđƒāļ™āļŠāđˆāļ§āļ‡āļ™āļĩāđ‰āļĄāļēāđāļĢāļ‡āļ”āđ‰āļēāļ™āļāļĨāđ‰āļ­āļ‡ āđ€āļŠāđˆāļ™ Xiaomi 15 Ultra āļ—āļĩāđˆāļĄāļĩāđ€āļ‹āļ™āđ€āļ‹āļ­āļĢāđŒ 1 āļ™āļīāđ‰āļ§ āđāļĨāļ° Vivo X200 Ultra āļ—āļĩāđˆāđƒāļŠāđˆāđ€āļĨāļ™āļŠāđŒāđ€āļŠāļĢāļīāļĄāđ„āļ”āđ‰ āđāļ•āđˆāļĨāđˆāļēāļŠāļļāļ” Huawei āđ€āļ›āļīāļ”āļ•āļąāļ§ Pura 80 Ultra āļ—āļĩāđˆ “āļĨāđ‰āļģāđāļšāļšāļ„āļīāļ”āđ„āļĄāđˆāļ–āļķā āļŠāļģāļŦāļĢāļąāļšāļŠāđˆāļēāļ‡āļ āļēāļžāļŠāļēāļĒāļĄāļ·āļ­āļ–āļ·āļ­ ðŸ“Œ āđ„āļŪāđ„āļĨāļ•āđŒāļŠāļļāļ”āđāļ›āļĨāļāļ„āļ·āļ­: - āļāļĨāđ‰āļ­āļ‡āļŦāļĨāļąāļ‡āļ”āļđāđ€āļŦāļĄāļ·āļ­āļ™āļĄāļĩ 3 āļ•āļąāļ§ āđāļ•āđˆāļˆāļĢāļīāļ‡ āđ† āđāļĨāđ‰āļ§āļĄāļĩ “āđ€āļĨāļ™āļŠāđŒāđ€āļ—āđ€āļĨ 2 āļĢāļ°āļĒāļ°āđƒāļ™āļŠāđˆāļ­āļ‡āđ€āļ”āļĩāļĒāļ§āļāļąāļ™” - āđƒāļŠāđ‰ āđ€āļĨāļ™āļŠāđŒ periscope āļ‹āđ‰āļ­āļ™āļāļąāļ™āđƒāļ™āļāļĨāđ‰āļ­āļ‡āđ€āļ”āļĩāļĒāļ§ āļžāļĢāđ‰āļ­āļĄāļŠāļ§āļīāļ•āļŠāđŒāļ›āļĢāļąāļšāļĢāļ°āļĒāļ° 3.7x (83mm) āđāļĨāļ° 9.4x (212mm) - āļ—āļąāđ‰āļ‡āļŠāļ­āļ‡āļĢāļ°āļĒāļ°āđƒāļŠāđ‰ āđ€āļ‹āļ™āđ€āļ‹āļ­āļĢāđŒāļ•āļąāļ§āđ€āļ”āļĩāļĒāļ§āļāļąāļ™āļ‚āļ™āļēāļ” 1/1.28 āļ™āļīāđ‰āļ§ āļ‹āļķāđˆāļ‡āđƒāļŦāļāđˆāļāļ§āđˆāļēāļ›āļāļ•āļīāļŠāļģāļŦāļĢāļąāļšāļāļĨāđ‰āļ­āļ‡āđ€āļ—āđ€āļĨ āļˆāļļāļ”āļ—āļĩāđˆāļ™āđˆāļēāļ—āļķāđˆāļ‡āļ„āļ·āļ­āļ„āļļāļ“āļ āļēāļžāļ āļēāļžāļˆāļēāļāļĢāļ°āļĒāļ° 3.7x āđāļĨāļ° 9.4x āļ”āļđāļ”āļĩāļĄāļēāļāļ—āļąāđ‰āļ‡āļ„āļđāđˆ āđāļ–āļĄāļĒāļąāļ‡ āđāļŠāļĢāđŒāđ€āļ‹āļ™āđ€āļ‹āļ­āļĢāđŒāđ€āļ”āļĩāļĒāļ§āļāļąāļ™ āđ€āļžāļ·āđˆāļ­āļĢāļąāļāļĐāļēāļ„āļļāļ“āļ āļēāļžāđƒāļŦāđ‰āļŠāļđāļ‡āļŠāļļāļ” āļĨāļ”āļŠāđˆāļ­āļ‡āđ€āļĨāđ‡āļāļŠāđˆāļ­āļ‡āļ™āđ‰āļ­āļĒāđƒāļ™āđ‚āļĄāļ”āļđāļĨāļāļĨāđ‰āļ­āļ‡ āļāļĨāđ‰āļ­āļ‡āļŦāļĨāļąāļāļāđ‡āđ„āļĄāđˆāļ™āđ‰āļ­āļĒāļŦāļ™āđ‰āļē → āđƒāļŠāđ‰āđ€āļ‹āļ™āđ€āļ‹āļ­āļĢāđŒ 1 āļ™āļīāđ‰āļ§, āļ„āļ§āļēāļĄāļĨāļ°āđ€āļ­āļĩāļĒāļ” 50MP, āļĢāļđāļĢāļąāļšāđāļŠāļ‡āļ›āļĢāļąāļšāđ„āļ”āđ‰ f/1.6–f/4 āļžāļĢāđ‰āļ­āļĄāļ­āđ‰āļēāļ‡āļ§āđˆāļēāđƒāļŦāđ‰ dynamic range 16 stops āļ‹āļķāđˆāļ‡āļ­āļēāļˆāļ”āļĩāļ—āļĩāđˆāļŠāļļāļ”āđ€āļ—āđˆāļēāļ—āļĩāđˆāđ€āļ„āļĒāļĄāļĩāļĄāļēāđƒāļ™āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™ āļĒāļąāļ‡āđ„āļĄāđˆāļŦāļĄāļ” — Huawei āļˆāļąāļšāļĄāļ·āļ­āļāļąāļš Tilta āļœāļĨāļīāļ• āļŠāļļāļ”āļāļĨāđ‰āļ­āļ‡āđ‚āļ›āļĢāđ€āļŠāļĢāļīāļĄāđāļšāļšāļ„āļĢāļšāđ€āļ‹āđ‡āļ•: - āļāļĢāļīāđŠāļ›āđ€āļŠāļĢāļīāļĄāļ—āļĢāļ‡āļāļĨāđ‰āļ­āļ‡ + āļžāļēāļ§āđ€āļ§āļ­āļĢāđŒāđāļšāļ‡āļāđŒāđƒāļ™āļ•āļąāļ§ - āđ„āļŸ LED āļ•āđˆāļ­āđ€āļŠāļĢāļīāļĄ, āļ‚āļēāļ•āļąāđ‰āļ‡āđ„āļŸāđ€āļšāļ­āļĢāđŒ, āļĢāļ°āļšāļš follow focus āļŠāļģāļŦāļĢāļąāļšāļ§āļīāļ”āļĩāđ‚āļ­ - āļĢāļ­āļ‡āļĢāļąāļšāļŸāļīāļĨāđ€āļ•āļ­āļĢāđŒ āđ€āļŠāđˆāļ™ ND - āđ€āļ„āļŠāļŠāđˆāļ§āļĒāļĢāļ°āļšāļēāļĒāļ„āļ§āļēāļĄāļĢāđ‰āļ­āļ™ āđāļĨāļ°āđ€āļžāļīāđˆāļĄāļžāļĨāļąāļ‡āļ‡āļēāļ™āđƒāļŦāđ‰āđ€āļ„āļĢāļ·āđˆāļ­āļ‡ āļĄāļ·āļ­āļ–āļ·āļ­āļĢāļļāđˆāļ™āļ™āļĩāđ‰āđ€āļ›āļīāļ”āļ•āļąāļ§āđƒāļ™āļˆāļĩāļ™āđāļĨāđ‰āļ§āļ—āļĩāđˆāļĢāļēāļ„āļē CNY 9,999 (~$1,400) āđāļ•āđˆāļĒāļąāļ‡āđ„āļĄāđˆāļĄāļĩāđāļœāļ™āļ§āļēāļ‡āļˆāļģāļŦāļ™āđˆāļēāļĒāđƒāļ™āļŠāļŦāļĢāļąāļāļŊ https://www.techradar.com/cameras/im-a-photographer-and-huaweis-latest-camera-phone-has-some-of-the-wildest-tech-ive-seen-yet-including-this-world-first
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  • “Your” vs. “You’re”: How To Choose The Right Word

    Did you know English is frequently cited as a very hard language to learn? Hmm, we wonder why?

    Well, its difficulty explains the mistakes we all make when speaking. But writing in English has its own unique set of challenges. One of the most common mistakes is telling you’re and your apart.

    They look similar, right? Even if they sound the same and look like fraternal twins, they serve two distinct and different purposes.

    When to use you’re

    Let’s take a look at you’re first.

    You’re is a contraction of the phrase you are. Easy enough to remember. Here’s how it looks in a few sentences:

    • You’re my best friend!
    • I think you’re the perfect match for the job.
    • Make sure you’re healthy.

    Any of these sentences would read the exact same way if you are replaced you’re.

    When to use your

    Your is a possessive adjective used to show ownership. It is not a contraction. Your is usually followed by a noun (including gerunds).

    Take these sentences, for example:

    • Your hair looks great today!
    • I wish I had your energy.
    • Has all your running around made you tired?

    If you added you are in the place of your in these sentences, they would not make sense.

    Why isn’t there an apostrophe for the possessive your?

    A big reason why people get these confused is the association of apostrophes with possession, such as:

    • That is George’s dog.
    • Susan’s cake won the baking competition.

    And that makes it easy to forget the differences between your and you’re when in the thick of writing. But don’t fret, there are ways to remember whether you need your or you’re.

    Tips

    Your first line of defense is to stop the mistake before it reaches the page. Identify which of the words has the apostrophe.

    Step 2: reread your writing and say “you are” instead of using the contraction. This editing tip will snuff out most misuse of the two words.

    Let’s test your new skills. Can you identify if your and you’re are used correctly in these sentences?

    • Your so talented at playing you’re piano.
    • It’s important you express your emotions.
    • Washing your clothes is necessary.

    Both your and you’re are incorrectly used in the first sentence; they should be switched. It should look like this instead: You’re so talented at playing your piano. In the second sentence, your is the correct word to use. The third sentence is correct. How did you do?

    Thankfully, once you understand the key differences, the correct use of these terms should be the least of your worries. You can move on to other more challenging and frequently mixed-up pairs, like affect vs. effect, complement vs. compliment, or even infamous vs. notorious!

    In no time, you’ll have conquered the English language.

    ÂĐ 2025, Aakkhra, All rights reserved.
    “Your” vs. “You’re”: How To Choose The Right Word Did you know English is frequently cited as a very hard language to learn? Hmm, we wonder why? Well, its difficulty explains the mistakes we all make when speaking. But writing in English has its own unique set of challenges. One of the most common mistakes is telling you’re and your apart. They look similar, right? Even if they sound the same and look like fraternal twins, they serve two distinct and different purposes. When to use you’re Let’s take a look at you’re first. You’re is a contraction of the phrase you are. Easy enough to remember. Here’s how it looks in a few sentences: • You’re my best friend! • I think you’re the perfect match for the job. • Make sure you’re healthy. Any of these sentences would read the exact same way if you are replaced you’re. When to use your Your is a possessive adjective used to show ownership. It is not a contraction. Your is usually followed by a noun (including gerunds). Take these sentences, for example: • Your hair looks great today! • I wish I had your energy. • Has all your running around made you tired? If you added you are in the place of your in these sentences, they would not make sense. Why isn’t there an apostrophe for the possessive your? A big reason why people get these confused is the association of apostrophes with possession, such as: • That is George’s dog. • Susan’s cake won the baking competition. And that makes it easy to forget the differences between your and you’re when in the thick of writing. But don’t fret, there are ways to remember whether you need your or you’re. Tips Your first line of defense is to stop the mistake before it reaches the page. Identify which of the words has the apostrophe. Step 2: reread your writing and say “you are” instead of using the contraction. This editing tip will snuff out most misuse of the two words. Let’s test your new skills. Can you identify if your and you’re are used correctly in these sentences? • Your so talented at playing you’re piano. • It’s important you express your emotions. • Washing your clothes is necessary. Both your and you’re are incorrectly used in the first sentence; they should be switched. It should look like this instead: You’re so talented at playing your piano. In the second sentence, your is the correct word to use. The third sentence is correct. How did you do? Thankfully, once you understand the key differences, the correct use of these terms should be the least of your worries. You can move on to other more challenging and frequently mixed-up pairs, like affect vs. effect, complement vs. compliment, or even infamous vs. notorious! In no time, you’ll have conquered the English language. © 2025, Aakkhra, All rights reserved.
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    https://www.thestar.com.my/tech/tech-news/2025/07/04/one-tech-tip-get-the-most-out-of-chatgpt-and-other-ai-chatbots-with-better-prompts
    āļŦāļĨāļēāļĒāļ„āļ™āļĨāļ­āļ‡āđƒāļŠāđ‰ AI āđāļĨāđ‰āļ§āđ€āļˆāļ­āļ§āđˆāļē “āļāđ‡āļ•āļ­āļšāđ‚āļ­āđ€āļ„āļ™āļ° āđāļ•āđˆāđ„āļĄāđˆāļ§āđ‰āļēāļ§” → āļ‹āļķāđˆāļ‡āļˆāļĢāļīāļ‡ āđ† āđ„āļĄāđˆāđƒāļŠāđˆāđ€āļžāļĢāļēāļ° AI āđ„āļĄāđˆāđ€āļāđˆāļ‡ āđāļ•āđˆāđ€āļ›āđ‡āļ™āđ€āļžāļĢāļēāļ° āđ€āļĢāļēāļ­āļēāļˆāļĒāļąāļ‡āđ„āļĄāđˆāđ„āļ”āđ‰āļŠāļ·āđˆāļ­āļŠāļēāļĢāđƒāļŦāđ‰āļĄāļąāļ™āđ€āļ‚āđ‰āļēāđƒāļˆāđ€āļĢāļēāļŠāļąāļ”āļžāļ­ āđ€āļŦāļĄāļ·āļ­āļ™āļ„āļļāļ“āđ„āļ›āļ‚āļ­āđƒāļŦāđ‰āđ€āļžāļ·āđˆāļ­āļ™āļŠāđˆāļ§āļĒāļ­āļ­āļāđāļšāļšāđ‚āļĨāđ‚āļāđ‰ āđāļĨāđ‰āļ§āļžāļđāļ”āđāļ„āđˆāļ§āđˆāļē “āļ—āļģāđ‚āļĨāđ‚āļāđ‰āđƒāļŦāđ‰āļŦāļ™āđˆāļ­āļĒ” → āļœāļĨāļĨāļąāļžāļ˜āđŒāļāđ‡āļ„āļ‡āļˆāļīāļ™āļ•āļ™āļēāļāļēāļĢāļ„āļ™āļĨāļ°āđ€āļĢāļ·āđˆāļ­āļ‡āļāļąāļ™āđ€āļĨāļĒ āđ€āļžāļĢāļēāļ°āļ‡āļąāđ‰āļ™ AI āļ–āļķāļ‡āļ•āđ‰āļ­āļ‡āļāļēāļĢ “prompt” āļ—āļĩāđˆāđ„āļĄāđˆāđƒāļŠāđˆāđāļ„āđˆāļ–āļēāļĄ...āđāļ•āđˆāļ•āđ‰āļ­āļ‡āđ€āļĨāđˆāļēāđƒāļŦāđ‰āļŸāļąāļ‡āđāļšāļšāđ€āļ‚āđ‰āļēāđƒāļˆ → āļ§āđˆāļēāļ„āļļāļ“āļ•āđ‰āļ­āļ‡āļāļēāļĢāļ­āļ°āđ„āļĢ āđāļ„āđˆāđ„āļŦāļ™ āđƒāļ™āļ™āđ‰āļģāđ€āļŠāļĩāļĒāļ‡āđāļšāļšāđ„āļŦāļ™ āđāļĨāļ°āđ€āļžāļ·āđˆāļ­āđƒāļ„āļĢ → āļ‚āđˆāļēāļ§āļ™āļĩāđ‰āđ€āļĨāļĒāļĢāļ§āļšāļĢāļ§āļĄāđ€āļ—āļ„āļ™āļīāļ„āļŦāļĨāļēāļĒāļĄāļļāļĄāļĄāļēāļˆāļēāļāļœāļđāđ‰āļŠāļĢāđ‰āļēāļ‡ AI āļĢāļļāđˆāļ™āļ—āđ‡āļ­āļ› āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āļ„āļļāļ“ āļŠāļ·āđˆāļ­āļŠāļēāļĢāļāļąāļš AI āđāļšāļšāđ„āļĄāđˆāđ€āļŠāļĩāļĒāđ€āļ§āļĨāļē – āđ„āļ”āđ‰āļ„āļģāļ•āļ­āļšāļ‰āļĨāļēāļ”āđāļšāļšāļ—āļĩāđˆāļ„āļļāļ“āļ•āđ‰āļ­āļ‡āļāļēāļĢ āļ„āļĢāļąāļš âœ… āđ€āļ‚āļĩāļĒāļ™āđƒāļŦāđ‰āļŠāļąāļ”āđāļĨāļ°āđ€āļ‰āļžāļēāļ°āđ€āļˆāļēāļ°āļˆāļ‡āļ—āļĩāđˆāļŠāļļāļ” (Be specific)   • āļ­āļĒāđˆāļēāļšāļ­āļāđāļ„āđˆ “āļ­āļ­āļāđāļšāļšāđ‚āļĨāđ‚āļāđ‰” → āđƒāļŦāđ‰āđ€āļžāļīāđˆāļĄ: āļŠāļ·āđˆāļ­āđāļšāļĢāļ™āļ”āđŒ, āļ­āļļāļ•āļŠāļēāļŦāļāļĢāļĢāļĄ, āļ­āļēāļĢāļĄāļ“āđŒāļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢ, āļāļĨāļļāđˆāļĄāđ€āļ›āđ‰āļēāļŦāļĄāļēāļĒ   • āļĨāļ­āļ‡āđƒāļŠāđ‰āđ‚āļ„āļĢāļ‡āļŠāļĢāđ‰āļēāļ‡: “āļŠāđˆāļ§āļĒ __ āļŠāļģāļŦāļĢāļąāļš __ āđƒāļ™āđāļšāļšāļ—āļĩāđˆ __ āđ‚āļ”āļĒāđ„āļĄāđˆāļ•āđ‰āļ­āļ‡ __” ✅ āļ–āļēāļĄāđāļšāļšāļ•āđˆāļ­āđ€āļ™āļ·āđˆāļ­āļ‡ āđ„āļĄāđˆāđƒāļŠāđˆāļˆāļšāļ—āļĩāđˆāļ„āļģāļ–āļēāļĄāđāļĢāļ (Refine & Follow up)   • āļ„āļīāļ”āļ§āđˆāļē AI āļ„āļ·āļ­āđ€āļžāļ·āđˆāļ­āļ™āļ—āļĩāđˆāļ„āļļāļĒāđ„āļ”āđ‰āļĒāļēāļ§ āđ† → āļ„āļģāļ•āļ­āļšāđāļĢāļāļ­āļēāļˆāđ„āļĄāđˆāļŠāļļāļ” āđāļ•āđˆāļ„āļģāļ–āļēāļĄāļ–āļąāļ”āđ„āļ›āļ—āļģāđƒāļŦāđ‰āļ”āļĩāļ‚āļķāđ‰āļ™āļĄāļēāļ   • āļ›āļĢāļąāļšāļ„āļģāļ–āļēāļĄ, āļ‚āļ­āļ­āļ˜āļīāļšāļēāļĒāđ€āļžāļīāđˆāļĄ, āļ‚āļ­āļ•āļąāļ§āļ­āļĒāđˆāļēāļ‡āđƒāļŦāļĄāđˆāđ„āļ”āđ‰āđ€āļĢāļ·āđˆāļ­āļĒ āđ† ✅ āļĢāļ°āļšāļļ “āļšāļļāļ„āļĨāļīā āđāļĨāļ° “āļœāļđāđ‰āļŸāļąā āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢ (Voice & Audience)   • āđ€āļŠāđˆāļ™: “āđ€āļ‚āļĩāļĒāļ™āđāļšāļšāđ€āļ›āđ‡āļ™āļāļąāļ™āđ€āļ­āļ‡ āļŠāļģāļŦāļĢāļąāļšāļ„āļ™āļ­āļēāļĒāļļ 50 āļ—āļĩāđˆāđ„āļĄāđˆāđƒāļŠāđ‰āļĻāļąāļžāļ—āđŒāđ€āļ—āļ„āļ™āļīāļ„āđ€āļĒāļ­āļ°”   • āļŦāļĢāļ·āļ­ “āļŠāļĢāļļāļ›āđāļšāļšāļˆāļĢāļīāļ‡āļˆāļąāļ‡ āđƒāļŦāđ‰āđ€āļŦāļĄāļ·āļ­āļ™āļœāļđāđ‰āđ€āļŠāļĩāđˆāļĒāļ§āļŠāļēāļāļ­āļ˜āļīāļšāļēāļĒāđƒāļŦāđ‰ CEO āļŸāļąā ✅ āđƒāļŦāđ‰āļšāļĢāļīāļšāļ—āđ€āļžāļīāđˆāļĄ āļžāļĢāđ‰āļ­āļĄāļ•āļąāļ§āļ­āļĒāđˆāļēāļ‡āļ–āđ‰āļēāļĄāļĩ (Context helps!) • āļ­āļĒāđˆāļēāļšāļ­āļāļ§āđˆāļē “āļŠāđˆāļ§āļĒāļ§āļēāļ‡āđāļœāļ™āđ€āļ—āļĩāđˆāļĒāļ§āļĨāļ­āļ™āļ”āļ­āļ™”   • āđƒāļŦāđ‰āđ€āļžāļīāđˆāļĄāđ€āļŠāđˆāļ™: “āļŠāļģāļŦāļĢāļąāļšāļ„āļĢāļ­āļšāļ„āļĢāļąāļ§ 4 āļ„āļ™, āđ„āļĄāđˆāđ€āļ™āđ‰āļ™āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒ, āļŠāļ­āļšāļĄāļīāļ§āļŠāļīāļ„āļąāļĨ, āļ‡āļšāļāļĨāļēāļ‡ āđ†”   • āļĒāļīāđˆāļ‡āđ€āļĨāđˆāļēāđ€āļŦāļĄāļ·āļ­āļ™āđ€āļžāļ·āđˆāļ­āļ™āļĒāļīāđˆāļ‡āđ„āļ”āđ‰āļ„āļģāļ•āļ­āļšāđāļĄāđˆāļ™ âœ… āļˆāļģāļāļąāļ”āļ„āļģāļ•āļ­āļšāđƒāļŦāđ‰āđ€āļŦāļĄāļēāļ°āļŠāļĄ (Limit the output)   • āļŠāļąāđˆāļ‡āđ„āļ”āđ‰āđ€āļĨāļĒāļ§āđˆāļē “āļ•āļ­āļšāđƒāļ™ 150 āļ„āļģ” āļŦāļĢāļ·āļ­ “āļŠāļĢāļļāļ›āđƒāļ™ 5 bullet”   • āļ”āļĩāļĄāļēāļāļ–āđ‰āļēāļ­āļĒāļēāļāđƒāļŦāđ‰āđ€āļ‚āđ‰āļēāđƒāļˆāļ‡āđˆāļēāļĒ āļŦāļĢāļ·āļ­āđƒāļŠāđ‰āđƒāļ™āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļˆāļģāļāļąāļ” https://www.thestar.com.my/tech/tech-news/2025/07/04/one-tech-tip-get-the-most-out-of-chatgpt-and-other-ai-chatbots-with-better-prompts
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    Get the most out of ChatGPT and other AI chatbots with better prompts
    If you're using ChatGPT but getting mediocre results, don't blame the chatbot. Instead, try sharpening up your prompts.
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  • āđ€āļĄāļ·āđˆāļ­āļāđˆāļ­āļ™āļ–āđ‰āļēāļĄāļĩāļ„āļ™āļŠāđˆāļ‡āļĨāļīāļ‡āļāđŒāđ„āļŸāļĨāđŒāđāļšāļš view-only āļĄāļēāđƒāļŦāđ‰āđ€āļĢāļē āđāļĨāđ‰āļ§āđ€āļĢāļēāļ­āļĒāļēāļāđāļāđ‰āđ„āļ‚āļ”āđ‰āļ§āļĒ → āđ€āļĢāļēāļ•āđ‰āļ­āļ‡ “āđ‚āļŦāļĨāļ”āđ„āļŸāļĨāđŒāļ™āļąāđ‰āļ™āļĨāļ‡āđ€āļ„āļĢāļ·āđˆāļ­ā āđāļĨāđ‰āļ§ “āđāļāđ‰āđ„āļ‚āđāļšāļš copy” āđāļĨāđ‰āļ§ “āļ­āļąāļ›āđ‚āļŦāļĨāļ”āđƒāļŦāļĄāđˆāļŦāļĢāļ·āļ­āđāļŠāļĢāđŒāļāļĨāļąā → āļŦāļĢāļ·āļ­āđ„āļĄāđˆāļāđ‡āļ•āđ‰āļ­āļ‡ “āļ—āļąāļāļŦāļēāđ€āļˆāđ‰āļēāļ‚āļ­āļ‡āđ„āļŸāļĨāđŒāđ‚āļ”āļĒāļ•āļĢā āđ€āļžāļ·āđˆāļ­āļ‚āļ­āđƒāļŦāđ‰āđ€āļ›āļīāļ”āļŠāļīāļ—āļ˜āļīāđŒ

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    • āđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āđ‚āļŦāļĨāļ”āđ„āļŸāļĨāđŒāļŦāļĢāļ·āļ­āļ—āļąāļāļŦāļēāđ€āļˆāđ‰āļēāļ‚āļ­āļ‡āđ‚āļ”āļĒāļ•āļĢāļ‡

    āļ§āļīāļ˜āļĩāļ‚āļ­āļŠāļīāļ—āļ˜āļīāđŒāđāļāđ‰āđ„āļ‚:  
    • āļ„āļĨāļīāļāđ„āļ­āļ„āļ­āļ™ "Viewing" āļ”āđ‰āļēāļ™āļ‚āļ§āļēāļšāļ™  
    • āđ€āļĨāļ·āļ­āļ “Request more access”  
    • āđ€āļĨāļ·āļ­āļ “Ask to edit” āļŦāļĢāļ·āļ­ “Ask to review”  
    • āđ€āļ‚āļĩāļĒāļ™āđ‚āļ™āđ‰āļ• (āļ–āđ‰āļēāļ•āđ‰āļ­āļ‡āļāļēāļĢ) → āļāļ”āļŠāđˆāļ‡
    • āđ€āļˆāđ‰āļēāļ‚āļ­āļ‡āđ„āļŸāļĨāđŒāļˆāļ°āđ„āļ”āđ‰āļĢāļąāļšāļ­āļĩāđ€āļĄāļĨāļžāļĢāđ‰āļ­āļĄāļ•āļąāļ§āđ€āļĨāļ·āļ­āļ “āļĒāļ­āļĄāļĢāļąā āļŦāļĢāļ·āļ­ “āļ›āļāļīāđ€āļŠā

    āļŸāļĩāđ€āļˆāļ­āļĢāđŒāļ™āļĩāđ‰āđƒāļŠāđ‰āđ„āļ”āđ‰āđ€āļĄāļ·āđˆāļ­:  
    • āļ„āļļāļ“āđƒāļŠāđ‰ Microsoft 365 (Enterprise)  
    • āļĄāļĩāļāļēāļĢāđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āļ­āļīāļ™āđ€āļ—āļ­āļĢāđŒāđ€āļ™āđ‡āļ•  
    • āđ„āļŸāļĨāđŒāļ­āļĒāļđāđˆāđƒāļ™ OneDrive āļŦāļĢāļ·āļ­ SharePoint

    āļĄāļĩāļœāļĨāđƒāļ™ Word, Excel, PowerPoint āđ€āļ§āļ­āļĢāđŒāļŠāļąāļ™āđ€āļ§āđ‡āļš (modern view)  
    • āđ„āļĄāđˆāļĢāļ­āļ‡āļĢāļąāļšāļšāļ™ “Classic View” āļ‚āļ­āļ‡ Word

    āļāļēāļĢāđƒāļŦāđ‰āļŠāļīāļ—āļ˜āļīāđŒāđāļāđ‰āđ„āļ‚āđƒāļ™āđ„āļŸāļĨāđŒāļ—āļĩāđˆāļĄāļĩāļŦāļĨāļēāļĒāļœāļđāđ‰āđ€āļ‚āļĩāļĒāļ™ āļŦāļĢāļ·āļ­āđ„āļŸāļĨāđŒāļ‚āļ™āļēāļ”āđƒāļŦāļāđˆ āļ­āļēāļˆāđƒāļŠāđ‰āđ€āļ§āļĨāļēāļŠāļąāļāļžāļąāļāđƒāļ™āļāļēāļĢ propagate (āđ€āļœāļĒāđāļžāļĢāđˆāļŠāļīāļ—āļ˜āļīāđŒ)
    • āļœāļđāđ‰āđ„āļ”āđ‰āļĢāļąāļšāļŠāļīāļ—āļ˜āļīāđŒāļ­āļēāļˆāļ•āđ‰āļ­āļ‡ refresh āļŦāļĨāļēāļĒāļĢāļ­āļš

    āļŦāļēāļāđ„āļŸāļĨāđŒāļ­āļĒāļđāđˆāđƒāļ™ Classic Word View (āđ‚āļ‰āļĄāđ€āļāđˆāļē) āļŸāļĩāđ€āļˆāļ­āļĢāđŒāļ™āļĩāđ‰āļˆāļ°āđ„āļĄāđˆāđāļŠāļ”āļ‡  
    • āļ„āļ§āļĢāđƒāļŠāđ‰āđ€āļ§āļ­āļĢāđŒāļŠāļąāļ™ modern view āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āļĄāļąāđˆāļ™āđƒāļˆāļ§āđˆāļēāļ—āļģāļ‡āļēāļ™āđ„āļ”āđ‰āļ„āļĢāļš

    āđāļĄāđ‰āđ€āļˆāđ‰āļēāļ‚āļ­āļ‡āđ„āļŸāļĨāđŒāļˆāļ°āđ„āļ”āđ‰āļĢāļąāļšāļ­āļĩāđ€āļĄāļĨāļ„āļģāļ‚āļ­ āđāļ•āđˆāļ–āđ‰āļēāđ„āļĄāđˆāļ•āļ­āļš → āļœāļđāđ‰āļ‚āļ­āļāđ‡āļˆāļ°āļĒāļąāļ‡āđ„āļĄāđˆāļĄāļĩāļŠāļīāļ—āļ˜āļīāđŒāļ­āļ°āđ„āļĢāđ€āļĨāļĒ  
    • āļˆāļģāđ€āļ›āđ‡āļ™āļ•āđ‰āļ­āļ‡ follow up āđāļšāļš manual āļŦāļēāļāđ€āļ›āđ‡āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āđ€āļĢāđˆāļ‡āļ”āđˆāļ§āļ™

    āļ•āđ‰āļ­āļ‡āļĢāļ°āļ§āļąāļ‡āļāļēāļĢāđƒāļŦāđ‰āļŠāļīāļ—āļ˜āļīāđŒāđāļāđ‰āđ„āļ‚āļāļąāļšāļ„āļ™āļ—āļĩāđˆāđ„āļĄāđˆāļĢāļđāđ‰āļˆāļąāļāļ”āļĩ → āļ„āļ§āļĢāļ•āļĢāļ§āļˆāļŠāļ­āļšāđ‚āļ™āđ‰āļ•āļ›āļĢāļ°āļāļ­āļšāđāļĨāļ°āļ„āļ§āļēāļĄāđ€āļŦāļĄāļēāļ°āļŠāļĄāļāđˆāļ­āļ™āļ­āļ™āļļāļĄāļąāļ•āļī

    https://www.neowin.net/news/excel-word-and-powerpoint-on-the-web-grab-welcome-new-feature/
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    Excel, Word, and PowerPoint on the web grab welcome new feature
    Microsoft has finally streamlined a process that previously required manual, cumbersome workarounds in its Microsoft 365 web apps.
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  • āļ—āļļāļāļ§āļąāļ™āļ™āļĩāđ‰ AI Chatbot āļŠāđˆāļ§āļ™āđƒāļŦāļāđˆ āļĢāļ­āđƒāļŦāđ‰āļ„āļ™āđ€āļĢāļĩāļĒāļāļāđˆāļ­āļ™āļ„āđˆāļ­āļĒāđ€āļĢāļīāđˆāļĄāļ•āļ­āļšāđƒāļŠāđˆāđ„āļŦāļĄāļ„āļĢāļąāļš āđāļ•āđˆ Meta āļāļģāļĨāļąāļ‡āļˆāļ°āļ—āļģāđƒāļŦāđ‰āļĄāļąāļ™ “āđ€āļ›āļĨāļĩāđˆāļĒāļ™āļ‚āļąāđ‰āļ§” āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āđ€āļžāļ·āđˆāļ­āļ™āļ—āļĩāđˆāļĄāļĩāļ„āļ§āļēāļĄāļ„āļīāļ”āđ€āļ›āđ‡āļ™āļ‚āļ­āļ‡āļ•āļąāļ§āđ€āļ­āļ‡āļĄāļēāļāļ‚āļķāđ‰āļ™ āđ‚āļ”āļĒāđƒāļ™āđ‚āļ„āļĢāļ‡āļāļēāļĢāļŠāļ·āđˆāļ­āļ§āđˆāļē “Project Omni” → AI āļˆāļ°āļŠāļēāļĄāļēāļĢāļ– “āļ—āļąāļāđ€āļĢāļēāļāđˆāļ­āļ™” āđ„āļ”āđ‰ āļ–āđ‰āļēāđ€āļ„āļĒāļ„āļļāļĒāļāļąāļ™āļĄāļēāļāđˆāļ­āļ™ āđāļĨāļ° → āļĒāļąāļ‡āļŠāļēāļĄāļēāļĢāļ– “āļŠāļ§āļ™āļ„āļļāļĒāđ€āļĢāļ·āđˆāļ­āļ‡āđ€āļāđˆāļē” āļ—āļĩāđˆāđ€āļ„āļĒāļ„āđ‰āļēāļ‡āđ„āļ§āđ‰ āđ€āļŠāđˆāļ™:  – “āđ„āļ”āđ‰āļĨāļ­āļ‡āļŸāļąāļ‡āđ€āļžāļĨāļ‡āļˆāļēāļāļ„āļ­āļĄāđ‚āļžāđ€āļ‹āļ­āļĢāđŒāļ—āļĩāđˆāļ„āļļāļ“āđ€āļ„āļĒāļžāļđāļ”āļ–āļķāļ‡āđ„āļŦāļĄ?”  – “āļ„āļ·āļ™āļ™āļĩāđ‰āļ§āđˆāļēāļ‡āđ„āļŦāļĄ āļ­āļĒāļēāļāđƒāļŦāđ‰āđ€āļĢāļēāļŠāđˆāļ§āļĒāđ€āļĨāļ·āļ­āļāļŦāļ™āļąāļ‡āļ”āļđāđ„āļŦāļĄ?”

