• Kerry Wan āđ€āļ›āđ‡āļ™ Senior Reviews Editor āļ‚āļ­āļ‡ ZDNET āđ„āļ”āđ‰āđ€āļ‚āļĩāļĒāļ™āļšāļ—āļ„āļ§āļēāļĄāļ™āļģāđ€āļŠāļ™āļ­ 3 āļœāļĨāļīāļ•āļ āļąāļ“āļ‘āđŒ āļ—āļĩāđˆāđ€āļ‚āļēāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāđāļĨāļ°āļ™āđˆāļēāļ‹āļ·āđ‰āļ­āļ—āļĩāđˆāļŠāļļāļ”āļˆāļēāļāļ‡āļēāļ™ CES 2025 āļ„āļĢāļąāļš

    āđƒāļ™āļ‡āļēāļ™ CES 2025 āļ—āļĩāđˆāđ€āļžāļīāđˆāļ‡āļˆāļšāļĨāļ‡āđ„āļ› āļĄāļĩāļœāļĨāļīāļ•āļ āļąāļ“āļ‘āđŒāļ—āļĩāđˆāļ™āđˆāļēāļŠāļ™āđƒāļˆāļŦāļĨāļēāļĒāļ­āļĒāđˆāļēāļ‡āļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļ„āļ§āļēāļĄāļŠāļ™āđƒāļˆāļˆāļēāļāļœāļđāđ‰āđ€āļ‚āđ‰āļēāļĢāđˆāļ§āļĄāļ‡āļēāļ™ āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļ™āļąāđ‰āļ™āļ„āļ·āļ­ Mcon MagSafe phone controller āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļ­āļļāļ›āļāļĢāļ“āđŒāđ€āļŠāļĢāļīāļĄāļŠāļģāļŦāļĢāļąāļšāđ‚āļ—āļĢāļĻāļąāļžāļ—āđŒāļĄāļ·āļ­āļ–āļ·āļ­āļ—āļĩāđˆāđƒāļŠāđ‰āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩ MagSafe āđ€āļžāļ·āđˆāļ­āđ€āļ›āļĨāļĩāđˆāļĒāļ™āđ‚āļ—āļĢāļĻāļąāļžāļ—āđŒāđƒāļŦāđ‰āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āđ€āļĨāđˆāļ™āđ€āļāļĄāļžāļāļžāļēāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļ‡āđˆāļēāļĒāļ”āļēāļĒ āđ‚āļ”āļĒāļŠāļēāļĄāļēāļĢāļ–āđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āļœāđˆāļēāļ™ USB-C āļŦāļĢāļ·āļ­ Bluetooth

    āļ­āļĩāļāļŦāļ™āļķāđˆāļ‡āļœāļĨāļīāļ•āļ āļąāļ“āļ‘āđŒāļ—āļĩāđˆāļ™āđˆāļēāļŠāļ™āđƒāļˆāļ„āļ·āļ­ Kirin electric salt spoon āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļŠāđ‰āļ­āļ™āļ—āļĩāđˆāđƒāļŠāđ‰āļāļĢāļ°āđāļŠāđ„āļŸāļŸāđ‰āļēāđ€āļžāļ·āđˆāļ­āđ€āļžāļīāđˆāļĄāļĢāļŠāđ€āļ„āđ‡āļĄāđƒāļŦāđ‰āļāļąāļšāļ­āļēāļŦāļēāļĢ āđ‚āļ”āļĒāđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āđ€āļžāļīāđˆāļĄāđ€āļāļĨāļ·āļ­āļˆāļĢāļīāļ‡āđ† āļ—āļģāđƒāļŦāđ‰āđ€āļŦāļĄāļēāļ°āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļĨāļ”āļāļēāļĢāļšāļĢāļīāđ‚āļ āļ„āđ‚āļ‹āđ€āļ”āļĩāļĒāļĄ

    āļŠāļļāļ”āļ—āđ‰āļēāļĒāļ„āļ·āļ­ LG indoor gardening appliance āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļ­āļļāļ›āļāļĢāļ“āđŒāļŠāļģāļŦāļĢāļąāļšāļ›āļĨāļđāļāļžāļ·āļŠāđƒāļ™āļšāđ‰āļēāļ™āļ—āļĩāđˆāļĄāļĩāđ„āļŸ LED āļ›āļĢāļąāļšāļĢāļ°āļ”āļąāļšāđ„āļ”āđ‰ āđāļĨāļ°āļŠāļēāļĄāļēāļĢāļ–āļ›āļĨāļđāļāļžāļ·āļŠāđ„āļ”āđ‰āļŦāļĨāļēāļāļŦāļĨāļēāļĒāļŠāļ™āļīāļ” āđ€āļŠāđˆāļ™ āļœāļąāļāđƒāļšāđ€āļ‚āļĩāļĒāļ§ āļŠāļĄāļļāļ™āđ„āļžāļĢ āļ”āļ­āļāđ„āļĄāđ‰ āđāļĨāļ°āļœāļĨāđ„āļĄāđ‰

    https://www.zdnet.com/article/three-ces-2025-products-id-buy-as-soon-as-theyd-take-my-money/
    Kerry Wan āđ€āļ›āđ‡āļ™ Senior Reviews Editor āļ‚āļ­āļ‡ ZDNET āđ„āļ”āđ‰āđ€āļ‚āļĩāļĒāļ™āļšāļ—āļ„āļ§āļēāļĄāļ™āļģāđ€āļŠāļ™āļ­ 3 āļœāļĨāļīāļ•āļ āļąāļ“āļ‘āđŒ āļ—āļĩāđˆāđ€āļ‚āļēāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāđāļĨāļ°āļ™āđˆāļēāļ‹āļ·āđ‰āļ­āļ—āļĩāđˆāļŠāļļāļ”āļˆāļēāļāļ‡āļēāļ™ CES 2025 āļ„āļĢāļąāļš āđƒāļ™āļ‡āļēāļ™ CES 2025 āļ—āļĩāđˆāđ€āļžāļīāđˆāļ‡āļˆāļšāļĨāļ‡āđ„āļ› āļĄāļĩāļœāļĨāļīāļ•āļ āļąāļ“āļ‘āđŒāļ—āļĩāđˆāļ™āđˆāļēāļŠāļ™āđƒāļˆāļŦāļĨāļēāļĒāļ­āļĒāđˆāļēāļ‡āļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļ„āļ§āļēāļĄāļŠāļ™āđƒāļˆāļˆāļēāļāļœāļđāđ‰āđ€āļ‚āđ‰āļēāļĢāđˆāļ§āļĄāļ‡āļēāļ™ āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļ™āļąāđ‰āļ™āļ„āļ·āļ­ Mcon MagSafe phone controller āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļ­āļļāļ›āļāļĢāļ“āđŒāđ€āļŠāļĢāļīāļĄāļŠāļģāļŦāļĢāļąāļšāđ‚āļ—āļĢāļĻāļąāļžāļ—āđŒāļĄāļ·āļ­āļ–āļ·āļ­āļ—āļĩāđˆāđƒāļŠāđ‰āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩ MagSafe āđ€āļžāļ·āđˆāļ­āđ€āļ›āļĨāļĩāđˆāļĒāļ™āđ‚āļ—āļĢāļĻāļąāļžāļ—āđŒāđƒāļŦāđ‰āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āđ€āļĨāđˆāļ™āđ€āļāļĄāļžāļāļžāļēāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļ‡āđˆāļēāļĒāļ”āļēāļĒ āđ‚āļ”āļĒāļŠāļēāļĄāļēāļĢāļ–āđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āļœāđˆāļēāļ™ USB-C āļŦāļĢāļ·āļ­ Bluetooth āļ­āļĩāļāļŦāļ™āļķāđˆāļ‡āļœāļĨāļīāļ•āļ āļąāļ“āļ‘āđŒāļ—āļĩāđˆāļ™āđˆāļēāļŠāļ™āđƒāļˆāļ„āļ·āļ­ Kirin electric salt spoon āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļŠāđ‰āļ­āļ™āļ—āļĩāđˆāđƒāļŠāđ‰āļāļĢāļ°āđāļŠāđ„āļŸāļŸāđ‰āļēāđ€āļžāļ·āđˆāļ­āđ€āļžāļīāđˆāļĄāļĢāļŠāđ€āļ„āđ‡āļĄāđƒāļŦāđ‰āļāļąāļšāļ­āļēāļŦāļēāļĢ āđ‚āļ”āļĒāđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āđ€āļžāļīāđˆāļĄāđ€āļāļĨāļ·āļ­āļˆāļĢāļīāļ‡āđ† āļ—āļģāđƒāļŦāđ‰āđ€āļŦāļĄāļēāļ°āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāļĨāļ”āļāļēāļĢāļšāļĢāļīāđ‚āļ āļ„āđ‚āļ‹āđ€āļ”āļĩāļĒāļĄ āļŠāļļāļ”āļ—āđ‰āļēāļĒāļ„āļ·āļ­ LG indoor gardening appliance āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļ­āļļāļ›āļāļĢāļ“āđŒāļŠāļģāļŦāļĢāļąāļšāļ›āļĨāļđāļāļžāļ·āļŠāđƒāļ™āļšāđ‰āļēāļ™āļ—āļĩāđˆāļĄāļĩāđ„āļŸ LED āļ›āļĢāļąāļšāļĢāļ°āļ”āļąāļšāđ„āļ”āđ‰ āđāļĨāļ°āļŠāļēāļĄāļēāļĢāļ–āļ›āļĨāļđāļāļžāļ·āļŠāđ„āļ”āđ‰āļŦāļĨāļēāļāļŦāļĨāļēāļĒāļŠāļ™āļīāļ” āđ€āļŠāđˆāļ™ āļœāļąāļāđƒāļšāđ€āļ‚āļĩāļĒāļ§ āļŠāļĄāļļāļ™āđ„āļžāļĢ āļ”āļ­āļāđ„āļĄāđ‰ āđāļĨāļ°āļœāļĨāđ„āļĄāđ‰ https://www.zdnet.com/article/three-ces-2025-products-id-buy-as-soon-as-theyd-take-my-money/
    WWW.ZDNET.COM
    Three CES 2025 products I'd buy as soon as they'd take my money
    As this year's most influential tech event comes to a close, I'm reflecting on the products that left the biggest impression on me - and that I'd spend my own money on.
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  • “Annual” vs.” Perennial”: What’s The Difference?

    Confused about annual vs. perennial plants? You’re not alone—it’s especially difficult to remember which is which because they sound like they might mean the same thing. To make matters worse, there’s also a third confusing term: biennial.

    Join us as we root out the differences and give examples of perennials, annuals, and biennials so you’ll always remember which is which.

    Quick summary

    Plants that live for only one growing season are called annuals. In contrast, plants that regrow on their own every season are called perennials. Plants that live for two growing seasons are called biennials.

    What are perennials?

    The word perennial is applied to a plant that lives for multiple growing seasons—at least more than two years. Perennials typically flower and bloom in the spring. Around autumn, the top part of the plant withers, but the root remains. The next spring, the root sends out a brand new shoot, and the cycle continues. In other words, planting perennials in a garden means that they don’t need to be replanted each year—they come back on their own (at least for three years).

    Perennials usually only bloom for a few weeks, and may take longer to fully mature. Popular perennials include daylilies, lilacs, and lavender, as well as most fruit trees, berry bushes, and herbs.

    What are annual plants?

    The word annual is applied to a plant that lives for only one growing season. Annuals typically flower and bloom in the spring and then wither and die around autumn. Unlike perennials, annuals do not regrow the next season—at least not from the same root. Instead, annuals must be replanted each year—or, in some cases, the seeds left behind may successfully sprout new plants.

    Annuals usually bloom the whole season, and their blooms are often more extravagant than perennials. Popular annuals include petunias, marigolds, zinnias, watermelons, corn, beans, and potatoes.

    What is a biennial plant?

    The term biennial is applied to a plant that lives for two growing seasons. The first season, the plant starts out small. The second season, it grows bigger and produces flowers. After this, the plant’s life cycle is complete, and it dies in the autumn just like an annual. Some well-known plants categorized as biennials include foxglove, pansies, poppies, forget-me-nots, and many vegetables, such as cabbage, beets, onions, and carrots.

    annual vs. perennial vs. biennial

    Here’s how you can remember the difference:

    - In general, the word perennial means “continuing” or “perpetual,” and perennials continue to regrow without being replanted.
    - The word annual means yearly, and annuals must be replanted every year.
    - The bi- in biennial means “two,” and biennials have a life cycle of two growing seasons.

    Although these terms could technically be applied to any plants, they’re especially used of flowering and culinary plants—the kind of plants commonly found in gardens and on farms.

    There is some overlap in what can be considered an annual versus a perennial. Some annuals can be perennials when planted in warmer climates, since there’s no frost to kill them, and some perennials are not capable of surviving the winter in colder climates. Certain flowers can also be annual in one variety and perennial in another.

    Examples of annual and perennial plants

    In this section, we’ll answer some of the most common questions about whether certain plants are annuals or perennials.

    Are mums perennials or annuals?

    Garden mums are typically treated as annuals, even though they can be perennials in the right climate. There are also hardier varieties of mums that are typically grown as perennials in many climates.

    Are dahlias perennials or annuals?

    Dahlias can be either, depending on the growing region. They are native to warm regions in Guatemala and Mexico. In colder climes, they are treated as annuals, but it’s possible to bring them back each year if the tubers are dug up and dried out in the winter.

    Are tulips perennials or annuals?

    Tulips are perennials. In certain climates, however, they may behave like annuals.

    Are hydrangeas perennials or annuals?

    Hydrangeas are perennials. Again, however, this is only true when grown in climates where they can survive the winter.

    Copyright 2025, AAKKHRA, All Rights Reserved.
    “Annual” vs.” Perennial”: What’s The Difference? Confused about annual vs. perennial plants? You’re not alone—it’s especially difficult to remember which is which because they sound like they might mean the same thing. To make matters worse, there’s also a third confusing term: biennial. Join us as we root out the differences and give examples of perennials, annuals, and biennials so you’ll always remember which is which. Quick summary Plants that live for only one growing season are called annuals. In contrast, plants that regrow on their own every season are called perennials. Plants that live for two growing seasons are called biennials. What are perennials? The word perennial is applied to a plant that lives for multiple growing seasons—at least more than two years. Perennials typically flower and bloom in the spring. Around autumn, the top part of the plant withers, but the root remains. The next spring, the root sends out a brand new shoot, and the cycle continues. In other words, planting perennials in a garden means that they don’t need to be replanted each year—they come back on their own (at least for three years). Perennials usually only bloom for a few weeks, and may take longer to fully mature. Popular perennials include daylilies, lilacs, and lavender, as well as most fruit trees, berry bushes, and herbs. What are annual plants? The word annual is applied to a plant that lives for only one growing season. Annuals typically flower and bloom in the spring and then wither and die around autumn. Unlike perennials, annuals do not regrow the next season—at least not from the same root. Instead, annuals must be replanted each year—or, in some cases, the seeds left behind may successfully sprout new plants. Annuals usually bloom the whole season, and their blooms are often more extravagant than perennials. Popular annuals include petunias, marigolds, zinnias, watermelons, corn, beans, and potatoes. What is a biennial plant? The term biennial is applied to a plant that lives for two growing seasons. The first season, the plant starts out small. The second season, it grows bigger and produces flowers. After this, the plant’s life cycle is complete, and it dies in the autumn just like an annual. Some well-known plants categorized as biennials include foxglove, pansies, poppies, forget-me-nots, and many vegetables, such as cabbage, beets, onions, and carrots. annual vs. perennial vs. biennial Here’s how you can remember the difference: - In general, the word perennial means “continuing” or “perpetual,” and perennials continue to regrow without being replanted. - The word annual means yearly, and annuals must be replanted every year. - The bi- in biennial means “two,” and biennials have a life cycle of two growing seasons. Although these terms could technically be applied to any plants, they’re especially used of flowering and culinary plants—the kind of plants commonly found in gardens and on farms. There is some overlap in what can be considered an annual versus a perennial. Some annuals can be perennials when planted in warmer climates, since there’s no frost to kill them, and some perennials are not capable of surviving the winter in colder climates. Certain flowers can also be annual in one variety and perennial in another. Examples of annual and perennial plants In this section, we’ll answer some of the most common questions about whether certain plants are annuals or perennials. Are mums perennials or annuals? Garden mums are typically treated as annuals, even though they can be perennials in the right climate. There are also hardier varieties of mums that are typically grown as perennials in many climates. Are dahlias perennials or annuals? Dahlias can be either, depending on the growing region. They are native to warm regions in Guatemala and Mexico. In colder climes, they are treated as annuals, but it’s possible to bring them back each year if the tubers are dug up and dried out in the winter. Are tulips perennials or annuals? Tulips are perennials. In certain climates, however, they may behave like annuals. Are hydrangeas perennials or annuals? Hydrangeas are perennials. Again, however, this is only true when grown in climates where they can survive the winter. Copyright 2025, AAKKHRA, All Rights Reserved.
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  • āļĢāđ‰āļēāļ™āļ­āļēāļŦāļēāļĢāđ€āļĒāļ­āļĢāļĄāļąāļ™-āļšāļļāļŸāđ€āļŸāđˆāļ•āđŒ, āđ€āļŠāļĩāļĒāļ‡āđƒāļŦāļĄāđˆ.
    Auf der Au Garden Germany buffet
    āļĢāđ‰āļēāļ™āļŠāļ·āđˆāļ­āļ”āļąāļ‡ āļŦāļĨāļēāļāļŦāļĨāļēāļĒ āđ€āļĄāļ™āļđ āļĄāļ·āđ‰āļ­āđ€āļŠāđ‰āļē āļāļĨāļēāļ‡āļ§āļąāļ™ āđāļĨāļ°āļ„āđˆāļģ
    āđ€āļŦāļĄāļēāļˆāđˆāļēāļĒ āļ­āļīāđˆāļĄāļĨāļ° 190-280 āļšāļēāļ—/āļŦāļąāļ§(āđ„āļĄāđˆāļĢāļ§āļĄāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ”āļ·āđˆāļĄ)

    https://maps.app.goo.gl/mKQe1z9tuRqupWit7
    āļĢāđ‰āļēāļ™āļ­āļēāļŦāļēāļĢāđ€āļĒāļ­āļĢāļĄāļąāļ™-āļšāļļāļŸāđ€āļŸāđˆāļ•āđŒ, āđ€āļŠāļĩāļĒāļ‡āđƒāļŦāļĄāđˆ. Auf der Au Garden Germany buffet āļĢāđ‰āļēāļ™āļŠāļ·āđˆāļ­āļ”āļąāļ‡ āļŦāļĨāļēāļāļŦāļĨāļēāļĒ āđ€āļĄāļ™āļđ āļĄāļ·āđ‰āļ­āđ€āļŠāđ‰āļē āļāļĨāļēāļ‡āļ§āļąāļ™ āđāļĨāļ°āļ„āđˆāļģ āđ€āļŦāļĄāļēāļˆāđˆāļēāļĒ āļ­āļīāđˆāļĄāļĨāļ° 190-280 āļšāļēāļ—/āļŦāļąāļ§(āđ„āļĄāđˆāļĢāļ§āļĄāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ”āļ·āđˆāļĄ) https://maps.app.goo.gl/mKQe1z9tuRqupWit7
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  • āļāļēāļāļŠāļīāļ™āļ„āđ‰āļē āđāļšāļĢāđŒāļ™āļ”āđŒ āđƒāļŦāļĄāđˆ āļŠāļ·āđˆāļ­ āļĨāļēāļ™ LAN

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    āđƒāļšāļˆāļ”āđāļˆāđ‰āļ‡āđ€āļĨāļ‚āļ—āļĩāđˆ : 72-1-6700021290

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    Extra Rich Oil Soap : āđ‚āļĄāļ™āļ­āļĒāļ”āđŒāđ€āļāļīāļ”āļˆāļēāļāļāļēāļĢāļŠāđˆāļ§āļ™āļœāļŠāļĄāļˆāļēāļāļ˜āļĢāļĢāļĄāļŠāļēāļ•āļī 2 āļŠāļ™āļīāļ”āļ”āđ‰āļ§āļĒāļāļąāļ™ āļ”āļ­āļāļ•āļēāļŪāļīāļ•āļī āļāļĨāļĩāļšāļ”āļ­āļāļ‚āļ­āļ‡āļ•āđ‰āļ™ Tahitian Gardenias āļŦāļĢāļ·āļ­āļ”āļ­āļ Tiara āļ™āļąāđ‰āļ™āđ€āļ­āļ‡ āđāļĨāļ°āļ™āđ‰āļģāļĄāļąāļ™āļĄāļ°āļžāļĢāđ‰āļēāļ§ āļšāđˆāļĄāļŦāļĄāļąāļāđ€āļ‚āđ‰āļēāļ”āđ‰āļ§āļĒāļāļąāļ™ āļŠāļāļąāļ”āđ€āļĒāđ‡āļ™ Extra Virgin āđāļĨāļ° āļĨāļđāļāļžāļĨāļąāļšāļāļĩāđˆāļ›āļļāđˆāļ™, āđ‚āļĢāļŠāđāļĄāļĢāļĩāđˆ, āđ€āļ‹āļĩāļĒāļĢāđŒāļšāļąāļ•āđ€āļ•āļ­āļĢāđŒ, Coconut butter.
    🌚āļ„āļļāļ“āļŠāļĄāļšāļąāļ•āļīāđ€āļ”āđˆāļ™ āđ€āļ›āđ‡āļ™āļ™āđ‰āļģāļĄāļąāļ™āļ—āļĩāđˆāđ€āļ›āļĩāđˆāļĒāļĄāļ—āļąāđ‰āļ‡āļ„āļļāļ“āļ„āđˆāļēāļšāļģāļĢāļļāļ‡ āļĢāļ§āļĄāļ—āļąāđ‰āļ‡āļāļĨāļīāđˆāļ™āļŦāļ­āļĄāļ™āļ§āļĨ āļāļēāļĢāļ—āļģāđƒāļŦāđ‰āļœāļīāļ§āļŠāļļāđˆāļĄāļ‚āļ·āđ‰āļ™āđāļĄāđ‰āļœāļīāļ§āđāļŦāđ‰āļ‡āļĄāļēāļ āļ—āļģāđƒāļŦāđ‰āļœāļīāļ§āđ€āļ‡āļēāļ‡āļēāļĄ
    🌚āđ€āļ„āļĨāđ‡āļ”āļĨāļąāļšāļ„āļ§āļēāļĄāļ‡āļēāļĄāļ‚āļ­āļ‡āļŦāļ™āļļāđˆāļĄāļŠāļēāļ§āļŠāļēāļ§ āđ‚āļžāļĨāļīāļ™āļīāđ€āļ‹āļĩāļĒāļ™āļŠāļēāļ§āļ•āļēāļŪāļīāļ•āļī

    ðŸŒļāļœāļīāļ§āđāļžāđ‰āļ‡āđˆāļēāļĒāđƒāļŠāđ‰āđ„āļ”āđ‰āļŦāļēāļĒāļŦāđˆāļ§āļ‡ðŸŒļ
    ❌āđ„āļĄāđˆāļĄāļĩāļŠāļēāļĢāļāļąāļ™āđ€āļŠāļĩāļĒ
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    ðŸŒļðŸŒļāđ€āļ™āļ·āđ‰āļ­āļŠāļąāļĄāļœāļąāļŠāļ‚āļ“āļ°āļ­āļēāļšāļ™āđ‰āļģ āļ§āļīāļ›āļ„āļĢāļĩāļĄ
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    āđƒāļšāļˆāļ”āđāļˆāđ‰āļ‡āđ€āļĨāļ‚āļ—āļĩāđˆ : 72-1-6700021290
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    LARIMER Soft Gel Soap🧞
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    ðŸ—ū LARIMER āļŠāļšāļđāđˆāđ€āļ‹āļĢāļąāđˆāļĄāļĨāđ‰āļēāļ‡āļŦāļ™āđ‰āļē āļ—āļĩāđˆāļˆāļšāļ—āļļāļāļ›āļąāļāļŦāļēāļœāļīāļ§ āļ”āđ‰āļ§āļĒāļžāļĨāļąāļ‡āđāļŦāđˆāļ‡ āļŠāļļāļ”āļĒāļ­āļ”āļŠāļēāļĢāļŠāļāļąāļ”āđ€āļ‚āđ‰āļĄāļ‚āđ‰āļ™
    ðŸ—ūLARIMER āļŠāļšāļđāđˆāđ€āļ‹āļĢāļąāļĄāļĨāđ‰āļēāļ‡āļŦāļ™āđ‰āļē āļœāļ‡āđāļĢāđˆāļ—āļ­āļ‡āļ„āļģāđāļĨāļ°āļœāļ‡āļĄāļļāļ āļŠāļšāļđāđˆāđ€āļ™āļ·āđ‰āļ­āļ™āļļāđˆāļĄāļ™āļīāđˆāļĄ āđ€āļžāļĢāļēāļ° LARIMER āļĒāļāļŠāļēāļĢāļŠāļāļąāļ”āļĄāļēāļ—āļąāđˆāļ‡āļĄāļŦāļēāļŠāļĄāļļāļ—āļĢ āļĄāļĩāļŠāļēāļĢāļŠāļāļąāļ”āļ—āļąāđ‰āļ‡āļŦāļĄāļ” 9 āļŠāļ™āļīāļ” āļ—āļ­āļ‡āļ„āļģ, āđ„āļ‚āđˆāļĄāļļāļ, āļŠāļēāļŦāļĢāđˆāļēāļĒāđāļ”āļ‡, āļžāļĨāļ‡āļ•āļ­āļĨ, āļ„āļĨāļ­āļĨāļēāđ€āļˆāļ™, āļ­āļ‡āļļāđˆāļ™, āđ„āļ™āļ­āļ°āļ‹āļĩāļ™āļ™āļēāđ„āļĄāļ—, Vitamic B3, āļ”āļ­āļāļāļĨāđ‰āļ§āļĒāđ„āļĄāđ‰..
    âœĻāđ€āļ™āļ·āđ‰āļ­āļŠāļšāļđāđˆāļŠāļđāļ•āļĢāđ€āļˆāļĨāđ€āļ‚āđ‰āļĄāļ‚āđ‰āļ™ āļĨāđ‰āļēāļ‡āļŦāļ™āđ‰āļēāđ„āļ›āļ”āđ‰āļ§āļĒāđāļĨāļ°āļšāļģāļĢāļļāļ‡āļœāļīāļ§āđ„āļ›āđƒāļ™āļ”āđ‰āļ§āļĒ āđ€āļŦāļĄāļ·āļ­āļ™āļ—āļēāđ€āļ‹āļĢāļąāđˆāļĄ āđ„āļ›āđƒāļ™āļ•āļąāļ§ āđ€āļžāļĢāļēāļ° āļœāļ‡āđāļĢāđˆāļ—āļ­āļ‡āļ„āļģāđāļĨāļ°āļĄāļļāļāļˆāļ°āđ€āļ‚āđ‰āļēāļ‹āļķāļĄāđ„āļ›āđƒāļ™āļĢāļđāļ‚āļļāļĄāļ‚āļ™ āļ—āļĩāđˆāļāļģāļĨāļąāļ‡āđ€āļ›āļīāļ”āļ­āļĒāļđāđˆāļ”āđ‰āļ§āļĒāļāļēāļĢāļĨāđ‰āļēāļ‡āļŦāļ™āđ‰āļē āđāļĨāļ°āļŠāļēāļĢāļŠāļāļąāļ”āļ•āļąāļ§āļ­āļ·āđˆāļ™āđ† āļˆāļ°āļŠāđ‰āļ§āļĒāļšāļģāļĢāļļāļ‡āļœāļīāļ§āđƒāļŦāđ‰āļŠāļļāđˆāļĄāļŠāļ·āđˆāļ™ āļœāļīāļ§āļŦāļ™āđ‰āļēāđāļ‚āđ‡āļ‡āđāļĢāļ‡ āļ›āļĢāļąāļšāļŠāļĩāļœāļīāļ§āļ—āļĩāđˆāļŦāļĄāļ­āļ‡āļ„āļĨāđˆāļģ āđƒāļŦāđ‰āļāļĢāļ°āļˆāđˆāļēāļ‡āđƒāļŠāļ­āļĒāđˆāļēāļ‡āđ€āļ›āđ‡āļ™āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļī
    âœĻ6 āļ‚āļąāđ‰āļ™āļ•āļ­āļ™āļāļēāļĢāļĨāđ‰āļēāļ‡āļŦāļ™āđ‰āļē āļ­āļĒāđˆāļēāļ‡āļ–āļđāļāļ§āļīāļ˜āļĩ
    💜1 āļĨāđ‰āļēāļ‡āļĄāļ·āļ­āđƒāļŦāđ‰āļŠāļ°āļ­āļēāļ”
    💜2 āđ€āļŠāđ‡āļ”āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļŠāļģāļ­āļēāļ‡āđƒāļŦāđ‰āļŦāļĄāļ”
    💜3 āļŠāđ‚āļĨāļĄāļŦāļ™āđ‰āļēāđƒāļŦāđ‰āđ€āļ›āļĩāļĒāļ
    💜4 āđƒāļŠāđ‰āļŠāļšāļđāđˆāļĨāđ‰āļēāļ‡āļŦāļ™āđ‰āļē LARIMER āļ§āļ™āļ„āļĢāļĩāļĄāļŸāļ­āļ‡āļ–āļķāļ‡āļĨāļģāļ„āļ­
    💜5 āļĄāļēāļŠāđŒāļāļ—āļīāđ‰āļ‡āđ„āļ§āđ‰āđ‰1-2āļ™āļēāļ—āļĩ
    💜6 āļĨāđ‰āļēāļ‡āļŦāļ™āđ‰āļēāļ”āđ‰āļ§āļĒāļ™āđ‰āļģāļŠāļ°āļ­āļēāļ”
    āļŠāđˆāļ­āļ‡āļ—āļēāļ‡āļāļēāļĢāļŠāļąāđˆāļ‡āļ‹āļ·āđ‰āļ­ āļĄāļĩāđ‚āļ›āļĢāđ‚āļĄāļŠāļąāđˆāļ™āļĨāļ”āļĢāļēāļ„āļē āļāļ”āļ•āļīāļ”āļ•āļēāļĄāļ—āļĩāđˆāļ™āļĩāđ‰āđ€āļĨāļĒāļ„āđˆāļ°ðŸ‘‡âŽ‡ïļ
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  • 26 Types of Punctuation Marks & Typographical Symbols

    We use words in writing. Shocking, I know! Do you know what else we use in writing? Here is a hint: they have already appeared in this paragraph. In addition to words, we use many different symbols and characters to organize our thoughts and make text easier to read. All of these symbols come in two major categories: punctuation marks and typographical symbols. These symbols have many different uses and include everything from the humble period (.) to the rarely used caret symbol (^). There may even be a few symbols out there that you’ve never even heard of before that leave you scratching your head when you see them on your keyboard!

    What is punctuation?

    Punctuation is the act or system of using specific marks or symbols in writing to separate different elements from each other or to make writing more clear. Punctuation is used in English and the other languages that use the Latin alphabet. Many other writing systems also use punctuation, too. Thanks to punctuation, we don’t have to suffer through a block of text that looks like this:

    - My favorite color is red do you like red red is great my sister likes green she always says green is the color of champions regardless of which color is better we both agree that no one likes salmon which is a fish and not a color seriously.

    Punctuation examples

    The following sentences give examples of the many different punctuation marks that we use:

    - My dog, Bark Scruffalo, was featured in a superhero movie.
    - If there’s something strange in your neighborhood, who are you going to call?
    - A wise man once said, “Within the body of every person lies a skeleton.”
    - Hooray! I found everything on the map: the lake, the mountain, and the forest.
    - I told Ashley (if that was her real name) that I needed the copy lickety-split.

    What is a typographical symbol?

    The term typographical symbol, or any other number of phrases, refers to a character or symbol that isn’t considered to be a punctuation mark but may still be used in writing for various purposes. Typographical symbols are generally avoided in formal writing under most circumstances. However, you may see typographic symbols used quite a bit in informal writing.

    Typographical symbol examples

    The following examples show some ways that a writer might use typographical symbols. Keep in mind that some of these sentences may not be considered appropriate in formal writing.

    - The frustrated actor said she was tired of her co-star’s “annoying bull****.”
    - For questions, email us at anascabana@bananacabanas.fake!
    - The band had five #1 singles on the American music charts during the 1990s.
    - My internet provider is AT&T.

    Punctuation vs. typographical symbols

    Punctuation marks are considered part of grammar and often have well-established rules for how to use them properly. For example, the rules of proper grammar state that a letter after a period should be capitalized and that a comma must be used before a coordinating conjunction.

    Typographical symbols, on the other hand, may not have widely accepted rules for how, or even when, they should be used. Generally speaking, most grammar resources will only allow the use of typographical symbols under very specific circumstances and will otherwise advise a writer to avoid using them.

    Types of punctuation and symbols

    There are many different types of punctuation marks and typographical symbols. We’ll briefly touch on them now, but you can learn more about of these characters by checking out the links in this list and also each section below:

    Period
    Question mark
    Exclamation point
    Comma
    Colon
    Semicolon
    Hyphen
    En dash
    Em dash
    Parentheses
    Square brackets
    Curly brackets
    Angle brackets
    Quotation marks
    Apostrophe
    Slash
    Ellipses
    Asterisk
    Ampersand
    Bullet point
    Pound symbol
    Tilde
    Backslash
    At symbol
    Caret symbol
    Pipe symbol

    Period, question mark, and exclamation point

    These three commonly used punctuation marks are used for the same reason: to end an independent thought.

    Period (.)

    A period is used to end a declarative sentence. A period indicates that a sentence is finished.

    Today is Friday.

    Unique to them, periods are also often used in abbreviations.

    Prof. Dumbledore once again awarded a ludicrous amount of points to Gryffindor.

    Question mark (?)

    The question mark is used to end a question, also known as an interrogative sentence.

    Do you feel lucky?

    Exclamation point (!)

    The exclamation point is used at the end of exclamations and interjections.

    Our house is haunted!
    Wow!

    Comma, colon, and semicolon

    Commas, colons, and semicolons can all be used to connect sentences together.

    Comma (,)

    The comma is often the punctuation mark that gives writers the most problems. It has many different uses and often requires good knowledge of grammar to avoid making mistakes when using it. Some common uses of the comma include:

    Joining clauses: Mario loves Peach, and she loves him.
    Nonrestrictive elements: My favorite team, the Fighting Mongooses, won the championship this year.
    Lists: The flag was red, white, and blue.
    Coordinate adjectives: The cute, happy puppy licked my hand.

    Colon (:)

    The colon is typically used to introduce additional information.

    The detective had three suspects: the salesman, the gardener, and the lawyer.

    Like commas, colons can also connect clauses together.

    We forgot to ask the most important question: who was buying lunch?

    Colons have a few other uses, too.

    The meeting starts at 8:15 p.m.
    The priest started reading from Mark 3:6.

    Semicolon (;)

    Like the comma and the colon, the semicolon is used to connect sentences together. The semicolon typically indicates that the second sentence is closely related to the one before it.

    I can’t eat peanuts; I am highly allergic to them.
    Lucy loves to eat all kinds of sweets; lollipops are her favorite.

    Hyphen and dashes (en dash and em dash)

    All three of these punctuation marks are often referred to as “dashes.” However, they are all used for entirely different reasons.

    Hyphen (-)

    The hyphen is used to form compound words.

    I went to lunch with my father-in-law.
    She was playing with a jack-in-the-box.
    He was accused of having pro-British sympathies.

    En dash (–)

    The en dash is used to express ranges or is sometimes used in more complex compound words.

    The homework exercises are on pages 20–27.
    The songwriter had worked on many Tony Award–winning productions.

    Em dash (—)

    The em dash is used to indicate a pause or interrupted speech.

    The thief was someone nobody expected—me!
    “Those kids will—” was all he managed to say before he was hit by a water balloon.
    Test your knowledge on the different dashes here.

    Parentheses, brackets, and braces

    These pairs of punctuation marks look similar, but they all have different uses. In general, the parentheses are much more commonly used than the others.

    Parentheses ()

    Typically, parentheses are used to add additional information.

    I thought (for a very long time) if I should actually give an honest answer.
    Tomorrow is Christmas (my favorite holiday)!
    Parentheses have a variety of other uses, too.

    Pollution increased significantly. (See Chart 14B)
    He was at an Alcoholics Anonymous (AA) meeting.
    Richard I of England (1157–1199) had the heart of a lion.

    Square brackets []

    Typically, square brackets are used to clarify or add information to quotations.

    According to an eyewitness, the chimpanzees “climbed on the roof and juggled [bananas].”
    The judge said that “the defense attorney [Mr. Wright] had made it clear that the case was far from closed.”

    Curly brackets {}

    Curly brackets, also known as braces, are rarely used punctuation marks that are used to group a set.

    I was impressed by the many different colors {red, green, yellow, blue, purple, black, white} they selected for the flag’s design.

    Angle brackets <>

    Angle brackets have no usage in formal writing and are rarely ever used even in informal writing. These characters have more uses in other fields, such as math or computing.

    Quotation marks and apostrophe

    You’ll find these punctuation marks hanging out at the top of a line of text.

    Quotation marks (“”)

    The most common use of quotation marks is to contain quotations.

    She said, “Don’t let the dog out of the house.”
    Bob Ross liked to put “happy little trees” in many of his paintings.

    Apostrophe (‘)

    The apostrophe is most often used to form possessives and contractions.

    The house’s back door is open.
    My cousin’s birthday is next week.
    It isn’t ready yet.
    We should’ve stayed outside.

    Slash and ellipses

    These are two punctuation marks you may not see too often, but they are still useful.

    Slash (/)

    The slash has several different uses. Here are some examples:

    Relationships: The existence of boxer briefs somehow hasn’t ended the boxers/briefs debate.
    Alternatives: They accept cash and/or credit.
    Fractions: After an hour, 2/3 of the audience had already left.

    Ellipses (…)

    In formal writing, ellipses are used to indicate that words were removed from a quote.

    The mayor said, “The damages will be … paid for by the city … as soon as possible.”
    In informal writing, ellipses are often used to indicate pauses or speech that trails off.

