• āļ­āļēāļĒāļļāđ€āļĒāļ­āļ°āļāđ‡āļ—āļģāļ›āļĢāļ°āļāļąāļ™āđ„āļ”āđ‰...āļ§āļēāļ‡āđāļœāļ™āļāļąāļ™āļ„āļĢāļąāļšðŸ˜ #āđ€āļ›āđ‡āļ™āļĄāļĢāļ”āļ #āļĄāļĢāļ”āļ #āđ€āļāļĐāļĩāļĒāļ“āļŠāļļāļ‚ #āđ‚āļĢāļ‡āļžāļĒāļēāļšāļēāļĨ #āđ€āļ‡āļīāļ™āđ€āļĨāļĩāđ‰āļĒāļ‡āļ”āļđāļœāļđāđ‰āļŠāļđāļ‡āļ­āļēāļĒāļļ #āļ„āļļāđ‰āļĄāļ„āļĢāļ­āļ‡āđ‚āļĢāļ„āļĢāđ‰āļēāļĒ #āļ„āđˆāļēāļĢāļąāļāļĐāļēāļžāļĒāļēāļšāļēāļĨ #āļ›āļĢāļ°āļāļąāļ™āļŠāļļāļ‚āļ āļēāļž #AIA
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  • āļ­āļēāļĒāļļāđ€āļĒāļ­āļ°āļāđ‡āļ—āļģāļ›āļĢāļ°āļāļąāļ™āđ„āļ”āđ‰...āļ§āļēāļ‡āđāļœāļ™āļāļąāļ™āļ„āļĢāļąāļšðŸ˜ #āđ€āļ›āđ‡āļ™āļĄāļĢāļ”āļ #āļĄāļĢāļ”āļ #āđ€āļāļĐāļĩāļĒāļ“āļŠāļļāļ‚ #āđ‚āļĢāļ‡āļžāļĒāļēāļšāļēāļĨ #āđ€āļ‡āļīāļ™āđ€āļĨāļĩāđ‰āļĒāļ‡āļ”āļđāļœāļđāđ‰āļŠāļđāļ‡āļ­āļēāļĒāļļ #āļ„āļļāđ‰āļĄāļ„āļĢāļ­āļ‡āđ‚āļĢāļ„āļĢāđ‰āļēāļĒ #āļ„āđˆāļēāļĢāļąāļāļĐāļēāļžāļĒāļēāļšāļēāļĨ #āļ›āļĢāļ°āļāļąāļ™āļŠāļļāļ‚āļ āļēāļž #AIA
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  • āļ§āļīāļ˜āļĩāđāļāđ‰āđ„āļ‚āļŠāļ·āđˆāļ­-āļ™āļēāļĄāļŠāļāļļāļĨāđƒāļ™āđāļ­āļ› ThaiTimes (āļ āļēāļžāļĢāļ§āļĄ)
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  • āļ‚āļ“āļ°āļ—āļĩāđˆāļ‚āļēāļĒāļĢāļļāđˆāļ™ AI 300 āđ€āļˆāļēāļ°āļ•āļĨāļēāļ”āļšāļ™ āļāđ‡āļˆāļ°āļ­āļ­āļāļĢāļļāđˆāļ™ AI 200 āļ‰āļšāļąāļšāļĒāđ‰āļ­āļĄāđāļĄāļ§.. āđ€āļ­āđŠāļĒ upgrade (āļŦāļĒāļ­āļāđ†) āđ€āļĨāđ‡āļāļ™āđ‰āļ­āļĒāđƒāļŦāđ‰āļāļąāļšāļ•āļĨāļēāļ”āļĨāđˆāļēāļ‡ āļ„āļ§āļšāļ„āļđāđˆāļāļąāļ™āđ„āļ›āļ”āđ‰āļ§āļĒ āļ™āđˆāļēāļŠāļ™āđƒāļˆāđ€āļŦāļĄāļ·āļ­āļ™āļāļ™āļąāļ™āđāļŦāļ° āļĢāļ­āļ”āļđ benchmark āđ€āļĨāļĒāļ„āļĢāļąāļš

    https://wccf.tech/1fi5r
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    WCCF.TECH
    AMD Preps Hawk Point Refresh "Ryzen 200" APUs, Featuring Ryzen 7 255H & 260H
    AMD is planning to launch refreshed "Ryzen 200" series APUs based on the Hawk Point lineup to target the entry-level laptop segment.