    Meta āļšāļ­āļāļ§āđˆāļēāđāļ™āļ§āļ„āļīāļ”āļ™āļĩāđ‰āļˆāļ°āļŠāđˆāļ§āļĒ āđ€āļžāļīāđˆāļĄāļ„āļļāļ“āļ„āđˆāļēāļ‚āļ­āļ‡ AI āđƒāļŦāđ‰āđ€āļŦāļĄāļ·āļ­āļ™āđ€āļžāļ·āđˆāļ­āļ™āļŠāļ™āļīāļ—āļŦāļĢāļ·āļ­āļœāļđāđ‰āļŠāđˆāļ§āļĒāļ—āļĩāđˆāđƒāļŠāđˆāđƒāļˆ āļĄāļēāļāļāļ§āđˆāļēāđāļ„āđˆāļ•āļ­āļšāļ„āļģāļ–āļēāļĄ → āļĒāļąāļ‡āļĄāļĩāļĢāļ°āļšāļš “āļŠāļĢāđ‰āļēāļ‡āļšāļļāļ„āļĨāļīāļ AI” āđāļšāļš custom āļŠāļģāļŦāļĢāļąāļšāđāļšāļĢāļ™āļ”āđŒāļŦāļĢāļ·āļ­āđāļŸāļ™āđ€āļžāļˆāļ”āđ‰āļ§āļĒ āđ€āļŠāđˆāļ™ āđ€āļžāļˆāļ™āļąāļāļĢāđ‰āļ­āļ‡āļ­āļēāļˆāļŠāļĢāđ‰āļēāļ‡ AI āļ—āļĩāđˆāļ•āļ­āļšāļ„āļ­āļĄāđ€āļĄāļ™āļ•āđŒāđāļŸāļ™āļ„āļĨāļąāļšāđƒāļ™āđāļšāļšāļ•āļąāļ§āļĻāļīāļĨāļ›āļīāļ™āđ€āļ­āļ‡

    āļ—āļĩāļĄāļ—āļĩāđˆāļŠāđˆāļ§āļĒ Meta āļžāļąāļ’āļ™āļēāļ­āļĒāļđāđˆāļ„āļ·āļ­ Alignerr āļ‹āļķāđˆāļ‡āļĄāļĩāļŦāļ™āđ‰āļēāļ—āļĩāđˆ “āļ›āļąāđ‰āļ™āļšāļļāļ„āļĨāļīā āļ‚āļ­āļ‡ AI āđāļ•āđˆāļĨāļ°āļ•āļąāļ§āđƒāļŦāđ‰āļŦāļĨāļēāļāļŦāļĨāļēāļĒ āđ€āļŦāļĄāļēāļ°āļāļąāļšāļšāļĢāļīāļšāļ—āļ•āđˆāļēāļ‡ āđ† āđāļĨāļ°āļ•āļ­āļ™āļ™āļĩāđ‰āļŸāļĩāđ€āļˆāļ­āļĢāđŒāļāļģāļĨāļąāļ‡āļ–āļđāļāļ—āļ”āļĨāļ­āļ‡āļ­āļĒāļđāđˆāđƒāļ™ Meta AI Studio — āđ‚āļ”āļĒāļĄāļĩāđ€āļ‡āļ·āđˆāļ­āļ™āđ„āļ‚āļ§āđˆāļē:
    - AI āļˆāļ° āļ—āļąāļāđ„āļ”āđ‰āđ€āļ‰āļžāļēāļ°āđāļŠāļ•āļ—āļĩāđˆāļœāļđāđ‰āđƒāļŠāđ‰āđ€āļ„āļĒāđ€āļĢāļīāđˆāļĄāļāđˆāļ­āļ™
    - āļ–āđ‰āļēāđ€āļĢāļēāđ„āļĄāđˆāļ•āļ­āļšāļāļĨāļąāļš AI āļˆāļ°āđ„āļĄāđˆāļŠāđˆāļ‡āļ‚āđ‰āļ­āļ„āļ§āļēāļĄāđƒāļŦāļĄāđˆāļ­āļĩāļ
    - āļ•āđ‰āļ­āļ‡āđ€āļ„āļĒāļĄāļĩāļ›āļĢāļ°āļ§āļąāļ•āļīāļŠāđˆāļ‡āđāļŠāļ•āļ­āļĒāđˆāļēāļ‡āļ™āđ‰āļ­āļĒ 5 āļ‚āđ‰āļ­āļ„āļ§āļēāļĄāļ āļēāļĒāđƒāļ™ 14 āļ§āļąāļ™
    - AI āļˆāļ°āļŠāļ§āļ™āļ„āļļāļĒāđāļ„āđˆāđ€āļĢāļ·āđˆāļ­āļ‡āđ€āļ”āļīāļĄ āđ† āļ—āļĩāđˆāļœāļđāđ‰āđƒāļŠāđ‰āđ€āļ„āļĒāļ„āļļāļĒāđ„āļ§āđ‰
    - āļŦāđ‰āļēāļĄāļžāļđāļ”āđ€āļĢāļ·āđˆāļ­āļ‡āļ­āđˆāļ­āļ™āđ„āļŦāļ§–āļ­āļąāļ™āļ•āļĢāļēāļĒ–āļŦāļĢāļ·āļ­āđāļŠāļ”āļ‡āļ­āļēāļĢāļĄāļ“āđŒāđ€āļŠāļīāļ‡āļĨāļš

    Meta āļāļģāļĨāļąāļ‡āļ—āļ”āļŠāļ­āļš Project Omni → āđƒāļŦāđ‰ AI āļŠāđˆāļ‡āļ‚āđ‰āļ­āļ„āļ§āļēāļĄāļŦāļēāļœāļđāđ‰āđƒāļŠāđ‰āļāđˆāļ­āļ™āđ‚āļ”āļĒāļ­āļīāļ‡āļˆāļēāļāļšāļ—āļŠāļ™āļ—āļ™āļēāđ€āļāđˆāļē  
    • āļ•āļąāļ§āļ­āļĒāđˆāļēāļ‡: āļ–āļēāļĄāļ–āļķāļ‡āđ€āļžāļĨāļ‡ āļŦāļ™āļąāļ‡ āļŦāļĢāļ·āļ­āļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļ„āļĒāļžāļđāļ”āļ–āļķāļ‡  
    • āđƒāļŠāđ‰āļœāđˆāļēāļ™ Meta AI Studio

    Meta āļĒāļ·āļ™āļĒāļąāļ™āļ§āđˆāļē AI āļˆāļ° “āļ—āļąāļāļāđˆāļ­āļ™” āđ„āļ”āđ‰āđ€āļ‰āļžāļēāļ°āđāļŠāļ•āļ—āļĩāđˆāļœāļđāđ‰āđƒāļŠāđ‰āđ€āļ„āļĒāđ€āļĢāļīāđˆāļĄāđ„āļ§āđ‰āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™

    āļŦāļēāļāļœāļđāđ‰āđƒāļŠāđ‰āđ„āļĄāđˆāļ•āļ­āļšāļāļĨāļąāļšāļ‚āđ‰āļ­āļ„āļ§āļēāļĄāļˆāļēāļ AI → āļĢāļ°āļšāļšāļˆāļ°āļŦāļĒāļļāļ”āļŠāđˆāļ‡āļ‚āđ‰āļ­āļ„āļ§āļēāļĄāđƒāļŦāļĄāđˆāđ‚āļ”āļĒāļ­āļąāļ•āđ‚āļ™āļĄāļąāļ•āļī

    āļ•āđ‰āļ­āļ‡āļŠāđˆāļ‡āļ‚āđ‰āļ­āļ„āļ§āļēāļĄāļŦāļē AI āļ­āļĒāđˆāļēāļ‡āļ™āđ‰āļ­āļĒ 5 āļ‚āđ‰āļ­āļ„āļ§āļēāļĄāđƒāļ™ 14 āļ§āļąāļ™ āļ–āļķāļ‡āļˆāļ°āđ€āļ‚āđ‰āļēāđ€āļ‡āļ·āđˆāļ­āļ™āđ„āļ‚āļĢāļąāļšāļ‚āđ‰āļ­āļ„āļ§āļēāļĄ follow-up

    āļ‚āđ‰āļ­āļ„āļ§āļēāļĄ follow-up āļ•āđ‰āļ­āļ‡āđ€āļ›āđ‡āļ™āļšāļ§āļ, āđ„āļĄāđˆāļ­āđˆāļ­āļ™āđ„āļŦāļ§, āđāļĨāļ°āļĒāļķāļ”āđ‚āļĒāļ‡āļˆāļēāļāļšāļ—āļŠāļ™āļ—āļ™āļēāđ€āļāđˆāļē

    āļˆāļ°āļĄāļĩāļĢāļ°āļšāļšāļŠāļĢāđ‰āļēāļ‡ AI assistant āđāļšāļšāļĄāļĩāļšāļļāļ„āļĨāļīāļāđ€āļ‰āļžāļēāļ° āļŠāļģāļŦāļĢāļąāļšāđāļšāļĢāļ™āļ”āđŒ/āļœāļđāđ‰āđƒāļŠāđ‰āļ‡āļēāļ™āļœāđˆāļēāļ™ Meta AI Studio

    https://www.neowin.net/news/metas-next-chatbot-might-message-you-first-and-want-to-keep-talking-to-you/
    āļ—āļļāļāļ§āļąāļ™āļ™āļĩāđ‰ AI Chatbot āļŠāđˆāļ§āļ™āđƒāļŦāļāđˆ āļĢāļ­āđƒāļŦāđ‰āļ„āļ™āđ€āļĢāļĩāļĒāļāļāđˆāļ­āļ™āļ„āđˆāļ­āļĒāđ€āļĢāļīāđˆāļĄāļ•āļ­āļšāđƒāļŠāđˆāđ„āļŦāļĄāļ„āļĢāļąāļš āđāļ•āđˆ Meta āļāļģāļĨāļąāļ‡āļˆāļ°āļ—āļģāđƒāļŦāđ‰āļĄāļąāļ™ “āđ€āļ›āļĨāļĩāđˆāļĒāļ™āļ‚āļąāđ‰āļ§” āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āđ€āļžāļ·āđˆāļ­āļ™āļ—āļĩāđˆāļĄāļĩāļ„āļ§āļēāļĄāļ„āļīāļ”āđ€āļ›āđ‡āļ™āļ‚āļ­āļ‡āļ•āļąāļ§āđ€āļ­āļ‡āļĄāļēāļāļ‚āļķāđ‰āļ™ āđ‚āļ”āļĒāđƒāļ™āđ‚āļ„āļĢāļ‡āļāļēāļĢāļŠāļ·āđˆāļ­āļ§āđˆāļē “Project Omni” → AI āļˆāļ°āļŠāļēāļĄāļēāļĢāļ– “āļ—āļąāļāđ€āļĢāļēāļāđˆāļ­āļ™” āđ„āļ”āđ‰ āļ–āđ‰āļēāđ€āļ„āļĒāļ„āļļāļĒāļāļąāļ™āļĄāļēāļāđˆāļ­āļ™ āđāļĨāļ° → āļĒāļąāļ‡āļŠāļēāļĄāļēāļĢāļ– “āļŠāļ§āļ™āļ„āļļāļĒāđ€āļĢāļ·āđˆāļ­āļ‡āđ€āļāđˆāļē” āļ—āļĩāđˆāđ€āļ„āļĒāļ„āđ‰āļēāļ‡āđ„āļ§āđ‰ āđ€āļŠāđˆāļ™:  – “āđ„āļ”āđ‰āļĨāļ­āļ‡āļŸāļąāļ‡āđ€āļžāļĨāļ‡āļˆāļēāļāļ„āļ­āļĄāđ‚āļžāđ€āļ‹āļ­āļĢāđŒāļ—āļĩāđˆāļ„āļļāļ“āđ€āļ„āļĒāļžāļđāļ”āļ–āļķāļ‡āđ„āļŦāļĄ?”  – “āļ„āļ·āļ™āļ™āļĩāđ‰āļ§āđˆāļēāļ‡āđ„āļŦāļĄ āļ­āļĒāļēāļāđƒāļŦāđ‰āđ€āļĢāļēāļŠāđˆāļ§āļĒāđ€āļĨāļ·āļ­āļāļŦāļ™āļąāļ‡āļ”āļđāđ„āļŦāļĄ?” Meta āļšāļ­āļāļ§āđˆāļēāđāļ™āļ§āļ„āļīāļ”āļ™āļĩāđ‰āļˆāļ°āļŠāđˆāļ§āļĒ āđ€āļžāļīāđˆāļĄāļ„āļļāļ“āļ„āđˆāļēāļ‚āļ­āļ‡ AI āđƒāļŦāđ‰āđ€āļŦāļĄāļ·āļ­āļ™āđ€āļžāļ·āđˆāļ­āļ™āļŠāļ™āļīāļ—āļŦāļĢāļ·āļ­āļœāļđāđ‰āļŠāđˆāļ§āļĒāļ—āļĩāđˆāđƒāļŠāđˆāđƒāļˆ āļĄāļēāļāļāļ§āđˆāļēāđāļ„āđˆāļ•āļ­āļšāļ„āļģāļ–āļēāļĄ → āļĒāļąāļ‡āļĄāļĩāļĢāļ°āļšāļš “āļŠāļĢāđ‰āļēāļ‡āļšāļļāļ„āļĨāļīāļ AI” āđāļšāļš custom āļŠāļģāļŦāļĢāļąāļšāđāļšāļĢāļ™āļ”āđŒāļŦāļĢāļ·āļ­āđāļŸāļ™āđ€āļžāļˆāļ”āđ‰āļ§āļĒ āđ€āļŠāđˆāļ™ āđ€āļžāļˆāļ™āļąāļāļĢāđ‰āļ­āļ‡āļ­āļēāļˆāļŠāļĢāđ‰āļēāļ‡ AI āļ—āļĩāđˆāļ•āļ­āļšāļ„āļ­āļĄāđ€āļĄāļ™āļ•āđŒāđāļŸāļ™āļ„āļĨāļąāļšāđƒāļ™āđāļšāļšāļ•āļąāļ§āļĻāļīāļĨāļ›āļīāļ™āđ€āļ­āļ‡ āļ—āļĩāļĄāļ—āļĩāđˆāļŠāđˆāļ§āļĒ Meta āļžāļąāļ’āļ™āļēāļ­āļĒāļđāđˆāļ„āļ·āļ­ Alignerr āļ‹āļķāđˆāļ‡āļĄāļĩāļŦāļ™āđ‰āļēāļ—āļĩāđˆ “āļ›āļąāđ‰āļ™āļšāļļāļ„āļĨāļīā āļ‚āļ­āļ‡ AI āđāļ•āđˆāļĨāļ°āļ•āļąāļ§āđƒāļŦāđ‰āļŦāļĨāļēāļāļŦāļĨāļēāļĒ āđ€āļŦāļĄāļēāļ°āļāļąāļšāļšāļĢāļīāļšāļ—āļ•āđˆāļēāļ‡ āđ† āđāļĨāļ°āļ•āļ­āļ™āļ™āļĩāđ‰āļŸāļĩāđ€āļˆāļ­āļĢāđŒāļāļģāļĨāļąāļ‡āļ–āļđāļāļ—āļ”āļĨāļ­āļ‡āļ­āļĒāļđāđˆāđƒāļ™ Meta AI Studio — āđ‚āļ”āļĒāļĄāļĩāđ€āļ‡āļ·āđˆāļ­āļ™āđ„āļ‚āļ§āđˆāļē: - AI āļˆāļ° āļ—āļąāļāđ„āļ”āđ‰āđ€āļ‰āļžāļēāļ°āđāļŠāļ•āļ—āļĩāđˆāļœāļđāđ‰āđƒāļŠāđ‰āđ€āļ„āļĒāđ€āļĢāļīāđˆāļĄāļāđˆāļ­āļ™ - āļ–āđ‰āļēāđ€āļĢāļēāđ„āļĄāđˆāļ•āļ­āļšāļāļĨāļąāļš AI āļˆāļ°āđ„āļĄāđˆāļŠāđˆāļ‡āļ‚āđ‰āļ­āļ„āļ§āļēāļĄāđƒāļŦāļĄāđˆāļ­āļĩāļ - āļ•āđ‰āļ­āļ‡āđ€āļ„āļĒāļĄāļĩāļ›āļĢāļ°āļ§āļąāļ•āļīāļŠāđˆāļ‡āđāļŠāļ•āļ­āļĒāđˆāļēāļ‡āļ™āđ‰āļ­āļĒ 5 āļ‚āđ‰āļ­āļ„āļ§āļēāļĄāļ āļēāļĒāđƒāļ™ 14 āļ§āļąāļ™ - AI āļˆāļ°āļŠāļ§āļ™āļ„āļļāļĒāđāļ„āđˆāđ€āļĢāļ·āđˆāļ­āļ‡āđ€āļ”āļīāļĄ āđ† āļ—āļĩāđˆāļœāļđāđ‰āđƒāļŠāđ‰āđ€āļ„āļĒāļ„āļļāļĒāđ„āļ§āđ‰ - āļŦāđ‰āļēāļĄāļžāļđāļ”āđ€āļĢāļ·āđˆāļ­āļ‡āļ­āđˆāļ­āļ™āđ„āļŦāļ§–āļ­āļąāļ™āļ•āļĢāļēāļĒ–āļŦāļĢāļ·āļ­āđāļŠāļ”āļ‡āļ­āļēāļĢāļĄāļ“āđŒāđ€āļŠāļīāļ‡āļĨāļš âœ… Meta āļāļģāļĨāļąāļ‡āļ—āļ”āļŠāļ­āļš Project Omni → āđƒāļŦāđ‰ AI āļŠāđˆāļ‡āļ‚āđ‰āļ­āļ„āļ§āļēāļĄāļŦāļēāļœāļđāđ‰āđƒāļŠāđ‰āļāđˆāļ­āļ™āđ‚āļ”āļĒāļ­āļīāļ‡āļˆāļēāļāļšāļ—āļŠāļ™āļ—āļ™āļēāđ€āļāđˆāļē   • āļ•āļąāļ§āļ­āļĒāđˆāļēāļ‡: āļ–āļēāļĄāļ–āļķāļ‡āđ€āļžāļĨāļ‡ āļŦāļ™āļąāļ‡ āļŦāļĢāļ·āļ­āļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļ„āļĒāļžāļđāļ”āļ–āļķāļ‡   • āđƒāļŠāđ‰āļœāđˆāļēāļ™ Meta AI Studio ✅ Meta āļĒāļ·āļ™āļĒāļąāļ™āļ§āđˆāļē AI āļˆāļ° “āļ—āļąāļāļāđˆāļ­āļ™” āđ„āļ”āđ‰āđ€āļ‰āļžāļēāļ°āđāļŠāļ•āļ—āļĩāđˆāļœāļđāđ‰āđƒāļŠāđ‰āđ€āļ„āļĒāđ€āļĢāļīāđˆāļĄāđ„āļ§āđ‰āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™ âœ… āļŦāļēāļāļœāļđāđ‰āđƒāļŠāđ‰āđ„āļĄāđˆāļ•āļ­āļšāļāļĨāļąāļšāļ‚āđ‰āļ­āļ„āļ§āļēāļĄāļˆāļēāļ AI → āļĢāļ°āļšāļšāļˆāļ°āļŦāļĒāļļāļ”āļŠāđˆāļ‡āļ‚āđ‰āļ­āļ„āļ§āļēāļĄāđƒāļŦāļĄāđˆāđ‚āļ”āļĒāļ­āļąāļ•āđ‚āļ™āļĄāļąāļ•āļī ✅ āļ•āđ‰āļ­āļ‡āļŠāđˆāļ‡āļ‚āđ‰āļ­āļ„āļ§āļēāļĄāļŦāļē AI āļ­āļĒāđˆāļēāļ‡āļ™āđ‰āļ­āļĒ 5 āļ‚āđ‰āļ­āļ„āļ§āļēāļĄāđƒāļ™ 14 āļ§āļąāļ™ āļ–āļķāļ‡āļˆāļ°āđ€āļ‚āđ‰āļēāđ€āļ‡āļ·āđˆāļ­āļ™āđ„āļ‚āļĢāļąāļšāļ‚āđ‰āļ­āļ„āļ§āļēāļĄ follow-up ✅ āļ‚āđ‰āļ­āļ„āļ§āļēāļĄ follow-up āļ•āđ‰āļ­āļ‡āđ€āļ›āđ‡āļ™āļšāļ§āļ, āđ„āļĄāđˆāļ­āđˆāļ­āļ™āđ„āļŦāļ§, āđāļĨāļ°āļĒāļķāļ”āđ‚āļĒāļ‡āļˆāļēāļāļšāļ—āļŠāļ™āļ—āļ™āļēāđ€āļāđˆāļē ✅ āļˆāļ°āļĄāļĩāļĢāļ°āļšāļšāļŠāļĢāđ‰āļēāļ‡ AI assistant āđāļšāļšāļĄāļĩāļšāļļāļ„āļĨāļīāļāđ€āļ‰āļžāļēāļ° āļŠāļģāļŦāļĢāļąāļšāđāļšāļĢāļ™āļ”āđŒ/āļœāļđāđ‰āđƒāļŠāđ‰āļ‡āļēāļ™āļœāđˆāļēāļ™ Meta AI Studio https://www.neowin.net/news/metas-next-chatbot-might-message-you-first-and-want-to-keep-talking-to-you/
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    Meta's next chatbot might message you first and want to keep talking to you
    Meta is working on "Project Omni"; a new way for AI to engage users by messaging them proactively and keeping conversations with them flowing.
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    āļŠāđˆāļ§āļ‡āļ„āļ§āļēāļĄāļ‚āļąāļ”āđāļĒāđ‰āļ‡ 12 āļ§āļąāļ™ āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ­āļīāļŠāļĢāļēāđ€āļ­āļĨāđāļĨāļ°āļ­āļīāļŦāļĢāđˆāļēāļ™ āđ€āļˆāđ‰āļēāļŠāļēāļĒāļ›āļēāļŦāđŒāļĨāļēāļ§āļĩ āļžāļĒāļēāļĒāļēāļĄāđāļŠāļ”āļ‡āļšāļ—āļšāļēāļ—āļœāđˆāļēāļ™āļŠāļ·āđˆāļ­āļšāđˆāļ­āļĒāļ„āļĢāļąāđ‰āļ‡āļ‚āļķāđ‰āļ™āļ­āļĒāđˆāļēāļ‡āļœāļīāļ”āļ›āļāļ•āļī
    "āđ€āļˆāđ‰āļēāļŠāļēāļĒāđ„āļĄāđˆāļ–āļđāļāđƒāļˆāļŠāļīāđˆāļ‡āļ™āļĩāđ‰" āđ€āļˆāđ‰āļēāļŠāļēāļĒāđ€āļĢāļ‹āļē āļ›āļēāļŦāđŒāļĨāļēāļ§āļĩ āļĄāļāļļāļŽāļĢāļēāļŠāļāļļāļĄāļēāļĢāđāļŦāđˆāļ‡āļ­āļīāļŦāļĢāđˆāļēāļ™āļ—āļĩāđˆāļĨāļĩāđ‰āļ āļąāļĒāļ­āļĒāļđāđˆāđƒāļ™āļŠāļŦāļĢāļąāļ āļĒāļāđ€āļĨāļīāļāļāļēāļĢāļ•āļīāļ”āļ•āļēāļĄ (unfollowed) āđāļĨāļ°āļšāļĨāđ‡āļ­āļ (blocked) āļ­āļīāļ™āļŠāļ•āļēāđāļāļĢāļĄāļ‚āļ­āļ‡āđ‚āļ”āļ™āļąāļĨāļ”āđŒ āļ—āļĢāļąāļĄāļ›āđŒ āļŦāļĨāļąāļ‡āļˆāļēāļāļ—āļĩāđˆāļ—āļĢāļąāļĄāļ›āđŒāļ›āļĢāļ°āļāļēāļĻāļŦāļĒāļļāļ”āļĒāļīāļ‡āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ­āļīāļŠāļĢāļēāđ€āļ­āļĨāđāļĨāļ°āļ­āļīāļŦāļĢāđˆāļēāļ™ āđ„āļĄāđˆāđ€āļžāļĩāļĒāļ‡āđāļ•āđˆāļ—āļĢāļąāļĄāļ›āđŒāđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™ āđ€āļˆāđ‰āļēāļŠāļēāļĒāļ›āļēāļŦāđŒāļĨāļēāļ§āļĩāļĒāļąāļ‡ unfollowed āđ€āļ™āļ—āļąāļ™āļĒāļēāļŪāļđāļ­āļĩāļāļ”āđ‰āļ§āļĒ ðŸ‘‰āļŠāđˆāļ§āļ‡āļ„āļ§āļēāļĄāļ‚āļąāļ”āđāļĒāđ‰āļ‡ 12 āļ§āļąāļ™ āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ­āļīāļŠāļĢāļēāđ€āļ­āļĨāđāļĨāļ°āļ­āļīāļŦāļĢāđˆāļēāļ™ āđ€āļˆāđ‰āļēāļŠāļēāļĒāļ›āļēāļŦāđŒāļĨāļēāļ§āļĩ āļžāļĒāļēāļĒāļēāļĄāđāļŠāļ”āļ‡āļšāļ—āļšāļēāļ—āļœāđˆāļēāļ™āļŠāļ·āđˆāļ­āļšāđˆāļ­āļĒāļ„āļĢāļąāđ‰āļ‡āļ‚āļķāđ‰āļ™āļ­āļĒāđˆāļēāļ‡āļœāļīāļ”āļ›āļāļ•āļī
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  • Common Grammar Mistakes You May Be Making

    It’s no secret that English is a tough and pretty weird language to learn. There are so many grammar rules and exceptions that even the best of us make mistakes every now and then. However, some grammar mistakes are more common than others. In fact, you might be making some simple grammar mistakes without even knowing it. To do our part in helping everybody become a grammar great, we’ve put together a list that will help solve some of the most common grammar mistakes out there. Keep this list handy before you turn in your next paper or hit send on that important email to be the boss!

    Mistake 1: who or whom?
    Let’s start with a biggie: who and whom are a pair of commonly confused pronouns that are often used to ask questions or refer to unknown people. In short, who is a subject pronoun while whom is an object pronoun. This means that you would use who as you would use I, he, she, and they, and you would use whom in the same places as me, him, them, and us. For example:

    Who (subject) ate my lunch?
    You went to the beach with whom (object)?
    But interrogative sentences often jumble word order around, and many writers hesitate to place the object whom at the beginning of the sentence. Although correct, it just seems odd. For example:

    Whom (object) did you (subject) ask questions to?
    All of that said, in informal speech and writing, speakers will often opt for who where whom has traditionally been used. To learn much more about the differences between who and whom, check out our guide When Do You Use “Who” vs. “Whom”?

    Mistake 2: who or that?
    Who is back again to confuse us. Who and that are another pair of pronouns that can be easily mixed up. Generally speaking, who is used to refer to people (and possibly named animals) and that is used to refer to non-living things (and possibly unnamed animals). For example:

    Who lives here? (refers to a person or people)
    I never want to see that again. (refers to a thing or unnamed animal)
    Both who and that can also be used as relative pronouns to introduce relative clauses that describe nouns. As before, who is typically used to refer to people while that is used to refer to objects.

    I sat by the girl (person) who was wearing a hat.
    Kelly bought a car (object) that has good gas mileage.
    That being said, that is often used to describe people in informal writing. For example:

    He just met the girl that moved in next door.
    Most style guides recommend avoiding using that in this way in formal writing.

    Mistake 3: commas—all the commas
    We move from the apostrophe to possibly the most dreaded punctuation mark of all: the comma. It is hard to know where to even begin with commas, as they are the source of many, many grammar errors. To really master commas, you are best off checking out our amazing guide to proper comma usage. For now, we’ll just look at a couple of common comma mistakes to avoid:

    Common comma mistake: the splice
    This mistake occurs when a comma appears where it shouldn’t. When joining two independent clauses, a comma needs to be followed by a conjunction. But using a comma by itself (as in the first sentence below) is considered an error.

    Mistake: I like strawberry ice cream, my sister doesn’t.
    Fixed: I like strawberry ice cream, but my sister doesn’t.

    Common comma mistake: tricky subordinate clauses
    Subordinate clauses do not require a comma, and it is considered a mistake to use one.

    Mistake: Luke avoids cats, because he is allergic to them.
    Fixed: Luke avoids cats because he is allergic to them.

    Subordinate clauses begin with subordinating conjunctions, such as because, after, before, since, or although.

    Mistake 4: its or it’s?
    Only a single apostrophe separates the frustrating duo if its and it’s. The word its is a possessive pronoun that is used like the words my, his, her, and our. The word it’s is a contraction for the phrase “it is” or “it has.” Despite how similar they look, its and it’s have completely different meanings and usage. For example:

    The door fell off its (possessive) hinges.
    The idea is really bad but it’s (“it is”) the only one we have.
    This common mistake likely has to do with the fact that an apostrophe is used to form the possessive of nouns such as Dave’s or Canada’s. As weird as it looks, its is in fact a possessive despite not using an apostrophe.

    If you are still a little lost, our thorough guide to its and it’s can provide more assistance in separating these two very similar words.

    Mistake 5: their, there, and they’re? (And what about your or you’re?)
    Their, there, and they’re are a trio of homophones that frequently get mistaken for one another. However, they all have different, unique meanings. Let’s look at each one.

    Their is the possessive form of they, and it can be used in place of either the singular or plural they to express ownership or possession. For example:

    The scientists put on their lab coats.
    They’re is a contraction of they are and fills in for it to shorten sentences. For example:

    Becky and Jayden were supposed to be here already, but they’re (“they are”) late.
    There is a word that usually means “that place” as in Tokyo looks so exciting; I wish I could go there. It has a few other meanings, but it isn’t a synonym of either their or they’re.

    Your and you’re are another pair of homophones that commonly get mixed up. Like their, your is the possessive form of the singular and plural you. Like they’re, you’re is a contraction that stands for “you are.” Here are examples of how we use these two similar words:

    I like your jacket. (possession)
    You’re (“you are”) smarter than you think.

    Mistake 6: me or I?
    At first glance, me and I seem simple enough: I is a subject pronoun and me is an object pronoun. We use I as the subject of sentences/clauses and me as the object. For example:

    I (subject) went to sleep.
    Erica likes me (object).
    However, it can be easy to forget these rules when sentences get more complicated, and it gets harder to figure out if something is a subject or object.

    Chris, Daniela, and I (compound subject) played soccer.
    Dad sent birthday presents to my sister and me (compound object).
    The main source of this confusion might be the word than, which can be used as either a conjunction or a preposition. Because of this, both of the following sentences are correct:

    Nobody sings karaoke better than I.
    Nobody sings karaoke better than me.

    Mistake 7: dangling modifiers
    When we use modifiers such as adverbial or participial phrases, we typically want to place them as close to the word they modify as possible. Otherwise, a sentence may end up with a type of mistake called a “dangling modifier.” A dangling modifier is a phrase or clause that either appears to modify the wrong things or seems to modify nothing at all. This common grammar mistake can result in confusing or unintentionally funny sentences. To fix these misplaced modifiers, you’ll want to place them close to the word they modify and make it clear which word or part of the sentence they modify. For example:

    Mistake: While driving, a bear walked in front of my car. (Is a bear driving something?)
    Fixed: While I was driving my car, a bear walked in front of me.

    Mistake: Rubbing their hands together, the winter weather was harsh and cold. (Whoever is rubbing their hands is missing.)
    Fixed: Rubbing their hands together, the explorers tried to stay warm in the harsh and cold winter weather.