    He nervously stammered and said, “Look, I … You see … I wasn’t … Forget it, okay.”

    Typographical symbols

    Typographical symbols rarely appear in formal writing. You are much more likely to see them used for a variety of reasons in informal writing.

    Asterisk (*)

    In formal writing, especially academic and scientific writing, the asterisk is used to indicate a footnote.

    Chocolate is the preferred flavor of ice cream.*
    *According to survey data from the Ice Cream Data Center.

    The asterisk may also be used to direct a reader toward a clarification or may be used to censor inappropriate words or phrases.

    Ampersand (&)

    The ampersand substitutes for the word and. Besides its use in the official names of things, the ampersand is typically avoided in formal writing.

    The band gave a speech at the Rock & Roll Hall of Fame.

    Bullet Point (•)

    Bullet points are used to create lists. For example,

    For this recipe you will need:

    • eggs
    • milk
    • sugar
    • flour
    • baking powder

    Pound symbol (#)

    Informally, the pound symbol is typically used to mean number or is used in social media hashtags.

    The catchy pop song reached #1 on the charts.
    Ready 4 Halloween 2morrow!!! #spooky #TrickorTreat
    Tilde (~)

    Besides being used as an accent mark in Spanish and Portuguese words, the tilde is rarely used. Informally, a person may use it to mean “about” or “approximately.”

    We visited São Paulo during our vacation.
    I think my dog weighs ~20 pounds.

    Backslash (\)

    The backslash is primarily used in computer programming and coding. It might be used online and in texting to draw emoticons, but it has no other common uses in writing. Be careful not to mix it up with the similar forward slash (/), which is a punctuation mark.

    At symbol (@)

    The at symbol substitutes for the word at in informal writing. In formal writing, it is used when writing email addresses.

    His email address is duckduck@goose.abc.

    Caret symbol (^)

    The caret symbol is used in proofreading, but may be used to indicate an exponent if a writer is unable to use superscript.

    Do you know what 3^4 (34) is equal to?

    Pipe symbol (|)

    The pipe symbol is not used in writing. Instead, it has a variety of functions in the fields of math, physics, or computing.

    Copyright 2024, AAKKHRA, All Rights Reserved.
    26 Types of Punctuation Marks & Typographical Symbols We use words in writing. Shocking, I know! Do you know what else we use in writing? Here is a hint: they have already appeared in this paragraph. In addition to words, we use many different symbols and characters to organize our thoughts and make text easier to read. All of these symbols come in two major categories: punctuation marks and typographical symbols. These symbols have many different uses and include everything from the humble period (.) to the rarely used caret symbol (^). There may even be a few symbols out there that you’ve never even heard of before that leave you scratching your head when you see them on your keyboard! What is punctuation? Punctuation is the act or system of using specific marks or symbols in writing to separate different elements from each other or to make writing more clear. Punctuation is used in English and the other languages that use the Latin alphabet. Many other writing systems also use punctuation, too. Thanks to punctuation, we don’t have to suffer through a block of text that looks like this: - My favorite color is red do you like red red is great my sister likes green she always says green is the color of champions regardless of which color is better we both agree that no one likes salmon which is a fish and not a color seriously. Punctuation examples The following sentences give examples of the many different punctuation marks that we use: - My dog, Bark Scruffalo, was featured in a superhero movie. - If there’s something strange in your neighborhood, who are you going to call? - A wise man once said, “Within the body of every person lies a skeleton.” - Hooray! I found everything on the map: the lake, the mountain, and the forest. - I told Ashley (if that was her real name) that I needed the copy lickety-split. What is a typographical symbol? The term typographical symbol, or any other number of phrases, refers to a character or symbol that isn’t considered to be a punctuation mark but may still be used in writing for various purposes. Typographical symbols are generally avoided in formal writing under most circumstances. However, you may see typographic symbols used quite a bit in informal writing. Typographical symbol examples The following examples show some ways that a writer might use typographical symbols. Keep in mind that some of these sentences may not be considered appropriate in formal writing. - The frustrated actor said she was tired of her co-star’s “annoying bull****.” - For questions, email us at anascabana@bananacabanas.fake! - The band had five #1 singles on the American music charts during the 1990s. - My internet provider is AT&T. Punctuation vs. typographical symbols Punctuation marks are considered part of grammar and often have well-established rules for how to use them properly. For example, the rules of proper grammar state that a letter after a period should be capitalized and that a comma must be used before a coordinating conjunction. Typographical symbols, on the other hand, may not have widely accepted rules for how, or even when, they should be used. Generally speaking, most grammar resources will only allow the use of typographical symbols under very specific circumstances and will otherwise advise a writer to avoid using them. Types of punctuation and symbols There are many different types of punctuation marks and typographical symbols. We’ll briefly touch on them now, but you can learn more about of these characters by checking out the links in this list and also each section below: Period Question mark Exclamation point Comma Colon Semicolon Hyphen En dash Em dash Parentheses Square brackets Curly brackets Angle brackets Quotation marks Apostrophe Slash Ellipses Asterisk Ampersand Bullet point Pound symbol Tilde Backslash At symbol Caret symbol Pipe symbol Period, question mark, and exclamation point These three commonly used punctuation marks are used for the same reason: to end an independent thought. Period (.) A period is used to end a declarative sentence. A period indicates that a sentence is finished. Today is Friday. Unique to them, periods are also often used in abbreviations. Prof. Dumbledore once again awarded a ludicrous amount of points to Gryffindor. Question mark (?) The question mark is used to end a question, also known as an interrogative sentence. Do you feel lucky? Exclamation point (!) The exclamation point is used at the end of exclamations and interjections. Our house is haunted! Wow! Comma, colon, and semicolon Commas, colons, and semicolons can all be used to connect sentences together. Comma (,) The comma is often the punctuation mark that gives writers the most problems. It has many different uses and often requires good knowledge of grammar to avoid making mistakes when using it. Some common uses of the comma include: Joining clauses: Mario loves Peach, and she loves him. Nonrestrictive elements: My favorite team, the Fighting Mongooses, won the championship this year. Lists: The flag was red, white, and blue. Coordinate adjectives: The cute, happy puppy licked my hand. Colon (:) The colon is typically used to introduce additional information. The detective had three suspects: the salesman, the gardener, and the lawyer. Like commas, colons can also connect clauses together. We forgot to ask the most important question: who was buying lunch? Colons have a few other uses, too. The meeting starts at 8:15 p.m. The priest started reading from Mark 3:6. Semicolon (;) Like the comma and the colon, the semicolon is used to connect sentences together. The semicolon typically indicates that the second sentence is closely related to the one before it. I can’t eat peanuts; I am highly allergic to them. Lucy loves to eat all kinds of sweets; lollipops are her favorite. Hyphen and dashes (en dash and em dash) All three of these punctuation marks are often referred to as “dashes.” However, they are all used for entirely different reasons. Hyphen (-) The hyphen is used to form compound words. I went to lunch with my father-in-law. She was playing with a jack-in-the-box. He was accused of having pro-British sympathies. En dash (–) The en dash is used to express ranges or is sometimes used in more complex compound words. The homework exercises are on pages 20–27. The songwriter had worked on many Tony Award–winning productions. Em dash (—) The em dash is used to indicate a pause or interrupted speech. The thief was someone nobody expected—me! “Those kids will—” was all he managed to say before he was hit by a water balloon. Test your knowledge on the different dashes here. Parentheses, brackets, and braces These pairs of punctuation marks look similar, but they all have different uses. In general, the parentheses are much more commonly used than the others. Parentheses () Typically, parentheses are used to add additional information. I thought (for a very long time) if I should actually give an honest answer. Tomorrow is Christmas (my favorite holiday)! Parentheses have a variety of other uses, too. Pollution increased significantly. (See Chart 14B) He was at an Alcoholics Anonymous (AA) meeting. Richard I of England (1157–1199) had the heart of a lion. Square brackets [] Typically, square brackets are used to clarify or add information to quotations. According to an eyewitness, the chimpanzees “climbed on the roof and juggled [bananas].” The judge said that “the defense attorney [Mr. Wright] had made it clear that the case was far from closed.” Curly brackets {} Curly brackets, also known as braces, are rarely used punctuation marks that are used to group a set. I was impressed by the many different colors {red, green, yellow, blue, purple, black, white} they selected for the flag’s design. Angle brackets <> Angle brackets have no usage in formal writing and are rarely ever used even in informal writing. These characters have more uses in other fields, such as math or computing. Quotation marks and apostrophe You’ll find these punctuation marks hanging out at the top of a line of text. Quotation marks (“”) The most common use of quotation marks is to contain quotations. She said, “Don’t let the dog out of the house.” Bob Ross liked to put “happy little trees” in many of his paintings. Apostrophe (‘) The apostrophe is most often used to form possessives and contractions. The house’s back door is open. My cousin’s birthday is next week. It isn’t ready yet. We should’ve stayed outside. Slash and ellipses These are two punctuation marks you may not see too often, but they are still useful. Slash (/) The slash has several different uses. Here are some examples: Relationships: The existence of boxer briefs somehow hasn’t ended the boxers/briefs debate. Alternatives: They accept cash and/or credit. Fractions: After an hour, 2/3 of the audience had already left. Ellipses (…) In formal writing, ellipses are used to indicate that words were removed from a quote. The mayor said, “The damages will be … paid for by the city … as soon as possible.” In informal writing, ellipses are often used to indicate pauses or speech that trails off. He nervously stammered and said, “Look, I … You see … I wasn’t … Forget it, okay.” Typographical symbols Typographical symbols rarely appear in formal writing. You are much more likely to see them used for a variety of reasons in informal writing. Asterisk (*) In formal writing, especially academic and scientific writing, the asterisk is used to indicate a footnote. Chocolate is the preferred flavor of ice cream.* *According to survey data from the Ice Cream Data Center. The asterisk may also be used to direct a reader toward a clarification or may be used to censor inappropriate words or phrases. Ampersand (&) The ampersand substitutes for the word and. Besides its use in the official names of things, the ampersand is typically avoided in formal writing. The band gave a speech at the Rock & Roll Hall of Fame. Bullet Point (•) Bullet points are used to create lists. For example, For this recipe you will need: • eggs • milk • sugar • flour • baking powder Pound symbol (#) Informally, the pound symbol is typically used to mean number or is used in social media hashtags. The catchy pop song reached #1 on the charts. Ready 4 Halloween 2morrow!!! #spooky #TrickorTreat Tilde (~) Besides being used as an accent mark in Spanish and Portuguese words, the tilde is rarely used. Informally, a person may use it to mean “about” or “approximately.” We visited São Paulo during our vacation. I think my dog weighs ~20 pounds. Backslash (\) The backslash is primarily used in computer programming and coding. It might be used online and in texting to draw emoticons, but it has no other common uses in writing. Be careful not to mix it up with the similar forward slash (/), which is a punctuation mark. At symbol (@) The at symbol substitutes for the word at in informal writing. In formal writing, it is used when writing email addresses. His email address is duckduck@goose.abc. Caret symbol (^) The caret symbol is used in proofreading, but may be used to indicate an exponent if a writer is unable to use superscript. Do you know what 3^4 (34) is equal to? Pipe symbol (|) The pipe symbol is not used in writing. Instead, it has a variety of functions in the fields of math, physics, or computing. Copyright 2024, AAKKHRA, All Rights Reserved.
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  • Add A Pop Of Color With The Vibrant Purple Synonyms

    When you hear the word purple, what pops into your head? Chances are it’s one of a huge number of different shades, ranging from pale lavender to deep burgundy. There are so many different colors that fall under the vast umbrella of purple, so when you’re writing or talking about something in the shade, it’s helpful to be a bit more specific. Shades of purple can be found on everything from fruit to plants to wild animals. Here are 15 unique and vibrant words you can use when talking about the color purple.

    lilac

    Lilac is a “pale, reddish purple” that might call to mind a stroll through a garden. The color is named for the purplish flowers that grow on the shrub of the same name. This pale violet color is at home in a spring scene or even in the color palette of a sunrise. First recorded in the early 1600s, the word lilac comes from the Persian lÄŦlak, meaning “bluish.”

    plum

    If you need a darker shade of purple, plum will do. Plum is “a deep purple varying from bluish to reddish.” Like many words on the list, plum gets its name from something in nature. In this case, it’s the fruit that grows on plum trees. It can be traced to the Greek proúmnē, or “plum tree,” and it has been in use in English since at least the 900s.

    violaceous

    Is it purple or is it violaceous? This adjective means “of a violet color; bluish-purple.” It’s a perfect descriptor for anything with purplish hues, from fruit to flowers to the looming mountains in the distance. Violaceous is related to violet and was first recorded in English in the mid-1600s.

    magenta

    Magenta is a “purplish red.” It’s also the name of a town in Italy where the French and Sardinians defeated Austrian troops in 1859. The color was named for this battle site, as the famous fight took place shortly before magenta dye was discovered. But why was the town called Magenta? The town’s name may trace back to the Roman emperor Marcus Aurelius Valerius Maxentius, who is believed to have had a headquarters there.

    amethyst

    Some shades of purple really shine. Amethyst is “a purplish tint,” consistent with the purple or violet color of a type of quartz that shares the same name. It has a surprising backstory. Though the word has been in use in English since the mid-1200s, it has roots in the Greek améthystos, meaning “not intoxicating, not intoxicated.” This is because it was once believed the stone amethyst could prevent intoxication.

    amaranthine

    If you’re describing a red wine or something else that’s “of purplish-red color,” consider amaranthine. Amaranthine is the color of amaranth, a flowering plant known for its striking foliage or flower clusters. Amaranth comes from the Latin amarantus, an alteration of the Greek amáranton, meaning “unfading flower.”

    periwinkle

    Is it blue or is it purple? If it’s periwinkle, it must be somewhere in between. Periwinkle means “a blue-violet color,” and it’s associated with myrtle, a trailing plant with evergreen foliage and blue-violet flowers. Periwinkle is a common color used on furniture or clothing. The word has been in use in English since before the year 1500.

    grape

    If you asked someone to name something purple, a grape would probably come to mind. Because of the appearance of the fruit, grape has also come to mean “a dull, dark purplish-red color.” When something is grape, it has the flat, muted shade we associate with grapes, and it may range from a very deep purple to one with shades of pink or red. Grape comes from Middle English and was first recorded in the early 1200s.

    lavender

    While the plant lavender is well known for its scent, it has also influenced the name of a well-known shade of purple. Lavender, as a color, is “a pale bluish purple.” It’s a popular choice for weddings. There’s even lavender ice cream! Lavender comes from the Medieval Latin lavendula, meaning “a plant livid in color.”

    wine

    Wine isn’t just a drink you have with dinner. It’s also “a dark reddish color, as of red wines.” Wine might describe the particular shade of purple you want to paint your kitchen or the pretty new lipstick that’s on sale at the cosmetics store. While wine certainly indicates a deep purple-red color, you could be even more specific by naming a certain type of wine. For example, burgundy can be used to mean a “grayish red-brown to dark blackish-purple.”

    violet

    As a flower, violets are known for their vibrant purple color. That’s why the “reddish-blue” color of the same name is called violet. Violet exists at the opposite end of the visible spectrum from red. You probably recognize it as the “V” in the abbreviation ROYGBIV, the colors of the rainbow. Typically, violet is more red in hue than a standard purple, like the color of the sky at sunset or the feathers of a Violet-backed starling.

    pomegranate

    Much like the fruit, pomegranate is a deep reddish or pinkish-purple color. Because of its complexity, it’s a great color for decorating. Pomegranate has been in use in English since at least the late 1200s, and it has a pretty straightforward origin. The name for the many-seeded fruit comes from the Medieval Latin pomum granatum, which literally means “a seedy apple.”

    heliotrope

    For a lighter shade of purple, give heliotrope a try. It’s “a light tint of purple; reddish lavender.” Not only is this word fun to say, but it also has a cool backstory. Like other purple shades, the color heliotrope shares its name with a plant. Helios is Greek for “sun,” while the Greek trópos means “a turn, change.” The plant heliotrope was named for the way its flowers and leaves turn towards the sun.

    orchid

    The word orchid calls to mind the delicate flowers of an orchid plant, which are sometimes a light “bluish to reddish purple color.” You can use orchid to talk about light shades of purple that fall somewhere between lilac and lavender. Orchid entered English in 1845 in the third edition of School Botany by John Lindley, and you might be surprised by its origins. This plant-name-turned-color can be traced to the Greek órchis, meaning “testicle.”

    perse

    Perse means “of a very deep shade of blue or purple.” You might use perse to describe fabric or pigments that are a deep indigo or even purple with hints of black. Though a less common term for purple, the word has been in use in English since the 1300s. It comes from the Middle English pers, perhaps a variant of the Medieval Latin persus, a kind of blue.

    Copyright 2024, AAKKHRA, All Rights Reserved.
    Add A Pop Of Color With The Vibrant Purple Synonyms When you hear the word purple, what pops into your head? Chances are it’s one of a huge number of different shades, ranging from pale lavender to deep burgundy. There are so many different colors that fall under the vast umbrella of purple, so when you’re writing or talking about something in the shade, it’s helpful to be a bit more specific. Shades of purple can be found on everything from fruit to plants to wild animals. Here are 15 unique and vibrant words you can use when talking about the color purple. lilac Lilac is a “pale, reddish purple” that might call to mind a stroll through a garden. The color is named for the purplish flowers that grow on the shrub of the same name. This pale violet color is at home in a spring scene or even in the color palette of a sunrise. First recorded in the early 1600s, the word lilac comes from the Persian lÄŦlak, meaning “bluish.” plum If you need a darker shade of purple, plum will do. Plum is “a deep purple varying from bluish to reddish.” Like many words on the list, plum gets its name from something in nature. In this case, it’s the fruit that grows on plum trees. It can be traced to the Greek proúmnē, or “plum tree,” and it has been in use in English since at least the 900s. violaceous Is it purple or is it violaceous? This adjective means “of a violet color; bluish-purple.” It’s a perfect descriptor for anything with purplish hues, from fruit to flowers to the looming mountains in the distance. Violaceous is related to violet and was first recorded in English in the mid-1600s. magenta Magenta is a “purplish red.” It’s also the name of a town in Italy where the French and Sardinians defeated Austrian troops in 1859. The color was named for this battle site, as the famous fight took place shortly before magenta dye was discovered. But why was the town called Magenta? The town’s name may trace back to the Roman emperor Marcus Aurelius Valerius Maxentius, who is believed to have had a headquarters there. amethyst Some shades of purple really shine. Amethyst is “a purplish tint,” consistent with the purple or violet color of a type of quartz that shares the same name. It has a surprising backstory. Though the word has been in use in English since the mid-1200s, it has roots in the Greek améthystos, meaning “not intoxicating, not intoxicated.” This is because it was once believed the stone amethyst could prevent intoxication. amaranthine If you’re describing a red wine or something else that’s “of purplish-red color,” consider amaranthine. Amaranthine is the color of amaranth, a flowering plant known for its striking foliage or flower clusters. Amaranth comes from the Latin amarantus, an alteration of the Greek amáranton, meaning “unfading flower.” periwinkle Is it blue or is it purple? If it’s periwinkle, it must be somewhere in between. Periwinkle means “a blue-violet color,” and it’s associated with myrtle, a trailing plant with evergreen foliage and blue-violet flowers. Periwinkle is a common color used on furniture or clothing. The word has been in use in English since before the year 1500. grape If you asked someone to name something purple, a grape would probably come to mind. Because of the appearance of the fruit, grape has also come to mean “a dull, dark purplish-red color.” When something is grape, it has the flat, muted shade we associate with grapes, and it may range from a very deep purple to one with shades of pink or red. Grape comes from Middle English and was first recorded in the early 1200s. lavender While the plant lavender is well known for its scent, it has also influenced the name of a well-known shade of purple. Lavender, as a color, is “a pale bluish purple.” It’s a popular choice for weddings. There’s even lavender ice cream! Lavender comes from the Medieval Latin lavendula, meaning “a plant livid in color.” wine Wine isn’t just a drink you have with dinner. It’s also “a dark reddish color, as of red wines.” Wine might describe the particular shade of purple you want to paint your kitchen or the pretty new lipstick that’s on sale at the cosmetics store. While wine certainly indicates a deep purple-red color, you could be even more specific by naming a certain type of wine. For example, burgundy can be used to mean a “grayish red-brown to dark blackish-purple.” violet As a flower, violets are known for their vibrant purple color. That’s why the “reddish-blue” color of the same name is called violet. Violet exists at the opposite end of the visible spectrum from red. You probably recognize it as the “V” in the abbreviation ROYGBIV, the colors of the rainbow. Typically, violet is more red in hue than a standard purple, like the color of the sky at sunset or the feathers of a Violet-backed starling. pomegranate Much like the fruit, pomegranate is a deep reddish or pinkish-purple color. Because of its complexity, it’s a great color for decorating. Pomegranate has been in use in English since at least the late 1200s, and it has a pretty straightforward origin. The name for the many-seeded fruit comes from the Medieval Latin pomum granatum, which literally means “a seedy apple.” heliotrope For a lighter shade of purple, give heliotrope a try. It’s “a light tint of purple; reddish lavender.” Not only is this word fun to say, but it also has a cool backstory. Like other purple shades, the color heliotrope shares its name with a plant. Helios is Greek for “sun,” while the Greek trópos means “a turn, change.” The plant heliotrope was named for the way its flowers and leaves turn towards the sun. orchid The word orchid calls to mind the delicate flowers of an orchid plant, which are sometimes a light “bluish to reddish purple color.” You can use orchid to talk about light shades of purple that fall somewhere between lilac and lavender. Orchid entered English in 1845 in the third edition of School Botany by John Lindley, and you might be surprised by its origins. This plant-name-turned-color can be traced to the Greek órchis, meaning “testicle.” perse Perse means “of a very deep shade of blue or purple.” You might use perse to describe fabric or pigments that are a deep indigo or even purple with hints of black. Though a less common term for purple, the word has been in use in English since the 1300s. It comes from the Middle English pers, perhaps a variant of the Medieval Latin persus, a kind of blue. Copyright 2024, AAKKHRA, All Rights Reserved.
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  • Prepare For The Lavish World Of Bridgerton With Regency Period Words

    This spring may be a bit steamier than usual, thanks to the return of the hit Netflix show Bridgerton. This Regency romance with a modern twist took audiences by storm last year with its unpredictable plot, historical setting, and very attractive cast of characters. If you watched the first season last year or you’re catching up now, you may find yourself wondering what some of the historical language in the show actually means. Bridgerton, like a lot of period dramas, is not 100% historically accurate, but the language, costumes, and customs on display do have real roots in the past. Here are 16 words you need to know to get ready for season two and become fluent in the language of Bridgerton.

    viscount
    You’ve likely heard of a count, but after catching up on Bridgerton, you may be wondering: what in the world is a viscount? We’ve got your back. A viscount is “a nobleman next below an earl or count and next above a baron.” It’s a hereditary title that was first recorded in English in the mid to late 1300s within a peerage or nobility system. You could think of it as a “vice count,” since it’s believed to have come from the equivalent in Old French, visconte.

    rake
    In the world of Regency romance, a rake is not a gardening tool. It’s an insult dating back to the 1600s that means “a dissolute or immoral person, especially a man who indulges in vices or lacks sexual restraint.” It comes from rakehell, an alteration of the Middle English rakel, meaning “rash, rough, coarse, hasty.” Rakes are the “bad boys” of the Bridgerton era. Of course, on TV, that may be a part of their appeal.

    promenade
    In 2022, you might make a relationship Instagram official. In the 1800s, you were likely to promenade. Promenade is a verb that means “to conduct or display in or as if in a promenade; parade.” This might mean taking a public walk with the object of your affection to make your courtship known, as Daphne and the Duke of Hastings do in season one. Fun fact: the word prom comes directly from promenade.

    duke
    You’ve likely heard the title of duke, but what do they actually do? A duke, in historical British society, is “a nobleman holding the highest hereditary title outside the royal family, ranking immediately below a prince and above a marquis.” Dukes hold the highest social rank in British peerage, with the female equivalent being a duchess. This term, which dates back to the 1100s, comes from the Medieval Latin dux, or “hereditary ruler of a small state.”

    countenance
    Countenance sounds like another fancy title, but it actually refers to “appearance, especially the look or expression of the face.” For example: The duke could scarcely hide his intrigue behind his serene countenance.

    Historically, countenance is related to control and the idea of keeping one’s cool, especially in polite society. Though it refers more generally to one’s facial expression today, countenance comes from the Old French contenance, or “behavior, bearing.” The Old French noun comes from the Latin noun continentia “self-control, restraint.”

    coming out
    In the 19th century, coming out meant something different than it does today. It was customary for young women at the time to come out, or have “a debut into society, especially a formal debut by a debutante.” This typically involved a special ball or series or balls and parties. Essentially, this debut was a signal to the community that the woman was ready for courtship and marriage.

    ton
    When you hear talk of “the ton” on Bridgerton, they aren’t mispronouncing the word town. Ton means “fashionable society,” particularly high class society during the Regency era. The word comes from le bon ton, a French phrase meaning “good or elegant form or style.” Members of the ton were generally upper class, wealthy, and respected.

    Regency
    Bridgerton is an example of a regency romance, a genre of historical romance set during the Regency era. Regency, in this sense, means “characteristic of or relating to the Regency periods in France or the United Kingdom or to the styles of architecture, furniture, art, literature, etc, produced in them.” This time period is generally believed to fall between 1811–1820.

    season
    The season is a big deal to the fictional characters in Bridgerton, but they aren’t necessarily referring to winter, spring, summer, or fall. More likely, they are referring to the social season, or “a period of fashionable social events in a particular place.” The season was a time for coming out, social events, and marriages. It’s thought to have taken place from early spring until around Christmas time.

    sire
    Today, sire is a respectful, if a little old-fashioned, form of address. But when the word is used in Bridgerton, it’s more likely meant in the archaic sense: “to beget; procreate as the father.” Men at this time were expected to “sire an heir” to secure their lineage and place in high society.

    modiste
    Any lady fit for a Bridgerton-style ball must have a modiste on hand. That’s an older term for “a female maker of or dealer in women’s fashionable attire.” As you may have guessed, English speakers borrowed the word modiste from French. In the Regency era, a modiste could not only make clothes, but also advise women on what was fashionable and appropriate for various events.

    courses
    Even Regency-era women had to worry about Aunt Flo crashing the party. Courses is an older, fancier way of saying “menses,” or a period. In the Bridgerton time period, the presence or absence of someone’s period was essentially the only way of determining whether or not she could bear children or was pregnant, so much is made of courses by the women on the show.

    high in the instep
    If you wanted to drop a sick burn on someone in the 1800s, you might say they were high in the instep. The instep is “the arched upper surface of the human foot between the toes and the ankle,” and accusing someone of being high in the instep was a way of saying they’re conceited, arrogant, or haughty.

    virtue
    In modern times, we think of virtue as personal morals or values. Historically, the term was mostly about sex. Virtue meant “chastity; virginity”, especially in reference to women and girls. It was considered of the utmost importance for a woman to “keep her virtue” until marriage. The word entered English in the late 1100s, and it can be traced to the Latin virtÅŦs, or “manliness.”

    trousseau
    Bridgerton is part romance and part historical fashion education. A trousseau is “an outfit of clothing, household linen, etc., for a bride.” The word comes from Old French trusse, literally “a little bundle.” In some instances, a trousseau may also have included jewelry and other items and been a part of a woman’s dowry. While dowries aren’t a part of modern wedding traditions, some brides still prepare a trousseau of things they intend to wear throughout their wedding festivities.

    swoon
    Now that your vocabulary is ready for the next season of Bridgerton, it’s time to let the swooning commence. To swoon means “to enter a state of hysterical rapture or ecstasy.” Whether you have a favorite duke, duchess, viscount, or modiste, chances are you’ll be acting out this term at least a few times when they appear on screen. Keep in mind that swoon comes from the Middle English swonen, or “to faint.” You may want to binge-watch carefully.

    Copyright 2024, XAKKHRA, All Rights Reserved.
    Prepare For The Lavish World Of Bridgerton With Regency Period Words This spring may be a bit steamier than usual, thanks to the return of the hit Netflix show Bridgerton. This Regency romance with a modern twist took audiences by storm last year with its unpredictable plot, historical setting, and very attractive cast of characters. If you watched the first season last year or you’re catching up now, you may find yourself wondering what some of the historical language in the show actually means. Bridgerton, like a lot of period dramas, is not 100% historically accurate, but the language, costumes, and customs on display do have real roots in the past. Here are 16 words you need to know to get ready for season two and become fluent in the language of Bridgerton. viscount You’ve likely heard of a count, but after catching up on Bridgerton, you may be wondering: what in the world is a viscount? We’ve got your back. A viscount is “a nobleman next below an earl or count and next above a baron.” It’s a hereditary title that was first recorded in English in the mid to late 1300s within a peerage or nobility system. You could think of it as a “vice count,” since it’s believed to have come from the equivalent in Old French, visconte. rake In the world of Regency romance, a rake is not a gardening tool. It’s an insult dating back to the 1600s that means “a dissolute or immoral person, especially a man who indulges in vices or lacks sexual restraint.” It comes from rakehell, an alteration of the Middle English rakel, meaning “rash, rough, coarse, hasty.” Rakes are the “bad boys” of the Bridgerton era. Of course, on TV, that may be a part of their appeal. promenade In 2022, you might make a relationship Instagram official. In the 1800s, you were likely to promenade. Promenade is a verb that means “to conduct or display in or as if in a promenade; parade.” This might mean taking a public walk with the object of your affection to make your courtship known, as Daphne and the Duke of Hastings do in season one. Fun fact: the word prom comes directly from promenade. duke You’ve likely heard the title of duke, but what do they actually do? A duke, in historical British society, is “a nobleman holding the highest hereditary title outside the royal family, ranking immediately below a prince and above a marquis.” Dukes hold the highest social rank in British peerage, with the female equivalent being a duchess. This term, which dates back to the 1100s, comes from the Medieval Latin dux, or “hereditary ruler of a small state.” countenance Countenance sounds like another fancy title, but it actually refers to “appearance, especially the look or expression of the face.” For example: The duke could scarcely hide his intrigue behind his serene countenance. Historically, countenance is related to control and the idea of keeping one’s cool, especially in polite society. Though it refers more generally to one’s facial expression today, countenance comes from the Old French contenance, or “behavior, bearing.” The Old French noun comes from the Latin noun continentia “self-control, restraint.” coming out In the 19th century, coming out meant something different than it does today. It was customary for young women at the time to come out, or have “a debut into society, especially a formal debut by a debutante.” This typically involved a special ball or series or balls and parties. Essentially, this debut was a signal to the community that the woman was ready for courtship and marriage. ton When you hear talk of “the ton” on Bridgerton, they aren’t mispronouncing the word town. Ton means “fashionable society,” particularly high class society during the Regency era. The word comes from le bon ton, a French phrase meaning “good or elegant form or style.” Members of the ton were generally upper class, wealthy, and respected. Regency Bridgerton is an example of a regency romance, a genre of historical romance set during the Regency era. Regency, in this sense, means “characteristic of or relating to the Regency periods in France or the United Kingdom or to the styles of architecture, furniture, art, literature, etc, produced in them.” This time period is generally believed to fall between 1811–1820. season The season is a big deal to the fictional characters in Bridgerton, but they aren’t necessarily referring to winter, spring, summer, or fall. More likely, they are referring to the social season, or “a period of fashionable social events in a particular place.” The season was a time for coming out, social events, and marriages. It’s thought to have taken place from early spring until around Christmas time. sire Today, sire is a respectful, if a little old-fashioned, form of address. But when the word is used in Bridgerton, it’s more likely meant in the archaic sense: “to beget; procreate as the father.” Men at this time were expected to “sire an heir” to secure their lineage and place in high society. modiste Any lady fit for a Bridgerton-style ball must have a modiste on hand. That’s an older term for “a female maker of or dealer in women’s fashionable attire.” As you may have guessed, English speakers borrowed the word modiste from French. In the Regency era, a modiste could not only make clothes, but also advise women on what was fashionable and appropriate for various events. courses Even Regency-era women had to worry about Aunt Flo crashing the party. Courses is an older, fancier way of saying “menses,” or a period. In the Bridgerton time period, the presence or absence of someone’s period was essentially the only way of determining whether or not she could bear children or was pregnant, so much is made of courses by the women on the show. high in the instep If you wanted to drop a sick burn on someone in the 1800s, you might say they were high in the instep. The instep is “the arched upper surface of the human foot between the toes and the ankle,” and accusing someone of being high in the instep was a way of saying they’re conceited, arrogant, or haughty. virtue In modern times, we think of virtue as personal morals or values. Historically, the term was mostly about sex. Virtue meant “chastity; virginity”, especially in reference to women and girls. It was considered of the utmost importance for a woman to “keep her virtue” until marriage. The word entered English in the late 1100s, and it can be traced to the Latin virtÅŦs, or “manliness.” trousseau Bridgerton is part romance and part historical fashion education. A trousseau is “an outfit of clothing, household linen, etc., for a bride.” The word comes from Old French trusse, literally “a little bundle.” In some instances, a trousseau may also have included jewelry and other items and been a part of a woman’s dowry. While dowries aren’t a part of modern wedding traditions, some brides still prepare a trousseau of things they intend to wear throughout their wedding festivities. swoon Now that your vocabulary is ready for the next season of Bridgerton, it’s time to let the swooning commence. To swoon means “to enter a state of hysterical rapture or ecstasy.” Whether you have a favorite duke, duchess, viscount, or modiste, chances are you’ll be acting out this term at least a few times when they appear on screen. Keep in mind that swoon comes from the Middle English swonen, or “to faint.” You may want to binge-watch carefully. Copyright 2024, XAKKHRA, All Rights Reserved.
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  • āļĄāļēāļĢāđˆāļ§āļĄāđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļ„āļ™āļāļĨāļļāđˆāļĄāđāļĢāļ āļ—āļĩāđˆāļˆāļ°āđ„āļ”āđ‰āļĨāđˆāļ­āļ‡āđ€āļĢāļ·āļ­āļāļąāļš Disney Cruise āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āđƒāļāļĨāđ‰āļšāđ‰āļēāļ™āļ­āļĒāđˆāļēāļ‡āļŠāļīāļ‡āļ„āđ‚āļ›āļĢāđŒ âœĻ
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    ➡ïļ āļžāļĢāđ‰āļ­āļĄāļāļąāļšāđ‚āļ‹āļ™āđƒāļŦāļĄāđˆ Marvel Universe āļžāļĢāđ‰āļ­āļĄāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āđ€āļĨāđˆāļ™ Ironcycle Test Run āļĢāļ–āđ„āļŸāđ€āļŦāļēāļ°āļ—āļĩāđˆāļĒāļēāļ§āļ—āļĩāđˆāļŠāļļāļ”āļšāļ™āđ€āļĢāļ·āļ­āļŠāļģāļĢāļēāļ āđāļĨāļ°āļŠāļīāđˆāļ‡āļ­āļģāļ™āļ§āļĒāļ„āļ§āļēāļĄāļŠāļ°āļ”āļ§āļāļĄāļēāļāļĄāļēāļĒāļšāļ™āđ€āļĢāļ·āļ­ ðŸ“Ē
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    āļĄāļēāļĢāđˆāļ§āļĄāđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļ„āļ™āļāļĨāļļāđˆāļĄāđāļĢāļ āļ—āļĩāđˆāļˆāļ°āđ„āļ”āđ‰āļĨāđˆāļ­āļ‡āđ€āļĢāļ·āļ­āļāļąāļš Disney Cruise āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āđƒāļāļĨāđ‰āļšāđ‰āļēāļ™āļ­āļĒāđˆāļēāļ‡āļŠāļīāļ‡āļ„āđ‚āļ›āļĢāđŒ âœĻ āđ€āļĢāļ·āļ­āļĨāļģāđƒāļŦāļĄāđˆ Disney Adventure āđ€āļĢāļīāđˆāļĄāđ€āļ›āļīāļ”āļˆāļ­āļ‡āļ§āļąāļ™āļ—āļĩāđˆ 10 āļ˜āļąāļ™āļ§āļēāļ„āļĄ 2024 āļāđˆāļ­āļ™āļˆāļ°āđ€āļĢāļīāđˆāļĄāļ­āļ­āļāđ€āļ”āļīāļ™āļ—āļēāļ‡ ✔ïļ ➡ïļ āļžāļĢāđ‰āļ­āļĄāļāļąāļšāđ‚āļ‹āļ™āđƒāļŦāļĄāđˆ Marvel Universe āļžāļĢāđ‰āļ­āļĄāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āđ€āļĨāđˆāļ™ Ironcycle Test Run āļĢāļ–āđ„āļŸāđ€āļŦāļēāļ°āļ—āļĩāđˆāļĒāļēāļ§āļ—āļĩāđˆāļŠāļļāļ”āļšāļ™āđ€āļĢāļ·āļ­āļŠāļģāļĢāļēāļ āđāļĨāļ°āļŠāļīāđˆāļ‡āļ­āļģāļ™āļ§āļĒāļ„āļ§āļēāļĄāļŠāļ°āļ”āļ§āļāļĄāļēāļāļĄāļēāļĒāļšāļ™āđ€āļĢāļ·āļ­ ðŸ“Ē ✅ āļāļēāļĢāđāļŠāļ”āļ‡āļšāļĢāļ­āļ”āđ€āļ§āļĒāđŒāđāļšāļšāđ€āļ­āđ‡āļāļ‹āđŒāļ„āļĨāļđāļ‹āļĩāļŸ ✅ āļŦāđ‰āļ­āļ‡āļžāļąāļāļ—āļĩāđˆāļ–āļđāļāļ•āļāđāļ•āđˆāļ‡āļ”āđ‰āļ§āļĒāļ˜āļĩāļĄ Frozen ✅ Disney Imagination Garden āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļŠāļ§āļ™āđ€āļ›āļīāļ”āļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāđāļŠāļ”āļ‡āđāļĨāļ°āļžāļąāļāļœāđˆāļ­āļ™ ✅ āđ‚āļ‹āļ™āļ­āļēāļŦāļēāļĢāļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāđāļĢāļ‡āļšāļąāļ™āļ”āļēāļĨāđƒāļˆāļˆāļēāļ The Jungle Book āđāļĨāļ° Moana ✅ āļ”āļđāđāļžāđ‡āļ„āđ€āļāļˆāđ€āļĢāļ·āļ­āļ—āļąāđ‰āļ‡āļŦāļĄāļ” https://cruisedomain.com/ LINE ID: @CruiseDomain 78s.me/c54029 Facebook: CruiseDomain 78s.me/b8a121 Youtube : CruiseDomain 78s.me/8af620 ☎ïļ: 0 2116 9696 (Auto) #DisneyCruise #DisneyAdventure #Disney #Singapore #Asia #CruiseDomain #āļ‚āđˆāļēāļ§ #āļĨāđˆāļ­āļ‡āđ€āļĢāļ·āļ­āļŠāļģāļĢāļēāļ #News #thaitimes #News1 #āļ„āļīāļ‡āļŠāđŒāđ‚āļžāļ˜āļīāđŒāđāļ”āļ‡ #Sondhitalk #āļ„āļļāļĒāļ—āļļāļāđ€āļĢāļ·āđˆāļ­āļ‡āļāļąāļšāļŠāļ™āļ˜āļī
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  • āļ—āļŦāļēāļĢāļĢāļąāļŠāđ€āļ‹āļĩāļĒāļšāļąāļ™āļ—āļķāļāļ āļēāļžāđ‚āļ”āļĢāļ™āļāļēāļĄāļīāļāļēāđ€āļ‹āđˆ āļĨāđˆāļē Niva āļ‚āļ­āļ‡āđ€āļĢāļēāļ—āļĩāđˆāđāļ™āļ§āļŦāļ™āđ‰āļēāđƒāļ™āļ āļđāļĄāļīāļ āļēāļ„āđ€āļ„āļīāļĢāđŒāļŠāļ•āđŒ

