• #āļ§āļąāļ”āļ˜āļēāļ•āļļāļ—āļ­āļ‡
    #āļāļĢāļļāļ‡āđ€āļ—āļžāļĄāļŦāļēāļ™āļ„āļĢāļŊ

    āļ§āļąāļ”āļ˜āļēāļ•āļļ​āļ—āļ­āļ‡â€‹ -​ āļœāļĄāļ§āđˆāļēāļŦāļĨāļēāļĒ​ āđ†â€‹ āļ—āđˆāļēāļ™āļ—āļĩāđˆāđ‚āļ”āļĒāļŠāļēāļĢāļĢāļ–āđ„āļŸāļŸāđ‰āļē​ BTS.​ āđ€āļ›āđ‡āļ™â€‹āļ›āļĢāļ°āļˆāļģ​ āđ€āļĄāļ·āđˆāļ­āļœāđˆāļēāļ™āļŠāļ–āļēāļ™āļĩāđ€āļ­āļāļĄāļąāļĒ​ āļĄāļ­āļ‡āđ„āļ›āļˆāļ°āđ€āļŦāđ‡āļ™āđ€āļˆāļ”āļĩāļĒāđŒâ€‹āļŠāļĩāļ—āļ­āļ‡āļ­āļĢāđˆāļēāļĄâ€‹ āļ›āļĢāļ°āļ”āļīāļĐāļāļēāļ™â€‹ āļ­āļĒāļđāđˆâ€‹āđ„āļāļĨ​āđ†â€‹ āļŠāļ§āļĒāļ‡āļēāļĄāļĄāļēāļ āļ—āļĩāđˆāļŠāļģāļ„āļąāļâ€‹āļ”āļđ​ contrast. āļāļąāļšāļ•āļķāļāļĢāļēāļĄāļŦāđ‰āļēāļ‡āļŠāļĢāļĢāļžāļŠāļīāļ™āļ„āđ‰āļē​āļ—āļĩāđˆāļ•āļąāđ‰āļ‡āļ•āļĢāļ‡āļ‚āđ‰āļēāļĄāļĢāļēāļ§āļāļąāļšâ€‹ āđ‚āļĨāļāđƒāļ™āļ­āļ”āļĩāļ•āļāļąāļšāļ›āļąāļˆāļˆāļļāļšāļąāļ™â€‹āļ›āļĢāļ°āļˆāļąāļ™āļŦāļ™āđ‰āļēāļāļąāļ™āđāļšāļšâ€‹ āđ„āļĄāđˆāđ€āļāļĢāļ‡āđƒāļˆ

    āļŠāđˆāļ§āļ™āļ•āļąāļ§â€‹ āļˆāļģāđ„āļ”āđ‰āļ§āđˆāļēāđ€āļ„āļĒāļĨāļ‡āļ āļēāļžāđāļĨāļ°āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ‚āļ­āļ‡āļ§āļąāļ”āļ˜āļēāļ•āļļāļ—āļ­āļ‡āđ„āļ›āđāļĨāđ‰āļ§â€‹ āđāļ•āđˆāļ•āļ­āļ™āļ™āļąāđ‰āļ™â€‹ āļžāļĢāļ°āļĄāļŦāļēāđ€āļˆāļ”āļĩāļĒāđŒâ€‹āļāļģāļĨāļąāļ‡â€‹āļšāļđāļĢāļ“āļ°â€‹ āļ§āļąāļ™āļ™āļĩāđ‰āļ‚āļ­āđāļāđ‰āļ•āļąāļ§â€‹ āļ™āļģāļ āļēāļžāļŠāļ§āļĒ​ āđ†â€‹ āđāļĨāļ°āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ§āļąāļ”āđƒāļ™āđ€āļĄāļ·āļ­āļ‡â€‹ āļ‚āļ­āļ‡āļŠāļēāļ§āļŠāļļāļ‚āļļāļĄāļ§āļīāļ—​āđāļŦāđˆāļ‡āļ™āļĩāđ‰āļāļĨāļąāļšāļĄāļēāļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡â€‹ āļĄāļēāļŸāļąāļ‡āļāļąāļ™āļ„āļĢāļąāļšâ€‹ āļ§āļąāļ”āļ˜āļēāļ•āļļāļ—āļ­āļ‡

    āļžāļ·āđ‰āļ™āļ—āļĩāđˆāđāļŦāđˆāļ‡āļ™āļĩāđ‰â€‹ āđāļ•āđˆāđ€āļ”āļīāļĄāđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ•āļąāđ‰āļ‡āļ‚āļ­āļ‡āļ§āļąāļ”āļŦāļ™āđ‰āļēāļžāļĢāļ°āļ˜āļēāļ•āļļāļāļąāļšāļ§āļąāļ”āļ—āļ­āļ‡āļĨāđˆāļēāļ‡ āļ‹āļķāđˆāļ‡āļ§āļąāļ”āļŦāļ™āđ‰āļēāļžāļĢāļ°āļ˜āļēāļ•āļļāđ€āļ›āđ‡āļ™āļ§āļąāļ”āđ€āļāđˆāļēāđāļāđˆāļ—āļĩāđˆāļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđƒāļ™āļŠāļĄāļąāļĒāļ­āļĒāļļāļ˜āļĒāļē āļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļĢāļīāļĄāļāļąāđˆāļ‡āđāļĄāđˆāļ™āđ‰āļģāđ€āļˆāđ‰āļēāļžāļĢāļ°āļĒāļē āđ‚āļ”āļĒāļ—āļĩāđˆāļĄāļēāļ‚āļ­āļ‡āļŠāļ·āđˆāļ­āļ§āļąāļ”āļāđ‡āļĄāļēāļˆāļēāļāļŦāļ™āđ‰āļēāļ§āļąāļ”āļĄāļĩāļžāļĢāļ°āđ€āļˆāļ”āļĩāļĒāđŒāļ­āļ‡āļ„āđŒāđƒāļŦāļāđˆāļšāļĢāļĢāļˆāļļāļžāļĢāļ°āļšāļĢāļĄāļŠāļēāļĢāļĩāļĢāļīāļāļ˜āļēāļ•āļļāļ­āļĒāļđāđˆāļ āļēāļĒāđƒāļ™ āļŠāđˆāļ§āļ™āļ§āļąāļ”āļ—āļ­āļ‡āļĨāđˆāļēāļ‡āļ™āļąāđ‰āļ™āđ€āļ”āļīāļĄāļ—āļĩāđ€āļ›āđ‡āļ™āļŠāļ§āļ™āļœāļĨāđ„āļĄāđ‰āļ—āļĩāđˆāļĄāļĩāļ•āđ‰āļ™āđ‚āļžāļ˜āļīāđŒāļ‚āļ™āļēāļ”āđƒāļŦāļāđˆāļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļāļĨāļēāļ‡āļŠāļ§āļ™ āđ€āļˆāđ‰āļēāļ‚āļ­āļ‡āļŠāļ§āļ™āđ€āļŦāđ‡āļ™āļ§āđˆāļēāļ•āđ‰āļ™āđ‚āļžāļ˜āļīāđŒāļ„āļ§āļĢāđ€āļ›āđ‡āļ™āļ•āđ‰āļ™āđ„āļĄāđ‰āđƒāļ™āļ§āļąāļ”āļĄāļēāļāļāļ§āđˆāļēāļ—āļĩāđˆāļˆāļ°āļ›āļĨāļđāļāđ„āļ§āđ‰āđƒāļ™āļšāđ‰āļēāļ™ āļ›āļĢāļ°āļāļ­āļšāļāļąāļšāđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāđ‚āļ„āđˆāļ™āļ—āļīāđ‰āļ‡ āđ€āļžāļĢāļēāļ°āđ€āļāļĢāļ‡āļ§āđˆāļēāļˆāļ°āļāđˆāļ­āđƒāļŦāđ‰āđ€āļāļīāļ”āļ­āļąāļ™āļ•āļĢāļēāļĒāļ•āđˆāļ­āļ•āļ™āđ€āļ­āļ‡āđāļĨāļ°āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§ āļˆāļķāļ‡āđ„āļ”āđ‰āļšāļĢāļīāļˆāļēāļ„āļ—āļĩāđˆāļ”āļīāļ™āđƒāļ™āļšāļĢāļīāđ€āļ§āļ“āļ™āļąāđ‰āļ™āđ€āļžāļ·āđˆāļ­āļŠāļĢāđ‰āļēāļ‡āđ€āļ›āđ‡āļ™āļ§āļąāļ”āđ€āļĨāđ‡āļ āđ† āļ‚āļķāđ‰āļ™āļĄāļēāđāļĨāļ°āļ•āļąāđ‰āļ‡āļŠāļ·āđˆāļ­āļ§āđˆāļē āļ§āļąāļ”āđ‚āļžāļ˜āļīāđŒāļŠāļļāļ§āļĢāļĢāļ“āļēāļĢāļēāļĄ āļŦāļĢāļ·āļ­ āļ§āļąāļ”āđ‚āļžāļ˜āļīāđŒāļ—āļ­āļ‡ āļ•āđˆāļ­āļĄāļēāļŠāļēāļ§āļšāđ‰āļēāļ™āđƒāļ™āđāļ–āļšāļ™āļąāđ‰āļ™āđ€āļĢāļĩāļĒāļāļŠāļ·āđˆāļ­āļ­āļĒāđˆāļēāļ‡āļŠāļąāđ‰āļ™ āđ† āļ§āđˆāļē āļ§āļąāļ”āļ—āļ­āļ‡ āđāļ•āđˆāļ—āļ§āđˆāļēāļ•āļēāļĄāļĢāļīāļĄāļāļąāđˆāļ‡āđāļĄāđˆāļ™āđ‰āļģāđ€āļˆāđ‰āļēāļžāļĢāļ°āļĒāļēāļ—āļąāđ‰āļ‡āļ•āļ­āļ™āļšāļ™āđāļĨāļ°āļ•āļ­āļ™āļĨāđˆāļēāļ‡āļĄāļĩāļ§āļąāļ”āļ—āļ­āļ‡āļ­āļĒāļđāđˆāļŦāļĨāļēāļĒāđāļŦāđˆāļ‡ āļŠāļēāļ§āļšāđ‰āļēāļ™āļˆāļķāļ‡āđ€āļĢāļĩāļĒāļāļ­āļĩāļāļŠāļ·āđˆāļ­āļŦāļ™āļķāđˆāļ‡āļ§āđˆāļē āļ§āļąāļ”āļ—āļ­āļ‡āļĨāđˆāļēāļ‡ āļ™āļąāđˆāļ™āđ€āļ­āļ‡

    āļ•āđˆāļ­āļĄāļēāđƒāļ™āļ›āļĩ āļž.āļĻ. 2480 āļĢāļąāļāļšāļēāļĨāđƒāļ™āļŠāļĄāļąāļĒāļ™āļąāđ‰āļ™āļ•āđ‰āļ­āļ‡āļāļēāļĢāļ‚āļ­āđ€āļ§āļ™āļ„āļ·āļ™āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļ§āļąāļ”āļŦāļ™āđ‰āļēāļžāļĢāļ°āļ˜āļēāļ•āļļāđāļĨāļ°āļ§āļąāļ”āļ—āļ­āļ‡āļĨāđˆāļēāļ‡ āđ€āļžāļ·āđˆāļ­āļŠāļĢāđ‰āļēāļ‡āļ—āđˆāļēāđ€āļĢāļ·āļ­āļāļĢāļļāļ‡āđ€āļ—āļžāļŊ āđ‚āļ”āļĒāļŠāļ”āđ€āļŠāļĒāđ€āļ‡āļīāļ™āđƒāļŦāđ‰āļ—āļąāđ‰āļ‡ 2 āļ§āļąāļ” āđ€āļžāļ·āđˆāļ­āđ„āļ›āļĢāļ§āļĄāļāļąāļšāļ§āļąāļ”āļ­āļ·āđˆāļ™āļŦāļĢāļ·āļ­āļŠāļĢāđ‰āļēāļ‡āļ§āļąāļ”āđƒāļŦāļĄāđˆāļ‚āļķāđ‰āļ™āļĄāļē āļ—āļģāđƒāļŦāđ‰āļ„āļ“āļ°āļŠāļ‡āļ†āđŒāļĄāļĩāļāļēāļĢāļˆāļąāļ”āļ•āļąāđ‰āļ‡āļ„āļ“āļ°āļāļĢāļĢāļĄāļāļēāļĢāļ‚āļķāđ‰āļ™ āđāļĨāļ°āļĄāļĩāļ„āļ§āļēāļĄāđ€āļŦāđ‡āļ™āļžāđ‰āļ­āļ‡āļ•āđ‰āļ­āļ‡āļāļąāļ™āđƒāļ™āļāļēāļĢāļ‹āļ·āđ‰āļ­āļ—āļĩāđˆāļ”āļīāļ™āļ›āļąāļˆāļˆāļļāļšāļąāļ™ āļžāļĢāđ‰āļ­āļĄāļāļąāļšāļĒāđ‰āļēāļĒāđ€āļŠāļ™āļēāļŠāļ™āļ°āļ–āļēāļ§āļĢāļ§āļąāļ•āļ–āļļāļ‚āļ­āļ‡āļ—āļąāđ‰āļ‡ 2 āļ§āļąāļ”āļĄāļēāļ›āļĨāļđāļāļŠāļĢāđ‰āļēāļ‡āļĢāļ§āļĄāļāļąāļ™āļ—āļĩāđˆāļ•āļģāļšāļĨ āļ„āļĨāļ­āļ‡āļšāđ‰āļēāļ™āļāļĨāđ‰āļ§āļĒ āđ‚āļ”āļĒāļĄāļĩāļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āļŠāļąāļ‡āļ†āļĢāļēāļŠāđ€āļˆāđ‰āļē āļāļĢāļĄāļŦāļĨāļ§āļ‡āļ§āļŠāļīāļĢāļāļēāļ“āļ§āļ‡āļĻāđŒ āđ€āļˆāđ‰āļēāļ„āļ“āļ°āđƒāļŦāļāđˆāļ˜āļĢāļĢāļĄāļĒāļļāļ• āđ€āļˆāđ‰āļēāļ­āļēāļ§āļēāļŠāļ§āļąāļ”āļšāļ§āļĢāļ™āļīāđ€āļ§āļĻāļ§āļīāļŦāļēāļĢ āđ€āļ›āđ‡āļ™āļ­āļ‡āļ„āđŒāļ­āļļāļ›āļ–āļąāļĄāļ āđŒ āđāļĨāļ°āļ•āļąāđ‰āļ‡āļŠāļ·āđˆāļ­āļ§āđˆāļē āļ§āļąāļ”āļ˜āļēāļ•āļļāļ—āļ­āļ‡ āđ‚āļ”āļĒāļĄāļĩāļ—āļĩāđˆāļĄāļēāļˆāļēāļāļāļēāļĢāļ™āļģāļŠāļ·āđˆāļ­āļ‚āļ­āļ‡āļ—āļąāđ‰āļ‡ 2 āļ§āļąāļ”āļĢāļ§āļĄāđ€āļ‚āđ‰āļēāļ”āđ‰āļ§āļĒāļāļąāļ™ āđ€āļĄāļ·āđˆāļ­āļ›āļĩ āļž.āļĻ. 2481

    āđƒāļ™āļ›āļĩ āļž.āļĻ. 2550 āļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āđ€āļˆāđ‰āļēāļžāļĩāđˆāļ™āļēāļ‡āđ€āļ˜āļ­ āđ€āļˆāđ‰āļēāļŸāđ‰āļēāļāļąāļĨāļĒāļēāļ“āļīāļ§āļąāļ’āļ™āļē āļāļĢāļĄāļŦāļĨāļ§āļ‡āļ™āļĢāļēāļ˜āļīāļ§āļēāļŠāļĢāļēāļŠāļ™āļ„āļĢāļīāļ™āļ—āļĢāđŒ āļ—āļĢāļ‡āļžāļĢāļ°āļāļĢāļļāļ“āļēāđ‚āļ›āļĢāļ”āđ€āļāļĨāđ‰āļēāļŊ āļĢāļąāļšāļ§āļąāļ”āļ˜āļēāļ•āļļāļ—āļ­āļ‡āđ„āļ§āđ‰āđƒāļ™āļžāļĢāļ°āļ­āļļāļ›āļ–āļąāļĄāļ āđŒ āđāļĨāļ°āļ›āļĢāļ°āļ—āļēāļ™āļ•āļĢāļēāļŠāļąāļāļĨāļąāļāļĐāļ“āđŒāđƒāļŦāļĄāđˆāđƒāļŦāđ‰āđāļāđˆāļ§āļąāļ” āļˆāļēāļāļ™āļąāđ‰āļ™āđƒāļ™āđ€āļ”āļ·āļ­āļ™āļ•āļļāļĨāļēāļ„āļĄāļ›āļĩāđ€āļ”āļĩāļĒāļ§āļāļąāļ™ āļžāļĢāļ°āļšāļēāļ—āļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āļšāļĢāļĄāļŠāļ™āļāļēāļ˜āļīāđ€āļšāļĻāļĢ āļĄāļŦāļēāļ āļđāļĄāļīāļžāļĨāļ­āļ”āļļāļĨāļĒāđ€āļ”āļŠāļĄāļŦāļēāļĢāļēāļŠ āļšāļĢāļĄāļ™āļēāļ–āļšāļžāļīāļ•āļĢ āļ—āļĢāļ‡āļžāļĢāļ°āļāļĢāļļāļ“āļēāđ‚āļ›āļĢāļ”āđ€āļāļĨāđ‰āļēāļŊ āļĒāļāđƒāļŦāđ‰ āļ§āļąāļ”āļ˜āļēāļ•āļļāļ—āļ­āļ‡ āđ€āļ›āđ‡āļ™āļžāļĢāļ°āļ­āļēāļĢāļēāļĄāļŦāļĨāļ§āļ‡āļŠāļąāđ‰āļ™āļ•āļĢāļĩ āļŠāļ™āļīāļ”āļŠāļēāļĄāļąāļ āļĄāļēāļˆāļ™āļ–āļķāļ‡āļ›āļąāļˆāļˆāļļāļšāļąāļ™

    āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļŦāđ‰āļēāļĄāļžāļĨāļēāļ”​ āđ„āļ›āļāļĢāļēāļšāļžāļĢāļ°āđƒāļ™āļžāļĢāļ°āļ­āļļāđ‚āļšāļŠāļ– āļ āļēāļĒāđƒāļ™â€‹ āļ›āļĢāļ°āļ”āļīāļĐāļāļēāļ™ āļžāļĢāļ°āļŠāļąāļžāļžāļąāļāļāļđ āļžāļĢāļ°āļ›āļĢāļ°āļ˜āļēāļ™āļ›āļĢāļ°āļˆāļģāļžāļĢāļ°āļ­āļļāđ‚āļšāļŠāļ– āļĄāļĩāļĨāļąāļāļĐāļ“āļ°āđ€āļ›āđ‡āļ™āļžāļĢāļ°āļžāļļāļ—āļ˜āļĢāļđāļ›āļ›āļēāļ‡āļĄāļēāļĢāļ§āļīāļŠāļąāļĒ āļŦāļ™āđ‰āļēāļ•āļąāļāļāļ§āđ‰āļēāļ‡ 70 āļ™āļīāđ‰āļ§ āļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđ€āļĄāļ·āđˆāļ­āļ›āļĩ āļž.āļĻ. 2495 āļžāļĢāļ°āļžāļļāļ—āļ˜āļŠāļīāļ™āļīāļ™āļ—āļĢ āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļžāļĢāļ°āļ›āļĢāļ°āļˆāļģāļ­āļļāđ‚āļšāļŠāļ– āļŠāļĄāļąāļĒāļ­āļđāđˆāļ—āļ­āļ‡ āđāļĨāļ°āļžāļĢāļ°āļžāļļāļ—āļ˜āļĄāļ™āļ•āđŒāļ›āļĢāļĩāļŠāļē āļŠāļļāđ‚āļ‚āļ—āļąāļĒ āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļžāļĢāļ°āļ›āļĢāļ°āļ˜āļēāļ™āļŦāļ­āļ›āļĢāļ°āļŠāļļāļĄ

    āļ–āļąāļ”āļˆāļēāļāļ™āļąāđ‰āļ™â€‹āđ€āļ”āļīāļ™āđ„āļ›āļ”āđ‰āļēāļ™āļŦāļĨāļąāļ‡â€‹ āđ„āļ›āļŠāļąāļāļāļēāļĢāļ°â€‹ āļžāļĢāļ°āļĄāļŦāļēāđ€āļˆāļ”āļĩāļĒāđŒ 84 āļžāļĢāļĢāļĐāļē āļĢāļēāļŠāļ™āļ„āļĢāļīāļ™āļ—āļĢāđŒ āđ€āļ›āđ‡āļ™āļžāļĢāļ°āđ€āļˆāļ”āļĩāļĒāđŒāļ—āļĩāđˆāļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđ€āļĄāļ·āđˆāļ­āļ›āļĩ āļž.āļĻ. 2553 āđ€āļžāļ·āđˆāļ­āđ€āļ‰āļĨāļīāļĄāļžāļĢāļ°āđ€āļāļĩāļĒāļĢāļ•āļīāļžāļĢāļ°āļšāļēāļ—āļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āļšāļĢāļĄāļŠāļ™āļāļēāļ˜āļīāđ€āļšāļĻāļĢ āļĄāļŦāļēāļ āļđāļĄāļīāļžāļĨāļ­āļ”āļļāļĨāļĒāđ€āļ”āļŠāļĄāļŦāļēāļĢāļēāļŠ āļšāļĢāļĄāļ™āļēāļ–āļšāļžāļīāļ•āļĢ āđāļĨāļ°āļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āđ€āļˆāđ‰āļēāļžāļĩāđˆāļ™āļēāļ‡āđ€āļ˜āļ­ āđ€āļˆāđ‰āļēāļŸāđ‰āļēāļāļąāļĨāļĒāļēāļ“āļīāļ§āļąāļ’āļ™āļē āļāļĢāļĄāļŦāļĨāļ§āļ‡āļ™āļĢāļēāļ˜āļīāļ§āļēāļŠāļĢāļēāļŠāļ™āļ„āļĢāļīāļ™āļ—āļĢāđŒ āđ‚āļ”āļĒāđƒāļŠāđ‰āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ›āļĢāļ°āļ”āļīāļĐāļāļēāļ™āļžāļĢāļ°āļšāļĢāļĄāļŠāļēāļĢāļĩāļĢāļīāļāļ˜āļēāļ•āļļāđāļĨāļ°āļžāļĢāļ°āļžāļļāļ—āļ˜āļĢāļđāļ›āļˆāļēāļāļ—āļąāđˆāļ§āđ‚āļĨāļ āļĢāļ§āļĄāļ–āļķāļ‡āļžāļĢāļ°āļšāļĢāļĄāļŠāļēāļĢāļĩāļĢāļīāļāļ˜āļēāļ•āļļāļˆāļēāļāļŦāļĨāļ§āļ‡āļžāđˆāļ­āđ„āļˆāļ—āļĩāđ€āļ‹āļē āđ€āļˆāđ‰āļēāļ­āļēāļ§āļēāļŠāļ§āļąāļ”āđ„āļˆāļ—āļĩāđ€āļ‹āļē āđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻāļžāļĄāđˆāļēāļ”āđ‰āļ§āļĒāļ„āļĢāļąāļšâ€‹

    āđ€āļ›āđ‡āļ™â€‹āđ„āļ‡āļ„āļĢāļąāļšâ€‹ āđāļ„āđˆāļĨāļ‡āļĢāļ–āđ„āļŸāļŸāđ‰āļē​ āļŠāļ–āļēāļ™āļĩāđ€āļ­āļāļĄāļąāļĒ​ āļĄāļēāđ„āļĄāđˆāļāļĩāđˆāļāđ‰āļēāļ§â€‹ āļāđ‡āļˆāļ°āļžāļšāļāļąāļš āļ„āļ§āļēāļĄāļĒāļīāđˆāļ‡āđƒāļŦāļāđˆâ€‹ āļ„āļ§āļēāļĄāļ‡āļēāļĄâ€‹ āđāļĨāļ°â€‹āļ„āļ§āļēāļĄāļŠāļ‡āļšâ€‹ āļ§āļąāļ”āļ˜āļēāļ•āļļ​āļ—āļ­āļ‡â€‹ āđƒāļāļĨāđ‰āđāļ„āđˆāļ™āļĩāđ‰āđ€āļ­āļ‡