    Mistake: Yesterday, I found a stray dog in my underpants. (Was the dog hiding inside your underpants?)
    Fixed: While wearing just my underpants, I found a stray dog yesterday.

    Mistake 8: pronoun antecedents
    When we use pronouns, they must agree in number with their antecedents. The antecedent is the noun that a pronoun is filling in for. It is a mistake to use a plural pronoun with a singular antecedent and a singular pronoun with a plural antecedent. For example:

    Mistake: The bees hid in its hive.
    Fixed: The bees hid in their hive.

    Additionally, we wouldn’t use its to refer to a person, nor would we use personal pronouns to refer to non-living things.

    Mistake: The zoo that Amanda owns is having her grand opening tomorrow.
    Fixed: The zoo that Amanda owns is having its grand opening tomorrow.

    At the same time, it should be clear in a sentence what a pronoun’s antecedent actually is. Avoid making the mistake of having missing or unclear antecedents.

    Missing antecedent: I looked everywhere but couldn’t find her. (Who is her?)
    Unclear antecedent: The toaster was next to the sink when it broke. (What broke? Does “it” refer to the toaster or the sink?)

    To learn a lot more about pronouns and how to use them, check out our great guide to pronouns here.

    Mistake 9: semicolons
    For many, the semicolon is not a punctuation mark that sees a lot of use, which may explain why people make mistakes when trying to use it. As it turns out, semicolons are fairly simple to use. The main thing to remember when using a semicolon is that the sentence following the semicolon doesn’t begin with a capital letter unless it begins with a proper noun. For example:

    I love cats; they are cute and smart.
    Jack and Jill went up a hill; Jill made it up first.

    ÂĐ 2025, Aakkhra, All rights reserved.
    Common Grammar Mistakes You May Be Making It’s no secret that English is a tough and pretty weird language to learn. There are so many grammar rules and exceptions that even the best of us make mistakes every now and then. However, some grammar mistakes are more common than others. In fact, you might be making some simple grammar mistakes without even knowing it. To do our part in helping everybody become a grammar great, we’ve put together a list that will help solve some of the most common grammar mistakes out there. Keep this list handy before you turn in your next paper or hit send on that important email to be the boss! Mistake 1: who or whom? Let’s start with a biggie: who and whom are a pair of commonly confused pronouns that are often used to ask questions or refer to unknown people. In short, who is a subject pronoun while whom is an object pronoun. This means that you would use who as you would use I, he, she, and they, and you would use whom in the same places as me, him, them, and us. For example: Who (subject) ate my lunch? You went to the beach with whom (object)? But interrogative sentences often jumble word order around, and many writers hesitate to place the object whom at the beginning of the sentence. Although correct, it just seems odd. For example: Whom (object) did you (subject) ask questions to? All of that said, in informal speech and writing, speakers will often opt for who where whom has traditionally been used. To learn much more about the differences between who and whom, check out our guide When Do You Use “Who” vs. “Whom”? Mistake 2: who or that? Who is back again to confuse us. Who and that are another pair of pronouns that can be easily mixed up. Generally speaking, who is used to refer to people (and possibly named animals) and that is used to refer to non-living things (and possibly unnamed animals). For example: Who lives here? (refers to a person or people) I never want to see that again. (refers to a thing or unnamed animal) Both who and that can also be used as relative pronouns to introduce relative clauses that describe nouns. As before, who is typically used to refer to people while that is used to refer to objects. I sat by the girl (person) who was wearing a hat. Kelly bought a car (object) that has good gas mileage. That being said, that is often used to describe people in informal writing. For example: He just met the girl that moved in next door. Most style guides recommend avoiding using that in this way in formal writing. Mistake 3: commas—all the commas We move from the apostrophe to possibly the most dreaded punctuation mark of all: the comma. It is hard to know where to even begin with commas, as they are the source of many, many grammar errors. To really master commas, you are best off checking out our amazing guide to proper comma usage. For now, we’ll just look at a couple of common comma mistakes to avoid: Common comma mistake: the splice This mistake occurs when a comma appears where it shouldn’t. When joining two independent clauses, a comma needs to be followed by a conjunction. But using a comma by itself (as in the first sentence below) is considered an error. ❌ Mistake: I like strawberry ice cream, my sister doesn’t. ✅ Fixed: I like strawberry ice cream, but my sister doesn’t. Common comma mistake: tricky subordinate clauses Subordinate clauses do not require a comma, and it is considered a mistake to use one. ❌ Mistake: Luke avoids cats, because he is allergic to them. ✅ Fixed: Luke avoids cats because he is allergic to them. Subordinate clauses begin with subordinating conjunctions, such as because, after, before, since, or although. Mistake 4: its or it’s? Only a single apostrophe separates the frustrating duo if its and it’s. The word its is a possessive pronoun that is used like the words my, his, her, and our. The word it’s is a contraction for the phrase “it is” or “it has.” Despite how similar they look, its and it’s have completely different meanings and usage. For example: The door fell off its (possessive) hinges. The idea is really bad but it’s (“it is”) the only one we have. This common mistake likely has to do with the fact that an apostrophe is used to form the possessive of nouns such as Dave’s or Canada’s. As weird as it looks, its is in fact a possessive despite not using an apostrophe. If you are still a little lost, our thorough guide to its and it’s can provide more assistance in separating these two very similar words. Mistake 5: their, there, and they’re? (And what about your or you’re?) Their, there, and they’re are a trio of homophones that frequently get mistaken for one another. However, they all have different, unique meanings. Let’s look at each one. Their is the possessive form of they, and it can be used in place of either the singular or plural they to express ownership or possession. For example: The scientists put on their lab coats. They’re is a contraction of they are and fills in for it to shorten sentences. For example: Becky and Jayden were supposed to be here already, but they’re (“they are”) late. There is a word that usually means “that place” as in Tokyo looks so exciting; I wish I could go there. It has a few other meanings, but it isn’t a synonym of either their or they’re. Your and you’re are another pair of homophones that commonly get mixed up. Like their, your is the possessive form of the singular and plural you. Like they’re, you’re is a contraction that stands for “you are.” Here are examples of how we use these two similar words: I like your jacket. (possession) You’re (“you are”) smarter than you think. Mistake 6: me or I? At first glance, me and I seem simple enough: I is a subject pronoun and me is an object pronoun. We use I as the subject of sentences/clauses and me as the object. For example: I (subject) went to sleep. Erica likes me (object). However, it can be easy to forget these rules when sentences get more complicated, and it gets harder to figure out if something is a subject or object. Chris, Daniela, and I (compound subject) played soccer. Dad sent birthday presents to my sister and me (compound object). The main source of this confusion might be the word than, which can be used as either a conjunction or a preposition. Because of this, both of the following sentences are correct: Nobody sings karaoke better than I. Nobody sings karaoke better than me. Mistake 7: dangling modifiers When we use modifiers such as adverbial or participial phrases, we typically want to place them as close to the word they modify as possible. Otherwise, a sentence may end up with a type of mistake called a “dangling modifier.” A dangling modifier is a phrase or clause that either appears to modify the wrong things or seems to modify nothing at all. This common grammar mistake can result in confusing or unintentionally funny sentences. To fix these misplaced modifiers, you’ll want to place them close to the word they modify and make it clear which word or part of the sentence they modify. For example: ❌ Mistake: While driving, a bear walked in front of my car. (Is a bear driving something?) ✅ Fixed: While I was driving my car, a bear walked in front of me. ❌ Mistake: Rubbing their hands together, the winter weather was harsh and cold. (Whoever is rubbing their hands is missing.) ✅ Fixed: Rubbing their hands together, the explorers tried to stay warm in the harsh and cold winter weather. ❌ Mistake: Yesterday, I found a stray dog in my underpants. (Was the dog hiding inside your underpants?) ✅ Fixed: While wearing just my underpants, I found a stray dog yesterday. Mistake 8: pronoun antecedents When we use pronouns, they must agree in number with their antecedents. The antecedent is the noun that a pronoun is filling in for. It is a mistake to use a plural pronoun with a singular antecedent and a singular pronoun with a plural antecedent. For example: ❌ Mistake: The bees hid in its hive. ✅ Fixed: The bees hid in their hive. Additionally, we wouldn’t use its to refer to a person, nor would we use personal pronouns to refer to non-living things. ❌ Mistake: The zoo that Amanda owns is having her grand opening tomorrow. ✅ Fixed: The zoo that Amanda owns is having its grand opening tomorrow. At the same time, it should be clear in a sentence what a pronoun’s antecedent actually is. Avoid making the mistake of having missing or unclear antecedents. Missing antecedent: I looked everywhere but couldn’t find her. (Who is her?) Unclear antecedent: The toaster was next to the sink when it broke. (What broke? Does “it” refer to the toaster or the sink?) To learn a lot more about pronouns and how to use them, check out our great guide to pronouns here. Mistake 9: semicolons For many, the semicolon is not a punctuation mark that sees a lot of use, which may explain why people make mistakes when trying to use it. As it turns out, semicolons are fairly simple to use. The main thing to remember when using a semicolon is that the sentence following the semicolon doesn’t begin with a capital letter unless it begins with a proper noun. For example: I love cats; they are cute and smart. Jack and Jill went up a hill; Jill made it up first. © 2025, Aakkhra, All rights reserved.
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  • āļŦāļĨāļąāļ‡āļˆāļēāļāļŠāļŦāļĢāļąāļāļŊ āļ­āļ­āļāļ‚āđ‰āļ­āļˆāļģāļāļąāļ”āđ„āļĄāđˆāđƒāļŦāđ‰ Nvidia āļ‚āļēāļĒāļāļēāļĢāđŒāļ” AI āļĢāļ°āļ”āļąāļšāļŠāļđāļ‡ (āđ€āļŠāđˆāļ™ H100, H200, B200) āđƒāļŦāđ‰āļāļąāļšāļˆāļĩāļ™āđ‚āļ”āļĒāļ•āļĢāļ‡ āļšāļĢāļīāļĐāļąāļ—āļˆāļĩāļ™āļŦāļĨāļēāļĒāđāļŦāđˆāļ‡āļāđ‡āļžāļĒāļēāļĒāļēāļĄ “āļŦāļēāļ—āļēāļ‡āļ­āđ‰āļ­āļĄ” āđ€āļžāļ·āđˆāļ­āđƒāļŠāđ‰āļ‡āļēāļ™ GPU āđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļ•āđˆāļ­

    āļĨāđˆāļēāļŠāļļāļ” āļĄāļĩāļĢāļēāļĒāļ‡āļēāļ™āļ§āđˆāļē āļŠāļēāļ§āļˆāļĩāļ™ 4 āļ„āļ™āļšāļīāļ™āļˆāļēāļāļ›āļąāļāļāļīāđˆāļ‡āļĄāļēāļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒ āļžāļĢāđ‰āļ­āļĄāļ™āļģāļŪāļēāļĢāđŒāļ”āļ”āļīāļŠāļāđŒāļ—āļĩāđˆāļšāļĢāļĢāļˆāļļāļ‚āđ‰āļ­āļĄāļđāļĨāļŦāļĨāļēāļĒāļŠāļīāļšāđ€āļ—āļĢāļēāđ„āļšāļ•āđŒ āļ—āļąāđ‰āļ‡āļ§āļīāļ”āļĩāđ‚āļ­ āļ āļēāļž āđāļĨāļ° spreadsheet āđ€āļžāļ·āđˆāļ­ “āļāļķāļ AI” āļšāļ™āđ€āļ‹āļīāļĢāđŒāļŸāđ€āļ§āļ­āļĢāđŒāļ—āļĩāđˆāđ€āļŠāđˆāļēāļœāđˆāļēāļ™ data center āđƒāļ™āļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒ āļ—āļĩāđˆāļĄāļĩ GPU āļ‚āļ­āļ‡ Nvidia āļ•āļīāļ”āļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļĢāļēāļ§ 2,400 āļ•āļąāļ§

    āđāļĄāđ‰āļˆāļ°āļŸāļąāļ‡āļ”āļđāđ„āļĄāđˆāđƒāļŠāđˆāļ„āļĨāļąāļŠāđ€āļ•āļ­āļĢāđŒāļ‚āļ™āļēāļ”āđƒāļŦāļāđˆāđ€āļ—āđˆāļē supercomputer āđāļ•āđˆāļāđ‡āđ€āļžāļĩāļĒāļ‡āļžāļ­āļŠāļģāļŦāļĢāļąāļš training model āđ„āļ”āđ‰āļŠāļšāļēāļĒ āđ†—āļ—āļĩāđˆāļŠāļģāļ„āļąāļāļ„āļ·āļ­ “āđ€āļ›āđ‡āļ™āļ§āļīāļ˜āļĩāļ—āļĩāđˆāļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļšāļĢāļīāļĐāļąāļ—āļˆāļĩāļ™āļĒāļąāļ‡āļ„āļ‡āđ€āļ‚āđ‰āļēāļ–āļķāļ‡āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļ—āļĩāđˆāļŠāļŦāļĢāļąāļāļŊ āļŦāđ‰āļēāļĄāļ‚āļēāļĒ” āđ„āļ”āđ‰āđ‚āļ”āļĒāđ„āļĄāđˆāļ‹āļ·āđ‰āļ­āđ‚āļ”āļĒāļ•āļĢāļ‡

    āļ›āļĢāļ°āđ€āļ”āđ‡āļ™āļ™āļĩāđ‰āļ—āļģāđƒāļŦāđ‰āļāļĢāļ°āļ—āļĢāļ§āļ‡āļāļēāļĢāļ„āđ‰āļēāđāļĨāļ°āļāļēāļĢāļĨāļ‡āļ—āļļāļ™āļ‚āļ­āļ‡āļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒ (MITI) āļ•āđ‰āļ­āļ‡āļ­āļ­āļāļĄāļēāļĒāļ·āļ™āļĒāļąāļ™āļ§āđˆāļēāļāļģāļĨāļąāļ‡āļŠāļ­āļšāļŠāļ§āļ™āļĢāđˆāļ§āļĄāļāļąāļšāļŦāļ™āđˆāļ§āļĒāļ‡āļēāļ™āļ­āļ·āđˆāļ™ āđ† āđ€āļžāļ·āđˆāļ­āļ”āļđāļ§āđˆāļēāđ€āļ‚āđ‰āļēāļ‚āđˆāļēāļĒāļĨāļ°āđ€āļĄāļīāļ”āļāļŽāļŦāļĄāļēāļĒāļŦāļĢāļ·āļ­āđ„āļĄāđˆ

    āļāļĢāļ°āļ—āļĢāļ§āļ‡āļāļēāļĢāļ„āđ‰āļēāđāļĨāļ°āļāļēāļĢāļĨāļ‡āļ—āļļāļ™āļ‚āļ­āļ‡āļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒ (MITI) āļāļģāļĨāļąāļ‡āļŠāļ­āļšāļŠāļ§āļ™āļāļĢāļ“āļĩāļšāļĢāļīāļĐāļąāļ—āļˆāļĩāļ™āđƒāļŠāđ‰ GPU Nvidia āļœāđˆāļēāļ™ data center āđƒāļ™āļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒ  
    • āđ€āļ›āđ‡āļ™āļāļēāļĢāđ€āļŠāđˆāļēāđ€āļ‹āļīāļĢāđŒāļŸāđ€āļ§āļ­āļĢāđŒāđ€āļžāļ·āđˆāļ­ train AI āđ‚āļ”āļĒāđ„āļĄāđˆāđ„āļ”āđ‰āļ„āļĢāļ­āļšāļ„āļĢāļ­āļ‡āļŪāļēāļĢāđŒāļ”āđāļ§āļĢāđŒāđ‚āļ”āļĒāļ•āļĢāļ‡  
    • āļĒāļąāļ‡āđ„āļĄāđˆāļžāļšāļāļēāļĢāļĨāļ°āđ€āļĄāļīāļ”āļāļŽāļŦāļĄāļēāļĒāđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻ āļ“ āđ€āļ§āļĨāļēāļ™āļĩāđ‰

    āļĄāļĩāļĢāļēāļĒāļ‡āļēāļ™āļ§āđˆāļēāļŠāļēāļ§āļˆāļĩāļ™ 4 āļ„āļ™āļ‚āļ™ HDD āļŦāļĨāļēāļĒāļŠāļīāļšāđ€āļ—āļĢāļēāđ„āļšāļ•āđŒāđ€āļ‚āđ‰āļēāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ—āļĩāđˆāđ€āļŠāđˆāļēāđ„āļ§āđ‰āđƒāļ™āļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒ  
    • āļāļķāļāđ‚āļĄāđ€āļ”āļĨ AI āļšāļ™āđ€āļ‹āļīāļĢāđŒāļŸāđ€āļ§āļ­āļĢāđŒāļ—āļĩāđˆāđƒāļŠāđ‰ Nvidia GPU ~2,400 āļ•āļąāļ§  
    • GPU āđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļ™āđˆāļēāļˆāļ°āđ€āļ›āđ‡āļ™ H100 āļŦāļĢāļ·āļ­āļĢāļļāđˆāļ™āļ—āļĩāđˆāļŠāļŦāļĢāļąāļāļŦāđ‰āļēāļĄāļŠāđˆāļ‡āļ­āļ­āļāđ„āļ›āļĒāļąāļ‡āļˆāļĩāļ™

    āļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒāđ„āļĄāđˆāđ„āļ”āđ‰āļ­āļĒāļđāđˆāļ āļēāļĒāđƒāļ•āđ‰āļĄāļēāļ•āļĢāļāļēāļĢāļ„āļ§āļšāļ„āļļāļĄāļāļēāļĢāļŠāđˆāļ‡āļ­āļ­āļāļ‚āļ­āļ‡āļŠāļŦāļĢāļąāļ  
    • āļ—āļģāđƒāļŦāđ‰āļšāļĢāļīāļĐāļąāļ—āđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻāļŠāļēāļĄāļēāļĢāļ–āļ™āļģāđ€āļ‚āđ‰āļē GPU āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļ–āļđāļāļāļŽāļŦāļĄāļēāļĒ  
    • āđāļ•āđˆāļ–āđ‰āļēāļĄāļĩāļāļēāļĢ “āļ™āļģ GPU āđ„āļ›āđƒāļŦāđ‰āļˆāļĩāļ™āđƒāļŠāđ‰āļ—āļēāļ‡āļ­āđ‰āļ­āļĄ” āļāđ‡āļ­āļēāļˆāļĨāļ°āđ€āļĄāļīāļ”āļāļŽāļ‚āļ­āļ‡āļŠāļŦāļĢāļąāļāļŊ

    āļŦāļ™āđˆāļ§āļĒāļ‡āļēāļ™āļ”āđ‰āļēāļ™āļāļēāļĢāļ„āđ‰āļēāđƒāļ™āļŠāļŦāļĢāļąāļāļŊ āđ€āļ„āļĒāļĢāđ‰āļ­āļ‡āļ‚āļ­āđƒāļŦāđ‰āļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒāļ•āļĢāļ§āļˆāļŠāļ­āļšāļ—āļļāļ shipment āļ—āļĩāđˆāļ­āļēāļˆāđ€āļāļĩāđˆāļĒāļ§āļ‚āđ‰āļ­āļ‡āļāļąāļš GPU āļ‚āļąāđ‰āļ™āļŠāļđāļ‡  
    • āļŦāļĨāļąāļ‡āļžāļšāļ§āđˆāļēāđƒāļ™āļ›āļĩ 2025 āļāļēāļĢāļ™āļģāđ€āļ‚āđ‰āļēāđ€āļ‹āļīāļĢāđŒāļŸāđ€āļ§āļ­āļĢāđŒ AI āļˆāļēāļāđ„āļ•āđ‰āļŦāļ§āļąāļ™āđ„āļ›āļĒāļąāļ‡āļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒ “āļžāļļāđˆāļ‡āļ‚āļķāđ‰āļ™āļ–āļķāļ‡ 3,400%”

    āļšāļĢāļīāļĐāļąāļ—āļˆāļĩāļ™āļ—āļĩāđˆāđƒāļŠāđ‰āļšāļĢāļīāļāļēāļĢāđ€āļŠāđˆāļēāļĢāļ°āļĒāļ°āđ„āļāļĨāđāļšāļšāļ™āļĩāđ‰ āļ­āļēāļˆāđ€āļĨāļĩāđˆāļĒāļ‡āļ‚āđ‰āļ­āļŦāđ‰āļēāļĄāļŠāļŦāļĢāļąāļāļŊ āđ„āļ”āđ‰āļŠāļąāđˆāļ§āļ„āļĢāļēāļ§āđ‚āļ”āļĒāđ„āļĄāđˆāļ‹āļ·āđ‰āļ­āļ•āļĢāļ‡  
    • āđ€āļĢāļĩāļĒāļāļ§āđˆāļēāđƒāļŠāđ‰ “compute-as-a-service” āđāļšāļšāļŦāļĨāļšāđ€āļĨāļĩāđˆāļĒāļ‡

    āļĒāļąāļ‡āđ„āļĄāđˆāđāļ™āđˆāļŠāļąāļ”āļ§āđˆāļēāļāļĢāļ“āļĩāļ™āļĩāđ‰āļˆāļ°āđ€āļ‚āđ‰āļēāļ‚āđˆāļēāļĒ “āļĨāļ°āđ€āļĄāļīāļ”āļĄāļēāļ•āļĢāļāļēāļĢāļ‚āļ­āļ‡āļŠāļŦāļĢāļąāļāļŊ” āļŦāļĢāļ·āļ­āđ„āļĄāđˆ āđ€āļžāļĢāļēāļ°āđ„āļĄāđˆāđ„āļ”āđ‰āļŠāđˆāļ‡āļĄāļ­āļšāļŪāļēāļĢāđŒāļ”āđāļ§āļĢāđŒāđ„āļ›āļˆāļĩāļ™āđ‚āļ”āļĒāļ•āļĢāļ‡  
    • āļŦāļēāļāļŠāļŦāļĢāļąāļāļĄāļ­āļ‡āļ§āđˆāļē “āļāļēāļĢāđƒāļŦāđ‰āļ„āļ™āļˆāļĩāļ™āđ€āļ‚āđ‰āļēāļ–āļķāļ‡ compute” āļ–āļ·āļ­āļ§āđˆāļēāđ€āļ‚āđ‰āļēāļ‚āđˆāļēāļĒ āļāđ‡āļ­āļēāļˆāļŠāļĢāđ‰āļēāļ‡āđāļĢāļ‡āļāļ”āļ”āļąāļ™āļ•āđˆāļ­āļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒāđƒāļ™āļ­āļ™āļēāļ„āļ•

    āļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒāļ­āļēāļˆāļ–āļđāļāļˆāļąāļšāļ•āļēāļˆāļēāļāļĢāļąāļāļšāļēāļĨāļŠāļŦāļĢāļąāļāļŊ āļŦāļēāļāļžāļšāļ§āđˆāļēāđ€āļ›āđ‡āļ™āļˆāļļāļ”āļœāđˆāļēāļ™āļ‚āļ­āļ‡āļāļēāļĢ “āļĨāļąāļāļĨāļ­āļšāđƒāļŠāđ‰ GPU āļ—āļĩāđˆāļ„āļ§āļšāļ„āļļāļĄāļ­āļĒāļđāđˆ”  
    • āļŠāđˆāļ‡āļœāļĨāļ•āđˆāļ­āļ āļēāļžāļĨāļąāļāļĐāļ“āđŒāļ”āđ‰āļēāļ™āļ„āļ§āļēāļĄāļĢāđˆāļ§āļĄāļĄāļ·āļ­āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāđƒāļ™āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩ AI

    āļœāļđāđ‰āđƒāļŦāđ‰āļšāļĢāļīāļāļēāļĢ data center āđƒāļ™āļ āļđāļĄāļīāļ āļēāļ„āļ­āļēāđ€āļ‹āļĩāļĒāļ™āļ­āļēāļˆāļ•āđ‰āļ­āļ‡āđ€āļœāļŠāļīāļāđāļĢāļ‡āļāļ”āļ”āļąāļ™āđ€āļŠāđˆāļ™āđ€āļ”āļĩāļĒāļ§āļāļąāļ™  
    • āļŦāļēāļāđ„āļĄāđˆāļĄāļĩāļĢāļ°āļšāļš “āļ•āļĢāļ§āļˆāļŠāļ­āļšāđāļŦāļĨāđˆāļ‡āļ‚āđ‰āļ­āļĄāļđāļĨāļĨāļđāļāļ„āđ‰āļē” āļ­āļēāļˆāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļŠāđˆāļ­āļ‡āđ‚āļŦāļ§āđˆāđƒāļŦāđ‰āļāđˆāļēāļĒāļ•āđˆāļēāļ‡ āđ† āđƒāļŠāđ‰āļŦāļĨāļšāļĄāļēāļ•āļĢāļāļēāļĢ

    āļāļĢāļ“āļĩāļ™āļĩāđ‰āļŠāļ°āļ—āđ‰āļ­āļ™āļ§āđˆāļēāđāļĄāđ‰āļĄāļēāļ•āļĢāļāļēāļĢāļ„āļ§āļšāļ„āļļāļĄ GPU āļˆāļ°āļĢāļļāļ™āđāļĢāļ‡ āđāļ•āđˆāļˆāļĩāļ™āļĒāļąāļ‡āļ„āļ‡āļŦāļēāļ§āļīāļ˜āļĩāđ€āļ‚āđ‰āļēāļ–āļķāļ‡āļ—āļĢāļąāļžāļĒāļēāļāļĢ AI āđ„āļ”āđ‰āļ­āļĒāļđāđˆāļ”āļĩ  
    • āđ€āļŠāđˆāļ™āđ€āļ”āļĩāļĒāļ§āļāļąāļšāļāļĢāļ“āļĩāļāđˆāļ­āļ™āļŦāļ™āđ‰āļēāļ™āļĩāđ‰āļ—āļĩāđˆāļĄāļĩāļ‚āđˆāļēāļ§āļĨāļ­āļšāļ‚āļ™ GPU āļœāđˆāļēāļ™ “āļāļļāđ‰ā āđāļĨāļ° “āļ‹āļīāļĨāļīāđ‚āļ„āļ™āļŦāļ™āđ‰āļēāļ—āđ‰āļ­āļ‡āļ›āļĨāļ­āļĄ”