    ▩ïļāļ™āļēāļ§āļīāļāđ‚āļĒāļ˜āļīāļ™āđ€āļāđ‰āļēāļ”āļđāļˆāļēāļāļ—āļĩāđˆāļāļģāļšāļąāļ‡āđƒāļ™āļ‚āļ“āļ°āļ—āļĩāđˆ Niva āļ–āļđāļāđ‚āļˆāļĄāļ•āļĩāđ‚āļ”āļĒ FPV āļ‚āļ­āļ‡āļĒāļđāđ€āļ„āļĢāļ™āđƒāļ™ Glushkovo Garden Partnership āđƒāļ™āđ€āļ‚āļ•āļŠāļēāļĒāđāļ”āļ™ Kursk
    ▩ïļāļžāļ§āļāļ™āļąāđ‰āļ™āļ›āļĨāļ­āļ”āļ āļąāļĒāļ”āļĩ āđ‚āļ”āļĢāļ™āļžāļĨāļēāļ”āđ€āļžāļĢāļēāļ°āļŠāļ‡āļ„āļĢāļēāļĄāļ­āļīāđ€āļĨāđ‡āļāļ—āļĢāļ­āļ™āļīāļāļŠāđŒāļŦāļĢāļ·āļ­āđ€āļžāļĢāļēāļ°āļĄāļ·āļ­āļ„āļ”āđ€āļ„āļĩāđ‰āļĒāļ§āļ‚āļ­āļ‡āļœāļđāđ‰āļ›āļāļīāļšāļąāļ•āļīāļ‡āļēāļ™āļŠāļēāļ§āļĒāļđāđ€āļ„āļĢāļ™
    āļ—āļŦāļēāļĢāļĢāļąāļŠāđ€āļ‹āļĩāļĒāļšāļąāļ™āļ—āļķāļāļ āļēāļžāđ‚āļ”āļĢāļ™āļāļēāļĄāļīāļāļēāđ€āļ‹āđˆ āļĨāđˆāļē Niva āļ‚āļ­āļ‡āđ€āļĢāļēāļ—āļĩāđˆāđāļ™āļ§āļŦāļ™āđ‰āļēāđƒāļ™āļ āļđāļĄāļīāļ āļēāļ„āđ€āļ„āļīāļĢāđŒāļŠāļ•āđŒ ▩ïļāļ™āļēāļ§āļīāļāđ‚āļĒāļ˜āļīāļ™āđ€āļāđ‰āļēāļ”āļđāļˆāļēāļāļ—āļĩāđˆāļāļģāļšāļąāļ‡āđƒāļ™āļ‚āļ“āļ°āļ—āļĩāđˆ Niva āļ–āļđāļāđ‚āļˆāļĄāļ•āļĩāđ‚āļ”āļĒ FPV āļ‚āļ­āļ‡āļĒāļđāđ€āļ„āļĢāļ™āđƒāļ™ Glushkovo Garden Partnership āđƒāļ™āđ€āļ‚āļ•āļŠāļēāļĒāđāļ”āļ™ Kursk ▩ïļāļžāļ§āļāļ™āļąāđ‰āļ™āļ›āļĨāļ­āļ”āļ āļąāļĒāļ”āļĩ āđ‚āļ”āļĢāļ™āļžāļĨāļēāļ”āđ€āļžāļĢāļēāļ°āļŠāļ‡āļ„āļĢāļēāļĄāļ­āļīāđ€āļĨāđ‡āļāļ—āļĢāļ­āļ™āļīāļāļŠāđŒāļŦāļĢāļ·āļ­āđ€āļžāļĢāļēāļ°āļĄāļ·āļ­āļ„āļ”āđ€āļ„āļĩāđ‰āļĒāļ§āļ‚āļ­āļ‡āļœāļđāđ‰āļ›āļāļīāļšāļąāļ•āļīāļ‡āļēāļ™āļŠāļēāļ§āļĒāļđāđ€āļ„āļĢāļ™
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  • āđ„āļ›āļ•āļāļ—āļēāļŠāļšāđ‰āļēāļ™āļžāļĢāļ°āļ­āļēāļ—āļīāļ•āļĒāđŒāļĄāļēāļ„āļąāļš āļ—āļ”āļĨāļ­āļ‡āļ‡āļēāļ™ 1 āļ­āļēāļ—āļīāļ•āļĒāđŒ āļ–āđ‰āļēāļĢāļ­āļ”āļ„āļ·āļ­āļœāđˆāļēāļ™āđ‚āļ›āļĢāđ„āļ”āđ‰āļ­āļĒāļđāđˆāļ›āļĢāļ°āļˆāļģāļŠāļģāļ™āļąāļāļ­āļĩāļāļ•āļąāļ§āļ„āļąāļš #āđāļĄāļ§āļˆāļĢāļŦāļēāļšāđ‰āļēāļ™ #catforadoption #adoptdontshop #noadoptionfee #catshappiness #happycathousegarden
    āđ„āļ›āļ•āļāļ—āļēāļŠāļšāđ‰āļēāļ™āļžāļĢāļ°āļ­āļēāļ—āļīāļ•āļĒāđŒāļĄāļēāļ„āļąāļš āļ—āļ”āļĨāļ­āļ‡āļ‡āļēāļ™ 1 āļ­āļēāļ—āļīāļ•āļĒāđŒ āļ–āđ‰āļēāļĢāļ­āļ”āļ„āļ·āļ­āļœāđˆāļēāļ™āđ‚āļ›āļĢāđ„āļ”āđ‰āļ­āļĒāļđāđˆāļ›āļĢāļ°āļˆāļģāļŠāļģāļ™āļąāļāļ­āļĩāļāļ•āļąāļ§āļ„āļąāļš #āđāļĄāļ§āļˆāļĢāļŦāļēāļšāđ‰āļēāļ™ #catforadoption #adoptdontshop #noadoptionfee #catshappiness #happycathousegarden
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  • ïŋžMOBI GARDEN āļāļĨāđˆāļ­āļ‡āđ€āļāđ‡āļšāļ„āļ§āļēāļĄāđ€āļĒāđ‡āļ™ 25L Cooler box āļĨāļīāļ•āļĢ āđāļšāļšāļžāļāļžāļē āļŠāđāļēāļŦāļĢāļąāļšāļ•āļąāđ‰āļ‡āđāļ„āļĄāļ›āđŒ āļ›āļīāļāļ™āļīāļ āđ€āļāđ‡āļšāļ­āļēāļŦāļēāļĢ
    āļžāļīāļāļąāļ”: https://s.shopee.co.th/9A6Q6rQWHa
    ïŋžMOBI GARDEN āļāļĨāđˆāļ­āļ‡āđ€āļāđ‡āļšāļ„āļ§āļēāļĄāđ€āļĒāđ‡āļ™ 25L Cooler box āļĨāļīāļ•āļĢ āđāļšāļšāļžāļāļžāļē āļŠāđāļēāļŦāļĢāļąāļšāļ•āļąāđ‰āļ‡āđāļ„āļĄāļ›āđŒ āļ›āļīāļāļ™āļīāļ āđ€āļāđ‡āļšāļ­āļēāļŦāļēāļĢ āļžāļīāļāļąāļ”: https://s.shopee.co.th/9A6Q6rQWHa
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  • āļāļĢāļąāđˆāļ‡āđ€āļ‹āđ‡āļ‡! āđ‚āļ§āļĒāđ€āļĒāļ­āļĢāļĄāļąāļ™āļāđ‡āļĄāļĩ "āļŪāļīāļ›āđ‚āļ›āđāļ„āļĢāļ°" āđāļ•āđˆāļ—āļģāđ„āļĄ "āļŦāļĄāļđāđ€āļ”āđ‰āļ‡" āļ”āļąāļ‡āļ­āļĒāļđāđˆāļ•āļąāļ§āđ€āļ”āļĩāļĒāļ§?
    .
    āđ„āļĄāđˆāļāļĩāđˆāļ§āļąāļ™āļ—āļĩāđˆāļœāđˆāļēāļ™āļĄāļēāļŦāļāļīāļ‡āļŠāļēāļ§āļœāļđāđ‰āđƒāļŠāđ‰āļšāļąāļāļŠāļĩāļ•āļīāđŠāļāļ•āđŠāļ­āļāļ§āđˆāļē also.steph āļ‹āļķāđˆāļ‡āļ­āļēāļĻāļąāļĒāļ­āļĒāļđāđˆāđƒāļ™āļāļĢāļļāļ‡āđ€āļšāļ­āļĢāđŒāļĨāļīāļ™ āļ›āļĢāļ°āđ€āļ—āļĻāđ€āļĒāļ­āļĢāļĄāļ™āļĩ āđ„āļ”āđ‰āļ—āļģāļ„āļĨāļīāļ›āļ§āļĩāļ”āļīāđ‚āļ­āļ„āļ§āļēāļĄāļĒāļēāļ§ 1.08 āļ™āļēāļ—āļĩ āļžāļđāļ”āļ–āļķāļ‡āđ€āļĢāļ·āđˆāļ­āļ‡ "āļŦāļĄāļđāđ€āļ”āđ‰āļ‡" āļŪāļīāļ›āđ‚āļ›āđāļ„āļĢāļ° āđāļŦāđˆāļ‡āļŠāļ§āļ™āļŠāļąāļ•āļ§āđŒāđ€āļ‚āļēāđ€āļ‚āļĩāļĒāļ§ āļˆ.āļŠāļĨāļšāļļāļĢāļĩ āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒāļ—āļĩāđˆāļĄāļĩāļŠāļ·āđˆāļ­āđ€āļŠāļĩāļĒāļ‡āđ‚āļ”āđˆāļ‡āļ”āļąāļ‡āđ„āļ›āļ—āļąāđˆāļ§āđ‚āļĨāļ āđ‚āļ”āļĒāđ€āļ˜āļ­āļžāļĒāļēāļĒāļēāļĄāļ§āļīāđ€āļ„āļĢāļēāļ°āļŦāđŒāļ§āđˆāļēāđ€āļŦāļ•āļļāđƒāļ” "āļŦāļĄāļđāđ€āļ”āđ‰āļ‡" āļ–āļķāļ‡āđ€āļ›āđ‡āļ™āļŪāļīāļ›āđ‚āļ›āđāļ„āļĢāļ°āļ—āļĩāđˆāļĄāļĩāļŠāļ·āđˆāļ­āđ€āļŠāļĩāļĒāļ‡āđ‚āļ”āđˆāļ‡āļ”āļąāļ‡āļ­āļĒāļđāđˆāļ•āļąāļ§āđ€āļ”āļĩāļĒāļ§ āļ—āļąāđ‰āļ‡ āđ† āļ—āļĩāđˆāļŠāļ§āļ™āļŠāļąāļ•āļ§āđŒāļ—āļąāđˆāļ§āđ‚āļĨāļāļĄāļĩāļŪāļīāļ›āđ‚āļ›āđāļ„āļĢāļ°āļ­āļĒāļđāđˆāļŦāļĨāļēāļĒāļ•āļąāļ§ āļĢāļ§āļĄāļ–āļķāļ‡āđƒāļ™āļŠāļ§āļ™āļŠāļąāļ•āļ§āđŒāļāļĢāļļāļ‡āđ€āļšāļ­āļĢāđŒāļĨāļīāļ™ (Berlin Zoological Garden) āļ—āļĩāđˆāļāđ‡āđ€āļžāļīāđˆāļ‡āđ€āļ›āļīāļ”āļ•āļąāļ§ "āđ‚āļ—āļ™āļĩ (Toni)" āļŠāļĄāļēāļŠāļīāļāļŪāļīāļ›āđ‚āļ›āđāļ„āļĢāļ°āļ•āļąāļ§āđƒāļŦāļĄāđˆāđ€āļĄāļ·āđˆāļ­āđ€āļ”āļ·āļ­āļ™āļŠāļīāļ‡āļŦāļēāļ„āļĄāļ—āļĩāđˆāļœāđˆāļēāļ™āļĄāļēāđ€āļŠāđˆāļ™āļāļąāļ™ āđāļ•āđˆāļāļĨāļąāļšāđ„āļĄāđˆāļĄāļĩāđƒāļ„āļĢāļžāļđāļ”āļ–āļķāļ‡ "āđ‚āļ—āļ™āļĩ" āđ€āļ—āđˆāļēāđ„āļĢāļ™āļąāļ
    .
    "āđ‚āļ—āļ™āļĩāđ€āļāļīāļ”āđ€āļĄāļ·āđˆāļ­āđ€āļ”āļ·āļ­āļ™āļĄāļīāļ–āļļāļ™āļēāļĒāļ™ āļāđˆāļ­āļ™āļŦāļ™āđ‰āļēāļŦāļĄāļđāđ€āļ”āđ‰āļ‡āļ›āļĢāļ°āļĄāļēāļ“āļŦāļ™āļķāđˆāļ‡āđ€āļ”āļ·āļ­āļ™ āđāļ•āđˆāļ—āļģāđ„āļĄāļ‰āļąāļ™āđ„āļĄāđˆāđ€āļ„āļĒāđ„āļ”āđ‰āļĒāļīāļ™āđ€āļĢāļ·āđˆāļ­āļ‡āđ‚āļ—āļ™āļĩāđ€āļĨāļĒ āđ€āļžāļīāđˆāļ‡āđ„āļ”āđ‰āļĒāļīāļ™āļāđ‡āļ§āļąāļ™āļ™āļĩāđ‰? ... āļāđ‡āđ€āļžāļĢāļēāļ°āļ§āđˆāļēāļĄāļąāļ™āļŠāļ·āđˆāļ­ 'āđ‚āļ—āļ™āļĩ' āļĒāļąāļ‡āđ„āļ‡āļĨāđˆāļ°! 'āđ‚āļ—āļ™āļĩ' āļĄāļąāļ™āđ€āļ›āđ‡āļ™āļŠāļ·āđˆāļ­āđāļŠāļ™āļ˜āļĢāļĢāļĄāļ”āļēāļŠāļēāļĄāļąāļāļ—āļĩāđˆāļŠāļļāļ” āļ‚āļ“āļ°āļ—āļĩāđˆāļŠāļ·āđˆāļ­ 'āļŦāļĄāļđāđ€āļ”āđ‰āļ‡?' āļŠāļ·āđˆāļ­āđ‚āļ„āļ•āļĢāļ”āļĩ āđ€āļžāļĢāļēāļ°āļĄāļąāļ™āđāļ›āļĨāļ§āđˆāļē 'āļŦāļĄāļđāđ€āļ”āđ‰āļ‡āļ”āļķāđ‹āļ‡ (bouncy pork)' āļ„āļļāļ“āđ„āļ”āđ‰āļŸāļąāļ‡āļāđ‡āļĢāļđāđ‰āđ€āļĨāļĒāļ§āđˆāļēāļĄāļąāļ™āļ™āđˆāļēāļĢāļąāļ āđāļĨāļ°āļ•āļīāļ”āļŦāļđāļ‚āļ™āļēāļ”āđ„āļŦāļ™ ... āļ”āđ‰āļ§āļĒāđ€āļŦāļ•āļļāļ™āļĩāđ‰ 'āđ‚āļ—āļ™āļĩ' āļˆāļķāļ‡āļ–āļđāļāļ‚āđ‚āļĄāļĒāļ‹āļĩāļ™āđ„āļ›āđ€āļ•āđ‡āļĄ āđ†
    "āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļ”āđ‰āļ§āļĒāđ€āļŦāļ•āļļāļ™āļĩāđ‰ āļŠāļ·āđˆāļ­ 'āđ‚āļ—āļ™āļĩ' āļ™āļąāđ‰āļ™āđ€āļ›āđ‡āļ™āļŠāļ·āđˆāļ­āļ—āļĩāđˆāļ–āļđāļāļ•āļąāđ‰āļ‡āļ•āļēāļĄāļ™āļąāļāļŸāļļāļ•āļšāļ­āļĨāļœāļīāļ§āļŠāļĩāļ—āļĩāļĄāļŠāļēāļ•āļīāđ€āļĒāļ­āļĢāļĄāļ™āļĩāļ—āļĩāđˆāļŠāļ·āđˆāļ­ 'āđ‚āļ—āļ™āļĩ' āļ­āļąāļ™āđ‚āļ•āļ™āļīāđ‚āļ­ āļĢāļđāļ”āļīāđ€āļāļ­āļĢāđŒ ... āļ—āļąāđ‰āļ‡ āđ† āļ—āļĩāđˆāļ„āļ™āđ€āļĒāļ­āļĢāļĄāļąāļ™āļŠāļēāļĄāļēāļĢāļ–āļ•āļąāđ‰āļ‡āļŠāļ·āđˆāļ­āļ­āļ·āđˆāļ™āđ„āļ”āđ‰ āļ„āļĨāđ‰āļēāļĒ āđ† āļāļąāļšāļ—āļĩāđˆāļ„āļ™āđ„āļ—āļĒāļ•āļąāđ‰āļ‡ āđ€āļŠāđˆāļ™ āļšāļđāđ€āļĨāļ—āđ€āļ—āļĩāļĒāļ™ (Boulettchen) āļ āļēāļĐāļēāđ€āļĒāļ­āļĢāļĄāļąāļ™āļ—āļĩāđˆāđāļ›āļĨāļ§āđˆāļē āļĨāļđāļāļŠāļīāđ‰āļ™āđ€āļ™āļ·āđ‰āļ­āļˆāļīāđ‹āļ§ (Little Meatball) āļ—āļģāđ„āļĄāđ„āļĄāđˆāļ•āļąāđ‰āļ‡? āđāļĨāđ‰āļ§āđ„āļ›āļ•āļąāđ‰āļ‡āļŠāļ·āđˆāļ­āļĨāļđāļāļŪāļīāļ›āđ‚āļ›āđāļ„āļĢāļ°āļ§āđˆāļē 'āđ‚āļ—āļ™āļĩ' āļ—āļąāđ‰āļ‡ āđ† āļ—āļĩāđˆ āļšāļđāđ€āļĨāļ—āđ€āļ—āļĩāļĒāļ™ (Boulettchen) āļŦāļĢāļ·āļ­ āļĨāļđāļāļŠāļīāđ‰āļ™āđ€āļ™āļ·āđ‰āļ­āļˆāļīāđ‹āļ§ āļĄāļąāļ™āļ™āđˆāļēāļĢāļąāļāļˆāļ°āļ•āļēāļĒ" āđ€āļ˜āļ­āļĢāļ°āļšāļļ āđāļĨāļ°āļ§āđˆāļē
    .
    āļŦāļēāļāļĨāļđāļāļŪāļīāļ›āđ‚āļ›āđāļ„āļĢāļ°āļ—āļĩāđˆāļŠāļ§āļ™āļŠāļąāļ•āļ§āđŒāđ€āļšāļ­āļĢāđŒāļĨāļīāļ™ āļ–āļđāļāļ•āļąāđ‰āļ‡āļŠāļ·āđˆāļ­āļ§āđˆāļē "āļĨāļđāļāļŠāļīāđ‰āļ™āđ€āļ™āļ·āđ‰āļ­āļˆāļīāđ‹āļ§" āļĄāļąāļ™āļāđ‡āļˆāļ°āļĄāļĩāļŠāļ·āđˆāļ­āđ€āļŠāļĩāļĒāļ‡āđ‚āļ”āđˆāļ‡āļ”āļąāļ‡āđ„āļĄāđˆāđāļžāđ‰ "āļŦāļĄāļđāđ€āļ”āđ‰āļ‡" āļ‚āļ­āļ‡āđ„āļ—āļĒāđāļ™āđˆāļ™āļ­āļ™ āļ—āļąāđ‰āļ‡āļ™āļĩāđ‰āđ€āļ˜āļ­āļĒāļąāļ‡āļŠāļ·āđˆāļ™āļŠāļĄāļ„āļ™āđ„āļ—āļĒāļ”āđ‰āļ§āļĒāļ§āđˆāļē āļāļĢāļ“āļĩāļŦāļĄāļđāđ€āļ”āđ‰āļ‡āļžāļīāļŠāļđāļˆāļ™āđŒāđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļ§āđˆāļē āļ„āļ™āđ„āļ—āļĒāđ€āļŠāļĩāđˆāļĒāļ§āļŠāļēāļāļ§āļīāļ˜āļĩāļ—āļģāļāļēāļĢāļ›āļĢāļ°āļŠāļēāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāļĄāļēāļāļāļ§āđˆāļēāļ„āļ™āđ€āļĒāļ­āļĢāļĄāļąāļ™āļˆāļĢāļīāļ‡ āđ†
    .
    āļŠāļģāļŦāļĢāļąāļšāļ„āļĨāļīāļ›āļ”āļąāļ‡āļāļĨāđˆāļēāļ§āļ‚āļ­āļ‡ steph āļ™āļąāđ‰āļ™āļĄāļĩāļœāļđāđ‰āđ€āļ‚āđ‰āļēāļŠāļĄāļĄāļēāļāļāļ§āđˆāļē 280,000 āļ„āļĢāļąāđ‰āļ‡āļ­āļĒāđˆāļēāļ‡āđ„āļĢāļāđ‡āļ•āļēāļĄāļĄāļĩāļœāļđāđ‰āđ€āļ‚āđ‰āļēāđ„āļ›āđāļŠāļ”āļ‡āļ„āļ§āļēāļĄāđ€āļŦāđ‡āļ™āļ•āđˆāļ­āļ„āļĨāļīāļ›āļ”āļąāļ‡āļāļĨāđˆāļēāļ§āđ‚āļ”āļĒāļĢāļ°āļšāļļāļ§āđˆāļē āļŠāļēāđ€āļŦāļ•āļļāļ—āļĩāđˆ "āļŦāļĄāļđāđ€āļ”āđ‰āļ‡" āđ‚āļ”āđˆāļ‡āļ”āļąāļ‡āļāļ§āđˆāļēāļĨāļđāļāļŪāļīāļ›āđ‚āļ›āđāļ„āļĢāļ°āļ•āļąāļ§āļ­āļ·āđˆāļ™ āđ† āļāđ‡āđ€āļžāļĢāļēāļ°āļ§āđˆāļē "āđāļāđ‰āļĄāļŠāļĩāļŠāļĄāļžāļđ" āļ­āļąāļ™āđ‚āļ”āļ”āđ€āļ”āđˆāļ™ āđāļĨāļ°āļāļīāļĢāļīāļĒāļēāļ­āļąāļ™āđāļŠāļšāļŠāļąāļ™āļ•āđŒ āļ‚āļ­āļ‡āļĄāļąāļ™āļ”āđ‰āļ§āļĒ āļŠāđˆāļ§āļ™āļ­āļĩāļāļ„āļ™āļāđ‡āļšāļ­āļāļ§āđˆāļē āđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āđ€āļŠāļĩāļĒāđƒāļˆāđ„āļ›āđ€āļžāļĢāļēāļ°āļˆāļĢāļīāļ‡ āđ† "āļŦāļĄāļđāđ€āļ”āđ‰āļ‡" āļāđ‡āļĄāļĩāļžāļĩāđˆāļ™āđ‰āļ­āļ‡āļŪāļīāļ›āđ‚āļ›āđāļ„āļĢāļ°āļ—āļĩāđˆāđ‚āļ”āđˆāļ‡āļ”āļąāļ‡āđ„āļĄāđˆāđ€āļ—āđˆāļēāļĄāļąāļ™āļ­āļĩāļāļŦāļĨāļēāļĒāļ•āļąāļ§
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    Cr : https://www.tiktok.com/@also.steph/video/7420095062907817248?_r=1&_t=8qCoV5CHjCU
    āļāļĢāļąāđˆāļ‡āđ€āļ‹āđ‡āļ‡! āđ‚āļ§āļĒāđ€āļĒāļ­āļĢāļĄāļąāļ™āļāđ‡āļĄāļĩ "āļŪāļīāļ›āđ‚āļ›āđāļ„āļĢāļ°" āđāļ•āđˆāļ—āļģāđ„āļĄ "āļŦāļĄāļđāđ€āļ”āđ‰āļ‡" āļ”āļąāļ‡āļ­āļĒāļđāđˆāļ•āļąāļ§āđ€āļ”āļĩāļĒāļ§? . āđ„āļĄāđˆāļāļĩāđˆāļ§āļąāļ™āļ—āļĩāđˆāļœāđˆāļēāļ™āļĄāļēāļŦāļāļīāļ‡āļŠāļēāļ§āļœāļđāđ‰āđƒāļŠāđ‰āļšāļąāļāļŠāļĩāļ•āļīāđŠāļāļ•āđŠāļ­āļāļ§āđˆāļē also.steph āļ‹āļķāđˆāļ‡āļ­āļēāļĻāļąāļĒāļ­āļĒāļđāđˆāđƒāļ™āļāļĢāļļāļ‡āđ€āļšāļ­āļĢāđŒāļĨāļīāļ™ āļ›āļĢāļ°āđ€āļ—āļĻāđ€āļĒāļ­āļĢāļĄāļ™āļĩ āđ„āļ”āđ‰āļ—āļģāļ„āļĨāļīāļ›āļ§āļĩāļ”āļīāđ‚āļ­āļ„āļ§āļēāļĄāļĒāļēāļ§ 1.08 āļ™āļēāļ—āļĩ āļžāļđāļ”āļ–āļķāļ‡āđ€āļĢāļ·āđˆāļ­āļ‡ "āļŦāļĄāļđāđ€āļ”āđ‰āļ‡" āļŪāļīāļ›āđ‚āļ›āđāļ„āļĢāļ° āđāļŦāđˆāļ‡āļŠāļ§āļ™āļŠāļąāļ•āļ§āđŒāđ€āļ‚āļēāđ€āļ‚āļĩāļĒāļ§ āļˆ.āļŠāļĨāļšāļļāļĢāļĩ āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒāļ—āļĩāđˆāļĄāļĩāļŠāļ·āđˆāļ­āđ€āļŠāļĩāļĒāļ‡āđ‚āļ”āđˆāļ‡āļ”āļąāļ‡āđ„āļ›āļ—āļąāđˆāļ§āđ‚āļĨāļ āđ‚āļ”āļĒāđ€āļ˜āļ­āļžāļĒāļēāļĒāļēāļĄāļ§āļīāđ€āļ„āļĢāļēāļ°āļŦāđŒāļ§āđˆāļēāđ€āļŦāļ•āļļāđƒāļ” "āļŦāļĄāļđāđ€āļ”āđ‰āļ‡" āļ–āļķāļ‡āđ€āļ›āđ‡āļ™āļŪāļīāļ›āđ‚āļ›āđāļ„āļĢāļ°āļ—āļĩāđˆāļĄāļĩāļŠāļ·āđˆāļ­āđ€āļŠāļĩāļĒāļ‡āđ‚āļ”āđˆāļ‡āļ”āļąāļ‡āļ­āļĒāļđāđˆāļ•āļąāļ§āđ€āļ”āļĩāļĒāļ§ āļ—āļąāđ‰āļ‡ āđ† āļ—āļĩāđˆāļŠāļ§āļ™āļŠāļąāļ•āļ§āđŒāļ—āļąāđˆāļ§āđ‚āļĨāļāļĄāļĩāļŪāļīāļ›āđ‚āļ›āđāļ„āļĢāļ°āļ­āļĒāļđāđˆāļŦāļĨāļēāļĒāļ•āļąāļ§ āļĢāļ§āļĄāļ–āļķāļ‡āđƒāļ™āļŠāļ§āļ™āļŠāļąāļ•āļ§āđŒāļāļĢāļļāļ‡āđ€āļšāļ­āļĢāđŒāļĨāļīāļ™ (Berlin Zoological Garden) āļ—āļĩāđˆāļāđ‡āđ€āļžāļīāđˆāļ‡āđ€āļ›āļīāļ”āļ•āļąāļ§ "āđ‚āļ—āļ™āļĩ (Toni)" āļŠāļĄāļēāļŠāļīāļāļŪāļīāļ›āđ‚āļ›āđāļ„āļĢāļ°āļ•āļąāļ§āđƒāļŦāļĄāđˆāđ€āļĄāļ·āđˆāļ­āđ€āļ”āļ·āļ­āļ™āļŠāļīāļ‡āļŦāļēāļ„āļĄāļ—āļĩāđˆāļœāđˆāļēāļ™āļĄāļēāđ€āļŠāđˆāļ™āļāļąāļ™ āđāļ•āđˆāļāļĨāļąāļšāđ„āļĄāđˆāļĄāļĩāđƒāļ„āļĢāļžāļđāļ”āļ–āļķāļ‡ "āđ‚āļ—āļ™āļĩ" āđ€āļ—āđˆāļēāđ„āļĢāļ™āļąāļ . "āđ‚āļ—āļ™āļĩāđ€āļāļīāļ”āđ€āļĄāļ·āđˆāļ­āđ€āļ”āļ·āļ­āļ™āļĄāļīāļ–āļļāļ™āļēāļĒāļ™ āļāđˆāļ­āļ™āļŦāļ™āđ‰āļēāļŦāļĄāļđāđ€āļ”āđ‰āļ‡āļ›āļĢāļ°āļĄāļēāļ“āļŦāļ™āļķāđˆāļ‡āđ€āļ”āļ·āļ­āļ™ āđāļ•āđˆāļ—āļģāđ„āļĄāļ‰āļąāļ™āđ„āļĄāđˆāđ€āļ„āļĒāđ„āļ”āđ‰āļĒāļīāļ™āđ€āļĢāļ·āđˆāļ­āļ‡āđ‚āļ—āļ™āļĩāđ€āļĨāļĒ āđ€āļžāļīāđˆāļ‡āđ„āļ”āđ‰āļĒāļīāļ™āļāđ‡āļ§āļąāļ™āļ™āļĩāđ‰? ... āļāđ‡āđ€āļžāļĢāļēāļ°āļ§āđˆāļēāļĄāļąāļ™āļŠāļ·āđˆāļ­ 'āđ‚āļ—āļ™āļĩ' āļĒāļąāļ‡āđ„āļ‡āļĨāđˆāļ°! 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Cr : https://www.tiktok.com/@also.steph/video/7420095062907817248?_r=1&_t=8qCoV5CHjCU
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    āļ—āļĩāđˆāļ›āļĨāļēāļĒāļāļīāđˆāļ‡ āļ”āļ­āļāļŠāļĩāļ‚āļēāļ§āļ­āļĄāļŠāļĄāļžāļđ
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    āđ‚āļ„āļ™āļāļĨāļĩāļšāļ”āļ­āļāđ€āļŠāļ·āđˆāļ­āļĄāļāļąāļ™āđ€āļ›āđ‡āļ™āļŦāļĨāļ­āļ” āļ›āļĨāļēāļĒāđāļĒāļ 5 āđāļ‰āļ āļŠāļĩāļ‚āļēāļ§ āļ āļēāļĒāđƒāļ™āļŦāļĨāļ­āļ”āļŠāļĩāđ€āļŦāļĨāļ·āļ­āļ‡āđāļ•āđˆāļ‡āđāļ•āđ‰āļĄāđ€āļ›āđ‡āļ™āļĨāļēāļĒāđ€āļŠāđ‰āļ™ āļ”āļ­āļāļ›āļĩāļšāļĒāļđāļ™āļēāļ™āļĄāļĩāļāļĨāļīāđˆāļ™āļŦāļ­āļĄ
    āļ­āļ­āļāļ”āļ­āļāļ•āļĨāļ­āļ”āļ›āļĩ
    āļ›āļĨāļđāļāļ›āļĢāļ°āļ”āļąāļšāļŠāļ§āļ™āļŠāļ§āļĒāļ‡āļēāļĄ
    āļĄāļĩāļāļīāđˆāļ‡āļ•āļ­āļ™ 2 āļāļīāđˆāļ‡ āđāļ§āļ°āļ”āļđāļŦāļ™āđ‰āļēāļŠāļ§āļ™āđ„āļ”āđ‰āļ„āđˆāļ°ðŸĨ°
    āļŦāļĢāļ·āļ­āļˆāļąāļ”āļŠāđˆāļ‡āļžāļąāļŠāļ”āļļ
    āļāļīāđˆāļ‡āļĨāļ° 140 b.āļĢāļ§āļĄāļŠāđˆāļ‡āļ„āđˆāļ°
    #garden #āļŠāļ§āļ™āļŠāļ§āļĒ #āļšāđ‰āļēāļ™āđāļĨāļ°āļŠāļ§āļ™
    #thaitimes
    āļ›āļĩāļšāļĒāļđāļ™āļēāļ™ āļ­āļ­āļāļ”āļ­āļāđ€āļ›āđ‡āļ™āļŠāđˆāļ­āđāļšāļšāļŠāđˆāļ­āļāļĢāļ°āļˆāļļāļ āļ—āļĩāđˆāļ›āļĨāļēāļĒāļāļīāđˆāļ‡ āļ”āļ­āļāļŠāļĩāļ‚āļēāļ§āļ­āļĄāļŠāļĄāļžāļđ āļāļĨāļĩāļšāļ”āļ­āļāļšāļēāļ‡āļĄāļĩāļĢāļ­āļĒāļĒāļąāļšāļĒāđˆāļ™ āđ‚āļ„āļ™āļāļĨāļĩāļšāđ€āļĨāļĩāđ‰āļĒāļ‡āđ€āļŠāļ·āđˆāļ­āļĄāļāļąāļ™āđ€āļ›āđ‡āļ™āļŦāļĨāļ­āļ”āļ„āļĨāđ‰āļēāļĒāļĢāļ°āļ†āļąāļ‡ āļŠāļĩāđ€āļ‚āļĩāļĒāļ§āļ­āđˆāļ­āļ™ āđ‚āļ„āļ™āļāļĨāļĩāļšāļ”āļ­āļāđ€āļŠāļ·āđˆāļ­āļĄāļāļąāļ™āđ€āļ›āđ‡āļ™āļŦāļĨāļ­āļ” āļ›āļĨāļēāļĒāđāļĒāļ 5 āđāļ‰āļ āļŠāļĩāļ‚āļēāļ§ āļ āļēāļĒāđƒāļ™āļŦāļĨāļ­āļ”āļŠāļĩāđ€āļŦāļĨāļ·āļ­āļ‡āđāļ•āđˆāļ‡āđāļ•āđ‰āļĄāđ€āļ›āđ‡āļ™āļĨāļēāļĒāđ€āļŠāđ‰āļ™ āļ”āļ­āļāļ›āļĩāļšāļĒāļđāļ™āļēāļ™āļĄāļĩāļāļĨāļīāđˆāļ™āļŦāļ­āļĄ āļ­āļ­āļāļ”āļ­āļāļ•āļĨāļ­āļ”āļ›āļĩ āļ›āļĨāļđāļāļ›āļĢāļ°āļ”āļąāļšāļŠāļ§āļ™āļŠāļ§āļĒāļ‡āļēāļĄ āļĄāļĩāļāļīāđˆāļ‡āļ•āļ­āļ™ 2 āļāļīāđˆāļ‡ āđāļ§āļ°āļ”āļđāļŦāļ™āđ‰āļēāļŠāļ§āļ™āđ„āļ”āđ‰āļ„āđˆāļ°ðŸĨ° āļŦāļĢāļ·āļ­āļˆāļąāļ”āļŠāđˆāļ‡āļžāļąāļŠāļ”āļļ āļāļīāđˆāļ‡āļĨāļ° 140 b.āļĢāļ§āļĄāļŠāđˆāļ‡āļ„āđˆāļ° #garden #āļŠāļ§āļ™āļŠāļ§āļĒ #āļšāđ‰āļēāļ™āđāļĨāļ°āļŠāļ§āļ™ #thaitimes
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    āđ€āļžāļ·āđˆāļ­āđāļŠāļ”āļ‡āļŠāļ›āļīāļĢāļīāļ•āļ‚āļ­āļ‡āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļ™āļąāļāļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āļ›āļĢāļ°āļŠāļēāļ˜āļīāļ›āđ„āļ•āļĒāļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆ āđ€āļ‚āļēāļˆāļķāļ‡āļĨāļ”āļāļĢāļ°āđāļŠāļ”āđ‰āļ§āļĒāļāļēāļĢāļ›āļĨāđˆāļ­āļĒāļ•āļąāļ§ MK āđƒāļŦāđ‰āļĄāļēāļŠāļđāđ‰āļ„āļ”āļĩāļŦāļĨāļąāļ‡āļˆāļēāļāļ—āļĩāđˆāļ­āļĒāļđāđˆāđƒāļ™āļ—āļĩāđˆāļ„āļļāļĄāļ‚āļąāļ‡āļ›āļĢāļ°āļĄāļēāļ“āļŦāđ‰āļēāđ€āļ”āļ·āļ­āļ™
    āđāļĨāļ°……āļ™āļąāđˆāļ™āļ„āļ·āļ­āļāļēāļĢāđ€āļ›āļīāļ”āļĻāļķāļāļĢāļ°āļŦāļ§āđˆāļēāļ‡ āļœāļđāđ‰āļ—āļĩāđˆāļĄāļĩāļ­āļģāļ™āļēāļˆāļāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļĄāļĩāđ€āļ‡āļīāļ™ (āļˆāļ™āļ–āļķāļ‡āļ—āļļāļāļ§āļąāļ™āļ™āļĩāđ‰)

    āđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ‡āđ€āļ”āļĩāļĒāļ§āļāļąāļ™āļāļąāļšāļ—āļĩāđˆāļ›āļđāļ•āļīāļ™āļāļģāļĨāļąāļ‡āļāđ‰āļēāļ§āļ‚āļķāđ‰āļ™āļĄāļēāđƒāļ™āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āļ‚āļ­āļ‡āļ™āļąāļāļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āđ€āļ•āđ‡āļĄāļ•āļąāļ§ āđ‚āļ”āļĒāļ—āļĩāđˆāđ„āļĄāđˆāļĄāļĩāļžāļĩāđˆāđ€āļĨāļĩāđ‰āļĒāļ‡āļ„āļ­āļĒāļ›āļĢāļ°āļāļšāđ€āļŦāļĄāļ·āļ­āļ™āđ€āļĄāļ·āđˆāļ­āļāđˆāļ­āļ™ (āđ€āļĒāļĨāļ‹āļīāļ™)
    āđāļĨāļ°āļ™āļąāļšāļ§āđˆāļēāđ€āļ›āđ‡āļ™āļ›āļĩāļ—āļ”āļŠāļ­āļšāļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļœāļđāđ‰āļ™āļģāļ—āļĩāđˆāđāļŠāļ™āđ‚āļŦāļ” āđāļĨāļ°āđāļ—āļšāđ„āļĄāđˆāļ™āđˆāļēāđ€āļŠāļ·āđˆāļ­āļ§āđˆāļēāļˆāļ°āđ€āļ­āļēāļ•āļąāļ§āđāļĨāļ°āļŠāļēāļ•āļīāļĢāļ­āļ”āļĄāļēāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđ„āļĢ..…?!!
    āđ€āļĢāļīāđˆāļĄāļˆāļēāļ āļāļĢāļ°āđāļŠāļ„āļ§āļēāļĄāđ€āļ„āļĨāļ·āđˆāļ­āļ™āđ„āļŦāļ§āđƒāļ™āļāļēāļĢāļˆāļąāļšāļāļļāļĄ MK āļ­āļ āļīāļĄāļŦāļēāđ€āļĻāļĢāļĐāļāļĩāļ„āļ™āļ”āļąāļ‡
    āļ—āļĩāđˆāđāļĄāđ‰āđāļ•āđˆāļ™āļēāļĒāļāļĢāļąāļāļĄāļ™āļ•āļĢāļĩāļ‚āļ­āļ‡āđ€āļ‚āļēāđ€āļ­āļ‡ Mikhaïl Kesyanov āļāđ‡āļĒāļąāļ‡āđāļŠāļ”āļ‡āļ„āļ§āļēāļĄāđ„āļĄāđˆāļžāļ­āđƒāļˆ āļ–āļķāļ‡āļāļąāļšāđ„āļ›āđƒāļŦāđ‰āļŠāļąāļĄāļ āļēāļĐāļ“āđŒāļāļąāļšāļŦāļ™āļąāļ‡āļŠāļ·āļ­āļžāļīāļĄāļžāđŒ āļ§āđˆāļē MK āđ„āļĄāđˆāđ„āļ”āđ‰āđ‚āļāļ‡āļ āļēāļĐāļĩ…āđ€āļžāļĩāļĒāļ‡āđāļ•āđˆāđƒāļŠāđ‰āļŠāđˆāļ­āļ‡āļ§āđˆāļēāļ‡āļ‚āļ­āļ‡āļāļŽāļŦāļĄāļēāļĒāđ€āļžāļ·āđˆāļ­āđāļŠāļ§āļ‡āļŦāļēāļœāļĨāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™……

    āļ­āļĒāđˆāļēāļ‡āđ„āļĢāļāđ‡āļ•āļēāļĄ……āđ„āļĄāđˆāđ„āļ”āđ‰āļĄāļĩāđƒāļ„āļĢāļŠāļ™āđƒāļˆāļāļąāļšāļ‚āđ‰āļ­āđ‚āļ•āđ‰āđāļĒāđ‰āļ‡āļ‚āļ­āļ‡āđ€āļ‚āļēāļ™āļąāļ āđ€āļžāļĢāļēāļ°āļ—āļąāđ‰āļ‡āļĢāļąāļŠāđ€āļ‹āļĩāļĒāļāļģāļĨāļąāļ‡āļ•āļ·āđˆāļ™āđ€āļ•āđ‰āļ™āļāļąāļš āļĢāļēāļ„āļēāļ™āđ‰āļģāļĄāļąāļ™āļŠāđˆāļ‡āļ­āļ­āļāļ—āļ°āļĒāļēāļ™āļ‚āļķāđ‰āļ™āđ€āļāļīāļ™āļŠāļīāļšāđ€āļ—āđˆāļēāļ‚āļ­āļ‡āļ—āļĩāđˆāđ€āļ„āļĒāđ„āļ”āđ‰ āļˆāļēāļ āļŦāļāļžāļąāļ™āļĨāđ‰āļēāļ™ āļžāļļāđˆāļ‡āļ‚āļķāđ‰āļ™āļĄāļēāđ€āļ›āđ‡āļ™ āđāļ›āļ”āļŦāļĄāļ·āđˆāļ™āļĨāđ‰āļēāļ™āđ€āļŦāļĢāļĩāļĒāļ
    āđāļĨāļ°āļĢāļąāļŠāđ€āļ‹āļĩāļĒāđ„āļ”āđ‰āļāļĨāļēāļĒāļĄāļēāđ€āļ›āđ‡āļ™āļœāļđāđ‰āļŠāđˆāļ‡āļ­āļ­āļāļ™āđ‰āļģāļĄāļąāļ™āļ—āļĩāđˆāđƒāļŦāļāđˆāļ—āļĩāđˆāļŠāļļāļ”āđƒāļ™āđ‚āļĨāļ āđāļ‹āļ‡āļŦāļ™āđ‰āļēāļ‹āļēāļ­āļļāļ”āļī āļ­āļ°āđ€āļĢāđ€āļšāļĩāļĒ
    āđāļĨāļ°āļŠāļīāļ™āļ„āđ‰āļēāļ­āļ·āđˆāļ™āđ†āđ€āļĢāļīāđˆāļĄāļĄāļĩāđƒāļšāļŠāļąāđˆāļ‡āđ€āļ‚āđ‰āļēāļĄāļēāļĒāļēāļ§āđ€āļ›āđ‡āļ™āļŦāļēāļ‡āļ§āđˆāļēāļ§……
    āđāļ•āđˆāļ›āļđāļ•āļīāļ™āđ„āļĄāđˆāđ„āļ”āđ‰āļ›āļĨāđˆāļ­āļĒāđƒāļŦāđ‰āļ„āļ§āļēāļĄāļ„āļīāļ”āđ€āļŦāđ‡āļ™āļ„āļąāļ”āļ„āđ‰āļēāļ™āļ‚āļ­āļ‡āļ™āļēāļĒāļāļŊāļœāđˆāļēāļ™āđ„āļ›
    āļ§āļąāļ™āļ—āļĩāđˆ 23 āļāļļāļĄāļ āļēāļžāļąāļ™āļ˜āļļāđŒ āļŦāļĨāļąāļ‡āļˆāļēāļāļāļēāļĢāļ›āļĢāļ°āļŠāļļāļĄāļšāļ­āļĢāđŒāļ”āļœāđˆāļēāļ™āđ„āļ› āļ›āļđāļ•āļīāļ™āđƒāļŦāđ‰ āļ™āļēāļĒāļāļŊ
    āļ„āļēāđ€āļ‹āļĩāļĒāļ™āļ­āļŸ āđ€āļ‚āđ‰āļēāļĄāļēāļžāļš āđāļĨāļ°āļžāļđāļ”āļŠāļąāđ‰āļ™āđ†āļ§āđˆāļē……
    “āļ•āđˆāļ­āđ„āļ›āļ™āļĩāđ‰……āļ„āļļāļ“āļŦāļĄāļ”āļŦāļ™āđ‰āļēāļ—āļĩāđˆāđāļĨāđ‰āļ§āļ™āļ°” āđ€āļ›āđ‡āļ™āļāļēāļĢāđ„āļĨāđˆāļ­āļ­āļāđāļšāļšāļ‡āđˆāļēāļĒāđ†āļ—āļĩāđˆāđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āļĄāļĩāļžāļīāļ˜āļĩāļĢāļĩāļ•āļ­āļ‡……
    āđāļĨāļ°……āđ„āļĄāđˆāļĄāļĩāļāļēāļĢāļ›āļĢāļ°āļāļēāļĻāļ§āđˆāļē āđƒāļ„āļĢāļˆāļ°āļĄāļēāđāļ—āļ™…āļœāļđāđ‰āļ„āļ™āļāđ‡āđ€āļ”āļēāļāļąāļ™āđ„āļ›āļ•āđˆāļēāļ‡āđ†āļ™āļēāļ™āļē
    āļ§āđˆāļēāļ­āļēāļˆāļˆāļ°āđ€āļ›āđ‡āļ™āļ„āļ™āļ™āļąāđ‰āļ™āļ„āļ™āļ™āļĩāđ‰ āļˆāļ™āļ­āļēāļ—āļīāļ•āļĒāđŒāļŦāļ™āļķāđˆāļ‡āļœāđˆāļēāļ™āđ„āļ› āļœāļđāđ‰āļ—āļĩāđˆāđ€āļ‚āđ‰āļēāļĄāļēāļĢāļąāļšāļ•āļģāđāļŦāļ™āđˆāļ‡ āļ„āļ·āļ­
    Mikhaïl Fradkov āļ—āļĩāđˆāđāļŠāļ™”āđ‚āļ™āđ€āļ™āļĄ”āļˆāļēāļāļ›āļĩāđ€āļ•āļ­āļĢāđŒāļŠāđ€āļšāļ­āļĢāđŒāļ

    āđāļ•āđˆāđ„āļĄāđˆāđ‚āļ™āđ€āļ™āļĄāļŠāļģāļŦāļĢāļąāļšāļ›āļđāļ•āļīāļ™ āđ€āļžāļĢāļēāļ° MF (Mikhaïl Fradkov) āļ„āļ™āļ™āļĩāđ‰āđ€āļ„āļĒāđ€āļ›āđ‡āļ™āļĢāļąāļāļĄāļ™āļ•āļĢāļĩāđ€āļĻāļĢāļĐāļāļāļīāļˆāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻ āđƒāļ™āļŠāļĄāļąāļĒāđ€āļĒāļĨāļ‹āļīāļ™ āđ€āļ›āđ‡āļ™āļœāļđāđ‰āđ€āļŠāļĩāđˆāļĒāļ§āļŠāļēāļāđƒāļ™āļŦāļĨāļēāļĒāļ āļēāļĐāļē āđ€āļ›āđ‡āļ™āļ„āļ™āļ•āļĢāļ‡…āļŠāļĄāļ–āļ° āđāļĨāļ° āđ„āļĄāđˆāļŠāļ™āđƒāļˆāđƒāļ™āļāļēāļĢāđ€āļĄāļ·āļ­āļ‡
    āđƒāļ™āļ‚āļ“āļ°āļ—āļĩāđˆāļ›āļđāļ•āļīāļ™āļ•āļīāļ”āļ•āđˆāļ­āđ„āļ›āđƒāļŦāđ‰āļĄāļēāļĢāļąāļšāļ•āļģāđāļŦāļ™āđˆāļ‡ āļ•āļ­āļ™āļ™āļąāđ‰āļ™ MF āļ­āļĒāļđāđˆāļ—āļĩāđˆ Brussels āļāļģāļĨāļąāļ‡āļ—āļģāļŦāļ™āđ‰āļēāļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļ—āļđāļ•āļžāļēāļ™āļīāļŠāļĒāđŒāļĢāļąāļŠāđ€āļ‹āļĩāļĒāļ›āļĢāļ°āļˆāļģ EU
    āđ€āļĄāļ·āđˆāļ­āđ€āļ‚āļēāļšāļīāļ™āļĄāļēāļ–āļķāļ‡āļĄāļ­āļŠāđ‚āļ„āļ§āđŒāđƒāļ™āļ§āļąāļ™āļ•āđˆāļ­āļĄāļē āđ€āļžāļ·āđˆāļ­āđ€āļ‚āđ‰āļēāļĢāļąāļšāļ•āļģāđāļŦāļ™āđˆāļ‡ āļ™āļąāļ”āļ‚āđˆāļēāļ§āđ„āļ”āđ‰āļ–āļēāļĄāļ–āļķāļ‡āļ™āđ‚āļĒāļšāļēāļĒāđƒāļ™āļāļēāļĢāļ—āļģāļ‡āļēāļ™ āđ€āļ‚āļēāļ•āļ­āļšāļŠāļąāđ‰āļ™āđ†āļ§āđˆāļē
    “āļāđ‡āļ—āļģāļ•āļēāļĄāļ™āđ‚āļĒāļšāļēāļĒāļ‚āļ­āļ‡āļ—āđˆāļēāļ™āļ›āļĢāļ°āļ˜āļēāļ™āļēāļ˜āļīāļšāļ”āļĩ……”

    āļ§āļąāļ™āļ—āļĩāđˆ 1 āļāļąāļ™āļĒāļēāļĒāļ™ āđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāļ—āļĩāđˆāđ€āļ”āđ‡āļāđ†āļāļĨāļąāļšāđ€āļ‚āđ‰āļēāđ‚āļĢāļ‡āđ€āļĢāļĩāļĒāļ™ āļ—āļĩāđˆāļĄāļĩāļ˜āļĢāļĢāļĄāđ€āļ™āļĩāļĒāļĄāļ—āļĩāđˆāļ™āđˆāļēāļĢāļąāļ āļ„āļ·āļ­āđ€āļ”āđ‡āļāđ†āđāļ•āđˆāļ‡āļ•āļąāļ§āļāļąāļ™āļŠāļ§āļĒāļ‡āļēāļĄ āđ€āļ•āļĢāļĩāļĒāļĄāļ‚āļ­āļ‡āļ‚āļ§āļąāļāđ€āļĨāđ‡āļāđ†āļ™āđ‰āļ­āļĒāđ†āđ„āļ›āļŠāļ§āļąāļŠāļ”āļĩāļ„āļļāļ“āļ„āļĢāļđ
    āļœāļđāđ‰āļ›āļāļ„āļĢāļ­āļ‡āļžāļēāļāļąāļ™āļ•āļ·āđˆāļ™āđ€āļ•āđ‰āļ™ āļˆāļđāļ‡āļĨāļđāļ āļžāļēāļŦāļĨāļēāļ™āđ„āļ›āļžāļšāļ›āļ°āļŠāļąāļ‡āļŠāļĢāļĢāļāļąāļ™āļ—āļĩāđˆāļŦāļ­āļ›āļĢāļ°āļŠāļļāļĄāđ‚āļĢāļ‡āđ€āļĢāļĩāļĒāļ™āđƒāļ™āļ§āļąāļ™āđ€āļ›āļīāļ”āđ€āļ—āļ­āļĄāļ§āļąāļ™āđāļĢāļ
    āļ—āļĩāđˆāđ€āļĄāļ·āļ­āļ‡ Beslan, North-Ossetia (āļ„āļ­āđ€āļ„āļ‹āļąāļŠ) āļāđ‡āđ€āļŠāđˆāļ™āļāļąāļ™ āđ€āļŦāļ•āļļāļāļēāļĢāļ“āđŒāļ—āļĩāđˆāļ„āļ§āļĢāļˆāļ°āđ€āļ›āđ‡āļ™āļ āļēāļžāļŠāļ§āļĒāļ‡āļēāļĄāļ™āļĩāđ‰ āđ„āļ”āđ‰āļāļĨāļēāļĒāļĄāļēāđ€āļ›āđ‡āļ™āđ‚āļĻāļāļ™āļēāļāļāļĢāļĢāļĄ

    āļœāļđāđ‰āļ„āļ™āļ›āļĢāļ°āļĄāļēāļ“āļŦāļĨāļēāļĒāļĢāđ‰āļ­āļĒāļ„āļ™āđ„āļ”āđ‰āļŠāļļāļĄāļ™āļļāļĄāļāļąāļ™āļ—āļĩāđˆāļĨāļēāļ™āļŦāļ™āđ‰āļēāđ‚āļĢāļ‡āđ€āļĢāļĩāļĒāļ™ āļ—āļąāļ™āđƒāļ”āļ™āļąāđ‰āļ™ āđ„āļ”āđ‰āļĄāļĩāļĢāļ–āļšāļĢāļĢāļ—āļļāļāļ§āļīāđˆāļ‡āļœāđˆāļēāđ€āļ‚āđ‰āļēāļĄāļē……āļœāđˆāļēāđƒāļšāļ„āļĨāļļāļĄāļŦāļĨāļąāļ‡āļĢāļ–āđ„āļ”āđ‰āđ€āļ›āļīāļ”āļ­āļ­āļ āļāļĨāļļāđˆāļĄāļœāļđāđ‰āļāđˆāļ­āļāļēāļĢāļĢāđ‰āļēāļĒāđ„āļ”āđ‰āļ•āļ°āđ‚āļāļ™āđ€āļĢāļĩāļĒāļāļžāļĢāļ°āļ™āļēāļĄ āđāļĨāđ‰āļ§āļāļĢāļ°āđ‚āļ”āļ”āļĨāļ‡āļĄāļēāļžāļĢāđ‰āļ­āļĄāļ­āļēāļ§āļļāļ˜
    āļ—āđˆāļēāļĄāļāļĨāļēāļ‡āļ„āļ§āļēāļĄāļ•āļāļ•āļ°āļĨāļķāļ‡āļ‚āļ­āļ‡āļ—āļļāļāļ„āļ™ āļāļĨāļļāđˆāļĄāļāļšāļŽāđ„āļ”āđ‰āļ•āđ‰āļ­āļ™āļ—āļļāļāļ„āļ™āđ€āļ‚āđ‰āļēāđ„āļ›āļ­āļĒāļđāđˆāđƒāļ™āđ‚āļĢāļ‡āļĒāļīāļĄ ……
    āļāļĨāļļāđˆāļĄāļāļšāļ……āļĄāļĩāļœāļđāđ‰āļŦāļāļīāļ‡āļŠāļ­āļ‡āļ„āļ™āļĢāļ§āļĄāļ­āļĒāļđāđˆāļ”āđ‰āļ§āļĒ āļ™āļąāđˆāļ™āļ„āļ·āļ­ Maryam Taburova āđāļĨāļ° Rosa Negayeva

    āđ€āļ›āđ‡āļ™āļāļēāļĢāļāļĢāļ°āļ—āļģāļ—āļĩāđˆāļ­āļļāļāļ­āļēāļˆāļ—āļĩāđˆāđ„āļĄāđˆāļĄāļĩāđƒāļ„āļĢāļ„āļēāļ”āļ„āļīāļ” āđ€āļžāļĢāļēāļ°āđ€āļĄāļ·āđˆāļ­āļ§āļąāļ™āļ—āļĩāđˆ 9 āđ€āļ”āļ·āļ­āļ™āļžāļĪāļĐāļ āļēāļ—āļĩāđˆāļœāđˆāļēāļ™āļĄāļē……āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļ§āļąāļ™āļ‰āļĨāļ­āļ‡āļŠāļąāļĒāļŠāļ™āļ°āļ‚āļ­āļ‡āļĢāļąāļŠāđ€āļ‹āļĩāļĒ āļ›āļĢāļ°āļ˜āļēāļ™āļēāļ˜āļīāļšāļ”āļĩāđ€āļŠāđ€āļŠāļ™ Akhmad Kadyrov āļ—āļĩāđˆāđ€āļžāļīāđˆāļ‡āļĢāļąāļšāļ•āļģāđāļŦāļ™āđˆāļ‡āļŠāļ”āđ†āļĢāđ‰āļ­āļ™āđ†āđ„āļ”āđ‰āđ„āļ›āđ€āļ›āđ‡āļ™āļ›āļĢāļ°āļ˜āļēāļ™āđƒāļ™āļžāļīāļ˜āļĩ āđ„āļ”āđ‰āļ–āļđāļāļĨāļ­āļšāļ§āļēāļ‡āļĢāļ°āđ€āļšāļīāļ”āļ—āļĩāđˆāļāļĨāļēāļ‡āļ‡āļēāļ™āļˆāļ™āđ€āļŠāļĩāļĒāļŠāļĩāļ§āļīāļ• āđ€āļŦāļĨāļ·āļ­āđ„āļ§āđ‰āļ„āļ·āļ­āļĨāļđāļāļŠāļēāļĒāļ§āļąāļĒ 27 Ramzan āļ—āļĩāđˆāļĄāļĩāđ€āļĨāļ·āļ­āļ”āļžāđˆāļ­āđ€āļ•āđ‡āļĄāļĢāđ‰āļ­āļĒ āļžāļĢāđ‰āļ­āļĄāļĨāļ‡āļŠāļēāļ™āļ•āđˆāļ­ āđāļ•āđˆāļ­āļēāļĒāļļāļĒāļąāļ‡āđ„āļĄāđˆāđ€āļ‚āđ‰āļēāđ€āļāļ“āļ‘āđŒāļ—āļĩāđˆāļˆāļ°āđ€āļ›āđ‡āļ™āļœāļđāđ‰āļ™āļģ
    āļˆāļķāļ‡āļ•āđ‰āļ­āļ‡āļ„āļ­āļĒāđ„āļ›āļāđˆāļ­āļ™ āļ›āļđāļ•āļīāļ™āđāļ•āđˆāļ‡āļ•āļąāđ‰āļ‡āđƒāļŦāđ‰ Aslan Maskhadov āļ‚āļķāđ‰āļ™āļĄāļēāđāļ—āļ™āđ„āļ›āļāđˆāļ­āļ™
    āđāļ•āđˆāļāļĨāļļāđˆāļĄāļāļšāļ……āļāđ‡āđ„āļ”āđ‰āđƒāļŦāđ‰āļ„āļģāđ€āļ•āļ·āļ­āļ™āļĄāļēāđ„āļ§āđ‰āļĨāđˆāļ§āļ‡āļŦāļ™āđ‰āļēāđāļĨāđ‰āļ§āļ§āđˆāļē……Ramzan āļˆāļ°āđ€āļ›āđ‡āļ™āļĢāļēāļĒāļ•āđˆāļ­āđ„āļ›…āđ€āļĄāļ·āđˆāļ­āļĄāļĩāđ‚āļ­āļāļēāļŠ…!!

    āļ„āļĢāļēāļ§āļ™āļĩāđ‰āļ—āļĩāđˆ Beslan āļ—āļĩāđˆāļāđˆāļēāļĒāļāļšāļāđ„āļ”āđ‰āļĒāļ·āđˆāļ™āļ„āļ§āļēāļĄāļ›āļĢāļ°āļŠāļ‡āļ„āđŒāļāļąāļšāļ›āļđāļ•āļīāļ™āļ§āđˆāļē
    āļāļ­āļ‡āļ—āļąāļžāļĢāļąāļŠāđ€āļ‹āļĩāļĒāļˆāļ°āļ•āđ‰āļ­āļ‡āļ­āļ­āļāđ„āļ›āļˆāļēāļāļžāļ·āđ‰āļ™āļ—āļĩāđˆ āđāļĨāļ°āļ›āļĢāļ°āļāļēāļĻāđƒāļŦāđ‰āđ€āļŠāđ€āļŠāļ™āđ€āļ›āđ‡āļ™āđ€āļ­āļāļĢāļēāļŠ āļ‹āļķāđˆāļ‡āđ€āļŠāđ€āļŠāļ™āļˆāļ°āļĢāđˆāļ§āļĄāđ€āļ›āđ‡āļ™āļžāļąāļ™āļ˜āļĄāļīāļ•āļĢāđāļĨāļ°āļĒāļąāļ‡āļ„āļ‡āđƒāļŠāđ‰āļĢāļđāđ€āļšāļīāđ‰āļĨāđ€āļ›āđ‡āļ™āļŠāļāļļāļĨāđ€āļ‡āļīāļ™āļ•āļĢāļē
    āđ€āļŠāđ€āļŠāļ™āļˆāļ°āļĢāđˆāļ§āļĄāļĄāļ·āļ­āļāļąāļšāļĢāļąāļŠāđ€āļ‹āļĩāļĒāđƒāļ™āļāļēāļĢāļžāļąāļ’āļ™āļēāļāļ­āļ‡āļāļģāļĨāļąāļ‡āđāļĨāļ°āļŸāļ·āđ‰āļ™āļŸāļđāļ›āļĢāļ°āđ€āļ—āļĻ (āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āđ€āļ­āļāļĢāļēāļŠ)

    āđƒāļ™āļ™āļēāļĄāļ‚āļ­āļ‡āļžāļĢāļ°āđ€āļˆāđ‰āļē
    āļĨāļ‡āļŠāļ·āđˆāļ­ Shamil Basayev

    āļ‹āļķāđˆāļ‡ āļŠāļēāļĄāļīāļĨāļ•āļąāļ§āļŦāļąāļ§āļŦāļ™āđ‰āļē……āļĄāļēāđāļ•āđˆāđ€āļžāļĩāļĒāļ‡āđƒāļ™āļ™āļēāļĄ āđ„āļĄāđˆāđ„āļ”āđ‰āļ­āļĒāļđāđˆāļĢāļ§āļĄāđƒāļ™āļāļĨāļļāđˆāļĄ āđāļĨāļ°āļ‚āđ‰āļ­āđ€āļŠāļ™āļ­āļ™āļąāđ‰āļ™ ……āđ€āļ›āđ‡āļ™āđ„āļ›āđ„āļĄāđˆāđ„āļ”āđ‰āļ—āļĩāđˆāļ—āļēāļ‡āļĢāļąāļŠāđ€āļ‹āļĩāļĒāļˆāļ°āļĒāļ­āļĄāļĢāļąāļš

    āļāļēāļĢāļāļąāļāļ•āļąāļ§āļœāļđāđ‰āļ„āļ™āļˆāļģāļ™āļ§āļ™āļŦāļĨāļēāļĒāļĢāđ‰āļ­āļĒāđƒāļ™āļ—āļĩāđˆāļ—āļĩāđˆāļˆāļģāļāļąāļ” āđ„āļ”āđ‰āļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāļ—āļļāļāļ‚āđŒāļ—āļĢāļĄāļēāļ™āđƒāļŦāđ‰āļāļąāļšāđ€āļ”āđ‡āļāđ†āļ­āļĒāđˆāļēāļ‡āđāļŠāļ™āļŠāļēāļŦāļąāļŠ āđ€āļžāļĢāļēāļ°āđ„āļĄāđˆāļĄāļĩāļ­āļēāļāļēāļĢ āđ„āļĄāđˆāļĄāļĩāļ™āđ‰āļģ
    āļœāļđāđ‰āļ—āļĩāđˆāļ‚āļąāļ”āļ‚āļ·āļ™āđ„āļ”āđ‰āļ–āļđāļāļĒāļīāļ‡āļ—āļīāđ‰āļ‡ āđāļĨāđ‰āļ§āļ™āļģāļĻāļžāđ‚āļĒāļ™āļ­āļ­āļāļĄāļēāļ—āļēāļ‡āļŦāļ™āđ‰āļēāļ•āđˆāļēāļ‡……āļˆāļģāļ™āļ§āļ™āļŦāļĨāļēāļĒāļĻāļž

    āđƒāļ™āļ—āļĩāđˆāļŠāļļāļ” āļ§āļąāļ™āļ—āļĩāđˆāļŠāļ­āļ‡āļ‚āļ­āļ‡āļāļēāļĢāļ„āļ§āļšāļ„āļļāļĄāļ•āļąāļ§ āđ„āļ”āđ‰āļĄāļĩāļāļēāļĢāđ€āļˆāļĢāļˆāļēāļ‚āļ­āđƒāļŦāđ‰āļ›āļĨāđˆāļ­āļĒāđ€āļ”āđ‡āļāđ€āļĨāđ‡āļāļāļ§āđˆāļēāļŠāļēāļĄāļŠāļīāļšāļ„āļ™āļ­āļ­āļāļĄāļēāđ„āļ”āđ‰

    āļ§āļąāļ™āļ—āļĩāđˆāļŠāļēāļĄ……āļāđˆāļēāļĒāđ€āļˆāļĢāļˆāļēāļ‚āļ­āđƒāļŦāđ‰āļĄāļĩāļāļēāļĢāļ™āļģāļĢāļ–āļžāļĒāļēāļšāļēāļĨāđ€āļ‚āđ‰āļēāđ„āļ›āļĢāļąāļšāļĻāļžāļ—āļĩāđˆāđ€āļĢāļīāđˆāļĄāļšāļ§āļĄāļ­āļ­āļāļĄāļēāļˆāļēāļāļŠāļ–āļēāļ™āļ—āļĩāđˆ
    āđƒāļ™āđ€āļ§āļĨāļēāļ•āļĩāļŦāļ™āļķāđˆāļ‡ āļ—āļĩāđˆāļŦāļ™āđˆāļ§āļĒāļžāļĒāļēāļšāļēāļĨāļŠāļĩāđˆāļ„āļ™āđ„āļ”āđ‰āđ€āļ‚āđ‰āļēāđ„āļ›āļžāļĢāđ‰āļ­āļĄāļĢāļ–āļ•āļēāļĄāļāļģāļŦāļ™āļ”āļāļēāļĢ
    āđ€āļĄāļ·āđˆāļ­āđ„āļ›āļ–āļķāļ‡……āđ€āļžāļĩāļĒāļ‡āļŠāļ­āļ‡āļ™āļēāļ—āļĩāļœāđˆāļēāļ™āđ„āļ›…..āđ„āļ”āđ‰āđ€āļāļīāļ”āļĢāļ°āđ€āļšāļīāļ”āļ‚āļķāđ‰āļ™ āļ—āļĩāđˆāļ—āļģāđƒāļŦāđ‰āļœāļ™āļąāļ‡āļ‚āļ­āļ‡āđ‚āļĢāļ‡āļĒāļīāļĄāđ„āļ”āđ‰āđ€āļ›āļīāļ”āļ­āļ­āļ āļŦāļĨāļąāļ‡āļ„āļēāđ€āļ›āļīāļ‡
    āļ„āļĢāļēāļ§āļ™āļĩāđ‰……āļāđˆāļēāļĒāļāļšāļāđ„āļ”āđ‰āđ€āļ›āļīāļ”āļ‰āļēāļāļĒāļīāļ‡āļĄāļąāđˆāļ§āļ‹āļąāđˆāļ§ āļ‚āļ§āđ‰āļēāļ‡āļĢāļ°āđ€āļšāļīāļ”āļĄāļ·āļ­āļ—āđˆāļēāļĄāļāļĨāļēāļ‡āļāļļāđˆāļ™āļ—āļĩāđˆāļ•āļĨāļšāļ„āļĨāļļāđ‰āļ‡
    āđ€āļ›āđ‡āļ™āļāļēāļĢāđ‚āļāļĨāļēāļŦāļĨāļˆāļ™āļŠāļļāļ”āļšāļĢāļĢāļĒāļēāļĒ āđ€āļžāļĢāļēāļ°āļœāļđāđ‰āļ„āļ™āļŠāđˆāļ§āļ™āđƒāļŦāļāđˆāļ—āļĩāđˆāđ€āļ›āđ‡āļ™āđ€āļŠāļĨāļĒāđ„āļĄāđˆāļ­āļĒāļđāđˆāđƒāļ™āļŠāļ āļēāļžāļ—āļĩāđˆāļˆāļ°āļŦāļĨāļšāļŦāļ™āļĩāđ„āļ”āđ‰ āļžāļ§āļāđ€āļ‚āļēāļ­āđˆāļ­āļ™āđ€āļ›āļĨāļĩāđ‰āļĒāļˆāļ™āđ€āļāļīāļ™āđ„āļ›

    āđ€āļĄāļ·āđˆāļ­āļ—āļļāļāļ­āļĒāđˆāļēāļ‡āļœāđˆāļēāļ™āļžāđ‰āļ™āđ„āļ› āļ—āļąāđ‰āļ‡āļŦāļĄāļ”āđƒāļ™āļ™āļąāđ‰āļ™āđ€āļŠāļĩāļĒāļŠāļĩāļ§āļīāļ• āļˆāļģāļ™āļ§āļ™āđ€āļŠāļĨāļĒ 334 āļ„āļ™ (āđ€āļ”āđ‡āļāđ‚āļ• 186 āļ„āļ™) āļ„āļ­āļĄāļĄāļēāļ™āđ‚āļ” 10 āļ„āļ™ āļœāļđāđ‰āļāđˆāļ­āļāļēāļĢ 30 āļ„āļ™ (āļœāļđāđ‰āļŦāļāļīāļ‡ 2)
    āļ­āļąāļ™āđ€āļ›āđ‡āļ™āļ‚āđˆāļēāļ§āļ—āļĩāđˆāļ™āđˆāļēāļŠāļĨāļ”āđƒāļˆāđ„āļ›āļĒāļąāļ‡āļĢāļ­āļšāđ‚āļĨāļ āļ—āļĩāđˆāļĄāļĩāļāļēāļĢāļ„āđ‰āļ™āļŦāļēāļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡ āļ§āđˆāļē
    āļĢāļ°āđ€āļšāļīāļ”āļ—āļĩāđˆāđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āļ™āļąāđ‰āļ™ āļĄāļēāļˆāļēāļāļĢāļ°āđ€āļšāļīāļ”āļ—āļĩāđˆāļ—āļēāļ‡āļāđˆāļēāļĒāļ„āļ“āļ°āļœāļđāđ‰āļāđˆāļ­āļāļēāļĢāđ„āļ”āđ‰āļ§āļēāļ‡āļŠāļēāļĒāđ€āļ­āļēāđ„āļ§āđ‰āđāļĨāđ‰āļ§āđ€āļāļīāļ”āļāļēāļĢāļœāļīāļ”āļžāļĨāļēāļ”…āļˆāļ™āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļĄāļēāļ‚āļ­āļ‡āđ‚āļĻāļāļ™āļēāļāļāļĢāļĢāļĄāļŦāļĄāļđāđˆ
    āļ›āļđāļ•āļīāļ™..āļžāļĒāļēāļĒāļēāļĄāļ­āļĒāđˆāļēāļ‡āļ—āļĩāđˆāļŠāļļāļ”āļ—āļĩāđˆāļˆāļ°āđ„āļĄāđˆāđƒāļŦāđ‰āļĄāļĩāļāļēāļĢāļŠāļđāļāđ€āļŠāļĩāļĒ āđ€āļžāļĢāļēāļ°āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļˆāļēāļāđ‚āļĢāļ‡āļĨāļ°āļ„āļĢāļ—āļĩāđˆāļ—āļģāđƒāļŦāđ‰āđ€āļ‚āļēāđ„āļĄāđˆāļĒāļ­āļĄāđƒāļŠāđ‰āļ§āļīāļ˜āļĩāļāļēāļĢāļĒāļēāļŠāļĨāļšāļžāđˆāļ™āđ€āļ‚āđ‰āļēāđ„āļ›
    āđ€āļ‚āļēāļŦāļ§āļąāļ‡āđƒāļ™āļāļēāļĢāđ€āļˆāļĢāļˆāļē……āļ—āļĩāđˆāļ„āļ§āļĢāļˆāļ°āļĄāļĩāļāļēāļĢāļ•āđˆāļ­āļĢāļ­āļ‡āļāļąāļš Shamil āđ‚āļ”āļĒāļ•āļĢāļ‡ āđ„āļĄāđˆāļœāđˆāļēāļ™āļ•āļąāļ§āļāļĨāļēāļ‡
    āđāļ•āđˆāļ™āļąāđˆāļ™āļŦāļĄāļēāļĒāļ–āļķāļ‡āļ§āđˆāļē āđāļĄāđ‰āļ§āđˆāļēāđ€āļ‚āļēāļˆāļ°āđ€āļŠāļĩāļĒāđƒāļˆāđ€āļ›āđ‡āļ™āļ­āļĒāđˆāļēāļ‡āļĒāļīāđˆāļ‡āļāļąāļšāļāļēāļĢāļŠāļđāļāđ€āļŠāļĩāļĒāļ„āļĢāļąāđ‰āļ‡āđƒāļŦāļāđˆāđ€āļ‚āļēāļĒāļąāļ‡āļ•āđ‰āļ­āļ‡āļ•āļ­āļšāļ„āļģāļ–āļēāļĄāļ—āļĩāđˆāļŦāļĨāļąāđˆāļ‡āđ„āļŦāļĨāđ€āļ‚āđ‰āļēāļĄāļēāļˆāļēāļāļ™āļąāļāļ‚āđˆāļēāļ§
    āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āļāđˆāļēāļĒāļĻāļąāļ•āļĢāļđāļ—āļĩāđˆāļ„āļ­āļĒāđ€āļĨāđˆāļ™āļ‡āļēāļ™āļ—āļīāđˆāļĄāđāļ—āļ‡