    #āļŠāļĩāļ§āļīāļ•āļ™āļĩāđ‰āļ•āđ‰āļ­āļ‡āļĄāļĩ1000āļ§āļąāļ” #āđ€āļ—āļĩāđˆāļĒāļ§āđ„āļ—āļĒāđ„āļ›āļāļąāļšāļŠāđ‰āļĄāđ‚āļˆ #āđ€āļ—āļĩāđˆāļĒāļ§āļ§āļąāļ” #āļ§āļąāļ” #āđ„āļŦāļ§āđ‰āļžāļĢāļ° #āļ—āļģāļšāļļāļ #travel #thailand #amazingthailand #thaitour #temple #history #architecture #culture #thaitemple #āļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§ #CultureTrip
    #āļ§āļąāļ”āļ˜āļēāļ•āļļāļ—āļ­āļ‡ #āļāļĢāļļāļ‡āđ€āļ—āļžāļĄāļŦāļēāļ™āļ„āļĢāļŊ āļ§āļąāļ”āļ˜āļēāļ•āļļ​āļ—āļ­āļ‡â€‹ -​ āļœāļĄāļ§āđˆāļēāļŦāļĨāļēāļĒ​ āđ†â€‹ āļ—āđˆāļēāļ™āļ—āļĩāđˆāđ‚āļ”āļĒāļŠāļēāļĢāļĢāļ–āđ„āļŸāļŸāđ‰āļē​ BTS.​ āđ€āļ›āđ‡āļ™â€‹āļ›āļĢāļ°āļˆāļģ​ āđ€āļĄāļ·āđˆāļ­āļœāđˆāļēāļ™āļŠāļ–āļēāļ™āļĩāđ€āļ­āļāļĄāļąāļĒ​ āļĄāļ­āļ‡āđ„āļ›āļˆāļ°āđ€āļŦāđ‡āļ™āđ€āļˆāļ”āļĩāļĒāđŒâ€‹āļŠāļĩāļ—āļ­āļ‡āļ­āļĢāđˆāļēāļĄâ€‹ āļ›āļĢāļ°āļ”āļīāļĐāļāļēāļ™â€‹ āļ­āļĒāļđāđˆâ€‹āđ„āļāļĨ​āđ†â€‹ āļŠāļ§āļĒāļ‡āļēāļĄāļĄāļēāļ āļ—āļĩāđˆāļŠāļģāļ„āļąāļâ€‹āļ”āļđ​ contrast. āļāļąāļšāļ•āļķāļāļĢāļēāļĄāļŦāđ‰āļēāļ‡āļŠāļĢāļĢāļžāļŠāļīāļ™āļ„āđ‰āļē​āļ—āļĩāđˆāļ•āļąāđ‰āļ‡āļ•āļĢāļ‡āļ‚āđ‰āļēāļĄāļĢāļēāļ§āļāļąāļšâ€‹ āđ‚āļĨāļāđƒāļ™āļ­āļ”āļĩāļ•āļāļąāļšāļ›āļąāļˆāļˆāļļāļšāļąāļ™â€‹āļ›āļĢāļ°āļˆāļąāļ™āļŦāļ™āđ‰āļēāļāļąāļ™āđāļšāļšâ€‹ āđ„āļĄāđˆāđ€āļāļĢāļ‡āđƒāļˆ āļŠāđˆāļ§āļ™āļ•āļąāļ§â€‹ āļˆāļģāđ„āļ”āđ‰āļ§āđˆāļēāđ€āļ„āļĒāļĨāļ‡āļ āļēāļžāđāļĨāļ°āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ‚āļ­āļ‡āļ§āļąāļ”āļ˜āļēāļ•āļļāļ—āļ­āļ‡āđ„āļ›āđāļĨāđ‰āļ§â€‹ āđāļ•āđˆāļ•āļ­āļ™āļ™āļąāđ‰āļ™â€‹ āļžāļĢāļ°āļĄāļŦāļēāđ€āļˆāļ”āļĩāļĒāđŒâ€‹āļāļģāļĨāļąāļ‡â€‹āļšāļđāļĢāļ“āļ°â€‹ āļ§āļąāļ™āļ™āļĩāđ‰āļ‚āļ­āđāļāđ‰āļ•āļąāļ§â€‹ āļ™āļģāļ āļēāļžāļŠāļ§āļĒ​ āđ†â€‹ āđāļĨāļ°āđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§āļ§āļąāļ”āđƒāļ™āđ€āļĄāļ·āļ­āļ‡â€‹ āļ‚āļ­āļ‡āļŠāļēāļ§āļŠāļļāļ‚āļļāļĄāļ§āļīāļ—​āđāļŦāđˆāļ‡āļ™āļĩāđ‰āļāļĨāļąāļšāļĄāļēāļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡â€‹ āļĄāļēāļŸāļąāļ‡āļāļąāļ™āļ„āļĢāļąāļšâ€‹ āļ§āļąāļ”āļ˜āļēāļ•āļļāļ—āļ­āļ‡ āļžāļ·āđ‰āļ™āļ—āļĩāđˆāđāļŦāđˆāļ‡āļ™āļĩāđ‰â€‹ āđāļ•āđˆāđ€āļ”āļīāļĄāđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ•āļąāđ‰āļ‡āļ‚āļ­āļ‡āļ§āļąāļ”āļŦāļ™āđ‰āļēāļžāļĢāļ°āļ˜āļēāļ•āļļāļāļąāļšāļ§āļąāļ”āļ—āļ­āļ‡āļĨāđˆāļēāļ‡ āļ‹āļķāđˆāļ‡āļ§āļąāļ”āļŦāļ™āđ‰āļēāļžāļĢāļ°āļ˜āļēāļ•āļļāđ€āļ›āđ‡āļ™āļ§āļąāļ”āđ€āļāđˆāļēāđāļāđˆāļ—āļĩāđˆāļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđƒāļ™āļŠāļĄāļąāļĒāļ­āļĒāļļāļ˜āļĒāļē āļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļĢāļīāļĄāļāļąāđˆāļ‡āđāļĄāđˆāļ™āđ‰āļģāđ€āļˆāđ‰āļēāļžāļĢāļ°āļĒāļē āđ‚āļ”āļĒāļ—āļĩāđˆāļĄāļēāļ‚āļ­āļ‡āļŠāļ·āđˆāļ­āļ§āļąāļ”āļāđ‡āļĄāļēāļˆāļēāļāļŦāļ™āđ‰āļēāļ§āļąāļ”āļĄāļĩāļžāļĢāļ°āđ€āļˆāļ”āļĩāļĒāđŒāļ­āļ‡āļ„āđŒāđƒāļŦāļāđˆāļšāļĢāļĢāļˆāļļāļžāļĢāļ°āļšāļĢāļĄāļŠāļēāļĢāļĩāļĢāļīāļāļ˜āļēāļ•āļļāļ­āļĒāļđāđˆāļ āļēāļĒāđƒāļ™ āļŠāđˆāļ§āļ™āļ§āļąāļ”āļ—āļ­āļ‡āļĨāđˆāļēāļ‡āļ™āļąāđ‰āļ™āđ€āļ”āļīāļĄāļ—āļĩāđ€āļ›āđ‡āļ™āļŠāļ§āļ™āļœāļĨāđ„āļĄāđ‰āļ—āļĩāđˆāļĄāļĩāļ•āđ‰āļ™āđ‚āļžāļ˜āļīāđŒāļ‚āļ™āļēāļ”āđƒāļŦāļāđˆāļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāļāļĨāļēāļ‡āļŠāļ§āļ™ āđ€āļˆāđ‰āļēāļ‚āļ­āļ‡āļŠāļ§āļ™āđ€āļŦāđ‡āļ™āļ§āđˆāļēāļ•āđ‰āļ™āđ‚āļžāļ˜āļīāđŒāļ„āļ§āļĢāđ€āļ›āđ‡āļ™āļ•āđ‰āļ™āđ„āļĄāđ‰āđƒāļ™āļ§āļąāļ”āļĄāļēāļāļāļ§āđˆāļēāļ—āļĩāđˆāļˆāļ°āļ›āļĨāļđāļāđ„āļ§āđ‰āđƒāļ™āļšāđ‰āļēāļ™ āļ›āļĢāļ°āļāļ­āļšāļāļąāļšāđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāđ‚āļ„āđˆāļ™āļ—āļīāđ‰āļ‡ āđ€āļžāļĢāļēāļ°āđ€āļāļĢāļ‡āļ§āđˆāļēāļˆāļ°āļāđˆāļ­āđƒāļŦāđ‰āđ€āļāļīāļ”āļ­āļąāļ™āļ•āļĢāļēāļĒāļ•āđˆāļ­āļ•āļ™āđ€āļ­āļ‡āđāļĨāļ°āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§ āļˆāļķāļ‡āđ„āļ”āđ‰āļšāļĢāļīāļˆāļēāļ„āļ—āļĩāđˆāļ”āļīāļ™āđƒāļ™āļšāļĢāļīāđ€āļ§āļ“āļ™āļąāđ‰āļ™āđ€āļžāļ·āđˆāļ­āļŠāļĢāđ‰āļēāļ‡āđ€āļ›āđ‡āļ™āļ§āļąāļ”āđ€āļĨāđ‡āļ āđ† āļ‚āļķāđ‰āļ™āļĄāļēāđāļĨāļ°āļ•āļąāđ‰āļ‡āļŠāļ·āđˆāļ­āļ§āđˆāļē āļ§āļąāļ”āđ‚āļžāļ˜āļīāđŒāļŠāļļāļ§āļĢāļĢāļ“āļēāļĢāļēāļĄ āļŦāļĢāļ·āļ­ āļ§āļąāļ”āđ‚āļžāļ˜āļīāđŒāļ—āļ­āļ‡ āļ•āđˆāļ­āļĄāļēāļŠāļēāļ§āļšāđ‰āļēāļ™āđƒāļ™āđāļ–āļšāļ™āļąāđ‰āļ™āđ€āļĢāļĩāļĒāļāļŠāļ·āđˆāļ­āļ­āļĒāđˆāļēāļ‡āļŠāļąāđ‰āļ™ āđ† āļ§āđˆāļē āļ§āļąāļ”āļ—āļ­āļ‡ āđāļ•āđˆāļ—āļ§āđˆāļēāļ•āļēāļĄāļĢāļīāļĄāļāļąāđˆāļ‡āđāļĄāđˆāļ™āđ‰āļģāđ€āļˆāđ‰āļēāļžāļĢāļ°āļĒāļēāļ—āļąāđ‰āļ‡āļ•āļ­āļ™āļšāļ™āđāļĨāļ°āļ•āļ­āļ™āļĨāđˆāļēāļ‡āļĄāļĩāļ§āļąāļ”āļ—āļ­āļ‡āļ­āļĒāļđāđˆāļŦāļĨāļēāļĒāđāļŦāđˆāļ‡ āļŠāļēāļ§āļšāđ‰āļēāļ™āļˆāļķāļ‡āđ€āļĢāļĩāļĒāļāļ­āļĩāļāļŠāļ·āđˆāļ­āļŦāļ™āļķāđˆāļ‡āļ§āđˆāļē āļ§āļąāļ”āļ—āļ­āļ‡āļĨāđˆāļēāļ‡ āļ™āļąāđˆāļ™āđ€āļ­āļ‡ āļ•āđˆāļ­āļĄāļēāđƒāļ™āļ›āļĩ āļž.āļĻ. 2480 āļĢāļąāļāļšāļēāļĨāđƒāļ™āļŠāļĄāļąāļĒāļ™āļąāđ‰āļ™āļ•āđ‰āļ­āļ‡āļāļēāļĢāļ‚āļ­āđ€āļ§āļ™āļ„āļ·āļ™āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļ§āļąāļ”āļŦāļ™āđ‰āļēāļžāļĢāļ°āļ˜āļēāļ•āļļāđāļĨāļ°āļ§āļąāļ”āļ—āļ­āļ‡āļĨāđˆāļēāļ‡ āđ€āļžāļ·āđˆāļ­āļŠāļĢāđ‰āļēāļ‡āļ—āđˆāļēāđ€āļĢāļ·āļ­āļāļĢāļļāļ‡āđ€āļ—āļžāļŊ āđ‚āļ”āļĒāļŠāļ”āđ€āļŠāļĒāđ€āļ‡āļīāļ™āđƒāļŦāđ‰āļ—āļąāđ‰āļ‡ 2 āļ§āļąāļ” āđ€āļžāļ·āđˆāļ­āđ„āļ›āļĢāļ§āļĄāļāļąāļšāļ§āļąāļ”āļ­āļ·āđˆāļ™āļŦāļĢāļ·āļ­āļŠāļĢāđ‰āļēāļ‡āļ§āļąāļ”āđƒāļŦāļĄāđˆāļ‚āļķāđ‰āļ™āļĄāļē āļ—āļģāđƒāļŦāđ‰āļ„āļ“āļ°āļŠāļ‡āļ†āđŒāļĄāļĩāļāļēāļĢāļˆāļąāļ”āļ•āļąāđ‰āļ‡āļ„āļ“āļ°āļāļĢāļĢāļĄāļāļēāļĢāļ‚āļķāđ‰āļ™ āđāļĨāļ°āļĄāļĩāļ„āļ§āļēāļĄāđ€āļŦāđ‡āļ™āļžāđ‰āļ­āļ‡āļ•āđ‰āļ­āļ‡āļāļąāļ™āđƒāļ™āļāļēāļĢāļ‹āļ·āđ‰āļ­āļ—āļĩāđˆāļ”āļīāļ™āļ›āļąāļˆāļˆāļļāļšāļąāļ™ āļžāļĢāđ‰āļ­āļĄāļāļąāļšāļĒāđ‰āļēāļĒāđ€āļŠāļ™āļēāļŠāļ™āļ°āļ–āļēāļ§āļĢāļ§āļąāļ•āļ–āļļāļ‚āļ­āļ‡āļ—āļąāđ‰āļ‡ 2 āļ§āļąāļ”āļĄāļēāļ›āļĨāļđāļāļŠāļĢāđ‰āļēāļ‡āļĢāļ§āļĄāļāļąāļ™āļ—āļĩāđˆāļ•āļģāļšāļĨ āļ„āļĨāļ­āļ‡āļšāđ‰āļēāļ™āļāļĨāđ‰āļ§āļĒ āđ‚āļ”āļĒāļĄāļĩāļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āļŠāļąāļ‡āļ†āļĢāļēāļŠāđ€āļˆāđ‰āļē āļāļĢāļĄāļŦāļĨāļ§āļ‡āļ§āļŠāļīāļĢāļāļēāļ“āļ§āļ‡āļĻāđŒ āđ€āļˆāđ‰āļēāļ„āļ“āļ°āđƒāļŦāļāđˆāļ˜āļĢāļĢāļĄāļĒāļļāļ• āđ€āļˆāđ‰āļēāļ­āļēāļ§āļēāļŠāļ§āļąāļ”āļšāļ§āļĢāļ™āļīāđ€āļ§āļĻāļ§āļīāļŦāļēāļĢ āđ€āļ›āđ‡āļ™āļ­āļ‡āļ„āđŒāļ­āļļāļ›āļ–āļąāļĄāļ āđŒ āđāļĨāļ°āļ•āļąāđ‰āļ‡āļŠāļ·āđˆāļ­āļ§āđˆāļē āļ§āļąāļ”āļ˜āļēāļ•āļļāļ—āļ­āļ‡ āđ‚āļ”āļĒāļĄāļĩāļ—āļĩāđˆāļĄāļēāļˆāļēāļāļāļēāļĢāļ™āļģāļŠāļ·āđˆāļ­āļ‚āļ­āļ‡āļ—āļąāđ‰āļ‡ 2 āļ§āļąāļ”āļĢāļ§āļĄāđ€āļ‚āđ‰āļēāļ”āđ‰āļ§āļĒāļāļąāļ™ āđ€āļĄāļ·āđˆāļ­āļ›āļĩ āļž.āļĻ. 2481 āđƒāļ™āļ›āļĩ āļž.āļĻ. 2550 āļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āđ€āļˆāđ‰āļēāļžāļĩāđˆāļ™āļēāļ‡āđ€āļ˜āļ­ āđ€āļˆāđ‰āļēāļŸāđ‰āļēāļāļąāļĨāļĒāļēāļ“āļīāļ§āļąāļ’āļ™āļē āļāļĢāļĄāļŦāļĨāļ§āļ‡āļ™āļĢāļēāļ˜āļīāļ§āļēāļŠāļĢāļēāļŠāļ™āļ„āļĢāļīāļ™āļ—āļĢāđŒ āļ—āļĢāļ‡āļžāļĢāļ°āļāļĢāļļāļ“āļēāđ‚āļ›āļĢāļ”āđ€āļāļĨāđ‰āļēāļŊ āļĢāļąāļšāļ§āļąāļ”āļ˜āļēāļ•āļļāļ—āļ­āļ‡āđ„āļ§āđ‰āđƒāļ™āļžāļĢāļ°āļ­āļļāļ›āļ–āļąāļĄāļ āđŒ āđāļĨāļ°āļ›āļĢāļ°āļ—āļēāļ™āļ•āļĢāļēāļŠāļąāļāļĨāļąāļāļĐāļ“āđŒāđƒāļŦāļĄāđˆāđƒāļŦāđ‰āđāļāđˆāļ§āļąāļ” āļˆāļēāļāļ™āļąāđ‰āļ™āđƒāļ™āđ€āļ”āļ·āļ­āļ™āļ•āļļāļĨāļēāļ„āļĄāļ›āļĩāđ€āļ”āļĩāļĒāļ§āļāļąāļ™ āļžāļĢāļ°āļšāļēāļ—āļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āļšāļĢāļĄāļŠāļ™āļāļēāļ˜āļīāđ€āļšāļĻāļĢ āļĄāļŦāļēāļ āļđāļĄāļīāļžāļĨāļ­āļ”āļļāļĨāļĒāđ€āļ”āļŠāļĄāļŦāļēāļĢāļēāļŠ āļšāļĢāļĄāļ™āļēāļ–āļšāļžāļīāļ•āļĢ āļ—āļĢāļ‡āļžāļĢāļ°āļāļĢāļļāļ“āļēāđ‚āļ›āļĢāļ”āđ€āļāļĨāđ‰āļēāļŊ āļĒāļāđƒāļŦāđ‰ āļ§āļąāļ”āļ˜āļēāļ•āļļāļ—āļ­āļ‡ āđ€āļ›āđ‡āļ™āļžāļĢāļ°āļ­āļēāļĢāļēāļĄāļŦāļĨāļ§āļ‡āļŠāļąāđ‰āļ™āļ•āļĢāļĩ āļŠāļ™āļīāļ”āļŠāļēāļĄāļąāļ āļĄāļēāļˆāļ™āļ–āļķāļ‡āļ›āļąāļˆāļˆāļļāļšāļąāļ™ āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļŦāđ‰āļēāļĄāļžāļĨāļēāļ”​ āđ„āļ›āļāļĢāļēāļšāļžāļĢāļ°āđƒāļ™āļžāļĢāļ°āļ­āļļāđ‚āļšāļŠāļ– āļ āļēāļĒāđƒāļ™â€‹ āļ›āļĢāļ°āļ”āļīāļĐāļāļēāļ™ āļžāļĢāļ°āļŠāļąāļžāļžāļąāļāļāļđ āļžāļĢāļ°āļ›āļĢāļ°āļ˜āļēāļ™āļ›āļĢāļ°āļˆāļģāļžāļĢāļ°āļ­āļļāđ‚āļšāļŠāļ– āļĄāļĩāļĨāļąāļāļĐāļ“āļ°āđ€āļ›āđ‡āļ™āļžāļĢāļ°āļžāļļāļ—āļ˜āļĢāļđāļ›āļ›āļēāļ‡āļĄāļēāļĢāļ§āļīāļŠāļąāļĒ āļŦāļ™āđ‰āļēāļ•āļąāļāļāļ§āđ‰āļēāļ‡ 70 āļ™āļīāđ‰āļ§ āļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđ€āļĄāļ·āđˆāļ­āļ›āļĩ āļž.āļĻ. 2495 āļžāļĢāļ°āļžāļļāļ—āļ˜āļŠāļīāļ™āļīāļ™āļ—āļĢ āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļžāļĢāļ°āļ›āļĢāļ°āļˆāļģāļ­āļļāđ‚āļšāļŠāļ– āļŠāļĄāļąāļĒāļ­āļđāđˆāļ—āļ­āļ‡ āđāļĨāļ°āļžāļĢāļ°āļžāļļāļ—āļ˜āļĄāļ™āļ•āđŒāļ›āļĢāļĩāļŠāļē āļŠāļļāđ‚āļ‚āļ—āļąāļĒ āļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļžāļĢāļ°āļ›āļĢāļ°āļ˜āļēāļ™āļŦāļ­āļ›āļĢāļ°āļŠāļļāļĄ āļ–āļąāļ”āļˆāļēāļāļ™āļąāđ‰āļ™â€‹āđ€āļ”āļīāļ™āđ„āļ›āļ”āđ‰āļēāļ™āļŦāļĨāļąāļ‡â€‹ āđ„āļ›āļŠāļąāļāļāļēāļĢāļ°â€‹ āļžāļĢāļ°āļĄāļŦāļēāđ€āļˆāļ”āļĩāļĒāđŒ 84 āļžāļĢāļĢāļĐāļē āļĢāļēāļŠāļ™āļ„āļĢāļīāļ™āļ—āļĢāđŒ āđ€āļ›āđ‡āļ™āļžāļĢāļ°āđ€āļˆāļ”āļĩāļĒāđŒāļ—āļĩāđˆāļŠāļĢāđ‰āļēāļ‡āļ‚āļķāđ‰āļ™āđ€āļĄāļ·āđˆāļ­āļ›āļĩ āļž.āļĻ. 2553 āđ€āļžāļ·āđˆāļ­āđ€āļ‰āļĨāļīāļĄāļžāļĢāļ°āđ€āļāļĩāļĒāļĢāļ•āļīāļžāļĢāļ°āļšāļēāļ—āļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āļšāļĢāļĄāļŠāļ™āļāļēāļ˜āļīāđ€āļšāļĻāļĢ āļĄāļŦāļēāļ āļđāļĄāļīāļžāļĨāļ­āļ”āļļāļĨāļĒāđ€āļ”āļŠāļĄāļŦāļēāļĢāļēāļŠ āļšāļĢāļĄāļ™āļēāļ–āļšāļžāļīāļ•āļĢ āđāļĨāļ°āļŠāļĄāđ€āļ”āđ‡āļˆāļžāļĢāļ°āđ€āļˆāđ‰āļēāļžāļĩāđˆāļ™āļēāļ‡āđ€āļ˜āļ­ āđ€āļˆāđ‰āļēāļŸāđ‰āļēāļāļąāļĨāļĒāļēāļ“āļīāļ§āļąāļ’āļ™āļē āļāļĢāļĄāļŦāļĨāļ§āļ‡āļ™āļĢāļēāļ˜āļīāļ§āļēāļŠāļĢāļēāļŠāļ™āļ„āļĢāļīāļ™āļ—āļĢāđŒ āđ‚āļ”āļĒāđƒāļŠāđ‰āđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ›āļĢāļ°āļ”āļīāļĐāļāļēāļ™āļžāļĢāļ°āļšāļĢāļĄāļŠāļēāļĢāļĩāļĢāļīāļāļ˜āļēāļ•āļļāđāļĨāļ°āļžāļĢāļ°āļžāļļāļ—āļ˜āļĢāļđāļ›āļˆāļēāļāļ—āļąāđˆāļ§āđ‚āļĨāļ āļĢāļ§āļĄāļ–āļķāļ‡āļžāļĢāļ°āļšāļĢāļĄāļŠāļēāļĢāļĩāļĢāļīāļāļ˜āļēāļ•āļļāļˆāļēāļāļŦāļĨāļ§āļ‡āļžāđˆāļ­āđ„āļˆāļ—āļĩāđ€āļ‹āļē āđ€āļˆāđ‰āļēāļ­āļēāļ§āļēāļŠāļ§āļąāļ”āđ„āļˆāļ—āļĩāđ€āļ‹āļē āđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻāļžāļĄāđˆāļēāļ”āđ‰āļ§āļĒāļ„āļĢāļąāļšâ€‹ āđ€āļ›āđ‡āļ™â€‹āđ„āļ‡āļ„āļĢāļąāļšâ€‹ āđāļ„āđˆāļĨāļ‡āļĢāļ–āđ„āļŸāļŸāđ‰āļē​ āļŠāļ–āļēāļ™āļĩāđ€āļ­āļāļĄāļąāļĒ​ āļĄāļēāđ„āļĄāđˆāļāļĩāđˆāļāđ‰āļēāļ§â€‹ āļāđ‡āļˆāļ°āļžāļšāļāļąāļš āļ„āļ§āļēāļĄāļĒāļīāđˆāļ‡āđƒāļŦāļāđˆâ€‹ āļ„āļ§āļēāļĄāļ‡āļēāļĄâ€‹ āđāļĨāļ°â€‹āļ„āļ§āļēāļĄāļŠāļ‡āļšâ€‹ āļ§āļąāļ”āļ˜āļēāļ•āļļ​āļ—āļ­āļ‡â€‹ āđƒāļāļĨāđ‰āđāļ„āđˆāļ™āļĩāđ‰āđ€āļ­āļ‡ #āļŠāļĩāļ§āļīāļ•āļ™āļĩāđ‰āļ•āđ‰āļ­āļ‡āļĄāļĩ1000āļ§āļąāļ” #āđ€āļ—āļĩāđˆāļĒāļ§āđ„āļ—āļĒāđ„āļ›āļāļąāļšāļŠāđ‰āļĄāđ‚āļˆ #āđ€āļ—āļĩāđˆāļĒāļ§āļ§āļąāļ” #āļ§āļąāļ” #āđ„āļŦāļ§āđ‰āļžāļĢāļ° #āļ—āļģāļšāļļāļ #travel #thailand #amazingthailand #thaitour #temple #history #architecture #culture #thaitemple #āļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§ #CultureTrip
    0 Comments 0 Shares 229 Views 0 Reviews

  • #āļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡
    #āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ

    āļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡ – āļĒāđ‰āļ­āļ™āļĢāļģāļĨāļķāļāļ„āļ§āļēāļĄāļŦāļĨāļąāļ‡ āđ€āļĄāļ·āđˆāļ­āđ€āļāļ·āļ­āļšāļĒāļĩāđˆāļŠāļīāļšāļ›āļĩāļāđˆāļ­āļ™ āļœāļĄāđ„āļ”āđ‰āļĄāļĩāđ‚āļ­āļāļēāļŠāļŠāļąāļĄāļœāļąāļŠ āļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡ āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāđ„āļĄāđˆāļĢāļđāđ‰ āđāļĨāļ°āđ„āļĄāđˆāļĨāļķāļāļ‹āļķāđ‰āļ‡āļ–āļķāļ‡āđāļ§āļ”āļ§āļ‡āļžāļĢāļ°āļžāļļāļ—āļ˜āļĻāļēāļŠāļ™āļē āđ€āļĨāļĒāļ—āļģāđƒāļŦāđ‰āļāļēāļĢāđ„āļ›āļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡ āļ„āļĢāļąāđ‰āļ‡āđāļĢāļ āļœāļĄāđ„āļĄāđˆāđ„āļ”āđ‰āļ­āļ°āđ„āļĢāļ•āļīāļ”āļĄāļ·āļ­āļ•āļīāļ”āđƒāļˆāļāļĨāļąāļšāļĄāļēāđ€āļ›āđ‡āļ™āļ§āļīāļ—āļĒāļēāļ—āļēāļ™āđ€āļĨāļĒ āļˆāļ™āđ€āļĄāļ·āđˆāļ­āļ„āļĢāļąāđ‰āļ‡āļĨāđˆāļēāļŠāļļāļ”āļ—āļĩāđˆāđ„āļ› āļŠāļĩāļ§āļīāļ•āļĄāļĩāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒ āđāļĨāļ°āļžāļ­āļĄāļĩāļžāļ·āđ‰āļ™āļāļēāļ™āļžāļļāļ—āļ˜āļĻāļēāļŠāļ™āļēāđ€āļžāļīāđˆāļĄāļ‚āļķāđ‰āļ™āļšāđ‰āļēāļ‡ āļ„āļĢāļąāđ‰āļ‡āļ™āļĩāđ‰ āđ€āļ›āđ‡āļ™āļāļēāļĢāđƒāļŠāđ‰āđ€āļ§āļĨāļēāļ­āļĒāļđāđˆāļ—āļĩāđˆāļ§āļąāļ”āļ™āļēāļ™āļ‚āļķāđ‰āļ™ āļžāļĢāđ‰āļ­āļĄāļžāļāļžāļēāļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļ āļ„āļ§āļēāļĄāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāļ—āļĩāđˆāļ•āđˆāļēāļ‡āļ­āļ­āļāđ„āļ› āļāļĨāļąāļšāļ­āļ­āļāļĄāļēāļ”āđ‰āļ§āļĒāļ­āļĒāđˆāļēāļ‡āļ›āļĨāļ·āđ‰āļĄāļ­āļāļ›āļĨāļ·āđ‰āļĄāđƒāļˆ āļĨāđ‰āļ­āļĄāļ§āļ‡āļĄāļēāļŸāļąāļ‡āļāļąāļ™āļ„āļĢāļąāļš āļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡ āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ (āļĒāļēāļ§āļŠāļąāļāļŦāļ™āđˆāļ­āļĒāļ™āļ°āļ„āļĢāļąāļš)

    āļ„āļ‡āļˆāļ°āđ„āļĄāđˆāļ–āļđāļāļ•āđ‰āļ­āļ‡ āļ–āđ‰āļēāļˆāļ°āļāļĨāđˆāļēāļ§āļ–āļķāļ‡āļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡ āđ‚āļ”āļĒāđ„āļĄāđˆāļāļĨāđˆāļēāļ§āļ–āļķāļ‡ āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļŠāļē

    āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļŠāļē āļžāļĢāļ°āļŠāļģāļ„āļąāļāļœāļđāđ‰āļāđˆāļ­āļ•āļąāđ‰āļ‡āļ§āļąāļ”āđāļŦāđˆāļ‡āļ™āļĩāđ‰ āđƒāļŦāđ‰āļŠāļēāļĄāļēāļĢāļ–āđ„āļ›āđ€āļœāļĒāđāļžāļĢāđˆāļžāļļāļ—āļ˜āļĻāļēāļŠāļ™āļēāđ„āļ”āđ‰āļāļ§āđ‰āļēāļ‡āđ„āļāļĨ āđ„āļĄāđˆāđ€āļžāļĩāļĒāļ‡āđāļ„āđˆāđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒ āļŦāļēāļāđāļ•āđˆāđ„āļ›āđ„āļāļĨāļ–āļķāļ‡āļŠāļīāļšāļāļ§āđˆāļēāļ›āļĢāļ°āđ€āļ—āļĻāļ—āļąāđˆāļ§āđ‚āļĨāļ āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļŠāļē āļžāļĢāļ°āđ‚āļžāļ˜āļīāļāļēāļ“āđ€āļ–āļĢ (āļŠāļē āļŠāļļāļ āļ—āļšāđ‚āļ—) āđāļŦāđˆāļ‡āļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡ āļˆ.āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āļ•āđ‰āļ™āđāļšāļšāļ‚āļ­āļ‡āļžāļĢāļ°āļ›āđˆāļēāļ—āļąāđˆāļ§āđ‚āļĨāļ āļ”āđ‰āļ§āļĒāļ§āļąāļ•āļĢāļ›āļŽāļīāļšāļąāļ•āļīāļ—āļĩāđˆāđ€āļ„āļĢāđˆāļ‡āļ„āļĢāļąāļ”āļŠāļēāļĒāļ§āļīāļ›āļąāļŠāļŠāļ™āļēāļāļĢāļĢāļĄāļāļēāļ™āļ—āļĩāđˆāļĄāļĩāļ•āđ‰āļ™āđāļšāļšāļˆāļēāļ"āļžāļĢāļ°āļ­āļēāļˆāļēāļĢāļĒāđŒāļĄāļąāđˆāļ™ āļ āļđāļĢāļīāļ—āļąāļ•āđ‚āļ•"

    āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļŠāļē āļŦāļĢāļ·āļ­ āļžāļĢāļ°āđ‚āļžāļ˜āļīāļāļēāļ“āđ€āļ–āļĢ (āļŠāļē āļŠāļļāļ āļ—āļšāđ‚āļ—) āđ€āļāļīāļ”āđ€āļĄāļ·āđˆāļ­ āļ§āļąāļ™āļ—āļĩāđˆ 17 āļĄāļīāļ–āļļāļ™āļēāļĒāļ™ āļž.āļĻ. 2461 āļ•āļĢāļ‡āļāļąāļš āļ§āļąāļ™āļĻāļļāļāļĢāđŒāļ‚āļķāđ‰āļ™ 7 āļ„āđˆāļģ āđ€āļ”āļ·āļ­āļ™ 7 āļ›āļĩāļĄāļ°āđ€āļĄāļĩāļĒ āļ“ āļšāđ‰āļēāļ™āļˆāļīāļāļāđˆāļ­ āļŦāļĄāļđāđˆāļ—āļĩāđˆ 9 āļ•āļģāļšāļĨāļ˜āļēāļ•āļļ āļ­āļģāđ€āļ āļ­āļ§āļēāļĢāļīāļ™āļŠāļģāļĢāļēāļš āļˆāļąāļ‡āļŦāļ§āļąāļ”āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āļšāļīāļ”āļēāļŠāļ·āđˆāļ­āļ™āļēāļĒāļĄāļē āļŠāđˆāļ§āļ‡āđ‚āļŠāļ•āļī āļĄāļēāļĢāļ”āļēāļŠāļ·āđˆāļ­ āļ™āļēāļ‡āļžāļīāļĄāļžāđŒ āļŠāđˆāļ§āļ‡āđ‚āļŠāļ•āļī āļĄāļĩāļžāļĩāđˆāļ™āđ‰āļ­āļ‡āļĢāđˆāļ§āļĄāļšāļīāļ”āļēāļĄāļēāļĢāļ”āļēāđ€āļ”āļĩāļĒāļ§āļāļąāļ™āļˆāļģāļ™āļ§āļ™ 10 āļ„āļ™ āđƒāļ™āļ§āļąāļĒāđ€āļ”āđ‡āļ āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļŠāļēāđ€āļĢāļĩāļĒāļ™āļŠāļąāđ‰āļ™āļ›āļĢāļ°āļ–āļĄāļĻāļķāļāļĐāļē āļ—āļĩāđˆāđ‚āļĢāļ‡āđ€āļĢāļĩāļĒāļ™āļšāđ‰āļēāļ™āļāđˆāļ­ āļ•āļģāļšāļĨāļ˜āļēāļ•āļļ āļ­āļģāđ€āļ āļ­āļ§āļēāļĢāļīāļ™āļŠāļģāļĢāļēāļš āļˆāļąāļ‡āļŦāļ§āļąāļ”āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āļˆāļ™āļˆāļšāļŠāļąāđ‰āļ™āļ›āļĢāļ°āļ–āļĄ 1 āļˆāļķāļ‡āļ‚āļ­āļĨāļēāļ­āļ­āļāđ€āļžāļ·āđˆāļ­āļĄāļēāļšāļ§āļŠāđ€āļĢāļĩāļĒāļ™āļ•āļēāļĄāļ„āļ§āļēāļĄāļŠāļ™āđƒāļˆāļ‚āļ­āļ‡āļ•āļ™āđ€āļ­āļ‡ āđ‚āļ”āļĒāļŠāđˆāļ§āļ‡āļ­āļēāļĒāļļ 13 āļ›āļĩ āļŦāļĨāļąāļ‡āļˆāļēāļāļĨāļēāļ­āļ­āļāļˆāļēāļāđ‚āļĢāļ‡āđ€āļĢāļĩāļĒāļ™āļ›āļĢāļ°āļ–āļĄāļĻāļķāļāļĐāļē āđ‚āļĒāļĄāļšāļīāļ”āļēāđ„āļ”āđ‰āļ™āļģāđ„āļ›āļāļēāļāļāļąāļšāđ€āļˆāđ‰āļēāļ­āļēāļ§āļēāļŠāđ€āļžāļ·āđˆāļ­āđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āļšāļļāļžāļāļīāļˆāđ€āļšāļ·āđ‰āļ­āļ‡āļ•āđ‰āļ™āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļšāļĢāļĢāļžāļŠāļēāļ§āļīāļ˜āļĩ āļˆāļķāļ‡āđ„āļ”āđ‰āļĢāļąāļšāļ­āļ™āļļāļāļēāļ•āđƒāļŦāđ‰āļšāļĢāļĢāļžāļŠāļēāđ€āļ›āđ‡āļ™ “āļŠāļēāļĄāđ€āļ“āļĢāļŠāļē āđ‚āļŠāļ•āļīāļŠāđˆāļ§āļ‡” āļˆāļ™āļ­āļĒāļđāđˆāļ›āļāļīāļšāļąāļ•āļīāļ„āļĢāļđāļ­āļēāļˆāļēāļĢāļĒāđŒ āđ€āļ›āđ‡āļ™āđ€āļ§āļĨāļē 3 āļ›āļĩ āđ„āļ”āđ‰āđāļĨāđ‰āļ§āļˆāļķāļ‡āđ„āļ”āđ‰āļĨāļēāļŠāļīāļāļ‚āļēāļšāļ—āļĄāļēāļŠāđˆāļ§āļĒāļšāļīāļ”āļēāļĄāļēāļĢāļ”āļēāļ—āļģāđ„āļĢāđˆāļ—āļģāļ™āļē āđāļ•āđˆāļ”āđ‰āļ§āļĒāļˆāļīāļ•āđƒāļˆāļ—āļĩāđˆāđƒāļāđˆāđƒāļ™āļ—āļēāļ‡āļ˜āļĢāļĢāļĄ āđ€āļĄāļ·āđˆāļ­āļ­āļēāļĒāļļāļ„āļĢāļš 20 āļ›āļĩāļšāļĢāļīāļšāļđāļĢāļ“āđŒ āļˆāļķāļ‡āļĨāļēāļžāđˆāļ­āđāļĄāđˆāļĄāļēāļšāļ§āļŠāđ€āļ›āđ‡āļ™āļžāļĢāļ° āđ‚āļ”āļĒāļ­āļļāļ›āļŠāļĄāļšāļ—āđ€āļĄāļ·āđˆāļ­āļ§āļąāļ™āļ—āļĩāđˆ 26 āđ€āļĄāļĐāļēāļĒāļ™ āļž.āļĻ. 2482 āđ€āļ§āļĨāļē 13.55 āļ™. āļ“ āļžāļąāļ—āļ˜āļŠāļĩāļĄāļē āļ§āļąāļ”āļāđˆāļ­āđƒāļ™ āļ•āļģāļšāļĨāļ˜āļēāļ•āļļ āļ­āļģāđ€āļ āļ­āļ§āļēāļĢāļīāļ™āļŠāļģāļĢāļēāļš āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āļžāļĢāļ°āļŠāļē āļŠāļļāļ āļ—āļšāđ‚āļ— āđ„āļ”āđ‰āļˆāļģāļžāļĢāļĢāļĐāļēāļ­āļĒāļđāđˆ āļ“ āļ§āļąāļ”āļāđˆāļ­āļ™āļ­āļ 2 āļžāļĢāļĢāļĐāļē āļ•āļąāđ‰āļ‡āđƒāļˆāļĻāļķāļāļĐāļēāļ›āļĢāļīāļĒāļąāļ•āļīāļ˜āļĢāļĢāļĄ āļ—āļąāđ‰āļ‡āļˆāļēāļāļ•āļģāļĢāļąāļšāļ•āļģāļĢāļēāđāļĨāļ°āļˆāļēāļāļ„āļĢāļđāļ­āļēāļˆāļēāļĢāļĒāđŒ āļˆāļ™āļŠāļ­āļšāļ™āļąāļāļ˜āļĢāļĢāļĄāļŠāļąāđ‰āļ™āļ•āļĢāļĩāđ„āļ”āđ‰āđƒāļ™āļŠāļģāļ™āļąāļāļ§āļąāļ”āđāļŦāđˆāļ‡āļ™āļĩāđ‰ āđāļ•āđˆāđ‚āļŠāļ„āļĢāđ‰āļēāļĒ āļŠāđˆāļ§āļ‡āļ™āļąāđ‰āļ™ āļŦāļĨāļ§āļ‡āļžāđˆāļ­āļŠāļē āđ„āļ”āđ‰āļ§āđˆāļēāļ‡āđ€āļ§āđ‰āļ™āļˆāļēāļāļāļēāļĢāļĻāļķāļāļĐāļē āđ€āļžāļ·āđˆāļ­āđ„āļ›āļ”āļđāđāļĨāđ‚āļĒāļĄāļšāļīāļ”āļēāļ—āļĩāđˆāļ›āđˆāļ§āļĒ āđāļĄāđ‰āļŦāļĨāļ§āļ‡āļžāđˆāļ­āļŠāļē āļāđ‡āđ€āļāļīāļ”āļ„āļ§āļēāļĄāļĨāļąāļ‡āđ€āļĨāđƒāļˆ āļžāļ°āļ§āđ‰āļēāļžāļ°āļ§āļ‡ āļŦāđˆāļ§āļ‡āļāļēāļĢāļĻāļķāļāļĐāļēāļāđ‡āļŦāđˆāļ§āļ‡ āļŦāđˆāļ§āļ‡āđ‚āļĒāļĄāļšāļīāļ”āļēāļāđ‡āļŦāđˆāļ§āļ‡ āđāļ•āđˆāļ„āļ§āļēāļĄāļŦāđˆāļ§āļ‡āļœāļđāđ‰āļšāļąāļ‡āđ€āļāļīāļ”āđ€āļāļĨāđ‰āļēāļĄāļĩāļ™āđ‰āļģāļŦāļ™āļąāļāļĄāļēāļāļāļ§āđˆāļē āđ€āļžāļĢāļēāļ°āđ‚āļĒāļĄāļšāļīāļ”āļēāđ€āļ›āđ‡āļ™āļœāļđāđ‰āļĄāļĩāļžāļĢāļ°āļ„āļļāļ“āļ­āļĒāđˆāļēāļ‡āđ€āļŦāļĨāļ·āļ­āļĨāđ‰āļ™ āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļˆāļķāļ‡āļ•āļąāļ”āļŠāļīāļ™āđƒāļˆāļāļĨāļąāļšāđ„āļ›āļ”āļđāđāļĨāđ‚āļĒāļĄāļžāđˆāļ­āļ—āļąāđ‰āļ‡āļ—āļĩāđˆāļ§āļąāļ™āļŠāļ­āļšāļ™āļąāļāļ˜āļĢāļĢāļĄāļāđ‡āđƒāļāļĨāđ‰āđ€āļ‚āđ‰āļēāļĄāļēāļ—āļļāļāļ—āļĩ āđāļ•āđˆāļāđ‡āđ€āļĨāļ·āļ­āļāļ—āļĩāđˆāļˆāļ°āđ€āļ”āļīāļ™āđƒāļ™āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āļŠāļēāļĒāļāļ•āļąāļāļāļļāļ•āļē āđ‚āļ”āļĒāļ—āļĩāđˆāļŠāļļāļ” āļĄāļēāļ­āļĒāļđāđˆāđ€āļāđ‰āļēāļ”āļđāđāļĨāļ­āļēāļāļēāļĢāļ›āđˆāļ§āļĒāļ‚āļ­āļ‡āđ‚āļĒāļĄāļžāđˆāļ­āļ™āļąāļšāđ€āļ›āđ‡āļ™āđ€āļ§āļĨāļē 13 āļ§āļąāļ™ āđ‚āļĒāļĄāļžāđˆāļ­āļˆāļķāļ‡āđ„āļ”āđ‰āļ–āļķāļ‡āđāļāđˆāļāļĢāļĢāļĄ (āļ›āļĩ 2483)

    āļŦāļĨāļąāļ‡āļˆāļēāļāļ™āļąāđ‰āļ™ āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļŠāļē āļāđ‡āđ„āļ”āđ‰āđ€āļ”āļīāļ™āļ—āļēāļ‡āđ„āļ›āļĻāļķāļāļĐāļēāđ€āļĨāđˆāļēāđ€āļĢāļĩāļĒāļ™āļĒāļąāļ‡āļ—āļĩāđˆāļ•āđˆāļēāļ‡āđ† āđ€āļŠāđˆāļ™ āļ—āļĩāđˆāļŠāļģāļ™āļąāļāļ‚āļ­āļ‡āļŦāļĨāļ§āļ‡āļžāđˆāļ­āđ€āļ āļē āļ§āļąāļ”āđ€āļ‚āļēāļ§āļ‡āļāļ āļˆ.āļĨāļžāļšāļļāļĢāļĩ āđāļĨāļ°āļžāļĢāļ°āļ­āļēāļˆāļēāļĢāļĒāđŒāļŠāļēāļ§āļāļąāļĄāļžāļđāļŠāļēāļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļžāļĢāļ°āļ˜āļļāļ”āļ‡āļ„āđŒāļ‹āļķāđˆāļ‡āđ„āļ”āđ‰āļžāļšāļāļąāļ™āļ—āļĩāđˆāļ§āļąāļ”āđ€āļ‚āļēāļ§āļ‡āļāļ āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļāļīāļ™āļĢāļĩ āļ­āļēāļˆāļēāļĢāļĒāđŒāļ„āļģāļ”āļĩ āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļ—āļ­āļ‡āļĢāļąāļ•āļ™āđŒ āļžāļĢāļ°āļ­āļēāļˆāļēāļĢāļĒāđŒāļĄāļąāđˆāļ™ āđ€āļ›āđ‡āļ™āļ•āđ‰āļ™ āļžāļ­āļ­āļīāļ™āļ—āļĢāļĩāļĒāđŒāđāļāđˆāļāļĨāđ‰āļēāđāļĨāđ‰āļ§āļāđ‡āļ­āļ­āļāļ˜āļļāļ”āļ‡āļ„āđŒāļ›āļāļīāļšāļąāļ•āļīāļ˜āļĢāļĢāļĄāļ•āđˆāļ­āđ„āļ›āđ€āļĢāļ·āđˆāļ­āļĒāđ† āđ‚āļ”āļĒāļĒāļąāļ‡āļ”āļģāļĢāļ‡āļŠāļĄāļ“āđ€āļžāļĻāđ€āļ›āđ‡āļ™āļžāļĢāļ°āļĄāļŦāļēāļ™āļīāļāļēāļĒāļ­āļĒāļđāđˆāļ•āļĨāļ­āļ”āđ€āļ§āļĨāļē

    āļāļīāļˆāļ—āļĩāđˆāļŦāļĨāļ§āļ‡āļ›āļđāđˆāļŊ āđ‚āļ›āļĢāļ”āļ›āļĢāļēāļ™ āļ„āļ·āļ­āļāļēāļĢāđ„āļ”āđ‰āļ˜āļļāļ”āļ‡āļ„āđŒāđ„āļ›āļĒāļąāļ‡āļ—āļĩāđˆāļ•āđˆāļēāļ‡ āđ† āļ—āļąāđˆāļ§āļ›āļĢāļ°āđ€āļ—āļĻ āđ€āļžāļ·āđˆāļ­āđ‚āļ›āļĢāļ”āļŠāļēāļ™āļļāļĻāļīāļĐāļĒāđŒāđāļĨāļ°āđ€āļœāļĒāđāļžāļĢāđˆāļžāļļāļ—āļ˜āļĻāļēāļŠāļ™āļē āļˆāļ™āļ—āļĩāđˆāļŠāļļāļ”āđ€āļĄāļ·āđˆāļ­āļ„āļ“āļ°āļĻāļīāļĐāļĒāđŒ āđāļĨāļ°āļŦāļĨāļ§āļ‡āļžāđˆāļ­āđ„āļ”āđ‰āđ€āļ”āļīāļ™āļ—āļēāļ‡āļĄāļēāļ–āļķāļ‡āļŠāļēāļĒāļ”āļ‡āļ›āđˆāļēāļžāļ‡ āļ•āļĢāļ‡āļāļąāļšāļ§āļąāļ™āļ—āļĩāđˆ 8 āļĄāļĩāļ™āļēāļ„āļĄ āļž.āļĻ. 2497 āļžāļ­āđ€āļŠāđ‰āļēāļ§āļąāļ™āļ—āļĩāđˆ 9 āļĄāļĩāļ™āļēāļ„āļĄ 2497 āļˆāļķāļ‡āđ„āļ”āđ‰āļžāļēāļāļąāļ™āđ€āļ‚āđ‰āļēāļŠāļģāļĢāļ§āļˆ āļŠāļ–āļēāļ™āļ—āļĩāđˆāļžāļąāļāđƒāļ™āļ”āļ‡āļ›āđˆāļēāļ™āļĩāđ‰ āđāļĨāļ°āđ„āļ”āđ‰āļŠāđˆāļ§āļĒāļāļąāļ™āļ”āļģāđ€āļ™āļīāļ™āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ§āļąāļ”āļ›āđˆāļēāļ‚āļķāđ‰āļ™ āļ‹āļķāđˆāļ‡āđ€āļĢāļēāļĢāļđāđ‰āļˆāļąāļāđƒāļ™āļ›āļąāļˆāļˆāļļāļšāļąāļ™ āļ„āļ·āļ­ “āļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡”

    āļˆāļ™āļ āļēāļĒāļŦāļĨāļąāļ‡āļĄāļĩāļŠāļēāļ™āļļāļĻāļīāļĐāļĒāđŒāļĄāļēāļāļĄāļēāļĒāļ—āļąāđ‰āļ‡āđ„āļ—āļĒāđāļĨāļ°āđ€āļ—āļĻ āļ‚āļĒāļēāļĒāđ„āļ›āļŦāļĨāļēāļĒāļŠāļēāļ‚āļē āļ”āļąāļ‡āļ—āļĩāđˆāļāļĨāđˆāļēāļ§āđ„āļ›āļ‚āđ‰āļēāļ‡āļ•āđ‰āļ™ āđāļĨāļ°āļ—āđˆāļēāļ™āļ”āļģāļĢāļ‡āļ•āļģāđāļŦāļ™āđˆāļ‡āđ€āļˆāđ‰āļēāļ­āļēāļ§āļēāļŠāļ§āļąāļ”āļ™āļĩāđ‰āļĄāļēāđ‚āļ”āļĒāļ•āļĨāļ­āļ” āđāļĨāļ°āļ–āļķāļ‡āđāļāđˆāļĄāļĢāļ“āļ āļēāļžāđ€āļĄāļ·āđˆāļ­ 16 āļĄāļāļĢāļēāļ„āļĄ āļž.āļĻ. 2535 āđ€āļ§āļĨāļē 05.20 āļ™. āļ—āļĩāđˆ āļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡ āļ­āļĒāđˆāļēāļ‡āļŠāļ‡āļšāļ—āđˆāļēāļĄāļāļĨāļēāļ‡āļ˜āļĢāļĢāļĄāļŠāļąāļ‡āđ€āļ§āļŠāļ‚āļ­āļ‡āļĻāļīāļĐāļĒāļēāļ™āļļāļĻāļīāļĐāļĒāđŒāļˆāļēāļāļ—āļļāļāļŠāļēāļĢāļ—āļīāļĻāļ—āļąāđˆāļ§āđ‚āļĨāļ āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļ—āļĩāđˆāļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡ āļĄāļĩāļžāļĢāļ°āļŠāļ‡āļ†āđŒāļ•āđˆāļēāļ‡āļŠāļēāļ•āļī āđ€āļ›āđ‡āļ™āļˆāļģāļ™āļ§āļ™āļĄāļēāļ āđ€āļ„āļĒāļĄāļĩāļ„āļ™āđ„āļ›āļ–āļēāļĄāļŦāļĨāļ§āļ‡āļ›āļđāđˆāļ§āđˆāļē āļžāļđāļ”āļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐāđ„āļĄāđˆāđ„āļ”āđ‰ āđāļĨāđ‰āļ§āļˆāļ°āļŠāļ­āļ™āļŠāļēāļ§āļ•āđˆāļēāļ‡āļŠāļēāļ•āļīāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđ„āļĢ āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļ—āđˆāļēāļ™āđ€āļĄāļ•āļ•āļēāļ•āļ­āļšāļ§āđˆāļē āļ™āđ‰āļģāļĢāđ‰āļ­āļ™ āļ—āļĩāđˆāļāļĢāļąāđˆāļ‡āļ§āđˆāļēāļāļąāļ™āļ§āđˆāļē āļŪāđŠāļ­āļ•āļ§āļ­āđ€āļ•āļ­āļĢāđŒ āđ€āļ­āļēāļĄāļ·āļ­āļĨāļ‡āđ„āļ›āļŠāļąāļĄāļœāļąāļŠ āļ—āļļāļāļŠāļēāļ•āļīāļāđ‡āļĢāļđāđ‰āļ§āđˆāļēāļĢāđ‰āļ­āļ™ āđ„āļĄāđˆāđ€āļŦāđ‡āļ™āļ•āđ‰āļ­āļ‡āļĢāļđāđ‰āļ āļēāļĐāļēāļāđˆāļ­āļ™āđ€āļĨāļĒ āļ™āļąāļĒāļ§āđˆāļē āļ˜āļĢāļĢāļĄāļ° āđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āđ„āļ”āđ‰āļˆāļēāļāļāļēāļĢāļŠāļąāļĄāļœāļąāļŠ āļāļēāļĢāļ›āļāļīāļšāļąāļ•āļī āļĄāļīāđƒāļŠāđˆāļāļēāļĢāļ­āđˆāļēāļ™āđ€āļ‚āļĩāļĒāļ™āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™

    āļ›āļąāļˆāļˆāļļāļšāļąāļ™ āđāļĄāđ‰āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļŠāļēāļŊ āļˆāļ°āļĨāļ°āļŠāļąāļ‡āļ‚āļēāļĢāđ„āļ›āđāļĨāđ‰āļ§āļāļ§āđˆāļēāļŠāļēāļĄāļŠāļīāļšāļ›āļĩāļāļ§āđˆāļēāļ›āļĩ āļ„āļģāļŠāļ­āļ™āđāļĨāļ°āļ§āļąāļ•āļĢāļ›āļāļīāļšāļąāļ•āļīāļ­āļąāļ™āļ”āļĩāļ‡āļēāļĄ āļāđ‡āļĒāļąāļ‡āļ­āļĒāļđāđˆāđƒāļ™āļ„āļ§āļēāļĄāļ—āļĢāļ‡āļˆāļģāļŠāļēāļ™āļļāļĻāļīāļĐāļĒāđŒāļ—āļąāđ‰āļ‡āļŦāļĨāļēāļĒ āđ€āļŦāđ‡āļ™āđ„āļ”āđ‰āļˆāļēāļāļāļēāļĢāļ—āļĩāđˆāļāļĨāļąāļšāđ„āļ›āļŠāļąāļĄāļœāļąāļŠ āļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡ āļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡ āđ€āļĄāļ·āđˆāļ­āđ€āļĢāđ‡āļ§ āđ† āļ™āļĩāđ‰ āļ„āļ§āļēāļĄāļŠāļ‡āļš āđāļĨāļ° āļ„āļ§āļēāļĄāđ€āļ„āļĢāđˆāļ‡āļ„āļĢāļąāļ” āđāļšāļšāļžāļĢāļ°āļ›āđˆāļē āļĒāļąāļ‡āļ„āļ‡āļĄāļĩāđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āđāļĨāļ°āļŠāļąāļĄāļœāļąāļŠāđ„āļ”āđ‰ āļĄāļĩāđ‚āļ­āļāļēāļŠāđ„āļ”āđ‰āđāļ§āļ°āđ€āļ‚āđ‰āļēāđ„āļ›āļŠāļĄ āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒāļžāļĢāļ°āđ‚āļžāļ˜āļīāļāļēāļ“āđ€āļ–āļĢ (āļŠāļē āļŠāļļāļ āļąāļ—āđ‚āļ—) āđ‚āļ”āļĒāļˆāļ°āļˆāļąāļ”āđāļŠāļ”āļ‡āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ­āļąāļāļšāļĢāļīāļ‚āļēāļĢāđāļĨāļ°āļŦāļļāđˆāļ™āļ‚āļĩāđ‰āļœāļķāđ‰āļ‡āļ‚āļ­āļ‡āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļŠāļē āļŠāļļāļ āļąāļ—āđ‚āļ— āļĄāļĩāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ—āļ­āļ‡āđ€āļŦāļĨāļ·āļ­āļ‡ āļžāļĢāļ°āļžāļļāļ—āļ˜āļĢāļđāļ› āđāļĨāļ° āđ€āļˆāļ”āļĩāļĒāđŒāļĻāļĢāļĩāđ‚āļžāļ˜āļīāļāļēāļ“ āđ€āļ›āđ‡āļ™āļŠāļ–āļēāļ™āļ—āļĩāđˆāļžāļĢāļ°āļĢāļēāļŠāļ—āļēāļ™āđ€āļžāļĨāļīāļ‡āļĻāļžāļ‚āļ­āļ‡āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļŠāļēāļ­āļĩāļāļ”āđ‰āļ§āļĒ āļˆāļļāļ”āđ€āļ”āđˆāļ™āļ—āļĩāđˆāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆ āļ„āļ·āļ­ āļ›āđ‰āļēāļĒ āļ„āļģāļŠāļ­āļ™āļ•āđˆāļēāļ‡ āđ† āļ—āļĩāđˆāļ•āļīāļ”āđ„āļ§āđ‰āļ•āļēāļĄāļ•āđ‰āļ™āđ„āļĄāđ‰ āļ­āđˆāļēāļ™āđāļĨāđ‰āļ§āļ—āļģāđƒāļŦāđ‰āđ€āļĢāļēāđ„āļ”āđ‰āļ™āļķāļāļ—āļšāļ—āļ§āļ™āļŠāļĩāļ§āļīāļ•āđ€āļĢāļēāđ„āļ›āļ”āđ‰āļ§āļĒāļ‚āļ“āļ°āđ€āļ”āļīāļ™āļŠāļĄāđ„āļ›āđ€āļ‡āļĩāļĒāļš āđ† āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ āđ„āļ”āđ‰āļĄāļĩāđ‚āļ­āļāļēāļŠāđ€āļ‚āđ‰āļēāđ„āļ›āļ—āļĩāđˆ āļ­āļļāđ‚āļšāļŠāļ–āļ”āđ‰āļēāļ™āđƒāļ™ āļ—āļēāļ‡āđ€āļ‚āđ‰āļēāđ€āļ‚āļ•āļŠāļąāļ‡āļ†āļēāļ§āļēāļŠ āļ—āļĩāđˆāļžāļĢāļ°āļŠāļ‡āļ†āđŒāđƒāļŠāđ‰āļ—āļģāļ§āļąāļ” āļ—āļģāđƒāļŦāđ‰āļžāļ­āļ™āļķāļāđ€āļŦāđ‡āļ™āļ āļēāļžāļšāļĢāļĢāļĒāļēāļāļēāļĻāđ€āļĄāļ·āđˆāļ­āļŠāļĄāļąāļĒāļāđˆāļ­āļ™ āļ—āļĩāđˆāļŦāļĨāļ§āļ‡āļ›āļđāđˆ āļĨāļ‡āļĄāļēāđ€āļ—āļĻāļ™āļēāļ˜āļĢāļĢāļĄ

    āļĢāļ§āļĄ āđ† āđāļĨāđ‰āļ§āļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāļĄāļēāļ āļ„āļĢāļąāļš āļœāļĄāļāļĢāļēāļšāđ€āļĢāļĩāļĒāļ™āđ€āļŠāļīāļ āļ—āđˆāļēāļ™āļ—āļĩāđˆāļĄāļĩāđ‚āļ­āļāļēāļŠāđ„āļ› āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āļ­āļĒāļēāļāđƒāļŦāđ‰āđ„āļ›āļŠāļąāļĄāļœāļąāļŠ āļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡ āļŠāļąāļāļ„āļĢāļąāđ‰āļ‡āļ„āļĢāļąāļš