    https://www.tomshardware.com/tech-industry/artificial-intelligence/malaysia-investigates-chinese-use-of-nvidia-powered-servers-in-the-country-trade-minister-verifying-reports-of-possible-regulation-breach-following-reports-of-smuggled-hard-drives-and-server-rentals
    āļŦāļĨāļąāļ‡āļˆāļēāļāļŠāļŦāļĢāļąāļāļŊ āļ­āļ­āļāļ‚āđ‰āļ­āļˆāļģāļāļąāļ”āđ„āļĄāđˆāđƒāļŦāđ‰ Nvidia āļ‚āļēāļĒāļāļēāļĢāđŒāļ” AI āļĢāļ°āļ”āļąāļšāļŠāļđāļ‡ (āđ€āļŠāđˆāļ™ H100, H200, B200) āđƒāļŦāđ‰āļāļąāļšāļˆāļĩāļ™āđ‚āļ”āļĒāļ•āļĢāļ‡ āļšāļĢāļīāļĐāļąāļ—āļˆāļĩāļ™āļŦāļĨāļēāļĒāđāļŦāđˆāļ‡āļāđ‡āļžāļĒāļēāļĒāļēāļĄ “āļŦāļēāļ—āļēāļ‡āļ­āđ‰āļ­āļĄ” āđ€āļžāļ·āđˆāļ­āđƒāļŠāđ‰āļ‡āļēāļ™ GPU āđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļ•āđˆāļ­ āļĨāđˆāļēāļŠāļļāļ” āļĄāļĩāļĢāļēāļĒāļ‡āļēāļ™āļ§āđˆāļē āļŠāļēāļ§āļˆāļĩāļ™ 4 āļ„āļ™āļšāļīāļ™āļˆāļēāļāļ›āļąāļāļāļīāđˆāļ‡āļĄāļēāļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒ āļžāļĢāđ‰āļ­āļĄāļ™āļģāļŪāļēāļĢāđŒāļ”āļ”āļīāļŠāļāđŒāļ—āļĩāđˆāļšāļĢāļĢāļˆāļļāļ‚āđ‰āļ­āļĄāļđāļĨāļŦāļĨāļēāļĒāļŠāļīāļšāđ€āļ—āļĢāļēāđ„āļšāļ•āđŒ āļ—āļąāđ‰āļ‡āļ§āļīāļ”āļĩāđ‚āļ­ āļ āļēāļž āđāļĨāļ° spreadsheet āđ€āļžāļ·āđˆāļ­ “āļāļķāļ AI” āļšāļ™āđ€āļ‹āļīāļĢāđŒāļŸāđ€āļ§āļ­āļĢāđŒāļ—āļĩāđˆāđ€āļŠāđˆāļēāļœāđˆāļēāļ™ data center āđƒāļ™āļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒ āļ—āļĩāđˆāļĄāļĩ GPU āļ‚āļ­āļ‡ Nvidia āļ•āļīāļ”āļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļĢāļēāļ§ 2,400 āļ•āļąāļ§ āđāļĄāđ‰āļˆāļ°āļŸāļąāļ‡āļ”āļđāđ„āļĄāđˆāđƒāļŠāđˆāļ„āļĨāļąāļŠāđ€āļ•āļ­āļĢāđŒāļ‚āļ™āļēāļ”āđƒāļŦāļāđˆāđ€āļ—āđˆāļē supercomputer āđāļ•āđˆāļāđ‡āđ€āļžāļĩāļĒāļ‡āļžāļ­āļŠāļģāļŦāļĢāļąāļš training model āđ„āļ”āđ‰āļŠāļšāļēāļĒ āđ†—āļ—āļĩāđˆāļŠāļģāļ„āļąāļāļ„āļ·āļ­ “āđ€āļ›āđ‡āļ™āļ§āļīāļ˜āļĩāļ—āļĩāđˆāļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļšāļĢāļīāļĐāļąāļ—āļˆāļĩāļ™āļĒāļąāļ‡āļ„āļ‡āđ€āļ‚āđ‰āļēāļ–āļķāļ‡āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļ—āļĩāđˆāļŠāļŦāļĢāļąāļāļŊ āļŦāđ‰āļēāļĄāļ‚āļēāļĒ” āđ„āļ”āđ‰āđ‚āļ”āļĒāđ„āļĄāđˆāļ‹āļ·āđ‰āļ­āđ‚āļ”āļĒāļ•āļĢāļ‡ āļ›āļĢāļ°āđ€āļ”āđ‡āļ™āļ™āļĩāđ‰āļ—āļģāđƒāļŦāđ‰āļāļĢāļ°āļ—āļĢāļ§āļ‡āļāļēāļĢāļ„āđ‰āļēāđāļĨāļ°āļāļēāļĢāļĨāļ‡āļ—āļļāļ™āļ‚āļ­āļ‡āļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒ (MITI) āļ•āđ‰āļ­āļ‡āļ­āļ­āļāļĄāļēāļĒāļ·āļ™āļĒāļąāļ™āļ§āđˆāļēāļāļģāļĨāļąāļ‡āļŠāļ­āļšāļŠāļ§āļ™āļĢāđˆāļ§āļĄāļāļąāļšāļŦāļ™āđˆāļ§āļĒāļ‡āļēāļ™āļ­āļ·āđˆāļ™ āđ† āđ€āļžāļ·āđˆāļ­āļ”āļđāļ§āđˆāļēāđ€āļ‚āđ‰āļēāļ‚āđˆāļēāļĒāļĨāļ°āđ€āļĄāļīāļ”āļāļŽāļŦāļĄāļēāļĒāļŦāļĢāļ·āļ­āđ„āļĄāđˆ ✅ āļāļĢāļ°āļ—āļĢāļ§āļ‡āļāļēāļĢāļ„āđ‰āļēāđāļĨāļ°āļāļēāļĢāļĨāļ‡āļ—āļļāļ™āļ‚āļ­āļ‡āļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒ (MITI) āļāļģāļĨāļąāļ‡āļŠāļ­āļšāļŠāļ§āļ™āļāļĢāļ“āļĩāļšāļĢāļīāļĐāļąāļ—āļˆāļĩāļ™āđƒāļŠāđ‰ GPU Nvidia āļœāđˆāļēāļ™ data center āđƒāļ™āļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒ   • āđ€āļ›āđ‡āļ™āļāļēāļĢāđ€āļŠāđˆāļēāđ€āļ‹āļīāļĢāđŒāļŸāđ€āļ§āļ­āļĢāđŒāđ€āļžāļ·āđˆāļ­ train AI āđ‚āļ”āļĒāđ„āļĄāđˆāđ„āļ”āđ‰āļ„āļĢāļ­āļšāļ„āļĢāļ­āļ‡āļŪāļēāļĢāđŒāļ”āđāļ§āļĢāđŒāđ‚āļ”āļĒāļ•āļĢāļ‡   • āļĒāļąāļ‡āđ„āļĄāđˆāļžāļšāļāļēāļĢāļĨāļ°āđ€āļĄāļīāļ”āļāļŽāļŦāļĄāļēāļĒāđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻ āļ“ āđ€āļ§āļĨāļēāļ™āļĩāđ‰ ✅ āļĄāļĩāļĢāļēāļĒāļ‡āļēāļ™āļ§āđˆāļēāļŠāļēāļ§āļˆāļĩāļ™ 4 āļ„āļ™āļ‚āļ™ HDD āļŦāļĨāļēāļĒāļŠāļīāļšāđ€āļ—āļĢāļēāđ„āļšāļ•āđŒāđ€āļ‚āđ‰āļēāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ—āļĩāđˆāđ€āļŠāđˆāļēāđ„āļ§āđ‰āđƒāļ™āļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒ   • āļāļķāļāđ‚āļĄāđ€āļ”āļĨ AI āļšāļ™āđ€āļ‹āļīāļĢāđŒāļŸāđ€āļ§āļ­āļĢāđŒāļ—āļĩāđˆāđƒāļŠāđ‰ Nvidia GPU ~2,400 āļ•āļąāļ§   • GPU āđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰āļ™āđˆāļēāļˆāļ°āđ€āļ›āđ‡āļ™ H100 āļŦāļĢāļ·āļ­āļĢāļļāđˆāļ™āļ—āļĩāđˆāļŠāļŦāļĢāļąāļāļŦāđ‰āļēāļĄāļŠāđˆāļ‡āļ­āļ­āļāđ„āļ›āļĒāļąāļ‡āļˆāļĩāļ™ âœ… āļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒāđ„āļĄāđˆāđ„āļ”āđ‰āļ­āļĒāļđāđˆāļ āļēāļĒāđƒāļ•āđ‰āļĄāļēāļ•āļĢāļāļēāļĢāļ„āļ§āļšāļ„āļļāļĄāļāļēāļĢāļŠāđˆāļ‡āļ­āļ­āļāļ‚āļ­āļ‡āļŠāļŦāļĢāļąāļ   • āļ—āļģāđƒāļŦāđ‰āļšāļĢāļīāļĐāļąāļ—āđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻāļŠāļēāļĄāļēāļĢāļ–āļ™āļģāđ€āļ‚āđ‰āļē GPU āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļ–āļđāļāļāļŽāļŦāļĄāļēāļĒ   • āđāļ•āđˆāļ–āđ‰āļēāļĄāļĩāļāļēāļĢ “āļ™āļģ GPU āđ„āļ›āđƒāļŦāđ‰āļˆāļĩāļ™āđƒāļŠāđ‰āļ—āļēāļ‡āļ­āđ‰āļ­āļĄ” āļāđ‡āļ­āļēāļˆāļĨāļ°āđ€āļĄāļīāļ”āļāļŽāļ‚āļ­āļ‡āļŠāļŦāļĢāļąāļāļŊ ✅ āļŦāļ™āđˆāļ§āļĒāļ‡āļēāļ™āļ”āđ‰āļēāļ™āļāļēāļĢāļ„āđ‰āļēāđƒāļ™āļŠāļŦāļĢāļąāļāļŊ āđ€āļ„āļĒāļĢāđ‰āļ­āļ‡āļ‚āļ­āđƒāļŦāđ‰āļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒāļ•āļĢāļ§āļˆāļŠāļ­āļšāļ—āļļāļ shipment āļ—āļĩāđˆāļ­āļēāļˆāđ€āļāļĩāđˆāļĒāļ§āļ‚āđ‰āļ­āļ‡āļāļąāļš GPU āļ‚āļąāđ‰āļ™āļŠāļđāļ‡   • āļŦāļĨāļąāļ‡āļžāļšāļ§āđˆāļēāđƒāļ™āļ›āļĩ 2025 āļāļēāļĢāļ™āļģāđ€āļ‚āđ‰āļēāđ€āļ‹āļīāļĢāđŒāļŸāđ€āļ§āļ­āļĢāđŒ AI āļˆāļēāļāđ„āļ•āđ‰āļŦāļ§āļąāļ™āđ„āļ›āļĒāļąāļ‡āļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒ “āļžāļļāđˆāļ‡āļ‚āļķāđ‰āļ™āļ–āļķāļ‡ 3,400%” ✅ āļšāļĢāļīāļĐāļąāļ—āļˆāļĩāļ™āļ—āļĩāđˆāđƒāļŠāđ‰āļšāļĢāļīāļāļēāļĢāđ€āļŠāđˆāļēāļĢāļ°āļĒāļ°āđ„āļāļĨāđāļšāļšāļ™āļĩāđ‰ āļ­āļēāļˆāđ€āļĨāļĩāđˆāļĒāļ‡āļ‚āđ‰āļ­āļŦāđ‰āļēāļĄāļŠāļŦāļĢāļąāļāļŊ āđ„āļ”āđ‰āļŠāļąāđˆāļ§āļ„āļĢāļēāļ§āđ‚āļ”āļĒāđ„āļĄāđˆāļ‹āļ·āđ‰āļ­āļ•āļĢāļ‡   • āđ€āļĢāļĩāļĒāļāļ§āđˆāļēāđƒāļŠāđ‰ “compute-as-a-service” āđāļšāļšāļŦāļĨāļšāđ€āļĨāļĩāđˆāļĒāļ‡ â€žïļ āļĒāļąāļ‡āđ„āļĄāđˆāđāļ™āđˆāļŠāļąāļ”āļ§āđˆāļēāļāļĢāļ“āļĩāļ™āļĩāđ‰āļˆāļ°āđ€āļ‚āđ‰āļēāļ‚āđˆāļēāļĒ “āļĨāļ°āđ€āļĄāļīāļ”āļĄāļēāļ•āļĢāļāļēāļĢāļ‚āļ­āļ‡āļŠāļŦāļĢāļąāļāļŊ” āļŦāļĢāļ·āļ­āđ„āļĄāđˆ āđ€āļžāļĢāļēāļ°āđ„āļĄāđˆāđ„āļ”āđ‰āļŠāđˆāļ‡āļĄāļ­āļšāļŪāļēāļĢāđŒāļ”āđāļ§āļĢāđŒāđ„āļ›āļˆāļĩāļ™āđ‚āļ”āļĒāļ•āļĢāļ‡   • āļŦāļēāļāļŠāļŦāļĢāļąāļāļĄāļ­āļ‡āļ§āđˆāļē “āļāļēāļĢāđƒāļŦāđ‰āļ„āļ™āļˆāļĩāļ™āđ€āļ‚āđ‰āļēāļ–āļķāļ‡ compute” āļ–āļ·āļ­āļ§āđˆāļēāđ€āļ‚āđ‰āļēāļ‚āđˆāļēāļĒ āļāđ‡āļ­āļēāļˆāļŠāļĢāđ‰āļēāļ‡āđāļĢāļ‡āļāļ”āļ”āļąāļ™āļ•āđˆāļ­āļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒāđƒāļ™āļ­āļ™āļēāļ„āļ• â€žïļ āļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒāļ­āļēāļˆāļ–āļđāļāļˆāļąāļšāļ•āļēāļˆāļēāļāļĢāļąāļāļšāļēāļĨāļŠāļŦāļĢāļąāļāļŊ āļŦāļēāļāļžāļšāļ§āđˆāļēāđ€āļ›āđ‡āļ™āļˆāļļāļ”āļœāđˆāļēāļ™āļ‚āļ­āļ‡āļāļēāļĢ “āļĨāļąāļāļĨāļ­āļšāđƒāļŠāđ‰ GPU āļ—āļĩāđˆāļ„āļ§āļšāļ„āļļāļĄāļ­āļĒāļđāđˆ”   • āļŠāđˆāļ‡āļœāļĨāļ•āđˆāļ­āļ āļēāļžāļĨāļąāļāļĐāļ“āđŒāļ”āđ‰āļēāļ™āļ„āļ§āļēāļĄāļĢāđˆāļ§āļĄāļĄāļ·āļ­āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāđƒāļ™āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩ AI ‾ïļ āļœāļđāđ‰āđƒāļŦāđ‰āļšāļĢāļīāļāļēāļĢ data center āđƒāļ™āļ āļđāļĄāļīāļ āļēāļ„āļ­āļēāđ€āļ‹āļĩāļĒāļ™āļ­āļēāļˆāļ•āđ‰āļ­āļ‡āđ€āļœāļŠāļīāļāđāļĢāļ‡āļāļ”āļ”āļąāļ™āđ€āļŠāđˆāļ™āđ€āļ”āļĩāļĒāļ§āļāļąāļ™   • āļŦāļēāļāđ„āļĄāđˆāļĄāļĩāļĢāļ°āļšāļš “āļ•āļĢāļ§āļˆāļŠāļ­āļšāđāļŦāļĨāđˆāļ‡āļ‚āđ‰āļ­āļĄāļđāļĨāļĨāļđāļāļ„āđ‰āļē” āļ­āļēāļˆāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļŠāđˆāļ­āļ‡āđ‚āļŦāļ§āđˆāđƒāļŦāđ‰āļāđˆāļēāļĒāļ•āđˆāļēāļ‡ āđ† āđƒāļŠāđ‰āļŦāļĨāļšāļĄāļēāļ•āļĢāļāļēāļĢ â€žïļ āļāļĢāļ“āļĩāļ™āļĩāđ‰āļŠāļ°āļ—āđ‰āļ­āļ™āļ§āđˆāļēāđāļĄāđ‰āļĄāļēāļ•āļĢāļāļēāļĢāļ„āļ§āļšāļ„āļļāļĄ GPU āļˆāļ°āļĢāļļāļ™āđāļĢāļ‡ āđāļ•āđˆāļˆāļĩāļ™āļĒāļąāļ‡āļ„āļ‡āļŦāļēāļ§āļīāļ˜āļĩāđ€āļ‚āđ‰āļēāļ–āļķāļ‡āļ—āļĢāļąāļžāļĒāļēāļāļĢ AI āđ„āļ”āđ‰āļ­āļĒāļđāđˆāļ”āļĩ   • āđ€āļŠāđˆāļ™āđ€āļ”āļĩāļĒāļ§āļāļąāļšāļāļĢāļ“āļĩāļāđˆāļ­āļ™āļŦāļ™āđ‰āļēāļ™āļĩāđ‰āļ—āļĩāđˆāļĄāļĩāļ‚āđˆāļēāļ§āļĨāļ­āļšāļ‚āļ™ GPU āļœāđˆāļēāļ™ “āļāļļāđ‰ā āđāļĨāļ° “āļ‹āļīāļĨāļīāđ‚āļ„āļ™āļŦāļ™āđ‰āļēāļ—āđ‰āļ­āļ‡āļ›āļĨāļ­āļĄ” https://www.tomshardware.com/tech-industry/artificial-intelligence/malaysia-investigates-chinese-use-of-nvidia-powered-servers-in-the-country-trade-minister-verifying-reports-of-possible-regulation-breach-following-reports-of-smuggled-hard-drives-and-server-rentals
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  • From Trainee To Bias: The Big 16 K-Pop Slang Terms To Know

    K-pop is the name of a pop music sensation that originated in South Korea and is sweeping the globe. From its energetic choreography and music to the beauty of its idols, K-pop (or K for Korea combined with pop) has entranced international and Korean fans alike—and chances are you’ve heard it, hummed it, or danced to it. (Did you catch BTS’ “Friends” playing in the Marvel movie Eternals? And who knew Clifford the Dog was also a K-pop stan? At least, his trailer made it seem so.)

    Emerging from the 1990s, K-pop has created a unique fandom culture along the way. Fans have indulged fully in this media, creating their own celebrations, traditions, and—of course—slang. All of this can overwhelm the casual listener trying out K-pop sounds, and I have to admit, I once thought this fandom was a little over the top. But I’ve since been won over—after all, being a fan of a group like Red Velvet is no different from being a fan of Ariana Grande.

    To get you started, I am providing a short guide to K-pop’s complex terminology. Whether you’re interested in K-pop, saw BTS on the news, or have friends who listen to all of the above, here are a few terms to know.

    Please note: these words are used mainly by English-speaking international fans and are found across fan Twitters, Instagrams, TikToks and Tumblrs.

    bias
    In K-pop slang, a bias is a member in a group that you like or relate to the most. K-pop fans collect merchandise—for example, photocards (more on that later)—of their biases. Fans use this term to learn more about other fans.

    Example: Who is your Twice bias? (And you’d answer with your favorite.)

    biaswrecker
    Although fans have their fundamental biases, it doesn’t mean that a bias is monogamous. Most fans with biases will have their biaswreckers, too. These wreckers are members in a group that make you question who your true bias is.

    sasaeng
    One group of people widely looked down upon are sasaengs (ė‚ŽėƒíŒŽ) or sasaeng fans. This slang derives from a Korean word (sa for “private” and saeng for “life”) that refers to an obsessive fan who stalks or otherwise violates the privacy of a Korean idol. Sasaengs tend to own fan pages, and some say they operate much like the American tabloids of the 2000s.

    comeback
    When an idol group releases new music, it’s called a comeback. Comebacks usually take place every few months and include new promotions, hair colors, styles, music, etc. Era is another word used in this fandom to describe a comeback.

    Example: Did you hear that BTS are having a comeback in June?

    nugu
    This word literally means “Who?” in Korean, and is used by fans to describe small and relatively unknown idol groups. A group like IVE would not be described as a nugu (누ęĩŽ) but the girl group Weki Meki would.

    visual
    In K-pop, there are roles for each idol in a group, including a role as visual. The visual role is assigned by the company to the member or members in a group who best fit a strict Korean beauty standard. Fans also debate who they believe the visual to be in each group. For example, Jin is the official visual of the group BTS, but many consider Taehyung to fit the role. This harsh beauty standard prizes small facial features, cuteness, and specific measurements of the face, body, eyes, and much more.

    aegyo
    Aegyo (ė• ęĩ) can be used to describe K-pop idols (both male and female) who are acting cute and childlike. Aegyo moves require specific word choices, vocal tones, and both facial and body gestures. Aegyo (often translated as “cuteness”) is usually meant to show a flirtatious side of idols and is also used by the general Korean population.

    Example: The judges made Felix do aegyo as a punishment for losing the game.

    maknae
    Another Korean word that has been adopted into international fan spaces is maknae (막ë‚ī) or “youngest person.” This slang is used to describe the youngest member of a group. The term maknae, much like visual, is a role a member takes on.

    trainee
    When an idol is training before they debut, they are considered a trainee. These trainees usually take part in promotions, trying to gain popularity before their debut. Trainees typically are under contract and fulfill years of rigorous training to be able to match the abilities of many idols you see today.

    subunit
    In some idol groups subunits are formed. These units comprise a few members in a group who create their own music or albums. Some groups, such as LOONA and NCT, use subunits as their concept. This term can also describe two or three members in a group who have a similar skill or talent (like a vocal or dance unit).

    antis
    Anti or anti-fan is used to describe people who hate an artist or group so much that they seem to follow their activities and content as much or more than a fan would. Some of these antis display sasaeng behavior, dedicating themselves completely to taking down or hate speech idols. These hate campaigns contain criticizing and insulting language. Shockingly, some antis have gone so far as hurting idols in real life.

    delulu
    This term is short for delusional, and it’s used to mock fans who believe they’ll date, marry, or befriend their favorite idol. The word can describe a fan who devotes an unhealthy amount of time and energy to an idol. You could say becoming a delulu is a first step on the pipeline towards sasaeng and usually includes behavior similar to said sasaeng.

    Example: Did you see that guy talking about how he and Nayeon are dating? He’s such a delulu.

    solo stan
    When a fan of an idol group only stans a single member, they are a self-proclaimed solo stan or are labeled as such by others in the community. A solo stan might hate other members in a group, which is why the term has a negative connotation in the community. The word solo stan also can describe someone who’s a fan of a singular idol (like Sunmi or IU) who does not participate in idol groups.

    photocard
    Photocards (or pocas or PCs) are typically 3” by 2” pieces of glossy paper photos included in a K-pop albums and prized by fans. They may not sound like much to the average joe, but to the average Jimin fan, these pictures are worth hundreds to thousands of dollars.

    the Big 3
    In Korea, idols are contracted under companies. The Big 3 describes the main three corporations that famous idols usually sign under. These three companies are HYBE Entertainment (previously known as BigHit Entertainment), with groups like BTS and TXT; SM Entertainment, with groups like Girls Generation and Aespa; and YG Entertainment, producing groups like BLACKPINK and iKON. The Big 3 not only produce idols but also sign and manage actors. JYP Entertainment can also be considered as part of the Big 3 (HYBE is a relative newcomer to the list), leading some to use the term “Big 4.”

    netizen
    The term netizen does generally mean an internet user, but it’s used in K-pop to refer to Korean fans who are online intensively. These fans or anti-fans are internet sleuths and usually the ones to create scandals and/or help in proving rumors wrong or right about specific idols. Netizens (or also K-netizens) hold power in the idol industry; companies want these internet personas to view their idols in a positive light and do their best to prevent scandals that might mobilize netizens.

    ÂĐ 2025, Aakkhra, All rights reserved.
    From Trainee To Bias: The Big 16 K-Pop Slang Terms To Know K-pop is the name of a pop music sensation that originated in South Korea and is sweeping the globe. From its energetic choreography and music to the beauty of its idols, K-pop (or K for Korea combined with pop) has entranced international and Korean fans alike—and chances are you’ve heard it, hummed it, or danced to it. (Did you catch BTS’ “Friends” playing in the Marvel movie Eternals? And who knew Clifford the Dog was also a K-pop stan? At least, his trailer made it seem so.) Emerging from the 1990s, K-pop has created a unique fandom culture along the way. Fans have indulged fully in this media, creating their own celebrations, traditions, and—of course—slang. All of this can overwhelm the casual listener trying out K-pop sounds, and I have to admit, I once thought this fandom was a little over the top. But I’ve since been won over—after all, being a fan of a group like Red Velvet is no different from being a fan of Ariana Grande. To get you started, I am providing a short guide to K-pop’s complex terminology. Whether you’re interested in K-pop, saw BTS on the news, or have friends who listen to all of the above, here are a few terms to know. Please note: these words are used mainly by English-speaking international fans and are found across fan Twitters, Instagrams, TikToks and Tumblrs. bias In K-pop slang, a bias is a member in a group that you like or relate to the most. K-pop fans collect merchandise—for example, photocards (more on that later)—of their biases. Fans use this term to learn more about other fans. Example: Who is your Twice bias? (And you’d answer with your favorite.) biaswrecker Although fans have their fundamental biases, it doesn’t mean that a bias is monogamous. Most fans with biases will have their biaswreckers, too. These wreckers are members in a group that make you question who your true bias is. sasaeng One group of people widely looked down upon are sasaengs (ė‚ŽėƒíŒŽ) or sasaeng fans. This slang derives from a Korean word (sa for “private” and saeng for “life”) that refers to an obsessive fan who stalks or otherwise violates the privacy of a Korean idol. Sasaengs tend to own fan pages, and some say they operate much like the American tabloids of the 2000s. comeback When an idol group releases new music, it’s called a comeback. Comebacks usually take place every few months and include new promotions, hair colors, styles, music, etc. Era is another word used in this fandom to describe a comeback. Example: Did you hear that BTS are having a comeback in June? nugu This word literally means “Who?” in Korean, and is used by fans to describe small and relatively unknown idol groups. A group like IVE would not be described as a nugu (누ęĩŽ) but the girl group Weki Meki would. visual In K-pop, there are roles for each idol in a group, including a role as visual. The visual role is assigned by the company to the member or members in a group who best fit a strict Korean beauty standard. Fans also debate who they believe the visual to be in each group. For example, Jin is the official visual of the group BTS, but many consider Taehyung to fit the role. This harsh beauty standard prizes small facial features, cuteness, and specific measurements of the face, body, eyes, and much more. aegyo Aegyo (ė• ęĩ) can be used to describe K-pop idols (both male and female) who are acting cute and childlike. Aegyo moves require specific word choices, vocal tones, and both facial and body gestures. Aegyo (often translated as “cuteness”) is usually meant to show a flirtatious side of idols and is also used by the general Korean population. Example: The judges made Felix do aegyo as a punishment for losing the game. maknae Another Korean word that has been adopted into international fan spaces is maknae (막ë‚ī) or “youngest person.” This slang is used to describe the youngest member of a group. The term maknae, much like visual, is a role a member takes on. trainee When an idol is training before they debut, they are considered a trainee. These trainees usually take part in promotions, trying to gain popularity before their debut. Trainees typically are under contract and fulfill years of rigorous training to be able to match the abilities of many idols you see today. subunit In some idol groups subunits are formed. These units comprise a few members in a group who create their own music or albums. Some groups, such as LOONA and NCT, use subunits as their concept. This term can also describe two or three members in a group who have a similar skill or talent (like a vocal or dance unit). antis Anti or anti-fan is used to describe people who hate an artist or group so much that they seem to follow their activities and content as much or more than a fan would. Some of these antis display sasaeng behavior, dedicating themselves completely to taking down or hate speech idols. These hate campaigns contain criticizing and insulting language. Shockingly, some antis have gone so far as hurting idols in real life. delulu This term is short for delusional, and it’s used to mock fans who believe they’ll date, marry, or befriend their favorite idol. The word can describe a fan who devotes an unhealthy amount of time and energy to an idol. You could say becoming a delulu is a first step on the pipeline towards sasaeng and usually includes behavior similar to said sasaeng. Example: Did you see that guy talking about how he and Nayeon are dating? He’s such a delulu. solo stan When a fan of an idol group only stans a single member, they are a self-proclaimed solo stan or are labeled as such by others in the community. A solo stan might hate other members in a group, which is why the term has a negative connotation in the community. The word solo stan also can describe someone who’s a fan of a singular idol (like Sunmi or IU) who does not participate in idol groups. photocard Photocards (or pocas or PCs) are typically 3” by 2” pieces of glossy paper photos included in a K-pop albums and prized by fans. They may not sound like much to the average joe, but to the average Jimin fan, these pictures are worth hundreds to thousands of dollars. the Big 3 In Korea, idols are contracted under companies. The Big 3 describes the main three corporations that famous idols usually sign under. These three companies are HYBE Entertainment (previously known as BigHit Entertainment), with groups like BTS and TXT; SM Entertainment, with groups like Girls Generation and Aespa; and YG Entertainment, producing groups like BLACKPINK and iKON. The Big 3 not only produce idols but also sign and manage actors. JYP Entertainment can also be considered as part of the Big 3 (HYBE is a relative newcomer to the list), leading some to use the term “Big 4.” netizen The term netizen does generally mean an internet user, but it’s used in K-pop to refer to Korean fans who are online intensively. These fans or anti-fans are internet sleuths and usually the ones to create scandals and/or help in proving rumors wrong or right about specific idols. Netizens (or also K-netizens) hold power in the idol industry; companies want these internet personas to view their idols in a positive light and do their best to prevent scandals that might mobilize netizens. © 2025, Aakkhra, All rights reserved.
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  • Asus āđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āļĢāļĩāđ€āļ‹āđ‡āļ•āđ‚āļĢāļ‡āļ‡āļēāļ™āđāļĨāļ°āļ•āļąāđ‰āļ‡āļĢāļŦāļąāļŠāļœāđˆāļēāļ™āļ—āļĩāđˆāđāļ‚āđ‡āļ‡āđāļāļĢāđˆāļ‡ āļŦāļĨāļąāļ‡āļžāļšāļāļēāļĢāđ‚āļˆāļĄāļ•āļĩāļˆāļēāļāļšāđ‡āļ­āļ•āđ€āļ™āđ‡āļ•
    Asus āđ„āļ”āđ‰āļ­āļ­āļāļ„āļģāđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āļœāļđāđ‰āđƒāļŠāđ‰ āļĢāļĩāđ€āļ‹āđ‡āļ•āđ‚āļĢāļ‡āļ‡āļēāļ™āđāļĨāļ°āļ•āļąāđ‰āļ‡āļĢāļŦāļąāļŠāļœāđˆāļēāļ™āļ—āļĩāđˆāđāļ‚āđ‡āļ‡āđāļāļĢāđˆāļ‡ āļŦāļĨāļąāļ‡āļˆāļēāļāļžāļšāļ§āđˆāļē āļšāđ‡āļ­āļ•āđ€āļ™āđ‡āļ• AyySSHush āđ„āļ”āđ‰āđ€āļˆāļēāļ°āļĢāļ°āļšāļšāļ‚āļ­āļ‡āđ€āļĢāļēāđ€āļ•āļ­āļĢāđŒāļāļ§āđˆāļē 9,000 āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ—āļąāđˆāļ§āđ‚āļĨāļ āđ‚āļ”āļĒāđƒāļŠāđ‰āļŠāđˆāļ­āļ‡āđ‚āļŦāļ§āđˆ CVE-2023-39780 āļ‹āļķāđˆāļ‡āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āđāļŪāļāđ€āļāļ­āļĢāđŒāļŠāļēāļĄāļēāļĢāļ– āđ€āļ‚āđ‰āļēāļ–āļķāļ‡āļ­āļļāļ›āļāļĢāļ“āđŒāđ„āļ”āđ‰āđāļĄāđ‰āļˆāļ°āļĄāļĩāļāļēāļĢāļ­āļąāļ›āđ€āļ”āļ•āđ€āļŸāļīāļĢāđŒāļĄāđāļ§āļĢāđŒāđāļĨāđ‰āļ§āļāđ‡āļ•āļēāļĄ

    āļšāđ‡āļ­āļ•āđ€āļ™āđ‡āļ•āļ™āļĩāđ‰āđƒāļŠāđ‰ āļŠāđˆāļ­āļ‡āđ‚āļŦāļ§āđˆ Command Injection āđ€āļžāļ·āđˆāļ­āđ€āļ›āļīāļ”āđƒāļŠāđ‰āļ‡āļēāļ™ SSH āļšāļ™āļžāļ­āļĢāđŒāļ•āļ—āļĩāđˆāđ„āļĄāđˆāđ„āļ”āđ‰āļĄāļēāļ•āļĢāļāļēāļ™ (TCP 53282) āđāļĨāļ° āđāļ—āļĢāļāļ„āļĩāļĒāđŒ SSH āļ‚āļ­āļ‡āđāļŪāļāđ€āļāļ­āļĢāđŒāļĨāļ‡āđƒāļ™āļāļēāļĢāļ•āļąāđ‰āļ‡āļ„āđˆāļēāļ‚āļ­āļ‡āđ€āļĢāļēāđ€āļ•āļ­āļĢāđŒ āļ‹āļķāđˆāļ‡āļ—āļģāđƒāļŦāđ‰ āļāļēāļĢāđ€āļ‚āđ‰āļēāļ–āļķāļ‡āļĒāļąāļ‡āļ„āļ‡āļ­āļĒāļđāđˆāđāļĄāđ‰āļˆāļ°āļĄāļĩāļāļēāļĢāļ­āļąāļ›āđ€āļ”āļ•āđ€āļŸāļīāļĢāđŒāļĄāđāļ§āļĢāđŒāļŦāļĢāļ·āļ­āļĢāļĩāļšāļđāļ•āļ­āļļāļ›āļāļĢāļ“āđŒ

    āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ āđāļŪāļāđ€āļāļ­āļĢāđŒāļĒāļąāļ‡āļ›āļīāļ”āļĢāļ°āļšāļšāļĨāđ‡āļ­āļāđāļĨāļ°āļŸāļĩāđ€āļˆāļ­āļĢāđŒāļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒ āđ€āļžāļ·āđˆāļ­āļŦāļĨāļĩāļāđ€āļĨāļĩāđˆāļĒāļ‡āļāļēāļĢāļ•āļĢāļ§āļˆāļˆāļąāļš āļ—āļģāđƒāļŦāđ‰āļŠāļēāļĄāļēāļĢāļ– āļ„āļ§āļšāļ„āļļāļĄāđ€āļĢāļēāđ€āļ•āļ­āļĢāđŒāđ„āļ”āđ‰āđƒāļ™āļĢāļ°āļĒāļ°āļĒāļēāļ§āđ‚āļ”āļĒāđ„āļĄāđˆāļ–āļđāļāļ•āļĢāļ§āļˆāļžāļš

    āļ‚āđ‰āļ­āļĄāļđāļĨāļˆāļēāļāļ‚āđˆāļēāļ§
    - Asus āļžāļšāļ§āđˆāļēāđ€āļĢāļēāđ€āļ•āļ­āļĢāđŒāļāļ§āđˆāļē 9,000 āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ–āļđāļāđ‚āļˆāļĄāļ•āļĩāđ‚āļ”āļĒāļšāđ‡āļ­āļ•āđ€āļ™āđ‡āļ• AyySSHush
    - āļŠāđˆāļ­āļ‡āđ‚āļŦāļ§āđˆ CVE-2023-39780 āļ–āļđāļāđƒāļŠāđ‰āđ€āļžāļ·āđˆāļ­āđ€āļ›āļīāļ” SSH āļšāļ™āļžāļ­āļĢāđŒāļ• TCP 53282
    - āđāļŪāļāđ€āļāļ­āļĢāđŒāđāļ—āļĢāļāļ„āļĩāļĒāđŒ SSH āļĨāļ‡āđƒāļ™āļāļēāļĢāļ•āļąāđ‰āļ‡āļ„āđˆāļēāļ‚āļ­āļ‡āđ€āļĢāļēāđ€āļ•āļ­āļĢāđŒ āļ—āļģāđƒāļŦāđ‰āļāļēāļĢāđ€āļ‚āđ‰āļēāļ–āļķāļ‡āļĒāļąāļ‡āļ„āļ‡āļ­āļĒāļđāđˆāđāļĄāđ‰āļˆāļ°āļ­āļąāļ›āđ€āļ”āļ•āđ€āļŸāļīāļĢāđŒāļĄāđāļ§āļĢāđŒāđāļĨāđ‰āļ§
    - āđāļŪāļāđ€āļāļ­āļĢāđŒāļ›āļīāļ”āļĢāļ°āļšāļšāļĨāđ‡āļ­āļāđāļĨāļ°āļŸāļĩāđ€āļˆāļ­āļĢāđŒāļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒāđ€āļžāļ·āđˆāļ­āļŦāļĨāļĩāļāđ€āļĨāļĩāđˆāļĒāļ‡āļāļēāļĢāļ•āļĢāļ§āļˆāļˆāļąāļš
    - Asus āđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āļĢāļĩāđ€āļ‹āđ‡āļ•āđ‚āļĢāļ‡āļ‡āļēāļ™āđāļĨāļ°āļ•āļąāđ‰āļ‡āļĢāļŦāļąāļŠāļœāđˆāļēāļ™āļ—āļĩāđˆāđāļ‚āđ‡āļ‡āđāļāļĢāđˆāļ‡āđ€āļžāļ·āđˆāļ­āļ›āđ‰āļ­āļ‡āļāļąāļ™āļāļēāļĢāđ‚āļˆāļĄāļ•āļĩ

    āļ„āļģāđ€āļ•āļ·āļ­āļ™āļ—āļĩāđˆāļ„āļ§āļĢāļžāļīāļˆāļēāļĢāļ“āļē
    - āļāļēāļĢāļ­āļąāļ›āđ€āļ”āļ•āđ€āļŸāļīāļĢāđŒāļĄāđāļ§āļĢāđŒāđ€āļžāļĩāļĒāļ‡āļ­āļĒāđˆāļēāļ‡āđ€āļ”āļĩāļĒāļ§āđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āļĨāļšāļŠāđˆāļ­āļ‡āđ‚āļŦāļ§āđˆāđ„āļ”āđ‰ āļŦāļēāļāđ€āļĢāļēāđ€āļ•āļ­āļĢāđŒāļ–āļđāļāđ‚āļˆāļĄāļ•āļĩāđāļĨāđ‰āļ§
    - āļœāļđāđ‰āđƒāļŠāđ‰āļ„āļ§āļĢāļ•āļĢāļ§āļˆāļŠāļ­āļšāļĨāđ‡āļ­āļāļ‚āļ­āļ‡āđ€āļĢāļēāđ€āļ•āļ­āļĢāđŒāđ€āļžāļ·āđˆāļ­āļ”āļđāļ§āđˆāļēāļĄāļĩāļāļēāļĢāļžāļĒāļēāļĒāļēāļĄāļĨāđ‡āļ­āļāļ­āļīāļ™āļœāļīāļ”āļžāļĨāļēāļ”āļŦāļĢāļ·āļ­āđ„āļĄāđˆ
    - āđ€āļĢāļēāđ€āļ•āļ­āļĢāđŒāļ—āļĩāđˆāļŦāļĄāļ”āļ­āļēāļĒāļļāļāļēāļĢāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āļ„āļ§āļĢāļ•āļīāļ”āļ•āļąāđ‰āļ‡āđ€āļŸāļīāļĢāđŒāļĄāđāļ§āļĢāđŒāļĨāđˆāļēāļŠāļļāļ”āđāļĨāļ°āļ›āļīāļ”āļāļēāļĢāđ€āļ‚āđ‰āļēāļ–āļķāļ‡āļĢāļ°āļĒāļ°āđ„āļāļĨ
    - āļ•āđ‰āļ­āļ‡āļ•āļīāļ”āļ•āļēāļĄāļ§āđˆāļēāļšāđ‡āļ­āļ•āđ€āļ™āđ‡āļ•āļ™āļĩāđ‰āļˆāļ°āļžāļąāļ’āļ™āļēāđ€āļ—āļ„āļ™āļīāļ„āđƒāļŦāļĄāđˆāđ€āļžāļ·āđˆāļ­āļŦāļĨāļĩāļāđ€āļĨāļĩāđˆāļĒāļ‡āļāļēāļĢāļ›āđ‰āļ­āļ‡āļāļąāļ™āļŦāļĢāļ·āļ­āđ„āļĄāđˆ

    āļ§āļīāļ˜āļĩāļ›āđ‰āļ­āļ‡āļāļąāļ™āļāļēāļĢāđ‚āļˆāļĄāļ•āļĩ
    Asus āđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āļœāļđāđ‰āđƒāļŠāđ‰ āļ—āļģāļ•āļēāļĄāļ‚āļąāđ‰āļ™āļ•āļ­āļ™ 3 āļ‚āļąāđ‰āļ™āļ•āļ­āļ™āđ€āļžāļ·āđˆāļ­āļ›āđ‰āļ­āļ‡āļāļąāļ™āļāļēāļĢāđ‚āļˆāļĄāļ•āļĩ āđ„āļ”āđ‰āđāļāđˆ:

    1ïļâƒĢ āļ­āļąāļ›āđ€āļ”āļ•āđ€āļŸāļīāļĢāđŒāļĄāđāļ§āļĢāđŒāđ€āļ›āđ‡āļ™āđ€āļ§āļ­āļĢāđŒāļŠāļąāļ™āļĨāđˆāļēāļŠāļļāļ”
    2ïļâƒĢ āļĢāļĩāđ€āļ‹āđ‡āļ•āđ‚āļĢāļ‡āļ‡āļēāļ™āđ€āļžāļ·āđˆāļ­āļāļģāļˆāļąāļ”āļāļēāļĢāļ•āļąāđ‰āļ‡āļ„āđˆāļēāļ—āļĩāđˆāđ„āļĄāđˆāļžāļķāļ‡āļ›āļĢāļ°āļŠāļ‡āļ„āđŒ
    3ïļâƒĢ āļ•āļąāđ‰āļ‡āļĢāļŦāļąāļŠāļœāđˆāļēāļ™āļ—āļĩāđˆāđāļ‚āđ‡āļ‡āđāļāļĢāđˆāļ‡ āđ‚āļ”āļĒāđƒāļŠāđ‰āļ•āļąāļ§āļ­āļąāļāļĐāļĢāđƒāļŦāļāđˆ-āđ€āļĨāđ‡āļ, āļ•āļąāļ§āđ€āļĨāļ‚ āđāļĨāļ°āļŠāļąāļāļĨāļąāļāļĐāļ“āđŒ

    https://www.techspot.com/news/108218-asus-urges-factory-resets-strong-passwords-following-botnet.html
    🔒 Asus āđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āļĢāļĩāđ€āļ‹āđ‡āļ•āđ‚āļĢāļ‡āļ‡āļēāļ™āđāļĨāļ°āļ•āļąāđ‰āļ‡āļĢāļŦāļąāļŠāļœāđˆāļēāļ™āļ—āļĩāđˆāđāļ‚āđ‡āļ‡āđāļāļĢāđˆāļ‡ āļŦāļĨāļąāļ‡āļžāļšāļāļēāļĢāđ‚āļˆāļĄāļ•āļĩāļˆāļēāļāļšāđ‡āļ­āļ•āđ€āļ™āđ‡āļ• Asus āđ„āļ”āđ‰āļ­āļ­āļāļ„āļģāđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āļœāļđāđ‰āđƒāļŠāđ‰ āļĢāļĩāđ€āļ‹āđ‡āļ•āđ‚āļĢāļ‡āļ‡āļēāļ™āđāļĨāļ°āļ•āļąāđ‰āļ‡āļĢāļŦāļąāļŠāļœāđˆāļēāļ™āļ—āļĩāđˆāđāļ‚āđ‡āļ‡āđāļāļĢāđˆāļ‡ āļŦāļĨāļąāļ‡āļˆāļēāļāļžāļšāļ§āđˆāļē āļšāđ‡āļ­āļ•āđ€āļ™āđ‡āļ• AyySSHush āđ„āļ”āđ‰āđ€āļˆāļēāļ°āļĢāļ°āļšāļšāļ‚āļ­āļ‡āđ€āļĢāļēāđ€āļ•āļ­āļĢāđŒāļāļ§āđˆāļē 9,000 āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ—āļąāđˆāļ§āđ‚āļĨāļ āđ‚āļ”āļĒāđƒāļŠāđ‰āļŠāđˆāļ­āļ‡āđ‚āļŦāļ§āđˆ CVE-2023-39780 āļ‹āļķāđˆāļ‡āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āđāļŪāļāđ€āļāļ­āļĢāđŒāļŠāļēāļĄāļēāļĢāļ– āđ€āļ‚āđ‰āļēāļ–āļķāļ‡āļ­āļļāļ›āļāļĢāļ“āđŒāđ„āļ”āđ‰āđāļĄāđ‰āļˆāļ°āļĄāļĩāļāļēāļĢāļ­āļąāļ›āđ€āļ”āļ•āđ€āļŸāļīāļĢāđŒāļĄāđāļ§āļĢāđŒāđāļĨāđ‰āļ§āļāđ‡āļ•āļēāļĄ āļšāđ‡āļ­āļ•āđ€āļ™āđ‡āļ•āļ™āļĩāđ‰āđƒāļŠāđ‰ āļŠāđˆāļ­āļ‡āđ‚āļŦāļ§āđˆ Command Injection āđ€āļžāļ·āđˆāļ­āđ€āļ›āļīāļ”āđƒāļŠāđ‰āļ‡āļēāļ™ SSH āļšāļ™āļžāļ­āļĢāđŒāļ•āļ—āļĩāđˆāđ„āļĄāđˆāđ„āļ”āđ‰āļĄāļēāļ•āļĢāļāļēāļ™ (TCP 53282) āđāļĨāļ° āđāļ—āļĢāļāļ„āļĩāļĒāđŒ SSH āļ‚āļ­āļ‡āđāļŪāļāđ€āļāļ­āļĢāđŒāļĨāļ‡āđƒāļ™āļāļēāļĢāļ•āļąāđ‰āļ‡āļ„āđˆāļēāļ‚āļ­āļ‡āđ€āļĢāļēāđ€āļ•āļ­āļĢāđŒ āļ‹āļķāđˆāļ‡āļ—āļģāđƒāļŦāđ‰ āļāļēāļĢāđ€āļ‚āđ‰āļēāļ–āļķāļ‡āļĒāļąāļ‡āļ„āļ‡āļ­āļĒāļđāđˆāđāļĄāđ‰āļˆāļ°āļĄāļĩāļāļēāļĢāļ­āļąāļ›āđ€āļ”āļ•āđ€āļŸāļīāļĢāđŒāļĄāđāļ§āļĢāđŒāļŦāļĢāļ·āļ­āļĢāļĩāļšāļđāļ•āļ­āļļāļ›āļāļĢāļ“āđŒ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ āđāļŪāļāđ€āļāļ­āļĢāđŒāļĒāļąāļ‡āļ›āļīāļ”āļĢāļ°āļšāļšāļĨāđ‡āļ­āļāđāļĨāļ°āļŸāļĩāđ€āļˆāļ­āļĢāđŒāļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒ āđ€āļžāļ·āđˆāļ­āļŦāļĨāļĩāļāđ€āļĨāļĩāđˆāļĒāļ‡āļāļēāļĢāļ•āļĢāļ§āļˆāļˆāļąāļš āļ—āļģāđƒāļŦāđ‰āļŠāļēāļĄāļēāļĢāļ– āļ„āļ§āļšāļ„āļļāļĄāđ€āļĢāļēāđ€āļ•āļ­āļĢāđŒāđ„āļ”āđ‰āđƒāļ™āļĢāļ°āļĒāļ°āļĒāļēāļ§āđ‚āļ”āļĒāđ„āļĄāđˆāļ–āļđāļāļ•āļĢāļ§āļˆāļžāļš âœ… āļ‚āđ‰āļ­āļĄāļđāļĨāļˆāļēāļāļ‚āđˆāļēāļ§ - Asus āļžāļšāļ§āđˆāļēāđ€āļĢāļēāđ€āļ•āļ­āļĢāđŒāļāļ§āđˆāļē 9,000 āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ–āļđāļāđ‚āļˆāļĄāļ•āļĩāđ‚āļ”āļĒāļšāđ‡āļ­āļ•āđ€āļ™āđ‡āļ• AyySSHush - āļŠāđˆāļ­āļ‡āđ‚āļŦāļ§āđˆ CVE-2023-39780 āļ–āļđāļāđƒāļŠāđ‰āđ€āļžāļ·āđˆāļ­āđ€āļ›āļīāļ” SSH āļšāļ™āļžāļ­āļĢāđŒāļ• TCP 53282 - āđāļŪāļāđ€āļāļ­āļĢāđŒāđāļ—āļĢāļāļ„āļĩāļĒāđŒ SSH āļĨāļ‡āđƒāļ™āļāļēāļĢāļ•āļąāđ‰āļ‡āļ„āđˆāļēāļ‚āļ­āļ‡āđ€āļĢāļēāđ€āļ•āļ­āļĢāđŒ āļ—āļģāđƒāļŦāđ‰āļāļēāļĢāđ€āļ‚āđ‰āļēāļ–āļķāļ‡āļĒāļąāļ‡āļ„āļ‡āļ­āļĒāļđāđˆāđāļĄāđ‰āļˆāļ°āļ­āļąāļ›āđ€āļ”āļ•āđ€āļŸāļīāļĢāđŒāļĄāđāļ§āļĢāđŒāđāļĨāđ‰āļ§ - āđāļŪāļāđ€āļāļ­āļĢāđŒāļ›āļīāļ”āļĢāļ°āļšāļšāļĨāđ‡āļ­āļāđāļĨāļ°āļŸāļĩāđ€āļˆāļ­āļĢāđŒāļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒāđ€āļžāļ·āđˆāļ­āļŦāļĨāļĩāļāđ€āļĨāļĩāđˆāļĒāļ‡āļāļēāļĢāļ•āļĢāļ§āļˆāļˆāļąāļš - Asus āđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āļĢāļĩāđ€āļ‹āđ‡āļ•āđ‚āļĢāļ‡āļ‡āļēāļ™āđāļĨāļ°āļ•āļąāđ‰āļ‡āļĢāļŦāļąāļŠāļœāđˆāļēāļ™āļ—āļĩāđˆāđāļ‚āđ‡āļ‡āđāļāļĢāđˆāļ‡āđ€āļžāļ·āđˆāļ­āļ›āđ‰āļ­āļ‡āļāļąāļ™āļāļēāļĢāđ‚āļˆāļĄāļ•āļĩ ‾ïļ āļ„āļģāđ€āļ•āļ·āļ­āļ™āļ—āļĩāđˆāļ„āļ§āļĢāļžāļīāļˆāļēāļĢāļ“āļē - āļāļēāļĢāļ­āļąāļ›āđ€āļ”āļ•āđ€āļŸāļīāļĢāđŒāļĄāđāļ§āļĢāđŒāđ€āļžāļĩāļĒāļ‡āļ­āļĒāđˆāļēāļ‡āđ€āļ”āļĩāļĒāļ§āđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āļĨāļšāļŠāđˆāļ­āļ‡āđ‚āļŦāļ§āđˆāđ„āļ”āđ‰ āļŦāļēāļāđ€āļĢāļēāđ€āļ•āļ­āļĢāđŒāļ–āļđāļāđ‚āļˆāļĄāļ•āļĩāđāļĨāđ‰āļ§ - āļœāļđāđ‰āđƒāļŠāđ‰āļ„āļ§āļĢāļ•āļĢāļ§āļˆāļŠāļ­āļšāļĨāđ‡āļ­āļāļ‚āļ­āļ‡āđ€āļĢāļēāđ€āļ•āļ­āļĢāđŒāđ€āļžāļ·āđˆāļ­āļ”āļđāļ§āđˆāļēāļĄāļĩāļāļēāļĢāļžāļĒāļēāļĒāļēāļĄāļĨāđ‡āļ­āļāļ­āļīāļ™āļœāļīāļ”āļžāļĨāļēāļ”āļŦāļĢāļ·āļ­āđ„āļĄāđˆ - āđ€āļĢāļēāđ€āļ•āļ­āļĢāđŒāļ—āļĩāđˆāļŦāļĄāļ”āļ­āļēāļĒāļļāļāļēāļĢāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āļ„āļ§āļĢāļ•āļīāļ”āļ•āļąāđ‰āļ‡āđ€āļŸāļīāļĢāđŒāļĄāđāļ§āļĢāđŒāļĨāđˆāļēāļŠāļļāļ”āđāļĨāļ°āļ›āļīāļ”āļāļēāļĢāđ€āļ‚āđ‰āļēāļ–āļķāļ‡āļĢāļ°āļĒāļ°āđ„āļāļĨ - āļ•āđ‰āļ­āļ‡āļ•āļīāļ”āļ•āļēāļĄāļ§āđˆāļēāļšāđ‡āļ­āļ•āđ€āļ™āđ‡āļ•āļ™āļĩāđ‰āļˆāļ°āļžāļąāļ’āļ™āļēāđ€āļ—āļ„āļ™āļīāļ„āđƒāļŦāļĄāđˆāđ€āļžāļ·āđˆāļ­āļŦāļĨāļĩāļāđ€āļĨāļĩāđˆāļĒāļ‡āļāļēāļĢāļ›āđ‰āļ­āļ‡āļāļąāļ™āļŦāļĢāļ·āļ­āđ„āļĄāđˆ 🚀 āļ§āļīāļ˜āļĩāļ›āđ‰āļ­āļ‡āļāļąāļ™āļāļēāļĢāđ‚āļˆāļĄāļ•āļĩ Asus āđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āļœāļđāđ‰āđƒāļŠāđ‰ āļ—āļģāļ•āļēāļĄāļ‚āļąāđ‰āļ™āļ•āļ­āļ™ 3 āļ‚āļąāđ‰āļ™āļ•āļ­āļ™āđ€āļžāļ·āđˆāļ­āļ›āđ‰āļ­āļ‡āļāļąāļ™āļāļēāļĢāđ‚āļˆāļĄāļ•āļĩ āđ„āļ”āđ‰āđāļāđˆ: 1ïļâƒĢ āļ­āļąāļ›āđ€āļ”āļ•āđ€āļŸāļīāļĢāđŒāļĄāđāļ§āļĢāđŒāđ€āļ›āđ‡āļ™āđ€āļ§āļ­āļĢāđŒāļŠāļąāļ™āļĨāđˆāļēāļŠāļļāļ” 2ïļâƒĢ āļĢāļĩāđ€āļ‹āđ‡āļ•āđ‚āļĢāļ‡āļ‡āļēāļ™āđ€āļžāļ·āđˆāļ­āļāļģāļˆāļąāļ”āļāļēāļĢāļ•āļąāđ‰āļ‡āļ„āđˆāļēāļ—āļĩāđˆāđ„āļĄāđˆāļžāļķāļ‡āļ›āļĢāļ°āļŠāļ‡āļ„āđŒ 3ïļâƒĢ āļ•āļąāđ‰āļ‡āļĢāļŦāļąāļŠāļœāđˆāļēāļ™āļ—āļĩāđˆāđāļ‚āđ‡āļ‡āđāļāļĢāđˆāļ‡ āđ‚āļ”āļĒāđƒāļŠāđ‰āļ•āļąāļ§āļ­āļąāļāļĐāļĢāđƒāļŦāļāđˆ-āđ€āļĨāđ‡āļ, āļ•āļąāļ§āđ€āļĨāļ‚ āđāļĨāļ°āļŠāļąāļāļĨāļąāļāļĐāļ“āđŒ https://www.techspot.com/news/108218-asus-urges-factory-resets-strong-passwords-following-botnet.html
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    Asus urges factory resets and strong passwords following botnet breach
    The company's guidance follows the discovery of a widespread botnet attack that has compromised over 9,000 Asus routers globally. Known as the "AyySSHush" botnet, the campaign exploits...
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  • GlobalFoundries āļ—āļļāđˆāļĄāļ‡āļš $16 āļžāļąāļ™āļĨāđ‰āļēāļ™ āļ‚āļĒāļēāļĒāļāļēāļĢāļœāļĨāļīāļ•āļŠāļīāļ›āđƒāļ™āļŠāļŦāļĢāļąāļāļŊ
    GlobalFoundries āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™ āļœāļđāđ‰āļœāļĨāļīāļ•āļŠāļīāļ›āļĢāļēāļĒāđƒāļŦāļāđˆāļ—āļĩāđˆāļŠāļļāļ”āđƒāļ™āļŠāļŦāļĢāļąāļāļŊ āđ„āļ”āđ‰āļ›āļĢāļ°āļāļēāļĻāđāļœāļ™āļĨāļ‡āļ—āļļāļ™ $16 āļžāļąāļ™āļĨāđ‰āļēāļ™ āđ€āļžāļ·āđˆāļ­āļ‚āļĒāļēāļĒāļāļēāļĢāļœāļĨāļīāļ•āļŠāļīāļ›āđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻ āđ‚āļ”āļĒāļĄāļĩāđ€āļ›āđ‰āļēāļŦāļĄāļēāļĒāđ€āļžāļ·āđˆāļ­ āļ•āļ­āļšāļŠāļ™āļ­āļ‡āļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ—āļĩāđˆāđ€āļžāļīāđˆāļĄāļ‚āļķāđ‰āļ™āļˆāļēāļāļĨāļđāļāļ„āđ‰āļēāđƒāļ™āļŠāļŦāļĢāļąāļāļŊ āđ€āļŠāđˆāļ™ Apple āđāļĨāļ° Qualcomm

    āļˆāļēāļāļ‡āļšāļ›āļĢāļ°āļĄāļēāļ“āļ—āļąāđ‰āļ‡āļŦāļĄāļ” $13 āļžāļąāļ™āļĨāđ‰āļēāļ™ āļˆāļ°āļ–āļđāļāđƒāļŠāđ‰āđ€āļžāļ·āđˆāļ­ āļ‚āļĒāļēāļĒāđ‚āļĢāļ‡āļ‡āļēāļ™āđƒāļ™āļ™āļīāļ§āļĒāļ­āļĢāđŒāļāđāļĨāļ°āđ€āļ§āļ­āļĢāđŒāļĄāļ­āļ™āļ•āđŒ āļ‚āļ“āļ°āļ—āļĩāđˆ $3 āļžāļąāļ™āļĨāđ‰āļēāļ™ āļˆāļ°āļ–āļđāļāļ™āļģāđ„āļ›āđƒāļŠāđ‰āđƒāļ™āļāļēāļĢ āļ§āļīāļˆāļąāļĒāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāđƒāļŦāļĄāđˆ āđ€āļŠāđˆāļ™ āļāļēāļĢāļšāļĢāļĢāļˆāļļāļŠāļīāļ›āļ‚āļąāđ‰āļ™āļŠāļđāļ‡āđāļĨāļ°āļŠāļīāļ›āđ‚āļŸāđ‚āļ•āļ™āļīāļ

    GlobalFoundries āļĄāļ­āļ‡āļ§āđˆāļē āļ•āļĨāļēāļ”āļŠāļīāļ›āļāļģāļĨāļąāļ‡āđ€āļ•āļīāļšāđ‚āļ•āļ­āļĒāđˆāļēāļ‡āļĢāļ§āļ”āđ€āļĢāđ‡āļ§āļˆāļēāļāļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ”āđ‰āļēāļ™ AI āđāļĨāļ°āļšāļĢāļīāļĐāļąāļ—āļāļģāļĨāļąāļ‡ āļĄāļļāđˆāļ‡āđ€āļ™āđ‰āļ™āđ„āļ›āļ—āļĩāđˆāļŠāļīāļ›āļ—āļĩāđˆāđƒāļŠāđ‰āļžāļĨāļąāļ‡āļ‡āļēāļ™āļ•āđˆāļģ āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļŠāļđāļ‡āđƒāļ™āļĻāļđāļ™āļĒāđŒāļ‚āđ‰āļ­āļĄāļđāļĨ

    āļ‚āđ‰āļ­āļĄāļđāļĨāļˆāļēāļāļ‚āđˆāļēāļ§
    - GlobalFoundries āļĨāļ‡āļ—āļļāļ™ $16 āļžāļąāļ™āļĨāđ‰āļēāļ™ āđ€āļžāļ·āđˆāļ­āļ‚āļĒāļēāļĒāļāļēāļĢāļœāļĨāļīāļ•āļŠāļīāļ›āđƒāļ™āļŠāļŦāļĢāļąāļāļŊ
    - $13 āļžāļąāļ™āļĨāđ‰āļēāļ™ āđƒāļŠāđ‰āļ‚āļĒāļēāļĒāđ‚āļĢāļ‡āļ‡āļēāļ™āđƒāļ™āļ™āļīāļ§āļĒāļ­āļĢāđŒāļāđāļĨāļ°āđ€āļ§āļ­āļĢāđŒāļĄāļ­āļ™āļ•āđŒ
    - $3 āļžāļąāļ™āļĨāđ‰āļēāļ™ āđƒāļŠāđ‰āđƒāļ™āļāļēāļĢāļ§āļīāļˆāļąāļĒāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāđƒāļŦāļĄāđˆ āđ€āļŠāđˆāļ™ āļāļēāļĢāļšāļĢāļĢāļˆāļļāļŠāļīāļ›āļ‚āļąāđ‰āļ™āļŠāļđāļ‡āđāļĨāļ°āļŠāļīāļ›āđ‚āļŸāđ‚āļ•āļ™āļīāļ
    - āļšāļĢāļīāļĐāļąāļ—āļĄāļļāđˆāļ‡āđ€āļ™āđ‰āļ™āđ„āļ›āļ—āļĩāđˆāļŠāļīāļ›āļžāļĨāļąāļ‡āļ‡āļēāļ™āļ•āđˆāļģāđ€āļžāļ·āđˆāļ­āļ•āļ­āļšāļŠāļ™āļ­āļ‡āļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ‚āļ­āļ‡āļĻāļđāļ™āļĒāđŒāļ‚āđ‰āļ­āļĄāļđāļĨ
    - CEO Tim Breen āļĢāļ°āļšāļļāļ§āđˆāļēāļĨāļđāļāļ„āđ‰āļēāļ•āđ‰āļ­āļ‡āļāļēāļĢāļĨāļ”āļāļēāļĢāļžāļķāđˆāļ‡āļžāļēāļœāļđāđ‰āļœāļĨāļīāļ•āļ—āļĩāđˆāļĄāļĩāđ‚āļĢāļ‡āļ‡āļēāļ™āļ­āļĒāļđāđˆāđƒāļ™āļ—āļĩāđˆāđ€āļ”āļĩāļĒāļ§ āđ€āļŠāđˆāļ™ TSMC

    āļ„āļģāđ€āļ•āļ·āļ­āļ™āļ—āļĩāđˆāļ„āļ§āļĢāļžāļīāļˆāļēāļĢāļ“āļē
    - GlobalFoundries āļĒāļąāļ‡āđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āļœāļĨāļīāļ•āļŠāļīāļ›āļ—āļĩāđˆāļĄāļĩāļ‚āļ™āļēāļ”āđ€āļĨāđ‡āļāļāļ§āđˆāļē 12LP+ (āđ€āļ—āļĩāļĒāļšāđ€āļ—āđˆāļē 10nm āļ‚āļ­āļ‡ TSMC)
    - āđāļĄāđ‰āļˆāļ°āļĨāļ‡āļ—āļļāļ™āļĄāļŦāļēāļĻāļēāļĨ āđāļ•āđˆāļšāļĢāļīāļĐāļąāļ—āļĄāļĩāļŠāđˆāļ§āļ™āđāļšāđˆāļ‡āļ•āļĨāļēāļ”āđ€āļžāļĩāļĒāļ‡ 5% āđ€āļ—āļĩāļĒāļšāļāļąāļš TSMC āļ—āļĩāđˆāļ„āļĢāļ­āļ‡āļ•āļĨāļēāļ”āļāļ§āđˆāļē 50%
    - āļ„āļ§āļēāļĄāđ„āļĄāđˆāđāļ™āđˆāļ™āļ­āļ™āļ‚āļ­āļ‡āļ™āđ‚āļĒāļšāļēāļĒāļ āļēāļĐāļĩāļ‚āļ­āļ‡āļŠāļŦāļĢāļąāļāļŊ āļ­āļēāļˆāļ—āļģāđƒāļŦāđ‰āđ‚āļ„āļĢāļ‡āļāļēāļĢāļĨāđˆāļēāļŠāđ‰āļē
    - āļ•āđ‰āļ­āļ‡āļ•āļīāļ”āļ•āļēāļĄāļ§āđˆāļēāļāļēāļĢāļĨāļ‡āļ—āļļāļ™āļ™āļĩāđ‰āļˆāļ°āļŠāđˆāļ§āļĒāđƒāļŦāđ‰ GlobalFoundries āđāļ‚āđˆāļ‡āļ‚āļąāļ™āļāļąāļšāļœāļđāđ‰āļœāļĨāļīāļ•āļŠāļīāļ›āļĢāļēāļĒāđƒāļŦāļāđˆāļ­āļ·āđˆāļ™ āđ† āđ„āļ”āđ‰āļŦāļĢāļ·āļ­āđ„āļĄāđˆ

    āļāļēāļĢāļĨāļ‡āļ—āļļāļ™āļ„āļĢāļąāđ‰āļ‡āļ™āļĩāđ‰āļ­āļēāļˆāļŠāđˆāļ§āļĒāđƒāļŦāđ‰ āļŠāļŦāļĢāļąāļāļŊ āļĄāļĩāļ„āļ§āļēāļĄāļĄāļąāđˆāļ™āļ„āļ‡āļ”āđ‰āļēāļ™āļāļēāļĢāļœāļĨāļīāļ•āļŠāļīāļ›āļĄāļēāļāļ‚āļķāđ‰āļ™ āđāļĨāļ°āļĨāļ”āļāļēāļĢāļžāļķāđˆāļ‡āļžāļē TSMC āļ‹āļķāđˆāļ‡āļĄāļĩāđ‚āļĢāļ‡āļ‡āļēāļ™āļŦāļĨāļąāļāļ­āļĒāļđāđˆāđƒāļ™āđ„āļ•āđ‰āļŦāļ§āļąāļ™ āļ­āļĒāđˆāļēāļ‡āđ„āļĢāļāđ‡āļ•āļēāļĄ āļ•āđ‰āļ­āļ‡āļ•āļīāļ”āļ•āļēāļĄāļ§āđˆāļēāļāļēāļĢāļ‚āļĒāļēāļĒāđ‚āļĢāļ‡āļ‡āļēāļ™āļˆāļ°āļŠāļēāļĄāļēāļĢāļ–āļ•āļ­āļšāļŠāļ™āļ­āļ‡āļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ‚āļ­āļ‡āļ•āļĨāļēāļ” AI āđ„āļ”āđ‰āļĄāļēāļāļ™āđ‰āļ­āļĒāđ€āļžāļĩāļĒāļ‡āđƒāļ”

    https://www.tomshardware.com/tech-industry/semiconductors/globalfoundries-announces-usd16-billion-u-s-chip-production-spend-striking-spending-boom-follows-demand-from-domestic-customers
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  • “Worse” vs. “Worst”: Get A Better Understanding Of The Difference

    The words worse and worst are extremely useful. They are the main and often best way we can indicate that something is, well, more bad or most bad. But because they look and sound so similar, it can be easy to mix them up, especially in certain expressions.

    In this article, we’ll break down the difference between worse and worst, explain how they relate to comparative and superlative adjectives (and what those are), and clear up confusion around which word is the correct one to use in some common expressions.

    Quick summary

    Worse and worst are both forms of the word bad. Worse is what’s called the comparative form, basically meaning “more bad.” Worst is the superlative form, basically meaning “most bad.” Worse is used when making a comparison to only one other thing: Your breath is bad, but mine is worse or The situation was bad and it just got worse. Worst is used in comparisons of more than two things: Yours is bad, mine is worse, but his is the worst or That was the worst meal I’ve ever eaten.

    worse vs. worst

    Worse and worst are different words, but both are forms of the adjective bad. Worse is the comparative form and worst is the superlative form.

    A comparative adjective is typically used to compare two things. For example, My brother is bad at basketball, but honestly I’m worse.

    A superlative adjective is used to compare more than two things (as in Out of the five exam I have today, this one is going to be the worst) or state that something is the most extreme out of every possible option (as in That was the worst idea I have ever heard).

    Worse and worst are just like the words better and best, which are the comparative and superlative forms of the word good.

    In most cases, the comparative form of an adjective is made by either adding -er to the end (faster, smarter, bigger, etc.) or adding the word more or less before it (more impressive, less powerful, etc.).

    To form superlatives, it’s most common to add -est to the end of the word (fastest, smartest, biggest, etc.) or add most or least before it (most impressive, least powerful, etc.).

    Worse and worst don’t follow these rules, but you can see a remnant of the superlative ending -est at the end of worst and best, which can help you remember that they are superlatives.

    Worse is used in the expression from bad to worse, which means that something started bad and has only deteriorated in quality or condition, as in My handwriting has gone from bad to worse since I graduated high school.

    Let’s look at some other common questions people have about expressions that use worse or worst.

    Is it worse case or worst case?

    The phrase worst case is used in the two idiomatic expressions: in the worst case and worst-case scenario. Both of these phrases refer to a situation that is as bad as possible compared to any other possible situation, which is why it uses the superlative form worst.

    For example:

    - In the worst case, the beams will collapse instantly.
    - This isn’t what we expect to happen—it’s just the worst-case scenario.

    While it’s possible for the words worse and case to be paired together in a sentence (as in Jacob had a worse case of bronchitis than Melanie did), it’s not a set expression like worst case is.

    Is it if worse comes to worst or if worst comes to worst?

    There are actually two very similar versions of the expression that means “if the worst possible outcome happens”: if worse comes to worst or if worst comes to worst. However, if worst comes to worst is much more commonly used (even though it arguably makes less sense).

    Whatever form is used, the expression is usually accompanied by a proposed solution to the problem. For example:

    - If worse comes to worst and every door is locked, we’ll get in by opening a window.
    - I’m going to try to make it to the store before the storm starts, but if worst comes to worst, I’ll at least have my umbrella with me.

    Examples of worse and worst used in a sentence

    Let’s wrap things up by looking at some of the many different ways we can use worse and worst in a sentence.

    - I think the pink paint looks worse on the wall than the red paint did.
    - Out of all of us, Tom had the worst case of poison ivy.
    - Debra Deer had a worse finishing time than Charlie Cheetah, but Sam Sloth had the worst time by far.
    - My grades went from bad to worse after I missed a few classes.
    - If worst comes to worst and we miss the bus, we’ll just hail a cab.
    - It’s possible that the losses could lead to bankruptcy, but the company is doing everything it can to avoid this worst-case scenario.