    āļ§āļąāļ™āļ—āļĩāđˆ 13 āļāļąāļ™āļĒāļēāļĒāļ™ āļŦāļĨāļąāļ‡āļˆāļēāļāļ—āļĩāđˆāđ€āļāļīāļ”āđ€āļŦāļ•āļļāļāļēāļĢāļ“āđŒāļŠāļ°āđ€āļ—āļ·āļ­āļ™āļ‚āļ§āļąāļāđ‚āļĨāļāļ—āļĩāđˆ Beslan
    āļžāļ§āļāļ—āļĩāđˆāļ™āļąāđˆāļ‡āđƒāļ™āļŠāļ āļē 150 āļ—āļĩāđˆāļ™āļąāđˆāļ‡āļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāđ€āļĨāļ·āļ­āļāļ•āļąāđ‰āļ‡āļĄāļē (āļˆāļēāļāļ•āđˆāļēāļ‡āļžāļĢāļĢāļ„)
    āļ—āļĩāđˆāļ›āļđāļ•āļīāļ™āđ€āļĢāļĩāļĒāļāļŠāļąāļĄāļ āļēāļĐāļ“āđŒāļĢāļēāļĒāļ„āļ™ āļ–āļķāļ‡ āļˆāļļāļ”āļĄāļļāđˆāļ‡āļŦāļĄāļēāļĒāđƒāļ™āļ„āļ§āļēāļĄāļ„āļīāļ”āđāļĨāļ°āļ™āđ‚āļĒāļšāļēāļĒāļ—āļĩāđˆāļĄāļĩāļ•āđˆāļ­āļ›āļĢāļ°āđ€āļ—āļĻ āđāļ•āđˆāļĨāļ°āļĢāļēāļĒāđ€āļžāđ‰āļ­āđ€āļˆāđ‰āļ­āđƒāļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļ‚āļ­āļ‡āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļ›āļĢāļ°āļŠāļēāļ˜āļīāļ›āđ„āļ•āļĒāļ—āļĩāđˆāđ€āļ­āļ™āđ€āļ­āļĩāļĒāļ‡āđ„āļ›āđƒāļ™āļ—āļēāļ‡āļ—āļĩāđˆāļˆāļ°āđƒāļŦāđ‰āđ€āļ­āļāļĢāļēāļŠāļāļąāļšāđ€āļŠāđ€āļŠāļ™…

    āļ›āļđāļ•āļīāļ™āļˆāļĩāļ‡āļ›āļĢāļ°āļāļēāļĻāļŠāļąāđˆāļ‡āļĢāļ°āļ‡āļąāļšāļāļēāļĢāđ€āļĨāļ·āļ­āļāļ•āļąāđ‰āļ‡āļ—āđ‰āļ­āļ‡āļ–āļīāđˆāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” āđ„āļĄāđˆāļ§āđˆāļēāļˆāļ°āđ€āļ›āđ‡āļ™āļ™āļēāļĒāļ­āļģāđ€āļ āļ­ āļŦāļĢāļ·āļ­ āļ™āļēāļĒāļāđ€āļ—āļĻāļĄāļ™āļ•āļĢāļĩ āļ—āļļāļāļ­āļĒāđˆāļēāļ‡āļ‚āļ°āļ‡āļąāļāļāļķāļ………
    āđ€āļ—āđˆāļēāļāļąāļšāļ§āđˆāļē āļĄāļ­āļŠāđ‚āļ„āļ§āđŒāļ„āļ·āļ­āļĻāļđāļ™āļĒāđŒāļāļĨāļēāļ‡āļ‚āļ­āļ‡āļāļēāļĢāļ›āļāļ„āļĢāļ­āļ‡āđ€āļšāđ‡āļ”āđ€āļŠāļĢāđ‡āļˆāđ€āļ”āđ‡āļ”āļ‚āļēāļ” āđ€āļ›āļĢāļĩāļĒāļšāđ„āļ”āđ‰āļ§āđˆāļēāļāļēāļĢāļ›āļāļ„āļĢāļ­āļ‡āđ„āļ”āđ‰āļāļĨāļąāļšāđ€āļ‚āđ‰āļēāđ„āļ›āļŠāļđāđˆāļĒāļļāļ„āļ‚āļ­āļ‡āļ„āļ­āļĄāļĄāļīāļ§āļ™āļīāļŠāļ•āđŒ
    āđ€āļžāļĢāļēāļ°āđ€āļ‚āļēāđ„āļ”āđ‰āļ›āļĢāļ°āļāļēāļĻāļ§āđˆāļē……
    “āļ›āļĢāļ°āļŠāļēāļāļĢāļŠāļēāļ§āļĢāļąāļŠāđ€āļŠāļĩāđˆāļĒāļ™āļ‚āļ­āļ‡āđ€āļĢāļē āļĒāļąāļ‡āļĄāļĩāļ„āļ§āļēāļĄāļ„āļīāļ”āļĨāđ‰āļēāļŦāļĨāļąāļ‡ āļĒāļąāļ‡āđ„āļĄāđˆāļ›āļĢāļąāļšāļ•āļąāļ§āđƒāļŦāđ‰āļ—āļąāļ™āļāļąāļšāļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļĢāļĩāļĒāļāļ§āđˆāļēāļ›āļĢāļ°āļŠāļēāļ˜āļīāļ›āđ„āļ•āļĒāļ—āļĩāđˆāļĄāļēāļ–āļķāļ‡āļžāļĢāđ‰āļ­āļĄāļāļąāļšāļ„āļ§āļēāļĄāļŠāļąāđˆāļ§āļĢāđ‰āļēāļĒ ……āđ€āļĢāļēāļ•āđ‰āļ­āļ‡āđƒāļŠāđ‰āđ€āļ§āļĨāļēāļāļąāļšāļāļēāļĢāļ—āļģāļ„āļ§āļēāļĄāļĢāļđāđ‰āļˆāļąāļāļāļąāļšāļĄāļąāļ™……āđ€āļžāļĢāļēāļ°āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļˆāļ°āđƒāļŠāđ‰āđ„āļ”āđ‰āļœāļĨāļ—āļĩāđˆāļŠāļļāļ”āđƒāļ™āļĒāļēāļĄāļ™āļĩāđ‰
    āļ„āļ·āļ­āļāļēāļĢāļĒāļ·āļ™āļ„āđˆāļ­āļ™āđ„āļ›āļ—āļēāļ‡āļ‹āđ‰āļēāļĒ..(āļĢāļ°āļšāļ­āļšāļ„āļ­āļĄāļĄāļīāļ§āļ™āļīāļŠāļ•āđŒ)”

    āļžāļĢāļĢāļ„āļāđˆāļēāļĒāļ‹āđ‰āļēāļĒāļ‚āļēāļ™āļĢāļąāļšāļāļąāļ™āļˆāđ‰āļēāļĨāļ°āļŦāļ§āļąāđˆāļ™ āđāļĨāļ° āđ€āļŠāļ™āļ­āļ•āļąāļ§āļāļąāļ™āļ­āļĒāđˆāļēāļ‡āđāļ‚āđ‡āļ‡āļ‚āļąāļ™āđƒāļ™āļāļēāļĢāļĢāđˆāļ§āļĄāļĄāļ·āļ­ …

    ~~~āļŦāļĨāļąāļ‡āļˆāļēāļāļāļēāļĢāļāđˆāļ­āļāļēāļĢāļĢāđ‰āļēāļĒāļ‚āļ­āļ‡ Shamil Basayev āļ—āļĩāđˆāđ„āļ”āđ‰āļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāđ€āļ‚āļĒāđˆāļēāļ‚āļ§āļąāļāļ™āļēāļ™āļŦāļĨāļēāļĒāļ›āļĩ āļ•āļąāđ‰āļ‡āđāļ•āđˆāļ§āļēāļ‡āđāļœāļ™āļˆāļąāļšāļ•āļąāļ§āļ›āļĢāļ°āļāļąāļ™āļ—āļĩāđˆāđ‚āļĢāļ‡āļĨāļ°āļ„āļĢ āđāļĨāļ° āļ—āļĩāđˆāđ‚āļĢāļ‡āđ€āļĢāļĩāļĒāļ™
    āļĢāļ§āļĄāļ—āļąāđ‰āļ‡āļ—āļĩāđˆāļ­āļ·āđˆāļ™āđ†āļ—āļąāđˆāļ§āļĢāļąāļŠāđ€āļ‹āļĩāļĒāļ™āļēāļ™āļāļ§āđˆāļēāļŠāļīāļšāļ›āļĩ
    āļāđˆāļēāļĒ FSB āđ„āļ”āđ‰āļ–āļ·āļ­āļ§āđˆāļē āļŠāļēāļĄāļīāļĨ āļ„āļ·āļ­ āļ­āļēāļŠāļāļēāļāļĢāļ—āļĩāđˆāļ—āļēāļ‡āđāļēāļĢāļĢāļąāļŠāđ€āļ‹āļĩāļĒāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ•āļąāļ§āļ—āļĩāđˆāļŠāļļāļ”
    āđƒāļ™āļ—āļĩāđˆāļŠāļļāļ” āļāļēāļĢ”āļĨāđˆāļ­āļ‹āļ·āđ‰āļ­” āđ„āļ”āđ‰āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™ āđƒāļ™āļ§āļąāļ™āļ—āļĩāđˆ 10 āļāļĢāļāļŽāļēāļ„āļĄ 2006 āļ™āļąāđˆāļ™āļ„āļ·āļ­ āļāļēāļĢāļ„āđ‰āļēāļ‚āļēāļĒāļ­āļēāļ§āļļāļ˜āđƒāļŦāđ‰āļāļąāļšāļāļĨāļļāđˆāļĄāļœāļđāđ‰āļāđˆāļ­āļāļēāļĢāļĢāđ‰āļēāļĒ āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļĨāđŠāļ­āļ•āļ‚āļ™āļēāļ”āđƒāļŦāļāđˆ āļ—āļĩāđˆāļĄāļĩāļˆāļļāļ”āļĢāļąāļšāļ‚āļ­āļ‡āļ—āļĩāđˆāļŦāļĄāļđāđˆāļšāđ‰āļēāļ™ Ekazhevo
    āļŠāļēāļĄāļīāļĨ āđāļĨāļ°āļ„āļ“āļ°āļĄāļēāļĢāļ­āļĢāļąāļš āđāļĨāļ°āđ€āļĄāļ·āđˆāļ­āļĢāļ–āļšāļĢāļĢāļ—āļļāļāļ­āļēāļ§āļļāļ˜āļ—āļĩāđˆāļ§āđˆāļēāļĄāļēāļ–āļķāļ‡ āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ—āļĩāđˆāļĄāļĩāļāļēāļĢāļ•āļĢāļ§āļˆāļ„āļļāļ“āļ āļēāļžāļ‚āļ­āļ‡āļāļąāļ™ āļĢāļ–āļšāļĢāļĢāļ—āļļāļāđ„āļ”āđ‰āđ€āļāļīāļ”āļĢāļ°āđ€āļšāļīāļ”āļ‚āļķāđ‰āļ™ āļ„āļĢāđˆāļēāļŠāļĩāļ§āļīāļ•āļ‚āļ­āļ‡āļŠāļēāļĄāļīāļĨāđāļĨāļ°āļ„āļ“āļ°āļ™āļąāļšāļŠāļīāļšāļ„āļ™…āļ•āļēāļĄāļ§āļąāļ•āļ–āļļāļ›āļĢāļ°āļŠāļ‡āļ„āđŒāļ‚āļ­āļ‡ FSB ……!!!