    #āļŠāļĩāļ§āļīāļ•āļ™āļĩāđ‰āļ•āđ‰āļ­āļ‡āļĄāļĩ1000āļ§āļąāļ” #āđ€āļ—āļĩāđˆāļĒāļ§āđ„āļ—āļĒāđ„āļ›āļāļąāļšāļŠāđ‰āļĄāđ‚āļˆ #āđ€āļ—āļĩāđˆāļĒāļ§āļ§āļąāļ” #āļ§āļąāļ” #āđ„āļŦāļ§āđ‰āļžāļĢāļ° #āļ—āļģāļšāļļāļ #travel #thailand #amazingthailand #thaitour #temple #history #architecture #culture #thaitemple #āļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§ #CultureTrip
    #āļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡ #āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡ – āļĒāđ‰āļ­āļ™āļĢāļģāļĨāļķāļāļ„āļ§āļēāļĄāļŦāļĨāļąāļ‡ āđ€āļĄāļ·āđˆāļ­āđ€āļāļ·āļ­āļšāļĒāļĩāđˆāļŠāļīāļšāļ›āļĩāļāđˆāļ­āļ™ āļœāļĄāđ„āļ”āđ‰āļĄāļĩāđ‚āļ­āļāļēāļŠāļŠāļąāļĄāļœāļąāļŠ āļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡ āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāđ„āļĄāđˆāļĢāļđāđ‰ āđāļĨāļ°āđ„āļĄāđˆāļĨāļķāļāļ‹āļķāđ‰āļ‡āļ–āļķāļ‡āđāļ§āļ”āļ§āļ‡āļžāļĢāļ°āļžāļļāļ—āļ˜āļĻāļēāļŠāļ™āļē āđ€āļĨāļĒāļ—āļģāđƒāļŦāđ‰āļāļēāļĢāđ„āļ›āļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡ āļ„āļĢāļąāđ‰āļ‡āđāļĢāļ āļœāļĄāđ„āļĄāđˆāđ„āļ”āđ‰āļ­āļ°āđ„āļĢāļ•āļīāļ”āļĄāļ·āļ­āļ•āļīāļ”āđƒāļˆāļāļĨāļąāļšāļĄāļēāđ€āļ›āđ‡āļ™āļ§āļīāļ—āļĒāļēāļ—āļēāļ™āđ€āļĨāļĒ āļˆāļ™āđ€āļĄāļ·āđˆāļ­āļ„āļĢāļąāđ‰āļ‡āļĨāđˆāļēāļŠāļļāļ”āļ—āļĩāđˆāđ„āļ› āļŠāļĩāļ§āļīāļ•āļĄāļĩāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒ āđāļĨāļ°āļžāļ­āļĄāļĩāļžāļ·āđ‰āļ™āļāļēāļ™āļžāļļāļ—āļ˜āļĻāļēāļŠāļ™āļēāđ€āļžāļīāđˆāļĄāļ‚āļķāđ‰āļ™āļšāđ‰āļēāļ‡ āļ„āļĢāļąāđ‰āļ‡āļ™āļĩāđ‰ āđ€āļ›āđ‡āļ™āļāļēāļĢāđƒāļŠāđ‰āđ€āļ§āļĨāļēāļ­āļĒāļđāđˆāļ—āļĩāđˆāļ§āļąāļ”āļ™āļēāļ™āļ‚āļķāđ‰āļ™ āļžāļĢāđ‰āļ­āļĄāļžāļāļžāļēāļ„āļ§āļēāļĄāļĢāļđāđ‰āļŠāļķāļ āļ„āļ§āļēāļĄāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāļ—āļĩāđˆāļ•āđˆāļēāļ‡āļ­āļ­āļāđ„āļ› āļāļĨāļąāļšāļ­āļ­āļāļĄāļēāļ”āđ‰āļ§āļĒāļ­āļĒāđˆāļēāļ‡āļ›āļĨāļ·āđ‰āļĄāļ­āļāļ›āļĨāļ·āđ‰āļĄāđƒāļˆ āļĨāđ‰āļ­āļĄāļ§āļ‡āļĄāļēāļŸāļąāļ‡āļāļąāļ™āļ„āļĢāļąāļš āļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡ āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ (āļĒāļēāļ§āļŠāļąāļāļŦāļ™āđˆāļ­āļĒāļ™āļ°āļ„āļĢāļąāļš) āļ„āļ‡āļˆāļ°āđ„āļĄāđˆāļ–āļđāļāļ•āđ‰āļ­āļ‡ āļ–āđ‰āļēāļˆāļ°āļāļĨāđˆāļēāļ§āļ–āļķāļ‡āļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡ āđ‚āļ”āļĒāđ„āļĄāđˆāļāļĨāđˆāļēāļ§āļ–āļķāļ‡ āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļŠāļē āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļŠāļē āļžāļĢāļ°āļŠāļģāļ„āļąāļāļœāļđāđ‰āļāđˆāļ­āļ•āļąāđ‰āļ‡āļ§āļąāļ”āđāļŦāđˆāļ‡āļ™āļĩāđ‰ āđƒāļŦāđ‰āļŠāļēāļĄāļēāļĢāļ–āđ„āļ›āđ€āļœāļĒāđāļžāļĢāđˆāļžāļļāļ—āļ˜āļĻāļēāļŠāļ™āļēāđ„āļ”āđ‰āļāļ§āđ‰āļēāļ‡āđ„āļāļĨ āđ„āļĄāđˆāđ€āļžāļĩāļĒāļ‡āđāļ„āđˆāđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒ āļŦāļēāļāđāļ•āđˆāđ„āļ›āđ„āļāļĨāļ–āļķāļ‡āļŠāļīāļšāļāļ§āđˆāļēāļ›āļĢāļ°āđ€āļ—āļĻāļ—āļąāđˆāļ§āđ‚āļĨāļ āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļŠāļē āļžāļĢāļ°āđ‚āļžāļ˜āļīāļāļēāļ“āđ€āļ–āļĢ (āļŠāļē āļŠāļļāļ āļ—āļšāđ‚āļ—) āđāļŦāđˆāļ‡āļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡ āļˆ.āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āļ•āđ‰āļ™āđāļšāļšāļ‚āļ­āļ‡āļžāļĢāļ°āļ›āđˆāļēāļ—āļąāđˆāļ§āđ‚āļĨāļ āļ”āđ‰āļ§āļĒāļ§āļąāļ•āļĢāļ›āļŽāļīāļšāļąāļ•āļīāļ—āļĩāđˆāđ€āļ„āļĢāđˆāļ‡āļ„āļĢāļąāļ”āļŠāļēāļĒāļ§āļīāļ›āļąāļŠāļŠāļ™āļēāļāļĢāļĢāļĄāļāļēāļ™āļ—āļĩāđˆāļĄāļĩāļ•āđ‰āļ™āđāļšāļšāļˆāļēāļ"āļžāļĢāļ°āļ­āļēāļˆāļēāļĢāļĒāđŒāļĄāļąāđˆāļ™ āļ āļđāļĢāļīāļ—āļąāļ•āđ‚āļ•" āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļŠāļē āļŦāļĢāļ·āļ­ āļžāļĢāļ°āđ‚āļžāļ˜āļīāļāļēāļ“āđ€āļ–āļĢ (āļŠāļē āļŠāļļāļ āļ—āļšāđ‚āļ—) āđ€āļāļīāļ”āđ€āļĄāļ·āđˆāļ­ āļ§āļąāļ™āļ—āļĩāđˆ 17 āļĄāļīāļ–āļļāļ™āļēāļĒāļ™ āļž.āļĻ. 2461 āļ•āļĢāļ‡āļāļąāļš āļ§āļąāļ™āļĻāļļāļāļĢāđŒāļ‚āļķāđ‰āļ™ 7 āļ„āđˆāļģ āđ€āļ”āļ·āļ­āļ™ 7 āļ›āļĩāļĄāļ°āđ€āļĄāļĩāļĒ āļ“ āļšāđ‰āļēāļ™āļˆāļīāļāļāđˆāļ­ āļŦāļĄāļđāđˆāļ—āļĩāđˆ 9 āļ•āļģāļšāļĨāļ˜āļēāļ•āļļ āļ­āļģāđ€āļ āļ­āļ§āļēāļĢāļīāļ™āļŠāļģāļĢāļēāļš āļˆāļąāļ‡āļŦāļ§āļąāļ”āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āļšāļīāļ”āļēāļŠāļ·āđˆāļ­āļ™āļēāļĒāļĄāļē āļŠāđˆāļ§āļ‡āđ‚āļŠāļ•āļī āļĄāļēāļĢāļ”āļēāļŠāļ·āđˆāļ­ āļ™āļēāļ‡āļžāļīāļĄāļžāđŒ āļŠāđˆāļ§āļ‡āđ‚āļŠāļ•āļī āļĄāļĩāļžāļĩāđˆāļ™āđ‰āļ­āļ‡āļĢāđˆāļ§āļĄāļšāļīāļ”āļēāļĄāļēāļĢāļ”āļēāđ€āļ”āļĩāļĒāļ§āļāļąāļ™āļˆāļģāļ™āļ§āļ™ 10 āļ„āļ™ āđƒāļ™āļ§āļąāļĒāđ€āļ”āđ‡āļ āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļŠāļēāđ€āļĢāļĩāļĒāļ™āļŠāļąāđ‰āļ™āļ›āļĢāļ°āļ–āļĄāļĻāļķāļāļĐāļē āļ—āļĩāđˆāđ‚āļĢāļ‡āđ€āļĢāļĩāļĒāļ™āļšāđ‰āļēāļ™āļāđˆāļ­ āļ•āļģāļšāļĨāļ˜āļēāļ•āļļ āļ­āļģāđ€āļ āļ­āļ§āļēāļĢāļīāļ™āļŠāļģāļĢāļēāļš āļˆāļąāļ‡āļŦāļ§āļąāļ”āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āļˆāļ™āļˆāļšāļŠāļąāđ‰āļ™āļ›āļĢāļ°āļ–āļĄ 1 āļˆāļķāļ‡āļ‚āļ­āļĨāļēāļ­āļ­āļāđ€āļžāļ·āđˆāļ­āļĄāļēāļšāļ§āļŠāđ€āļĢāļĩāļĒāļ™āļ•āļēāļĄāļ„āļ§āļēāļĄāļŠāļ™āđƒāļˆāļ‚āļ­āļ‡āļ•āļ™āđ€āļ­āļ‡ āđ‚āļ”āļĒāļŠāđˆāļ§āļ‡āļ­āļēāļĒāļļ 13 āļ›āļĩ āļŦāļĨāļąāļ‡āļˆāļēāļāļĨāļēāļ­āļ­āļāļˆāļēāļāđ‚āļĢāļ‡āđ€āļĢāļĩāļĒāļ™āļ›āļĢāļ°āļ–āļĄāļĻāļķāļāļĐāļē āđ‚āļĒāļĄāļšāļīāļ”āļēāđ„āļ”āđ‰āļ™āļģāđ„āļ›āļāļēāļāļāļąāļšāđ€āļˆāđ‰āļēāļ­āļēāļ§āļēāļŠāđ€āļžāļ·āđˆāļ­āđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āļšāļļāļžāļāļīāļˆāđ€āļšāļ·āđ‰āļ­āļ‡āļ•āđ‰āļ™āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļšāļĢāļĢāļžāļŠāļēāļ§āļīāļ˜āļĩ āļˆāļķāļ‡āđ„āļ”āđ‰āļĢāļąāļšāļ­āļ™āļļāļāļēāļ•āđƒāļŦāđ‰āļšāļĢāļĢāļžāļŠāļēāđ€āļ›āđ‡āļ™ “āļŠāļēāļĄāđ€āļ“āļĢāļŠāļē āđ‚āļŠāļ•āļīāļŠāđˆāļ§āļ‡” āļˆāļ™āļ­āļĒāļđāđˆāļ›āļāļīāļšāļąāļ•āļīāļ„āļĢāļđāļ­āļēāļˆāļēāļĢāļĒāđŒ āđ€āļ›āđ‡āļ™āđ€āļ§āļĨāļē 3 āļ›āļĩ āđ„āļ”āđ‰āđāļĨāđ‰āļ§āļˆāļķāļ‡āđ„āļ”āđ‰āļĨāļēāļŠāļīāļāļ‚āļēāļšāļ—āļĄāļēāļŠāđˆāļ§āļĒāļšāļīāļ”āļēāļĄāļēāļĢāļ”āļēāļ—āļģāđ„āļĢāđˆāļ—āļģāļ™āļē āđāļ•āđˆāļ”āđ‰āļ§āļĒāļˆāļīāļ•āđƒāļˆāļ—āļĩāđˆāđƒāļāđˆāđƒāļ™āļ—āļēāļ‡āļ˜āļĢāļĢāļĄ āđ€āļĄāļ·āđˆāļ­āļ­āļēāļĒāļļāļ„āļĢāļš 20 āļ›āļĩāļšāļĢāļīāļšāļđāļĢāļ“āđŒ āļˆāļķāļ‡āļĨāļēāļžāđˆāļ­āđāļĄāđˆāļĄāļēāļšāļ§āļŠāđ€āļ›āđ‡āļ™āļžāļĢāļ° āđ‚āļ”āļĒāļ­āļļāļ›āļŠāļĄāļšāļ—āđ€āļĄāļ·āđˆāļ­āļ§āļąāļ™āļ—āļĩāđˆ 26 āđ€āļĄāļĐāļēāļĒāļ™ āļž.āļĻ. 2482 āđ€āļ§āļĨāļē 13.55 āļ™. āļ“ āļžāļąāļ—āļ˜āļŠāļĩāļĄāļē āļ§āļąāļ”āļāđˆāļ­āđƒāļ™ āļ•āļģāļšāļĨāļ˜āļēāļ•āļļ āļ­āļģāđ€āļ āļ­āļ§āļēāļĢāļīāļ™āļŠāļģāļĢāļēāļš āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āļžāļĢāļ°āļŠāļē āļŠāļļāļ āļ—āļšāđ‚āļ— āđ„āļ”āđ‰āļˆāļģāļžāļĢāļĢāļĐāļēāļ­āļĒāļđāđˆ āļ“ āļ§āļąāļ”āļāđˆāļ­āļ™āļ­āļ 2 āļžāļĢāļĢāļĐāļē āļ•āļąāđ‰āļ‡āđƒāļˆāļĻāļķāļāļĐāļēāļ›āļĢāļīāļĒāļąāļ•āļīāļ˜āļĢāļĢāļĄ āļ—āļąāđ‰āļ‡āļˆāļēāļāļ•āļģāļĢāļąāļšāļ•āļģāļĢāļēāđāļĨāļ°āļˆāļēāļāļ„āļĢāļđāļ­āļēāļˆāļēāļĢāļĒāđŒ āļˆāļ™āļŠāļ­āļšāļ™āļąāļāļ˜āļĢāļĢāļĄāļŠāļąāđ‰āļ™āļ•āļĢāļĩāđ„āļ”āđ‰āđƒāļ™āļŠāļģāļ™āļąāļāļ§āļąāļ”āđāļŦāđˆāļ‡āļ™āļĩāđ‰ āđāļ•āđˆāđ‚āļŠāļ„āļĢāđ‰āļēāļĒ āļŠāđˆāļ§āļ‡āļ™āļąāđ‰āļ™ āļŦāļĨāļ§āļ‡āļžāđˆāļ­āļŠāļē āđ„āļ”āđ‰āļ§āđˆāļēāļ‡āđ€āļ§āđ‰āļ™āļˆāļēāļāļāļēāļĢāļĻāļķāļāļĐāļē āđ€āļžāļ·āđˆāļ­āđ„āļ›āļ”āļđāđāļĨāđ‚āļĒāļĄāļšāļīāļ”āļēāļ—āļĩāđˆāļ›āđˆāļ§āļĒ āđāļĄāđ‰āļŦāļĨāļ§āļ‡āļžāđˆāļ­āļŠāļē āļāđ‡āđ€āļāļīāļ”āļ„āļ§āļēāļĄāļĨāļąāļ‡āđ€āļĨāđƒāļˆ āļžāļ°āļ§āđ‰āļēāļžāļ°āļ§āļ‡ āļŦāđˆāļ§āļ‡āļāļēāļĢāļĻāļķāļāļĐāļēāļāđ‡āļŦāđˆāļ§āļ‡ āļŦāđˆāļ§āļ‡āđ‚āļĒāļĄāļšāļīāļ”āļēāļāđ‡āļŦāđˆāļ§āļ‡ āđāļ•āđˆāļ„āļ§āļēāļĄāļŦāđˆāļ§āļ‡āļœāļđāđ‰āļšāļąāļ‡āđ€āļāļīāļ”āđ€āļāļĨāđ‰āļēāļĄāļĩāļ™āđ‰āļģāļŦāļ™āļąāļāļĄāļēāļāļāļ§āđˆāļē āđ€āļžāļĢāļēāļ°āđ‚āļĒāļĄāļšāļīāļ”āļēāđ€āļ›āđ‡āļ™āļœāļđāđ‰āļĄāļĩāļžāļĢāļ°āļ„āļļāļ“āļ­āļĒāđˆāļēāļ‡āđ€āļŦāļĨāļ·āļ­āļĨāđ‰āļ™ āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļˆāļķāļ‡āļ•āļąāļ”āļŠāļīāļ™āđƒāļˆāļāļĨāļąāļšāđ„āļ›āļ”āļđāđāļĨāđ‚āļĒāļĄāļžāđˆāļ­āļ—āļąāđ‰āļ‡āļ—āļĩāđˆāļ§āļąāļ™āļŠāļ­āļšāļ™āļąāļāļ˜āļĢāļĢāļĄāļāđ‡āđƒāļāļĨāđ‰āđ€āļ‚āđ‰āļēāļĄāļēāļ—āļļāļāļ—āļĩ āđāļ•āđˆāļāđ‡āđ€āļĨāļ·āļ­āļāļ—āļĩāđˆāļˆāļ°āđ€āļ”āļīāļ™āđƒāļ™āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āļŠāļēāļĒāļāļ•āļąāļāļāļļāļ•āļē āđ‚āļ”āļĒāļ—āļĩāđˆāļŠāļļāļ” āļĄāļēāļ­āļĒāļđāđˆāđ€āļāđ‰āļēāļ”āļđāđāļĨāļ­āļēāļāļēāļĢāļ›āđˆāļ§āļĒāļ‚āļ­āļ‡āđ‚āļĒāļĄāļžāđˆāļ­āļ™āļąāļšāđ€āļ›āđ‡āļ™āđ€āļ§āļĨāļē 13 āļ§āļąāļ™ āđ‚āļĒāļĄāļžāđˆāļ­āļˆāļķāļ‡āđ„āļ”āđ‰āļ–āļķāļ‡āđāļāđˆāļāļĢāļĢāļĄ (āļ›āļĩ 2483) āļŦāļĨāļąāļ‡āļˆāļēāļāļ™āļąāđ‰āļ™ āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļŠāļē āļāđ‡āđ„āļ”āđ‰āđ€āļ”āļīāļ™āļ—āļēāļ‡āđ„āļ›āļĻāļķāļāļĐāļēāđ€āļĨāđˆāļēāđ€āļĢāļĩāļĒāļ™āļĒāļąāļ‡āļ—āļĩāđˆāļ•āđˆāļēāļ‡āđ† āđ€āļŠāđˆāļ™ āļ—āļĩāđˆāļŠāļģāļ™āļąāļāļ‚āļ­āļ‡āļŦāļĨāļ§āļ‡āļžāđˆāļ­āđ€āļ āļē āļ§āļąāļ”āđ€āļ‚āļēāļ§āļ‡āļāļ āļˆ.āļĨāļžāļšāļļāļĢāļĩ āđāļĨāļ°āļžāļĢāļ°āļ­āļēāļˆāļēāļĢāļĒāđŒāļŠāļēāļ§āļāļąāļĄāļžāļđāļŠāļēāļ—āļĩāđˆāđ€āļ›āđ‡āļ™āļžāļĢāļ°āļ˜āļļāļ”āļ‡āļ„āđŒāļ‹āļķāđˆāļ‡āđ„āļ”āđ‰āļžāļšāļāļąāļ™āļ—āļĩāđˆāļ§āļąāļ”āđ€āļ‚āļēāļ§āļ‡āļāļ āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļāļīāļ™āļĢāļĩ āļ­āļēāļˆāļēāļĢāļĒāđŒāļ„āļģāļ”āļĩ āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļ—āļ­āļ‡āļĢāļąāļ•āļ™āđŒ āļžāļĢāļ°āļ­āļēāļˆāļēāļĢāļĒāđŒāļĄāļąāđˆāļ™ āđ€āļ›āđ‡āļ™āļ•āđ‰āļ™ āļžāļ­āļ­āļīāļ™āļ—āļĢāļĩāļĒāđŒāđāļāđˆāļāļĨāđ‰āļēāđāļĨāđ‰āļ§āļāđ‡āļ­āļ­āļāļ˜āļļāļ”āļ‡āļ„āđŒāļ›āļāļīāļšāļąāļ•āļīāļ˜āļĢāļĢāļĄāļ•āđˆāļ­āđ„āļ›āđ€āļĢāļ·āđˆāļ­āļĒāđ† āđ‚āļ”āļĒāļĒāļąāļ‡āļ”āļģāļĢāļ‡āļŠāļĄāļ“āđ€āļžāļĻāđ€āļ›āđ‡āļ™āļžāļĢāļ°āļĄāļŦāļēāļ™āļīāļāļēāļĒāļ­āļĒāļđāđˆāļ•āļĨāļ­āļ”āđ€āļ§āļĨāļē āļāļīāļˆāļ—āļĩāđˆāļŦāļĨāļ§āļ‡āļ›āļđāđˆāļŊ āđ‚āļ›āļĢāļ”āļ›āļĢāļēāļ™ āļ„āļ·āļ­āļāļēāļĢāđ„āļ”āđ‰āļ˜āļļāļ”āļ‡āļ„āđŒāđ„āļ›āļĒāļąāļ‡āļ—āļĩāđˆāļ•āđˆāļēāļ‡ āđ† āļ—āļąāđˆāļ§āļ›āļĢāļ°āđ€āļ—āļĻ āđ€āļžāļ·āđˆāļ­āđ‚āļ›āļĢāļ”āļŠāļēāļ™āļļāļĻāļīāļĐāļĒāđŒāđāļĨāļ°āđ€āļœāļĒāđāļžāļĢāđˆāļžāļļāļ—āļ˜āļĻāļēāļŠāļ™āļē āļˆāļ™āļ—āļĩāđˆāļŠāļļāļ”āđ€āļĄāļ·āđˆāļ­āļ„āļ“āļ°āļĻāļīāļĐāļĒāđŒ āđāļĨāļ°āļŦāļĨāļ§āļ‡āļžāđˆāļ­āđ„āļ”āđ‰āđ€āļ”āļīāļ™āļ—āļēāļ‡āļĄāļēāļ–āļķāļ‡āļŠāļēāļĒāļ”āļ‡āļ›āđˆāļēāļžāļ‡ āļ•āļĢāļ‡āļāļąāļšāļ§āļąāļ™āļ—āļĩāđˆ 8 āļĄāļĩāļ™āļēāļ„āļĄ āļž.āļĻ. 2497 āļžāļ­āđ€āļŠāđ‰āļēāļ§āļąāļ™āļ—āļĩāđˆ 9 āļĄāļĩāļ™āļēāļ„āļĄ 2497 āļˆāļķāļ‡āđ„āļ”āđ‰āļžāļēāļāļąāļ™āđ€āļ‚āđ‰āļēāļŠāļģāļĢāļ§āļˆ āļŠāļ–āļēāļ™āļ—āļĩāđˆāļžāļąāļāđƒāļ™āļ”āļ‡āļ›āđˆāļēāļ™āļĩāđ‰ āđāļĨāļ°āđ„āļ”āđ‰āļŠāđˆāļ§āļĒāļāļąāļ™āļ”āļģāđ€āļ™āļīāļ™āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ§āļąāļ”āļ›āđˆāļēāļ‚āļķāđ‰āļ™ āļ‹āļķāđˆāļ‡āđ€āļĢāļēāļĢāļđāđ‰āļˆāļąāļāđƒāļ™āļ›āļąāļˆāļˆāļļāļšāļąāļ™ āļ„āļ·āļ­ “āļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡” āļˆāļ™āļ āļēāļĒāļŦāļĨāļąāļ‡āļĄāļĩāļŠāļēāļ™āļļāļĻāļīāļĐāļĒāđŒāļĄāļēāļāļĄāļēāļĒāļ—āļąāđ‰āļ‡āđ„āļ—āļĒāđāļĨāļ°āđ€āļ—āļĻ āļ‚āļĒāļēāļĒāđ„āļ›āļŦāļĨāļēāļĒāļŠāļēāļ‚āļē āļ”āļąāļ‡āļ—āļĩāđˆāļāļĨāđˆāļēāļ§āđ„āļ›āļ‚āđ‰āļēāļ‡āļ•āđ‰āļ™ āđāļĨāļ°āļ—āđˆāļēāļ™āļ”āļģāļĢāļ‡āļ•āļģāđāļŦāļ™āđˆāļ‡āđ€āļˆāđ‰āļēāļ­āļēāļ§āļēāļŠāļ§āļąāļ”āļ™āļĩāđ‰āļĄāļēāđ‚āļ”āļĒāļ•āļĨāļ­āļ” āđāļĨāļ°āļ–āļķāļ‡āđāļāđˆāļĄāļĢāļ“āļ āļēāļžāđ€āļĄāļ·āđˆāļ­ 16 āļĄāļāļĢāļēāļ„āļĄ āļž.āļĻ. 2535 āđ€āļ§āļĨāļē 05.20 āļ™. āļ—āļĩāđˆ āļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡ āļ­āļĒāđˆāļēāļ‡āļŠāļ‡āļšāļ—āđˆāļēāļĄāļāļĨāļēāļ‡āļ˜āļĢāļĢāļĄāļŠāļąāļ‡āđ€āļ§āļŠāļ‚āļ­āļ‡āļĻāļīāļĐāļĒāļēāļ™āļļāļĻāļīāļĐāļĒāđŒāļˆāļēāļāļ—āļļāļāļŠāļēāļĢāļ—āļīāļĻāļ—āļąāđˆāļ§āđ‚āļĨāļ āļ”āđ‰āļ§āļĒāļ„āļ§āļēāļĄāļ—āļĩāđˆāļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡ āļĄāļĩāļžāļĢāļ°āļŠāļ‡āļ†āđŒāļ•āđˆāļēāļ‡āļŠāļēāļ•āļī āđ€āļ›āđ‡āļ™āļˆāļģāļ™āļ§āļ™āļĄāļēāļ āđ€āļ„āļĒāļĄāļĩāļ„āļ™āđ„āļ›āļ–āļēāļĄāļŦāļĨāļ§āļ‡āļ›āļđāđˆāļ§āđˆāļē āļžāļđāļ”āļ āļēāļĐāļēāļ­āļąāļ‡āļāļĪāļĐāđ„āļĄāđˆāđ„āļ”āđ‰ āđāļĨāđ‰āļ§āļˆāļ°āļŠāļ­āļ™āļŠāļēāļ§āļ•āđˆāļēāļ‡āļŠāļēāļ•āļīāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđ„āļĢ āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļ—āđˆāļēāļ™āđ€āļĄāļ•āļ•āļēāļ•āļ­āļšāļ§āđˆāļē āļ™āđ‰āļģāļĢāđ‰āļ­āļ™ āļ—āļĩāđˆāļāļĢāļąāđˆāļ‡āļ§āđˆāļēāļāļąāļ™āļ§āđˆāļē āļŪāđŠāļ­āļ•āļ§āļ­āđ€āļ•āļ­āļĢāđŒ āđ€āļ­āļēāļĄāļ·āļ­āļĨāļ‡āđ„āļ›āļŠāļąāļĄāļœāļąāļŠ āļ—āļļāļāļŠāļēāļ•āļīāļāđ‡āļĢāļđāđ‰āļ§āđˆāļēāļĢāđ‰āļ­āļ™ āđ„āļĄāđˆāđ€āļŦāđ‡āļ™āļ•āđ‰āļ­āļ‡āļĢāļđāđ‰āļ āļēāļĐāļēāļāđˆāļ­āļ™āđ€āļĨāļĒ āļ™āļąāļĒāļ§āđˆāļē āļ˜āļĢāļĢāļĄāļ° āđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āđ„āļ”āđ‰āļˆāļēāļāļāļēāļĢāļŠāļąāļĄāļœāļąāļŠ āļāļēāļĢāļ›āļāļīāļšāļąāļ•āļī āļĄāļīāđƒāļŠāđˆāļāļēāļĢāļ­āđˆāļēāļ™āđ€āļ‚āļĩāļĒāļ™āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™ āļ›āļąāļˆāļˆāļļāļšāļąāļ™ āđāļĄāđ‰āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļŠāļēāļŊ āļˆāļ°āļĨāļ°āļŠāļąāļ‡āļ‚āļēāļĢāđ„āļ›āđāļĨāđ‰āļ§āļāļ§āđˆāļēāļŠāļēāļĄāļŠāļīāļšāļ›āļĩāļāļ§āđˆāļēāļ›āļĩ āļ„āļģāļŠāļ­āļ™āđāļĨāļ°āļ§āļąāļ•āļĢāļ›āļāļīāļšāļąāļ•āļīāļ­āļąāļ™āļ”āļĩāļ‡āļēāļĄ āļāđ‡āļĒāļąāļ‡āļ­āļĒāļđāđˆāđƒāļ™āļ„āļ§āļēāļĄāļ—āļĢāļ‡āļˆāļģāļŠāļēāļ™āļļāļĻāļīāļĐāļĒāđŒāļ—āļąāđ‰āļ‡āļŦāļĨāļēāļĒ āđ€āļŦāđ‡āļ™āđ„āļ”āđ‰āļˆāļēāļāļāļēāļĢāļ—āļĩāđˆāļāļĨāļąāļšāđ„āļ›āļŠāļąāļĄāļœāļąāļŠ āļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡ āļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡ āđ€āļĄāļ·āđˆāļ­āđ€āļĢāđ‡āļ§ āđ† āļ™āļĩāđ‰ āļ„āļ§āļēāļĄāļŠāļ‡āļš āđāļĨāļ° āļ„āļ§āļēāļĄāđ€āļ„āļĢāđˆāļ‡āļ„āļĢāļąāļ” āđāļšāļšāļžāļĢāļ°āļ›āđˆāļē āļĒāļąāļ‡āļ„āļ‡āļĄāļĩāđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āđāļĨāļ°āļŠāļąāļĄāļœāļąāļŠāđ„āļ”āđ‰ āļĄāļĩāđ‚āļ­āļāļēāļŠāđ„āļ”āđ‰āđāļ§āļ°āđ€āļ‚āđ‰āļēāđ„āļ›āļŠāļĄ āļžāļīāļžāļīāļ˜āļ āļąāļ“āļ‘āđŒāļžāļĢāļ°āđ‚āļžāļ˜āļīāļāļēāļ“āđ€āļ–āļĢ (āļŠāļē āļŠāļļāļ āļąāļ—āđ‚āļ—) āđ‚āļ”āļĒāļˆāļ°āļˆāļąāļ”āđāļŠāļ”āļ‡āđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ­āļąāļāļšāļĢāļīāļ‚āļēāļĢāđāļĨāļ°āļŦāļļāđˆāļ™āļ‚āļĩāđ‰āļœāļķāđ‰āļ‡āļ‚āļ­āļ‡āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļŠāļē āļŠāļļāļ āļąāļ—āđ‚āļ— āļĄāļĩāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļ—āļ­āļ‡āđ€āļŦāļĨāļ·āļ­āļ‡ āļžāļĢāļ°āļžāļļāļ—āļ˜āļĢāļđāļ› āđāļĨāļ° āđ€āļˆāļ”āļĩāļĒāđŒāļĻāļĢāļĩāđ‚āļžāļ˜āļīāļāļēāļ“ āđ€āļ›āđ‡āļ™āļŠāļ–āļēāļ™āļ—āļĩāđˆāļžāļĢāļ°āļĢāļēāļŠāļ—āļēāļ™āđ€āļžāļĨāļīāļ‡āļĻāļžāļ‚āļ­āļ‡āļŦāļĨāļ§āļ‡āļ›āļđāđˆāļŠāļēāļ­āļĩāļāļ”āđ‰āļ§āļĒ āļˆāļļāļ”āđ€āļ”āđˆāļ™āļ—āļĩāđˆāļ›āļĢāļ°āļ—āļąāļšāđƒāļˆ āļ„āļ·āļ­ āļ›āđ‰āļēāļĒ āļ„āļģāļŠāļ­āļ™āļ•āđˆāļēāļ‡ āđ† āļ—āļĩāđˆāļ•āļīāļ”āđ„āļ§āđ‰āļ•āļēāļĄāļ•āđ‰āļ™āđ„āļĄāđ‰ āļ­āđˆāļēāļ™āđāļĨāđ‰āļ§āļ—āļģāđƒāļŦāđ‰āđ€āļĢāļēāđ„āļ”āđ‰āļ™āļķāļāļ—āļšāļ—āļ§āļ™āļŠāļĩāļ§āļīāļ•āđ€āļĢāļēāđ„āļ›āļ”āđ‰āļ§āļĒāļ‚āļ“āļ°āđ€āļ”āļīāļ™āļŠāļĄāđ„āļ›āđ€āļ‡āļĩāļĒāļš āđ† āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ āđ„āļ”āđ‰āļĄāļĩāđ‚āļ­āļāļēāļŠāđ€āļ‚āđ‰āļēāđ„āļ›āļ—āļĩāđˆ āļ­āļļāđ‚āļšāļŠāļ–āļ”āđ‰āļēāļ™āđƒāļ™ āļ—āļēāļ‡āđ€āļ‚āđ‰āļēāđ€āļ‚āļ•āļŠāļąāļ‡āļ†āļēāļ§āļēāļŠ āļ—āļĩāđˆāļžāļĢāļ°āļŠāļ‡āļ†āđŒāđƒāļŠāđ‰āļ—āļģāļ§āļąāļ” āļ—āļģāđƒāļŦāđ‰āļžāļ­āļ™āļķāļāđ€āļŦāđ‡āļ™āļ āļēāļžāļšāļĢāļĢāļĒāļēāļāļēāļĻāđ€āļĄāļ·āđˆāļ­āļŠāļĄāļąāļĒāļāđˆāļ­āļ™ āļ—āļĩāđˆāļŦāļĨāļ§āļ‡āļ›āļđāđˆ āļĨāļ‡āļĄāļēāđ€āļ—āļĻāļ™āļēāļ˜āļĢāļĢāļĄ āļĢāļ§āļĄ āđ† āđāļĨāđ‰āļ§āļ›āļĢāļ°āļ—āļąāļšāđƒāļˆāļĄāļēāļ āļ„āļĢāļąāļš āļœāļĄāļāļĢāļēāļšāđ€āļĢāļĩāļĒāļ™āđ€āļŠāļīāļ āļ—āđˆāļēāļ™āļ—āļĩāđˆāļĄāļĩāđ‚āļ­āļāļēāļŠāđ„āļ› āļ­āļļāļšāļĨāļĢāļēāļŠāļ˜āļēāļ™āļĩ āļ­āļĒāļēāļāđƒāļŦāđ‰āđ„āļ›āļŠāļąāļĄāļœāļąāļŠ āļ§āļąāļ”āļŦāļ™āļ­āļ‡āļ›āđˆāļēāļžāļ‡ āļŠāļąāļāļ„āļĢāļąāđ‰āļ‡āļ„āļĢāļąāļš #āļŠāļĩāļ§āļīāļ•āļ™āļĩāđ‰āļ•āđ‰āļ­āļ‡āļĄāļĩ1000āļ§āļąāļ” #āđ€āļ—āļĩāđˆāļĒāļ§āđ„āļ—āļĒāđ„āļ›āļāļąāļšāļŠāđ‰āļĄāđ‚āļˆ #āđ€āļ—āļĩāđˆāļĒāļ§āļ§āļąāļ” #āļ§āļąāļ” #āđ„āļŦāļ§āđ‰āļžāļĢāļ° #āļ—āļģāļšāļļāļ #travel #thailand #amazingthailand #thaitour #temple #history #architecture #culture #thaitemple #āļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§ #CultureTrip
    0 Comments 0 Shares 395 Views 0 Reviews
  • Intel āļāļģāļĨāļąāļ‡āļžāļąāļ’āļ™āļē GPU āđāļšāļš discrete āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļ—āļĩāđˆāļĄāļĩāļŠāļ·āđˆāļ­āļ§āđˆāļē "Celestial" āļ‹āļķāđˆāļ‡āļ„āļēāļ”āļ§āđˆāļēāļˆāļ°āļĄāļĩāļāļēāļĢāđƒāļŠāđ‰āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄ Xe3P āđāļĨāļ°āļ­āļēāļˆāļˆāļ°āļœāļĨāļīāļ•āđ‚āļ”āļĒ Intel Foundry Services (IFS) āđāļ—āļ™āļ—āļĩāđˆāļˆāļ°āđ€āļ›āđ‡āļ™ TSMC āļ™āļąāļšāļ§āđˆāļēāđ€āļ›āđ‡āļ™āļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡āļ—āļĩāđˆāļŠāļģāļ„āļąāļāđƒāļ™āļ—āļīāļĻāļ—āļēāļ‡āļāļēāļĢāļžāļąāļ’āļ™āļē GPU āļ‚āļ­āļ‡ Intel