    ÂĐ 2025, Aakkhra, All rights reserved.
    “Worse” vs. “Worst”: Get A Better Understanding Of The Difference The words worse and worst are extremely useful. They are the main and often best way we can indicate that something is, well, more bad or most bad. But because they look and sound so similar, it can be easy to mix them up, especially in certain expressions. In this article, we’ll break down the difference between worse and worst, explain how they relate to comparative and superlative adjectives (and what those are), and clear up confusion around which word is the correct one to use in some common expressions. Quick summary Worse and worst are both forms of the word bad. Worse is what’s called the comparative form, basically meaning “more bad.” Worst is the superlative form, basically meaning “most bad.” Worse is used when making a comparison to only one other thing: Your breath is bad, but mine is worse or The situation was bad and it just got worse. Worst is used in comparisons of more than two things: Yours is bad, mine is worse, but his is the worst or That was the worst meal I’ve ever eaten. worse vs. worst Worse and worst are different words, but both are forms of the adjective bad. Worse is the comparative form and worst is the superlative form. A comparative adjective is typically used to compare two things. For example, My brother is bad at basketball, but honestly I’m worse. A superlative adjective is used to compare more than two things (as in Out of the five exam I have today, this one is going to be the worst) or state that something is the most extreme out of every possible option (as in That was the worst idea I have ever heard). Worse and worst are just like the words better and best, which are the comparative and superlative forms of the word good. In most cases, the comparative form of an adjective is made by either adding -er to the end (faster, smarter, bigger, etc.) or adding the word more or less before it (more impressive, less powerful, etc.). To form superlatives, it’s most common to add -est to the end of the word (fastest, smartest, biggest, etc.) or add most or least before it (most impressive, least powerful, etc.). Worse and worst don’t follow these rules, but you can see a remnant of the superlative ending -est at the end of worst and best, which can help you remember that they are superlatives. Worse is used in the expression from bad to worse, which means that something started bad and has only deteriorated in quality or condition, as in My handwriting has gone from bad to worse since I graduated high school. Let’s look at some other common questions people have about expressions that use worse or worst. Is it worse case or worst case? The phrase worst case is used in the two idiomatic expressions: in the worst case and worst-case scenario. Both of these phrases refer to a situation that is as bad as possible compared to any other possible situation, which is why it uses the superlative form worst. For example: - In the worst case, the beams will collapse instantly. - This isn’t what we expect to happen—it’s just the worst-case scenario. While it’s possible for the words worse and case to be paired together in a sentence (as in Jacob had a worse case of bronchitis than Melanie did), it’s not a set expression like worst case is. Is it if worse comes to worst or if worst comes to worst? There are actually two very similar versions of the expression that means “if the worst possible outcome happens”: if worse comes to worst or if worst comes to worst. However, if worst comes to worst is much more commonly used (even though it arguably makes less sense). Whatever form is used, the expression is usually accompanied by a proposed solution to the problem. For example: - If worse comes to worst and every door is locked, we’ll get in by opening a window. - I’m going to try to make it to the store before the storm starts, but if worst comes to worst, I’ll at least have my umbrella with me. Examples of worse and worst used in a sentence Let’s wrap things up by looking at some of the many different ways we can use worse and worst in a sentence. - I think the pink paint looks worse on the wall than the red paint did. - Out of all of us, Tom had the worst case of poison ivy. - Debra Deer had a worse finishing time than Charlie Cheetah, but Sam Sloth had the worst time by far. - My grades went from bad to worse after I missed a few classes. - If worst comes to worst and we miss the bus, we’ll just hail a cab. - It’s possible that the losses could lead to bankruptcy, but the company is doing everything it can to avoid this worst-case scenario. © 2025, Aakkhra, All rights reserved.
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  • MathWorks āļšāļĢāļīāļĐāļąāļ—āļœāļđāđ‰āļžāļąāļ’āļ™āļē MATLAB āđāļĨāļ° Simulink āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļ‹āļ­āļŸāļ•āđŒāđāļ§āļĢāđŒāļ”āđ‰āļēāļ™āļāļēāļĢāļ„āļģāļ™āļ§āļ“āļ—āļēāļ‡āļ„āļ“āļīāļ•āļĻāļēāļŠāļ•āļĢāđŒāđāļĨāļ°āļ§āļīāļĻāļ§āļāļĢāļĢāļĄ āđ„āļ”āđ‰āļĢāļąāļšāļœāļĨāļāļĢāļ°āļ—āļšāļˆāļēāļ āļāļēāļĢāđ‚āļˆāļĄāļ•āļĩāļ”āđ‰āļ§āļĒāđāļĢāļ™āļ‹āļąāļĄāđāļ§āļĢāđŒ āļ—āļģāđƒāļŦāđ‰āļĢāļ°āļšāļšāđ„āļ­āļ—āļĩāļŦāļĨāļēāļĒāļŠāđˆāļ§āļ™āđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āđƒāļŠāđ‰āļ‡āļēāļ™āđ„āļ”āđ‰ āđ‚āļ”āļĒāđ€āļŦāļ•āļļāļāļēāļĢāļ“āđŒāļ™āļĩāđ‰āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āļ•āļąāđ‰āļ‡āđāļ•āđˆāļ§āļąāļ™āļ—āļĩāđˆ 18 āļžāļĪāļĐāļ āļēāļ„āļĄ 2025 āđāļĨāļ°āļĒāļąāļ‡āđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āļāļđāđ‰āļ„āļ·āļ™āļĢāļ°āļšāļšāļ—āļąāđ‰āļ‡āļŦāļĄāļ”āđ„āļ”āđ‰

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    āļāļēāļĢāđ‚āļˆāļĄāļ•āļĩāļ„āļĢāļąāđ‰āļ‡āļ™āļĩāđ‰āļŠāļ°āļ—āđ‰āļ­āļ™āļ–āļķāļ‡āļ„āļ§āļēāļĄāļĢāļļāļ™āđāļĢāļ‡āļ‚āļ­āļ‡āđāļĢāļ™āļ‹āļąāļĄāđāļ§āļĢāđŒāđƒāļ™āļ›āļĩ 2025 āđāļĨāļ°āđ€āļ›āđ‡āļ™āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āđ€āļ•āļ·āļ­āļ™āđƒāļˆāđƒāļŦāđ‰āļšāļĢāļīāļĐāļąāļ—āļ•āđˆāļēāļ‡ āđ† āđƒāļŦāđ‰āļ„āļ§āļēāļĄāļŠāļģāļ„āļąāļāļāļąāļšāļāļēāļĢāļĢāļąāļāļĐāļēāļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒāđ„āļ‹āđ€āļšāļ­āļĢāđŒāļĄāļēāļāļ‚āļķāđ‰āļ™

    https://www.techradar.com/pro/security/top-math-software-and-services-platform-still-offline-following-ransomware-attack
    MathWorks āļšāļĢāļīāļĐāļąāļ—āļœāļđāđ‰āļžāļąāļ’āļ™āļē MATLAB āđāļĨāļ° Simulink āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļ‹āļ­āļŸāļ•āđŒāđāļ§āļĢāđŒāļ”āđ‰āļēāļ™āļāļēāļĢāļ„āļģāļ™āļ§āļ“āļ—āļēāļ‡āļ„āļ“āļīāļ•āļĻāļēāļŠāļ•āļĢāđŒāđāļĨāļ°āļ§āļīāļĻāļ§āļāļĢāļĢāļĄ āđ„āļ”āđ‰āļĢāļąāļšāļœāļĨāļāļĢāļ°āļ—āļšāļˆāļēāļ āļāļēāļĢāđ‚āļˆāļĄāļ•āļĩāļ”āđ‰āļ§āļĒāđāļĢāļ™āļ‹āļąāļĄāđāļ§āļĢāđŒ āļ—āļģāđƒāļŦāđ‰āļĢāļ°āļšāļšāđ„āļ­āļ—āļĩāļŦāļĨāļēāļĒāļŠāđˆāļ§āļ™āđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āđƒāļŠāđ‰āļ‡āļēāļ™āđ„āļ”āđ‰ āđ‚āļ”āļĒāđ€āļŦāļ•āļļāļāļēāļĢāļ“āđŒāļ™āļĩāđ‰āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āļ•āļąāđ‰āļ‡āđāļ•āđˆāļ§āļąāļ™āļ—āļĩāđˆ 18 āļžāļĪāļĐāļ āļēāļ„āļĄ 2025 āđāļĨāļ°āļĒāļąāļ‡āđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āļāļđāđ‰āļ„āļ·āļ™āļĢāļ°āļšāļšāļ—āļąāđ‰āļ‡āļŦāļĄāļ”āđ„āļ”āđ‰ āđāļĢāļ™āļ‹āļąāļĄāđāļ§āļĢāđŒāđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļ āļąāļĒāļ„āļļāļāļ„āļēāļĄāđ„āļ‹āđ€āļšāļ­āļĢāđŒāļ—āļĩāđˆāļĢāļļāļ™āđāļĢāļ‡āļ—āļĩāđˆāļŠāļļāļ”āđƒāļ™āļ›āļĩ 2025 āđ‚āļ”āļĒāļĄāļĩāļŦāļĨāļēāļĒāļšāļĢāļīāļĐāļąāļ—āļ—āļĩāđˆāļ–āļđāļāđ‚āļˆāļĄāļ•āļĩ āđ€āļŠāđˆāļ™ Masimo, Sensata āđāļĨāļ° Hitachi Vantara āļ‹āļķāđˆāļ‡āļ•āđ‰āļ­āļ‡āļ›āļīāļ”āļĢāļ°āļšāļšāļšāļēāļ‡āļŠāđˆāļ§āļ™āđ€āļžāļ·āđˆāļ­āļ›āđ‰āļ­āļ‡āļāļąāļ™āļ„āļ§āļēāļĄāđ€āļŠāļĩāļĒāļŦāļēāļĒ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ āļĒāļąāļ‡āļĄāļĩāļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āđ„āļ›āđ„āļ”āđ‰āļ§āđˆāļēāđāļŪāļāđ€āļāļ­āļĢāđŒāļāļģāļĨāļąāļ‡ āđ€āļˆāļĢāļˆāļēāļāļąāļš MathWorks āđ€āļžāļ·āđˆāļ­āđ€āļĢāļĩāļĒāļāļ„āđˆāļēāđ„āļ–āđˆ āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āđ€āļŦāļ•āļļāļœāļĨāļ—āļĩāđˆāļšāļĢāļīāļĐāļąāļ—āļĒāļąāļ‡āđ„āļĄāđˆāđ€āļ›āļīāļ”āđ€āļœāļĒāļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ”āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļœāļđāđ‰āđ‚āļˆāļĄāļ•āļĩ ✅ āļ‚āđ‰āļ­āļĄāļđāļĨāļˆāļēāļāļ‚āđˆāļēāļ§ - MathWorks āļ–āļđāļāđ‚āļˆāļĄāļ•āļĩāļ”āđ‰āļ§āļĒāđāļĢāļ™āļ‹āļąāļĄāđāļ§āļĢāđŒ āļ•āļąāđ‰āļ‡āđāļ•āđˆāļ§āļąāļ™āļ—āļĩāđˆ 18 āļžāļĪāļĐāļ āļēāļ„āļĄ 2025 - āļĢāļ°āļšāļšāđ„āļ­āļ—āļĩāļŦāļĨāļēāļĒāļŠāđˆāļ§āļ™āđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āđƒāļŠāđ‰āļ‡āļēāļ™āđ„āļ”āđ‰ āļĢāļ§āļĄāļ–āļķāļ‡ MATLAB Answers, Cloud Center āđāļĨāļ° File Exchange - āļšāļēāļ‡āļĢāļ°āļšāļšāđ€āļĢāļīāđˆāļĄāļāļĨāļąāļšāļĄāļēāļ­āļ­āļ™āđ„āļĨāļ™āđŒ āđāļ•āđˆāļĒāļąāļ‡āļ­āļĒāļđāđˆāđƒāļ™āļŠāļ–āļēāļ™āļ° āļ—āļģāļ‡āļēāļ™āđ„āļ”āđ‰āđ„āļĄāđˆāđ€āļ•āđ‡āļĄāļ—āļĩāđˆ - MathWorks āđāļˆāđ‰āļ‡āļŦāļ™āđˆāļ§āļĒāļ‡āļēāļ™āļšāļąāļ‡āļ„āļąāļšāđƒāļŠāđ‰āļāļŽāļŦāļĄāļēāļĒ āđāļĨāļ°āļāļģāļĨāļąāļ‡āļ—āļģāļ‡āļēāļ™āļĢāđˆāļ§āļĄāļāļąāļšāļœāļđāđ‰āđ€āļŠāļĩāđˆāļĒāļ§āļŠāļēāļāļ”āđ‰āļēāļ™āļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒāđ„āļ‹āđ€āļšāļ­āļĢāđŒ ‾ïļ āļ„āļģāđ€āļ•āļ·āļ­āļ™āļ—āļĩāđˆāļ„āļ§āļĢāļžāļīāļˆāļēāļĢāļ“āļē - āļĒāļąāļ‡āđ„āļĄāđˆāļĄāļĩāļ‚āđ‰āļ­āļĄāļđāļĨāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļœāļđāđ‰āđ‚āļˆāļĄāļ•āļĩ āđāļĨāļ°āđ„āļĄāđˆāļ—āļĢāļēāļšāļ§āđˆāļēāļĄāļĩāļ‚āđ‰āļ­āļĄāļđāļĨāļĨāļđāļāļ„āđ‰āļēāļ–āļđāļāļ‚āđ‚āļĄāļĒāļŦāļĢāļ·āļ­āđ„āļĄāđˆ - āđāļĢāļ™āļ‹āļąāļĄāđāļ§āļĢāđŒāļ­āļēāļˆāļŠāđˆāļ‡āļœāļĨāļāļĢāļ°āļ—āļšāļ•āđˆāļ­āļ­āļ‡āļ„āđŒāļāļĢāļ­āļ·āđˆāļ™ āļ—āļĩāđˆāđƒāļŠāđ‰āļšāļĢāļīāļāļēāļĢāļ‚āļ­āļ‡ MathWorks - āļšāļĢāļīāļĐāļąāļ—āļ—āļĩāđˆāđƒāļŠāđ‰ MATLAB āđāļĨāļ° Simulink āļ„āļ§āļĢāļ•āļĢāļ§āļˆāļŠāļ­āļšāļĢāļ°āļšāļšāļ‚āļ­āļ‡āļ•āļ™āđ€āļ­āļ‡ āđ€āļžāļ·āđˆāļ­āļ›āđ‰āļ­āļ‡āļāļąāļ™āļ„āļ§āļēāļĄāđ€āļŠāļĩāđˆāļĒāļ‡ - āļŦāļēāļāļĄāļĩāļāļēāļĢāđ€āļˆāļĢāļˆāļēāđ€āļĢāļĩāļĒāļāļ„āđˆāļēāđ„āļ–āđˆ āļ­āļēāļˆāļ—āļģāđƒāļŦāđ‰āļāļēāļĢāļāļđāđ‰āļ„āļ·āļ™āļĢāļ°āļšāļšāļĨāđˆāļēāļŠāđ‰āļē āļāļēāļĢāđ‚āļˆāļĄāļ•āļĩāļ„āļĢāļąāđ‰āļ‡āļ™āļĩāđ‰āļŠāļ°āļ—āđ‰āļ­āļ™āļ–āļķāļ‡āļ„āļ§āļēāļĄāļĢāļļāļ™āđāļĢāļ‡āļ‚āļ­āļ‡āđāļĢāļ™āļ‹āļąāļĄāđāļ§āļĢāđŒāđƒāļ™āļ›āļĩ 2025 āđāļĨāļ°āđ€āļ›āđ‡āļ™āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āđ€āļ•āļ·āļ­āļ™āđƒāļˆāđƒāļŦāđ‰āļšāļĢāļīāļĐāļąāļ—āļ•āđˆāļēāļ‡ āđ† āđƒāļŦāđ‰āļ„āļ§āļēāļĄāļŠāļģāļ„āļąāļāļāļąāļšāļāļēāļĢāļĢāļąāļāļĐāļēāļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒāđ„āļ‹āđ€āļšāļ­āļĢāđŒāļĄāļēāļāļ‚āļķāđ‰āļ™ https://www.techradar.com/pro/security/top-math-software-and-services-platform-still-offline-following-ransomware-attack
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  • āļ„āļĢāļąāđ‰āļ‡āđāļĢāļāļ—āļĩāđˆāļ—āļ”āļĨāļ­āļ‡āđ€āļ‚āļĩāļĒāļ™āļšāļ—āļ„āļ§āļēāļĄāđ‚āļ”āļĒāđƒāļŠāđ‰ ChatGPT āļŦāļēāļ‚āđ‰āļ­āļĄāļđāļĨ āļŠāđˆāļ§āļĒāļ•āļĢāļ§āļˆ āđāļĨāļ°āļ—āļģāļ āļēāļžāļ›āļĢāļ°āļāļ­āļš āđāļ•āđˆāļĒāļąāļ‡āļ„āļ‡āļŠāļģāļ™āļ§āļ™āļ‚āļ­āļ‡āđ€āļĢāļēāđ€āļ­āļ‡

    āļĨāļ­āļ‡āđāļ›āļĨāļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐ āļ­āļąāļ™āļ™āļĩāđ‰āđ‚āļ„āļ•āļĢāļ•āļ·āđˆāļ™āđ€āļ•āđ‰āļ™ āđƒāļŠāđ‰ ChatGPT āđāļ›āļĨ

    ChatGPT in the ASEAN Market

    Artificial intelligence (AI) is playing an increasingly significant role in everyday life—especially through platforms like ChatGPT, an interactive assistant capable of understanding and responding to human language in a wide variety of contexts. From planning and problem-solving to providing daily advice, ChatGPT has become a go-to tool for many. Currently, it boasts around 800 million users worldwide, with approximately 122 million daily active users. It operates in a competitive field alongside major technology platforms such as Google, Microsoft, and Meta, as well as rising competitors from Asia like DeepSeek, Baidu, Alibaba, and Tencent.

    In Thailand, while the core user base consists of coders, programmers, and those generating AI visuals, ChatGPT is gradually gaining broader recognition for its role in content creation and ideation. About 14% of Thailand's population of 65.89 million are estimated to be users.

    Looking across the ASEAN region, which has a combined population of roughly 600 million, Indonesia leads in user share with around 32% of its 283.48 million citizens using the platform. The Philippines follows with an estimated 28% of its population (roughly 119 million) engaging with ChatGPT. In Singapore, usage is widespread among high-income, well-educated groups, while Malaysia is seeing steady growth, particularly among tech-savvy users. However, the region still faces significant challenges, including disparities in access to high-speed internet, AI-compatible devices, and the relatively high cost of AI services for certain demographics.

    To address these barriers, OpenAI, the US-based AI company behind ChatGPT, has begun collaborating with telecom providers across Southeast Asia. For example, in Laos, ChatGPT is accessible via the Unitel network; in Malaysia, CelcomDigi is planning to introduce AI-powered add-on services; and in Singapore, Singtel has started bundling AI services into consumer packages. In the Philippines, usage remains limited, while Indonesia is piloting AI services with select customer groups.

    Although Thailand has not yet officially launched ChatGPT service packages, interest is high and discussions with major telecom providers are reportedly underway. Meanwhile, Vietnam, Cambodia, Myanmar, and Brunei remain in the early or pilot phases of deployment.

    Overall, ASEAN markets are showing increased interest and activity around AI services, even though adoption rates have yet to match those in Europe or the United States. Partnerships between OpenAI and regional telecom providers are expected to be key in expanding ChatGPT’s accessibility and integration across broader segments of the population.
    āļ„āļĢāļąāđ‰āļ‡āđāļĢāļāļ—āļĩāđˆāļ—āļ”āļĨāļ­āļ‡āđ€āļ‚āļĩāļĒāļ™āļšāļ—āļ„āļ§āļēāļĄāđ‚āļ”āļĒāđƒāļŠāđ‰ ChatGPT āļŦāļēāļ‚āđ‰āļ­āļĄāļđāļĨ āļŠāđˆāļ§āļĒāļ•āļĢāļ§āļˆ āđāļĨāļ°āļ—āļģāļ āļēāļžāļ›āļĢāļ°āļāļ­āļš āđāļ•āđˆāļĒāļąāļ‡āļ„āļ‡āļŠāļģāļ™āļ§āļ™āļ‚āļ­āļ‡āđ€āļĢāļēāđ€āļ­āļ‡ āļĨāļ­āļ‡āđāļ›āļĨāļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐ āļ­āļąāļ™āļ™āļĩāđ‰āđ‚āļ„āļ•āļĢāļ•āļ·āđˆāļ™āđ€āļ•āđ‰āļ™ āđƒāļŠāđ‰ ChatGPT āđāļ›āļĨ ChatGPT in the ASEAN Market Artificial intelligence (AI) is playing an increasingly significant role in everyday life—especially through platforms like ChatGPT, an interactive assistant capable of understanding and responding to human language in a wide variety of contexts. From planning and problem-solving to providing daily advice, ChatGPT has become a go-to tool for many. Currently, it boasts around 800 million users worldwide, with approximately 122 million daily active users. It operates in a competitive field alongside major technology platforms such as Google, Microsoft, and Meta, as well as rising competitors from Asia like DeepSeek, Baidu, Alibaba, and Tencent. In Thailand, while the core user base consists of coders, programmers, and those generating AI visuals, ChatGPT is gradually gaining broader recognition for its role in content creation and ideation. About 14% of Thailand's population of 65.89 million are estimated to be users. Looking across the ASEAN region, which has a combined population of roughly 600 million, Indonesia leads in user share with around 32% of its 283.48 million citizens using the platform. The Philippines follows with an estimated 28% of its population (roughly 119 million) engaging with ChatGPT. In Singapore, usage is widespread among high-income, well-educated groups, while Malaysia is seeing steady growth, particularly among tech-savvy users. However, the region still faces significant challenges, including disparities in access to high-speed internet, AI-compatible devices, and the relatively high cost of AI services for certain demographics. To address these barriers, OpenAI, the US-based AI company behind ChatGPT, has begun collaborating with telecom providers across Southeast Asia. For example, in Laos, ChatGPT is accessible via the Unitel network; in Malaysia, CelcomDigi is planning to introduce AI-powered add-on services; and in Singapore, Singtel has started bundling AI services into consumer packages. In the Philippines, usage remains limited, while Indonesia is piloting AI services with select customer groups. Although Thailand has not yet officially launched ChatGPT service packages, interest is high and discussions with major telecom providers are reportedly underway. Meanwhile, Vietnam, Cambodia, Myanmar, and Brunei remain in the early or pilot phases of deployment. Overall, ASEAN markets are showing increased interest and activity around AI services, even though adoption rates have yet to match those in Europe or the United States. Partnerships between OpenAI and regional telecom providers are expected to be key in expanding ChatGPT’s accessibility and integration across broader segments of the population.
    ChatGPT āđƒāļ™āļ•āļĨāļēāļ”āļ­āļēāđ€āļ‹āļĩāļĒāļ™

    āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļ›āļąāļāļāļēāļ›āļĢāļ°āļ”āļīāļĐāļāđŒ (AI) āļāļģāļĨāļąāļ‡āđ€āļ‚āđ‰āļēāļĄāļēāļĄāļĩāļšāļ—āļšāļēāļ—āđƒāļ™āļŠāļĩāļ§āļīāļ•āļ›āļĢāļ°āļˆāļģāļ§āļąāļ™ āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āđāļžāļĨāļ•āļŸāļ­āļĢāđŒāļĄ ChatGPT āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļœāļđāđ‰āļŠāđˆāļ§āļĒāđ‚āļ•āđ‰āļ•āļ­āļšāļ—āļĩāđˆāļŠāļēāļĄāļēāļĢāļ–āđ€āļ‚āđ‰āļēāđƒāļˆāđāļĨāļ°āļ•āļ­āļšāļŠāļ™āļ­āļ‡āļ āļēāļĐāļēāļĄāļ™āļļāļĐāļĒāđŒāđ„āļ”āđ‰āļŦāļĨāļēāļāļŦāļĨāļēāļĒāļĢāļđāļ›āđāļšāļš āļ—āļąāđ‰āļ‡āđƒāļ™āļ”āđ‰āļēāļ™āļāļēāļĢāļ§āļēāļ‡āđāļœāļ™ āđāļāđ‰āļ›āļąāļāļŦāļē āđāļĨāļ°āđƒāļŦāđ‰āļ„āļģāđāļ™āļ°āļ™āļģāđƒāļ™āļŠāļĩāļ§āļīāļ•āļ›āļĢāļ°āļˆāļģāļ§āļąāļ™ āļ›āļąāļˆāļˆāļļāļšāļąāļ™āļĄāļĩāļœāļđāđ‰āđƒāļŠāđ‰āļ‡āļēāļ™āļ—āļąāđˆāļ§āđ‚āļĨāļāļ›āļĢāļ°āļĄāļēāļ“ 800 āļĨāđ‰āļēāļ™āļ„āļ™ āđ‚āļ”āļĒāļĄāļĩāļœāļđāđ‰āđƒāļŠāđ‰āļ‡āļēāļ™āļ›āļĢāļ°āļˆāļģāļ§āļąāļ™āļĢāļēāļ§ 122 āļĨāđ‰āļēāļ™āļ„āļ™ āļ—āđˆāļēāļĄāļāļĨāļēāļ‡āļāļēāļĢāđāļ‚āđˆāļ‡āļ‚āļąāļ™āļāļąāļšāđāļžāļĨāļ•āļŸāļ­āļĢāđŒāļĄāļˆāļēāļāļ„āđˆāļēāļĒāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļĢāļēāļĒāđƒāļŦāļāđˆāļ­āļĒāđˆāļēāļ‡ Google, Microsoft, Meta āļ•āļĨāļ­āļ”āļˆāļ™āļ„āļđāđˆāđāļ‚āđˆāļ‡āļˆāļēāļāļāļąāđˆāļ‡āđ€āļ­āđ€āļŠāļĩāļĒ āđ€āļŠāđˆāļ™ DeepSeek, Baidu, Alibaba āđāļĨāļ° Tencent

    āļŠāļģāļŦāļĢāļąāļšāļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒ āđāļĄāđ‰āļāļĨāļļāđˆāļĄāļœāļđāđ‰āđƒāļŠāđ‰āļ‡āļēāļ™āļŦāļĨāļąāļāļˆāļ°āļ­āļĒāļđāđˆāđƒāļ™āļŠāļēāļĒāđ‚āļ„āđ‰āļ”āļ”āļīāđ‰āļ‡ āđ‚āļ›āļĢāđāļāļĢāļĄāļĄāļīāđˆāļ‡ āļŦāļĢāļ·āļ­āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ āļēāļž AI āđāļ•āđˆ ChatGPT āļāđ‡āđ€āļĢāļīāđˆāļĄāđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļĢāļđāđ‰āļˆāļąāļāđƒāļ™āļ§āļ‡āļāļ§āđ‰āļēāļ‡āļ”āđ‰āļēāļ™āļāļēāļĢāđƒāļŠāđ‰āļŠāļĢāđ‰āļēāļ‡āļŠāļĢāļĢāļ„āđŒāđ€āļ™āļ·āđ‰āļ­āļŦāļēāđāļĨāļ°āđāļ™āļ§āļ„āļīāļ”āđƒāļŦāļĄāđˆāđ† āđ‚āļ”āļĒāļĄāļĩāļŠāļąāļ”āļŠāđˆāļ§āļ™āļœāļđāđ‰āđƒāļŠāđ‰āļ‡āļēāļ™āļ›āļĢāļ°āļĄāļēāļ“ 14% āļˆāļēāļāļ›āļĢāļ°āļŠāļēāļāļĢ 65.89 āļĨāđ‰āļēāļ™āļ„āļ™

    āļŦāļēāļāļžāļīāļˆāļēāļĢāļ“āļēāļ āļēāļžāļĢāļ§āļĄāļ‚āļ­āļ‡āļ•āļĨāļēāļ”āļ­āļēāđ€āļ‹āļĩāļĒāļ™ āļ‹āļķāđˆāļ‡āļĄāļĩāļ›āļĢāļ°āļŠāļēāļāļĢāļĢāļ§āļĄāļĢāļēāļ§ 600 āļĨāđ‰āļēāļ™āļ„āļ™ āļžāļšāļ§āđˆāļē āļ­āļīāļ™āđ‚āļ”āļ™āļĩāđ€āļ‹āļĩāļĒāļĄāļĩāļŠāļąāļ”āļŠāđˆāļ§āļ™āļœāļđāđ‰āđƒāļŠāđ‰āļ‡āļēāļ™āļŠāļđāļ‡āļ—āļĩāđˆāļŠāļļāļ” āļ›āļĢāļ°āļĄāļēāļ“ 32% āļ‚āļ­āļ‡āļ›āļĢāļ°āļŠāļēāļāļĢ 283.48 āļĨāđ‰āļēāļ™āļ„āļ™ āļĢāļ­āļ‡āļĨāļ‡āļĄāļēāļ„āļ·āļ­āļŸāļīāļĨāļīāļ›āļ›āļīāļ™āļŠāđŒ āļ—āļĩāđˆāļĄāļĩāļœāļđāđ‰āđƒāļŠāđ‰āļ‡āļēāļ™āļ›āļĢāļ°āļĄāļēāļ“ 28% āļˆāļēāļāļ›āļĢāļ°āļŠāļēāļāļĢāļĢāļēāļ§ 119 āļĨāđ‰āļēāļ™āļ„āļ™ āļŠāđˆāļ§āļ™āļŠāļīāļ‡āļ„āđ‚āļ›āļĢāđŒāļĄāļĩāļāļēāļĢāđƒāļŠāđ‰āļ‡āļēāļ™āļ­āļĒāđˆāļēāļ‡āđāļžāļĢāđˆāļŦāļĨāļēāļĒāđƒāļ™āļāļĨāļļāđˆāļĄāļ—āļĩāđˆāļĄāļĩāļĢāļēāļĒāđ„āļ”āđ‰āļŠāļđāļ‡āđāļĨāļ°āļāļēāļĢāļĻāļķāļāļĐāļēāļ”āļĩ āļ‚āļ“āļ°āļ—āļĩāđˆāļĄāļēāđ€āļĨāđ€āļ‹āļĩāļĒāļĄāļĩāđāļ™āļ§āđ‚āļ™āđ‰āļĄāđ€āļžāļīāđˆāļĄāļ‚āļķāđ‰āļ™āļ­āļĒāđˆāļēāļ‡āļ•āđˆāļ­āđ€āļ™āļ·āđˆāļ­āļ‡āđƒāļ™āļāļĨāļļāđˆāļĄāļœāļđāđ‰āļŠāļ™āđƒāļˆāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāđƒāļŦāļĄāđˆ āļ­āļĒāđˆāļēāļ‡āđ„āļĢāļāđ‡āļ•āļēāļĄ āļ­āļļāļ›āļŠāļĢāļĢāļ„āļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āļ āļđāļĄāļīāļ āļēāļ„āļ™āļĩāđ‰āļĒāļąāļ‡āļ­āļĒāļđāđˆāļ—āļĩāđˆāļ„āļ§āļēāļĄāđ€āļŦāļĨāļ·āđˆāļ­āļĄāļĨāđ‰āļģāđƒāļ™āļāļēāļĢāđ€āļ‚āđ‰āļēāļ–āļķāļ‡āļ­āļīāļ™āđ€āļ—āļ­āļĢāđŒāđ€āļ™āđ‡āļ•āļ„āļ§āļēāļĄāđ€āļĢāđ‡āļ§āļŠāļđāļ‡ āļ­āļļāļ›āļāļĢāļ“āđŒāļ—āļĩāđˆāļĢāļ­āļ‡āļĢāļąāļš AI āđāļĨāļ°āļ•āđ‰āļ™āļ—āļļāļ™āļšāļĢāļīāļāļēāļĢāļ—āļĩāđˆāļĒāļąāļ‡āļ–āļ·āļ­āļ§āđˆāļēāļŠāļđāļ‡āļŠāļģāļŦāļĢāļąāļšāļ›āļĢāļ°āļŠāļēāļāļĢāļšāļēāļ‡āļŠāđˆāļ§āļ™

    āļ—āļĩāđˆāļœāđˆāļēāļ™āļĄāļē OpenAI āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļšāļĢāļīāļĐāļąāļ—āļ”āđ‰āļēāļ™ AI āļˆāļēāļāļŠāļŦāļĢāļąāļāļ­āđ€āļĄāļĢāļīāļāļē āđ„āļ”āđ‰āđ€āļ›āļīāļ”āļ•āļąāļ§āđ‚āļ„āļĢāļ‡āļāļēāļĢ “OpenAI for Countries” āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļ„āļ§āļēāļĄāļĢāđˆāļ§āļĄāļĄāļ·āļ­āļāļąāļšāļ›āļĢāļ°āđ€āļ—āļĻāļ•āđˆāļēāļ‡ āđ† āđ€āļžāļ·āđˆāļ­āļŠāļ™āļąāļšāļŠāļ™āļļāļ™āļāļēāļĢāļžāļąāļ’āļ™āļēāđ‚āļ„āļĢāļ‡āļŠāļĢāđ‰āļēāļ‡āļžāļ·āđ‰āļ™āļāļēāļ™āļ”āđ‰āļēāļ™ AI āđāļĨāļ°āļāļēāļĢāđ€āļ‚āđ‰āļēāļ–āļķāļ‡ ChatGPT āđƒāļ™āļĢāļ°āļ”āļąāļšāļ›āļĢāļ°āđ€āļ—āļĻ āļ‚āļ“āļ°āļ—āļĩāđˆāļŠāļīāļ‡āļ„āđ‚āļ›āļĢāđŒ OpenAI āđ„āļ”āđ‰āļ›āļĢāļ°āļāļēāļĻāļ„āļ§āļēāļĄāļĢāđˆāļ§āļĄāļĄāļ·āļ­āļāļąāļšāđ‚āļ„āļĢāļ‡āļāļēāļĢ AI Singapore āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āđ‚āļ„āļĢāļ‡āļāļēāļĢāļĢāđˆāļ§āļĄāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļĢāļąāļāļšāļēāļĨāđāļĨāļ°āļŠāļ–āļēāļšāļąāļ™āļāļēāļĢāļĻāļķāļāļĐāļē āđ€āļžāļ·āđˆāļ­āļŠāđˆāļ‡āđ€āļŠāļĢāļīāļĄāļāļēāļĢāļ™āļģ AI āļĄāļēāđƒāļŠāđ‰āđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻ āļŠāđˆāļ§āļ™āļ›āļĢāļ°āđ€āļ—āļĻāļ­āļ·āđˆāļ™āđ† āļŠāļēāļĄāļēāļĢāļ–āđ€āļ‚āđ‰āļēāļ–āļķāļ‡āđ„āļ”āđ‰āļœāđˆāļēāļ™āđāļ­āļ›āļžāļĨāļīāđ€āļ„āļŠāļąāļ™āļšāļ™āļĄāļ·āļ­āļ–āļ·āļ­ āđāļĨāļ°āļœāđˆāļēāļ™āđ€āļ§āđ‡āļšāđ„āļ‹āļ•āđŒ

    āđ‚āļ”āļĒāļĢāļ§āļĄāđāļĨāđ‰āļ§ āļ•āļĨāļēāļ”āļ­āļēāđ€āļ‹āļĩāļĒāļ™āļāļģāļĨāļąāļ‡āļ•āļ·āđˆāļ™āļ•āļąāļ§āļ•āđˆāļ­āļšāļĢāļīāļāļēāļĢ AI āļĄāļēāļāļ‚āļķāđ‰āļ™ āđāļĄāđ‰āļĒāļąāļ‡āđ„āļĄāđˆāđ€āļ—āļĩāļĒāļšāđ€āļ—āđˆāļēāļ•āļĨāļēāļ”āļĒāļļāđ‚āļĢāļ›āļŦāļĢāļ·āļ­āļŠāļŦāļĢāļąāļāļŊ āļ„āļ§āļēāļĄāļĢāđˆāļ§āļĄāļĄāļ·āļ­āļĢāļ°āļŦāļ§āđˆāļēāļ‡ OpenAI āļāļąāļšāļœāļđāđ‰āđƒāļŦāđ‰āļšāļĢāļīāļāļēāļĢāđ‚āļ—āļĢāļ„āļĄāļ™āļēāļ„āļĄāđƒāļ™āļ āļđāļĄāļīāļ āļēāļ„ āļˆāļķāļ‡āđ€āļ›āđ‡āļ™āļāļļāļāđāļˆāļŠāļģāļ„āļąāļāđƒāļ™āļāļēāļĢāļ‚āļĒāļēāļĒāļāļēāļĢāđ€āļ‚āđ‰āļēāļ–āļķāļ‡ ChatGPT āđƒāļŦāđ‰āļ„āļĢāļ­āļšāļ„āļĨāļļāļĄāļ›āļĢāļ°āļŠāļēāļāļĢāđƒāļ™āļ§āļ‡āļāļ§āđ‰āļēāļ‡āļĄāļēāļāļĒāļīāđˆāļ‡āļ‚āļķāđ‰āļ™

    #Newskit
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  • How To Write A Professional Email: Tips & Examples

    During your professional career, you’ll need to write plenty of emails. While writing an email to a friend is pretty simple, writing an email to your boss or a person you have never met before requires a bit more thought if you want to be professional. Ideally, you want your emails to be clear, concise, and persuasive. If that is your goal, then you’ll get there in no time at all if you follow our tips on crafting professional emails.