    Wiwanda W. Vichit
    āļŦāļąāļ§āđ€āļĨāļĩāđ‰āļĒāļ§āđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āđƒāļŦāļāđˆ……āļŦāļąāļ§āļ•āđˆāļ­āđāļŦāđˆāļ‡āļ„āļ§āļēāļĄāđ‚āļŦāļ”āļĢāđ‰āļēāļĒ……… āļ•āļīāđˆāļ‡āļ‚āļē……āļžāļĩāđˆāļ›āļđāđāļšāļāđ„āļ§āđ‰āļ—āļąāđ‰āļ‡āļŦāļĄāļ”……!! āļ•āļ­āļ™āļŠāļīāļšāļŠāļĩāđˆ………āļ›āļĩāđāļŦāđˆāļ‡āļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļˆāļēāļĢāļķāļāđāļĨāļ°āļˆāļ”āļˆāļģ…….!!! āļŦāļĨāļąāļ‡āļˆāļēāļāļ—āļĩāđˆāļ›āļđāļ•āļīāļ™āđ„āļ”āđ‰āļŠāļąāļĒāļŠāļ™āļ°āđƒāļ™āļāļēāļĢāđ€āļĨāļ·āļ­āļāļ•āļąāđ‰āļ‡āļ›āļĢāļ°āļ˜āļēāļ™āļēāļ˜āļīāļšāļ”āļĩāļ­āļĩāļāļŠāļĄāļąāļĒ āļ§āļąāļ™āļ—āļĩāđˆ 1 āļāļąāļ™āļĒāļēāļĒāļ™ 2004 āđ„āļ”āđ‰āđ€āļ”āļīāļ™āļ—āļēāļ‡āđ„āļ›āļ—āļĩāđˆ Sochi āļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡āđ€āļžāļ·āđˆāļ­āļŦāļ§āļąāļ‡āļ§āđˆāļēāļˆāļ°āđ„āļ”āđ‰āļžāļąāļāļĢāđˆāļēāļ‡ āļžāļąāļāļŠāļĄāļ­āļ‡ āđ€āļžāļĢāļēāļ°āļ—āļĩāđˆāļœāđˆāļēāļ™āļĄāļēāļ•āđ‰āļ­āļ‡āļžāļšāļ›āļ°āļāļąāļšāļœāļđāđ‰āļ™āļģāļ›āļĢāļ°āđ€āļ—āļĻāļ•āđˆāļēāļ‡āđ†āļˆāļ™āđ„āļĄāđˆāļĄāļĩāđ€āļ§āļĨāļēāļžāļąāļāļœāđˆāļ­āļ™ āđ€āļŠāđˆāļ™ āļāļąāļš Jacques Chirac (āļāļĢāļąāđˆāļ‡āđ€āļĻāļŠ) Gerhard Schröder (āđ€āļĒāļ­āļĢāļĄāļąāļ™) āļœāļđāđ‰āļ„āļ™āļŠāđˆāļ§āļ™āđƒāļŦāļāđˆāļˆāļ°āļžāļąāļāļĢāđ‰āļ­āļ™āļāļąāļ™āđƒāļ™āđ€āļ”āļ·āļ­āļ™āļŠāļīāļ‡āļŦāļēāļ„āļĄ……āđāļ•āđˆāļ›āļđāļ•āļīāļ™āđ„āļĄāđˆāđ„āļ”āđ‰āļžāļąāļāđ€āļĨāļĒāđ€āļžāļĢāļēāļ°āļāļĨāļļāđˆāļĄāļāļšāļāđƒāļ™āđ€āļŠāđ€āļŠāļ™āđ„āļ”āđ‰āļāđˆāļ­āļ•āļąāļ§āļ‚āļķāđ‰āļ™āđƒāļ™āļāļēāļĢāļ›āļŽāļīāļšāļąāļ•āļīāļāļēāļĢāļāđˆāļ­āļāļēāļĢāļĢāđ‰āļēāļĒāļ—āļĩāđˆāļŦāļ™āļąāļāļ‚āđ‰āļ­āļ‚āļķāđ‰āļ™āļ—āļļāļāļ§āļąāļ™ āđ‚āļ”āļĒāļĄāļĩāļ•āļąāļ§āļāļēāļĢāđ€āļ›āđ‡āļ™āļŦāļāļīāļ‡āļŠāļēāļ§āļŠāļĩāđˆāļ„āļ™ āļ„āļ·āļ­ Rosa Nagayeva āđāļĨāļ°āļ™āđ‰āļ­āļ‡āļŠāļēāļ§ Amanat….āđ‚āļ”āļĒāļĄāļĩāđ€āļžāļ·āđˆāļ­āļ™āļŠāļēāļ§ Satsita Dzhbirkhanova āđāļĨāļ° Maryam Taburova āļ—āļĩāđˆāļĢāđˆāļ§āļĄāļĄāļ·āļ­āļāļąāļ™āļ§āļēāļ‡āļĢāļ°āđ€āļšāļīāļ”āļāđˆāļ­āļ„āļ§āļēāļĄāđ„āļĄāđˆāļŠāļ‡āļšāđƒāļ™āļŦāļĨāļēāļĒāļžāļ·āđ‰āļ™āļ—āļĩāđˆ āđƒāļ™āļ§āļąāļ™āļ—āļĩāđˆāļ›āļīāļ”āļŦāļĩāļšāļšāļąāļ•āļĢāļĨāļ‡āļ„āļ°āđāļ™āļ™āđ€āļĨāļ·āļ­āļāļ•āļąāđ‰āļ‡āļ›āļĢāļ°āļ˜āļēāļ™āļēāļ˜āļīāļšāļ”āļĩāļ™āļąāđ‰āļ™ āđ„āļ”āđ‰āļĄāļĩāđ€āļŦāļ•āļļāļāļēāļĢāļ“āđŒāļ—āļĩāđˆāđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āļ—āļĩāđˆāļ­āļēāļˆāđ€āļ›āļĢāļĩāļĒāļšāđ€āļŠāļĄāļ·āļ­āļ™āļĨāļēāļ‡āļĢāđ‰āļēāļĒāļ‚āļ­āļ‡āļœāļđāđ‰āļ™āļģāļ„āļ™āđƒāļŦāļĄāđˆ āļ™āļąāđˆāļ™āļ„āļ·āļ­ āđ„āļŸāđ„āļŦāļĄāđ‰āļ—āļĩāđˆ āļ­āļēāļ„āļēāļĢ Manezh āļ—āļĩāđˆāļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāđƒāļ™ Alexsandr Gardens āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļŠāļ§āļ™āļŠāļēāļ˜āļēāļĢāļ“āļ°āļ‚āļ™āļēāļ”āđƒāļŦāļāđˆāļ•āļĢāļ‡āļ‚āđ‰āļēāļĄāļāļąāļšāđ€āļ„āļĢāļĄāļĨāļīāļ™ āđ„āļŸāđ„āļŦāļĄāđ‰āļĨāļļāļāļĨāļēāļĄāļ­āļĒāđˆāļēāļ‡āļĢāļ§āļ”āđ€āļĢāđ‡āļ§ āļˆāļ™āļ—āļ°āļĨāļēāļĒāļĨāļ‡āļĄāļēāļ—āļąāđ‰āļ‡āļŦāļĨāļąāļ‡ āļ›āļđāļ•āļīāļ™āđ„āļ”āđ‰āļĒāļ·āļ™āļĄāļ­āļ‡āļ”āļđāđ€āļŦāļ•āļļāļāļēāļĢāļ“āđŒāļ­āļĒāļđāđˆāļ—āļĩāđˆāļ‚āļąāđ‰āļ™āļšāļ™āļ‚āļ­āļ‡āļŠāļ āļē āļāļēāļĢāļāļĨāđˆāļēāļ§āļ„āļģāļ›āļĢāļēāļĻāļĢāļąāļĒāļ•āđ‰āļ­āļ‡āđ€āļĨāļ·āđˆāļ­āļ™āļ­āļ­āļāđ„āļ› āđ€āļžāļĢāļēāļ°āđ„āļĄāđˆāđ€āļŠāđˆāļ™āļ™āļąāđ‰āļ™āļ‰āļēāļāļŦāļĨāļąāļ‡āļ‚āļ­āļ‡āļāļēāļĢāļ›āļĢāļēāļĻāļĢāļąāļĒāļˆāļ°āđ€āļ›āđ‡āļ™āļ‰āļēāļāļ—āļĩāđˆāđ€āļžāļĨāļīāļ‡āļĨāļļāļāđ„āļŦāļĄāđ‰āļ—āļĩāđˆāļžāļĢāđˆāļēāļŠāļĩāļ§āļīāļ•āļ‚āļ­āļ‡āļ™āļąāļāļ”āļąāļšāđ€āļžāļĨāļīāļ‡āđ„āļ›āļŠāļ­āļ‡āļ™āļēāļĒ…… āđ€āļžāļ·āđˆāļ­āđāļŠāļ”āļ‡āļŠāļ›āļīāļĢāļīāļ•āļ‚āļ­āļ‡āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļ™āļąāļāļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āļ›āļĢāļ°āļŠāļēāļ˜āļīāļ›āđ„āļ•āļĒāļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆ āđ€āļ‚āļēāļˆāļķāļ‡āļĨāļ”āļāļĢāļ°āđāļŠāļ”āđ‰āļ§āļĒāļāļēāļĢāļ›āļĨāđˆāļ­āļĒāļ•āļąāļ§ MK āđƒāļŦāđ‰āļĄāļēāļŠāļđāđ‰āļ„āļ”āļĩāļŦāļĨāļąāļ‡āļˆāļēāļāļ—āļĩāđˆāļ­āļĒāļđāđˆāđƒāļ™āļ—āļĩāđˆāļ„āļļāļĄāļ‚āļąāļ‡āļ›āļĢāļ°āļĄāļēāļ“āļŦāđ‰āļēāđ€āļ”āļ·āļ­āļ™ āđāļĨāļ°……āļ™āļąāđˆāļ™āļ„āļ·āļ­āļāļēāļĢāđ€āļ›āļīāļ”āļĻāļķāļāļĢāļ°āļŦāļ§āđˆāļēāļ‡ āļœāļđāđ‰āļ—āļĩāđˆāļĄāļĩāļ­āļģāļ™āļēāļˆāļāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļĄāļĩāđ€āļ‡āļīāļ™ (āļˆāļ™āļ–āļķāļ‡āļ—āļļāļāļ§āļąāļ™āļ™āļĩāđ‰) āđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ‡āđ€āļ”āļĩāļĒāļ§āļāļąāļ™āļāļąāļšāļ—āļĩāđˆāļ›āļđāļ•āļīāļ™āļāļģāļĨāļąāļ‡āļāđ‰āļēāļ§āļ‚āļķāđ‰āļ™āļĄāļēāđƒāļ™āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āļ‚āļ­āļ‡āļ™āļąāļāļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āđ€āļ•āđ‡āļĄāļ•āļąāļ§ āđ‚āļ”āļĒāļ—āļĩāđˆāđ„āļĄāđˆāļĄāļĩāļžāļĩāđˆāđ€āļĨāļĩāđ‰āļĒāļ‡āļ„āļ­āļĒāļ›āļĢāļ°āļāļšāđ€āļŦāļĄāļ·āļ­āļ™āđ€āļĄāļ·āđˆāļ­āļāđˆāļ­āļ™ (āđ€āļĒāļĨāļ‹āļīāļ™) āđāļĨāļ°āļ™āļąāļšāļ§āđˆāļēāđ€āļ›āđ‡āļ™āļ›āļĩāļ—āļ”āļŠāļ­āļšāļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļœāļđāđ‰āļ™āļģāļ—āļĩāđˆāđāļŠāļ™āđ‚āļŦāļ” āđāļĨāļ°āđāļ—āļšāđ„āļĄāđˆāļ™āđˆāļēāđ€āļŠāļ·āđˆāļ­āļ§āđˆāļēāļˆāļ°āđ€āļ­āļēāļ•āļąāļ§āđāļĨāļ°āļŠāļēāļ•āļīāļĢāļ­āļ”āļĄāļēāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđ„āļĢ..…?!! āđ€āļĢāļīāđˆāļĄāļˆāļēāļ āļāļĢāļ°āđāļŠāļ„āļ§āļēāļĄāđ€āļ„āļĨāļ·āđˆāļ­āļ™āđ„āļŦāļ§āđƒāļ™āļāļēāļĢāļˆāļąāļšāļāļļāļĄ MK āļ­āļ āļīāļĄāļŦāļēāđ€āļĻāļĢāļĐāļāļĩāļ„āļ™āļ”āļąāļ‡ āļ—āļĩāđˆāđāļĄāđ‰āđāļ•āđˆāļ™āļēāļĒāļāļĢāļąāļāļĄāļ™āļ•āļĢāļĩāļ‚āļ­āļ‡āđ€āļ‚āļēāđ€āļ­āļ‡ Mikhaïl Kesyanov āļāđ‡āļĒāļąāļ‡āđāļŠāļ”āļ‡āļ„āļ§āļēāļĄāđ„āļĄāđˆāļžāļ­āđƒāļˆ āļ–āļķāļ‡āļāļąāļšāđ„āļ›āđƒāļŦāđ‰āļŠāļąāļĄāļ āļēāļĐāļ“āđŒāļāļąāļšāļŦāļ™āļąāļ‡āļŠāļ·āļ­āļžāļīāļĄāļžāđŒ āļ§āđˆāļē MK āđ„āļĄāđˆāđ„āļ”āđ‰āđ‚āļāļ‡āļ āļēāļĐāļĩ…āđ€āļžāļĩāļĒāļ‡āđāļ•āđˆāđƒāļŠāđ‰āļŠāđˆāļ­āļ‡āļ§āđˆāļēāļ‡āļ‚āļ­āļ‡āļāļŽāļŦāļĄāļēāļĒāđ€āļžāļ·āđˆāļ­āđāļŠāļ§āļ‡āļŦāļēāļœāļĨāļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™…… āļ­āļĒāđˆāļēāļ‡āđ„āļĢāļāđ‡āļ•āļēāļĄ……āđ„āļĄāđˆāđ„āļ”āđ‰āļĄāļĩāđƒāļ„āļĢāļŠāļ™āđƒāļˆāļāļąāļšāļ‚āđ‰āļ­āđ‚āļ•āđ‰āđāļĒāđ‰āļ‡āļ‚āļ­āļ‡āđ€āļ‚āļēāļ™āļąāļ āđ€āļžāļĢāļēāļ°āļ—āļąāđ‰āļ‡āļĢāļąāļŠāđ€āļ‹āļĩāļĒāļāļģāļĨāļąāļ‡āļ•āļ·āđˆāļ™āđ€āļ•āđ‰āļ™āļāļąāļš āļĢāļēāļ„āļēāļ™āđ‰āļģāļĄāļąāļ™āļŠāđˆāļ‡āļ­āļ­āļāļ—āļ°āļĒāļēāļ™āļ‚āļķāđ‰āļ™āđ€āļāļīāļ™āļŠāļīāļšāđ€āļ—āđˆāļēāļ‚āļ­āļ‡āļ—āļĩāđˆāđ€āļ„āļĒāđ„āļ”āđ‰ āļˆāļēāļ āļŦāļāļžāļąāļ™āļĨāđ‰āļēāļ™ āļžāļļāđˆāļ‡āļ‚āļķāđ‰āļ™āļĄāļēāđ€āļ›āđ‡āļ™ āđāļ›āļ”āļŦāļĄāļ·āđˆāļ™āļĨāđ‰āļēāļ™āđ€āļŦāļĢāļĩāļĒāļ āđāļĨāļ°āļĢāļąāļŠāđ€āļ‹āļĩāļĒāđ„āļ”āđ‰āļāļĨāļēāļĒāļĄāļēāđ€āļ›āđ‡āļ™āļœāļđāđ‰āļŠāđˆāļ‡āļ­āļ­āļāļ™āđ‰āļģāļĄāļąāļ™āļ—āļĩāđˆāđƒāļŦāļāđˆāļ—āļĩāđˆāļŠāļļāļ”āđƒāļ™āđ‚āļĨāļ āđāļ‹āļ‡āļŦāļ™āđ‰āļēāļ‹āļēāļ­āļļāļ”āļī āļ­āļ°āđ€āļĢāđ€āļšāļĩāļĒ āđāļĨāļ°āļŠāļīāļ™āļ„āđ‰āļēāļ­āļ·āđˆāļ™āđ†āđ€āļĢāļīāđˆāļĄāļĄāļĩāđƒāļšāļŠāļąāđˆāļ‡āđ€āļ‚āđ‰āļēāļĄāļēāļĒāļēāļ§āđ€āļ›āđ‡āļ™āļŦāļēāļ‡āļ§āđˆāļēāļ§…… āđāļ•āđˆāļ›āļđāļ•āļīāļ™āđ„āļĄāđˆāđ„āļ”āđ‰āļ›āļĨāđˆāļ­āļĒāđƒāļŦāđ‰āļ„āļ§āļēāļĄāļ„āļīāļ”āđ€āļŦāđ‡āļ™āļ„āļąāļ”āļ„āđ‰āļēāļ™āļ‚āļ­āļ‡āļ™āļēāļĒāļāļŊāļœāđˆāļēāļ™āđ„āļ› āļ§āļąāļ™āļ—āļĩāđˆ 23 āļāļļāļĄāļ āļēāļžāļąāļ™āļ˜āļļāđŒ āļŦāļĨāļąāļ‡āļˆāļēāļāļāļēāļĢāļ›āļĢāļ°āļŠāļļāļĄāļšāļ­āļĢāđŒāļ”āļœāđˆāļēāļ™āđ„āļ› āļ›āļđāļ•āļīāļ™āđƒāļŦāđ‰ āļ™āļēāļĒāļāļŊ āļ„āļēāđ€āļ‹āļĩāļĒāļ™āļ­āļŸ āđ€āļ‚āđ‰āļēāļĄāļēāļžāļš āđāļĨāļ°āļžāļđāļ”āļŠāļąāđ‰āļ™āđ†āļ§āđˆāļē…… “āļ•āđˆāļ­āđ„āļ›āļ™āļĩāđ‰……āļ„āļļāļ“āļŦāļĄāļ”āļŦāļ™āđ‰āļēāļ—āļĩāđˆāđāļĨāđ‰āļ§āļ™āļ°” āđ€āļ›āđ‡āļ™āļāļēāļĢāđ„āļĨāđˆāļ­āļ­āļāđāļšāļšāļ‡āđˆāļēāļĒāđ†āļ—āļĩāđˆāđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āļĄāļĩāļžāļīāļ˜āļĩāļĢāļĩāļ•āļ­āļ‡…… āđāļĨāļ°……āđ„āļĄāđˆāļĄāļĩāļāļēāļĢāļ›āļĢāļ°āļāļēāļĻāļ§āđˆāļē āđƒāļ„āļĢāļˆāļ°āļĄāļēāđāļ—āļ™…āļœāļđāđ‰āļ„āļ™āļāđ‡āđ€āļ”āļēāļāļąāļ™āđ„āļ›āļ•āđˆāļēāļ‡āđ†āļ™āļēāļ™āļē āļ§āđˆāļēāļ­āļēāļˆāļˆāļ°āđ€āļ›āđ‡āļ™āļ„āļ™āļ™āļąāđ‰āļ™āļ„āļ™āļ™āļĩāđ‰ āļˆāļ™āļ­āļēāļ—āļīāļ•āļĒāđŒāļŦāļ™āļķāđˆāļ‡āļœāđˆāļēāļ™āđ„āļ› āļœāļđāđ‰āļ—āļĩāđˆāđ€āļ‚āđ‰āļēāļĄāļēāļĢāļąāļšāļ•āļģāđāļŦāļ™āđˆāļ‡ āļ„āļ·āļ­ Mikhaïl Fradkov āļ—āļĩāđˆāđāļŠāļ™”āđ‚āļ™āđ€āļ™āļĄ”āļˆāļēāļāļ›āļĩāđ€āļ•āļ­āļĢāđŒāļŠāđ€āļšāļ­āļĢāđŒāļ āđāļ•āđˆāđ„āļĄāđˆāđ‚āļ™āđ€āļ™āļĄāļŠāļģāļŦāļĢāļąāļšāļ›āļđāļ•āļīāļ™ āđ€āļžāļĢāļēāļ° MF (Mikhaïl Fradkov) āļ„āļ™āļ™āļĩāđ‰āđ€āļ„āļĒāđ€āļ›āđ‡āļ™āļĢāļąāļāļĄāļ™āļ•āļĢāļĩāđ€āļĻāļĢāļĐāļāļāļīāļˆāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻ āđƒāļ™āļŠāļĄāļąāļĒāđ€āļĒāļĨāļ‹āļīāļ™ āđ€āļ›āđ‡āļ™āļœāļđāđ‰āđ€āļŠāļĩāđˆāļĒāļ§āļŠāļēāļāđƒāļ™āļŦāļĨāļēāļĒāļ āļēāļĐāļē āđ€āļ›āđ‡āļ™āļ„āļ™āļ•āļĢāļ‡…āļŠāļĄāļ–āļ° āđāļĨāļ° āđ„āļĄāđˆāļŠāļ™āđƒāļˆāđƒāļ™āļāļēāļĢāđ€āļĄāļ·āļ­āļ‡ āđƒāļ™āļ‚āļ“āļ°āļ—āļĩāđˆāļ›āļđāļ•āļīāļ™āļ•āļīāļ”āļ•āđˆāļ­āđ„āļ›āđƒāļŦāđ‰āļĄāļēāļĢāļąāļšāļ•āļģāđāļŦāļ™āđˆāļ‡ āļ•āļ­āļ™āļ™āļąāđ‰āļ™ MF āļ­āļĒāļđāđˆāļ—āļĩāđˆ Brussels āļāļģāļĨāļąāļ‡āļ—āļģāļŦāļ™āđ‰āļēāļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļ—āļđāļ•āļžāļēāļ™āļīāļŠāļĒāđŒāļĢāļąāļŠāđ€āļ‹āļĩāļĒāļ›āļĢāļ°āļˆāļģ EU āđ€āļĄāļ·āđˆāļ­āđ€āļ‚āļēāļšāļīāļ™āļĄāļēāļ–āļķāļ‡āļĄāļ­āļŠāđ‚āļ„āļ§āđŒāđƒāļ™āļ§āļąāļ™āļ•āđˆāļ­āļĄāļē āđ€āļžāļ·āđˆāļ­āđ€āļ‚āđ‰āļēāļĢāļąāļšāļ•āļģāđāļŦāļ™āđˆāļ‡ āļ™āļąāļ”āļ‚āđˆāļēāļ§āđ„āļ”āđ‰āļ–āļēāļĄāļ–āļķāļ‡āļ™āđ‚āļĒāļšāļēāļĒāđƒāļ™āļāļēāļĢāļ—āļģāļ‡āļēāļ™ āđ€āļ‚āļēāļ•āļ­āļšāļŠāļąāđ‰āļ™āđ†āļ§āđˆāļē “āļāđ‡āļ—āļģāļ•āļēāļĄāļ™āđ‚āļĒāļšāļēāļĒāļ‚āļ­āļ‡āļ—āđˆāļēāļ™āļ›āļĢāļ°āļ˜āļēāļ™āļēāļ˜āļīāļšāļ”āļĩ……” āļ§āļąāļ™āļ—āļĩāđˆ 1 āļāļąāļ™āļĒāļēāļĒāļ™ āđ€āļ›āđ‡āļ™āļŠāđˆāļ§āļ‡āđ€āļ§āļĨāļēāļ—āļĩāđˆāđ€āļ”āđ‡āļāđ†āļāļĨāļąāļšāđ€āļ‚āđ‰āļēāđ‚āļĢāļ‡āđ€āļĢāļĩāļĒāļ™ āļ—āļĩāđˆāļĄāļĩāļ˜āļĢāļĢāļĄāđ€āļ™āļĩāļĒāļĄāļ—āļĩāđˆāļ™āđˆāļēāļĢāļąāļ āļ„āļ·āļ­āđ€āļ”āđ‡āļāđ†āđāļ•āđˆāļ‡āļ•āļąāļ§āļāļąāļ™āļŠāļ§āļĒāļ‡āļēāļĄ āđ€āļ•āļĢāļĩāļĒāļĄāļ‚āļ­āļ‡āļ‚āļ§āļąāļāđ€āļĨāđ‡āļāđ†āļ™āđ‰āļ­āļĒāđ†āđ„āļ›āļŠāļ§āļąāļŠāļ”āļĩāļ„āļļāļ“āļ„āļĢāļđ āļœāļđāđ‰āļ›āļāļ„āļĢāļ­āļ‡āļžāļēāļāļąāļ™āļ•āļ·āđˆāļ™āđ€āļ•āđ‰āļ™ āļˆāļđāļ‡āļĨāļđāļ āļžāļēāļŦāļĨāļēāļ™āđ„āļ›āļžāļšāļ›āļ°āļŠāļąāļ‡āļŠāļĢāļĢāļāļąāļ™āļ—āļĩāđˆāļŦāļ­āļ›āļĢāļ°āļŠāļļāļĄāđ‚āļĢāļ‡āđ€āļĢāļĩāļĒāļ™āđƒāļ™āļ§āļąāļ™āđ€āļ›āļīāļ”āđ€āļ—āļ­āļĄāļ§āļąāļ™āđāļĢāļ āļ—āļĩāđˆāđ€āļĄāļ·āļ­āļ‡ Beslan, North-Ossetia (āļ„āļ­āđ€āļ„āļ‹āļąāļŠ) āļāđ‡āđ€āļŠāđˆāļ™āļāļąāļ™ āđ€āļŦāļ•āļļāļāļēāļĢāļ“āđŒāļ—āļĩāđˆāļ„āļ§āļĢāļˆāļ°āđ€āļ›āđ‡āļ™āļ āļēāļžāļŠāļ§āļĒāļ‡āļēāļĄāļ™āļĩāđ‰ āđ„āļ”āđ‰āļāļĨāļēāļĒāļĄāļēāđ€āļ›āđ‡āļ™āđ‚āļĻāļāļ™āļēāļāļāļĢāļĢāļĄ āļœāļđāđ‰āļ„āļ™āļ›āļĢāļ°āļĄāļēāļ“āļŦāļĨāļēāļĒāļĢāđ‰āļ­āļĒāļ„āļ™āđ„āļ”āđ‰āļŠāļļāļĄāļ™āļļāļĄāļāļąāļ™āļ—āļĩāđˆāļĨāļēāļ™āļŦāļ™āđ‰āļēāđ‚āļĢāļ‡āđ€āļĢāļĩāļĒāļ™ āļ—āļąāļ™āđƒāļ”āļ™āļąāđ‰āļ™ āđ„āļ”āđ‰āļĄāļĩāļĢāļ–āļšāļĢāļĢāļ—āļļāļāļ§āļīāđˆāļ‡āļœāđˆāļēāđ€āļ‚āđ‰āļēāļĄāļē……āļœāđˆāļēāđƒāļšāļ„āļĨāļļāļĄāļŦāļĨāļąāļ‡āļĢāļ–āđ„āļ”āđ‰āđ€āļ›āļīāļ”āļ­āļ­āļ āļāļĨāļļāđˆāļĄāļœāļđāđ‰āļāđˆāļ­āļāļēāļĢāļĢāđ‰āļēāļĒāđ„āļ”āđ‰āļ•āļ°āđ‚āļāļ™āđ€āļĢāļĩāļĒāļāļžāļĢāļ°āļ™āļēāļĄ āđāļĨāđ‰āļ§āļāļĢāļ°āđ‚āļ”āļ”āļĨāļ‡āļĄāļēāļžāļĢāđ‰āļ­āļĄāļ­āļēāļ§āļļāļ˜ āļ—āđˆāļēāļĄāļāļĨāļēāļ‡āļ„āļ§āļēāļĄāļ•āļāļ•āļ°āļĨāļķāļ‡āļ‚āļ­āļ‡āļ—āļļāļāļ„āļ™ āļāļĨāļļāđˆāļĄāļāļšāļŽāđ„āļ”āđ‰āļ•āđ‰āļ­āļ™āļ—āļļāļāļ„āļ™āđ€āļ‚āđ‰āļēāđ„āļ›āļ­āļĒāļđāđˆāđƒāļ™āđ‚āļĢāļ‡āļĒāļīāļĄ …… āļāļĨāļļāđˆāļĄāļāļšāļ……āļĄāļĩāļœāļđāđ‰āļŦāļāļīāļ‡āļŠāļ­āļ‡āļ„āļ™āļĢāļ§āļĄāļ­āļĒāļđāđˆāļ”āđ‰āļ§āļĒ āļ™āļąāđˆāļ™āļ„āļ·āļ­ Maryam Taburova āđāļĨāļ° Rosa Negayeva āđ€āļ›āđ‡āļ™āļāļēāļĢāļāļĢāļ°āļ—āļģāļ—āļĩāđˆāļ­āļļāļāļ­āļēāļˆāļ—āļĩāđˆāđ„āļĄāđˆāļĄāļĩāđƒāļ„āļĢāļ„āļēāļ”āļ„āļīāļ” āđ€āļžāļĢāļēāļ°āđ€āļĄāļ·āđˆāļ­āļ§āļąāļ™āļ—āļĩāđˆ 9 āđ€āļ”āļ·āļ­āļ™āļžāļĪāļĐāļ āļēāļ—āļĩāđˆāļœāđˆāļēāļ™āļĄāļē……āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļ§āļąāļ™āļ‰āļĨāļ­āļ‡āļŠāļąāļĒāļŠāļ™āļ°āļ‚āļ­āļ‡āļĢāļąāļŠāđ€āļ‹āļĩāļĒ āļ›āļĢāļ°āļ˜āļēāļ™āļēāļ˜āļīāļšāļ”āļĩāđ€āļŠāđ€āļŠāļ™ Akhmad Kadyrov āļ—āļĩāđˆāđ€āļžāļīāđˆāļ‡āļĢāļąāļšāļ•āļģāđāļŦāļ™āđˆāļ‡āļŠāļ”āđ†āļĢāđ‰āļ­āļ™āđ†āđ„āļ”āđ‰āđ„āļ›āđ€āļ›āđ‡āļ™āļ›āļĢāļ°āļ˜āļēāļ™āđƒāļ™āļžāļīāļ˜āļĩ āđ„āļ”āđ‰āļ–āļđāļāļĨāļ­āļšāļ§āļēāļ‡āļĢāļ°āđ€āļšāļīāļ”āļ—āļĩāđˆāļāļĨāļēāļ‡āļ‡āļēāļ™āļˆāļ™āđ€āļŠāļĩāļĒāļŠāļĩāļ§āļīāļ• āđ€āļŦāļĨāļ·āļ­āđ„āļ§āđ‰āļ„āļ·āļ­āļĨāļđāļāļŠāļēāļĒāļ§āļąāļĒ 27 Ramzan āļ—āļĩāđˆāļĄāļĩāđ€āļĨāļ·āļ­āļ”āļžāđˆāļ­āđ€āļ•āđ‡āļĄāļĢāđ‰āļ­āļĒ āļžāļĢāđ‰āļ­āļĄāļĨāļ‡āļŠāļēāļ™āļ•āđˆāļ­ āđāļ•āđˆāļ­āļēāļĒāļļāļĒāļąāļ‡āđ„āļĄāđˆāđ€āļ‚āđ‰āļēāđ€āļāļ“āļ‘āđŒāļ—āļĩāđˆāļˆāļ°āđ€āļ›āđ‡āļ™āļœāļđāđ‰āļ™āļģ āļˆāļķāļ‡āļ•āđ‰āļ­āļ‡āļ„āļ­āļĒāđ„āļ›āļāđˆāļ­āļ™ āļ›āļđāļ•āļīāļ™āđāļ•āđˆāļ‡āļ•āļąāđ‰āļ‡āđƒāļŦāđ‰ Aslan Maskhadov āļ‚āļķāđ‰āļ™āļĄāļēāđāļ—āļ™āđ„āļ›āļāđˆāļ­āļ™ āđāļ•āđˆāļāļĨāļļāđˆāļĄāļāļšāļ……āļāđ‡āđ„āļ”āđ‰āđƒāļŦāđ‰āļ„āļģāđ€āļ•āļ·āļ­āļ™āļĄāļēāđ„āļ§āđ‰āļĨāđˆāļ§āļ‡āļŦāļ™āđ‰āļēāđāļĨāđ‰āļ§āļ§āđˆāļē……Ramzan āļˆāļ°āđ€āļ›āđ‡āļ™āļĢāļēāļĒāļ•āđˆāļ­āđ„āļ›…āđ€āļĄāļ·āđˆāļ­āļĄāļĩāđ‚āļ­āļāļēāļŠ…!! āļ„āļĢāļēāļ§āļ™āļĩāđ‰āļ—āļĩāđˆ Beslan āļ—āļĩāđˆāļāđˆāļēāļĒāļāļšāļāđ„āļ”āđ‰āļĒāļ·āđˆāļ™āļ„āļ§āļēāļĄāļ›āļĢāļ°āļŠāļ‡āļ„āđŒāļāļąāļšāļ›āļđāļ•āļīāļ™āļ§āđˆāļē āļāļ­āļ‡āļ—āļąāļžāļĢāļąāļŠāđ€āļ‹āļĩāļĒāļˆāļ°āļ•āđ‰āļ­āļ‡āļ­āļ­āļāđ„āļ›āļˆāļēāļāļžāļ·āđ‰āļ™āļ—āļĩāđˆ āđāļĨāļ°āļ›āļĢāļ°āļāļēāļĻāđƒāļŦāđ‰āđ€āļŠāđ€āļŠāļ™āđ€āļ›āđ‡āļ™āđ€āļ­āļāļĢāļēāļŠ āļ‹āļķāđˆāļ‡āđ€āļŠāđ€āļŠāļ™āļˆāļ°āļĢāđˆāļ§āļĄāđ€āļ›āđ‡āļ™āļžāļąāļ™āļ˜āļĄāļīāļ•āļĢāđāļĨāļ°āļĒāļąāļ‡āļ„āļ‡āđƒāļŠāđ‰āļĢāļđāđ€āļšāļīāđ‰āļĨāđ€āļ›āđ‡āļ™āļŠāļāļļāļĨāđ€āļ‡āļīāļ™āļ•āļĢāļē āđ€āļŠāđ€āļŠāļ™āļˆāļ°āļĢāđˆāļ§āļĄāļĄāļ·āļ­āļāļąāļšāļĢāļąāļŠāđ€āļ‹āļĩāļĒāđƒāļ™āļāļēāļĢāļžāļąāļ’āļ™āļēāļāļ­āļ‡āļāļģāļĨāļąāļ‡āđāļĨāļ°āļŸāļ·āđ‰āļ™āļŸāļđāļ›āļĢāļ°āđ€āļ—āļĻ (āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āđ€āļ­āļāļĢāļēāļŠ) āđƒāļ™āļ™āļēāļĄāļ‚āļ­āļ‡āļžāļĢāļ°āđ€āļˆāđ‰āļē āļĨāļ‡āļŠāļ·āđˆāļ­ Shamil Basayev āļ‹āļķāđˆāļ‡ āļŠāļēāļĄāļīāļĨāļ•āļąāļ§āļŦāļąāļ§āļŦāļ™āđ‰āļē……āļĄāļēāđāļ•āđˆāđ€āļžāļĩāļĒāļ‡āđƒāļ™āļ™āļēāļĄ āđ„āļĄāđˆāđ„āļ”āđ‰āļ­āļĒāļđāđˆāļĢāļ§āļĄāđƒāļ™āļāļĨāļļāđˆāļĄ āđāļĨāļ°āļ‚āđ‰āļ­āđ€āļŠāļ™āļ­āļ™āļąāđ‰āļ™ ……āđ€āļ›āđ‡āļ™āđ„āļ›āđ„āļĄāđˆāđ„āļ”āđ‰āļ—āļĩāđˆāļ—āļēāļ‡āļĢāļąāļŠāđ€āļ‹āļĩāļĒāļˆāļ°āļĒāļ­āļĄāļĢāļąāļš āļāļēāļĢāļāļąāļāļ•āļąāļ§āļœāļđāđ‰āļ„āļ™āļˆāļģāļ™āļ§āļ™āļŦāļĨāļēāļĒāļĢāđ‰āļ­āļĒāđƒāļ™āļ—āļĩāđˆāļ—āļĩāđˆāļˆāļģāļāļąāļ” āđ„āļ”āđ‰āļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāļ—āļļāļāļ‚āđŒāļ—āļĢāļĄāļēāļ™āđƒāļŦāđ‰āļāļąāļšāđ€āļ”āđ‡āļāđ†āļ­āļĒāđˆāļēāļ‡āđāļŠāļ™āļŠāļēāļŦāļąāļŠ āđ€āļžāļĢāļēāļ°āđ„āļĄāđˆāļĄāļĩāļ­āļēāļāļēāļĢ āđ„āļĄāđˆāļĄāļĩāļ™āđ‰āļģ āļœāļđāđ‰āļ—āļĩāđˆāļ‚āļąāļ”āļ‚āļ·āļ™āđ„āļ”āđ‰āļ–āļđāļāļĒāļīāļ‡āļ—āļīāđ‰āļ‡ āđāļĨāđ‰āļ§āļ™āļģāļĻāļžāđ‚āļĒāļ™āļ­āļ­āļāļĄāļēāļ—āļēāļ‡āļŦāļ™āđ‰āļēāļ•āđˆāļēāļ‡……āļˆāļģāļ™āļ§āļ™āļŦāļĨāļēāļĒāļĻāļž āđƒāļ™āļ—āļĩāđˆāļŠāļļāļ” āļ§āļąāļ™āļ—āļĩāđˆāļŠāļ­āļ‡āļ‚āļ­āļ‡āļāļēāļĢāļ„āļ§āļšāļ„āļļāļĄāļ•āļąāļ§ āđ„āļ”āđ‰āļĄāļĩāļāļēāļĢāđ€āļˆāļĢāļˆāļēāļ‚āļ­āđƒāļŦāđ‰āļ›āļĨāđˆāļ­āļĒāđ€āļ”āđ‡āļāđ€āļĨāđ‡āļāļāļ§āđˆāļēāļŠāļēāļĄāļŠāļīāļšāļ„āļ™āļ­āļ­āļāļĄāļēāđ„āļ”āđ‰ āļ§āļąāļ™āļ—āļĩāđˆāļŠāļēāļĄ……āļāđˆāļēāļĒāđ€āļˆāļĢāļˆāļēāļ‚āļ­āđƒāļŦāđ‰āļĄāļĩāļāļēāļĢāļ™āļģāļĢāļ–āļžāļĒāļēāļšāļēāļĨāđ€āļ‚āđ‰āļēāđ„āļ›āļĢāļąāļšāļĻāļžāļ—āļĩāđˆāđ€āļĢāļīāđˆāļĄāļšāļ§āļĄāļ­āļ­āļāļĄāļēāļˆāļēāļāļŠāļ–āļēāļ™āļ—āļĩāđˆ āđƒāļ™āđ€āļ§āļĨāļēāļ•āļĩāļŦāļ™āļķāđˆāļ‡ āļ—āļĩāđˆāļŦāļ™āđˆāļ§āļĒāļžāļĒāļēāļšāļēāļĨāļŠāļĩāđˆāļ„āļ™āđ„āļ”āđ‰āđ€āļ‚āđ‰āļēāđ„āļ›āļžāļĢāđ‰āļ­āļĄāļĢāļ–āļ•āļēāļĄāļāļģāļŦāļ™āļ”āļāļēāļĢ āđ€āļĄāļ·āđˆāļ­āđ„āļ›āļ–āļķāļ‡……āđ€āļžāļĩāļĒāļ‡āļŠāļ­āļ‡āļ™āļēāļ—āļĩāļœāđˆāļēāļ™āđ„āļ›…..āđ„āļ”āđ‰āđ€āļāļīāļ”āļĢāļ°āđ€āļšāļīāļ”āļ‚āļķāđ‰āļ™ āļ—āļĩāđˆāļ—āļģāđƒāļŦāđ‰āļœāļ™āļąāļ‡āļ‚āļ­āļ‡āđ‚āļĢāļ‡āļĒāļīāļĄāđ„āļ”āđ‰āđ€āļ›āļīāļ”āļ­āļ­āļ āļŦāļĨāļąāļ‡āļ„āļēāđ€āļ›āļīāļ‡ āļ„āļĢāļēāļ§āļ™āļĩāđ‰……āļāđˆāļēāļĒāļāļšāļāđ„āļ”āđ‰āđ€āļ›āļīāļ”āļ‰āļēāļāļĒāļīāļ‡āļĄāļąāđˆāļ§āļ‹āļąāđˆāļ§ āļ‚āļ§āđ‰āļēāļ‡āļĢāļ°āđ€āļšāļīāļ”āļĄāļ·āļ­āļ—āđˆāļēāļĄāļāļĨāļēāļ‡āļāļļāđˆāļ™āļ—āļĩāđˆāļ•āļĨāļšāļ„āļĨāļļāđ‰āļ‡ āđ€āļ›āđ‡āļ™āļāļēāļĢāđ‚āļāļĨāļēāļŦāļĨāļˆāļ™āļŠāļļāļ”āļšāļĢāļĢāļĒāļēāļĒ āđ€āļžāļĢāļēāļ°āļœāļđāđ‰āļ„āļ™āļŠāđˆāļ§āļ™āđƒāļŦāļāđˆāļ—āļĩāđˆāđ€āļ›āđ‡āļ™āđ€āļŠāļĨāļĒāđ„āļĄāđˆāļ­āļĒāļđāđˆāđƒāļ™āļŠāļ āļēāļžāļ—āļĩāđˆāļˆāļ°āļŦāļĨāļšāļŦāļ™āļĩāđ„āļ”āđ‰ āļžāļ§āļāđ€āļ‚āļēāļ­āđˆāļ­āļ™āđ€āļ›āļĨāļĩāđ‰āļĒāļˆāļ™āđ€āļāļīāļ™āđ„āļ› āđ€āļĄāļ·āđˆāļ­āļ—āļļāļāļ­āļĒāđˆāļēāļ‡āļœāđˆāļēāļ™āļžāđ‰āļ™āđ„āļ› āļ—āļąāđ‰āļ‡āļŦāļĄāļ”āđƒāļ™āļ™āļąāđ‰āļ™āđ€āļŠāļĩāļĒāļŠāļĩāļ§āļīāļ• āļˆāļģāļ™āļ§āļ™āđ€āļŠāļĨāļĒ 334 āļ„āļ™ (āđ€āļ”āđ‡āļāđ‚āļ• 186 āļ„āļ™) āļ„āļ­āļĄāļĄāļēāļ™āđ‚āļ” 10 āļ„āļ™ āļœāļđāđ‰āļāđˆāļ­āļāļēāļĢ 30 āļ„āļ™ (āļœāļđāđ‰āļŦāļāļīāļ‡ 2) āļ­āļąāļ™āđ€āļ›āđ‡āļ™āļ‚āđˆāļēāļ§āļ—āļĩāđˆāļ™āđˆāļēāļŠāļĨāļ”āđƒāļˆāđ„āļ›āļĒāļąāļ‡āļĢāļ­āļšāđ‚āļĨāļ āļ—āļĩāđˆāļĄāļĩāļāļēāļĢāļ„āđ‰āļ™āļŦāļēāļ„āļ§āļēāļĄāļˆāļĢāļīāļ‡ āļ§āđˆāļē āļĢāļ°āđ€āļšāļīāļ”āļ—āļĩāđˆāđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āļ™āļąāđ‰āļ™ āļĄāļēāļˆāļēāļāļĢāļ°āđ€āļšāļīāļ”āļ—āļĩāđˆāļ—āļēāļ‡āļāđˆāļēāļĒāļ„āļ“āļ°āļœāļđāđ‰āļāđˆāļ­āļāļēāļĢāđ„āļ”āđ‰āļ§āļēāļ‡āļŠāļēāļĒāđ€āļ­āļēāđ„āļ§āđ‰āđāļĨāđ‰āļ§āđ€āļāļīāļ”āļāļēāļĢāļœāļīāļ”āļžāļĨāļēāļ”…āļˆāļ™āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļĄāļēāļ‚āļ­āļ‡āđ‚āļĻāļāļ™āļēāļāļāļĢāļĢāļĄāļŦāļĄāļđāđˆ āļ›āļđāļ•āļīāļ™..āļžāļĒāļēāļĒāļēāļĄāļ­āļĒāđˆāļēāļ‡āļ—āļĩāđˆāļŠāļļāļ”āļ—āļĩāđˆāļˆāļ°āđ„āļĄāđˆāđƒāļŦāđ‰āļĄāļĩāļāļēāļĢāļŠāļđāļāđ€āļŠāļĩāļĒ āđ€āļžāļĢāļēāļ°āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļˆāļēāļāđ‚āļĢāļ‡āļĨāļ°āļ„āļĢāļ—āļĩāđˆāļ—āļģāđƒāļŦāđ‰āđ€āļ‚āļēāđ„āļĄāđˆāļĒāļ­āļĄāđƒāļŠāđ‰āļ§āļīāļ˜āļĩāļāļēāļĢāļĒāļēāļŠāļĨāļšāļžāđˆāļ™āđ€āļ‚āđ‰āļēāđ„āļ› āđ€āļ‚āļēāļŦāļ§āļąāļ‡āđƒāļ™āļāļēāļĢāđ€āļˆāļĢāļˆāļē……āļ—āļĩāđˆāļ„āļ§āļĢāļˆāļ°āļĄāļĩāļāļēāļĢāļ•āđˆāļ­āļĢāļ­āļ‡āļāļąāļš Shamil āđ‚āļ”āļĒāļ•āļĢāļ‡ āđ„āļĄāđˆāļœāđˆāļēāļ™āļ•āļąāļ§āļāļĨāļēāļ‡ āđāļ•āđˆāļ™āļąāđˆāļ™āļŦāļĄāļēāļĒāļ–āļķāļ‡āļ§āđˆāļē āđāļĄāđ‰āļ§āđˆāļēāđ€āļ‚āļēāļˆāļ°āđ€āļŠāļĩāļĒāđƒāļˆāđ€āļ›āđ‡āļ™āļ­āļĒāđˆāļēāļ‡āļĒāļīāđˆāļ‡āļāļąāļšāļāļēāļĢāļŠāļđāļāđ€āļŠāļĩāļĒāļ„āļĢāļąāđ‰āļ‡āđƒāļŦāļāđˆāđ€āļ‚āļēāļĒāļąāļ‡āļ•āđ‰āļ­āļ‡āļ•āļ­āļšāļ„āļģāļ–āļēāļĄāļ—āļĩāđˆāļŦāļĨāļąāđˆāļ‡āđ„āļŦāļĨāđ€āļ‚āđ‰āļēāļĄāļēāļˆāļēāļāļ™āļąāļāļ‚āđˆāļēāļ§ āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āļāđˆāļēāļĒāļĻāļąāļ•āļĢāļđāļ—āļĩāđˆāļ„āļ­āļĒāđ€āļĨāđˆāļ™āļ‡āļēāļ™āļ—āļīāđˆāļĄāđāļ—āļ‡ āļ§āļąāļ™āļ—āļĩāđˆ 13 āļāļąāļ™āļĒāļēāļĒāļ™ āļŦāļĨāļąāļ‡āļˆāļēāļāļ—āļĩāđˆāđ€āļāļīāļ”āđ€āļŦāļ•āļļāļāļēāļĢāļ“āđŒāļŠāļ°āđ€āļ—āļ·āļ­āļ™āļ‚āļ§āļąāļāđ‚āļĨāļāļ—āļĩāđˆ Beslan āļžāļ§āļāļ—āļĩāđˆāļ™āļąāđˆāļ‡āđƒāļ™āļŠāļ āļē 150 āļ—āļĩāđˆāļ™āļąāđˆāļ‡āļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāđ€āļĨāļ·āļ­āļāļ•āļąāđ‰āļ‡āļĄāļē (āļˆāļēāļāļ•āđˆāļēāļ‡āļžāļĢāļĢāļ„) āļ—āļĩāđˆāļ›āļđāļ•āļīāļ™āđ€āļĢāļĩāļĒāļāļŠāļąāļĄāļ āļēāļĐāļ“āđŒāļĢāļēāļĒāļ„āļ™ āļ–āļķāļ‡ āļˆāļļāļ”āļĄāļļāđˆāļ‡āļŦāļĄāļēāļĒāđƒāļ™āļ„āļ§āļēāļĄāļ„āļīāļ”āđāļĨāļ°āļ™āđ‚āļĒāļšāļēāļĒāļ—āļĩāđˆāļĄāļĩāļ•āđˆāļ­āļ›āļĢāļ°āđ€āļ—āļĻ āđāļ•āđˆāļĨāļ°āļĢāļēāļĒāđ€āļžāđ‰āļ­āđ€āļˆāđ‰āļ­āđƒāļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļ‚āļ­āļ‡āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āļ›āļĢāļ°āļŠāļēāļ˜āļīāļ›āđ„āļ•āļĒāļ—āļĩāđˆāđ€āļ­āļ™āđ€āļ­āļĩāļĒāļ‡āđ„āļ›āđƒāļ™āļ—āļēāļ‡āļ—āļĩāđˆāļˆāļ°āđƒāļŦāđ‰āđ€āļ­āļāļĢāļēāļŠāļāļąāļšāđ€āļŠāđ€āļŠāļ™… āļ›āļđāļ•āļīāļ™āļˆāļĩāļ‡āļ›āļĢāļ°āļāļēāļĻāļŠāļąāđˆāļ‡āļĢāļ°āļ‡āļąāļšāļāļēāļĢāđ€āļĨāļ·āļ­āļāļ•āļąāđ‰āļ‡āļ—āđ‰āļ­āļ‡āļ–āļīāđˆāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” āđ„āļĄāđˆāļ§āđˆāļēāļˆāļ°āđ€āļ›āđ‡āļ™āļ™āļēāļĒāļ­āļģāđ€āļ āļ­ āļŦāļĢāļ·āļ­ āļ™āļēāļĒāļāđ€āļ—āļĻāļĄāļ™āļ•āļĢāļĩ āļ—āļļāļāļ­āļĒāđˆāļēāļ‡āļ‚āļ°āļ‡āļąāļāļāļķāļ……… āđ€āļ—āđˆāļēāļāļąāļšāļ§āđˆāļē āļĄāļ­āļŠāđ‚āļ„āļ§āđŒāļ„āļ·āļ­āļĻāļđāļ™āļĒāđŒāļāļĨāļēāļ‡āļ‚āļ­āļ‡āļāļēāļĢāļ›āļāļ„āļĢāļ­āļ‡āđ€āļšāđ‡āļ”āđ€āļŠāļĢāđ‡āļˆāđ€āļ”āđ‡āļ”āļ‚āļēāļ” āđ€āļ›āļĢāļĩāļĒāļšāđ„āļ”āđ‰āļ§āđˆāļēāļāļēāļĢāļ›āļāļ„āļĢāļ­āļ‡āđ„āļ”āđ‰āļāļĨāļąāļšāđ€āļ‚āđ‰āļēāđ„āļ›āļŠāļđāđˆāļĒāļļāļ„āļ‚āļ­āļ‡āļ„āļ­āļĄāļĄāļīāļ§āļ™āļīāļŠāļ•āđŒ āđ€āļžāļĢāļēāļ°āđ€āļ‚āļēāđ„āļ”āđ‰āļ›āļĢāļ°āļāļēāļĻāļ§āđˆāļē…… “āļ›āļĢāļ°āļŠāļēāļāļĢāļŠāļēāļ§āļĢāļąāļŠāđ€āļŠāļĩāđˆāļĒāļ™āļ‚āļ­āļ‡āđ€āļĢāļē āļĒāļąāļ‡āļĄāļĩāļ„āļ§āļēāļĄāļ„āļīāļ”āļĨāđ‰āļēāļŦāļĨāļąāļ‡ āļĒāļąāļ‡āđ„āļĄāđˆāļ›āļĢāļąāļšāļ•āļąāļ§āđƒāļŦāđ‰āļ—āļąāļ™āļāļąāļšāļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļĢāļĩāļĒāļāļ§āđˆāļēāļ›āļĢāļ°āļŠāļēāļ˜āļīāļ›āđ„āļ•āļĒāļ—āļĩāđˆāļĄāļēāļ–āļķāļ‡āļžāļĢāđ‰āļ­āļĄāļāļąāļšāļ„āļ§āļēāļĄāļŠāļąāđˆāļ§āļĢāđ‰āļēāļĒ ……āđ€āļĢāļēāļ•āđ‰āļ­āļ‡āđƒāļŠāđ‰āđ€āļ§āļĨāļēāļāļąāļšāļāļēāļĢāļ—āļģāļ„āļ§āļēāļĄāļĢāļđāđ‰āļˆāļąāļāļāļąāļšāļĄāļąāļ™……āđ€āļžāļĢāļēāļ°āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļˆāļ°āđƒāļŠāđ‰āđ„āļ”āđ‰āļœāļĨāļ—āļĩāđˆāļŠāļļāļ”āđƒāļ™āļĒāļēāļĄāļ™āļĩāđ‰ āļ„āļ·āļ­āļāļēāļĢāļĒāļ·āļ™āļ„āđˆāļ­āļ™āđ„āļ›āļ—āļēāļ‡āļ‹āđ‰āļēāļĒ..(āļĢāļ°āļšāļ­āļšāļ„āļ­āļĄāļĄāļīāļ§āļ™āļīāļŠāļ•āđŒ)” āļžāļĢāļĢāļ„āļāđˆāļēāļĒāļ‹āđ‰āļēāļĒāļ‚āļēāļ™āļĢāļąāļšāļāļąāļ™āļˆāđ‰āļēāļĨāļ°āļŦāļ§āļąāđˆāļ™ āđāļĨāļ° āđ€āļŠāļ™āļ­āļ•āļąāļ§āļāļąāļ™āļ­āļĒāđˆāļēāļ‡āđāļ‚āđ‡āļ‡āļ‚āļąāļ™āđƒāļ™āļāļēāļĢāļĢāđˆāļ§āļĄāļĄāļ·āļ­ … ~~~āļŦāļĨāļąāļ‡āļˆāļēāļāļāļēāļĢāļāđˆāļ­āļāļēāļĢāļĢāđ‰āļēāļĒāļ‚āļ­āļ‡ Shamil Basayev āļ—āļĩāđˆāđ„āļ”āđ‰āļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāđ€āļ‚āļĒāđˆāļēāļ‚āļ§āļąāļāļ™āļēāļ™āļŦāļĨāļēāļĒāļ›āļĩ āļ•āļąāđ‰āļ‡āđāļ•āđˆāļ§āļēāļ‡āđāļœāļ™āļˆāļąāļšāļ•āļąāļ§āļ›āļĢāļ°āļāļąāļ™āļ—āļĩāđˆāđ‚āļĢāļ‡āļĨāļ°āļ„āļĢ āđāļĨāļ° āļ—āļĩāđˆāđ‚āļĢāļ‡āđ€āļĢāļĩāļĒāļ™ āļĢāļ§āļĄāļ—āļąāđ‰āļ‡āļ—āļĩāđˆāļ­āļ·āđˆāļ™āđ†āļ—āļąāđˆāļ§āļĢāļąāļŠāđ€āļ‹āļĩāļĒāļ™āļēāļ™āļāļ§āđˆāļēāļŠāļīāļšāļ›āļĩ āļāđˆāļēāļĒ FSB āđ„āļ”āđ‰āļ–āļ·āļ­āļ§āđˆāļē āļŠāļēāļĄāļīāļĨ āļ„āļ·āļ­ āļ­āļēāļŠāļāļēāļāļĢāļ—āļĩāđˆāļ—āļēāļ‡āđāļēāļĢāļĢāļąāļŠāđ€āļ‹āļĩāļĒāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ•āļąāļ§āļ—āļĩāđˆāļŠāļļāļ” āđƒāļ™āļ—āļĩāđˆāļŠāļļāļ” āļāļēāļĢ”āļĨāđˆāļ­āļ‹āļ·āđ‰āļ­” āđ„āļ”āđ‰āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™ āđƒāļ™āļ§āļąāļ™āļ—āļĩāđˆ 10 āļāļĢāļāļŽāļēāļ„āļĄ 2006 āļ™āļąāđˆāļ™āļ„āļ·āļ­ āļāļēāļĢāļ„āđ‰āļēāļ‚āļēāļĒāļ­āļēāļ§āļļāļ˜āđƒāļŦāđ‰āļāļąāļšāļāļĨāļļāđˆāļĄāļœāļđāđ‰āļāđˆāļ­āļāļēāļĢāļĢāđ‰āļēāļĒ āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļĨāđŠāļ­āļ•āļ‚āļ™āļēāļ”āđƒāļŦāļāđˆ āļ—āļĩāđˆāļĄāļĩāļˆāļļāļ”āļĢāļąāļšāļ‚āļ­āļ‡āļ—āļĩāđˆāļŦāļĄāļđāđˆāļšāđ‰āļēāļ™ Ekazhevo āļŠāļēāļĄāļīāļĨ āđāļĨāļ°āļ„āļ“āļ°āļĄāļēāļĢāļ­āļĢāļąāļš āđāļĨāļ°āđ€āļĄāļ·āđˆāļ­āļĢāļ–āļšāļĢāļĢāļ—āļļāļāļ­āļēāļ§āļļāļ˜āļ—āļĩāđˆāļ§āđˆāļēāļĄāļēāļ–āļķāļ‡ āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ—āļĩāđˆāļĄāļĩāļāļēāļĢāļ•āļĢāļ§āļˆāļ„āļļāļ“āļ āļēāļžāļ‚āļ­āļ‡āļāļąāļ™ āļĢāļ–āļšāļĢāļĢāļ—āļļāļāđ„āļ”āđ‰āđ€āļāļīāļ”āļĢāļ°āđ€āļšāļīāļ”āļ‚āļķāđ‰āļ™ āļ„āļĢāđˆāļēāļŠāļĩāļ§āļīāļ•āļ‚āļ­āļ‡āļŠāļēāļĄāļīāļĨāđāļĨāļ°āļ„āļ“āļ°āļ™āļąāļšāļŠāļīāļšāļ„āļ™…āļ•āļēāļĄāļ§āļąāļ•āļ–āļļāļ›āļĢāļ°āļŠāļ‡āļ„āđŒāļ‚āļ­āļ‡ FSB ……!!! Wiwanda W. Vichit
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  • Queen - Bohemian Rhapsody (Buckingham Palace Garden, 2002)
    Queen - Bohemian Rhapsody (Buckingham Palace Garden, 2002)
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  • Atmoz Ratchada-Huaykwang : āđāļ­āļ—āđ‚āļĄāļ‹ āļĢāļąāļŠāļ”āļē-āļŦāđ‰āļ§āļĒāļ‚āļ§āļēāļ‡

    Atmoz āļĢāļąāļŠāļ”āļē-āļŦāđ‰āļ§āļĒāļ‚āļ§āļēāļ‡ āļ„āļ­āļ™āđ‚āļ”āļĄāļīāđ€āļ™āļĩāļĒāļĄāļ—āļĩāđˆāļ­āļ­āļāđāļšāļšāļĄāļēāđ€āļžāļ·āđˆāļ­āļ•āļ­āļšāđ‚āļˆāļ—āļĒāđŒāđ„āļĨāļŸāđŒāļŠāđ„āļ•āļĨāđŒāļ—āļĩāđˆāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ‚āļ­āļ‡āļ„āļ™āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆ āļ”āđ‰āļ§āļĒāļšāļĢāļīāļāļēāļĢ Shuttle Service āļ—āļĩāđˆāļˆāļ°āļžāļēāļ„āļļāļ“āđ„āļ›āļĒāļąāļ‡āļˆāļļāļ”āļŦāļĄāļēāļĒāļ›āļĨāļēāļĒāļ—āļēāļ‡āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļŠāļ°āļ”āļ§āļāļŠāļšāļēāļĒ āđāļĨāļ° Late Night Concierge āļ—āļĩāđˆāļžāļĢāđ‰āļ­āļĄāļ”āļđāđāļĨāļ„āļļāļ“āđƒāļ™āļ—āļļāļāļĒāļēāļĄāļ„āđˆāļģāļ„āļ·āļ™ āļĄāļ­āļšāļ„āļ§āļēāļĄāļŠāļ°āļ”āļ§āļāļŠāļšāļēāļĒāļ—āļĩāđˆāļ„āļļāļ“āļ•āđ‰āļ­āļ‡āļāļēāļĢ āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļŠāđˆāļ§āļ™āļāļĨāļēāļ‡āļ‚āļ™āļēāļ”āđƒāļŦāļāđˆāļ—āļĩāđˆāļ­āļ­āļāđāļšāļšāļĄāļēāļ­āļĒāđˆāļēāļ‡āļžāļīāļ–āļĩāļžāļīāļ–āļąāļ™ āļĢāļ­āļ‡āļĢāļąāļšāļāļīāļˆāļāļĢāļĢāļĄāđ„āļ”āđ‰āļĄāļēāļāļ–āļķāļ‡ 30 āļ›āļĢāļ°āđ€āļ āļ— āđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āļāļąāļ™āđ„āļ”āđ‰āļ—āļąāđˆāļ§āļ—āļąāđ‰āļ‡āđ‚āļ„āļĢāļ‡āļāļēāļĢ āđƒāļŦāđ‰āļ„āļļāļ“āđ„āļ”āđ‰āđ€āļžāļĨāļīāļ”āđ€āļžāļĨāļīāļ™āļāļąāļšāļāļēāļĢāļžāļąāļāļœāđˆāļ­āļ™āļŦāļĒāđˆāļ­āļ™āđƒāļˆāđƒāļ™āđāļšāļšāļ—āļĩāđˆāļ„āļļāļ“āļ•āđ‰āļ­āļ‡āļāļēāļĢ āđ„āļĄāđˆāļ§āđˆāļēāļˆāļ°āđ€āļ›āđ‡āļ™āļāļēāļĢāļ­āļ­āļāļāļģāļĨāļąāļ‡āļāļēāļĒ āļŠāļąāļ‡āļŠāļĢāļĢāļ„āđŒ āļŦāļĢāļ·āļ­āļ—āļģāļ‡āļēāļ™ āļ„āļ­āļ™āđ‚āļ”āļ™āļĩāđ‰āļ•āļ­āļšāđ‚āļˆāļ—āļĒāđŒāļ—āļļāļāļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ‚āļ­āļ‡āļ„āļļāļ“ āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āļ„āļļāļ“āđ„āļ”āđ‰āđƒāļŠāđ‰āļŠāļĩāļ§āļīāļ•āļ­āļĒāđˆāļēāļ‡āđ€āļ•āđ‡āļĄāļ—āļĩāđˆāđƒāļ™āđāļšāļšāļ—āļĩāđˆāļ„āļļāļ“āļ•āđ‰āļ­āļ‡āļāļēāļĢ

    ** āļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ” **

    āļ„āļ­āļ™āđ‚āļ”āļ™āļĩāđ‰āļ•āļ­āļšāļŠāļ™āļ­āļ‡āļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ‚āļ­āļ‡āļ„āļ™āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļ—āļĩāđˆāļŠāļ­āļšāļ—āļģāļāļīāļˆāļāļĢāļĢāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ—āļąāđ‰āļ‡āļ•āļ­āļ™āđ€āļŠāđ‰āļēāđāļĨāļ°āļ•āļ­āļ™āļāļĨāļēāļ‡āļ„āļ·āļ™

    â€Ģ āļĄāļĩāļšāļĢāļīāļāļēāļĢ shuttle bus āđāļĨāļ° late night concierge
    â€Ģ āļāļīāļˆāļāļĢāļĢāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ—āļĩāđˆāļŠāđˆāļ§āļ™āļāļĨāļēāļ‡
    â€Ģ Bedroom: 1 āļŦāđ‰āļ­āļ‡āļ™āļ­āļ™
    â€Ģ Bathroom: 1 āļŦāđ‰āļ­āļ‡āļ™āđ‰āļģ
    â€Ģ āļ‚āļ™āļēāļ”āļžāļ·āđ‰āļ™āļ—āļĩāđˆ 21.10 āļ•āļĢ.āļĄ.

    ** āļŠāļīāđˆāļ‡āļ­āļģāļ™āļ§āļĒāļ„āļ§āļēāļĄāļŠāļ°āļ”āļ§āļ **

    â€Ģ Outdoor Pool
    â€Ģ Gym & Boxing Studio
    â€Ģ Creative Space
    â€Ģ Lobby Lounge
    â€Ģ Workspace
    â€Ģ Theatre
    â€Ģ Fitness
    â€Ģ Social Club
    â€Ģ Outdoor Dining
    â€Ģ Garden
    â€Ģ Sky Pool
    â€Ģ āđ€āļ‚āđ‰āļē-āļ­āļ­āļāļ­āļēāļ„āļēāļĢāļĢāļ°āļšāļš Key Card Access
    â€Ģ āļāļĨāđ‰āļ­āļ‡āļ§āļ‡āļˆāļĢāļ›āļīāļ” CCTV + āđ€āļˆāđ‰āļēāļŦāļ™āđ‰āļēāļ—āļĩāđˆāļ”āļđāđāļĨāļĢāļąāļāļĐāļēāļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒāļ•āļĨāļ­āļ” 24 āļŠāļĄ.

    **āļŠāļ–āļēāļ™āļ—āļĩāđˆāđƒāļāļĨāđ‰āđ€āļ„āļĩāļĒāļ‡**

    āļĻāļđāļ™āļĒāđŒāļāļēāļĢāļ„āđ‰āļē āļ•āļĨāļēāļ” āđāļĨāļ°āļĢāđ‰āļēāļ™āļŠāļ°āļ”āļ§āļāļ‹āļ·āđ‰āļ­

    â€Ģ Family Mart : 40 āđ€āļĄāļ•āļĢ
    â€Ģ āļ•āļĨāļēāļ”āļ™āļąāļ” : 50 āđ€āļĄāļ•āļĢ
    â€Ģ 7-Eleven : 60 āđ€āļĄāļ•āļĢ
    â€Ģ CP Fresh Mart : 60 āđ€āļĄāļ•āļĢ
    â€Ģ āļĻāļđāļ™āļĒāđŒāļ­āļēāļŦāļēāļĢ 39 : 70 āđ€āļĄāļ•āļĢ
    â€Ģ JC Park : 220 āđ€āļĄāļ•āļĢ
    â€Ģ Golden Place : 800 āđ€āļĄāļ•āļĢ
    â€Ģ Town in Town : 2.5 āļāļĄ.
    â€Ģ āļ•āļĨāļēāļ”āļŦāđ‰āļ§āļĒāļ‚āļ§āļēāļ‡ āđ„āļ™āļ—āđŒāļĄāļēāļĢāđŒāđ€āļāđ‡āļ• : 3.5 āļāļĄ.
    â€Ģ The Street āļĢāļąāļŠāļ”āļē : 3.6 āļāļĄ.
    â€Ģ Show DC : 4.2 āļāļĄ.
    â€Ģ Esplanade Cineplex āļĢāļąāļŠāļ”āļēāļ āļīāđ€āļĐāļ : 4.7 āļāļĄ.
    â€Ģ āļ•āļĨāļēāļ”āļ™āļąāļ”āļĢāļ–āđ„āļŸāļĢāļąāļŠāļ”āļē : 4.5 āļāļĄ.
    â€Ģ Big C āļĢāļąāļŠāļ”āļēāļ āļīāđ€āļĐāļ : 4.8 āļāļĄ.
    â€Ģ Central Plaza Grand āļžāļĢāļ°āļĢāļēāļĄ 9 : 4.9 āļāļĄ.
    â€Ģ Central Plaza Eastville : 4.9 āļāļĄ.
    â€Ģ Fortune Town : 5 āļāļĄ.
    â€Ģ āļ•āļĨāļēāļ”āđ€āļĄāļ·āļ­āļ‡āđ„āļ—āļĒāļ āļąāļ—āļĢ : 5.1 āļāļĄ.
    â€Ģ āļšāļļāļāļ–āļēāļ§āļĢ āļĢāļąāļŠāļ”āļēāļ āļīāđ€āļĐāļ : 5.2 āļāļĄ.

    āļŠāļ–āļēāļ™āļĻāļķāļāļĐāļē

    â€Ģ āļĢāļĢ.āļ™āļēāļ™āļēāļŠāļēāļ•āļī Regent’s : 140 āđ€āļĄāļ•āļĢ
    â€Ģ āļĢāļĢ. āļ“ āļ”āļĢāļļāļ“ : 260 āđ€āļĄāļ•āļĢ
    â€Ģ āļĢāļĢ.āļ™āļēāļ™āļēāļŠāļēāļ•āļī SISB : 1 āļāļĄ.
    â€Ģ āļĢāļĢ.āļ™āļēāļ™āļēāļŠāļēāļ•āļī LFIB: 1 āļāļĄ.
    â€Ģ āļĢāļĢ.āļ™āļēāļ™āļēāļŠāļēāļ•āļī KIS : 1.2 āļāļĄ.
    â€Ģ āļĢāļĢ.āļŠāļĄāļēāļ„āļĄāđ„āļ—āļĒ āļāļĩāđˆāļ›āļļāđˆāļ™ (TJAS) : 1.4 āļāļĄ.
    â€Ģ āļĄ.āļĢāļēāļĄāļ„āļģāđāļŦāļ‡ : 3.6 āļāļĄ.
    â€Ģ āļĢāļĢ.āđ€āļ‹āļ™āļ•āđŒāļ”āļ­āļĄāļīāļ™āļīāļ : 5.7 āļāļĄ.
    â€Ģ āļĄāļĻāļ§ āļ›āļĢāļ°āļŠāļēāļ™āļĄāļīāļ•āļĢ : 5.7 āļāļĄ.
    â€Ģ āļĢāļĢ.āļ§āļąāļ’āļ™āļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒ : 7.3 āļāļĄ.

    āđ‚āļĢāļ‡āļžāļĒāļēāļšāļēāļĨ

    â€Ģ āļĢāļž.āļāļĢāļļāļ‡āđ€āļ—āļž : 5.3 āļāļĄ.
    â€Ģ āļĢāļž.āļ›āļīāļĒāļ°āđ€āļ§āļ— : 4.6 āļāļĄ.
    â€Ģ āļĢāļž.āļžāļĢāļ°āļĢāļēāļĄ 9 : 4.7 āļāļĄ.
    â€Ģ āļĢāļž.āļšāļģāļĢāļļāļ‡āļĢāļēāļĐāļŽāļĢāđŒ : 7 āļāļĄ.

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    āļŠāļ™āđƒāļˆāļŠāļ­āļšāļ–āļēāļĄāļ‚āđ‰āļ­āļĄāļđāļĨāļ—āļĩāđˆ
    āđ‚āļ—āļĢ.081-822-6553
    āļĢāļąāļšāļ‹āļ·āđ‰āļ­ āļāļēāļāļ‚āļēāļĒāļ—āļĩāđˆāļ”āļīāļ™ āļšāđ‰āļēāļ™ āļ„āļ­āļ™āđ‚āļ” āļ­āļŠāļąāļ‡āļŦāļēāļĢāļīāļĄāļ—āļĢāļąāļžāļĒāđŒ
    āļ—āļļāļāļŠāļ™āļīāļ” “āļŸāļĢāļĩ” āļ„āđˆāļēāđƒāļŠāđ‰āļˆāđˆāļēāļĒāļˆāļ™āļāļ§āđˆāļēāļˆāļ°āļ‚āļēāļĒāđ„āļ”āđ‰
    āļžāļĢāđ‰āļ­āļĄāļ—āļąāđ‰āļ‡āļ—āļģāđ€āļĢāļ·āđˆāļ­āļ‡āļĒāļ·āđˆāļ™āļāļđāđ‰āļŠāļīāļ™āđ€āļŠāļ·āđˆāļ­
    āļˆāļ™āļ–āļķāļ‡āđ‚āļ­āļ™āļāļĢāļĢāļĄāļŠāļīāļ—āļ˜āļīāđŒ āļ“ āļāļĢāļĄāļ—āļĩāđˆāļ”āļīāļ™
    Atmoz Ratchada-Huaykwang : āđāļ­āļ—āđ‚āļĄāļ‹ āļĢāļąāļŠāļ”āļē-āļŦāđ‰āļ§āļĒāļ‚āļ§āļēāļ‡ Atmoz āļĢāļąāļŠāļ”āļē-āļŦāđ‰āļ§āļĒāļ‚āļ§āļēāļ‡ āļ„āļ­āļ™āđ‚āļ”āļĄāļīāđ€āļ™āļĩāļĒāļĄāļ—āļĩāđˆāļ­āļ­āļāđāļšāļšāļĄāļēāđ€āļžāļ·āđˆāļ­āļ•āļ­āļšāđ‚āļˆāļ—āļĒāđŒāđ„āļĨāļŸāđŒāļŠāđ„āļ•āļĨāđŒāļ—āļĩāđˆāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ‚āļ­āļ‡āļ„āļ™āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆ āļ”āđ‰āļ§āļĒāļšāļĢāļīāļāļēāļĢ Shuttle Service āļ—āļĩāđˆāļˆāļ°āļžāļēāļ„āļļāļ“āđ„āļ›āļĒāļąāļ‡āļˆāļļāļ”āļŦāļĄāļēāļĒāļ›āļĨāļēāļĒāļ—āļēāļ‡āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļŠāļ°āļ”āļ§āļāļŠāļšāļēāļĒ āđāļĨāļ° Late Night Concierge āļ—āļĩāđˆāļžāļĢāđ‰āļ­āļĄāļ”āļđāđāļĨāļ„āļļāļ“āđƒāļ™āļ—āļļāļāļĒāļēāļĄāļ„āđˆāļģāļ„āļ·āļ™ āļĄāļ­āļšāļ„āļ§āļēāļĄāļŠāļ°āļ”āļ§āļāļŠāļšāļēāļĒāļ—āļĩāđˆāļ„āļļāļ“āļ•āđ‰āļ­āļ‡āļāļēāļĢ āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļŠāđˆāļ§āļ™āļāļĨāļēāļ‡āļ‚āļ™āļēāļ”āđƒāļŦāļāđˆāļ—āļĩāđˆāļ­āļ­āļāđāļšāļšāļĄāļēāļ­āļĒāđˆāļēāļ‡āļžāļīāļ–āļĩāļžāļīāļ–āļąāļ™ āļĢāļ­āļ‡āļĢāļąāļšāļāļīāļˆāļāļĢāļĢāļĄāđ„āļ”āđ‰āļĄāļēāļāļ–āļķāļ‡ 30 āļ›āļĢāļ°āđ€āļ āļ— āđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āļāļąāļ™āđ„āļ”āđ‰āļ—āļąāđˆāļ§āļ—āļąāđ‰āļ‡āđ‚āļ„āļĢāļ‡āļāļēāļĢ āđƒāļŦāđ‰āļ„āļļāļ“āđ„āļ”āđ‰āđ€āļžāļĨāļīāļ”āđ€āļžāļĨāļīāļ™āļāļąāļšāļāļēāļĢāļžāļąāļāļœāđˆāļ­āļ™āļŦāļĒāđˆāļ­āļ™āđƒāļˆāđƒāļ™āđāļšāļšāļ—āļĩāđˆāļ„āļļāļ“āļ•āđ‰āļ­āļ‡āļāļēāļĢ āđ„āļĄāđˆāļ§āđˆāļēāļˆāļ°āđ€āļ›āđ‡āļ™āļāļēāļĢāļ­āļ­āļāļāļģāļĨāļąāļ‡āļāļēāļĒ āļŠāļąāļ‡āļŠāļĢāļĢāļ„āđŒ āļŦāļĢāļ·āļ­āļ—āļģāļ‡āļēāļ™ āļ„āļ­āļ™āđ‚āļ”āļ™āļĩāđ‰āļ•āļ­āļšāđ‚āļˆāļ—āļĒāđŒāļ—āļļāļāļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ‚āļ­āļ‡āļ„āļļāļ“ āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āļ„āļļāļ“āđ„āļ”āđ‰āđƒāļŠāđ‰āļŠāļĩāļ§āļīāļ•āļ­āļĒāđˆāļēāļ‡āđ€āļ•āđ‡āļĄāļ—āļĩāđˆāđƒāļ™āđāļšāļšāļ—āļĩāđˆāļ„āļļāļ“āļ•āđ‰āļ­āļ‡āļāļēāļĢ ** āļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ” ** āļ„āļ­āļ™āđ‚āļ”āļ™āļĩāđ‰āļ•āļ­āļšāļŠāļ™āļ­āļ‡āļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ‚āļ­āļ‡āļ„āļ™āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļ—āļĩāđˆāļŠāļ­āļšāļ—āļģāļāļīāļˆāļāļĢāļĢāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ—āļąāđ‰āļ‡āļ•āļ­āļ™āđ€āļŠāđ‰āļēāđāļĨāļ°āļ•āļ­āļ™āļāļĨāļēāļ‡āļ„āļ·āļ™ â€Ģ āļĄāļĩāļšāļĢāļīāļāļēāļĢ shuttle bus āđāļĨāļ° late night concierge â€Ģ āļāļīāļˆāļāļĢāļĢāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ—āļĩāđˆāļŠāđˆāļ§āļ™āļāļĨāļēāļ‡ â€Ģ Bedroom: 1 āļŦāđ‰āļ­āļ‡āļ™āļ­āļ™ â€Ģ Bathroom: 1 āļŦāđ‰āļ­āļ‡āļ™āđ‰āļģ â€Ģ āļ‚āļ™āļēāļ”āļžāļ·āđ‰āļ™āļ—āļĩāđˆ 21.10 āļ•āļĢ.āļĄ. ** āļŠāļīāđˆāļ‡āļ­āļģāļ™āļ§āļĒāļ„āļ§āļēāļĄāļŠāļ°āļ”āļ§āļ ** â€Ģ Outdoor Pool â€Ģ Gym & Boxing Studio â€Ģ Creative Space â€Ģ Lobby Lounge â€Ģ Workspace â€Ģ Theatre â€Ģ Fitness â€Ģ Social Club â€Ģ Outdoor Dining â€Ģ Garden â€Ģ Sky Pool â€Ģ āđ€āļ‚āđ‰āļē-āļ­āļ­āļāļ­āļēāļ„āļēāļĢāļĢāļ°āļšāļš Key Card Access â€Ģ āļāļĨāđ‰āļ­āļ‡āļ§āļ‡āļˆāļĢāļ›āļīāļ” CCTV + āđ€āļˆāđ‰āļēāļŦāļ™āđ‰āļēāļ—āļĩāđˆāļ”āļđāđāļĨāļĢāļąāļāļĐāļēāļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒāļ•āļĨāļ­āļ” 24 āļŠāļĄ. **āļŠāļ–āļēāļ™āļ—āļĩāđˆāđƒāļāļĨāđ‰āđ€āļ„āļĩāļĒāļ‡** āļĻāļđāļ™āļĒāđŒāļāļēāļĢāļ„āđ‰āļē āļ•āļĨāļēāļ” āđāļĨāļ°āļĢāđ‰āļēāļ™āļŠāļ°āļ”āļ§āļāļ‹āļ·āđ‰āļ­ â€Ģ Family Mart : 40 āđ€āļĄāļ•āļĢ â€Ģ āļ•āļĨāļēāļ”āļ™āļąāļ” : 50 āđ€āļĄāļ•āļĢ â€Ģ 7-Eleven : 60 āđ€āļĄāļ•āļĢ â€Ģ CP Fresh Mart : 60 āđ€āļĄāļ•āļĢ â€Ģ āļĻāļđāļ™āļĒāđŒāļ­āļēāļŦāļēāļĢ 39 : 70 āđ€āļĄāļ•āļĢ â€Ģ JC Park : 220 āđ€āļĄāļ•āļĢ â€Ģ Golden Place : 800 āđ€āļĄāļ•āļĢ â€Ģ Town in Town : 2.5 āļāļĄ. â€Ģ āļ•āļĨāļēāļ”āļŦāđ‰āļ§āļĒāļ‚āļ§āļēāļ‡ āđ„āļ™āļ—āđŒāļĄāļēāļĢāđŒāđ€āļāđ‡āļ• : 3.5 āļāļĄ. â€Ģ The Street āļĢāļąāļŠāļ”āļē : 3.6 āļāļĄ. â€Ģ Show DC : 4.2 āļāļĄ. â€Ģ Esplanade Cineplex āļĢāļąāļŠāļ”āļēāļ āļīāđ€āļĐāļ : 4.7 āļāļĄ. â€Ģ āļ•āļĨāļēāļ”āļ™āļąāļ”āļĢāļ–āđ„āļŸāļĢāļąāļŠāļ”āļē : 4.5 āļāļĄ. â€Ģ Big C āļĢāļąāļŠāļ”āļēāļ āļīāđ€āļĐāļ : 4.8 āļāļĄ. â€Ģ Central Plaza Grand āļžāļĢāļ°āļĢāļēāļĄ 9 : 4.9 āļāļĄ. â€Ģ Central Plaza Eastville : 4.9 āļāļĄ. â€Ģ Fortune Town : 5 āļāļĄ. â€Ģ āļ•āļĨāļēāļ”āđ€āļĄāļ·āļ­āļ‡āđ„āļ—āļĒāļ āļąāļ—āļĢ : 5.1 āļāļĄ. â€Ģ āļšāļļāļāļ–āļēāļ§āļĢ āļĢāļąāļŠāļ”āļēāļ āļīāđ€āļĐāļ : 5.2 āļāļĄ. āļŠāļ–āļēāļ™āļĻāļķāļāļĐāļē â€Ģ āļĢāļĢ.āļ™āļēāļ™āļēāļŠāļēāļ•āļī Regent’s : 140 āđ€āļĄāļ•āļĢ â€Ģ āļĢāļĢ. āļ“ āļ”āļĢāļļāļ“ : 260 āđ€āļĄāļ•āļĢ â€Ģ āļĢāļĢ.āļ™āļēāļ™āļēāļŠāļēāļ•āļī SISB : 1 āļāļĄ. â€Ģ āļĢāļĢ.āļ™āļēāļ™āļēāļŠāļēāļ•āļī LFIB: 1 āļāļĄ. â€Ģ āļĢāļĢ.āļ™āļēāļ™āļēāļŠāļēāļ•āļī KIS : 1.2 āļāļĄ. â€Ģ āļĢāļĢ.āļŠāļĄāļēāļ„āļĄāđ„āļ—āļĒ āļāļĩāđˆāļ›āļļāđˆāļ™ (TJAS) : 1.4 āļāļĄ. â€Ģ āļĄ.āļĢāļēāļĄāļ„āļģāđāļŦāļ‡ : 3.6 āļāļĄ. â€Ģ āļĢāļĢ.āđ€āļ‹āļ™āļ•āđŒāļ”āļ­āļĄāļīāļ™āļīāļ : 5.7 āļāļĄ. â€Ģ āļĄāļĻāļ§ āļ›āļĢāļ°āļŠāļēāļ™āļĄāļīāļ•āļĢ : 5.7 āļāļĄ. â€Ģ āļĢāļĢ.āļ§āļąāļ’āļ™āļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒ : 7.3 āļāļĄ. āđ‚āļĢāļ‡āļžāļĒāļēāļšāļēāļĨ â€Ģ āļĢāļž.āļāļĢāļļāļ‡āđ€āļ—āļž : 5.3 āļāļĄ. â€Ģ āļĢāļž.āļ›āļīāļĒāļ°āđ€āļ§āļ— : 4.6 āļāļĄ. â€Ģ āļĢāļž.āļžāļĢāļ°āļĢāļēāļĄ 9 : 4.7 āļāļĄ. â€Ģ āļĢāļž.āļšāļģāļĢāļļāļ‡āļĢāļēāļĐāļŽāļĢāđŒ : 7 āļāļĄ. ------------------------------------------- āļŠāļ™āđƒāļˆāļŠāļ­āļšāļ–āļēāļĄāļ‚āđ‰āļ­āļĄāļđāļĨāļ—āļĩāđˆ āđ‚āļ—āļĢ.081-822-6553 āļĢāļąāļšāļ‹āļ·āđ‰āļ­ āļāļēāļāļ‚āļēāļĒāļ—āļĩāđˆāļ”āļīāļ™ āļšāđ‰āļēāļ™ āļ„āļ­āļ™āđ‚āļ” āļ­āļŠāļąāļ‡āļŦāļēāļĢāļīāļĄāļ—āļĢāļąāļžāļĒāđŒ āļ—āļļāļāļŠāļ™āļīāļ” “āļŸāļĢāļĩ” āļ„āđˆāļēāđƒāļŠāđ‰āļˆāđˆāļēāļĒāļˆāļ™āļāļ§āđˆāļēāļˆāļ°āļ‚āļēāļĒāđ„āļ”āđ‰ āļžāļĢāđ‰āļ­āļĄāļ—āļąāđ‰āļ‡āļ—āļģāđ€āļĢāļ·āđˆāļ­āļ‡āļĒāļ·āđˆāļ™āļāļđāđ‰āļŠāļīāļ™āđ€āļŠāļ·āđˆāļ­ āļˆāļ™āļ–āļķāļ‡āđ‚āļ­āļ™āļāļĢāļĢāļĄāļŠāļīāļ—āļ˜āļīāđŒ āļ“ āļāļĢāļĄāļ—āļĩāđˆāļ”āļīāļ™
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  • Atmoz Ratchada-Huaykwang : āđāļ­āļ—āđ‚āļĄāļ‹ āļĢāļąāļŠāļ”āļē-āļŦāđ‰āļ§āļĒāļ‚āļ§āļēāļ‡

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    ** āļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ” **

    āļ„āļ­āļ™āđ‚āļ”āļ™āļĩāđ‰āļ•āļ­āļšāļŠāļ™āļ­āļ‡āļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ‚āļ­āļ‡āļ„āļ™āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļ—āļĩāđˆāļŠāļ­āļšāļ—āļģāļāļīāļˆāļāļĢāļĢāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ—āļąāđ‰āļ‡āļ•āļ­āļ™āđ€āļŠāđ‰āļēāđāļĨāļ°āļ•āļ­āļ™āļāļĨāļēāļ‡āļ„āļ·āļ™

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    â€Ģ āļāļīāļˆāļāļĢāļĢāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ—āļĩāđˆāļŠāđˆāļ§āļ™āļāļĨāļēāļ‡
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    â€Ģ Bathroom: 1 āļŦāđ‰āļ­āļ‡āļ™āđ‰āļģ
    â€Ģ āļ‚āļ™āļēāļ”āļžāļ·āđ‰āļ™āļ—āļĩāđˆ 21.10 āļ•āļĢ.āļĄ.

    ** āļŠāļīāđˆāļ‡āļ­āļģāļ™āļ§āļĒāļ„āļ§āļēāļĄāļŠāļ°āļ”āļ§āļ **

    â€Ģ Outdoor Pool
    â€Ģ Gym & Boxing Studio
    â€Ģ Creative Space
    â€Ģ Lobby Lounge
    â€Ģ Workspace
    â€Ģ Theatre
    â€Ģ Fitness
    â€Ģ Social Club
    â€Ģ Outdoor Dining
    â€Ģ Garden
    â€Ģ Sky Pool
    â€Ģ āđ€āļ‚āđ‰āļē-āļ­āļ­āļāļ­āļēāļ„āļēāļĢāļĢāļ°āļšāļš Key Card Access
    â€Ģ āļāļĨāđ‰āļ­āļ‡āļ§āļ‡āļˆāļĢāļ›āļīāļ” CCTV + āđ€āļˆāđ‰āļēāļŦāļ™āđ‰āļēāļ—āļĩāđˆāļ”āļđāđāļĨāļĢāļąāļāļĐāļēāļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒāļ•āļĨāļ­āļ” 24 āļŠāļĄ.

    **āļŠāļ–āļēāļ™āļ—āļĩāđˆāđƒāļāļĨāđ‰āđ€āļ„āļĩāļĒāļ‡**

    āļĻāļđāļ™āļĒāđŒāļāļēāļĢāļ„āđ‰āļē āļ•āļĨāļēāļ” āđāļĨāļ°āļĢāđ‰āļēāļ™āļŠāļ°āļ”āļ§āļāļ‹āļ·āđ‰āļ­

    â€Ģ Family Mart : 40 āđ€āļĄāļ•āļĢ
    â€Ģ āļ•āļĨāļēāļ”āļ™āļąāļ” : 50 āđ€āļĄāļ•āļĢ
    â€Ģ 7-Eleven : 60 āđ€āļĄāļ•āļĢ
    â€Ģ CP Fresh Mart : 60 āđ€āļĄāļ•āļĢ
    â€Ģ āļĻāļđāļ™āļĒāđŒāļ­āļēāļŦāļēāļĢ 39 : 70 āđ€āļĄāļ•āļĢ
    â€Ģ JC Park : 220 āđ€āļĄāļ•āļĢ
    â€Ģ Golden Place : 800 āđ€āļĄāļ•āļĢ
    â€Ģ Town in Town : 2.5 āļāļĄ.
    â€Ģ āļ•āļĨāļēāļ”āļŦāđ‰āļ§āļĒāļ‚āļ§āļēāļ‡ āđ„āļ™āļ—āđŒāļĄāļēāļĢāđŒāđ€āļāđ‡āļ• : 3.5 āļāļĄ.
    â€Ģ The Street āļĢāļąāļŠāļ”āļē : 3.6 āļāļĄ.
    â€Ģ Show DC : 4.2 āļāļĄ.
    â€Ģ Esplanade Cineplex āļĢāļąāļŠāļ”āļēāļ āļīāđ€āļĐāļ : 4.7 āļāļĄ.
    â€Ģ āļ•āļĨāļēāļ”āļ™āļąāļ”āļĢāļ–āđ„āļŸāļĢāļąāļŠāļ”āļē : 4.5 āļāļĄ.
    â€Ģ Big C āļĢāļąāļŠāļ”āļēāļ āļīāđ€āļĐāļ : 4.8 āļāļĄ.
    â€Ģ Central Plaza Grand āļžāļĢāļ°āļĢāļēāļĄ 9 : 4.9 āļāļĄ.
    â€Ģ Central Plaza Eastville : 4.9 āļāļĄ.
    â€Ģ Fortune Town : 5 āļāļĄ.
    â€Ģ āļ•āļĨāļēāļ”āđ€āļĄāļ·āļ­āļ‡āđ„āļ—āļĒāļ āļąāļ—āļĢ : 5.1 āļāļĄ.
    â€Ģ āļšāļļāļāļ–āļēāļ§āļĢ āļĢāļąāļŠāļ”āļēāļ āļīāđ€āļĐāļ : 5.2 āļāļĄ.

    āļŠāļ–āļēāļ™āļĻāļķāļāļĐāļē

    â€Ģ āļĢāļĢ.āļ™āļēāļ™āļēāļŠāļēāļ•āļī Regent’s : 140 āđ€āļĄāļ•āļĢ
    â€Ģ āļĢāļĢ. āļ“ āļ”āļĢāļļāļ“ : 260 āđ€āļĄāļ•āļĢ
    â€Ģ āļĢāļĢ.āļ™āļēāļ™āļēāļŠāļēāļ•āļī SISB : 1 āļāļĄ.
    â€Ģ āļĢāļĢ.āļ™āļēāļ™āļēāļŠāļēāļ•āļī LFIB: 1 āļāļĄ.
    â€Ģ āļĢāļĢ.āļ™āļēāļ™āļēāļŠāļēāļ•āļī KIS : 1.2 āļāļĄ.
    â€Ģ āļĢāļĢ.āļŠāļĄāļēāļ„āļĄāđ„āļ—āļĒ āļāļĩāđˆāļ›āļļāđˆāļ™ (TJAS) : 1.4 āļāļĄ.
    â€Ģ āļĄ.āļĢāļēāļĄāļ„āļģāđāļŦāļ‡ : 3.6 āļāļĄ.
    â€Ģ āļĢāļĢ.āđ€āļ‹āļ™āļ•āđŒāļ”āļ­āļĄāļīāļ™āļīāļ : 5.7 āļāļĄ.
    â€Ģ āļĄāļĻāļ§ āļ›āļĢāļ°āļŠāļēāļ™āļĄāļīāļ•āļĢ : 5.7 āļāļĄ.
    â€Ģ āļĢāļĢ.āļ§āļąāļ’āļ™āļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒ : 7.3 āļāļĄ.

    āđ‚āļĢāļ‡āļžāļĒāļēāļšāļēāļĨ

    â€Ģ āļĢāļž.āļāļĢāļļāļ‡āđ€āļ—āļž : 5.3 āļāļĄ.
    â€Ģ āļĢāļž.āļ›āļīāļĒāļ°āđ€āļ§āļ— : 4.6 āļāļĄ.
    â€Ģ āļĢāļž.āļžāļĢāļ°āļĢāļēāļĄ 9 : 4.7 āļāļĄ.
    â€Ģ āļĢāļž.āļšāļģāļĢāļļāļ‡āļĢāļēāļĐāļŽāļĢāđŒ : 7 āļāļĄ.

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    āļŠāļ™āđƒāļˆāļŠāļ­āļšāļ–āļēāļĄāļ‚āđ‰āļ­āļĄāļđāļĨāļ—āļĩāđˆ
    āđ‚āļ—āļĢ.081-822-6553
    āļĢāļąāļšāļ‹āļ·āđ‰āļ­ āļāļēāļāļ‚āļēāļĒāļ—āļĩāđˆāļ”āļīāļ™ āļšāđ‰āļēāļ™ āļ„āļ­āļ™āđ‚āļ” āļ­āļŠāļąāļ‡āļŦāļēāļĢāļīāļĄāļ—āļĢāļąāļžāļĒāđŒ
    āļ—āļļāļāļŠāļ™āļīāļ” “āļŸāļĢāļĩ” āļ„āđˆāļēāđƒāļŠāđ‰āļˆāđˆāļēāļĒāļˆāļ™āļāļ§āđˆāļēāļˆāļ°āļ‚āļēāļĒāđ„āļ”āđ‰
    āļžāļĢāđ‰āļ­āļĄāļ—āļąāđ‰āļ‡āļ—āļģāđ€āļĢāļ·āđˆāļ­āļ‡āļĒāļ·āđˆāļ™āļāļđāđ‰āļŠāļīāļ™āđ€āļŠāļ·āđˆāļ­
    āļˆāļ™āļ–āļķāļ‡āđ‚āļ­āļ™āļāļĢāļĢāļĄāļŠāļīāļ—āļ˜āļīāđŒ āļ“ āļāļĢāļĄāļ—āļĩāđˆāļ”āļīāļ™
    Atmoz Ratchada-Huaykwang : āđāļ­āļ—āđ‚āļĄāļ‹ āļĢāļąāļŠāļ”āļē-āļŦāđ‰āļ§āļĒāļ‚āļ§āļēāļ‡ Atmoz āļĢāļąāļŠāļ”āļē-āļŦāđ‰āļ§āļĒāļ‚āļ§āļēāļ‡ āļ„āļ­āļ™āđ‚āļ”āļĄāļīāđ€āļ™āļĩāļĒāļĄāļ—āļĩāđˆāļ­āļ­āļāđāļšāļšāļĄāļēāđ€āļžāļ·āđˆāļ­āļ•āļ­āļšāđ‚āļˆāļ—āļĒāđŒāđ„āļĨāļŸāđŒāļŠāđ„āļ•āļĨāđŒāļ—āļĩāđˆāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ‚āļ­āļ‡āļ„āļ™āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆ āļ”āđ‰āļ§āļĒāļšāļĢāļīāļāļēāļĢ Shuttle Service āļ—āļĩāđˆāļˆāļ°āļžāļēāļ„āļļāļ“āđ„āļ›āļĒāļąāļ‡āļˆāļļāļ”āļŦāļĄāļēāļĒāļ›āļĨāļēāļĒāļ—āļēāļ‡āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļŠāļ°āļ”āļ§āļāļŠāļšāļēāļĒ āđāļĨāļ° Late Night Concierge āļ—āļĩāđˆāļžāļĢāđ‰āļ­āļĄāļ”āļđāđāļĨāļ„āļļāļ“āđƒāļ™āļ—āļļāļāļĒāļēāļĄāļ„āđˆāļģāļ„āļ·āļ™ āļĄāļ­āļšāļ„āļ§āļēāļĄāļŠāļ°āļ”āļ§āļāļŠāļšāļēāļĒāļ—āļĩāđˆāļ„āļļāļ“āļ•āđ‰āļ­āļ‡āļāļēāļĢ āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļŠāđˆāļ§āļ™āļāļĨāļēāļ‡āļ‚āļ™āļēāļ”āđƒāļŦāļāđˆāļ—āļĩāđˆāļ­āļ­āļāđāļšāļšāļĄāļēāļ­āļĒāđˆāļēāļ‡āļžāļīāļ–āļĩāļžāļīāļ–āļąāļ™ āļĢāļ­āļ‡āļĢāļąāļšāļāļīāļˆāļāļĢāļĢāļĄāđ„āļ”āđ‰āļĄāļēāļāļ–āļķāļ‡ 30 āļ›āļĢāļ°āđ€āļ āļ— āđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āļāļąāļ™āđ„āļ”āđ‰āļ—āļąāđˆāļ§āļ—āļąāđ‰āļ‡āđ‚āļ„āļĢāļ‡āļāļēāļĢ āđƒāļŦāđ‰āļ„āļļāļ“āđ„āļ”āđ‰āđ€āļžāļĨāļīāļ”āđ€āļžāļĨāļīāļ™āļāļąāļšāļāļēāļĢāļžāļąāļāļœāđˆāļ­āļ™āļŦāļĒāđˆāļ­āļ™āđƒāļˆāđƒāļ™āđāļšāļšāļ—āļĩāđˆāļ„āļļāļ“āļ•āđ‰āļ­āļ‡āļāļēāļĢ āđ„āļĄāđˆāļ§āđˆāļēāļˆāļ°āđ€āļ›āđ‡āļ™āļāļēāļĢāļ­āļ­āļāļāļģāļĨāļąāļ‡āļāļēāļĒ āļŠāļąāļ‡āļŠāļĢāļĢāļ„āđŒ āļŦāļĢāļ·āļ­āļ—āļģāļ‡āļēāļ™ āļ„āļ­āļ™āđ‚āļ”āļ™āļĩāđ‰āļ•āļ­āļšāđ‚āļˆāļ—āļĒāđŒāļ—āļļāļāļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ‚āļ­āļ‡āļ„āļļāļ“ āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āļ„āļļāļ“āđ„āļ”āđ‰āđƒāļŠāđ‰āļŠāļĩāļ§āļīāļ•āļ­āļĒāđˆāļēāļ‡āđ€āļ•āđ‡āļĄāļ—āļĩāđˆāđƒāļ™āđāļšāļšāļ—āļĩāđˆāļ„āļļāļ“āļ•āđ‰āļ­āļ‡āļāļēāļĢ ** āļĢāļēāļĒāļĨāļ°āđ€āļ­āļĩāļĒāļ” ** āļ„āļ­āļ™āđ‚āļ”āļ™āļĩāđ‰āļ•āļ­āļšāļŠāļ™āļ­āļ‡āļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ‚āļ­āļ‡āļ„āļ™āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļ—āļĩāđˆāļŠāļ­āļšāļ—āļģāļāļīāļˆāļāļĢāļĢāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ—āļąāđ‰āļ‡āļ•āļ­āļ™āđ€āļŠāđ‰āļēāđāļĨāļ°āļ•āļ­āļ™āļāļĨāļēāļ‡āļ„āļ·āļ™ â€Ģ āļĄāļĩāļšāļĢāļīāļāļēāļĢ shuttle bus āđāļĨāļ° late night concierge â€Ģ āļāļīāļˆāļāļĢāļĢāļĄāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ—āļĩāđˆāļŠāđˆāļ§āļ™āļāļĨāļēāļ‡ â€Ģ Bedroom: 1 āļŦāđ‰āļ­āļ‡āļ™āļ­āļ™ â€Ģ Bathroom: 1 āļŦāđ‰āļ­āļ‡āļ™āđ‰āļģ â€Ģ āļ‚āļ™āļēāļ”āļžāļ·āđ‰āļ™āļ—āļĩāđˆ 21.10 āļ•āļĢ.āļĄ. ** āļŠāļīāđˆāļ‡āļ­āļģāļ™āļ§āļĒāļ„āļ§āļēāļĄāļŠāļ°āļ”āļ§āļ ** â€Ģ Outdoor Pool â€Ģ Gym & Boxing Studio â€Ģ Creative Space â€Ģ Lobby Lounge â€Ģ Workspace â€Ģ Theatre â€Ģ Fitness â€Ģ Social Club â€Ģ Outdoor Dining â€Ģ Garden â€Ģ Sky Pool â€Ģ āđ€āļ‚āđ‰āļē-āļ­āļ­āļāļ­āļēāļ„āļēāļĢāļĢāļ°āļšāļš Key Card Access â€Ģ āļāļĨāđ‰āļ­āļ‡āļ§āļ‡āļˆāļĢāļ›āļīāļ” CCTV + āđ€āļˆāđ‰āļēāļŦāļ™āđ‰āļēāļ—āļĩāđˆāļ”āļđāđāļĨāļĢāļąāļāļĐāļēāļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒāļ•āļĨāļ­āļ” 24 āļŠāļĄ. **āļŠāļ–āļēāļ™āļ—āļĩāđˆāđƒāļāļĨāđ‰āđ€āļ„āļĩāļĒāļ‡** āļĻāļđāļ™āļĒāđŒāļāļēāļĢāļ„āđ‰āļē āļ•āļĨāļēāļ” āđāļĨāļ°āļĢāđ‰āļēāļ™āļŠāļ°āļ”āļ§āļāļ‹āļ·āđ‰āļ­ â€Ģ Family Mart : 40 āđ€āļĄāļ•āļĢ â€Ģ āļ•āļĨāļēāļ”āļ™āļąāļ” : 50 āđ€āļĄāļ•āļĢ â€Ģ 7-Eleven : 60 āđ€āļĄāļ•āļĢ â€Ģ CP Fresh Mart : 60 āđ€āļĄāļ•āļĢ â€Ģ āļĻāļđāļ™āļĒāđŒāļ­āļēāļŦāļēāļĢ 39 : 70 āđ€āļĄāļ•āļĢ â€Ģ JC Park : 220 āđ€āļĄāļ•āļĢ â€Ģ Golden Place : 800 āđ€āļĄāļ•āļĢ â€Ģ Town in Town : 2.5 āļāļĄ. â€Ģ āļ•āļĨāļēāļ”āļŦāđ‰āļ§āļĒāļ‚āļ§āļēāļ‡ āđ„āļ™āļ—āđŒāļĄāļēāļĢāđŒāđ€āļāđ‡āļ• : 3.5 āļāļĄ. â€Ģ The Street āļĢāļąāļŠāļ”āļē : 3.6 āļāļĄ. â€Ģ Show DC : 4.2 āļāļĄ. â€Ģ Esplanade Cineplex āļĢāļąāļŠāļ”āļēāļ āļīāđ€āļĐāļ : 4.7 āļāļĄ. â€Ģ āļ•āļĨāļēāļ”āļ™āļąāļ”āļĢāļ–āđ„āļŸāļĢāļąāļŠāļ”āļē : 4.5 āļāļĄ. â€Ģ Big C āļĢāļąāļŠāļ”āļēāļ āļīāđ€āļĐāļ : 4.8 āļāļĄ. â€Ģ Central Plaza Grand āļžāļĢāļ°āļĢāļēāļĄ 9 : 4.9 āļāļĄ. â€Ģ Central Plaza Eastville : 4.9 āļāļĄ. â€Ģ Fortune Town : 5 āļāļĄ. â€Ģ āļ•āļĨāļēāļ”āđ€āļĄāļ·āļ­āļ‡āđ„āļ—āļĒāļ āļąāļ—āļĢ : 5.1 āļāļĄ. â€Ģ āļšāļļāļāļ–āļēāļ§āļĢ āļĢāļąāļŠāļ”āļēāļ āļīāđ€āļĐāļ : 5.2 āļāļĄ. āļŠāļ–āļēāļ™āļĻāļķāļāļĐāļē â€Ģ āļĢāļĢ.āļ™āļēāļ™āļēāļŠāļēāļ•āļī Regent’s : 140 āđ€āļĄāļ•āļĢ â€Ģ āļĢāļĢ. āļ“ āļ”āļĢāļļāļ“ : 260 āđ€āļĄāļ•āļĢ â€Ģ āļĢāļĢ.āļ™āļēāļ™āļēāļŠāļēāļ•āļī SISB : 1 āļāļĄ. â€Ģ āļĢāļĢ.āļ™āļēāļ™āļēāļŠāļēāļ•āļī LFIB: 1 āļāļĄ. â€Ģ āļĢāļĢ.āļ™āļēāļ™āļēāļŠāļēāļ•āļī KIS : 1.2 āļāļĄ. â€Ģ āļĢāļĢ.āļŠāļĄāļēāļ„āļĄāđ„āļ—āļĒ āļāļĩāđˆāļ›āļļāđˆāļ™ (TJAS) : 1.4 āļāļĄ. â€Ģ āļĄ.āļĢāļēāļĄāļ„āļģāđāļŦāļ‡ : 3.6 āļāļĄ. â€Ģ āļĢāļĢ.āđ€āļ‹āļ™āļ•āđŒāļ”āļ­āļĄāļīāļ™āļīāļ : 5.7 āļāļĄ. â€Ģ āļĄāļĻāļ§ āļ›āļĢāļ°āļŠāļēāļ™āļĄāļīāļ•āļĢ : 5.7 āļāļĄ. â€Ģ āļĢāļĢ.āļ§āļąāļ’āļ™āļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒ : 7.3 āļāļĄ. āđ‚āļĢāļ‡āļžāļĒāļēāļšāļēāļĨ â€Ģ āļĢāļž.āļāļĢāļļāļ‡āđ€āļ—āļž : 5.3 āļāļĄ. â€Ģ āļĢāļž.āļ›āļīāļĒāļ°āđ€āļ§āļ— : 4.6 āļāļĄ. â€Ģ āļĢāļž.āļžāļĢāļ°āļĢāļēāļĄ 9 : 4.7 āļāļĄ. â€Ģ āļĢāļž.āļšāļģāļĢāļļāļ‡āļĢāļēāļĐāļŽāļĢāđŒ : 7 āļāļĄ. ------------------------------------------- āļŠāļ™āđƒāļˆāļŠāļ­āļšāļ–āļēāļĄāļ‚āđ‰āļ­āļĄāļđāļĨāļ—āļĩāđˆ āđ‚āļ—āļĢ.081-822-6553 āļĢāļąāļšāļ‹āļ·āđ‰āļ­ āļāļēāļāļ‚āļēāļĒāļ—āļĩāđˆāļ”āļīāļ™ āļšāđ‰āļēāļ™ āļ„āļ­āļ™āđ‚āļ” āļ­āļŠāļąāļ‡āļŦāļēāļĢāļīāļĄāļ—āļĢāļąāļžāļĒāđŒ āļ—āļļāļāļŠāļ™āļīāļ” “āļŸāļĢāļĩ” āļ„āđˆāļēāđƒāļŠāđ‰āļˆāđˆāļēāļĒāļˆāļ™āļāļ§āđˆāļēāļˆāļ°āļ‚āļēāļĒāđ„āļ”āđ‰ āļžāļĢāđ‰āļ­āļĄāļ—āļąāđ‰āļ‡āļ—āļģāđ€āļĢāļ·āđˆāļ­āļ‡āļĒāļ·āđˆāļ™āļāļđāđ‰āļŠāļīāļ™āđ€āļŠāļ·āđˆāļ­ āļˆāļ™āļ–āļķāļ‡āđ‚āļ­āļ™āļāļĢāļĢāļĄāļŠāļīāļ—āļ˜āļīāđŒ āļ“ āļāļĢāļĄāļ—āļĩāđˆāļ”āļīāļ™
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  • Altitude Symphony : āļ­āļąāļĨāļ•āļīāļˆāļđāļ” āļ‹āļīāļĄāđ‚āļŸāļ™āļĩāđˆ āđ€āļˆāļĢāļīāļāļāļĢāļļāļ‡