    āļāļēāļĢāđ€āļ›āļīāļ”āļ•āļąāļ§ GPU Celestial āļ™āļĩāđ‰āļ„āļēāļ”āļ§āđˆāļēāļˆāļ°āļĄāļĩāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļŠāļđāļ‡āļāļ§āđˆāļē GPU āļĢāļļāđˆāļ™āļāđˆāļ­āļ™āļŦāļ™āđ‰āļēāļ—āļĩāđˆāļŠāļ·āđˆāļ­āļ§āđˆāļē Battlemage āđ‚āļ”āļĒāļĄāļĩāļāļēāļĢāļ›āļĢāļąāļšāļ›āļĢāļļāļ‡āđƒāļ™āļ”āđ‰āļēāļ™āļ„āļ§āļēāļĄāļŠāļēāļĄāļēāļĢāļ–āđƒāļ™āļāļēāļĢāļ›āļĢāļ°āļĄāļ§āļĨāļœāļĨāđāļĨāļ°āļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļŠāļđāļ‡āļ‚āļķāđ‰āļ™ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļĒāļąāļ‡āļĄāļĩāļāļēāļĢāļāļĨāđˆāļēāļ§āļ–āļķāļ‡āļ§āđˆāļē Celestial āļˆāļ°āđƒāļŠāđ‰āđ€āļ‹āļĄāļīāļ„āļ­āļ™āļ”āļąāļāđ€āļ•āļ­āļĢāđŒāļ—āļĩāđˆāļžāļąāļ’āļ™āļēāđ‚āļ”āļĒ Intel āđ€āļ­āļ‡ āļ‹āļķāđˆāļ‡āļŦāļĄāļēāļĒāļ„āļ§āļēāļĄāļ§āđˆāļē Intel āđ„āļ”āđ‰āđ€āļ›āļĨāļĩāđˆāļĒāļ™āđƒāļˆāļˆāļēāļāļāļēāļĢāđƒāļŠāđ‰āļšāļĢāļīāļāļēāļĢāļ‚āļ­āļ‡ TSMC āļĄāļēāļœāļĨāļīāļ• GPU āļ‚āļ­āļ‡āļ•āļ™āđ€āļ­āļ‡

    āļ™āļ­āļāļˆāļēāļāļ™āļąāđ‰āļ™ āļĄāļĩāļĢāļēāļĒāļ‡āļēāļ™āļ§āđˆāļē Intel āļĄāļĩāļ„āļ§āļēāļĄāļ•āļąāđ‰āļ‡āđƒāļˆāļ—āļĩāđˆāļˆāļ°āļĒāļąāļ‡āļ„āļ‡āđāļ‚āđˆāļ‡āļ‚āļąāļ™āđƒāļ™āļ•āļĨāļēāļ” GPU āđāļšāļš discrete āđāļĨāļ°āļˆāļ°āļĄāļĩāļāļēāļĢāļ­āļąāļ›āđ€āļ”āļ•āļ‚āđ‰āļ­āļĄāļđāļĨāđ€āļāļĩāđˆāļĒāļ§āļāļąāļš GPU Celestial āđƒāļ™āļŠāđˆāļ§āļ‡āđ„āļĄāđˆāļāļĩāđˆāđ€āļ”āļ·āļ­āļ™āļ‚āđ‰āļēāļ‡āļŦāļ™āđ‰āļē āļ„āļēāļ”āļ§āđˆāļē Celestial āļˆāļ°āđ€āļ›āļīāļ”āļ•āļąāļ§āđƒāļ™āļŠāđˆāļ§āļ‡āļ›āļĨāļēāļĒāļ›āļĩ 2025 āļŦāļĢāļ·āļ­āļŠāđˆāļ§āļ‡āļ•āđ‰āļ™āļ›āļĩ 2026

    āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩ Xe3P āļ—āļĩāđˆāļˆāļ°āļ–āļđāļāđƒāļŠāđ‰āđƒāļ™ GPU Celestial āļ™āļĩāđ‰āļĄāļĩāļāļēāļĢāļ„āļēāļ”āļāļēāļĢāļ“āđŒāļ§āđˆāļēāļˆāļ°āđ€āļžāļīāđˆāļĄāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāđƒāļ™āļāļēāļĢāļ›āļĢāļ°āļĄāļ§āļĨāļœāļĨāļ—āļĩāđˆāļŠāļđāļ‡āļ‚āļķāđ‰āļ™ āđāļĨāļ°āļ—āļģāđƒāļŦāđ‰ GPU āļ‚āļ­āļ‡ Intel āļŠāļēāļĄāļēāļĢāļ–āđāļ‚āđˆāļ‡āļ‚āļąāļ™āļāļąāļšāļ„āļđāđˆāđāļ‚āđˆāļ‡āđƒāļ™āļ•āļĨāļēāļ”āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļĄāļĩāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļž āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ āļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļĄāļēāđƒāļŠāđ‰ Intel Foundry Services āđƒāļ™āļāļēāļĢāļœāļĨāļīāļ•āļŠāļīāļ›āļĒāļąāļ‡āđ€āļ›āđ‡āļ™āļāļēāļĢāļšāđˆāļ‡āļšāļ­āļāļ–āļķāļ‡āļ„āļ§āļēāļĄāļžāļĒāļēāļĒāļēāļĄāļ‚āļ­āļ‡ Intel āđƒāļ™āļāļēāļĢāļĨāļ”āļāļēāļĢāļžāļķāđˆāļ‡āļžāļēāļšāļĢāļīāļĐāļąāļ—āļ āļēāļĒāļ™āļ­āļāđāļĨāļ°āđ€āļžāļīāđˆāļĄāļāļēāļĢāļ„āļ§āļšāļ„āļļāļĄāļāļēāļĢāļœāļĨāļīāļ•āđ„āļ”āđ‰āļ”āļĩāļ‚āļķāđ‰āļ™

    āļāļēāļĢāļžāļąāļ’āļ™āļē GPU āļĢāļļāđˆāļ™ Celestial āļ™āļĩāđ‰āļ­āļēāļˆāļˆāļ°āļŠāđˆāļ§āļĒāđƒāļŦāđ‰ Intel āļĄāļĩāđ‚āļ­āļāļēāļŠāļāļĨāļąāļšāļĄāļēāļĄāļĩāļŠāđˆāļ§āļ™āđāļšāđˆāļ‡āļ•āļĨāļēāļ”āđƒāļ™āļ•āļĨāļēāļ” GPU āļ—āļĩāđˆāđ€āļ”āļīāļĄāđ€āļ„āļĒāļŠāļđāļāđ€āļŠāļĩāļĒāđ„āļ›āđƒāļŦāđ‰āļāļąāļšāļ„āļđāđˆāđāļ‚āđˆāļ‡āļ­āļĒāđˆāļēāļ‡ NVIDIA āđāļĨāļ° AMD

    https://wccftech.com/intel-celestial-dgpus-are-expected-to-feature-the-xe3p-architecture/
    Intel āļāļģāļĨāļąāļ‡āļžāļąāļ’āļ™āļē GPU āđāļšāļš discrete āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļ—āļĩāđˆāļĄāļĩāļŠāļ·āđˆāļ­āļ§āđˆāļē "Celestial" āļ‹āļķāđˆāļ‡āļ„āļēāļ”āļ§āđˆāļēāļˆāļ°āļĄāļĩāļāļēāļĢāđƒāļŠāđ‰āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄ Xe3P āđāļĨāļ°āļ­āļēāļˆāļˆāļ°āļœāļĨāļīāļ•āđ‚āļ”āļĒ Intel Foundry Services (IFS) āđāļ—āļ™āļ—āļĩāđˆāļˆāļ°āđ€āļ›āđ‡āļ™ TSMC āļ™āļąāļšāļ§āđˆāļēāđ€āļ›āđ‡āļ™āļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡āļ—āļĩāđˆāļŠāļģāļ„āļąāļāđƒāļ™āļ—āļīāļĻāļ—āļēāļ‡āļāļēāļĢāļžāļąāļ’āļ™āļē GPU āļ‚āļ­āļ‡ Intel āļāļēāļĢāđ€āļ›āļīāļ”āļ•āļąāļ§ GPU Celestial āļ™āļĩāđ‰āļ„āļēāļ”āļ§āđˆāļēāļˆāļ°āļĄāļĩāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļŠāļđāļ‡āļāļ§āđˆāļē GPU āļĢāļļāđˆāļ™āļāđˆāļ­āļ™āļŦāļ™āđ‰āļēāļ—āļĩāđˆāļŠāļ·āđˆāļ­āļ§āđˆāļē Battlemage āđ‚āļ”āļĒāļĄāļĩāļāļēāļĢāļ›āļĢāļąāļšāļ›āļĢāļļāļ‡āđƒāļ™āļ”āđ‰āļēāļ™āļ„āļ§āļēāļĄāļŠāļēāļĄāļēāļĢāļ–āđƒāļ™āļāļēāļĢāļ›āļĢāļ°āļĄāļ§āļĨāļœāļĨāđāļĨāļ°āļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļŠāļđāļ‡āļ‚āļķāđ‰āļ™ āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļĒāļąāļ‡āļĄāļĩāļāļēāļĢāļāļĨāđˆāļēāļ§āļ–āļķāļ‡āļ§āđˆāļē Celestial āļˆāļ°āđƒāļŠāđ‰āđ€āļ‹āļĄāļīāļ„āļ­āļ™āļ”āļąāļāđ€āļ•āļ­āļĢāđŒāļ—āļĩāđˆāļžāļąāļ’āļ™āļēāđ‚āļ”āļĒ Intel āđ€āļ­āļ‡ āļ‹āļķāđˆāļ‡āļŦāļĄāļēāļĒāļ„āļ§āļēāļĄāļ§āđˆāļē Intel āđ„āļ”āđ‰āđ€āļ›āļĨāļĩāđˆāļĒāļ™āđƒāļˆāļˆāļēāļāļāļēāļĢāđƒāļŠāđ‰āļšāļĢāļīāļāļēāļĢāļ‚āļ­āļ‡ TSMC āļĄāļēāļœāļĨāļīāļ• GPU āļ‚āļ­āļ‡āļ•āļ™āđ€āļ­āļ‡ āļ™āļ­āļāļˆāļēāļāļ™āļąāđ‰āļ™ āļĄāļĩāļĢāļēāļĒāļ‡āļēāļ™āļ§āđˆāļē Intel āļĄāļĩāļ„āļ§āļēāļĄāļ•āļąāđ‰āļ‡āđƒāļˆāļ—āļĩāđˆāļˆāļ°āļĒāļąāļ‡āļ„āļ‡āđāļ‚āđˆāļ‡āļ‚āļąāļ™āđƒāļ™āļ•āļĨāļēāļ” GPU āđāļšāļš discrete āđāļĨāļ°āļˆāļ°āļĄāļĩāļāļēāļĢāļ­āļąāļ›āđ€āļ”āļ•āļ‚āđ‰āļ­āļĄāļđāļĨāđ€āļāļĩāđˆāļĒāļ§āļāļąāļš GPU Celestial āđƒāļ™āļŠāđˆāļ§āļ‡āđ„āļĄāđˆāļāļĩāđˆāđ€āļ”āļ·āļ­āļ™āļ‚āđ‰āļēāļ‡āļŦāļ™āđ‰āļē āļ„āļēāļ”āļ§āđˆāļē Celestial āļˆāļ°āđ€āļ›āļīāļ”āļ•āļąāļ§āđƒāļ™āļŠāđˆāļ§āļ‡āļ›āļĨāļēāļĒāļ›āļĩ 2025 āļŦāļĢāļ·āļ­āļŠāđˆāļ§āļ‡āļ•āđ‰āļ™āļ›āļĩ 2026 āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩ Xe3P āļ—āļĩāđˆāļˆāļ°āļ–āļđāļāđƒāļŠāđ‰āđƒāļ™ GPU Celestial āļ™āļĩāđ‰āļĄāļĩāļāļēāļĢāļ„āļēāļ”āļāļēāļĢāļ“āđŒāļ§āđˆāļēāļˆāļ°āđ€āļžāļīāđˆāļĄāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāđƒāļ™āļāļēāļĢāļ›āļĢāļ°āļĄāļ§āļĨāļœāļĨāļ—āļĩāđˆāļŠāļđāļ‡āļ‚āļķāđ‰āļ™ āđāļĨāļ°āļ—āļģāđƒāļŦāđ‰ GPU āļ‚āļ­āļ‡ Intel āļŠāļēāļĄāļēāļĢāļ–āđāļ‚āđˆāļ‡āļ‚āļąāļ™āļāļąāļšāļ„āļđāđˆāđāļ‚āđˆāļ‡āđƒāļ™āļ•āļĨāļēāļ”āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļĄāļĩāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļž āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ āļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļĄāļēāđƒāļŠāđ‰ Intel Foundry Services āđƒāļ™āļāļēāļĢāļœāļĨāļīāļ•āļŠāļīāļ›āļĒāļąāļ‡āđ€āļ›āđ‡āļ™āļāļēāļĢāļšāđˆāļ‡āļšāļ­āļāļ–āļķāļ‡āļ„āļ§āļēāļĄāļžāļĒāļēāļĒāļēāļĄāļ‚āļ­āļ‡ Intel āđƒāļ™āļāļēāļĢāļĨāļ”āļāļēāļĢāļžāļķāđˆāļ‡āļžāļēāļšāļĢāļīāļĐāļąāļ—āļ āļēāļĒāļ™āļ­āļāđāļĨāļ°āđ€āļžāļīāđˆāļĄāļāļēāļĢāļ„āļ§āļšāļ„āļļāļĄāļāļēāļĢāļœāļĨāļīāļ•āđ„āļ”āđ‰āļ”āļĩāļ‚āļķāđ‰āļ™ āļāļēāļĢāļžāļąāļ’āļ™āļē GPU āļĢāļļāđˆāļ™ Celestial āļ™āļĩāđ‰āļ­āļēāļˆāļˆāļ°āļŠāđˆāļ§āļĒāđƒāļŦāđ‰ Intel āļĄāļĩāđ‚āļ­āļāļēāļŠāļāļĨāļąāļšāļĄāļēāļĄāļĩāļŠāđˆāļ§āļ™āđāļšāđˆāļ‡āļ•āļĨāļēāļ”āđƒāļ™āļ•āļĨāļēāļ” GPU āļ—āļĩāđˆāđ€āļ”āļīāļĄāđ€āļ„āļĒāļŠāļđāļāđ€āļŠāļĩāļĒāđ„āļ›āđƒāļŦāđ‰āļāļąāļšāļ„āļđāđˆāđāļ‚āđˆāļ‡āļ­āļĒāđˆāļēāļ‡ NVIDIA āđāļĨāļ° AMD https://wccftech.com/intel-celestial-dgpus-are-expected-to-feature-the-xe3p-architecture/
    WCCFTECH.COM
    Intel's Celestial dGPUs Are Expected To Feature The Xe3P Architecture, Will Likely Use Intel Foundry Instead of TSMC
    Intel's next-gen Celestial discrete GPUs are expected to feature the Xe3P architecture and could potentially be developed by the IFS.
    Like
    1
    0 Comments 0 Shares 129 Views 0 Reviews
  • Sony āđāļĨāļ° AMD āļĢāđˆāļ§āļĄāļĄāļ·āļ­āļāļąāļ™āļžāļąāļ’āļ™āļēāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩ FSR 4 āđāļĨāļ°āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄ UDNA āļŠāļģāļŦāļĢāļąāļš GPU āđƒāļ™āļ›āļĩ 2026 āđāļĨāļ° PS6 āđ‚āļ”āļĒ Sony āļĄāļĩāļšāļ—āļšāļēāļ—āļŠāļģāļ„āļąāļāđƒāļ™āļāļēāļĢāļžāļąāļ’āļ™āļēāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩ PSSR āļ—āļĩāđˆāļŠāđˆāļ§āļĒāđƒāļŦāđ‰ AMD āļžāļąāļ’āļ™āļē FSR 4 āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļĄāļĩāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļž āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ Sony āļĒāļąāļ‡āļĄāļĩāļŠāđˆāļ§āļ™āļĢāđˆāļ§āļĄāđƒāļ™āļāļēāļĢāļžāļąāļ’āļ™āļēāļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄ UDNA āļ—āļĩāđˆāļˆāļ°āđƒāļŠāđ‰āđƒāļ™ PS6 āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļāļēāļĢāļĢāļ§āļĄāļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄāļŠāļģāļŦāļĢāļąāļšāđ€āļ‹āļīāļĢāđŒāļŸāđ€āļ§āļ­āļĢāđŒāđāļĨāļ°āļāļēāļĢāđ€āļĨāđˆāļ™āđ€āļāļĄāđ€āļ‚āđ‰āļēāļ”āđ‰āļ§āļĒāļāļąāļ™ āļāļēāļĢāļĢāđˆāļ§āļĄāļĄāļ·āļ­āļĢāļ°āļŦāļ§āđˆāļēāļ‡ Sony āđāļĨāļ° AMD āļ™āļĩāđ‰āļĄāļĩāđ€āļ›āđ‰āļēāļŦāļĄāļēāļĒāđ€āļžāļ·āđˆāļ­āđ€āļžāļīāđˆāļĄāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāđāļĨāļ°āļĨāļ”āļ•āđ‰āļ™āļ—āļļāļ™āđƒāļ™āļāļēāļĢāļžāļąāļ’āļ™āļēāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩ

    https://tech4gamers.com/sony-udna-architecture-ps6/
    Sony āđāļĨāļ° AMD āļĢāđˆāļ§āļĄāļĄāļ·āļ­āļāļąāļ™āļžāļąāļ’āļ™āļēāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩ FSR 4 āđāļĨāļ°āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄ UDNA āļŠāļģāļŦāļĢāļąāļš GPU āđƒāļ™āļ›āļĩ 2026 āđāļĨāļ° PS6 āđ‚āļ”āļĒ Sony āļĄāļĩāļšāļ—āļšāļēāļ—āļŠāļģāļ„āļąāļāđƒāļ™āļāļēāļĢāļžāļąāļ’āļ™āļēāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩ PSSR āļ—āļĩāđˆāļŠāđˆāļ§āļĒāđƒāļŦāđ‰ AMD āļžāļąāļ’āļ™āļē FSR 4 āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļĄāļĩāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļž āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰ Sony āļĒāļąāļ‡āļĄāļĩāļŠāđˆāļ§āļ™āļĢāđˆāļ§āļĄāđƒāļ™āļāļēāļĢāļžāļąāļ’āļ™āļēāļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄ UDNA āļ—āļĩāđˆāļˆāļ°āđƒāļŠāđ‰āđƒāļ™ PS6 āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļāļēāļĢāļĢāļ§āļĄāļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄāļŠāļģāļŦāļĢāļąāļšāđ€āļ‹āļīāļĢāđŒāļŸāđ€āļ§āļ­āļĢāđŒāđāļĨāļ°āļāļēāļĢāđ€āļĨāđˆāļ™āđ€āļāļĄāđ€āļ‚āđ‰āļēāļ”āđ‰āļ§āļĒāļāļąāļ™ āļāļēāļĢāļĢāđˆāļ§āļĄāļĄāļ·āļ­āļĢāļ°āļŦāļ§āđˆāļēāļ‡ Sony āđāļĨāļ° AMD āļ™āļĩāđ‰āļĄāļĩāđ€āļ›āđ‰āļēāļŦāļĄāļēāļĒāđ€āļžāļ·āđˆāļ­āđ€āļžāļīāđˆāļĄāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāđāļĨāļ°āļĨāļ”āļ•āđ‰āļ™āļ—āļļāļ™āđƒāļ™āļāļēāļĢāļžāļąāļ’āļ™āļēāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩ https://tech4gamers.com/sony-udna-architecture-ps6/
    TECH4GAMERS.COM
    Sony Helped AMD With Development of FSR 4 & Future UDNA Architecture For 2026 GPUs and PS6
    Sony influenced development of FSR 4 and UDNA architecture by providing AMD with PSSR tech, the UDNA architecture will be used in the PS6.
    0 Comments 0 Shares 173 Views 0 Reviews
  • NATO āļāļģāļĨāļąāļ‡āļ§āļēāļ‡āđāļœāļ™āļŠāļĢāđ‰āļēāļ‡āļĢāļ°āļšāļšāļŠāļģāļĢāļ­āļ‡āļ‚āđ‰āļ­āļĄāļđāļĨāļœāđˆāļēāļ™āļ”āļēāļ§āđ€āļ—āļĩāļĒāļĄāđ€āļžāļ·āđˆāļ­āđƒāļŠāđ‰āđāļ—āļ™āļŠāļēāļĒāđ€āļ„āđ€āļšāļīāļĨāđƒāļ•āđ‰āļ—āļ°āđ€āļĨāđƒāļ™āļāļĢāļ“āļĩāļ—āļĩāđˆāđ€āļāļīāļ”āļ„āļ§āļēāļĄāđ€āļŠāļĩāļĒāļŦāļēāļĒ āđ‚āļ„āļĢāļ‡āļāļēāļĢāļ™āļĩāđ‰āđ€āļĢāļĩāļĒāļāļ§āđˆāļē HEIST (Hybrid Space-Submarine Architecture Ensuring Infosec of Telecommunications) āļ‹āļķāđˆāļ‡āļˆāļ°āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļŠāļēāļĄāļēāļĢāļ–āļĢāļ°āļšāļļāļ•āļģāđāļŦāļ™āđˆāļ‡āļ„āļ§āļēāļĄāđ€āļŠāļĩāļĒāļŦāļēāļĒāļ‚āļ­āļ‡āļŠāļēāļĒāđ€āļ„āđ€āļšāļīāļĨāđƒāļ•āđ‰āļ—āļ°āđ€āļĨāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđāļĄāđˆāļ™āļĒāļģāđāļĨāļ°āļŦāļēāļ—āļēāļ‡āđ€āļĨāļ·āļ­āļāđƒāļ™āļāļēāļĢāļŠāđˆāļ‡āļ‚āđ‰āļ­āļĄāļđāļĨāļ—āļĩāđˆāļŠāļģāļ„āļąāļāđ† āļœāđˆāļēāļ™āļ”āļēāļ§āđ€āļ—āļĩāļĒāļĄāđ€āļĄāļ·āđˆāļ­āđ€āļāļīāļ”āļāļēāļĢāļ‚āļąāļ”āļ‚āđ‰āļ­āļ‡