    What to include in a professional email
    When writing an effective email, there are several things that should never be left out. Let’s walk through each major part of an email so you’ll know exactly how to write one.

    Subject line
    In most email programs, the subject line is entered into the box under the recipient’s email address. Besides your name and email address, the subject line is the first thing someone will see when they receive your email. The subject line should be a short summary of the purpose of your email. Some examples of subject lines include “Plans for Fall Product Lineup,” “Thank You for the Referral,” or “Question About Next Week’s Meeting.”

    If you are responding to or forwarding someone else’s email, an email program will typically fill in a subject line for you such as “Re: New Employee Training.” Generally, it is fine to keep these subject lines as doing so will make it easier for the original sender to keep track of potentially long email chains.

    Greeting
    The greeting is the first line of the email and is a salutation that establishes the tone of your email. Every professional email you send must have a greeting tailored toward the receiver. If you know the receiver’s name and title, you should use it. Avoid referring to anyone as “Mr.” “Mrs.” or “Ms.” unless you already know that person prefers one of those titles. For professional emails, formal greetings such as “Greetings,” “Dear,” or “Good morning/afternoon/evening” are preferred. If you do not know the identity of the person receiving your email, you can exclude a name or use the general greeting of “To Whom It May Concern.” Informal greetings such as “Hi” or “Yo” should be avoided.

    Body
    The body is the largest part of the email and where your actual message will be. You should begin the body by immediately saying what the purpose of the email is and expressing what you are trying to achieve by sending it. The body of the email should be concise, informative, and straight to the point. You should always be polite and use proper grammar in professional emails. Whether the body is a single sentence or several paragraphs, it should provide all the information a person needs to respond to your needs or take whatever actions you want them to.

    Closing
    The closing is the last line of the email before your name or signature. A closing is necessary to ensure proper etiquette and not having one is often seen as rude or inconsiderate. The closing can be very short and use formal words like “Best” or “Thank you.” The closing can also include a restatement of the main topic or a repeat of a request, such as “I look forward to hearing back from you regarding my proposal. Thank you!”

    What not to include in a professional email
    Now that we’ve looked at what should be in your emails, let’s take a look at what you should leave out if you want to come across as a professional.

    Decorative or distracting fonts
    Professional emails should use traditional fonts such as Times New Roman, Arial, or whatever font the email program uses as a standard. Decorative fonts such as Comic Sans are distracting and inappropriate, so they should not be used in your professional emails.

    Excessive punctuation
    Punctuation should follow the rules of proper grammar. It is fine to use question marks, commas, quotation marks, colons, and semicolons as long as you know how to properly use them. Exclamation points should be used sparingly, usually only in the closing or to emphasize a need for immediate action. Excessive, unnecessary use of punctuation is distracting and will make your email look unprofessional.

    Emoticons
    Unless you are emailing someone you have a friendly, informal relationship with, your email should not include emoji, emoticons, gifs, or memes. All of these things are distracting and typically seen as unprofessional, so you should not use them in an email that is supposed to be professional.

    Tips for writing a professional email
    We’ve covered everything that needs to go in an email and what should stay on the cutting room floor. Next, let’s review some general tips that will improve all of the emails you’ll need to write.

    Be concise
    A professional email should be short and to the point. At the same time, you should still use complete sentences and proper grammar. Avoid going on tangents or telling long stories in emails. Each sentence should have a purpose and should provide information that the receiver needs to respond or perform whatever action you need them to take. Avoid asking many questions or making several requests if possible. You can use followup emails to make further requests or ask additional questions if you need to.

    Convey a clear purpose
    A professional email should get straight to the point. Avoid wasting a person’s time by burying your main point deep in the body of an email. The very first line of the body should clearly state what the purpose of the email is and what action you want the receiver to take. The subject line should also establish the purpose of the email. The rest of the email should support the main point by including necessary information or important details that the receiver needs to be aware of.

    Proofread using Grammar Coachâ„Ē
    A professional email should have proper grammar, punctuation, and spelling. To that end, you should thoroughly proofread your emails for any errors. To ensure that all of your emails are perfect, you can use our fantastic Grammar Coachâ„Ē that will review all of your emails for common errors and grammar mistakes. With Grammar Coachâ„Ē at your side, your emails will be error-free and have an air of professionalism that cannot be matched!

    Examples of professional emails
    Let’s finish things off by bringing it all together and taking a look at some different types of emails that effectively use all of our tips and advice.

    Example #1: Relationship building
    The following example shows how you could write an email with the intent of trying to establish a relationship with someone in order to add them to your growing network of professional contacts:

    Subject: Fantastic Lecture

    Dear Dr. Smith,

    I attended your Wednesday lecture on ancient Roman military tactics, and I wanted to express my gratitude for you coming to speak to our university. The lecture was extremely informative and your theories on Julius Caesar’s troop movements were something I had never considered. I am writing a dissertation on Caesar’s campaigns during the Gallic Wars, and your ideas have inspired me to view Caesar’s decisions from a new perspective. I plan on attending your upcoming lecture on the Punic Wars, and I know it will be just as illuminating. I look forward to hearing your views on the Roman war strategy!

    Thank you once again,
    Jane Doe

    Example #2: Referral requests
    When seeking a new career opportunity, having a referral or two will often give you a major advantage when it comes to submitting a job application. When asking another person for a referral via email, it is important to be polite and accommodating. The following example shows how you might ask for a referral through email:

    Subject: Referral Request – Zachary Adams

    Dear Professor Delgado,

    I hope you are well and wanted to thank you again for the instruction and guidance during my time at East Virginia University. I am applying for a position at the Research Institute Laboratories and was wondering if you would be willing to provide me with a referral.

    The position requires many of the same skills and lab work I performed during my time under your tutelage. Thanks to your instruction, I was able to excel in my studies and gain crucial experience using a nuclear fusion reactor. Due to your expertise and renown in the field, I know your referral would greatly improve my application.

    Thank you for considering my inquiry. I have attached a copy of my cover letter, resume, and the job posting for your review. Please let me know if you need anything else from me as you consider my request.

    Sincerely,
    Zachary Adams
    zadams@fakemail.abc
    (123) 456-7890

    Example #3: Resignation
    When leaving a job, you’ll need to submit a resignation letter. Your resignation email should be courteous and professional–even if you are looking forward to leaving your job. You never know if you might need to contact your former company for referrals or references, so it is important to remain professional and cordial even in your letter of resignation. The following example shows one possible approach you could take in your resignation email:

    Subject: Resignation – Laura Nores

    Dear Mrs. Smith,

    This email is my formal notification that I am resigning from my position as Head Marketing Consultant at Boxmart. My final day of employment will be April 1.

    I am grateful that I have had the opportunity to lead the marketing department at Boxmart for the past seven years. I’ve learned a lot about developing marketing campaigns and conducting demographic research during my time with the company. I’ve enjoyed being a member of the Boxmart team and appreciated the opportunities I’ve had to make the Boxmart brand a household name in the minds of customers worldwide. I will take everything I learned with me as I continue in my marketing career.

    During my final weeks with the company, I will ensure my team is prepared for the transition and will complete any outstanding responsibilities I have as Head Marketing Consultant. Please let me know if there is anything I need to do to assist in the transition.

    I hope Boxmart continues to be a market leader and that we remain in contact in the future.

    Best,
    Laura Nores

    ÂĐ 2025, Aakkhra, All rights reserved.
    How To Write A Professional Email: Tips & Examples During your professional career, you’ll need to write plenty of emails. While writing an email to a friend is pretty simple, writing an email to your boss or a person you have never met before requires a bit more thought if you want to be professional. Ideally, you want your emails to be clear, concise, and persuasive. If that is your goal, then you’ll get there in no time at all if you follow our tips on crafting professional emails. What to include in a professional email When writing an effective email, there are several things that should never be left out. Let’s walk through each major part of an email so you’ll know exactly how to write one. Subject line In most email programs, the subject line is entered into the box under the recipient’s email address. Besides your name and email address, the subject line is the first thing someone will see when they receive your email. The subject line should be a short summary of the purpose of your email. Some examples of subject lines include “Plans for Fall Product Lineup,” “Thank You for the Referral,” or “Question About Next Week’s Meeting.” If you are responding to or forwarding someone else’s email, an email program will typically fill in a subject line for you such as “Re: New Employee Training.” Generally, it is fine to keep these subject lines as doing so will make it easier for the original sender to keep track of potentially long email chains. Greeting The greeting is the first line of the email and is a salutation that establishes the tone of your email. Every professional email you send must have a greeting tailored toward the receiver. If you know the receiver’s name and title, you should use it. Avoid referring to anyone as “Mr.” “Mrs.” or “Ms.” unless you already know that person prefers one of those titles. For professional emails, formal greetings such as “Greetings,” “Dear,” or “Good morning/afternoon/evening” are preferred. If you do not know the identity of the person receiving your email, you can exclude a name or use the general greeting of “To Whom It May Concern.” Informal greetings such as “Hi” or “Yo” should be avoided. Body The body is the largest part of the email and where your actual message will be. You should begin the body by immediately saying what the purpose of the email is and expressing what you are trying to achieve by sending it. The body of the email should be concise, informative, and straight to the point. You should always be polite and use proper grammar in professional emails. Whether the body is a single sentence or several paragraphs, it should provide all the information a person needs to respond to your needs or take whatever actions you want them to. Closing The closing is the last line of the email before your name or signature. A closing is necessary to ensure proper etiquette and not having one is often seen as rude or inconsiderate. The closing can be very short and use formal words like “Best” or “Thank you.” The closing can also include a restatement of the main topic or a repeat of a request, such as “I look forward to hearing back from you regarding my proposal. Thank you!” What not to include in a professional email Now that we’ve looked at what should be in your emails, let’s take a look at what you should leave out if you want to come across as a professional. Decorative or distracting fonts Professional emails should use traditional fonts such as Times New Roman, Arial, or whatever font the email program uses as a standard. Decorative fonts such as Comic Sans are distracting and inappropriate, so they should not be used in your professional emails. Excessive punctuation Punctuation should follow the rules of proper grammar. It is fine to use question marks, commas, quotation marks, colons, and semicolons as long as you know how to properly use them. Exclamation points should be used sparingly, usually only in the closing or to emphasize a need for immediate action. Excessive, unnecessary use of punctuation is distracting and will make your email look unprofessional. Emoticons Unless you are emailing someone you have a friendly, informal relationship with, your email should not include emoji, emoticons, gifs, or memes. All of these things are distracting and typically seen as unprofessional, so you should not use them in an email that is supposed to be professional. Tips for writing a professional email We’ve covered everything that needs to go in an email and what should stay on the cutting room floor. Next, let’s review some general tips that will improve all of the emails you’ll need to write. Be concise A professional email should be short and to the point. At the same time, you should still use complete sentences and proper grammar. Avoid going on tangents or telling long stories in emails. Each sentence should have a purpose and should provide information that the receiver needs to respond or perform whatever action you need them to take. Avoid asking many questions or making several requests if possible. You can use followup emails to make further requests or ask additional questions if you need to. Convey a clear purpose A professional email should get straight to the point. Avoid wasting a person’s time by burying your main point deep in the body of an email. The very first line of the body should clearly state what the purpose of the email is and what action you want the receiver to take. The subject line should also establish the purpose of the email. The rest of the email should support the main point by including necessary information or important details that the receiver needs to be aware of. Proofread using Grammar Coach™ A professional email should have proper grammar, punctuation, and spelling. To that end, you should thoroughly proofread your emails for any errors. To ensure that all of your emails are perfect, you can use our fantastic Grammar Coach™ that will review all of your emails for common errors and grammar mistakes. With Grammar Coach™ at your side, your emails will be error-free and have an air of professionalism that cannot be matched! Examples of professional emails Let’s finish things off by bringing it all together and taking a look at some different types of emails that effectively use all of our tips and advice. Example #1: Relationship building The following example shows how you could write an email with the intent of trying to establish a relationship with someone in order to add them to your growing network of professional contacts: Subject: Fantastic Lecture Dear Dr. Smith, I attended your Wednesday lecture on ancient Roman military tactics, and I wanted to express my gratitude for you coming to speak to our university. The lecture was extremely informative and your theories on Julius Caesar’s troop movements were something I had never considered. I am writing a dissertation on Caesar’s campaigns during the Gallic Wars, and your ideas have inspired me to view Caesar’s decisions from a new perspective. I plan on attending your upcoming lecture on the Punic Wars, and I know it will be just as illuminating. I look forward to hearing your views on the Roman war strategy! Thank you once again, Jane Doe Example #2: Referral requests When seeking a new career opportunity, having a referral or two will often give you a major advantage when it comes to submitting a job application. When asking another person for a referral via email, it is important to be polite and accommodating. The following example shows how you might ask for a referral through email: Subject: Referral Request – Zachary Adams Dear Professor Delgado, I hope you are well and wanted to thank you again for the instruction and guidance during my time at East Virginia University. I am applying for a position at the Research Institute Laboratories and was wondering if you would be willing to provide me with a referral. The position requires many of the same skills and lab work I performed during my time under your tutelage. Thanks to your instruction, I was able to excel in my studies and gain crucial experience using a nuclear fusion reactor. Due to your expertise and renown in the field, I know your referral would greatly improve my application. Thank you for considering my inquiry. I have attached a copy of my cover letter, resume, and the job posting for your review. Please let me know if you need anything else from me as you consider my request. Sincerely, Zachary Adams zadams@fakemail.abc (123) 456-7890 Example #3: Resignation When leaving a job, you’ll need to submit a resignation letter. Your resignation email should be courteous and professional–even if you are looking forward to leaving your job. You never know if you might need to contact your former company for referrals or references, so it is important to remain professional and cordial even in your letter of resignation. The following example shows one possible approach you could take in your resignation email: Subject: Resignation – Laura Nores Dear Mrs. Smith, This email is my formal notification that I am resigning from my position as Head Marketing Consultant at Boxmart. My final day of employment will be April 1. I am grateful that I have had the opportunity to lead the marketing department at Boxmart for the past seven years. I’ve learned a lot about developing marketing campaigns and conducting demographic research during my time with the company. I’ve enjoyed being a member of the Boxmart team and appreciated the opportunities I’ve had to make the Boxmart brand a household name in the minds of customers worldwide. I will take everything I learned with me as I continue in my marketing career. During my final weeks with the company, I will ensure my team is prepared for the transition and will complete any outstanding responsibilities I have as Head Marketing Consultant. Please let me know if there is anything I need to do to assist in the transition. I hope Boxmart continues to be a market leader and that we remain in contact in the future. Best, Laura Nores © 2025, Aakkhra, All rights reserved.
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  • Nvidia āđ€āļ•āļĢāļĩāļĒāļĄāđ€āļ›āļīāļ”āļ•āļąāļ§āļŠāļīāļ› AI āđƒāļŦāļĄāđˆāļŠāļģāļŦāļĢāļąāļšāļ•āļĨāļēāļ”āļˆāļĩāļ™ āļŦāļĨāļąāļ‡āļ–āļđāļāļŠāļŦāļĢāļąāļāļŊ āļˆāļģāļāļąāļ”āļāļēāļĢāļŠāđˆāļ‡āļ­āļ­āļ

    Nvidia āļāļģāļĨāļąāļ‡āļžāļąāļ’āļ™āļēāļŠāļīāļ› AI āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļŠāļģāļŦāļĢāļąāļšāļ•āļĨāļēāļ”āļˆāļĩāļ™ āļŦāļĨāļąāļ‡āļˆāļēāļāļ—āļĩāđˆāļĢāļąāļāļšāļēāļĨāļŠāļŦāļĢāļąāļāļŊ āļŠāļąāđˆāļ‡āļŦāđ‰āļēāļĄāļāļēāļĢāļŠāđˆāļ‡āļ­āļ­āļāļŠāļīāļ› H20 āđāļĨāļ° H100 āđ„āļ›āļĒāļąāļ‡āļˆāļĩāļ™ āđ‚āļ”āļĒāļŠāļīāļ›āđƒāļŦāļĄāđˆāļ™āļĩāđ‰ āļˆāļ°āđ„āļĄāđˆāđƒāļŠāđ‰āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄ Hopper āđāļĨāļ°āļ­āļēāļˆāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļˆāļēāļ HBM āđ€āļ›āđ‡āļ™ GDDR7 āđ€āļžāļ·āđˆāļ­āļŦāļĨāļĩāļāđ€āļĨāļĩāđˆāļĒāļ‡āļ‚āđ‰āļ­āļˆāļģāļāļąāļ”āļ”āđ‰āļēāļ™āļŦāļ™āđˆāļ§āļĒāļ„āļ§āļēāļĄāļˆāļģāđāļĨāļ°āļāļēāļĢāđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­

    āļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļŠāļģāļ„āļąāļāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāđāļœāļ™āļ‚āļ­āļ‡ Nvidia āđƒāļ™āļ•āļĨāļēāļ”āļˆāļĩāļ™
    āļŠāļīāļ› AI āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļˆāļ°āđ„āļĄāđˆāđƒāļŠāđ‰āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄ Hopper
    - Jensen Huang āļĒāļ·āļ™āļĒāļąāļ™āļ§āđˆāļēāđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āļ›āļĢāļąāļšāđāļ•āđˆāļ‡ Hopper āđ„āļ”āđ‰āļ­āļĩāļāļ•āđˆāļ­āđ„āļ›

    Nvidia āļ­āļēāļˆāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļˆāļēāļ HBM āđ€āļ›āđ‡āļ™ GDDR7 āđ€āļžāļ·āđˆāļ­āļŦāļĨāļĩāļāđ€āļĨāļĩāđˆāļĒāļ‡āļ‚āđ‰āļ­āļˆāļģāļāļąāļ”āļ”āđ‰āļēāļ™āļŦāļ™āđˆāļ§āļĒāļ„āļ§āļēāļĄāļˆāļģ
    - āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļ āļĢāļąāļāļšāļēāļĨāļŠāļŦāļĢāļąāļāļŊ āļāļģāļŦāļ™āļ”āđƒāļŦāđ‰āļ•āđ‰āļ­āļ‡āļĄāļĩāđƒāļšāļ­āļ™āļļāļāļēāļ•āļŠāđˆāļ‡āļ­āļ­āļāļŠāļģāļŦāļĢāļąāļšāļŠāļīāļ›āļ—āļĩāđˆāļĄāļĩāđāļšāļ™āļ”āđŒāļ§āļīāļ”āļ—āđŒāļŠāļđāļ‡

    āļ•āļĨāļēāļ”āļˆāļĩāļ™āļĄāļĩāļ„āļ§āļēāļĄāļŠāļģāļ„āļąāļāļ•āđˆāļ­ Nvidia āđāļĄāđ‰āļˆāļ°āļ–āļđāļāļˆāļģāļāļąāļ”āļāļēāļĢāļŠāđˆāļ‡āļ­āļ­āļ
    - Nvidia āļŠāļđāļāđ€āļŠāļĩāļĒāļĢāļēāļĒāđ„āļ”āđ‰āļāļ§āđˆāļē 5.5 āļžāļąāļ™āļĨāđ‰āļēāļ™āļ”āļ­āļĨāļĨāļēāļĢāđŒāļˆāļēāļāļ‚āđ‰āļ­āļˆāļģāļāļąāļ”āļ™āļĩāđ‰

    Huawei āđ€āļ›āļīāļ”āļ•āļąāļ§ Ascend 920 āđ€āļžāļ·āđˆāļ­āđāļ‚āđˆāļ‡āļ‚āļąāļ™āļāļąāļš Nvidia āđƒāļ™āļ•āļĨāļēāļ”āļˆāļĩāļ™
    - āđāļĄāđ‰āļˆāļ°āļĄāļĩāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļ•āđˆāļģāļāļ§āđˆāļē āđāļ•āđˆāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āļˆāļēāļāļĢāļąāļāļšāļēāļĨāļˆāļĩāļ™

    Nvidia āļ­āļēāļˆāđƒāļŠāđ‰āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄ Blackwell āđāļ—āļ™ Hopper
    - āđāļ•āđˆ Blackwell āđ„āļĄāđˆāļĄāļĩ NVLink āļ‹āļķāđˆāļ‡āļˆāļģāđ€āļ›āđ‡āļ™āļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļ—āļģāļ‡āļēāļ™āđāļšāļš multi-GPU

    https://www.tomshardware.com/pc-components/gpus/nvidias-h20-follow-up-in-china-wont-be-based-on-hopper-says-jensen-reportedly-switching-from-hbm-to-gddr7
    Nvidia āđ€āļ•āļĢāļĩāļĒāļĄāđ€āļ›āļīāļ”āļ•āļąāļ§āļŠāļīāļ› AI āđƒāļŦāļĄāđˆāļŠāļģāļŦāļĢāļąāļšāļ•āļĨāļēāļ”āļˆāļĩāļ™ āļŦāļĨāļąāļ‡āļ–āļđāļāļŠāļŦāļĢāļąāļāļŊ āļˆāļģāļāļąāļ”āļāļēāļĢāļŠāđˆāļ‡āļ­āļ­āļ Nvidia āļāļģāļĨāļąāļ‡āļžāļąāļ’āļ™āļēāļŠāļīāļ› AI āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļŠāļģāļŦāļĢāļąāļšāļ•āļĨāļēāļ”āļˆāļĩāļ™ āļŦāļĨāļąāļ‡āļˆāļēāļāļ—āļĩāđˆāļĢāļąāļāļšāļēāļĨāļŠāļŦāļĢāļąāļāļŊ āļŠāļąāđˆāļ‡āļŦāđ‰āļēāļĄāļāļēāļĢāļŠāđˆāļ‡āļ­āļ­āļāļŠāļīāļ› H20 āđāļĨāļ° H100 āđ„āļ›āļĒāļąāļ‡āļˆāļĩāļ™ āđ‚āļ”āļĒāļŠāļīāļ›āđƒāļŦāļĄāđˆāļ™āļĩāđ‰ āļˆāļ°āđ„āļĄāđˆāđƒāļŠāđ‰āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄ Hopper āđāļĨāļ°āļ­āļēāļˆāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļˆāļēāļ HBM āđ€āļ›āđ‡āļ™ GDDR7 āđ€āļžāļ·āđˆāļ­āļŦāļĨāļĩāļāđ€āļĨāļĩāđˆāļĒāļ‡āļ‚āđ‰āļ­āļˆāļģāļāļąāļ”āļ”āđ‰āļēāļ™āļŦāļ™āđˆāļ§āļĒāļ„āļ§āļēāļĄāļˆāļģāđāļĨāļ°āļāļēāļĢāđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­ ðŸ” āļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļŠāļģāļ„āļąāļāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāđāļœāļ™āļ‚āļ­āļ‡ Nvidia āđƒāļ™āļ•āļĨāļēāļ”āļˆāļĩāļ™ âœ… āļŠāļīāļ› AI āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļˆāļ°āđ„āļĄāđˆāđƒāļŠāđ‰āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄ Hopper - Jensen Huang āļĒāļ·āļ™āļĒāļąāļ™āļ§āđˆāļēāđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āļ›āļĢāļąāļšāđāļ•āđˆāļ‡ Hopper āđ„āļ”āđ‰āļ­āļĩāļāļ•āđˆāļ­āđ„āļ› âœ… Nvidia āļ­āļēāļˆāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļˆāļēāļ HBM āđ€āļ›āđ‡āļ™ GDDR7 āđ€āļžāļ·āđˆāļ­āļŦāļĨāļĩāļāđ€āļĨāļĩāđˆāļĒāļ‡āļ‚āđ‰āļ­āļˆāļģāļāļąāļ”āļ”āđ‰āļēāļ™āļŦāļ™āđˆāļ§āļĒāļ„āļ§āļēāļĄāļˆāļģ - āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļ āļĢāļąāļāļšāļēāļĨāļŠāļŦāļĢāļąāļāļŊ āļāļģāļŦāļ™āļ”āđƒāļŦāđ‰āļ•āđ‰āļ­āļ‡āļĄāļĩāđƒāļšāļ­āļ™āļļāļāļēāļ•āļŠāđˆāļ‡āļ­āļ­āļāļŠāļģāļŦāļĢāļąāļšāļŠāļīāļ›āļ—āļĩāđˆāļĄāļĩāđāļšāļ™āļ”āđŒāļ§āļīāļ”āļ—āđŒāļŠāļđāļ‡ âœ… āļ•āļĨāļēāļ”āļˆāļĩāļ™āļĄāļĩāļ„āļ§āļēāļĄāļŠāļģāļ„āļąāļāļ•āđˆāļ­ Nvidia āđāļĄāđ‰āļˆāļ°āļ–āļđāļāļˆāļģāļāļąāļ”āļāļēāļĢāļŠāđˆāļ‡āļ­āļ­āļ - Nvidia āļŠāļđāļāđ€āļŠāļĩāļĒāļĢāļēāļĒāđ„āļ”āđ‰āļāļ§āđˆāļē 5.5 āļžāļąāļ™āļĨāđ‰āļēāļ™āļ”āļ­āļĨāļĨāļēāļĢāđŒāļˆāļēāļāļ‚āđ‰āļ­āļˆāļģāļāļąāļ”āļ™āļĩāđ‰ ✅ Huawei āđ€āļ›āļīāļ”āļ•āļąāļ§ Ascend 920 āđ€āļžāļ·āđˆāļ­āđāļ‚āđˆāļ‡āļ‚āļąāļ™āļāļąāļš Nvidia āđƒāļ™āļ•āļĨāļēāļ”āļˆāļĩāļ™ - āđāļĄāđ‰āļˆāļ°āļĄāļĩāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļ•āđˆāļģāļāļ§āđˆāļē āđāļ•āđˆāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āļˆāļēāļāļĢāļąāļāļšāļēāļĨāļˆāļĩāļ™ âœ… Nvidia āļ­āļēāļˆāđƒāļŠāđ‰āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄ Blackwell āđāļ—āļ™ Hopper - āđāļ•āđˆ Blackwell āđ„āļĄāđˆāļĄāļĩ NVLink āļ‹āļķāđˆāļ‡āļˆāļģāđ€āļ›āđ‡āļ™āļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļ—āļģāļ‡āļēāļ™āđāļšāļš multi-GPU https://www.tomshardware.com/pc-components/gpus/nvidias-h20-follow-up-in-china-wont-be-based-on-hopper-says-jensen-reportedly-switching-from-hbm-to-gddr7
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    āļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļŠāļģāļ„āļąāļāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļ›āļąāļāļŦāļēāļāļēāļĢāļ­āļąāļ›āđ€āļ”āļ• KB5058379
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    https://www.neowin.net/news/microsoft-blames-intel-as-kb5058379-takes-windows-pcs-on-a-bitlocker-recovery-reboot-ride/
    Microsoft āļžāļšāļ›āļąāļāļŦāļēāļāļēāļĢāļ­āļąāļ›āđ€āļ”āļ• KB5058379 āļ—āļģāđƒāļŦāđ‰ Windows 10 āđ€āļ‚āđ‰āļēāļŠāļđāđˆāđ‚āļŦāļĄāļ” BitLocker Recovery Microsoft āļĒāļ·āļ™āļĒāļąāļ™āļ§āđˆāļēāļāļēāļĢāļ­āļąāļ›āđ€āļ”āļ• KB5058379 āļŠāļģāļŦāļĢāļąāļš Windows 10 āļāļģāļĨāļąāļ‡āļŠāļĢāđ‰āļēāļ‡āļ›āļąāļāļŦāļēāđƒāļŦāđ‰āļāļąāļšāļœāļđāđ‰āđƒāļŠāđ‰ āđ‚āļ”āļĒāļ—āļģāđƒāļŦāđ‰āļĢāļ°āļšāļšāđ€āļ‚āđ‰āļēāļŠāļđāđˆ BitLocker Recovery Loop āļ‹āļķāđˆāļ‡āđ€āļāļīāļ”āļˆāļēāļ āļ„āļ§āļēāļĄāļ‚āļąāļ”āđāļĒāđ‰āļ‡āļĢāļ°āļŦāļ§āđˆāļēāļ‡ Intel TXT (Trusted Execution Technology) āđāļĨāļ°āļāļĢāļ°āļšāļ§āļ™āļāļēāļĢ LSASS (Local Security Authority Server Service) 🔍 āļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ”āļŠāļģāļ„āļąāļāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļ›āļąāļāļŦāļēāļāļēāļĢāļ­āļąāļ›āđ€āļ”āļ• KB5058379 ✅ Microsoft āļžāļšāļ§āđˆāļēāļ›āļąāļāļŦāļēāđ€āļāļīāļ”āļˆāļēāļāļ„āļ§āļēāļĄāļ‚āļąāļ”āđāļĒāđ‰āļ‡āļĢāļ°āļŦāļ§āđˆāļēāļ‡ Intel TXT āđāļĨāļ° LSASS - LSASS āđ€āļ›āđ‡āļ™āļāļĢāļ°āļšāļ§āļ™āļāļēāļĢāļ—āļĩāđˆāļŠāđˆāļ§āļĒāļ•āļĢāļ§āļˆāļŠāļ­āļšāđāļĨāļ°āļĒāļ·āļ™āļĒāļąāļ™āļ•āļąāļ§āļ•āļ™āļ‚āļ­āļ‡āļœāļđāđ‰āđƒāļŠāđ‰ ✅ āđ€āļĄāļ·āđˆāļ­āđ€āļāļīāļ”āļ‚āđ‰āļ­āļœāļīāļ”āļžāļĨāļēāļ” āļĢāļ°āļšāļšāļ­āļēāļˆāđ€āļ‚āđ‰āļēāļŠāļđāđˆāđ‚āļŦāļĄāļ” Automatic Repair āļŦāļĢāļ·āļ­ Reboot Loop - āļšāļēāļ‡āļāļĢāļ“āļĩ Windows āļˆāļ°āļžāļĒāļēāļĒāļēāļĄāļ•āļīāļ”āļ•āļąāđ‰āļ‡āļ­āļąāļ›āđ€āļ”āļ•āļŦāļĨāļēāļĒāļ„āļĢāļąāđ‰āļ‡āļāđˆāļ­āļ™āļĒāđ‰āļ­āļ™āļāļĨāļąāļšāđ„āļ›āļĒāļąāļ‡āđ€āļ§āļ­āļĢāđŒāļŠāļąāļ™āļāđˆāļ­āļ™āļŦāļ™āđ‰āļē ✅ Microsoft āđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āļœāļđāđ‰āđƒāļŠāđ‰āļ›āļīāļ” Intel TXT āđƒāļ™ BIOS āđ€āļžāļ·āđˆāļ­āđāļāđ‰āđ„āļ‚āļ›āļąāļāļŦāļē - āļŠāļēāļĄāļēāļĢāļ– āđ€āļ‚āđ‰āļēāđ„āļ›āļ—āļĩāđˆ BIOS āđāļĨāļ°āļ›āļīāļ”āļŸāļĩāđ€āļˆāļ­āļĢāđŒ TXT āđ€āļžāļ·āđˆāļ­āļŦāļĨāļĩāļāđ€āļĨāļĩāđˆāļĒāļ‡āļāļēāļĢāđ€āļ‚āđ‰āļēāļŠāļđāđˆ BitLocker Recovery ✅ Microsoft āļāļģāļĨāļąāļ‡āļžāļąāļ’āļ™āļēāđāļžāļ•āļŠāđŒāđāļāđ‰āđ„āļ‚āđāļĨāļ°āļˆāļ°āļ›āļĨāđˆāļ­āļĒāļ­āļąāļ›āđ€āļ”āļ•āļ‰āļļāļāđ€āļ‰āļīāļ™āđ€āļĢāđ‡āļ§ āđ† āļ™āļĩāđ‰ - āļ„āļĨāđ‰āļēāļĒāļāļąāļš āđāļžāļ•āļŠāđŒāļ—āļĩāđˆāļ­āļ­āļāļŠāļģāļŦāļĢāļąāļš Windows 11 24H2 āļāđˆāļ­āļ™āļŦāļ™āđ‰āļēāļ™āļĩāđ‰ ✅ Event ID 20 āđāļĨāļ° 1074 āļ­āļēāļˆāļ›āļĢāļēāļāļāđƒāļ™ Windows Event Viewer - āđāļŠāļ”āļ‡āļ‚āđ‰āļ­āļ„āļ§āļēāļĄ "Installation Failure: Windows failed to install the following update with error 0x800F0845" https://www.neowin.net/news/microsoft-blames-intel-as-kb5058379-takes-windows-pcs-on-a-bitlocker-recovery-reboot-ride/
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    Microsoft blames Intel as KB5058379 takes Windows PCs on a BitLocker recovery reboot ride
    Microsoft has explained how an Intel feature is triggering Windows 10 PCs with the latest update to go into a BitLocker recovery and reboot loop.
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  • “Learnt” vs. “Learned”: Learn The Difference

    We use past tense verb forms like burnt and slept all the time. But what about learnt? Is it a word? Does it mean the same thing as learned? And why do some verbs form their past tense by adding a -t at the end?