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  • āļ–āđ‰āļēāđ€āļĢāļēāļ­āļĒāļēāļāđ€āļ›āđ‡āļ™āļŪāļąāļš AI āđāļĨāļ° IDC āļ‚āļ­āļ‡āļ āļđāļĄāļīāļ āļēāļ„ āļ›āļĢāļ°āđ€āļ—āļĻāđ€āļĢāļēāļ„āļ§āļĢāļĄāļĩāļāļēāļĢāļ­āļ­āļāļāļŽāļŦāļĄāļēāļĒāļ‰āļšāļąāļšāđƒāļŦāļĄāđˆāđāļĨāļ°āļ›āļĢāļ°āļāļēāļĻ (āđ‚āļ†āļĐāļ“āļē) āđāļœāļ™āļ‡āļēāļ™āļžāļĨāļąāļ‡āļ‡āļēāļ™āļ™āļīāļ§āđ€āļ„āļĨāļĩāļĒāļĢāđŒāđ„āļ”āđ‰āđāļĨāđ‰āļ§ āļˆāļ°āļ”āļķāļ‡āļ”āļđāļ”āļšāļĢāļīāļĐāļąāļ—āļĒāļąāļāļĐāđŒāđƒāļŦāļāđˆāđ„āļ”āđ‰āļĄāļēāļ

    https://www.thairath.co.th/money/tech_innovation/tech_companies/2825982
    āļ–āđ‰āļēāđ€āļĢāļēāļ­āļĒāļēāļāđ€āļ›āđ‡āļ™āļŪāļąāļš AI āđāļĨāļ° IDC āļ‚āļ­āļ‡āļ āļđāļĄāļīāļ āļēāļ„ āļ›āļĢāļ°āđ€āļ—āļĻāđ€āļĢāļēāļ„āļ§āļĢāļĄāļĩāļāļēāļĢāļ­āļ­āļāļāļŽāļŦāļĄāļēāļĒāļ‰āļšāļąāļšāđƒāļŦāļĄāđˆāđāļĨāļ°āļ›āļĢāļ°āļāļēāļĻ (āđ‚āļ†āļĐāļ“āļē) āđāļœāļ™āļ‡āļēāļ™āļžāļĨāļąāļ‡āļ‡āļēāļ™āļ™āļīāļ§āđ€āļ„āļĨāļĩāļĒāļĢāđŒāđ„āļ”āđ‰āđāļĨāđ‰āļ§ āļˆāļ°āļ”āļķāļ‡āļ”āļđāļ”āļšāļĢāļīāļĐāļąāļ—āļĒāļąāļāļĐāđŒāđƒāļŦāļāđˆāđ„āļ”āđ‰āļĄāļēāļ https://www.thairath.co.th/money/tech_innovation/tech_companies/2825982
    WWW.THAIRATH.CO.TH
    āđ‚āļ„āļĢāļ‡āļŠāļĢāđ‰āļēāļ‡āļžāļĨāļąāļ‡āļ‡āļēāļ™āđ„āļĄāđˆāļžāļĢāđ‰āļ­āļĄ AI-Data Center āđ‚āļ•āđ€āļāļīāļ™āļāļģāļĨāļąāļ‡āļœāļĨāļīāļ• āļ•āđ‰āļ™āļ—āļļāļ™āļ„āđˆāļēāđ„āļŸāļžāļļāđˆāļ‡ āļ›āļąāļāļŦāļēāđƒāļŦāļāđˆāļĢāļ­āļ§āļąāļ™āļĢāļ°āđ€āļšāļīāļ”
    Gartner āļ„āļēāļ”āļāļēāļĢāļ“āđŒ āđ‚āļĨāļāļˆāļ°āđ€āļˆāļ­āļ›āļąāļāļŦāļēāļžāļĨāļąāļ‡āļ‡āļēāļ™āđ„āļĄāđˆāđ€āļžāļĩāļĒāļ‡āļžāļ­ āđ€āļžāļĢāļēāļ°āļāļēāļĢāđƒāļŠāđ‰āļžāļĨāļąāļ‡āļ‡āļēāļ™āļ‚āļ­āļ‡ Generative AI āļ—āļĩāđˆāđ€āļ•āļīāļšāđ‚āļ•āļ­āļĒāđˆāļēāļ‡āļĢāļ§āļ”āđ€āļĢāđ‡āļ§āļˆāļ°āđ€āļāļīāļ™āļāļģāļĨāļąāļ‡āļāļēāļĢāļœāļĨāļīāļ•āļ‚āļ­āļ‡āļœāļđāđ‰āđƒāļŦāđ‰āļšāļĢāļīāļāļēāļĢāļŠāļēāļ˜āļēāļĢāļ“āļđāļ›āđ‚āļ āļ„ āļ āļēāļĒāđƒāļ™āļ›āļĩ 2570 Data Center āļ—āļĩāđˆāđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđƒāļŦāļĄāđˆāđāļĨāļ°āļāļēāļĢāđ€āļ•āļīāļšāđ‚āļ•āļ‚āļ­āļ‡āļ•āļĨāļēāļ” AI āļˆāļ°āļ–āļđāļāļˆāļģāļāļąāļ”āļ›āļĢāļ°āļŠāļīāļ—āļ˜āļīāļ āļēāļžāļāļēāļĢāļ”āļģāđ€āļ™āļīāļ™āļ‡āļēāļ™ āđ€āļ™āļ·āđˆāļ­āļ‡āļˆāļēāļāļ‚āļĩāļ”āļˆāļģāļāļąāļ”āļ”āđ‰āļēāļ™āļžāļĨāļąāļ‡āļ‡āļēāļ™
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  • āļāļīāļˆāļāļĢāļĢāļĄ "āļĨāļ­āļĒāļāļĢāļ°āļ—āļ‡ āļ„āļĨāļ­āļ‡āļŠāļēāļ™ āļŠāļģāļĢāļēāļāđƒāļˆ"
    āđƒāļ™āđāļ™āļ§āļ„āļīāļ” āļŠāļ·āļšāļŠāļēāļ™āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āđ„āļ—āļĒ āđƒāļŠāđˆāđƒāļˆāļŠāļīāđˆāļ‡āđāļ§āļ”āļĨāđ‰āļ­āļĄ