    āđ‚āļ„āļĢāļ‡āļāļēāļĢ HEIST āļˆāļ°āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļŠāļēāļĄāļēāļĢāļ–āļĢāļ°āļšāļļāļ•āļģāđāļŦāļ™āđˆāļ‡āļ„āļ§āļēāļĄāđ€āļŠāļĩāļĒāļŦāļēāļĒāļ‚āļ­āļ‡āļŠāļēāļĒāđ€āļ„āđ€āļšāļīāļĨāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļĢāļ§āļ”āđ€āļĢāđ‡āļ§āđāļĨāļ°āļžāļąāļ’āļ™āļēāļĢāļ°āļšāļšāļ—āļĩāđˆāļŠāļēāļĄāļēāļĢāļ–āđ€āļ›āļĨāļĩāđˆāļĒāļ™āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āļ‚āđ‰āļ­āļĄāļđāļĨāđ„āļ›āļĒāļąāļ‡āļ”āļēāļ§āđ€āļ—āļĩāļĒāļĄāđ„āļ”āđ‰āđ‚āļ”āļĒāļ­āļąāļ•āđ‚āļ™āļĄāļąāļ•āļī

    https://www.tomshardware.com/networking/nato-plans-to-build-satellite-links-as-backups-to-undersea-cables-recent-cable-damage-incidents-shine-spotlight-on-project-heist
    NATO āļāļģāļĨāļąāļ‡āļ§āļēāļ‡āđāļœāļ™āļŠāļĢāđ‰āļēāļ‡āļĢāļ°āļšāļšāļŠāļģāļĢāļ­āļ‡āļ‚āđ‰āļ­āļĄāļđāļĨāļœāđˆāļēāļ™āļ”āļēāļ§āđ€āļ—āļĩāļĒāļĄāđ€āļžāļ·āđˆāļ­āđƒāļŠāđ‰āđāļ—āļ™āļŠāļēāļĒāđ€āļ„āđ€āļšāļīāļĨāđƒāļ•āđ‰āļ—āļ°āđ€āļĨāđƒāļ™āļāļĢāļ“āļĩāļ—āļĩāđˆāđ€āļāļīāļ”āļ„āļ§āļēāļĄāđ€āļŠāļĩāļĒāļŦāļēāļĒ āđ‚āļ„āļĢāļ‡āļāļēāļĢāļ™āļĩāđ‰āđ€āļĢāļĩāļĒāļāļ§āđˆāļē HEIST (Hybrid Space-Submarine Architecture Ensuring Infosec of Telecommunications) āļ‹āļķāđˆāļ‡āļˆāļ°āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļŠāļēāļĄāļēāļĢāļ–āļĢāļ°āļšāļļāļ•āļģāđāļŦāļ™āđˆāļ‡āļ„āļ§āļēāļĄāđ€āļŠāļĩāļĒāļŦāļēāļĒāļ‚āļ­āļ‡āļŠāļēāļĒāđ€āļ„āđ€āļšāļīāļĨāđƒāļ•āđ‰āļ—āļ°āđ€āļĨāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āđāļĄāđˆāļ™āļĒāļģāđāļĨāļ°āļŦāļēāļ—āļēāļ‡āđ€āļĨāļ·āļ­āļāđƒāļ™āļāļēāļĢāļŠāđˆāļ‡āļ‚āđ‰āļ­āļĄāļđāļĨāļ—āļĩāđˆāļŠāļģāļ„āļąāļāđ† āļœāđˆāļēāļ™āļ”āļēāļ§āđ€āļ—āļĩāļĒāļĄāđ€āļĄāļ·āđˆāļ­āđ€āļāļīāļ”āļāļēāļĢāļ‚āļąāļ”āļ‚āđ‰āļ­āļ‡ āđ‚āļ„āļĢāļ‡āļāļēāļĢ HEIST āļˆāļ°āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļŠāļēāļĄāļēāļĢāļ–āļĢāļ°āļšāļļāļ•āļģāđāļŦāļ™āđˆāļ‡āļ„āļ§āļēāļĄāđ€āļŠāļĩāļĒāļŦāļēāļĒāļ‚āļ­āļ‡āļŠāļēāļĒāđ€āļ„āđ€āļšāļīāļĨāđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļĢāļ§āļ”āđ€āļĢāđ‡āļ§āđāļĨāļ°āļžāļąāļ’āļ™āļēāļĢāļ°āļšāļšāļ—āļĩāđˆāļŠāļēāļĄāļēāļĢāļ–āđ€āļ›āļĨāļĩāđˆāļĒāļ™āđ€āļŠāđ‰āļ™āļ—āļēāļ‡āļ‚āđ‰āļ­āļĄāļđāļĨāđ„āļ›āļĒāļąāļ‡āļ”āļēāļ§āđ€āļ—āļĩāļĒāļĄāđ„āļ”āđ‰āđ‚āļ”āļĒāļ­āļąāļ•āđ‚āļ™āļĄāļąāļ•āļī https://www.tomshardware.com/networking/nato-plans-to-build-satellite-links-as-backups-to-undersea-cables-recent-cable-damage-incidents-shine-spotlight-on-project-heist
    WWW.TOMSHARDWARE.COM
    NATO plans to build satellite links as backups to undersea cables
    The alliance wants to build a system that seamlessly switches between undersea cables and satellites in case of disruption.
    0 Comments 0 Shares 226 Views 0 Reviews
  • āļšāļĢāļīāļĐāļąāļ—āļŠāļ•āļēāļĢāđŒāļ—āļ­āļąāļžāļ—āļĩāđˆāļŠāļ·āđˆāļ­ Ubitium āļ‹āļķāđˆāļ‡āļāļģāļĨāļąāļ‡āļžāļąāļ’āļ™āļēāđ‚āļ›āļĢāđ€āļ‹āļŠāđ€āļ‹āļ­āļĢāđŒāļ—āļĩāđˆāđ€āļĢāļĩāļĒāļāļ§āđˆāļē "Universal Processor" āļ—āļĩāđˆāļĢāļ§āļĄāđ€āļ­āļē CPU, GPU, DSP, āđāļĨāļ° FPGA āđ„āļ§āđ‰āđƒāļ™āļŠāļīāļ›āđ€āļ”āļĩāļĒāļ§

    āđ‚āļ›āļĢāđ€āļ‹āļŠāđ€āļ‹āļ­āļĢāđŒāļ™āļĩāđ‰āđƒāļŠāđ‰āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄāđāļšāļš "workload-agnostic microarchitecture" āļ—āļĩāđˆāļŠāļēāļĄāļēāļĢāļ–āļ›āļĢāļąāļšāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļāļēāļĢāđƒāļŠāđ‰āļ‡āļēāļ™āļ‚āļ­āļ‡āļ—āļĢāļēāļ™āļ‹āļīāļŠāđ€āļ•āļ­āļĢāđŒāđ„āļ”āđ‰āļ•āļēāļĄāļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ‚āļ­āļ‡āļ‡āļēāļ™āļ•āđˆāļēāļ‡āđ† āđ€āļŠāđˆāļ™ āļāļēāļĢāļ„āļģāļ™āļ§āļ“āļ—āļąāđˆāļ§āđ„āļ›, AI, āđāļĨāļ°āļāļēāļĢāđ€āļĢāļ™āđ€āļ”āļ­āļĢāđŒāļāļĢāļēāļŸāļīāļ Ubitium āļ­āđ‰āļēāļ‡āļ§āđˆāļēāļŠāļēāļĄāļēāļĢāļ–āđƒāļŦāđ‰āļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļ•āđˆāļ­āļ„āđˆāļēāđƒāļŠāđ‰āļˆāđˆāļēāļĒāļ—āļĩāđˆāļ”āļĩāļāļ§āđˆāļēāļŠāļīāļ›āļ—āļĩāđˆāļĄāļĩāļ­āļĒāļđāđˆāđƒāļ™āļ›āļąāļˆāļˆāļļāļšāļąāļ™āļ–āļķāļ‡ 10 āļ–āļķāļ‡ 100 āđ€āļ—āđˆāļē

    Ubitium āļĄāļĩāļ—āļĩāļĄāļ‡āļēāļ™āļ—āļĩāđˆāļĄāļĩāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļˆāļēāļāļšāļĢāļīāļĐāļąāļ—āđƒāļŦāļāđˆāđ† āđ€āļŠāđˆāļ™ Intel, Nvidia, āđāļĨāļ° Texas Instruments āđ‚āļ”āļĒāļĄāļĩ Martin Vorbach āđ€āļ›āđ‡āļ™āļœāļđāđ‰āļ„āļīāļ”āļ„āđ‰āļ™āļŦāļĨāļąāļāļ—āļĩāđˆāļ–āļ·āļ­āļŠāļīāļ—āļ˜āļīāļšāļąāļ•āļĢāļĄāļēāļāļāļ§āđˆāļē 200 āļ‰āļšāļąāļš āļ­āļĒāđˆāļēāļ‡āđ„āļĢāļāđ‡āļ•āļēāļĄ āļāļēāļĢāļžāļąāļ’āļ™āļēāđ‚āļ›āļĢāđ€āļ‹āļŠāđ€āļ‹āļ­āļĢāđŒāļ™āļĩāđ‰āļĒāļąāļ‡āļ„āļ‡āđ€āļ›āđ‡āļ™āļ„āļ§āļēāļĄāļ—āđ‰āļēāļ—āļēāļĒāđƒāļŦāļāđˆ āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāļ•āđ‰āļ­āļ‡āđƒāļŠāđ‰āđ€āļ‡āļīāļ™āļ—āļļāļ™āļˆāļģāļ™āļ§āļ™āļĄāļēāļāđƒāļ™āļāļēāļĢāļžāļąāļ’āļ™āļēāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļ‚āļąāđ‰āļ™āļŠāļđāļ‡āļ™āļĩāđ‰ Ubitium āļ•āļąāđ‰āļ‡āđ€āļ›āđ‰āļēāļ—āļĩāđˆāļˆāļ°āļŠāđˆāļ‡āļĄāļ­āļšāļŠāļīāļ› Universal Processor āļ•āļąāļ§āđāļĢāļāļ āļēāļĒāđƒāļ™āļ›āļĩ 2026

    https://www.techspot.com/news/106106-startup-universal-processor-combines-cpu-gpu-dsp-fpga.html
    āļšāļĢāļīāļĐāļąāļ—āļŠāļ•āļēāļĢāđŒāļ—āļ­āļąāļžāļ—āļĩāđˆāļŠāļ·āđˆāļ­ Ubitium āļ‹āļķāđˆāļ‡āļāļģāļĨāļąāļ‡āļžāļąāļ’āļ™āļēāđ‚āļ›āļĢāđ€āļ‹āļŠāđ€āļ‹āļ­āļĢāđŒāļ—āļĩāđˆāđ€āļĢāļĩāļĒāļāļ§āđˆāļē "Universal Processor" āļ—āļĩāđˆāļĢāļ§āļĄāđ€āļ­āļē CPU, GPU, DSP, āđāļĨāļ° FPGA āđ„āļ§āđ‰āđƒāļ™āļŠāļīāļ›āđ€āļ”āļĩāļĒāļ§ āđ‚āļ›āļĢāđ€āļ‹āļŠāđ€āļ‹āļ­āļĢāđŒāļ™āļĩāđ‰āđƒāļŠāđ‰āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄāđāļšāļš "workload-agnostic microarchitecture" āļ—āļĩāđˆāļŠāļēāļĄāļēāļĢāļ–āļ›āļĢāļąāļšāđ€āļ›āļĨāļĩāđˆāļĒāļ™āļāļēāļĢāđƒāļŠāđ‰āļ‡āļēāļ™āļ‚āļ­āļ‡āļ—āļĢāļēāļ™āļ‹āļīāļŠāđ€āļ•āļ­āļĢāđŒāđ„āļ”āđ‰āļ•āļēāļĄāļ„āļ§āļēāļĄāļ•āđ‰āļ­āļ‡āļāļēāļĢāļ‚āļ­āļ‡āļ‡āļēāļ™āļ•āđˆāļēāļ‡āđ† āđ€āļŠāđˆāļ™ āļāļēāļĢāļ„āļģāļ™āļ§āļ“āļ—āļąāđˆāļ§āđ„āļ›, AI, āđāļĨāļ°āļāļēāļĢāđ€āļĢāļ™āđ€āļ”āļ­āļĢāđŒāļāļĢāļēāļŸāļīāļ Ubitium āļ­āđ‰āļēāļ‡āļ§āđˆāļēāļŠāļēāļĄāļēāļĢāļ–āđƒāļŦāđ‰āļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļ•āđˆāļ­āļ„āđˆāļēāđƒāļŠāđ‰āļˆāđˆāļēāļĒāļ—āļĩāđˆāļ”āļĩāļāļ§āđˆāļēāļŠāļīāļ›āļ—āļĩāđˆāļĄāļĩāļ­āļĒāļđāđˆāđƒāļ™āļ›āļąāļˆāļˆāļļāļšāļąāļ™āļ–āļķāļ‡ 10 āļ–āļķāļ‡ 100 āđ€āļ—āđˆāļē Ubitium āļĄāļĩāļ—āļĩāļĄāļ‡āļēāļ™āļ—āļĩāđˆāļĄāļĩāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļˆāļēāļāļšāļĢāļīāļĐāļąāļ—āđƒāļŦāļāđˆāđ† āđ€āļŠāđˆāļ™ Intel, Nvidia, āđāļĨāļ° Texas Instruments āđ‚āļ”āļĒāļĄāļĩ Martin Vorbach āđ€āļ›āđ‡āļ™āļœāļđāđ‰āļ„āļīāļ”āļ„āđ‰āļ™āļŦāļĨāļąāļāļ—āļĩāđˆāļ–āļ·āļ­āļŠāļīāļ—āļ˜āļīāļšāļąāļ•āļĢāļĄāļēāļāļāļ§āđˆāļē 200 āļ‰āļšāļąāļš āļ­āļĒāđˆāļēāļ‡āđ„āļĢāļāđ‡āļ•āļēāļĄ āļāļēāļĢāļžāļąāļ’āļ™āļēāđ‚āļ›āļĢāđ€āļ‹āļŠāđ€āļ‹āļ­āļĢāđŒāļ™āļĩāđ‰āļĒāļąāļ‡āļ„āļ‡āđ€āļ›āđ‡āļ™āļ„āļ§āļēāļĄāļ—āđ‰āļēāļ—āļēāļĒāđƒāļŦāļāđˆ āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāļ•āđ‰āļ­āļ‡āđƒāļŠāđ‰āđ€āļ‡āļīāļ™āļ—āļļāļ™āļˆāļģāļ™āļ§āļ™āļĄāļēāļāđƒāļ™āļāļēāļĢāļžāļąāļ’āļ™āļēāđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļ‚āļąāđ‰āļ™āļŠāļđāļ‡āļ™āļĩāđ‰ Ubitium āļ•āļąāđ‰āļ‡āđ€āļ›āđ‰āļēāļ—āļĩāđˆāļˆāļ°āļŠāđˆāļ‡āļĄāļ­āļšāļŠāļīāļ› Universal Processor āļ•āļąāļ§āđāļĢāļāļ āļēāļĒāđƒāļ™āļ›āļĩ 2026 https://www.techspot.com/news/106106-startup-universal-processor-combines-cpu-gpu-dsp-fpga.html
    WWW.TECHSPOT.COM
    Startup's Universal Processor combines CPU, GPU, DSP, and FPGA into a single chip
    Ubitium claims to be developing a groundbreaking processor architecture capable of handling virtually any workload.
    0 Comments 0 Shares 148 Views 0 Reviews
  • Hygon āļšāļĢāļīāļĐāļąāļ—āļœāļđāđ‰āļœāļĨāļīāļ•āļŠāļīāļ›āđƒāļ™āļˆāļĩāļ™āđ„āļ”āđ‰āđ€āļ›āļīāļ”āļ•āļąāļ§āđ‚āļ›āļĢāđ€āļ‹āļŠāđ€āļ‹āļ­āļĢāđŒ 16 āļ„āļ­āļĢāđŒāļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļ—āļĩāđˆāđƒāļŠāđ‰āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄ Zen 1 āļ‚āļ­āļ‡ AMD āļ‹āļķāđˆāļ‡āļĄāļĩāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļŠāļđāļ‡āļāļ§āđˆāļēāđ‚āļ›āļĢāđ€āļ‹āļŠāđ€āļ‹āļ­āļĢāđŒ 8 āļ„āļ­āļĢāđŒāļĢāļļāđˆāļ™āļāđˆāļ­āļ™āļŦāļ™āđ‰āļēāļ–āļķāļ‡ 60%

    āđ‚āļ›āļĢāđ€āļ‹āļŠāđ€āļ‹āļ­āļĢāđŒāļĢāļļāđˆāļ™āļ™āļĩāđ‰āļĄāļĩāļŠāļ·āđˆāļ­āļ§āđˆāļē Hygon C86-4G āļŦāļĢāļ·āļ­ C86 3490 āļ‹āļķāđˆāļ‡āļĄāļĩāļ„āļ§āļēāļĄāļ–āļĩāđˆāļžāļ·āđ‰āļ™āļāļēāļ™āļ—āļĩāđˆ 2.8 GHz āđāļĨāļ°āļĄāļĩāđāļĢāļĄāļ‚āļ™āļēāļ” 32GB. āđƒāļ™āļāļēāļĢāļ—āļ”āļŠāļ­āļš Geekbench, āđ‚āļ›āļĢāđ€āļ‹āļŠāđ€āļ‹āļ­āļĢāđŒāļ™āļĩāđ‰āļĄāļĩāļ„āļ°āđāļ™āļ™ single-core āļ—āļĩāđˆ 1073 āđāļĨāļ° multi-core āļ—āļĩāđˆ 8811 āļ‹āļķāđˆāļ‡āđƒāļāļĨāđ‰āđ€āļ„āļĩāļĒāļ‡āļāļąāļš Ryzen Threadripper 1950X

    āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļ Hygon āļĒāļąāļ‡āļ„āļ‡āđƒāļŠāđ‰āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄ Zen 1 āļ—āļĩāđˆāļĄāļĩāļ­āļēāļĒāļļ 7 āļ›āļĩ āļāļēāļĢāļžāļąāļ’āļ™āļēāđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄāļˆāļķāļ‡āļ•āđ‰āļ­āļ‡āļ—āļģāļāļēāļĢāđ€āļžāļīāđˆāļĄāļˆāļģāļ™āļ§āļ™āļ„āļ­āļĢāđŒāđ€āļ‚āđ‰āļēāđ„āļ›āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™āļ„āļĢāļąāļš

    https://www.tomshardware.com/pc-components/cpus/chinese-hygon-16-core-chip-trades-blows-with-amd-threadripper-1950x-in-geekbench-chinese-chipmaker-continues-to-leverage-amds-zen-1-architecture
    Hygon āļšāļĢāļīāļĐāļąāļ—āļœāļđāđ‰āļœāļĨāļīāļ•āļŠāļīāļ›āđƒāļ™āļˆāļĩāļ™āđ„āļ”āđ‰āđ€āļ›āļīāļ”āļ•āļąāļ§āđ‚āļ›āļĢāđ€āļ‹āļŠāđ€āļ‹āļ­āļĢāđŒ 16 āļ„āļ­āļĢāđŒāļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļ—āļĩāđˆāđƒāļŠāđ‰āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄ Zen 1 āļ‚āļ­āļ‡ AMD āļ‹āļķāđˆāļ‡āļĄāļĩāļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļŠāļđāļ‡āļāļ§āđˆāļēāđ‚āļ›āļĢāđ€āļ‹āļŠāđ€āļ‹āļ­āļĢāđŒ 8 āļ„āļ­āļĢāđŒāļĢāļļāđˆāļ™āļāđˆāļ­āļ™āļŦāļ™āđ‰āļēāļ–āļķāļ‡ 60% āđ‚āļ›āļĢāđ€āļ‹āļŠāđ€āļ‹āļ­āļĢāđŒāļĢāļļāđˆāļ™āļ™āļĩāđ‰āļĄāļĩāļŠāļ·āđˆāļ­āļ§āđˆāļē Hygon C86-4G āļŦāļĢāļ·āļ­ C86 3490 āļ‹āļķāđˆāļ‡āļĄāļĩāļ„āļ§āļēāļĄāļ–āļĩāđˆāļžāļ·āđ‰āļ™āļāļēāļ™āļ—āļĩāđˆ 2.8 GHz āđāļĨāļ°āļĄāļĩāđāļĢāļĄāļ‚āļ™āļēāļ” 32GB. āđƒāļ™āļāļēāļĢāļ—āļ”āļŠāļ­āļš Geekbench, āđ‚āļ›āļĢāđ€āļ‹āļŠāđ€āļ‹āļ­āļĢāđŒāļ™āļĩāđ‰āļĄāļĩāļ„āļ°āđāļ™āļ™ single-core āļ—āļĩāđˆ 1073 āđāļĨāļ° multi-core āļ—āļĩāđˆ 8811 āļ‹āļķāđˆāļ‡āđƒāļāļĨāđ‰āđ€āļ„āļĩāļĒāļ‡āļāļąāļš Ryzen Threadripper 1950X āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļ Hygon āļĒāļąāļ‡āļ„āļ‡āđƒāļŠāđ‰āļŠāļ–āļēāļ›āļąāļ•āļĒāļāļĢāļĢāļĄ Zen 1 āļ—āļĩāđˆāļĄāļĩāļ­āļēāļĒāļļ 7 āļ›āļĩ āļāļēāļĢāļžāļąāļ’āļ™āļēāđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄāļˆāļķāļ‡āļ•āđ‰āļ­āļ‡āļ—āļģāļāļēāļĢāđ€āļžāļīāđˆāļĄāļˆāļģāļ™āļ§āļ™āļ„āļ­āļĢāđŒāđ€āļ‚āđ‰āļēāđ„āļ›āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™āļ„āļĢāļąāļš https://www.tomshardware.com/pc-components/cpus/chinese-hygon-16-core-chip-trades-blows-with-amd-threadripper-1950x-in-geekbench-chinese-chipmaker-continues-to-leverage-amds-zen-1-architecture
    0 Comments 0 Shares 186 Views 0 Reviews
  • Prepare For The Lavish World Of Bridgerton With Regency Period Words

    This spring may be a bit steamier than usual, thanks to the return of the hit Netflix show Bridgerton. This Regency romance with a modern twist took audiences by storm last year with its unpredictable plot, historical setting, and very attractive cast of characters. If you watched the first season last year or you’re catching up now, you may find yourself wondering what some of the historical language in the show actually means. Bridgerton, like a lot of period dramas, is not 100% historically accurate, but the language, costumes, and customs on display do have real roots in the past. Here are 16 words you need to know to get ready for season two and become fluent in the language of Bridgerton.

    viscount
    You’ve likely heard of a count, but after catching up on Bridgerton, you may be wondering: what in the world is a viscount? We’ve got your back. A viscount is “a nobleman next below an earl or count and next above a baron.” It’s a hereditary title that was first recorded in English in the mid to late 1300s within a peerage or nobility system. You could think of it as a “vice count,” since it’s believed to have come from the equivalent in Old French, visconte.

    rake
    In the world of Regency romance, a rake is not a gardening tool. It’s an insult dating back to the 1600s that means “a dissolute or immoral person, especially a man who indulges in vices or lacks sexual restraint.” It comes from rakehell, an alteration of the Middle English rakel, meaning “rash, rough, coarse, hasty.” Rakes are the “bad boys” of the Bridgerton era. Of course, on TV, that may be a part of their appeal.

    promenade
    In 2022, you might make a relationship Instagram official. In the 1800s, you were likely to promenade. Promenade is a verb that means “to conduct or display in or as if in a promenade; parade.” This might mean taking a public walk with the object of your affection to make your courtship known, as Daphne and the Duke of Hastings do in season one. Fun fact: the word prom comes directly from promenade.

    duke
    You’ve likely heard the title of duke, but what do they actually do? A duke, in historical British society, is “a nobleman holding the highest hereditary title outside the royal family, ranking immediately below a prince and above a marquis.” Dukes hold the highest social rank in British peerage, with the female equivalent being a duchess. This term, which dates back to the 1100s, comes from the Medieval Latin dux, or “hereditary ruler of a small state.”

    countenance
    Countenance sounds like another fancy title, but it actually refers to “appearance, especially the look or expression of the face.” For example: The duke could scarcely hide his intrigue behind his serene countenance.

    Historically, countenance is related to control and the idea of keeping one’s cool, especially in polite society. Though it refers more generally to one’s facial expression today, countenance comes from the Old French contenance, or “behavior, bearing.” The Old French noun comes from the Latin noun continentia “self-control, restraint.”

    coming out
    In the 19th century, coming out meant something different than it does today. It was customary for young women at the time to come out, or have “a debut into society, especially a formal debut by a debutante.” This typically involved a special ball or series or balls and parties. Essentially, this debut was a signal to the community that the woman was ready for courtship and marriage.

    ton
    When you hear talk of “the ton” on Bridgerton, they aren’t mispronouncing the word town. Ton means “fashionable society,” particularly high class society during the Regency era. The word comes from le bon ton, a French phrase meaning “good or elegant form or style.” Members of the ton were generally upper class, wealthy, and respected.