    In this article, you’ll get the answers to these questions and learn all you need to know about learnt and learned.

    Quick summary

    Both learned and learnt are correct forms of the past tense and past participle of the verb learn. Of the two, learned is far more commonly used in American English. Learnt is used in British English and some other varieties.

    Is it learned or learnt?

    Both learned and learnt can be used as the past tense and past participle forms of the verb learn. In both cases, they can be used interchangeably (though frequency of use varies widely depending on the variety of English).

    Here’s an example of learned and learnt being used in the past tense: I learned/learnt how to ride a bike when I was seven years old.

    A past participle form of a verb can be used to form the present perfect verb tense (have learned/learnt) or the past perfect verb tense (had learned/learnt) or, sometimes, as an adjective.

    Here’s an example of learned and learnt being used in present perfect form: I have learned/learnt many things from you.

    And here’s an example in past participle form: I knew which berries were toxic because I had learned/learnt to identify them at camp.

    learned and learnt as adjectives

    When the past participle form learned is used as an adjective, it can be pronounced [ lur-nid ], as in a learned scholar, or [ lurnd ], as in learned behavior. It’s much less common for learnt to be used as an adjective, but when it is, it’s typically used in the same way as the second example above (in phrases like learnt behavior, for example).

    Is learnt regular or irregular?

    The past tense and past participle of most verbs are formed by adding -ed or -d to the end of the root form of the verb—as is done when forming learned from learn. Verbs whose past and past participles follow this general rule are called regular verbs, whereas verbs that don’t act this way are called irregular verbs.

    Though some consider learnt to be an irregular form, adding -t to form the past tense or past participle follows the same pattern as adding -ed—without the more drastic spelling changes seen in irregular verbs, such as when catch changes to caught.

    But learnt isn’t the only verb that ends this way.

    Examples of -t in past tense and past participle forms

    The use of -t when forming past tense or past participle is thought to be influenced in part by speech patterns (meaning that, in some cases, the dominant form likely emerges simply because it’s easier to say).

    Some verbs that add a -t instead of -ed or -d add it directly to the end of the word without any other spelling change.

    Examples: dream becomes dreamt; burn becomes burnt.

    Sometimes, though, the spelling and vowel sound in the middle of the word can change along with the ending.

    Examples: feel becomes felt; sleep becomes slept

    Some verbs only use the -t form in their past and past participle forms.

    Examples: creep becomes crept; sleep becomes slept; weep becomes wept; keep becomes kept

    Note that some -ed forms, such as sleeped and keeped, are never used and are considered incorrect.

    In other cases, both the -ed and -t forms of a verb are used.

    Examples: learned and learnt; dreamed and dreamt; burned and burnt; kneeled and knelt; smelled and smelt

    Sometimes, both forms are used with relatively similar frequency, as in the case of burned and burnt. In other cases, one of the two forms may be much less commonly used than the other. For example, kneeled is much less commonly used than knelt, and learnt is much less commonly used than learned (particularly in American English).

    ÂĐ 2025, Aakkhra, All rights reserved.
    “Learnt” vs. “Learned”: Learn The Difference We use past tense verb forms like burnt and slept all the time. But what about learnt? Is it a word? Does it mean the same thing as learned? And why do some verbs form their past tense by adding a -t at the end? In this article, you’ll get the answers to these questions and learn all you need to know about learnt and learned. Quick summary Both learned and learnt are correct forms of the past tense and past participle of the verb learn. Of the two, learned is far more commonly used in American English. Learnt is used in British English and some other varieties. Is it learned or learnt? Both learned and learnt can be used as the past tense and past participle forms of the verb learn. In both cases, they can be used interchangeably (though frequency of use varies widely depending on the variety of English). Here’s an example of learned and learnt being used in the past tense: I learned/learnt how to ride a bike when I was seven years old. A past participle form of a verb can be used to form the present perfect verb tense (have learned/learnt) or the past perfect verb tense (had learned/learnt) or, sometimes, as an adjective. Here’s an example of learned and learnt being used in present perfect form: I have learned/learnt many things from you. And here’s an example in past participle form: I knew which berries were toxic because I had learned/learnt to identify them at camp. learned and learnt as adjectives When the past participle form learned is used as an adjective, it can be pronounced [ lur-nid ], as in a learned scholar, or [ lurnd ], as in learned behavior. It’s much less common for learnt to be used as an adjective, but when it is, it’s typically used in the same way as the second example above (in phrases like learnt behavior, for example). Is learnt regular or irregular? The past tense and past participle of most verbs are formed by adding -ed or -d to the end of the root form of the verb—as is done when forming learned from learn. Verbs whose past and past participles follow this general rule are called regular verbs, whereas verbs that don’t act this way are called irregular verbs. Though some consider learnt to be an irregular form, adding -t to form the past tense or past participle follows the same pattern as adding -ed—without the more drastic spelling changes seen in irregular verbs, such as when catch changes to caught. But learnt isn’t the only verb that ends this way. Examples of -t in past tense and past participle forms The use of -t when forming past tense or past participle is thought to be influenced in part by speech patterns (meaning that, in some cases, the dominant form likely emerges simply because it’s easier to say). Some verbs that add a -t instead of -ed or -d add it directly to the end of the word without any other spelling change. Examples: dream becomes dreamt; burn becomes burnt. Sometimes, though, the spelling and vowel sound in the middle of the word can change along with the ending. Examples: feel becomes felt; sleep becomes slept Some verbs only use the -t form in their past and past participle forms. Examples: creep becomes crept; sleep becomes slept; weep becomes wept; keep becomes kept Note that some -ed forms, such as sleeped and keeped, are never used and are considered incorrect. In other cases, both the -ed and -t forms of a verb are used. Examples: learned and learnt; dreamed and dreamt; burned and burnt; kneeled and knelt; smelled and smelt Sometimes, both forms are used with relatively similar frequency, as in the case of burned and burnt. In other cases, one of the two forms may be much less commonly used than the other. For example, kneeled is much less commonly used than knelt, and learnt is much less commonly used than learned (particularly in American English). © 2025, Aakkhra, All rights reserved.
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    Valve āđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āļœāļđāđ‰āđƒāļŠāđ‰āđ€āļ›āļīāļ”āđƒāļŠāđ‰āļ‡āļēāļ™ Steam Mobile Authenticator āđ€āļžāļ·āđˆāļ­āđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒ
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    https://www.neowin.net/news/following-data-leak-valve-assures-steam-users-that-its-systems-were-not-breached/
    Valve āļĒāļ·āļ™āļĒāļąāļ™āļ§āđˆāļē Steam āđ„āļĄāđˆāļ–āļđāļāđāļŪāđ‡āļ āđāļĄāđ‰āļĄāļĩāļ‚āđˆāļēāļ§āļ‚āđ‰āļ­āļĄāļđāļĨāļĢāļąāđˆāļ§āđ„āļŦāļĨ Valve āđ„āļ”āđ‰āļ­āļ­āļāđāļ–āļĨāļ‡āļāļēāļĢāļ“āđŒāđ€āļāļĩāđˆāļĒāļ§āļāļąāļš āļ‚āđˆāļēāļ§āļāļēāļĢāļĢāļąāđˆāļ§āđ„āļŦāļĨāļ‚āļ­āļ‡āļ‚āđ‰āļ­āļĄāļđāļĨ Steam āļ—āļĩāđˆāļĄāļĩāļĢāļēāļĒāļ‡āļēāļ™āļ§āđˆāļēāļāļĢāļ°āļ—āļšāļāļ§āđˆāļē 89 āļĨāđ‰āļēāļ™āļšāļąāļāļŠāļĩ āđ‚āļ”āļĒāļšāļĢāļīāļĐāļąāļ—āļĒāļ·āļ™āļĒāļąāļ™āļ§āđˆāļē āļĢāļ°āļšāļšāļ‚āļ­āļ‡ Steam āđ„āļĄāđˆāđ„āļ”āđ‰āļ–āļđāļāđ€āļˆāļēāļ° āđāļĨāļ°āļ‚āđ‰āļ­āļĄāļđāļĨāļœāļđāđ‰āđƒāļŠāđ‰āļĒāļąāļ‡āļ›āļĨāļ­āļ”āļ āļąāļĒ âœ… Valve āļ•āļĢāļ§āļˆāļŠāļ­āļšāļ‚āđ‰āļ­āļĄāļđāļĨāļ—āļĩāđˆāļĢāļąāđˆāļ§āđ„āļŦāļĨāđāļĨāļ°āļĒāļ·āļ™āļĒāļąāļ™āļ§āđˆāļēāđ„āļĄāđˆāđƒāļŠāđˆāļāļēāļĢāđ€āļˆāļēāļ°āļĢāļ°āļšāļš Steam - āļ‚āđ‰āļ­āļĄāļđāļĨāļ—āļĩāđˆāļĢāļąāđˆāļ§āđ„āļŦāļĨ āđ€āļ›āđ‡āļ™āļ‚āđ‰āļ­āļ„āļ§āļēāļĄ SMS āđ€āļāđˆāļēāļ—āļĩāđˆāđ€āļ„āļĒāļŠāđˆāļ‡āđ„āļ›āļĒāļąāļ‡āļĨāļđāļāļ„āđ‰āļē Steam ✅ āļ‚āđ‰āļ­āļĄāļđāļĨāļ—āļĩāđˆāļĢāļąāđˆāļ§āđ„āļŦāļĨāđ„āļĄāđˆāļĢāļ§āļĄāļĢāļŦāļąāļŠāļœāđˆāļēāļ™, āļŦāļĄāļēāļĒāđ€āļĨāļ‚āđ‚āļ—āļĢāļĻāļąāļžāļ—āđŒ, āļ‚āđ‰āļ­āļĄāļđāļĨāļāļēāļĢāļŠāļģāļĢāļ°āđ€āļ‡āļīāļ™ āļŦāļĢāļ·āļ­āļ‚āđ‰āļ­āļĄāļđāļĨāļŠāđˆāļ§āļ™āļ•āļąāļ§ - Valve āļĒāļ·āļ™āļĒāļąāļ™āļ§āđˆāļē āļœāļđāđ‰āđƒāļŠāđ‰āđ„āļĄāđˆāļˆāļģāđ€āļ›āđ‡āļ™āļ•āđ‰āļ­āļ‡āđ€āļ›āļĨāļĩāđˆāļĒāļ™āļĢāļŦāļąāļŠāļœāđˆāļēāļ™āļŦāļĢāļ·āļ­āļ‚āđ‰āļ­āļĄāļđāļĨāļšāļąāļāļŠāļĩ ✅ āļ‚āđ‰āļ­āļ„āļ§āļēāļĄāļ—āļĩāđˆāļĢāļąāđˆāļ§āđ„āļŦāļĨāđ€āļ›āđ‡āļ™āļĢāļŦāļąāļŠ OTP āļ—āļĩāđˆāļŦāļĄāļ”āļ­āļēāļĒāļļāđāļĨāđ‰āļ§ - āļĢāļŦāļąāļŠ OTP āđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰ āļĄāļĩāļ­āļēāļĒāļļāđ€āļžāļĩāļĒāļ‡ 15 āļ™āļēāļ—āļĩ āđāļĨāļ°āđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āđƒāļŠāđ‰āđ€āļˆāļēāļ°āļšāļąāļāļŠāļĩ Steam āđ„āļ”āđ‰ ✅ Valve āļāļģāļĨāļąāļ‡āļ•āļĢāļ§āļˆāļŠāļ­āļšāđāļŦāļĨāđˆāļ‡āļ—āļĩāđˆāļĄāļēāļ‚āļ­āļ‡āļāļēāļĢāļĢāļąāđˆāļ§āđ„āļŦāļĨ - āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļ āļ‚āđ‰āļ­āļ„āļ§āļēāļĄ SMS āđ„āļĄāđˆāđ„āļ”āđ‰āđ€āļ‚āđ‰āļēāļĢāļŦāļąāļŠāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļāļēāļĢāļŠāđˆāļ‡ āđāļĨāļ°āļ­āļēāļˆāļ–āļđāļāļ”āļąāļāļˆāļąāļšāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ—āļēāļ‡ âœ… Valve āđāļ™āļ°āļ™āļģāđƒāļŦāđ‰āļœāļđāđ‰āđƒāļŠāđ‰āđ€āļ›āļīāļ”āđƒāļŠāđ‰āļ‡āļēāļ™ Steam Mobile Authenticator āđ€āļžāļ·āđˆāļ­āđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒ - āļŠāđˆāļ§āļĒāđƒāļŦāđ‰ āļšāļąāļāļŠāļĩāļĄāļĩāļāļēāļĢāļ›āđ‰āļ­āļ‡āļāļąāļ™āļ—āļĩāđˆāđāļ‚āđ‡āļ‡āđāļāļĢāđˆāļ‡āļ‚āļķāđ‰āļ™ https://www.neowin.net/news/following-data-leak-valve-assures-steam-users-that-its-systems-were-not-breached/
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    Following data leak, Valve assures Steam users that its systems were not breached
    Following reports of a massive data breach that may have leaked data of over 89 million users, Valve has officially stepped in to alleviate password and phone number leak concerns.
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  • OpenAI āļ™āļģ GPT-4.1 āļĄāļēāđƒāļŠāđ‰āđƒāļ™ ChatGPT āļ•āļēāļĄāļ„āļģāđ€āļĢāļĩāļĒāļāļĢāđ‰āļ­āļ‡āļ‚āļ­āļ‡āļœāļđāđ‰āđƒāļŠāđ‰

    OpenAI āđ„āļ”āđ‰āđ€āļ›āļīāļ”āļ•āļąāļ§ GPT-4.1 āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āđ‚āļĄāđ€āļ”āļĨāļ—āļĩāđˆāđ€āļŠāļĩāđˆāļĒāļ§āļŠāļēāļāļ”āđ‰āļēāļ™āļāļēāļĢāđ€āļ‚āļĩāļĒāļ™āđ‚āļ„āđ‰āļ”āđāļĨāļ°āļāļēāļĢāļ—āļģāļ•āļēāļĄāļ„āļģāļŠāļąāđˆāļ‡ āđ‚āļ”āļĒāđ€āļ”āļīāļĄāļ—āļĩāđ‚āļĄāđ€āļ”āļĨāļ™āļĩāđ‰āļĄāļĩāđƒāļŦāđ‰āđƒāļŠāđ‰āļ‡āļēāļ™āđ€āļ‰āļžāļēāļ°āļœāđˆāļēāļ™ API āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™ āđāļ•āđˆāđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāđ„āļ”āđ‰āļĢāļąāļšāļ„āļ§āļēāļĄāļ™āļīāļĒāļĄāļŠāļđāļ‡ OpenAI āļˆāļķāļ‡āļ™āļģ GPT-4.1 āļĄāļēāđƒāļŦāđ‰āļœāļđāđ‰āđƒāļŠāđ‰ ChatGPT Plus, Pro āđāļĨāļ° Team āļŠāļēāļĄāļēāļĢāļ–āđ€āļĨāļ·āļ­āļāđƒāļŠāđ‰āđ„āļ”āđ‰āđ‚āļ”āļĒāļ•āļĢāļ‡

    GPT-4.1 āļĄāļĩāļ„āļ§āļēāļĄāļŠāļēāļĄāļēāļĢāļ–āđƒāļ™āļāļēāļĢāļ—āļģāļ•āļēāļĄāļ„āļģāļŠāļąāđˆāļ‡āļ”āļĩāļāļ§āđˆāļē GPT-4o
    - āđ€āļŦāļĄāļēāļ°āļŠāļģāļŦāļĢāļąāļš āļ‡āļēāļ™āđ€āļ‚āļĩāļĒāļ™āđ‚āļ„āđ‰āļ”āđāļĨāļ°āļāļēāļĢāļ—āļģāļ‡āļēāļ™āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ„āļ§āļēāļĄāđāļĄāđˆāļ™āļĒāļģāļŠāļđāļ‡

    OpenAI āļ™āļģ GPT-4.1 mini āļĄāļēāđāļ—āļ™ GPT-4o mini āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āđƒāļŠāđ‰āđāļšāļšāļŠāļģāļĢāļ°āđ€āļ‡āļīāļ™
    - GPT-4.1 mini āļĄāļĩ āļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļ”āļĩāļāļ§āđˆāļē GPT-4o mini āđƒāļ™āļāļēāļĢāļ—āļģāļ•āļēāļĄāļ„āļģāļŠāļąāđˆāļ‡āđāļĨāļ°āļāļēāļĢāđ€āļ‚āļĩāļĒāļ™āđ‚āļ„āđ‰āļ”

    āļœāļđāđ‰āđƒāļŠāđ‰ ChatGPT āļŸāļĢāļĩāļˆāļ°āđ„āļ”āđ‰āļĢāļąāļš GPT-4.1 mini āđ€āļĄāļ·āđˆāļ­āđƒāļŠāđ‰ GPT-4o āļ–āļķāļ‡āļ‚āļĩāļ”āļˆāļģāļāļąāļ”
    - āļ—āļģāđƒāļŦāđ‰ āļœāļđāđ‰āđƒāļŠāđ‰āļ—āļąāđˆāļ§āđ„āļ›āļŠāļēāļĄāļēāļĢāļ–āđ€āļ‚āđ‰āļēāļ–āļķāļ‡āđ‚āļĄāđ€āļ”āļĨāļ—āļĩāđˆāļĄāļĩāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļŠāļđāļ‡āļ‚āļķāđ‰āļ™

    OpenAI āđ€āļ›āļīāļ”āļ•āļąāļ§ Safety Evaluations Hub āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āļ‚āđ‰āļ­āļĄāļđāļĨāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļāļēāļĢāļ›āļĢāļ°āđ€āļĄāļīāļ™āļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒāļ‚āļ­āļ‡āđ‚āļĄāđ€āļ”āļĨ
    - āļ‚āļ“āļ°āļ™āļĩāđ‰āļĄāļĩāļ‚āđ‰āļ­āļĄāļđāļĨāđ€āļāļĩāđˆāļĒāļ§āļāļąāļš āļāļēāļĢāļ›āļĢāļ°āđ€āļĄāļīāļ™āļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒāļ‚āļ­āļ‡āļāļēāļĢāđ‚āļ•āđ‰āļ•āļ­āļšāļ”āđ‰āļ§āļĒāļ‚āđ‰āļ­āļ„āļ§āļēāļĄ

    OpenAI āļ•āļ­āļšāļŠāļ™āļ­āļ‡āļ•āđˆāļ­āļ„āļģāđ€āļĢāļĩāļĒāļāļĢāđ‰āļ­āļ‡āļ‚āļ­āļ‡āļœāļđāđ‰āđƒāļŠāđ‰āļ­āļĒāđˆāļēāļ‡āļĢāļ§āļ”āđ€āļĢāđ‡āļ§
    - āđāļŠāļ”āļ‡āđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļ–āļķāļ‡ āļ„āļ§āļēāļĄāļŠāļēāļĄāļēāļĢāļ–āđƒāļ™āļāļēāļĢāļ›āļĢāļąāļšāļ•āļąāļ§āđāļĨāļ°āļžāļąāļ’āļ™āļēāđ‚āļĄāđ€āļ”āļĨāļ•āļēāļĄāļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ‚āļ­āļ‡āļœāļđāđ‰āđƒāļŠāđ‰

    https://www.neowin.net/news/openai-brings-gpt-41-to-chatgpt-following-user-demand/
    OpenAI āļ™āļģ GPT-4.1 āļĄāļēāđƒāļŠāđ‰āđƒāļ™ ChatGPT āļ•āļēāļĄāļ„āļģāđ€āļĢāļĩāļĒāļāļĢāđ‰āļ­āļ‡āļ‚āļ­āļ‡āļœāļđāđ‰āđƒāļŠāđ‰ OpenAI āđ„āļ”āđ‰āđ€āļ›āļīāļ”āļ•āļąāļ§ GPT-4.1 āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āđ‚āļĄāđ€āļ”āļĨāļ—āļĩāđˆāđ€āļŠāļĩāđˆāļĒāļ§āļŠāļēāļāļ”āđ‰āļēāļ™āļāļēāļĢāđ€āļ‚āļĩāļĒāļ™āđ‚āļ„āđ‰āļ”āđāļĨāļ°āļāļēāļĢāļ—āļģāļ•āļēāļĄāļ„āļģāļŠāļąāđˆāļ‡ āđ‚āļ”āļĒāđ€āļ”āļīāļĄāļ—āļĩāđ‚āļĄāđ€āļ”āļĨāļ™āļĩāđ‰āļĄāļĩāđƒāļŦāđ‰āđƒāļŠāđ‰āļ‡āļēāļ™āđ€āļ‰āļžāļēāļ°āļœāđˆāļēāļ™ API āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™ āđāļ•āđˆāđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāđ„āļ”āđ‰āļĢāļąāļšāļ„āļ§āļēāļĄāļ™āļīāļĒāļĄāļŠāļđāļ‡ OpenAI āļˆāļķāļ‡āļ™āļģ GPT-4.1 āļĄāļēāđƒāļŦāđ‰āļœāļđāđ‰āđƒāļŠāđ‰ ChatGPT Plus, Pro āđāļĨāļ° Team āļŠāļēāļĄāļēāļĢāļ–āđ€āļĨāļ·āļ­āļāđƒāļŠāđ‰āđ„āļ”āđ‰āđ‚āļ”āļĒāļ•āļĢāļ‡ âœ… GPT-4.1 āļĄāļĩāļ„āļ§āļēāļĄāļŠāļēāļĄāļēāļĢāļ–āđƒāļ™āļāļēāļĢāļ—āļģāļ•āļēāļĄāļ„āļģāļŠāļąāđˆāļ‡āļ”āļĩāļāļ§āđˆāļē GPT-4o - āđ€āļŦāļĄāļēāļ°āļŠāļģāļŦāļĢāļąāļš āļ‡āļēāļ™āđ€āļ‚āļĩāļĒāļ™āđ‚āļ„āđ‰āļ”āđāļĨāļ°āļāļēāļĢāļ—āļģāļ‡āļēāļ™āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ„āļ§āļēāļĄāđāļĄāđˆāļ™āļĒāļģāļŠāļđāļ‡ âœ… OpenAI āļ™āļģ GPT-4.1 mini āļĄāļēāđāļ—āļ™ GPT-4o mini āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āđƒāļŠāđ‰āđāļšāļšāļŠāļģāļĢāļ°āđ€āļ‡āļīāļ™ - GPT-4.1 mini āļĄāļĩ āļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļ”āļĩāļāļ§āđˆāļē GPT-4o mini āđƒāļ™āļāļēāļĢāļ—āļģāļ•āļēāļĄāļ„āļģāļŠāļąāđˆāļ‡āđāļĨāļ°āļāļēāļĢāđ€āļ‚āļĩāļĒāļ™āđ‚āļ„āđ‰āļ” âœ… āļœāļđāđ‰āđƒāļŠāđ‰ ChatGPT āļŸāļĢāļĩāļˆāļ°āđ„āļ”āđ‰āļĢāļąāļš GPT-4.1 mini āđ€āļĄāļ·āđˆāļ­āđƒāļŠāđ‰ GPT-4o āļ–āļķāļ‡āļ‚āļĩāļ”āļˆāļģāļāļąāļ” - āļ—āļģāđƒāļŦāđ‰ āļœāļđāđ‰āđƒāļŠāđ‰āļ—āļąāđˆāļ§āđ„āļ›āļŠāļēāļĄāļēāļĢāļ–āđ€āļ‚āđ‰āļēāļ–āļķāļ‡āđ‚āļĄāđ€āļ”āļĨāļ—āļĩāđˆāļĄāļĩāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļŠāļđāļ‡āļ‚āļķāđ‰āļ™ âœ… OpenAI āđ€āļ›āļīāļ”āļ•āļąāļ§ Safety Evaluations Hub āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āļ‚āđ‰āļ­āļĄāļđāļĨāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļāļēāļĢāļ›āļĢāļ°āđ€āļĄāļīāļ™āļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒāļ‚āļ­āļ‡āđ‚āļĄāđ€āļ”āļĨ - āļ‚āļ“āļ°āļ™āļĩāđ‰āļĄāļĩāļ‚āđ‰āļ­āļĄāļđāļĨāđ€āļāļĩāđˆāļĒāļ§āļāļąāļš āļāļēāļĢāļ›āļĢāļ°āđ€āļĄāļīāļ™āļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒāļ‚āļ­āļ‡āļāļēāļĢāđ‚āļ•āđ‰āļ•āļ­āļšāļ”āđ‰āļ§āļĒāļ‚āđ‰āļ­āļ„āļ§āļēāļĄ âœ… OpenAI āļ•āļ­āļšāļŠāļ™āļ­āļ‡āļ•āđˆāļ­āļ„āļģāđ€āļĢāļĩāļĒāļāļĢāđ‰āļ­āļ‡āļ‚āļ­āļ‡āļœāļđāđ‰āđƒāļŠāđ‰āļ­āļĒāđˆāļēāļ‡āļĢāļ§āļ”āđ€āļĢāđ‡āļ§ - āđāļŠāļ”āļ‡āđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļ–āļķāļ‡ āļ„āļ§āļēāļĄāļŠāļēāļĄāļēāļĢāļ–āđƒāļ™āļāļēāļĢāļ›āļĢāļąāļšāļ•āļąāļ§āđāļĨāļ°āļžāļąāļ’āļ™āļēāđ‚āļĄāđ€āļ”āļĨāļ•āļēāļĄāļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ‚āļ­āļ‡āļœāļđāđ‰āđƒāļŠāđ‰ https://www.neowin.net/news/openai-brings-gpt-41-to-chatgpt-following-user-demand/
    WWW.NEOWIN.NET
    OpenAI brings GPT-4.1 to ChatGPT following user demand
    Due to popular demand, OpenAI is making its specialized coding model, GPT-4.1, available to ChatGPT users, offering improved instruction following.
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    https://www.techradar.com/pro/adobe-offers-us-government-discounted-software-following-doge-review
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  • Awakening Song Pt. 1 – Echoes from the Unwanted Image
    A Sweet Notice to Those Who Still Breathe Quietly
    Official Album Launch: May 28, 2025

    Pre-listen the unofficial debut single:
    No More Masks (Unofficial Preview)
    https://youtu.be/H-Og0cbfrJA

    Follow the full release here:
    Spotify Artist Profile https://open.spotify.com/artist/4lUbgHzsclX3utQs8ZQe9c
    YouTube Music Channel https://music.youtube.com/channel/UCU5BwquaVTJ2ZeKJRjShtew

    Emotional & Functional Trackmap

    A guided journey through six honest songs confronting the truths we usually hide.
    A Sweet Notice from the universe — softly reminding you that you’re still here.

    Concept Expansion: What is a “Sweet Notice”?
    In a world of noise, shame, and false strength, a Sweet Notice is not a command.
    It is not a scream.

    It is the soft whisper from your own soul —
    saying: “I see you, even when you’re hiding.”

    Each track in this album is a Sweet Notice
    sent from different corners of the inner landscape — from wounds, from regrets, from voices long silenced.
    And together, they form a path that begins in darkness, but does not end in despair.

    1. The True First Step
    Function: Awakening
    Emotion: Vulnerability, gentle courage
    This is not a song that performs — it breathes.
    It teaches that honesty doesn’t begin with clarity, but with movement.
    A soft notice that the first trembling step is sacred.
    “The first step is not clean. It is messy. It is breathing while scared.”
    Sweet Notice: You’re allowed to start before you're ready.

    2. No More Masks
    Function: Confrontation
    Emotion: Rage turned into truth
    This is the roar that breaks silence.
    It confronts the false peace we build with smiles and the roles we wear to be loved.
    Not bitter — just done.
    “This rap’s my truth. And my goodbye.”
    Sweet Notice: You don’t have to perform your pain anymore.

    3. Echoes of the Heart
    Function: Remembrance
    Emotion: Longing, warmth in absence
    A fusion of country and trap, this song returns you to a love that never left.
    It doesn’t mourn — it reminds. The heart’s echo is still playing.
    “In every beat, I hear — echoes of the heart.”
    Sweet Notice: Love does not vanish. It transforms.

    4. One More Lie
    Function: Realization
    Emotion: Quiet despair, recognition
    This is the silent war inside — between the truths we know and the lies we repeat.
    It is not an anthem. It is a mirror.
    “One more lie is one too many.”
    Sweet Notice: Stop lying to survive. Begin living to tell the truth.

    5. Still Worth It
    Function: Redemption
    Emotion: Silent strength, quiet dignity
    This is for those who don’t win — but still show up.
    It carries no pride, but dignity. No boast, but breath.
    “Still worth it. Even cracked. Still worth it. Even blacked.”
    Sweet Notice: You’re tired. Not finished.

    6. Bleed for Real
    Function: Cleansing
    Emotion: Raw honesty, uncompromised healing
    This is where grief becomes sacred.
    Where pain is no longer paraded, but purified.
    A space for healing that doesn’t demand applause.
    “That’s the only cut that’ll let you heal.”
    Sweet Notice: Bleed — not for likes, but for light.

    Album Summary: The Function of Echoes
    This is not an album that tells you what to believe.
    It is an album that notices you — where you are, how long you've been hiding, and how deeply you want to return to yourself.
    In every song, there’s a message:
    “Your mess is seen. Your silence is heard.
    You are still worth the song.”

    This album isn’t made to entertain.
    It’s made to tell the truth — the one we usually hide.
    You’re not alone. You’re not broken beyond repair. You’re just waiting for your echo to come home.
    🌌 Awakening Song Pt. 1 – Echoes from the Unwanted Image 🎧 A Sweet Notice to Those Who Still Breathe Quietly 📅 Official Album Launch: May 28, 2025 🔗 Pre-listen the unofficial debut single: â–ķïļ No More Masks (Unofficial Preview) https://youtu.be/H-Og0cbfrJA ðŸŽķ Follow the full release here: Spotify Artist Profile https://open.spotify.com/artist/4lUbgHzsclX3utQs8ZQe9c YouTube Music Channel https://music.youtube.com/channel/UCU5BwquaVTJ2ZeKJRjShtew Emotional & Functional Trackmap A guided journey through six honest songs confronting the truths we usually hide. A Sweet Notice from the universe — softly reminding you that you’re still here. 🌌 Concept Expansion: What is a “Sweet Notice”? In a world of noise, shame, and false strength, a Sweet Notice is not a command. It is not a scream. It is the soft whisper from your own soul — saying: “I see you, even when you’re hiding.” Each track in this album is a Sweet Notice sent from different corners of the inner landscape — from wounds, from regrets, from voices long silenced. And together, they form a path that begins in darkness, but does not end in despair. 1. The True First Step Function: Awakening Emotion: Vulnerability, gentle courage This is not a song that performs — it breathes. It teaches that honesty doesn’t begin with clarity, but with movement. A soft notice that the first trembling step is sacred. “The first step is not clean. It is messy. It is breathing while scared.” Sweet Notice: You’re allowed to start before you're ready. 2. No More Masks Function: Confrontation Emotion: Rage turned into truth This is the roar that breaks silence. It confronts the false peace we build with smiles and the roles we wear to be loved. Not bitter — just done. “This rap’s my truth. And my goodbye.” Sweet Notice: You don’t have to perform your pain anymore. 3. Echoes of the Heart Function: Remembrance Emotion: Longing, warmth in absence A fusion of country and trap, this song returns you to a love that never left. It doesn’t mourn — it reminds. The heart’s echo is still playing. “In every beat, I hear — echoes of the heart.” Sweet Notice: Love does not vanish. It transforms. 4. One More Lie Function: Realization Emotion: Quiet despair, recognition This is the silent war inside — between the truths we know and the lies we repeat. It is not an anthem. It is a mirror. “One more lie is one too many.” Sweet Notice: Stop lying to survive. Begin living to tell the truth. 5. Still Worth It Function: Redemption Emotion: Silent strength, quiet dignity This is for those who don’t win — but still show up. It carries no pride, but dignity. No boast, but breath. “Still worth it. Even cracked. Still worth it. Even blacked.” Sweet Notice: You’re tired. Not finished. 6. Bleed for Real Function: Cleansing Emotion: Raw honesty, uncompromised healing This is where grief becomes sacred. Where pain is no longer paraded, but purified. A space for healing that doesn’t demand applause. “That’s the only cut that’ll let you heal.” Sweet Notice: Bleed — not for likes, but for light. 🌀 Album Summary: The Function of Echoes This is not an album that tells you what to believe. It is an album that notices you — where you are, how long you've been hiding, and how deeply you want to return to yourself. In every song, there’s a message: “Your mess is seen. Your silence is heard. You are still worth the song.” This album isn’t made to entertain. It’s made to tell the truth — the one we usually hide. 💎 You’re not alone. You’re not broken beyond repair. You’re just waiting for your echo to come home.
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