    āđ‚āļ”āļĒ āļāļĢāļĄāļŠāđˆāļ‡āđ€āļŠāļĢāļīāļĄāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄ āļŠāļ™āļļāļšāļŠāļ™āļļāļ™āđƒāļŦāđ‰āļ—āļēāļ‡ #āļŠāļ āļēāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāđ€āļ‚āļ•āļ„āļĨāļ­āļ‡āļŠāļēāļ™ āļˆāļąāļ”āļ‡āļēāļ™āļ‚āļķāđ‰āļ™ āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āļŠāļļāļĄāļŠāļ™āđāļĨāļ°āļŦāļ™āđˆāļ§āļĒāļ‡āļēāļ™āđƒāļ™āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļĄāļĩāļŠāđˆāļ§āļ™āļĢāđˆāļ§āļĄ āđƒāļ™āļāļēāļĢāļ­āļ™āļļāļĢāļąāļāļĐāđŒāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ›āļĢāļ°āđ€āļžāļ“āļĩāđ„āļ—āļĒ āđāļĨāļ°āļŠāđˆāļ‡āđ€āļŠāļĢāļīāļĄāđƒāļŦāđ‰āđ€āļĒāļēāļ§āļŠāļ™āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāđ„āļ”āđ‰āđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āđāļĨāļ°āđ€āļ‚āđ‰āļēāđƒāļˆāļ–āļķāļ‡āļ„āļ§āļēāļĄāļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āļ›āļĢāļ°āđ€āļžāļ“āļĩāļĨāļ­āļĒāļāļĢāļ°āļ—āļ‡ āļ­āļĩāļāļ—āļąāđ‰āļ‡āđ€āļŠāļĢāļīāļĄāļŠāļĢāđ‰āļēāļ‡āđƒāļŦāđ‰āļŠāļĄāļēāļŠāļīāļāđƒāļ™āļŠāļļāļĄāļŠāļ™āđ€āļ‚āļ•āļ„āļĨāļ­āļ‡āļŠāļēāļ™āđ„āļ”āđ‰āļĄāļĩāļŠāđˆāļ§āļ™āļĢāđˆāļ§āļĄāđƒāļ™āļāļēāļĢāļ—āļģāļāļīāļˆāļāļĢāļĢāļĄāļĢāđˆāļ§āļĄāļāļąāļ™ āļŠāļĢāđ‰āļēāļ‡āļŠāļąāļĄāļžāļąāļ™āļ˜āđŒ āđāļĨāļ°āđ€āļ›āđ‡āļ™āļ™āđ‰āļģāļŦāļ™āļķāđˆāļ‡āđƒāļˆāđ€āļ”āļĩāļĒāļ§āļāļąāļ™ āđƒāļ™āļāļēāļĢāļ­āļ™āļļāļĢāļąāļāļĐāđŒāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ—āđ‰āļ­āļ‡āļ–āļīāđˆāļ™āđƒāļŦāđ‰āļ„āļ‡āļ­āļĒāļđāđˆāļŠāļ·āļšāđ„āļ›
    āļ‹āļķāđˆāļ‡āļ‡āļēāļ™ "āļĨāļ­āļĒāļāļĢāļ°āļ—āļ‡ āļ„āļĨāļ­āļ‡āļŠāļēāļ™ āļŠāļģāļĢāļēāļāđƒāļˆ" āđƒāļ™āļ›āļĩāļ™āļĩāđ‰ āđ„āļ”āđ‰āļĢāļąāļšāļ„āļ§āļēāļĄāļ­āļ™āļļāđ€āļ„āļĢāļēāļ°āļŦāđŒāļˆāļēāļāļŦāļĨāļēāļĒāļŦāļ™āđˆāļ§āļĒāļ‡āļēāļ™āļ—āļĩāđˆāđ„āļ”āđ‰āļĢāđˆāļ§āļĄāļāļąāļšāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āđƒāļŦāđ‰āđ€āļāļīāļ”āļ‡āļēāļ™āđƒāļ™āļ„āļĢāļąāđ‰āļ‡āļ™āļĩāđ‰āļ‚āļķāđ‰āļ™ āļ•āļąāđ‰āļ‡āđāļ•āđˆ
    āļāļĢāļĄāļŠāđˆāļ‡āđ€āļŠāļĢāļīāļĄāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄ āļ—āļĩāđˆāđ„āļ”āđ‰āļĄāļ­āļšāļŦāļĄāļēāļĒāđƒāļŦāđ‰āļ—āļēāļ‡āļŠāļ āļēāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāđ€āļ‚āļ•āļ„āļĨāļ­āļ‡āļŠāļēāļ™ āļ›āļĢāļ°āļŠāļēāļ™āļāļēāļĢāļˆāļąāļ”āļ‡āļēāļ™āļĢāđˆāļ§āļĄāļāļąāļš
    #āļŠāļģāļ™āļąāļāļ‡āļēāļ™āđ€āļ‚āļ•āļ„āļĨāļ­āļ‡āļŠāļēāļ™ āļĢāđˆāļ§āļĄāļāļąāļš #āļ§āļąāļ”āļ—āļ­āļ‡āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāļ§āļĢāļ§āļīāļŦāļēāļĢ āļ—āļĩāđˆāļ­āļ™āļļāđ€āļ„āļĢāļēāļ°āļŦāđŒāļžāļ·āđ‰āļ™āļ—āļĩāđˆāļšāļĢāļīāđ€āļ§āļ“āļ—āļēāļ‡āđ€āļ”āļīāļ™āļ—āđˆāļēāđ€āļĢāļ·āļ­āđƒāļŦāđ‰āđ€āļĢāļēāđ„āļ”āđ‰āļĢāđˆāļ§āļĄāļāļąāļ™āļĨāļ­āļĒāļāļĢāļ°āļ—āļ‡