    Regency
    Bridgerton is an example of a regency romance, a genre of historical romance set during the Regency era. Regency, in this sense, means “characteristic of or relating to the Regency periods in France or the United Kingdom or to the styles of architecture, furniture, art, literature, etc, produced in them.” This time period is generally believed to fall between 1811–1820.

    season
    The season is a big deal to the fictional characters in Bridgerton, but they aren’t necessarily referring to winter, spring, summer, or fall. More likely, they are referring to the social season, or “a period of fashionable social events in a particular place.” The season was a time for coming out, social events, and marriages. It’s thought to have taken place from early spring until around Christmas time.

    sire
    Today, sire is a respectful, if a little old-fashioned, form of address. But when the word is used in Bridgerton, it’s more likely meant in the archaic sense: “to beget; procreate as the father.” Men at this time were expected to “sire an heir” to secure their lineage and place in high society.

    modiste
    Any lady fit for a Bridgerton-style ball must have a modiste on hand. That’s an older term for “a female maker of or dealer in women’s fashionable attire.” As you may have guessed, English speakers borrowed the word modiste from French. In the Regency era, a modiste could not only make clothes, but also advise women on what was fashionable and appropriate for various events.

    courses
    Even Regency-era women had to worry about Aunt Flo crashing the party. Courses is an older, fancier way of saying “menses,” or a period. In the Bridgerton time period, the presence or absence of someone’s period was essentially the only way of determining whether or not she could bear children or was pregnant, so much is made of courses by the women on the show.

    high in the instep
    If you wanted to drop a sick burn on someone in the 1800s, you might say they were high in the instep. The instep is “the arched upper surface of the human foot between the toes and the ankle,” and accusing someone of being high in the instep was a way of saying they’re conceited, arrogant, or haughty.

    virtue
    In modern times, we think of virtue as personal morals or values. Historically, the term was mostly about sex. Virtue meant “chastity; virginity”, especially in reference to women and girls. It was considered of the utmost importance for a woman to “keep her virtue” until marriage. The word entered English in the late 1100s, and it can be traced to the Latin virtÅŦs, or “manliness.”

    trousseau
    Bridgerton is part romance and part historical fashion education. A trousseau is “an outfit of clothing, household linen, etc., for a bride.” The word comes from Old French trusse, literally “a little bundle.” In some instances, a trousseau may also have included jewelry and other items and been a part of a woman’s dowry. While dowries aren’t a part of modern wedding traditions, some brides still prepare a trousseau of things they intend to wear throughout their wedding festivities.

    swoon
    Now that your vocabulary is ready for the next season of Bridgerton, it’s time to let the swooning commence. To swoon means “to enter a state of hysterical rapture or ecstasy.” Whether you have a favorite duke, duchess, viscount, or modiste, chances are you’ll be acting out this term at least a few times when they appear on screen. Keep in mind that swoon comes from the Middle English swonen, or “to faint.” You may want to binge-watch carefully.

    Copyright 2024, XAKKHRA, All Rights Reserved.
    Prepare For The Lavish World Of Bridgerton With Regency Period Words This spring may be a bit steamier than usual, thanks to the return of the hit Netflix show Bridgerton. This Regency romance with a modern twist took audiences by storm last year with its unpredictable plot, historical setting, and very attractive cast of characters. If you watched the first season last year or you’re catching up now, you may find yourself wondering what some of the historical language in the show actually means. Bridgerton, like a lot of period dramas, is not 100% historically accurate, but the language, costumes, and customs on display do have real roots in the past. Here are 16 words you need to know to get ready for season two and become fluent in the language of Bridgerton. viscount You’ve likely heard of a count, but after catching up on Bridgerton, you may be wondering: what in the world is a viscount? We’ve got your back. A viscount is “a nobleman next below an earl or count and next above a baron.” It’s a hereditary title that was first recorded in English in the mid to late 1300s within a peerage or nobility system. You could think of it as a “vice count,” since it’s believed to have come from the equivalent in Old French, visconte. rake In the world of Regency romance, a rake is not a gardening tool. It’s an insult dating back to the 1600s that means “a dissolute or immoral person, especially a man who indulges in vices or lacks sexual restraint.” It comes from rakehell, an alteration of the Middle English rakel, meaning “rash, rough, coarse, hasty.” Rakes are the “bad boys” of the Bridgerton era. Of course, on TV, that may be a part of their appeal. promenade In 2022, you might make a relationship Instagram official. In the 1800s, you were likely to promenade. Promenade is a verb that means “to conduct or display in or as if in a promenade; parade.” This might mean taking a public walk with the object of your affection to make your courtship known, as Daphne and the Duke of Hastings do in season one. Fun fact: the word prom comes directly from promenade. duke You’ve likely heard the title of duke, but what do they actually do? A duke, in historical British society, is “a nobleman holding the highest hereditary title outside the royal family, ranking immediately below a prince and above a marquis.” Dukes hold the highest social rank in British peerage, with the female equivalent being a duchess. This term, which dates back to the 1100s, comes from the Medieval Latin dux, or “hereditary ruler of a small state.” countenance Countenance sounds like another fancy title, but it actually refers to “appearance, especially the look or expression of the face.” For example: The duke could scarcely hide his intrigue behind his serene countenance. Historically, countenance is related to control and the idea of keeping one’s cool, especially in polite society. Though it refers more generally to one’s facial expression today, countenance comes from the Old French contenance, or “behavior, bearing.” The Old French noun comes from the Latin noun continentia “self-control, restraint.” coming out In the 19th century, coming out meant something different than it does today. It was customary for young women at the time to come out, or have “a debut into society, especially a formal debut by a debutante.” This typically involved a special ball or series or balls and parties. Essentially, this debut was a signal to the community that the woman was ready for courtship and marriage. ton When you hear talk of “the ton” on Bridgerton, they aren’t mispronouncing the word town. Ton means “fashionable society,” particularly high class society during the Regency era. The word comes from le bon ton, a French phrase meaning “good or elegant form or style.” Members of the ton were generally upper class, wealthy, and respected. Regency Bridgerton is an example of a regency romance, a genre of historical romance set during the Regency era. Regency, in this sense, means “characteristic of or relating to the Regency periods in France or the United Kingdom or to the styles of architecture, furniture, art, literature, etc, produced in them.” This time period is generally believed to fall between 1811–1820. season The season is a big deal to the fictional characters in Bridgerton, but they aren’t necessarily referring to winter, spring, summer, or fall. More likely, they are referring to the social season, or “a period of fashionable social events in a particular place.” The season was a time for coming out, social events, and marriages. It’s thought to have taken place from early spring until around Christmas time. sire Today, sire is a respectful, if a little old-fashioned, form of address. But when the word is used in Bridgerton, it’s more likely meant in the archaic sense: “to beget; procreate as the father.” Men at this time were expected to “sire an heir” to secure their lineage and place in high society. modiste Any lady fit for a Bridgerton-style ball must have a modiste on hand. That’s an older term for “a female maker of or dealer in women’s fashionable attire.” As you may have guessed, English speakers borrowed the word modiste from French. In the Regency era, a modiste could not only make clothes, but also advise women on what was fashionable and appropriate for various events. courses Even Regency-era women had to worry about Aunt Flo crashing the party. Courses is an older, fancier way of saying “menses,” or a period. In the Bridgerton time period, the presence or absence of someone’s period was essentially the only way of determining whether or not she could bear children or was pregnant, so much is made of courses by the women on the show. high in the instep If you wanted to drop a sick burn on someone in the 1800s, you might say they were high in the instep. The instep is “the arched upper surface of the human foot between the toes and the ankle,” and accusing someone of being high in the instep was a way of saying they’re conceited, arrogant, or haughty. virtue In modern times, we think of virtue as personal morals or values. Historically, the term was mostly about sex. Virtue meant “chastity; virginity”, especially in reference to women and girls. It was considered of the utmost importance for a woman to “keep her virtue” until marriage. The word entered English in the late 1100s, and it can be traced to the Latin virtÅŦs, or “manliness.” trousseau Bridgerton is part romance and part historical fashion education. A trousseau is “an outfit of clothing, household linen, etc., for a bride.” The word comes from Old French trusse, literally “a little bundle.” In some instances, a trousseau may also have included jewelry and other items and been a part of a woman’s dowry. While dowries aren’t a part of modern wedding traditions, some brides still prepare a trousseau of things they intend to wear throughout their wedding festivities. swoon Now that your vocabulary is ready for the next season of Bridgerton, it’s time to let the swooning commence. To swoon means “to enter a state of hysterical rapture or ecstasy.” Whether you have a favorite duke, duchess, viscount, or modiste, chances are you’ll be acting out this term at least a few times when they appear on screen. Keep in mind that swoon comes from the Middle English swonen, or “to faint.” You may want to binge-watch carefully. Copyright 2024, XAKKHRA, All Rights Reserved.
    Like
    2
    0 Comments 0 Shares 1135 Views 0 Reviews
  • “Ingress” vs. “Egress”: Do You Know The Difference?

    Ingress and egress look and sound like they’re opposites, and they are. They’re primarily used in the context of entrances and exits, especially in architecture and other fields related to planning how people get in and out of places.

    You can probably guess from the in in ingress that it generally means “the act of going in” or refers to an entryway. But there’s a lot more to know about these words and how exactly they’re used—including in astronomy and in terms like egress window. Join us as we get into the ins and outs of ingress and egress.

    Quick summary

    Ingress can refer to both the act of entering or to an entryway (an entrance) itself. Egress refers to both the act of exiting or to an exit itself. In astronomy, they’re used in a more specific way relating to heavenly bodies (like planets) entering into or emerging from an eclipse.

    What does ingress mean?

    Ingress means “the act of entering,” “the right of entering,” or “the means of entering.” The last sense is typically the one used in relation to architecture and related fields. A point of ingress in a building is an entryway. It’s a concise way of referring to a place where people can enter that avoids using a more specific term, like door (since points of ingress might not all technically be doors). The word isn’t always used in relation to buildings—it could be applied to parking lots, for example, which often have multiple points of ingress for vehicles to enter.

    In astronomy, ingress is another word for immersion, the entrance of a heavenly body (such as a planet or a moon) into an eclipse caused by another heavenly body (like when the moon moves into Earth’s shadow) or into another instance of their paths crossing in some way (such as an occultation or a transit).

    What does egress mean?

    Egress means “the act of going out,” “the right to go out,” or “the means of going out.” The last sense is the one used in relation to architecture and related fields. For example, a fire safety code often requires a building to have multiple points of egress—places for people to exit, such as doors and fire escapes. A parking lot might have some one-way access points devoted to ingress and others devoted to egress.

    In astronomy, egress is another word for emersion, the emergence or exit of a heavenly body from an eclipse, occultation, or transit—that is, when it comes back into view.

    What is an egress window?

    An egress window is a window or skylight that can serve as an exit in an emergency. They’re not intended to be regular means of access—they’re typically much smaller than doors, just big enough for a person to crawl through in case of something like a fire or a building collapse. You’ll especially see the term used in building codes and plans.

    Where do ingress and egress come from?

    The -gress part in both words ultimately comes from the Latin gradÄŦ, meaning “to go, step, walk”; this verb is also the origin of the word grade. The prefix in- means, yep, “in,” and the prefix e- is a variant of ex-, which means “out” and is also used to form the word exit.

    What is the difference between ingress and egress?

    The difference between ingress and egress might seem obvious: ingress refers to an entrance, and egress refers to an exit. And generally that’s true. Of course, it’s very common for many access points to be used for both ingress and egress—you come in the same door you go out. But in architecture and site planning, it’s often important to differentiate the two for many different reasons, such as accessibility, safety, and proper traffic flow.

    Even though the words are used in more specific ways in astronomy, the basic idea is the same: ingress involves entering, and egress involves emerging or exiting.

    Remember: ingress goes in and egress exits.

    Examples of ingress and egress used in a sentence

    Take a look at some example sentences to help you remember the difference between ingress and egress.

    - The room has two points of egress, but only one point of ingress—one door is an emergency door that only opens outward.
    - The developer plans to add another ingress point for the proposed neighborhood so that residents can enter from the south end.
    - The investigation revealed that a broken door prevented egress.
    - You’ll have to add an egress window to get the basement up to code.
    - The moon began egress, exiting Earth’s shadow.

    Copyright 2024, XAKKHRA, All Rights Reserved.
    “Ingress” vs. “Egress”: Do You Know The Difference? Ingress and egress look and sound like they’re opposites, and they are. They’re primarily used in the context of entrances and exits, especially in architecture and other fields related to planning how people get in and out of places. You can probably guess from the in in ingress that it generally means “the act of going in” or refers to an entryway. But there’s a lot more to know about these words and how exactly they’re used—including in astronomy and in terms like egress window. Join us as we get into the ins and outs of ingress and egress. Quick summary Ingress can refer to both the act of entering or to an entryway (an entrance) itself. Egress refers to both the act of exiting or to an exit itself. In astronomy, they’re used in a more specific way relating to heavenly bodies (like planets) entering into or emerging from an eclipse. What does ingress mean? Ingress means “the act of entering,” “the right of entering,” or “the means of entering.” The last sense is typically the one used in relation to architecture and related fields. A point of ingress in a building is an entryway. It’s a concise way of referring to a place where people can enter that avoids using a more specific term, like door (since points of ingress might not all technically be doors). The word isn’t always used in relation to buildings—it could be applied to parking lots, for example, which often have multiple points of ingress for vehicles to enter. In astronomy, ingress is another word for immersion, the entrance of a heavenly body (such as a planet or a moon) into an eclipse caused by another heavenly body (like when the moon moves into Earth’s shadow) or into another instance of their paths crossing in some way (such as an occultation or a transit). What does egress mean? Egress means “the act of going out,” “the right to go out,” or “the means of going out.” The last sense is the one used in relation to architecture and related fields. For example, a fire safety code often requires a building to have multiple points of egress—places for people to exit, such as doors and fire escapes. A parking lot might have some one-way access points devoted to ingress and others devoted to egress. In astronomy, egress is another word for emersion, the emergence or exit of a heavenly body from an eclipse, occultation, or transit—that is, when it comes back into view. What is an egress window? An egress window is a window or skylight that can serve as an exit in an emergency. They’re not intended to be regular means of access—they’re typically much smaller than doors, just big enough for a person to crawl through in case of something like a fire or a building collapse. You’ll especially see the term used in building codes and plans. Where do ingress and egress come from? The -gress part in both words ultimately comes from the Latin gradÄŦ, meaning “to go, step, walk”; this verb is also the origin of the word grade. The prefix in- means, yep, “in,” and the prefix e- is a variant of ex-, which means “out” and is also used to form the word exit. What is the difference between ingress and egress? The difference between ingress and egress might seem obvious: ingress refers to an entrance, and egress refers to an exit. And generally that’s true. Of course, it’s very common for many access points to be used for both ingress and egress—you come in the same door you go out. But in architecture and site planning, it’s often important to differentiate the two for many different reasons, such as accessibility, safety, and proper traffic flow. Even though the words are used in more specific ways in astronomy, the basic idea is the same: ingress involves entering, and egress involves emerging or exiting. Remember: ingress goes in and egress exits. Examples of ingress and egress used in a sentence Take a look at some example sentences to help you remember the difference between ingress and egress. - The room has two points of egress, but only one point of ingress—one door is an emergency door that only opens outward. - The developer plans to add another ingress point for the proposed neighborhood so that residents can enter from the south end. - The investigation revealed that a broken door prevented egress. - You’ll have to add an egress window to get the basement up to code. - The moon began egress, exiting Earth’s shadow. Copyright 2024, XAKKHRA, All Rights Reserved.
    0 Comments 0 Shares 316 Views 0 Reviews
  • 🇚ðŸ‡ģāđ€āļĨāļ‚āļēāļ˜āļīāļāļēāļĢāļŠāļŦāļ›āļĢāļ°āļŠāļēāļŠāļēāļ•āļīāđ€āļĢāļĩāļĒāļāļĢāđ‰āļ­āļ‡āđƒāļŦāđ‰āđ€āļĢāđˆāļ‡āļ›āļāļīāļĢāļđāļ›āđ‚āļ„āļĢāļ‡āļŠāļĢāđ‰āļēāļ‡āļāļēāļĢāđ€āļ‡āļīāļ™āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāļ—āļĩāđˆāļĨāđ‰āļēāļŠāļĄāļąāļĒ, āđ„āļĢāđ‰āļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļž āđāļĨāļ° āđ„āļĄāđˆāđ€āļ›āđ‡āļ™āļ˜āļĢāļĢāļĄ

    💎"āļœāļĄāļĢāļđāđ‰āļŠāļķāļāļ‚āļ­āļšāļ„āļļāļ“āļ—āļĩāđˆāđ„āļ”āđ‰āļĄāļĩāļŠāđˆāļ§āļ™āļĢāđˆāļ§āļĄāđƒāļ™āļāļēāļĢāļ›āļĢāļ°āļŠāļļāļĄāļŠāļļāļ”āļĒāļ­āļ” BRIC āļ„āļĢāļąāđ‰āļ‡āļ—āļĩāđˆ āđ‘āđ– āđ‚āļ”āļĒāļĢāļ§āļĄāđāļĨāđ‰āļ§, āļ›āļĢāļ°āđ€āļ—āļĻāļ‚āļ­āļ‡āļ„āļļāļ“āđ€āļ›āđ‡āļ™āļ•āļąāļ§āđāļ—āļ™āļ‚āļ­āļ‡āļ›āļĢāļ°āļŠāļēāļāļĢāđ€āļāļ·āļ­āļšāļ„āļĢāļķāđˆāļ‡āļŦāļ™āļķāđˆāļ‡āļ‚āļ­āļ‡āđ‚āļĨāļ āđāļĨāļ°āļœāļĄāļ‚āļ­āļŠāļ·āđˆāļ™āļŠāļĄāļ„āļ§āļēāļĄāļĄāļļāđˆāļ‡āļĄāļąāđˆāļ™āđāļĨāļ°āļāļēāļĢāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āļ­āļąāļ™āļĄāļĩāļ„āđˆāļēāļ‚āļ­āļ‡āļ„āļļāļ“āļ•āđˆāļ­āļžāļŦāļļāļ āļēāļ„āļĩāđāļĨāļ°āļāļēāļĢāđāļāđ‰āđ„āļ‚āļ›āļąāļāļŦāļēāđƒāļ™āļĢāļ°āļ”āļąāļšāļ™āļēāļ™āļēāļŠāļēāļ•āļī āļ‹āļķāđˆāļ‡āļŠāļ°āļ—āđ‰āļ­āļ™āđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļ­āļĒāđˆāļēāļ‡āļŠāļąāļ”āđ€āļˆāļ™āđƒāļ™āļ—āļĩāļĄāļ‚āļ­āļ‡āļ„āļļāļ“āđƒāļ™āļ›āļĩāļ™āļĩāđ‰... āļˆāļģāđ€āļ›āđ‡āļ™āļ•āđ‰āļ­āļ‡āļĄāļĩāļŠāļļāļĄāļŠāļ™āļ‚āļ­āļ‡āļ›āļĢāļ°āđ€āļ—āļĻāļ•āđˆāļēāļ‡āđ† āļ—āļĩāđˆāļ—āļģāļ‡āļēāļ™āđ€āļ›āđ‡āļ™āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āđ€āļ”āļĩāļĒāļ§āļāļąāļ™āđ€āļžāļ·āđˆāļ­āļĢāļąāļšāļĄāļ·āļ­āļāļąāļšāļ„āļ§āļēāļĄāļ—āđ‰āļēāļ—āļēāļĒāļĢāļ°āļ”āļąāļšāđ‚āļĨāļ," āļ­āļąāļ™āđ‚āļ•āļ™āļīāđ‚āļ­ āļāļđāđ€āļ•āļ­āļĢāđŒāđ€āļĢāļŠ āđ€āļĨāļ‚āļēāļ˜āļīāļāļēāļĢāļŠāļŦāļ›āļĢāļ°āļŠāļēāļŠāļēāļ•āļī āļāļĨāđˆāļēāļ§āđƒāļ™āļāļēāļĢāļ›āļĢāļ°āļŠāļļāļĄāļ„āļĢāļąāđ‰āļ‡āļŠāļļāļ”āļ—āđ‰āļēāļĒāļ‚āļ­āļ‡āļāļēāļĢāļ›āļĢāļ°āļŠāļļāļĄāļŠāļļāļ”āļĒāļ­āļ” BRICS āđƒāļ™āļĢāļđāļ›āđāļšāļš BRICS+ āđāļĨāļ°āļāļēāļĢāđ€āļ‚āđ‰āļēāļ–āļķāļ‡āļ—āļĩāđˆāđ€āļĄāļ·āļ­āļ‡āļ„āļēāļ‹āļēāļ™āļ‚āļ­āļ‡āļĢāļąāļŠāđ€āļ‹āļĩāļĒ

    āļ•āļēāļĄāļ—āļĩāđˆāđ€āļ‚āļēāļāļĨāđˆāļēāļ§, āļĢāļ°āļšāļšāļāļēāļĢāđ€āļ‡āļīāļ™āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāđƒāļ™āļ›āļąāļˆāļˆāļļāļšāļąāļ™āđ„āļĄāđˆāđ„āļ”āđ‰āđƒāļŦāđ‰āļ•āļēāļ‚āđˆāļēāļĒāļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒāļŦāļĢāļ·āļ­āļĢāļ°āļ”āļąāļšāļāļēāļĢāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āļ—āļĩāđˆāļ›āļĢāļ°āđ€āļ—āļĻāļ—āļĩāđˆāđ€āļ›āļĢāļēāļ°āļšāļēāļ‡āļˆāļģāļ™āļ§āļ™āļĄāļēāļāļ•āđ‰āļ­āļ‡āļāļēāļĢ

    āļāļđāđ€āļ•āļ­āļĢāđŒāđ€āļĢāļŠāļĒāļąāļ‡āđ€āļ™āđ‰āļ™āļĒāđ‰āļģāļ–āļķāļ‡āļ„āļ§āļēāļĄāļˆāļģāđ€āļ›āđ‡āļ™āđƒāļ™āļāļēāļĢāđ€āļŠāļĢāļīāļĄāļŠāļĢāđ‰āļēāļ‡āđāļĨāļ°āļ›āļĢāļąāļšāļ›āļĢāļļāļ‡āļāļĨāđ„āļāļŠāļąāļ™āļ•āļīāļ āļēāļž, āļĢāļ§āļĄāļ–āļķāļ‡āļāļēāļĢāļāļĨāđˆāļēāļ§āļ–āļķāļ‡āļāļēāļĢāļ™āļģāļ­āļēāļ§āļļāļ˜āļˆāļēāļāļ­āļ§āļāļēāļĻāļĄāļēāđƒāļŠāđ‰āđāļĨāļ°āļāļēāļĢāđƒāļŠāđ‰āļ­āļēāļ§āļļāļ˜āļŠāļąāļ‡āļŦāļēāļĢāļ­āļąāļ•āđ‚āļ™āļĄāļąāļ•āļī

    #BRICS2024
    .
    🇚ðŸ‡ģUN CHIEF CALLS FOR ACCELERATING THE REFORM OF THE INTERNATIONAL OUTDATED, INEFFECTIVE AND UNFAIR FINANCIAL ARCHITECTURE

    💎"I am grateful to participate in the 16th BRIC Summit. Collectively, your countries represent nearly half of the world's population. And I salute your valuable commitment and support for multilateralism and international problem solving as clearly reflected in your team this year... It takes a community of nations working as one global family to address global challenges," United Nations Secretary-General Antonio Guterres said at the final meeting of the BRICS summit in the BRICS+ and outreach format in Russia's Kazan.

    According to him, today's international financial system does not provide many vulnerable countries with the safety net or level of support they need.

    Guterres also stressed the need for strengthening and updating the machinery of peace, as well as addressing the weaponization of outer space and use of lethal autonomous weapons.

    #BRICS2024
    .
    7:52 PM · Oct 24, 2024 · 20.8K Views
    https://x.com/SputnikInt/status/1849433743972290684
    🇚ðŸ‡ģāđ€āļĨāļ‚āļēāļ˜āļīāļāļēāļĢāļŠāļŦāļ›āļĢāļ°āļŠāļēāļŠāļēāļ•āļīāđ€āļĢāļĩāļĒāļāļĢāđ‰āļ­āļ‡āđƒāļŦāđ‰āđ€āļĢāđˆāļ‡āļ›āļāļīāļĢāļđāļ›āđ‚āļ„āļĢāļ‡āļŠāļĢāđ‰āļēāļ‡āļāļēāļĢāđ€āļ‡āļīāļ™āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāļ—āļĩāđˆāļĨāđ‰āļēāļŠāļĄāļąāļĒ, āđ„āļĢāđ‰āļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļž āđāļĨāļ° āđ„āļĄāđˆāđ€āļ›āđ‡āļ™āļ˜āļĢāļĢāļĄ 💎"āļœāļĄāļĢāļđāđ‰āļŠāļķāļāļ‚āļ­āļšāļ„āļļāļ“āļ—āļĩāđˆāđ„āļ”āđ‰āļĄāļĩāļŠāđˆāļ§āļ™āļĢāđˆāļ§āļĄāđƒāļ™āļāļēāļĢāļ›āļĢāļ°āļŠāļļāļĄāļŠāļļāļ”āļĒāļ­āļ” BRIC āļ„āļĢāļąāđ‰āļ‡āļ—āļĩāđˆ āđ‘āđ– āđ‚āļ”āļĒāļĢāļ§āļĄāđāļĨāđ‰āļ§, āļ›āļĢāļ°āđ€āļ—āļĻāļ‚āļ­āļ‡āļ„āļļāļ“āđ€āļ›āđ‡āļ™āļ•āļąāļ§āđāļ—āļ™āļ‚āļ­āļ‡āļ›āļĢāļ°āļŠāļēāļāļĢāđ€āļāļ·āļ­āļšāļ„āļĢāļķāđˆāļ‡āļŦāļ™āļķāđˆāļ‡āļ‚āļ­āļ‡āđ‚āļĨāļ āđāļĨāļ°āļœāļĄāļ‚āļ­āļŠāļ·āđˆāļ™āļŠāļĄāļ„āļ§āļēāļĄāļĄāļļāđˆāļ‡āļĄāļąāđˆāļ™āđāļĨāļ°āļāļēāļĢāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āļ­āļąāļ™āļĄāļĩāļ„āđˆāļēāļ‚āļ­āļ‡āļ„āļļāļ“āļ•āđˆāļ­āļžāļŦāļļāļ āļēāļ„āļĩāđāļĨāļ°āļāļēāļĢāđāļāđ‰āđ„āļ‚āļ›āļąāļāļŦāļēāđƒāļ™āļĢāļ°āļ”āļąāļšāļ™āļēāļ™āļēāļŠāļēāļ•āļī āļ‹āļķāđˆāļ‡āļŠāļ°āļ—āđ‰āļ­āļ™āđƒāļŦāđ‰āđ€āļŦāđ‡āļ™āļ­āļĒāđˆāļēāļ‡āļŠāļąāļ”āđ€āļˆāļ™āđƒāļ™āļ—āļĩāļĄāļ‚āļ­āļ‡āļ„āļļāļ“āđƒāļ™āļ›āļĩāļ™āļĩāđ‰... āļˆāļģāđ€āļ›āđ‡āļ™āļ•āđ‰āļ­āļ‡āļĄāļĩāļŠāļļāļĄāļŠāļ™āļ‚āļ­āļ‡āļ›āļĢāļ°āđ€āļ—āļĻāļ•āđˆāļēāļ‡āđ† āļ—āļĩāđˆāļ—āļģāļ‡āļēāļ™āđ€āļ›āđ‡āļ™āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āđ€āļ”āļĩāļĒāļ§āļāļąāļ™āđ€āļžāļ·āđˆāļ­āļĢāļąāļšāļĄāļ·āļ­āļāļąāļšāļ„āļ§āļēāļĄāļ—āđ‰āļēāļ—āļēāļĒāļĢāļ°āļ”āļąāļšāđ‚āļĨāļ," āļ­āļąāļ™āđ‚āļ•āļ™āļīāđ‚āļ­ āļāļđāđ€āļ•āļ­āļĢāđŒāđ€āļĢāļŠ āđ€āļĨāļ‚āļēāļ˜āļīāļāļēāļĢāļŠāļŦāļ›āļĢāļ°āļŠāļēāļŠāļēāļ•āļī āļāļĨāđˆāļēāļ§āđƒāļ™āļāļēāļĢāļ›āļĢāļ°āļŠāļļāļĄāļ„āļĢāļąāđ‰āļ‡āļŠāļļāļ”āļ—āđ‰āļēāļĒāļ‚āļ­āļ‡āļāļēāļĢāļ›āļĢāļ°āļŠāļļāļĄāļŠāļļāļ”āļĒāļ­āļ” BRICS āđƒāļ™āļĢāļđāļ›āđāļšāļš BRICS+ āđāļĨāļ°āļāļēāļĢāđ€āļ‚āđ‰āļēāļ–āļķāļ‡āļ—āļĩāđˆāđ€āļĄāļ·āļ­āļ‡āļ„āļēāļ‹āļēāļ™āļ‚āļ­āļ‡āļĢāļąāļŠāđ€āļ‹āļĩāļĒ āļ•āļēāļĄāļ—āļĩāđˆāđ€āļ‚āļēāļāļĨāđˆāļēāļ§, āļĢāļ°āļšāļšāļāļēāļĢāđ€āļ‡āļīāļ™āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāđƒāļ™āļ›āļąāļˆāļˆāļļāļšāļąāļ™āđ„āļĄāđˆāđ„āļ”āđ‰āđƒāļŦāđ‰āļ•āļēāļ‚āđˆāļēāļĒāļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒāļŦāļĢāļ·āļ­āļĢāļ°āļ”āļąāļšāļāļēāļĢāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āļ—āļĩāđˆāļ›āļĢāļ°āđ€āļ—āļĻāļ—āļĩāđˆāđ€āļ›āļĢāļēāļ°āļšāļēāļ‡āļˆāļģāļ™āļ§āļ™āļĄāļēāļāļ•āđ‰āļ­āļ‡āļāļēāļĢ āļāļđāđ€āļ•āļ­āļĢāđŒāđ€āļĢāļŠāļĒāļąāļ‡āđ€āļ™āđ‰āļ™āļĒāđ‰āļģāļ–āļķāļ‡āļ„āļ§āļēāļĄāļˆāļģāđ€āļ›āđ‡āļ™āđƒāļ™āļāļēāļĢāđ€āļŠāļĢāļīāļĄāļŠāļĢāđ‰āļēāļ‡āđāļĨāļ°āļ›āļĢāļąāļšāļ›āļĢāļļāļ‡āļāļĨāđ„āļāļŠāļąāļ™āļ•āļīāļ āļēāļž, āļĢāļ§āļĄāļ–āļķāļ‡āļāļēāļĢāļāļĨāđˆāļēāļ§āļ–āļķāļ‡āļāļēāļĢāļ™āļģāļ­āļēāļ§āļļāļ˜āļˆāļēāļāļ­āļ§āļāļēāļĻāļĄāļēāđƒāļŠāđ‰āđāļĨāļ°āļāļēāļĢāđƒāļŠāđ‰āļ­āļēāļ§āļļāļ˜āļŠāļąāļ‡āļŦāļēāļĢāļ­āļąāļ•āđ‚āļ™āļĄāļąāļ•āļī #BRICS2024 . 🇚ðŸ‡ģUN CHIEF CALLS FOR ACCELERATING THE REFORM OF THE INTERNATIONAL OUTDATED, INEFFECTIVE AND UNFAIR FINANCIAL ARCHITECTURE 💎"I am grateful to participate in the 16th BRIC Summit. Collectively, your countries represent nearly half of the world's population. And I salute your valuable commitment and support for multilateralism and international problem solving as clearly reflected in your team this year... It takes a community of nations working as one global family to address global challenges," United Nations Secretary-General Antonio Guterres said at the final meeting of the BRICS summit in the BRICS+ and outreach format in Russia's Kazan. According to him, today's international financial system does not provide many vulnerable countries with the safety net or level of support they need. Guterres also stressed the need for strengthening and updating the machinery of peace, as well as addressing the weaponization of outer space and use of lethal autonomous weapons. #BRICS2024 . 7:52 PM · Oct 24, 2024 · 20.8K Views https://x.com/SputnikInt/status/1849433743972290684
    Like
    Haha
    3
    0 Comments 0 Shares 445 Views 121 0 Reviews
  • ðŸ‡ĻðŸ‡ģ āļ›āļĢāļ°āļ˜āļēāļ™āļēāļ˜āļīāļšāļ”āļĩāļˆāļĩāļ™ āļŠāļĩ āļˆāļīāđ‰āļ™āļœāļīāļ‡ āļāļĨāđˆāļēāļ§āļ§āđˆāļē āļāļĨāļļāđˆāļĄ BRICS āļˆāļ°āļ•āđ‰āļ­āļ‡āļŠāđˆāļ‡āđ€āļŠāļĢāļīāļĄāļĢāļ°āļšāļšāļāļēāļĢāđ€āļ‡āļīāļ™āđƒāļŦāļĄāđˆ