    āļ„āļ­āļ™āđ‚āļ”āļ™ āļ­āļąāļĨāļ•āļīāļˆāļđāļ” āļ‹āļīāļĄāđ‚āļŸāļ™āļĩāđˆ āđ€āļˆāļĢāļīāļāļāļĢāļļāļ‡ āļšāļ™āļ—āļģāđ€āļĨāļĻāļąāļāļĒāļ āļēāļžāđƒāļˆāļāļĨāļēāļ‡āđ€āļĄāļ·āļ­āļ‡ āđ€āļ”āļīāļ™āļ—āļēāļ‡āļŠāļ°āļ”āļ§āļāļŠāļšāļēāļĒ āđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āļŠāļēāļ—āļĢ-āļŠāļĩāļĨāļĄāđ„āļ”āđ‰āđ€āļžāļĩāļĒāļ‡āđ„āļĄāđˆāļāļĩāđˆāļ™āļēāļ—āļĩ āļĢāļēāļĒāļĨāđ‰āļ­āļĄāļ”āđ‰āļ§āļĒāđāļŦāļĨāđˆāļ‡āļŠāđ‰āļ­āļ›āļ›āļīāđ‰āļ‡, āđ‚āļĢāļ‡āđ€āļĢāļĩāļĒāļ™āđ€āļ­āļāļŠāļ™ āđāļĨāļ° āļ™āļēāļ™āļēāļŠāļēāļ•āļīāļŠāļ·āđˆāļ­āļ”āļąāļ‡, āđ‚āļĢāļ‡āļžāļĒāļēāļĨāļŠāļąāđ‰āļ™āļ™āļģ āđāļĨāļ° āļ­āļēāļ„āļēāļĢāļŠāļģāļ™āļąāļāļ‡āļēāļ™āđ€āļāļĢāļ”āđ€āļ­

    **āļŠāļīāđˆāļ‡āļ­āļģāļ™āļ§āļĒāļ„āļ§āļēāļĄāļŠāļ°āļ”āļ§āļ** {āļĢāļ°āļšāļš access card}

    lobby
    co-working space
    sky lounge
    kid room
    music room
    āļŠāļĢāļ°āļ§āđˆāļēāļĒāļ™āđ‰āļģāļĢāļ­āļšāļ­āļēāļ„āļēāļĢ
    jacuzzi
    library
    fitness centre
    24 hours security & CCTV
    āļŠāļ§āļ™āļŦāļĒāđˆāļ­āļĄāļĢāļ­āļšāđ‚āļ„āļĢāļ‡āļāļēāļĢ
    **āļŠāļ–āļēāļ™āļ—āļĩāđˆāđƒāļāļĨāđ‰āđ€āļ„āļĩāļĒāļ‡**

    āļĻāļđāļ™āļĒāđŒāļāļēāļĢāļ„āđ‰āļē

    Vanilla Moon : 950 āļĄ.
    Asiatique The Riverfront : 1.3 āļāļĄ.
    Robinson āļšāļēāļ‡āļĢāļąāļ : 1.3 āļāļĄ.
    Tops āļŠāļ°āļžāļēāļ™ 3 : 1.5 āļāļĄ.
    Sena Fest āđ€āļˆāļĢāļīāļāļ™āļ„āļĢ : 3.7 āļāļĄ.
    Makro āļŠāļēāļ—āļĢ : 3 āļāļĄ.
    Central Plaza āļžāļĢāļ°āļĢāļēāļĄ 3 : 3.4 āļāļĄ.
    Tree On 3 : 3.5 āļāļĄ.
    TTN Avenue āļ™āļēāļ‡āļĨāļīāđ‰āļ™āļˆāļĩāđˆ : 3.6 āļāļĄ.
    Market Place āļ™āļēāļ‡āļĨāļīāđ‰āļ™āļˆāļĩāđˆ : 4 āļāļĄ.
    Lotus āļžāļĢāļ°āļĢāļēāļĄ 3 : 4 āļāļĄ.
    The Up āļžāļĢāļ°āļĢāļēāļĄ 3 : 4 āļāļĄ.
    ICON SIAM : 4.4 āļāļĄ.
    Home Pro āļžāļĢāļ°āļĢāļēāļĄ 3 : 4.6 āļāļĄ.
    āļŠāļ–āļēāļ™āļĻāļķāļāļĐāļē

    āļĢāļĢ.āļ™āļēāļ™āļēāļŠāļēāļ•āļī Shrewsbury : 500 āļĄ.
    āļĢāļĢ.āļŠāļ•āļĢāļĩāļĻāļĢāļĩāļŠāļļāļĢāļīāđ‚āļĒāļ—āļąāļĒ : 700 āļĄ.
    āļĄ.āļĢāļēāļŠāļĄāļ‡āļ„āļĨāļāļĢāļļāļ‡āđ€āļ—āļžāļŊ āļ§āļīāļ—āļĒāļēāđ€āļ‚āļ•āļžāļĢāļ°āļ™āļ„āļĢāđƒāļ•āđ‰ : 400 āļĄ.
    āļĢāļĢ.āļžāļĢāļ°āđāļĄāđˆāļĄāļēāļĢāļĩāļŠāļēāļ—āļĢ : 1.6 āļāļĄ.
    āļĢāļĢ.āļ­āļąāļŠāļŠāļąāļĄāļŠāļąāļāļšāļēāļ‡āļĢāļąāļ : 1.7 āļāļĄ.
    āļĢāļĢ.āļ­āļąāļŠāļŠāļąāļĄāļŠāļąāļāļ„āļ­āļ™āđāļ§āļ™āļ•āđŒāļšāļēāļ‡āļĢāļąāļ : 1.7 āļāļĄ.
    āļĢāļĢ.āļāļĢāļļāļ‡āđ€āļ—āļžāļ„āļĢāļīāļŠāđ€āļ•āļĩāļĒāļ™ : 2 āļāļĄ.
    āļĢāļĢ.āļ­āļąāļŠāļŠāļąāļĄāļŠāļąāļāļ„āļ­āļ™āđāļ§āļ™āļ•āđŒāļŠāļĩāļĨāļĄ : 2.3 āļāļĄ.
    āļĢāļĢ.āļŠāļēāļĢāļŠāļēāļŠāļ™āđŒāļžāļīāļ—āļĒāļē : 2.8 āļāļĄ.
    āļĢāļĢ.āļ™āļēāļ™āļēāļŠāļēāļ•āļīāļŠāļēāļ—āļĢāđƒāļŦāļĄāđˆ : 3 āļāļĄ.
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    -------------------------------------------
    āļŠāļ™āđƒāļˆāļŠāļ­āļšāļ–āļēāļĄāļ‚āđ‰āļ­āļĄāļđāļĨāļ—āļĩāđˆ
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    - Co-Idea Space
    - Creative Lobby
    - Meeting Chamber
    - Meeting Lounge
    - Learning Hub
    - Working Pods
    - Sky Terrace
    - Sky Cinema
    - Sky Amphitheater
    - KAVE Viewpoint

    BUILDING B: REST & RELAX

    - Sharing Lobby
    - Smart Laundry Lounge
    - Board Game Arena
    - Console & VR Room
    - Music Studio
    - KAVE Theater
    - Fun Space

    BUILDING C: ACTIVE

    - Pulse Pool
    - Hydro Massage
    - Jet Pool
    - Botanic Garden
    - The Gym
    - Health Station
    - Fit Studio
    - Co-Kitchen
    - KAVE Cafe
    - Jacuzzi Seat

    FACILITY ON GROUND

    - The Common Ground
    - Valley Forest
    - Sunken Lawn
    - Hidden Bar
    - Misty Falls
    - SUPERIOR SECURITY & TECHNOLOGY

    āļĢāļ°āļšāļšāļĢāļąāļāļĐāļēāļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒ 24 āļŠāļĄ. & CCTV
    āļĢāļ°āļšāļš Key Card āđ€āļ‚āđ‰āļēāļ­āļ­āļ, āļĢāļ°āļšāļšāļĨāļīāļŸāļ—āđŒāļĨāđ‡āļ­āļāļŠāļąāđ‰āļ™ āđāļĨāļ° Digital Door Lock
    āļšāļĢāļīāļāļēāļĢ Shuttle Service āļĢāļąāļš-āļŠāđˆāļ‡ āļŦāļ™āđ‰āļēāļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒ āļ›āļĢāļ°āļ•āļđ 5
    Smart Locker 24 āļŠāļĄ.
    High-Speed Wi-Fi Internet

    **āļŠāļ–āļēāļ™āļ—āļĩāđˆāđƒāļāļĨāđ‰āđ€āļ„āļĩāļĒāļ‡**

    - 7-11 : 80 āļĄ.
    - mini Big C : 160 āļĄ.
    - Lotus’s Express : 500 āļĄ.
    - KFC Drive Thru : 600 āļĄ.
    - Makro āļĻāļēāļĨāļēāļĒāļē : 700 āļĄ.
    - The Salaya : 1.2 āļāļĄ.
    - āļ•āļĨāļēāļ”āļĻāļēāļĨāļēāļĒāļē : 1.5 āļāļĄ.
    - China Town āļĻāļēāļĨāļēāļĒāļē : 1.6 āļāļĄ.
    - āļ•āļĨāļēāļ”āļāļīāđ€āļĨāļ™ : 2.3 āļāļĄ.
    - āļ•āļĨāļēāļ”āļ™āļąāļ”āđ€āļŪāļĩāļĒāđƒāļŠāđ‰ : 2.6 āļāļĄ.
    - Lotus āļĻāļēāļĨāļēāļĒāļē : 5 āļāļĄ.
    - Central āļĻāļēāļĨāļēāļĒāļē : 5.3 āļāļĄ.
    - Home Pro āļžāļļāļ—āļ˜āļĄāļ“āļ‘āļĨāļŠāļēāļĒ 5 : 5.7 āļāļĄ.
    - Brio Mall āļŠāļēāļĒ 4 : 8.6 āļāļĄ.
    - āļ•āļĨāļēāļ”āļ˜āļ™āļšāļļāļĢāļĩ āļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡ 2 : 9.7 āļāļĄ.
    - āļ•āļĨāļēāļ”āđ€āļ§āļīāļĨāļ”āđŒāļĄāļēāļĢāđŒāđ€āļāđ‡āļ• : 10 āļāļĄ.
    - The Paseo Park āļāļēāļāļˆāļ™āļēāļŊ : 14 āļāļĄ.
    - Design Village āļžāļļāļ—āļ˜āļĄāļ“āļ‘āļĨ (Starbucks ,Gourmet Market ,Uniqlo ,JYSK) : 15.4 āļāļĄ.
    - āļšāļļāļāļ–āļēāļ§āļĢ āļžāļļāļ—āļ˜āļĄāļ“āļ‘āļĨ : 15.4 āļāļĄ.
    - āļ•āļĨāļēāļ”āļ™āļąāļ”āđ€āļ‹āļŸāđ€āļ‹āđ‡āļ™āđ€āļ•āļ­āļĢāđŒ : 15.8 āļāļĄ.
    - Plus Mall Lotus āļšāļēāļ‡āđƒāļŦāļāđˆ : 16.9 āļāļĄ.
    - SC Plaza ,āļ•āļĨāļēāļ”āļŠāļēāļĒāđƒāļ•āđ‰āđƒāļŦāļĄāđˆ : 19 āļāļĄ.
    - The Crystal Park āļĢāļēāļŠāļžāļĪāļāļĐāđŒ : 19 āļāļĄ.
    - āļĄ.āļĄāļŦāļīāļ”āļĨ āļĻāļēāļĨāļēāļĒāļē : 750 āļĄ.
    - āļĢāļĢ.āļĄāļŦāļīāļ”āļĨāļ§āļīāļ—āļĒāļēāļ™āļļāļŠāļĢāļ“āđŒ : 850 āļĄ.
    - āļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļ™āļēāļāļĻāļīāļĨāļ›āđŒ āļŠāļ–āļēāļšāļąāļ™āļšāļąāļ“āļ‘āļīāļ• āļžāļąāļ’āļ™āļĻāļīāļĨāļ›āđŒ : 1.1 āļāļĄ.
    - āļĢāļĢ.āļŠāļēāļ˜āļīāļ•āļ™āļēāļ™āļēāļŠāļēāļ•āļī āļĄ.āļĄāļŦāļīāļ”āļĨ : 1.5 āļāļĄ.
    - āļĄ.āļĢāļēāļŠāļĄāļ‡āļ„āļĨāļĢāļąāļ•āļ™āđ‚āļāļŠāļīāļ™āļ—āļĢāđŒāļŊ : 2 āļāļĄ.
    - āļĄ.āļĄāļŦāļēāļĄāļāļļāļāļĢāļēāļŠāļ§āļīāļ—āļĒāļēāļĨāļąāļĒ : 2.2 āļāļĄ.
    - āļĢāļĢ.āļŠāļēāļ˜āļīāļ•āļāļĢāļļāļ‡āđ€āļ—āļžāļ˜āļ™āļšāļļāļĢāļĩ : 6.5 āļāļĄ.
    - āļĄ.āļāļĢāļļāļ‡āđ€āļ—āļžāļ˜āļ™āļšāļļāļĢāļĩ : 6.9 āļāļĄ.
    - āļĢāļĢ.āđ€āļžāļĨāļīāļ™āļžāļąāļ’āļ™āļē : 11.7 āļāļĄ.
    - āļĢāļĢ.āļāļŠāļīāļ“āļ˜āļĢ āļ­āļēāļ„āļēāđ€āļ”āļĄāļĩāđˆ : 12.3 āļāļĄ.
    - āļĢāļĢ.āļŠāļēāļĢāļŠāļēāļŠāļ™āđŒāļ§āļīāđ€āļ—āļĻāļ˜āļ™āļšāļļāļĢāļĩ : 13.4 āļāļĄ.
    - āļĢāļĢ.āļ­āļąāļŠāļŠāļąāļĄāļŠāļąāļāļ˜āļ™āļšāļļāļĢāļĩ : 13.9 āļāļĄ.
    - āļĢāļĢ.āļ­āļ™āļļāļšāļēāļĨāļ™āļēāļ™āļēāļŠāļēāļ•āļī Hummingbird : 15.2 āļāļĄ.
    - āļĢāļž.āļĻāļēāļĨāļēāļĒāļē : 1.3 āļāļĄ.
    - āļĢāļž.āļžāļļāļ—āļ˜āļĄāļ“āļ‘āļĨ : 3.4 āļāļĄ.
    - āļĻāļđāļ™āļĒāđŒāļāļēāļĢāđāļžāļ—āļĒāđŒāļāļēāļāļˆāļ™āļēāļ āļīāđ€āļĐāļ : 4.4 āļāļĄ.
    - āļĢāļž.āļ˜āļ™āļšāļļāļĢāļĩ 2 : 15.1 āļāļĄ.
    - āļĢāļž.āđ€āļāļĐāļĄāļĢāļēāļĐāļŽāļĢāđŒāļšāļēāļ‡āđāļ„ : 17.1 āļāļĄ.
    - āļĢāļž.āđ€āļˆāđ‰āļēāļžāļĢāļ°āļĒāļē : 22.6 āļāļĄ.
    - āļĢāļž.āļĻāļīāļĢāļīāļĢāļēāļŠ āļ›āļīāļĒāļĄāļŦāļēāļĢāļēāļŠāļāļēāļĢāļļāļ“āļĒāđŒ : 22.8 āļāļĄ.
    - āļŠāļ–āļēāļ™āļĩāļ•āļģāļĢāļ§āļˆāļ āļđāļ˜āļĢāļžāļļāļ—āļ˜āļĄāļ“āļ‘āļĨ : 1 āļāļĄ.
    - āļžāļļāļ—āļ˜āļĄāļ“āļ‘āļĨ : 4.3 āļāļĄ.
    - āļāļĢāļĄāļĒāļļāļ—āļ˜āļĻāļķāļāļĐāļēāļ—āļŦāļēāļĢāđ€āļĢāļ·āļ­ : 600 āļĄ.
    - āļŠāļģāļ™āļąāļāļŠāđˆāļēāļ‡āļŠāļīāļšāļŦāļĄāļđāđˆ : 2.3 āļāļĄ.
    - JKN Global Media (JKN) : 8.3 āļāļĄ.

    ----------------------
    āļŠāļ™āđƒāļˆāļŠāļ­āļšāļ–āļēāļĄāļ‚āđ‰āļ­āļĄāļđāļĨāļ—āļĩāđˆ
    āđ‚āļ—āļĢ.081-822-6553
    āļĢāļąāļšāļ‹āļ·āđ‰āļ­ āļāļēāļāļ‚āļēāļĒāļ—āļĩāđˆāļ”āļīāļ™ āļšāđ‰āļēāļ™ āļ„āļ­āļ™āđ‚āļ” āļ­āļŠāļąāļ‡āļŦāļēāļĢāļīāļĄāļ—āļĢāļąāļžāļĒāđŒ
    āļ—āļļāļāļŠāļ™āļīāļ” “āļŸāļĢāļĩ” āļ„āđˆāļēāđƒāļŠāđ‰āļˆāđˆāļēāļĒāļˆāļ™āļāļ§āđˆāļēāļˆāļ°āļ‚āļēāļĒāđ„āļ”āđ‰
    āļžāļĢāđ‰āļ­āļĄāļ—āļąāđ‰āļ‡āļ—āļģāđ€āļĢāļ·āđˆāļ­āļ‡āļĒāļ·āđˆāļ™āļāļđāđ‰āļŠāļīāļ™āđ€āļŠāļ·āđˆāļ­
    āļˆāļ™āļ–āļķāļ‡āđ‚āļ­āļ™āļāļĢāļĢāļĄāļŠāļīāļ—āļ˜āļīāđŒ āļ“ āļāļĢāļĄāļ—āļĩāđˆāļ”āļīāļ™
    Kave Salaya : āđ€āļ„āļŸ āļĻāļēāļĨāļēāļĒāļē āļ„āļ­āļ™āđ‚āļ” Kave Salaya āđ€āļ›āđ‡āļ™āļ„āļ­āļ™āđ‚āļ”āļ•āļīāļ”āļ–āļ™āļ™āđƒāļŦāļāđˆ āđƒāļāļĨāđ‰āļĢāļ–āđ„āļŸāļŸāđ‰āļēāļŠāļēāļĒāļŠāļĩāđāļ”āļ‡āļ­āđˆāļ­āļ™āļŠāļ–āļēāļ™āļĩāļĻāļēāļĨāļēāļĒāļē āļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļ—āļĩāđˆ āļ•.āļĻāļēāļĨāļēāļĒāļē āļ­.āļžāļļāļ—āļ˜āļĄāļ“āļ‘āļĨ āļˆ.āļ™āļ„āļĢāļ›āļāļĄ āđƒāļāļĨāđ‰āļāļąāļšāļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļĄāļŦāļīāļ”āļĨ āļĻāļēāļĨāļēāļĒāļē ** āļˆāļļāļ”āđ€āļ”āđˆāļ™ ** - āļ•āļīāļ”āļ–āļ™āļ™āđƒāļŦāļāđˆ āđƒāļāļĨāđ‰āļĢāļ–āđ„āļŸāļŸāđ‰āļē āđƒāļāļĨāđ‰āļŠāļ–āļēāļ™āļĻāļķāļāļĐāļēāļŦāļĨāļēāļĒāđāļŦāđˆāļ‡ - āđ€āļ›āđ‡āļ™āļ­āļēāļ„āļēāļĢāļŠāļđāļ‡ 7 āļŠāļąāđ‰āļ™ āļĄāļĩāļŦāđ‰āļ­āļ‡āļŠāļļāļ”āļ—āļąāđ‰āļ‡āļŦāļĄāļ” 588 āļĒāļđāļ™āļīāļ• āđāļĨāļ°āļĢāđ‰āļēāļ™āļ„āđ‰āļē 1 āļĒāļđāļ™āļīāļ• - āļ­āļ­āļāđāļšāļšāļ āļēāļĒāļ™āļ­āļāļ­āļēāļ„āļēāļĢāđāļ›āļĨāļāļ•āļē āļ—āļąāļ™āļŠāļĄāļąāļĒ - āļĄāļĩāļžāļ·āđ‰āļ™āļ—āļĩāđˆāļŠāđˆāļ§āļ™āļāļĨāļēāļ‡āļĄāļēāļāļĄāļēāļĒāļāļ§āđˆāļē 32 āļŸāļąāļ‡āļāđŒāļŠāļąāđˆāļ™ - āļĄāļĩāļĢāļ°āļšāļšāļĢāļąāļāļĐāļēāļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒāđāļĨāļ°āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļ—āļąāļ™āļŠāļĄāļąāļĒ **āļŠāļīāđˆāļ‡āļ­āļģāļ™āļ§āļĒāļ„āļ§āļēāļĄāļŠāļ°āļ”āļ§āļ** BUILDING A: LEARNING - Co-Idea Space - Creative Lobby - Meeting Chamber - Meeting Lounge - Learning Hub - Working Pods - Sky Terrace - Sky Cinema - Sky Amphitheater - KAVE Viewpoint BUILDING B: REST & RELAX - Sharing Lobby - Smart Laundry Lounge - Board Game Arena - Console & VR Room - Music Studio - KAVE Theater - Fun Space BUILDING C: ACTIVE - Pulse Pool - Hydro Massage - Jet Pool - Botanic Garden - The Gym - Health Station - Fit Studio - Co-Kitchen - KAVE Cafe - Jacuzzi Seat FACILITY ON GROUND - The Common Ground - Valley Forest - Sunken Lawn - Hidden Bar - Misty Falls - SUPERIOR SECURITY & TECHNOLOGY āļĢāļ°āļšāļšāļĢāļąāļāļĐāļēāļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒ 24 āļŠāļĄ. & CCTV āļĢāļ°āļšāļš Key Card āđ€āļ‚āđ‰āļēāļ­āļ­āļ, āļĢāļ°āļšāļšāļĨāļīāļŸāļ—āđŒāļĨāđ‡āļ­āļāļŠāļąāđ‰āļ™ āđāļĨāļ° Digital Door Lock āļšāļĢāļīāļāļēāļĢ Shuttle Service āļĢāļąāļš-āļŠāđˆāļ‡ āļŦāļ™āđ‰āļēāļĄāļŦāļēāļ§āļīāļ—āļĒāļēāļĨāļąāļĒ āļ›āļĢāļ°āļ•āļđ 5 Smart Locker 24 āļŠāļĄ. High-Speed Wi-Fi Internet **āļŠāļ–āļēāļ™āļ—āļĩāđˆāđƒāļāļĨāđ‰āđ€āļ„āļĩāļĒāļ‡** - 7-11 : 80 āļĄ. - mini Big C : 160 āļĄ. - Lotus’s Express : 500 āļĄ. - KFC Drive Thru : 600 āļĄ. - Makro āļĻāļēāļĨāļēāļĒāļē : 700 āļĄ. - The Salaya : 1.2 āļāļĄ. - āļ•āļĨāļēāļ”āļĻāļēāļĨāļēāļĒāļē : 1.5 āļāļĄ. - China Town āļĻāļēāļĨāļēāļĒāļē : 1.6 āļāļĄ. - āļ•āļĨāļēāļ”āļāļīāđ€āļĨāļ™ : 2.3 āļāļĄ. - āļ•āļĨāļēāļ”āļ™āļąāļ”āđ€āļŪāļĩāļĒāđƒāļŠāđ‰ : 2.6 āļāļĄ. - Lotus āļĻāļēāļĨāļēāļĒāļē : 5 āļāļĄ. - Central āļĻāļēāļĨāļēāļĒāļē : 5.3 āļāļĄ. - Home Pro āļžāļļāļ—āļ˜āļĄāļ“āļ‘āļĨāļŠāļēāļĒ 5 : 5.7 āļāļĄ. - Brio Mall āļŠāļēāļĒ 4 : 8.6 āļāļĄ. - āļ•āļĨāļēāļ”āļ˜āļ™āļšāļļāļĢāļĩ āļŠāļ™āļēāļĄāļŦāļĨāļ§āļ‡ 2 : 9.7 āļāļĄ. - āļ•āļĨāļēāļ”āđ€āļ§āļīāļĨāļ”āđŒāļĄāļēāļĢāđŒāđ€āļāđ‡āļ• : 10 āļāļĄ. - The Paseo Park āļāļēāļāļˆāļ™āļēāļŊ : 14 āļāļĄ. - Design Village āļžāļļāļ—āļ˜āļĄāļ“āļ‘āļĨ (Starbucks ,Gourmet Market ,Uniqlo ,JYSK) : 15.4 āļāļĄ. - āļšāļļāļāļ–āļēāļ§āļĢ āļžāļļāļ—āļ˜āļĄāļ“āļ‘āļĨ : 15.4 āļāļĄ. - āļ•āļĨāļēāļ”āļ™āļąāļ”āđ€āļ‹āļŸāđ€āļ‹āđ‡āļ™āđ€āļ•āļ­āļĢāđŒ : 15.8 āļāļĄ. - Plus Mall Lotus āļšāļēāļ‡āđƒāļŦāļāđˆ : 16.9 āļāļĄ. - SC Plaza ,āļ•āļĨāļēāļ”āļŠāļēāļĒāđƒāļ•āđ‰āđƒāļŦāļĄāđˆ : 19 āļāļĄ. - The Crystal Park āļĢāļēāļŠāļžāļĪāļāļĐāđŒ : 19 āļāļĄ. - āļĄ.āļĄāļŦāļīāļ”āļĨ āļĻāļēāļĨāļēāļĒāļē : 750 āļĄ. - āļĢāļĢ.āļĄāļŦāļīāļ”āļĨāļ§āļīāļ—āļĒāļēāļ™āļļāļŠāļĢāļ“āđŒ : 850 āļĄ. - āļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļ™āļēāļāļĻāļīāļĨāļ›āđŒ āļŠāļ–āļēāļšāļąāļ™āļšāļąāļ“āļ‘āļīāļ• āļžāļąāļ’āļ™āļĻāļīāļĨāļ›āđŒ : 1.1 āļāļĄ. - āļĢāļĢ.āļŠāļēāļ˜āļīāļ•āļ™āļēāļ™āļēāļŠāļēāļ•āļī āļĄ.āļĄāļŦāļīāļ”āļĨ : 1.5 āļāļĄ. - āļĄ.āļĢāļēāļŠāļĄāļ‡āļ„āļĨāļĢāļąāļ•āļ™āđ‚āļāļŠāļīāļ™āļ—āļĢāđŒāļŊ : 2 āļāļĄ. - āļĄ.āļĄāļŦāļēāļĄāļāļļāļāļĢāļēāļŠāļ§āļīāļ—āļĒāļēāļĨāļąāļĒ : 2.2 āļāļĄ. - āļĢāļĢ.āļŠāļēāļ˜āļīāļ•āļāļĢāļļāļ‡āđ€āļ—āļžāļ˜āļ™āļšāļļāļĢāļĩ : 6.5 āļāļĄ. - āļĄ.āļāļĢāļļāļ‡āđ€āļ—āļžāļ˜āļ™āļšāļļāļĢāļĩ : 6.9 āļāļĄ. - āļĢāļĢ.āđ€āļžāļĨāļīāļ™āļžāļąāļ’āļ™āļē : 11.7 āļāļĄ. - āļĢāļĢ.āļāļŠāļīāļ“āļ˜āļĢ āļ­āļēāļ„āļēāđ€āļ”āļĄāļĩāđˆ : 12.3 āļāļĄ. - āļĢāļĢ.āļŠāļēāļĢāļŠāļēāļŠāļ™āđŒāļ§āļīāđ€āļ—āļĻāļ˜āļ™āļšāļļāļĢāļĩ : 13.4 āļāļĄ. - āļĢāļĢ.āļ­āļąāļŠāļŠāļąāļĄāļŠāļąāļāļ˜āļ™āļšāļļāļĢāļĩ : 13.9 āļāļĄ. - āļĢāļĢ.āļ­āļ™āļļāļšāļēāļĨāļ™āļēāļ™āļēāļŠāļēāļ•āļī Hummingbird : 15.2 āļāļĄ. - āļĢāļž.āļĻāļēāļĨāļēāļĒāļē : 1.3 āļāļĄ. - āļĢāļž.āļžāļļāļ—āļ˜āļĄāļ“āļ‘āļĨ : 3.4 āļāļĄ. - āļĻāļđāļ™āļĒāđŒāļāļēāļĢāđāļžāļ—āļĒāđŒāļāļēāļāļˆāļ™āļēāļ āļīāđ€āļĐāļ : 4.4 āļāļĄ. - āļĢāļž.āļ˜āļ™āļšāļļāļĢāļĩ 2 : 15.1 āļāļĄ. - āļĢāļž.āđ€āļāļĐāļĄāļĢāļēāļĐāļŽāļĢāđŒāļšāļēāļ‡āđāļ„ : 17.1 āļāļĄ. - āļĢāļž.āđ€āļˆāđ‰āļēāļžāļĢāļ°āļĒāļē : 22.6 āļāļĄ. - āļĢāļž.āļĻāļīāļĢāļīāļĢāļēāļŠ āļ›āļīāļĒāļĄāļŦāļēāļĢāļēāļŠāļāļēāļĢāļļāļ“āļĒāđŒ : 22.8 āļāļĄ. - āļŠāļ–āļēāļ™āļĩāļ•āļģāļĢāļ§āļˆāļ āļđāļ˜āļĢāļžāļļāļ—āļ˜āļĄāļ“āļ‘āļĨ : 1 āļāļĄ. - āļžāļļāļ—āļ˜āļĄāļ“āļ‘āļĨ : 4.3 āļāļĄ. - āļāļĢāļĄāļĒāļļāļ—āļ˜āļĻāļķāļāļĐāļēāļ—āļŦāļēāļĢāđ€āļĢāļ·āļ­ : 600 āļĄ. - āļŠāļģāļ™āļąāļāļŠāđˆāļēāļ‡āļŠāļīāļšāļŦāļĄāļđāđˆ : 2.3 āļāļĄ. - JKN Global Media (JKN) : 8.3 āļāļĄ. ---------------------- āļŠāļ™āđƒāļˆāļŠāļ­āļšāļ–āļēāļĄāļ‚āđ‰āļ­āļĄāļđāļĨāļ—āļĩāđˆ āđ‚āļ—āļĢ.081-822-6553 āļĢāļąāļšāļ‹āļ·āđ‰āļ­ āļāļēāļāļ‚āļēāļĒāļ—āļĩāđˆāļ”āļīāļ™ āļšāđ‰āļēāļ™ āļ„āļ­āļ™āđ‚āļ” āļ­āļŠāļąāļ‡āļŦāļēāļĢāļīāļĄāļ—āļĢāļąāļžāļĒāđŒ āļ—āļļāļāļŠāļ™āļīāļ” “āļŸāļĢāļĩ” āļ„āđˆāļēāđƒāļŠāđ‰āļˆāđˆāļēāļĒāļˆāļ™āļāļ§āđˆāļēāļˆāļ°āļ‚āļēāļĒāđ„āļ”āđ‰ āļžāļĢāđ‰āļ­āļĄāļ—āļąāđ‰āļ‡āļ—āļģāđ€āļĢāļ·āđˆāļ­āļ‡āļĒāļ·āđˆāļ™āļāļđāđ‰āļŠāļīāļ™āđ€āļŠāļ·āđˆāļ­ āļˆāļ™āļ–āļķāļ‡āđ‚āļ­āļ™āļāļĢāļĢāļĄāļŠāļīāļ—āļ˜āļīāđŒ āļ“ āļāļĢāļĄāļ—āļĩāđˆāļ”āļīāļ™
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  • I am cooking the purple sweet potato, the cooking smell is similar to normal sweet potato, but there is much more "Earth Garden" smell to the purple sweet potato..

    In Europe, Canada, cost of food going up...and with all food being expensive, value is very important, the purple sweet potato is very healthy choice... It has much potassium, and can be resistant carbohydrate if refrigerated overnight...

    Purple sweet potato in resistant carbohydrate form, can make more ATP in the body than probably any other food...

    ATP is the energy for everything, including the immune system.

    Before you order, make sure sweet potatoes are not imported from Japan

    Carbohydrates are converted to resistant carbohydrates, don't release sugar in the small intestine, instead sugar is slowly released in the large intestine together with high fibre, and the large intestine bacteria are converting nutrients essential for the production of ATP in the mitochondria
    I am cooking the purple sweet potato, the cooking smell is similar to normal sweet potato, but there is much more "Earth Garden" smell to the purple sweet potato.. In Europe, Canada, cost of food going up...and with all food being expensive, value is very important, the purple sweet potato is very healthy choice... It has much potassium, and can be resistant carbohydrate if refrigerated overnight... Purple sweet potato in resistant carbohydrate form, can make more ATP in the body than probably any other food... ATP is the energy for everything, including the immune system. Before you order, make sure sweet potatoes are not imported from Japan Carbohydrates are converted to resistant carbohydrates, don't release sugar in the small intestine, instead sugar is slowly released in the large intestine together with high fibre, and the large intestine bacteria are converting nutrients essential for the production of ATP in the mitochondria
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  • It is difficult to explain about onion...

    If person is already eating in the day 30 g sugar, one more onion is about 5 g sugar.

    When going over 30 g sugar per day, person will very soon be insulin resistant, and if continue the sugar, probably diabetes will be later

    From the garden there are many more healthy choices, much better than onion.

    Also there are different types of onion, purple, sweet, white etc etc ... each one is a little bit different for the sugar but generally not much different
    It is difficult to explain about onion... If person is already eating in the day 30 g sugar, one more onion is about 5 g sugar. When going over 30 g sugar per day, person will very soon be insulin resistant, and if continue the sugar, probably diabetes will be later From the garden there are many more healthy choices, much better than onion. Also there are different types of onion, purple, sweet, white etc etc ... each one is a little bit different for the sugar but generally not much different
    Yay
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