    āļ—āļēāļ‡ āđ‚āļĢāļ‡āđ€āļĢāļĩāļĒāļ™āļĄāļąāļ˜āļĒāļĄāļ§āļąāļ”āļŠāļļāļ—āļ˜āļēāļĢāļēāļĄ āļāđ‡āđ„āļ”āđ‰āļĄāļēāļĢāđˆāļ§āļĄāļ­āļ™āļļāļĢāļąāļāļĐāđŒāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄ āļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāļ„āļķāļāļ„āļĢāļ·āđ‰āļ™āđāļšāļšāđ„āļ—āļĒāļœāđˆāļēāļ™āļāļēāļĢāđāļŠāļ”āļ‡āļžāļ·āđ‰āļ™āļšāđ‰āļēāļ™ āđāļĨāļ°āļāļēāļĢāđāļŠāļ”āļ‡āļ™āļēāļŽāļĢāļĻāļīāļĨāļ›āđŒ āđ‚āļ”āļĒāđ€āļ”āđ‡āļāđ†āļ™āļąāļāđ€āļĢāļĩāļĒāļ™ āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļ„āļ™āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļ—āļĩāđˆāļˆāļ°āļŠāļ·āļšāļŠāļēāļ™āđāļĨāļ°āļ•āđˆāļ­āļĒāļ­āļ”āļĻāļīāļĨāļ›āļ°āļāļēāļĢāđāļŠāļ”āļ‡āļžāļ·āđ‰āļ™āļšāđ‰āļēāļ™āđ„āļ—āļĒāđƒāļŦāđ‰āļ„āļ‡āļ­āļĒāļđāđˆāļ•āđˆāļ­āđ„āļ› āļāđ‡āļ‚āļ­āļ—āļļāļāļ—āđˆāļēāļ™āđ€āļ›āđ‡āļ™āđāļĢāļ‡āđƒāļˆāđāļĨāļ°āļŠāļ™āļąāļšāļŠāļ™āļļāļ™āđƒāļŦāđ‰āļĨāļđāļāļŦāļĨāļēāļ™āļŠāļēāļ§āļĄāļąāļ˜āļĒāļĄāļ§āļąāļ”āļŠāļļāļ—āļ˜āļēāļĢāļēāļĄ āđ„āļ”āđ‰āļĄāļĩāļžāļ·āđ‰āļ™āļ—āļĩāđˆāļāļēāļĢāđāļŠāļ”āļ‡āļ„āļ§āļēāļĄāļŠāļēāļĄāļēāļĢāļ–āđāļšāļšāļ™āļĩāđ‰āļāļąāļ™āļ­āļĒāļđāđˆāđ€āļĢāļ·āđˆāļ­āļĒāđ†
    āđāļĨāđ‰āļ§āļĒāļąāļ‡āļĄāļĩ āļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļŠāļēāļĢāļžāļąāļ”āļŠāđˆāļēāļ‡āļ˜āļ™āļšāļļāļĢāļĩ āļ—āļĩāđˆāļĄāļēāļĢāđˆāļ§āļĄāļˆāļąāļ”āļāļīāļˆāļĢāļĢāļĄāļŠāļēāļ˜āļīāļ•āļ‡āļēāļ™āļāļĩāļĄāļ·āļ­ āļĢāđˆāļ§āļĄāļāļąāļšāļžāļĩāđˆāđ†āļŠāļēāļ§āļŠāļļāļĄāļŠāļ™āđƒāļ™āđ€āļ‚āļ•āļ„āļĨāļ­āļ‡āļŠāļēāļ™ āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļ­āļĩāļāļŦāļ™āļķāđˆāļ‡āļŠāđˆāļ­āļ‡āļ—āļēāļ‡āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļŠāļ™āđƒāļˆāđ€āļĢāļĩāļĒāļ™āļāļķāļāļ­āļēāļŠāļĩāļžāļĢāļ°āļĒāļ°āļŠāļąāđ‰āļ™ āđ€āļžāļ·āđˆāļ­āļ—āļĩāđˆāļˆāļ°āļ™āļģāļ§āļīāļŠāļēāļ„āļ§āļēāļĄāļĢāļđāđ‰āđ„āļ›āļ›āļĢāļ°āļāļ­āļšāļ­āļēāļŠāļĩāļžāđ€āļĨāļĩāđ‰āļĒāļ‡āļ•āļąāļ§āđ€āļ­āļ‡āđāļĨāļ°āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āđ„āļ”āđ‰ āļ‹āļķāđˆāļ‡āļŠāđˆāļ§āļ‡āļ™āļĩāđ‰āļāđ‡āđ„āļ”āđ‰āđ€āļ›āļīāļ”āļĢāļąāļšāļŠāļĄāļąāļ„āļĢāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ§āļīāļŠāļē āļŠāļēāļĄāļēāļĢāļ–āđ„āļ›āļ•āļīāļ”āļ•āđˆāļ­āđ€āļĢāļĩāļĒāļ™āļāļķāļāļ­āļēāļŠāļĩāļžāđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄāļāļąāļ™āđ„āļ”āđ‰
    #āļŠāļĒāļēāļĄāđ‚āļŠāļ āļē #āļĨāļ­āļĒāļāļĢāļ°āļ—āļ‡ #Thaitimes
    āļāļīāļˆāļāļĢāļĢāļĄ "āļĨāļ­āļĒāļāļĢāļ°āļ—āļ‡ āļ„āļĨāļ­āļ‡āļŠāļēāļ™ āļŠāļģāļĢāļēāļāđƒāļˆ" āđƒāļ™āđāļ™āļ§āļ„āļīāļ” āļŠāļ·āļšāļŠāļēāļ™āļ„āļ§āļēāļĄāđ€āļ›āđ‡āļ™āđ„āļ—āļĒ āđƒāļŠāđˆāđƒāļˆāļŠāļīāđˆāļ‡āđāļ§āļ”āļĨāđ‰āļ­āļĄ āđ‚āļ”āļĒ āļāļĢāļĄāļŠāđˆāļ‡āđ€āļŠāļĢāļīāļĄāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄ āļŠāļ™āļļāļšāļŠāļ™āļļāļ™āđƒāļŦāđ‰āļ—āļēāļ‡ #āļŠāļ āļēāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāđ€āļ‚āļ•āļ„āļĨāļ­āļ‡āļŠāļēāļ™ āļˆāļąāļ”āļ‡āļēāļ™āļ‚āļķāđ‰āļ™ āđ€āļžāļ·āđˆāļ­āđƒāļŦāđ‰āļŠāļļāļĄāļŠāļ™āđāļĨāļ°āļŦāļ™āđˆāļ§āļĒāļ‡āļēāļ™āđƒāļ™āļžāļ·āđ‰āļ™āļ—āļĩāđˆāļĄāļĩāļŠāđˆāļ§āļ™āļĢāđˆāļ§āļĄ āđƒāļ™āļāļēāļĢāļ­āļ™āļļāļĢāļąāļāļĐāđŒāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ›āļĢāļ°āđ€āļžāļ“āļĩāđ„āļ—āļĒ āđāļĨāļ°āļŠāđˆāļ‡āđ€āļŠāļĢāļīāļĄāđƒāļŦāđ‰āđ€āļĒāļēāļ§āļŠāļ™āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāđ„āļ”āđ‰āđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āđāļĨāļ°āđ€āļ‚āđ‰āļēāđƒāļˆāļ–āļķāļ‡āļ„āļ§āļēāļĄāļŠāļģāļ„āļąāļāļ‚āļ­āļ‡āļ›āļĢāļ°āđ€āļžāļ“āļĩāļĨāļ­āļĒāļāļĢāļ°āļ—āļ‡ āļ­āļĩāļāļ—āļąāđ‰āļ‡āđ€āļŠāļĢāļīāļĄāļŠāļĢāđ‰āļēāļ‡āđƒāļŦāđ‰āļŠāļĄāļēāļŠāļīāļāđƒāļ™āļŠāļļāļĄāļŠāļ™āđ€āļ‚āļ•āļ„āļĨāļ­āļ‡āļŠāļēāļ™āđ„āļ”āđ‰āļĄāļĩāļŠāđˆāļ§āļ™āļĢāđˆāļ§āļĄāđƒāļ™āļāļēāļĢāļ—āļģāļāļīāļˆāļāļĢāļĢāļĄāļĢāđˆāļ§āļĄāļāļąāļ™ āļŠāļĢāđ‰āļēāļ‡āļŠāļąāļĄāļžāļąāļ™āļ˜āđŒ āđāļĨāļ°āđ€āļ›āđ‡āļ™āļ™āđ‰āļģāļŦāļ™āļķāđˆāļ‡āđƒāļˆāđ€āļ”āļĩāļĒāļ§āļāļąāļ™ āđƒāļ™āļāļēāļĢāļ­āļ™āļļāļĢāļąāļāļĐāđŒāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ—āđ‰āļ­āļ‡āļ–āļīāđˆāļ™āđƒāļŦāđ‰āļ„āļ‡āļ­āļĒāļđāđˆāļŠāļ·āļšāđ„āļ› āļ‹āļķāđˆāļ‡āļ‡āļēāļ™ "āļĨāļ­āļĒāļāļĢāļ°āļ—āļ‡ āļ„āļĨāļ­āļ‡āļŠāļēāļ™ āļŠāļģāļĢāļēāļāđƒāļˆ" āđƒāļ™āļ›āļĩāļ™āļĩāđ‰ āđ„āļ”āđ‰āļĢāļąāļšāļ„āļ§āļēāļĄāļ­āļ™āļļāđ€āļ„āļĢāļēāļ°āļŦāđŒāļˆāļēāļāļŦāļĨāļēāļĒāļŦāļ™āđˆāļ§āļĒāļ‡āļēāļ™āļ—āļĩāđˆāđ„āļ”āđ‰āļĢāđˆāļ§āļĄāļāļąāļšāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āđƒāļŦāđ‰āđ€āļāļīāļ”āļ‡āļēāļ™āđƒāļ™āļ„āļĢāļąāđ‰āļ‡āļ™āļĩāđ‰āļ‚āļķāđ‰āļ™ āļ•āļąāđ‰āļ‡āđāļ•āđˆ āļāļĢāļĄāļŠāđˆāļ‡āđ€āļŠāļĢāļīāļĄāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄ āļ—āļĩāđˆāđ„āļ”āđ‰āļĄāļ­āļšāļŦāļĄāļēāļĒāđƒāļŦāđ‰āļ—āļēāļ‡āļŠāļ āļēāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāđ€āļ‚āļ•āļ„āļĨāļ­āļ‡āļŠāļēāļ™ āļ›āļĢāļ°āļŠāļēāļ™āļāļēāļĢāļˆāļąāļ”āļ‡āļēāļ™āļĢāđˆāļ§āļĄāļāļąāļš #āļŠāļģāļ™āļąāļāļ‡āļēāļ™āđ€āļ‚āļ•āļ„āļĨāļ­āļ‡āļŠāļēāļ™ āļĢāđˆāļ§āļĄāļāļąāļš #āļ§āļąāļ”āļ—āļ­āļ‡āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāļ§āļĢāļ§āļīāļŦāļēāļĢ āļ—āļĩāđˆāļ­āļ™āļļāđ€āļ„āļĢāļēāļ°āļŦāđŒāļžāļ·āđ‰āļ™āļ—āļĩāđˆāļšāļĢāļīāđ€āļ§āļ“āļ—āļēāļ‡āđ€āļ”āļīāļ™āļ—āđˆāļēāđ€āļĢāļ·āļ­āđƒāļŦāđ‰āđ€āļĢāļēāđ„āļ”āđ‰āļĢāđˆāļ§āļĄāļāļąāļ™āļĨāļ­āļĒāļāļĢāļ°āļ—āļ‡ āļ—āļēāļ‡ āđ‚āļĢāļ‡āđ€āļĢāļĩāļĒāļ™āļĄāļąāļ˜āļĒāļĄāļ§āļąāļ”āļŠāļļāļ—āļ˜āļēāļĢāļēāļĄ āļāđ‡āđ„āļ”āđ‰āļĄāļēāļĢāđˆāļ§āļĄāļ­āļ™āļļāļĢāļąāļāļĐāđŒāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄ āļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāļ„āļķāļāļ„āļĢāļ·āđ‰āļ™āđāļšāļšāđ„āļ—āļĒāļœāđˆāļēāļ™āļāļēāļĢāđāļŠāļ”āļ‡āļžāļ·āđ‰āļ™āļšāđ‰āļēāļ™ āđāļĨāļ°āļāļēāļĢāđāļŠāļ”āļ‡āļ™āļēāļŽāļĢāļĻāļīāļĨāļ›āđŒ āđ‚āļ”āļĒāđ€āļ”āđ‡āļāđ†āļ™āļąāļāđ€āļĢāļĩāļĒāļ™ āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļ„āļ™āļĢāļļāđˆāļ™āđƒāļŦāļĄāđˆāļ—āļĩāđˆāļˆāļ°āļŠāļ·āļšāļŠāļēāļ™āđāļĨāļ°āļ•āđˆāļ­āļĒāļ­āļ”āļĻāļīāļĨāļ›āļ°āļāļēāļĢāđāļŠāļ”āļ‡āļžāļ·āđ‰āļ™āļšāđ‰āļēāļ™āđ„āļ—āļĒāđƒāļŦāđ‰āļ„āļ‡āļ­āļĒāļđāđˆāļ•āđˆāļ­āđ„āļ› āļāđ‡āļ‚āļ­āļ—āļļāļāļ—āđˆāļēāļ™āđ€āļ›āđ‡āļ™āđāļĢāļ‡āđƒāļˆāđāļĨāļ°āļŠāļ™āļąāļšāļŠāļ™āļļāļ™āđƒāļŦāđ‰āļĨāļđāļāļŦāļĨāļēāļ™āļŠāļēāļ§āļĄāļąāļ˜āļĒāļĄāļ§āļąāļ”āļŠāļļāļ—āļ˜āļēāļĢāļēāļĄ āđ„āļ”āđ‰āļĄāļĩāļžāļ·āđ‰āļ™āļ—āļĩāđˆāļāļēāļĢāđāļŠāļ”āļ‡āļ„āļ§āļēāļĄāļŠāļēāļĄāļēāļĢāļ–āđāļšāļšāļ™āļĩāđ‰āļāļąāļ™āļ­āļĒāļđāđˆāđ€āļĢāļ·āđˆāļ­āļĒāđ† āđāļĨāđ‰āļ§āļĒāļąāļ‡āļĄāļĩ āļ§āļīāļ—āļĒāļēāļĨāļąāļĒāļŠāļēāļĢāļžāļąāļ”āļŠāđˆāļēāļ‡āļ˜āļ™āļšāļļāļĢāļĩ āļ—āļĩāđˆāļĄāļēāļĢāđˆāļ§āļĄāļˆāļąāļ”āļāļīāļˆāļĢāļĢāļĄāļŠāļēāļ˜āļīāļ•āļ‡āļēāļ™āļāļĩāļĄāļ·āļ­ āļĢāđˆāļ§āļĄāļāļąāļšāļžāļĩāđˆāđ†āļŠāļēāļ§āļŠāļļāļĄāļŠāļ™āđƒāļ™āđ€āļ‚āļ•āļ„āļĨāļ­āļ‡āļŠāļēāļ™ āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļ­āļĩāļāļŦāļ™āļķāđˆāļ‡āļŠāđˆāļ­āļ‡āļ—āļēāļ‡āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āļ—āļĩāđˆāļŠāļ™āđƒāļˆāđ€āļĢāļĩāļĒāļ™āļāļķāļāļ­āļēāļŠāļĩāļžāļĢāļ°āļĒāļ°āļŠāļąāđ‰āļ™ āđ€āļžāļ·āđˆāļ­āļ—āļĩāđˆāļˆāļ°āļ™āļģāļ§āļīāļŠāļēāļ„āļ§āļēāļĄāļĢāļđāđ‰āđ„āļ›āļ›āļĢāļ°āļāļ­āļšāļ­āļēāļŠāļĩāļžāđ€āļĨāļĩāđ‰āļĒāļ‡āļ•āļąāļ§āđ€āļ­āļ‡āđāļĨāļ°āļ„āļĢāļ­āļšāļ„āļĢāļąāļ§āđ„āļ”āđ‰ āļ‹āļķāđˆāļ‡āļŠāđˆāļ§āļ‡āļ™āļĩāđ‰āļāđ‡āđ„āļ”āđ‰āđ€āļ›āļīāļ”āļĢāļąāļšāļŠāļĄāļąāļ„āļĢāļŦāļĨāļēāļāļŦāļĨāļēāļĒāļ§āļīāļŠāļē āļŠāļēāļĄāļēāļĢāļ–āđ„āļ›āļ•āļīāļ”āļ•āđˆāļ­āđ€āļĢāļĩāļĒāļ™āļāļķāļāļ­āļēāļŠāļĩāļžāđ€āļžāļīāđˆāļĄāđ€āļ•āļīāļĄāļāļąāļ™āđ„āļ”āđ‰ #āļŠāļĒāļēāļĄāđ‚āļŠāļ āļē #āļĨāļ­āļĒāļāļĢāļ°āļ—āļ‡ #Thaitimes
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  • āļ§āļīāļ˜āļĩāđāļāđ‰āđ„āļ‚āļŠāļ·āđˆāļ­-āļ™āļēāļĄāļŠāļāļļāļĨāđƒāļ™āđāļ­āļ› ThaiTimes (4 āļ‚āļąāđ‰āļ™āļ•āļ­āļ™āļ‡āđˆāļēāļĒ āđ†)

    Step 1:
    āđ€āļ›āļīāļ”āđāļ­āļ›āđāļĨāļ°āđ„āļ›āļ—āļĩāđˆāđ€āļĄāļ™āļđāļāļēāļĢāļ•āļąāđ‰āļ‡āļ„āđˆāļē
    - āļ„āļĨāļīāļāļ—āļĩāđˆāđ„āļ­āļ„āļ­āļ™ āđ€āļĄāļ™āļđ (āļĄāļļāļĄāļ‹āđ‰āļēāļĒāļĨāđˆāļēāļ‡) āļ•āļēāļĄāļ—āļĩāđˆāļĨāļđāļāļĻāļĢāđƒāļ™āļ āļēāļžāļŠāļĩāđ‰

    Step 2:
    āđ€āļĨāļ·āļ­āļ "āđāļāđ‰āđ„āļ‚āđ‚āļ›āļĢāđ„āļŸāļĨāđŒ"
    - āđ€āļĄāļ·āđˆāļ­āđ€āļ‚āđ‰āļēāļŠāļđāđˆāļŦāļ™āđ‰āļēāđ€āļĄāļ™āļđ āđƒāļŦāđ‰āļ„āļĨāļīāļāļ—āļĩāđˆ "āđāļāđ‰āđ„āļ‚āđ‚āļ›āļĢāđ„āļŸāļĨāđŒ" āđ€āļžāļ·āđˆāļ­āđ€āļ‚āđ‰āļēāļŠāļđāđˆāļŦāļ™āđ‰āļēāļˆāļąāļ”āļāļēāļĢāļ‚āđ‰āļ­āļĄāļđāļĨāļŠāđˆāļ§āļ™āļ•āļąāļ§

    Step 3:
    āđ€āļĨāļ·āļ­āļ "āļžāļ·āđ‰āļ™āļāļēāļ™"
    - āđƒāļ™āļŦāļ™āđ‰āļēāđ€āļĄāļ™āļđ āđāļāđ‰āđ„āļ‚āđ‚āļ›āļĢāđ„āļŸāļĨāđŒ āđƒāļŦāđ‰āđ€āļĨāļ·āļ­āļāļŦāļąāļ§āļ‚āđ‰āļ­ "āļžāļ·āđ‰āļ™āļāļēāļ™" āđ€āļžāļ·āđˆāļ­āđ€āļ‚āđ‰āļēāđ„āļ›āđāļāđ‰āđ„āļ‚āļ‚āđ‰āļ­āļĄāļđāļĨāļŠāļ·āđˆāļ­-āļ™āļēāļĄāļŠāļāļļāļĨ

    Step 4:
    āđāļāđ‰āđ„āļ‚āļŠāļ·āđˆāļ­-āļ™āļēāļĄāļŠāļāļļāļĨ āđāļĨāļ°āļšāļąāļ™āļ—āļķāļāļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡
    - āļāļĢāļ­āļāļŠāļ·āđˆāļ­āļˆāļĢāļīāļ‡āđāļĨāļ°āļ™āļēāļĄāļŠāļāļļāļĨāđƒāļŦāļĄāđˆāđƒāļ™āļŠāđˆāļ­āļ‡āļ—āļĩāđˆāļāļģāļŦāļ™āļ”
    - āļ„āļĨāļīāļāļ›āļļāđˆāļĄ "āļšāļąāļ™āļ—āļķāļāļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡" āļ—āļĩāđˆāļ”āđ‰āļēāļ™āļĨāđˆāļēāļ‡
    - āļĢāļ°āļšāļšāļˆāļ°āļ­āļąāļ›āđ€āļ”āļ•āļ‚āđ‰āļ­āļĄāļđāļĨāļ‚āļ­āļ‡āļ„āļļāļ“āļ—āļąāļ™āļ—āļĩ

    āļŦāļĄāļēāļĒāđ€āļŦāļ•āļļ:
    - āļŠāļ·āđˆāļ­āđāļĨāļ°āļ™āļēāļĄāļŠāļāļļāļĨāļ—āļĩāđˆāđāļāđ‰āđ„āļ‚āļˆāļ°āđāļŠāļ”āļ‡āđƒāļ™āļ—āļļāļāđ‚āļžāļŠāļ•āđŒāđāļĨāļ°āļāļīāļˆāļāļĢāļĢāļĄāļ—āļĩāđˆāļ„āļļāļ“āļ—āļģāļšāļ™ Social āļ‚āļ­āļ‡ ThaiTimes
    - āļŦāļēāļāļĄāļĩāļ›āļąāļāļŦāļēāđƒāļ™āļāļēāļĢāđāļāđ‰āđ„āļ‚ āļŠāļēāļĄāļēāļĢāļ–āļ•āļīāļ”āļ•āđˆāļ­āļāđˆāļēāļĒāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āļœāđˆāļēāļ™ Line: @sondhitalk āđ€āļžāļ·āđˆāļ­āļ‚āļ­āļ„āļ§āļēāļĄāļŠāđˆāļ§āļĒāđ€āļŦāļĨāļ·āļ­āļ„āļĢāļąāļš/āļ„āđˆāļ°!

    #thaitimes #Howto
    āļ§āļīāļ˜āļĩāđāļāđ‰āđ„āļ‚āļŠāļ·āđˆāļ­-āļ™āļēāļĄāļŠāļāļļāļĨāđƒāļ™āđāļ­āļ› ThaiTimes (4 āļ‚āļąāđ‰āļ™āļ•āļ­āļ™āļ‡āđˆāļēāļĒ āđ†) Step 1: āđ€āļ›āļīāļ”āđāļ­āļ›āđāļĨāļ°āđ„āļ›āļ—āļĩāđˆāđ€āļĄāļ™āļđāļāļēāļĢāļ•āļąāđ‰āļ‡āļ„āđˆāļē - āļ„āļĨāļīāļāļ—āļĩāđˆāđ„āļ­āļ„āļ­āļ™ āđ€āļĄāļ™āļđ (āļĄāļļāļĄāļ‹āđ‰āļēāļĒāļĨāđˆāļēāļ‡) āļ•āļēāļĄāļ—āļĩāđˆāļĨāļđāļāļĻāļĢāđƒāļ™āļ āļēāļžāļŠāļĩāđ‰ Step 2: āđ€āļĨāļ·āļ­āļ "āđāļāđ‰āđ„āļ‚āđ‚āļ›āļĢāđ„āļŸāļĨāđŒ" - āđ€āļĄāļ·āđˆāļ­āđ€āļ‚āđ‰āļēāļŠāļđāđˆāļŦāļ™āđ‰āļēāđ€āļĄāļ™āļđ āđƒāļŦāđ‰āļ„āļĨāļīāļāļ—āļĩāđˆ "āđāļāđ‰āđ„āļ‚āđ‚āļ›āļĢāđ„āļŸāļĨāđŒ" āđ€āļžāļ·āđˆāļ­āđ€āļ‚āđ‰āļēāļŠāļđāđˆāļŦāļ™āđ‰āļēāļˆāļąāļ”āļāļēāļĢāļ‚āđ‰āļ­āļĄāļđāļĨāļŠāđˆāļ§āļ™āļ•āļąāļ§ Step 3: āđ€āļĨāļ·āļ­āļ "āļžāļ·āđ‰āļ™āļāļēāļ™" - āđƒāļ™āļŦāļ™āđ‰āļēāđ€āļĄāļ™āļđ āđāļāđ‰āđ„āļ‚āđ‚āļ›āļĢāđ„āļŸāļĨāđŒ āđƒāļŦāđ‰āđ€āļĨāļ·āļ­āļāļŦāļąāļ§āļ‚āđ‰āļ­ "āļžāļ·āđ‰āļ™āļāļēāļ™" āđ€āļžāļ·āđˆāļ­āđ€āļ‚āđ‰āļēāđ„āļ›āđāļāđ‰āđ„āļ‚āļ‚āđ‰āļ­āļĄāļđāļĨāļŠāļ·āđˆāļ­-āļ™āļēāļĄāļŠāļāļļāļĨ Step 4: āđāļāđ‰āđ„āļ‚āļŠāļ·āđˆāļ­-āļ™āļēāļĄāļŠāļāļļāļĨ āđāļĨāļ°āļšāļąāļ™āļ—āļķāļāļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡ - āļāļĢāļ­āļāļŠāļ·āđˆāļ­āļˆāļĢāļīāļ‡āđāļĨāļ°āļ™āļēāļĄāļŠāļāļļāļĨāđƒāļŦāļĄāđˆāđƒāļ™āļŠāđˆāļ­āļ‡āļ—āļĩāđˆāļāļģāļŦāļ™āļ” - āļ„āļĨāļīāļāļ›āļļāđˆāļĄ "āļšāļąāļ™āļ—āļķāļāļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡" āļ—āļĩāđˆāļ”āđ‰āļēāļ™āļĨāđˆāļēāļ‡ - āļĢāļ°āļšāļšāļˆāļ°āļ­āļąāļ›āđ€āļ”āļ•āļ‚āđ‰āļ­āļĄāļđāļĨāļ‚āļ­āļ‡āļ„āļļāļ“āļ—āļąāļ™āļ—āļĩ āļŦāļĄāļēāļĒāđ€āļŦāļ•āļļ: - āļŠāļ·āđˆāļ­āđāļĨāļ°āļ™āļēāļĄāļŠāļāļļāļĨāļ—āļĩāđˆāđāļāđ‰āđ„āļ‚āļˆāļ°āđāļŠāļ”āļ‡āđƒāļ™āļ—āļļāļāđ‚āļžāļŠāļ•āđŒāđāļĨāļ°āļāļīāļˆāļāļĢāļĢāļĄāļ—āļĩāđˆāļ„āļļāļ“āļ—āļģāļšāļ™ Social āļ‚āļ­āļ‡ ThaiTimes - āļŦāļēāļāļĄāļĩāļ›āļąāļāļŦāļēāđƒāļ™āļāļēāļĢāđāļāđ‰āđ„āļ‚ āļŠāļēāļĄāļēāļĢāļ–āļ•āļīāļ”āļ•āđˆāļ­āļāđˆāļēāļĒāļŠāļ™āļąāļšāļŠāļ™āļļāļ™āļœāđˆāļēāļ™ Line: @sondhitalk āđ€āļžāļ·āđˆāļ­āļ‚āļ­āļ„āļ§āļēāļĄāļŠāđˆāļ§āļĒāđ€āļŦāļĨāļ·āļ­āļ„āļĢāļąāļš/āļ„āđˆāļ°! #thaitimes #Howto