    “āļĄāļĩāļ„āļ§āļēāļĄāļˆāļģāđ€āļ›āđ‡āļ™āđ€āļĢāđˆāļ‡āļ”āđˆāļ§āļ™āļ—āļĩāđˆāļˆāļ°āļ•āđ‰āļ­āļ‡āļ›āļāļīāļĢāļđāļ›āđ‚āļ„āļĢāļ‡āļŠāļĢāđ‰āļēāļ‡āļāļēāļĢāđ€āļ‡āļīāļ™āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻ, āđāļĨāļ°āļāļĨāļļāđˆāļĄ BRICS āļˆāļ°āļ•āđ‰āļ­āļ‡āļĄāļĩāļšāļ—āļšāļēāļ—āļ™āļģāđƒāļ™āļāļēāļĢāļŠāđˆāļ‡āđ€āļŠāļĢāļīāļĄāļĢāļ°āļšāļšāđƒāļŦāļĄāđˆāļ—āļĩāđˆāļŠāļ°āļ—āđ‰āļ­āļ™āļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡āļ­āļĒāđˆāļēāļ‡āļĨāļķāļāļ‹āļķāđ‰āļ‡āđƒāļ™āļ”āļļāļĨāļ­āļģāļ™āļēāļˆāļ—āļēāļ‡āđ€āļĻāļĢāļĐāļāļāļīāļˆāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ”āđ‰āļ”āļĩāļāļ§āđˆāļē”
    .
    JUST IN: ðŸ‡ĻðŸ‡ģ Chinese President Xi Jinping says BRICS must promote a new financial system.

    "There is an urgent need to reform the international financial architecture, and BRICS must play a leading role in promoting a new system that better reflects the profound changes in the international economic balance of power."
    .
    10:05 PM · Oct 23, 2024 · 513.1K Views
    https://x.com/BRICSinfo/status/1849104870030111109
    ðŸ‡ĻðŸ‡ģ āļ›āļĢāļ°āļ˜āļēāļ™āļēāļ˜āļīāļšāļ”āļĩāļˆāļĩāļ™ āļŠāļĩ āļˆāļīāđ‰āļ™āļœāļīāļ‡ āļāļĨāđˆāļēāļ§āļ§āđˆāļē āļāļĨāļļāđˆāļĄ BRICS āļˆāļ°āļ•āđ‰āļ­āļ‡āļŠāđˆāļ‡āđ€āļŠāļĢāļīāļĄāļĢāļ°āļšāļšāļāļēāļĢāđ€āļ‡āļīāļ™āđƒāļŦāļĄāđˆ “āļĄāļĩāļ„āļ§āļēāļĄāļˆāļģāđ€āļ›āđ‡āļ™āđ€āļĢāđˆāļ‡āļ”āđˆāļ§āļ™āļ—āļĩāđˆāļˆāļ°āļ•āđ‰āļ­āļ‡āļ›āļāļīāļĢāļđāļ›āđ‚āļ„āļĢāļ‡āļŠāļĢāđ‰āļēāļ‡āļāļēāļĢāđ€āļ‡āļīāļ™āļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻ, āđāļĨāļ°āļāļĨāļļāđˆāļĄ BRICS āļˆāļ°āļ•āđ‰āļ­āļ‡āļĄāļĩāļšāļ—āļšāļēāļ—āļ™āļģāđƒāļ™āļāļēāļĢāļŠāđˆāļ‡āđ€āļŠāļĢāļīāļĄāļĢāļ°āļšāļšāđƒāļŦāļĄāđˆāļ—āļĩāđˆāļŠāļ°āļ—āđ‰āļ­āļ™āļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡āļ­āļĒāđˆāļēāļ‡āļĨāļķāļāļ‹āļķāđ‰āļ‡āđƒāļ™āļ”āļļāļĨāļ­āļģāļ™āļēāļˆāļ—āļēāļ‡āđ€āļĻāļĢāļĐāļāļāļīāļˆāļĢāļ°āļŦāļ§āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ”āđ‰āļ”āļĩāļāļ§āđˆāļē” . JUST IN: ðŸ‡ĻðŸ‡ģ Chinese President Xi Jinping says BRICS must promote a new financial system. "There is an urgent need to reform the international financial architecture, and BRICS must play a leading role in promoting a new system that better reflects the profound changes in the international economic balance of power." . 10:05 PM · Oct 23, 2024 · 513.1K Views https://x.com/BRICSinfo/status/1849104870030111109
    Like
    1
    1 Comments 0 Shares 149 Views 0 Reviews
  • Uzbekistan architecture, Turkish blue (turquoise) 🇚ðŸ‡ŋ
    Uzbekistan architecture, Turkish blue (turquoise) 🇚ðŸ‡ŋ
    0 Comments 0 Shares 118 Views 0 Reviews
  • āļ„āļģāļŠāļąāđˆāļ‡āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļ›āļāļīāļšāļąāļ•āļīāļ•āļēāļĄāļ‚āļ­āļ‡āļ”āļ­āļĨāļĨāļēāļĢāđŒ āļˆāļ°āļžāļīāļŠāļđāļˆāļ™āđŒāļ„āļ§āļēāļĄāļĨāđˆāļĄāļŠāļĨāļēāļĒāđ€āļĄāļ·āđˆāļ­āļĄāļŦāļēāļ­āļģāļ™āļēāļˆāđ€āļāļīāļ”āđƒāļŦāļĄāđˆāļĢāļ§āļĄāļ•āļąāļ§āļāļąāļ™ – āļ™āļąāļāļ§āļīāđ€āļ„āļĢāļēāļ°āļŦāđŒ

    Chintamani Mahapatra, āļœāļđāđ‰āļāđˆāļ­āļ•āļąāđ‰āļ‡āđāļĨāļ°āļ›āļĢāļ°āļ˜āļēāļ™āļ‚āļ­āļ‡ Kalinga Institute of Indo-Pacific Studies:

    “āļ›āļĢāļ°āđ€āļ—āļĻāļ•āđˆāļēāļ‡āđ†āļāļģāļĨāļąāļ‡āđāļŠāļ§āļ‡āļŦāļēāļ§āļīāļ˜āļĩāđāļĨāļ°āļŠāđˆāļ­āļ‡āļ—āļēāļ‡āđƒāļ™āļāļēāļĢāļ—āļģāļāļēāļĢāļ„āđ‰āļēāđāļĨāļ°āļ˜āļļāļĢāļāļīāļˆāļ™āļ­āļāļāļĢāļ­āļšāđ‚āļ„āļĢāļ‡āļŠāļĢāđ‰āļēāļ‡āļāļēāļĢāđ€āļ‡āļīāļ™āļ—āļĩāđˆāļŠāļŦāļĢāļąāļāļŊāļ„āļĢāļ­āļšāļ‡āļģ āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāļžāļ§āļāđ€āļ‚āļēāđ€āļšāļ·āđˆāļ­āļŦāļ™āđˆāļēāļĒāļāļąāļšāļāļēāļĢāļ—āļĩāđˆāļŠāļŦāļĢāļąāļāļŊ āļāļģāļŦāļ™āļ”āđ€āļ‡āļ·āđˆāļ­āļ™āđ„āļ‚āļāļąāļšāļŦāļĨāļēāļĒāļ›āļĢāļ°āđ€āļ—āļĻ, āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āļ­āļĒāđˆāļēāļ‡āļĒāļīāđˆāļ‡ āļāļēāļĢāļ›āđ‰āļ­āļ‡āļāļąāļ™āđ„āļĄāđˆāđƒāļŦāđ‰āļ›āļĢāļ°āđ€āļ—āļĻāļ•āđˆāļēāļ‡āđ† āļ—āļģāļ˜āļļāļĢāļāļīāļˆāļāļąāļšāļ›āļĢāļ°āđ€āļ—āļĻāļ—āļĩāđˆāļ­āļĒāļđāđˆāļ āļēāļĒāđƒāļ•āđ‰āļāļēāļĢāļ„āļ§āđˆāļģāļšāļēāļ•āļĢāļ‚āļ­āļ‡āļŠāļŦāļĢāļąāļāļŊ”

    “āļŠāļēāļ•āļīāļ•āļ°āļ§āļąāļ™āļ•āļāļ—āļĩāđˆāļĢāļ§āļĄāļāļąāļ™āļˆāļ°āļžāļĒāļēāļĒāļēāļĄāđ„āļĄāđˆāļ­āļ™āļļāļāļēāļ•āđƒāļŦāđ‰āļĄāļĩāļĢāļ°āļšāļšāļ—āļēāļ‡āđ€āļĨāļ·āļ­āļāļ­āļ·āđˆāļ™āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™ āđāļĨāļ°āļŠāļēāļ•āļīāļ—āļĩāđˆāđ„āļĄāđˆāđƒāļŠāđˆāļ•āļ°āļ§āļąāļ™āļ•āļāļāđ‡āđāļ—āļšāļˆāļ°āđ„āļĄāđˆāđ€āļ›āđ‡āļ™āļ­āļąāļ™āļŦāļ™āļķāđˆāļ‡āļ­āļąāļ™āđ€āļ”āļĩāļĒāļ§āļāļąāļ™āđ€āļĨāļĒ āļ›āļĢāļ°āđ€āļ—āļĻāļ•āđˆāļēāļ‡āđ†āļĄāļĩāļāļēāļĢāļžāļķāđˆāļ‡āļžāļēāļāļąāļ™āļ—āļĩāđˆāļ‹āļąāļšāļ‹āđ‰āļ­āļ™ āļ”āļąāļ‡āļ™āļąāđ‰āļ™, āļˆāļķāļ‡āđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āđ€āļ‚āļĩāļĒāļ™āļ„āļģāđ„āļ§āđ‰āļ­āļēāļĨāļąāļĒāļ‚āļ­āļ‡āļĢāļ°āļšāļšāļ—āļĩāđˆāļ”āļ­āļĨāļĨāļēāļĢāđŒāļŠāļŦāļĢāļąāļāļ„āļĢāļ­āļšāļ‡āļģāđ„āļ”āđ‰āđƒāļ™āļ‚āļ“āļ°āļ™āļĩāđ‰ āđ€āļĻāļĢāļĐāļāļāļīāļˆāļ­āļ·āđˆāļ™āđ†āļˆāļ°āļ•āđ‰āļ­āļ‡āļ›āļĢāļąāļšāļ›āļĢāļļāļ‡āļˆāļ™āļ–āļķāļ‡āļˆāļļāļ”āļ—āļĩāđˆāļ­āļīāļ—āļ˜āļīāļžāļĨāļ‚āļ­āļ‡āļŠāļŦāļĢāļąāļāļŊāļĨāļ”āļĨāļ‡āļ­āļĩāļ, āđāļĨāļ°āđƒāļ™āļāļĢāļ“āļĩāļ™āļąāđ‰āļ™ āļĢāļ°āļšāļšāļ—āļēāļ‡āđ€āļĨāļ·āļ­āļāļˆāļ°āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļ‡āđˆāļēāļĒāļ”āļēāļĒ”
    .
    Dollar’s diktat will prove its downfall once emerging powers unite – analyst

    Chintamani Mahapatra, founder and chairman of the Kalinga Institute of Indo-Pacific Studies:

    “Countries are seeking ways and means of conducting trade and business outside the US-dominated financial architecture because they are fed up with the US dictating terms to multiple countries, especially by preventing countries from doing business with countries under US sanctions.”

    “The combined West will try not to allow an alternative system from rising. And the non-West is hardly united. Countries have complex interdependence. Thus, one cannot write the obituary of the dollar dominated system at the moment. Other economies have to improve to a point where the relative US domination declines further, and in that case the alternative system will easily emerge.”
    .
    11:28 PM · Oct 21, 2024 · 4,540 Views
    https://x.com/SputnikInt/status/1848401007660634292
    āļ„āļģāļŠāļąāđˆāļ‡āļ—āļĩāđˆāļ•āđ‰āļ­āļ‡āļ›āļāļīāļšāļąāļ•āļīāļ•āļēāļĄāļ‚āļ­āļ‡āļ”āļ­āļĨāļĨāļēāļĢāđŒ āļˆāļ°āļžāļīāļŠāļđāļˆāļ™āđŒāļ„āļ§āļēāļĄāļĨāđˆāļĄāļŠāļĨāļēāļĒāđ€āļĄāļ·āđˆāļ­āļĄāļŦāļēāļ­āļģāļ™āļēāļˆāđ€āļāļīāļ”āđƒāļŦāļĄāđˆāļĢāļ§āļĄāļ•āļąāļ§āļāļąāļ™ – āļ™āļąāļāļ§āļīāđ€āļ„āļĢāļēāļ°āļŦāđŒ Chintamani Mahapatra, āļœāļđāđ‰āļāđˆāļ­āļ•āļąāđ‰āļ‡āđāļĨāļ°āļ›āļĢāļ°āļ˜āļēāļ™āļ‚āļ­āļ‡ Kalinga Institute of Indo-Pacific Studies: “āļ›āļĢāļ°āđ€āļ—āļĻāļ•āđˆāļēāļ‡āđ†āļāļģāļĨāļąāļ‡āđāļŠāļ§āļ‡āļŦāļēāļ§āļīāļ˜āļĩāđāļĨāļ°āļŠāđˆāļ­āļ‡āļ—āļēāļ‡āđƒāļ™āļāļēāļĢāļ—āļģāļāļēāļĢāļ„āđ‰āļēāđāļĨāļ°āļ˜āļļāļĢāļāļīāļˆāļ™āļ­āļāļāļĢāļ­āļšāđ‚āļ„āļĢāļ‡āļŠāļĢāđ‰āļēāļ‡āļāļēāļĢāđ€āļ‡āļīāļ™āļ—āļĩāđˆāļŠāļŦāļĢāļąāļāļŊāļ„āļĢāļ­āļšāļ‡āļģ āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāļžāļ§āļāđ€āļ‚āļēāđ€āļšāļ·āđˆāļ­āļŦāļ™āđˆāļēāļĒāļāļąāļšāļāļēāļĢāļ—āļĩāđˆāļŠāļŦāļĢāļąāļāļŊ āļāļģāļŦāļ™āļ”āđ€āļ‡āļ·āđˆāļ­āļ™āđ„āļ‚āļāļąāļšāļŦāļĨāļēāļĒāļ›āļĢāļ°āđ€āļ—āļĻ, āđ‚āļ”āļĒāđ€āļ‰āļžāļēāļ°āļ­āļĒāđˆāļēāļ‡āļĒāļīāđˆāļ‡ āļāļēāļĢāļ›āđ‰āļ­āļ‡āļāļąāļ™āđ„āļĄāđˆāđƒāļŦāđ‰āļ›āļĢāļ°āđ€āļ—āļĻāļ•āđˆāļēāļ‡āđ† āļ—āļģāļ˜āļļāļĢāļāļīāļˆāļāļąāļšāļ›āļĢāļ°āđ€āļ—āļĻāļ—āļĩāđˆāļ­āļĒāļđāđˆāļ āļēāļĒāđƒāļ•āđ‰āļāļēāļĢāļ„āļ§āđˆāļģāļšāļēāļ•āļĢāļ‚āļ­āļ‡āļŠāļŦāļĢāļąāļāļŊ” “āļŠāļēāļ•āļīāļ•āļ°āļ§āļąāļ™āļ•āļāļ—āļĩāđˆāļĢāļ§āļĄāļāļąāļ™āļˆāļ°āļžāļĒāļēāļĒāļēāļĄāđ„āļĄāđˆāļ­āļ™āļļāļāļēāļ•āđƒāļŦāđ‰āļĄāļĩāļĢāļ°āļšāļšāļ—āļēāļ‡āđ€āļĨāļ·āļ­āļāļ­āļ·āđˆāļ™āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™ āđāļĨāļ°āļŠāļēāļ•āļīāļ—āļĩāđˆāđ„āļĄāđˆāđƒāļŠāđˆāļ•āļ°āļ§āļąāļ™āļ•āļāļāđ‡āđāļ—āļšāļˆāļ°āđ„āļĄāđˆāđ€āļ›āđ‡āļ™āļ­āļąāļ™āļŦāļ™āļķāđˆāļ‡āļ­āļąāļ™āđ€āļ”āļĩāļĒāļ§āļāļąāļ™āđ€āļĨāļĒ āļ›āļĢāļ°āđ€āļ—āļĻāļ•āđˆāļēāļ‡āđ†āļĄāļĩāļāļēāļĢāļžāļķāđˆāļ‡āļžāļēāļāļąāļ™āļ—āļĩāđˆāļ‹āļąāļšāļ‹āđ‰āļ­āļ™ āļ”āļąāļ‡āļ™āļąāđ‰āļ™, āļˆāļķāļ‡āđ„āļĄāđˆāļŠāļēāļĄāļēāļĢāļ–āđ€āļ‚āļĩāļĒāļ™āļ„āļģāđ„āļ§āđ‰āļ­āļēāļĨāļąāļĒāļ‚āļ­āļ‡āļĢāļ°āļšāļšāļ—āļĩāđˆāļ”āļ­āļĨāļĨāļēāļĢāđŒāļŠāļŦāļĢāļąāļāļ„āļĢāļ­āļšāļ‡āļģāđ„āļ”āđ‰āđƒāļ™āļ‚āļ“āļ°āļ™āļĩāđ‰ āđ€āļĻāļĢāļĐāļāļāļīāļˆāļ­āļ·āđˆāļ™āđ†āļˆāļ°āļ•āđ‰āļ­āļ‡āļ›āļĢāļąāļšāļ›āļĢāļļāļ‡āļˆāļ™āļ–āļķāļ‡āļˆāļļāļ”āļ—āļĩāđˆāļ­āļīāļ—āļ˜āļīāļžāļĨāļ‚āļ­āļ‡āļŠāļŦāļĢāļąāļāļŊāļĨāļ”āļĨāļ‡āļ­āļĩāļ, āđāļĨāļ°āđƒāļ™āļāļĢāļ“āļĩāļ™āļąāđ‰āļ™ āļĢāļ°āļšāļšāļ—āļēāļ‡āđ€āļĨāļ·āļ­āļāļˆāļ°āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđ„āļ”āđ‰āļ­āļĒāđˆāļēāļ‡āļ‡āđˆāļēāļĒāļ”āļēāļĒ” . Dollar’s diktat will prove its downfall once emerging powers unite – analyst Chintamani Mahapatra, founder and chairman of the Kalinga Institute of Indo-Pacific Studies: “Countries are seeking ways and means of conducting trade and business outside the US-dominated financial architecture because they are fed up with the US dictating terms to multiple countries, especially by preventing countries from doing business with countries under US sanctions.” “The combined West will try not to allow an alternative system from rising. And the non-West is hardly united. Countries have complex interdependence. Thus, one cannot write the obituary of the dollar dominated system at the moment. Other economies have to improve to a point where the relative US domination declines further, and in that case the alternative system will easily emerge.” . 11:28 PM · Oct 21, 2024 · 4,540 Views https://x.com/SputnikInt/status/1848401007660634292
    Like
    1
    0 Comments 0 Shares 310 Views 0 Reviews
  • "Cloud-Native Architecture Design for a Social Media Web Application"
    "Cloud-Native Architecture Design for a Social Media Web Application"
    Like
    5
    0 Comments 0 Shares 332 Views 0 Reviews
  • “Turtle” vs. “Tortoise”: What’s The Difference?

    Those who attended the University of Maryland or are familiar with this institution know to “fear the turtle.” Thanks to their trusty mascot, Testudo, this slogan is a favorite of students and fans. But is Testudo the terrapin actually a turtle or a tortoise? And is there even a difference between them? Let’s take a closer look.


    What is a turtle?

    Turtles and tortoises are both reptiles that belong to the order Testudines. This order is comprised of aquatic and terrestrial species that have their trunk enclosed in a shell. To be specific, that shell consists of a dorsal carapace—or shell covering—and a ventral plastron (the bottom part of the shell). The architecture of this shell that houses the skeleton is unique to turtles. Turtles cannot leave their shell or shed it for a new one.

    The word turtle dates back to around 1625–35. It originated from an alteration of the French tortue, which is itself derived from the Latin word for this animal, tortÅŦca.

    To use the word correctly, you might say:

    - Her family refers to her as “The Turtle” because she is quick to retreat into her “shell” instead of getting to know people.
    - Out of all of the animals he grew up with, Gabe’s favorite pet was his beloved turtle, Shelly, whose shell patterns inspired his artwork.
    - Since turtle, or the order Testudines, refers to reptiles who have their bodies protected or encased within a shell, it’s no surprise that there are many species of turtles: 356 of them to be exact. Some of these types of turtles include sea turtle, box turtle, green turtle, and snapping turtle.

    However, an aquatic turtle can be distinguished from a terrestrial one, known as a tortoise.


    What is a tortoise?

    A tortoise is a noun that refers to a terrestrial turtle or a slow-moving person. This type of turtle belongs to the family Testudinidae and typically spends its time on land.

    Tortoise was first recorded in English around 1350–1400. It originated as a variant of the earlier words tortuse, tortose, and tortuce. The word tortoise may be related to the Latin for “twisted” (tortus). The Latin word testudo comes from testa (“shell”).

    You might use the word like so:

    - After Tamara broke her leg, she felt like a tortoise: only able to inch along on her crutches at an excruciatingly slow pace.
    - While his family was visiting the desert, Lucas came across a tortoise eating a piece of cactus.
    She opted for tortoiseshell glasses in honor of her favorite reptile: the tortoise.


    How to tell the difference between a turtle and tortoise

    Although tortoises are a type of turtle and belong to the order Testudines, they have distinct differences from aquatic turtles who spend their time in the water. Firstly, terrestrial turtles or tortoises are land-dwellers that eat vegetation and typically live in hot, dry areas. There are also physical differences, according to the San Diego Zoo, and these make it much easier to tell them apart.

    In order to accommodate their time in the water, turtles have webbed feet. Some turtles have flippers and spend their entire lives swimming while others hang out on the shore, rocks, or beaches on occasion and burrow in the mud when they get cold.

    Instead of webbed feet, tortoises have round feet that look like stumps and help them walk on land. They live in dry and hot habitats, and some even eat cactus. To avoid the sun, some dig burrows and head underground. Most tortoises have shells that are higher with more of a domed shape.

    Copyright 2024, XAKKHRA, All Rights Reserved.
    “Turtle” vs. “Tortoise”: What’s The Difference? Those who attended the University of Maryland or are familiar with this institution know to “fear the turtle.” Thanks to their trusty mascot, Testudo, this slogan is a favorite of students and fans. But is Testudo the terrapin actually a turtle or a tortoise? And is there even a difference between them? Let’s take a closer look. What is a turtle? Turtles and tortoises are both reptiles that belong to the order Testudines. This order is comprised of aquatic and terrestrial species that have their trunk enclosed in a shell. To be specific, that shell consists of a dorsal carapace—or shell covering—and a ventral plastron (the bottom part of the shell). The architecture of this shell that houses the skeleton is unique to turtles. Turtles cannot leave their shell or shed it for a new one. The word turtle dates back to around 1625–35. It originated from an alteration of the French tortue, which is itself derived from the Latin word for this animal, tortÅŦca. To use the word correctly, you might say: - Her family refers to her as “The Turtle” because she is quick to retreat into her “shell” instead of getting to know people. - Out of all of the animals he grew up with, Gabe’s favorite pet was his beloved turtle, Shelly, whose shell patterns inspired his artwork. - Since turtle, or the order Testudines, refers to reptiles who have their bodies protected or encased within a shell, it’s no surprise that there are many species of turtles: 356 of them to be exact. Some of these types of turtles include sea turtle, box turtle, green turtle, and snapping turtle. However, an aquatic turtle can be distinguished from a terrestrial one, known as a tortoise. What is a tortoise? A tortoise is a noun that refers to a terrestrial turtle or a slow-moving person. This type of turtle belongs to the family Testudinidae and typically spends its time on land. Tortoise was first recorded in English around 1350–1400. It originated as a variant of the earlier words tortuse, tortose, and tortuce. The word tortoise may be related to the Latin for “twisted” (tortus). The Latin word testudo comes from testa (“shell”). You might use the word like so: - After Tamara broke her leg, she felt like a tortoise: only able to inch along on her crutches at an excruciatingly slow pace. - While his family was visiting the desert, Lucas came across a tortoise eating a piece of cactus. She opted for tortoiseshell glasses in honor of her favorite reptile: the tortoise. How to tell the difference between a turtle and tortoise Although tortoises are a type of turtle and belong to the order Testudines, they have distinct differences from aquatic turtles who spend their time in the water. Firstly, terrestrial turtles or tortoises are land-dwellers that eat vegetation and typically live in hot, dry areas. There are also physical differences, according to the San Diego Zoo, and these make it much easier to tell them apart. In order to accommodate their time in the water, turtles have webbed feet. Some turtles have flippers and spend their entire lives swimming while others hang out on the shore, rocks, or beaches on occasion and burrow in the mud when they get cold. Instead of webbed feet, tortoises have round feet that look like stumps and help them walk on land. They live in dry and hot habitats, and some even eat cactus. To avoid the sun, some dig burrows and head underground. Most tortoises have shells that are higher with more of a domed shape. Copyright 2024, XAKKHRA, All Rights Reserved.
    Like
    1
    0 Comments 0 Shares 771 Views 0 Reviews