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  • Blockchain āļ„āļ·āļ­ āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļāļēāļĢāļˆāļąāļ”āđ€āļāđ‡āļšāļ‚āđ‰āļ­āļĄāļđāļĨ (Data Structure) āļ—āļĩāđˆāđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļāļąāļ™āđ€āļ›āđ‡āļ™āđ€āļ„āļĢāļ·āļ­āļ‚āđˆāļēāļĒāļœāđˆāļēāļ™āļāļēāļĢāđ€āļ‚āđ‰āļēāļĢāļŦāļąāļŠāļ—āļēāļ‡āļ„āļ­āļĄāļžāļīāļ§āđ€āļ•āļ­āļĢāđŒ āđ‚āļ”āļĒāļ‚āđ‰āļ­āļĄāļđāļĨāļ—āļĩāđˆāļ–āļđāļāļšāļąāļ™āļ—āļķāļāļˆāļ°āļŠāđˆāļ‡āļ•āđˆāļ­āļ‚āđ‰āļ­āļĄāļđāļĨāđ„āļ›āļĒāļąāļ‡āļ—āļļāļāļ„āļ™āđƒāļ™āđ€āļ„āļĢāļ·āļ­āļ‚āđˆāļēāļĒ āļ‹āļķāđˆāļ‡āļĒāļēāļāļ•āđˆāļ­āļāļēāļĢāļ›āļĨāļ­āļĄāđāļ›āļĨāļ‡āļ‚āđ‰āļ­āļĄāļđāļĨ āđ€āļžāļĢāļēāļ°āļ—āļļāļāļ„āļ™āļˆāļ°āļĢāļąāļšāļĢāļđāđ‰āļ–āļķāļ‡āļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡āļ‚āđ‰āļ­āļĄāļđāļĨ āļŠāđˆāļ‡āļœāļĨāđƒāļŦāđ‰ Blockchain āđ€āļ›āđ‡āļ™āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļˆāļąāļ”āđ€āļāđ‡āļšāļ‚āđ‰āļ­āļĄāļđāļĨāļ—āļĩāđˆāļĄāļĩāļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒāļŠāļđāļ‡
    Blockchain āļ„āļ·āļ­ āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļāļēāļĢāļˆāļąāļ”āđ€āļāđ‡āļšāļ‚āđ‰āļ­āļĄāļđāļĨ (Data Structure) āļ—āļĩāđˆāđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļāļąāļ™āđ€āļ›āđ‡āļ™āđ€āļ„āļĢāļ·āļ­āļ‚āđˆāļēāļĒāļœāđˆāļēāļ™āļāļēāļĢāđ€āļ‚āđ‰āļēāļĢāļŦāļąāļŠāļ—āļēāļ‡āļ„āļ­āļĄāļžāļīāļ§āđ€āļ•āļ­āļĢāđŒ āđ‚āļ”āļĒāļ‚āđ‰āļ­āļĄāļđāļĨāļ—āļĩāđˆāļ–āļđāļāļšāļąāļ™āļ—āļķāļāļˆāļ°āļŠāđˆāļ‡āļ•āđˆāļ­āļ‚āđ‰āļ­āļĄāļđāļĨāđ„āļ›āļĒāļąāļ‡āļ—āļļāļāļ„āļ™āđƒāļ™āđ€āļ„āļĢāļ·āļ­āļ‚āđˆāļēāļĒ āļ‹āļķāđˆāļ‡āļĒāļēāļāļ•āđˆāļ­āļāļēāļĢāļ›āļĨāļ­āļĄāđāļ›āļĨāļ‡āļ‚āđ‰āļ­āļĄāļđāļĨ āđ€āļžāļĢāļēāļ°āļ—āļļāļāļ„āļ™āļˆāļ°āļĢāļąāļšāļĢāļđāđ‰āļ–āļķāļ‡āļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡āļ‚āđ‰āļ­āļĄāļđāļĨ āļŠāđˆāļ‡āļœāļĨāđƒāļŦāđ‰ Blockchain āđ€āļ›āđ‡āļ™āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļˆāļąāļ”āđ€āļāđ‡āļšāļ‚āđ‰āļ­āļĄāļđāļĨāļ—āļĩāđˆāļĄāļĩāļ„āļ§āļēāļĄāļ›āļĨāļ­āļ”āļ āļąāļĒāļŠāļđāļ‡
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  • 10X Consulting āđāļšāļĢāļ™āļ”āđŒāđāļĢāļāđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒāļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļĢāļąāļšāļĢāļ­āļ‡āđ€āļ›āđ‡āļ™ Approved, an IMC Accredited Training Center āļˆāļēāļ International Mentoring Center (IMC)

    āļŦāļĨāļąāļāļŠāļđāļ•āļĢ OKR Practitioner :
    Level 01 : OKR FUNDAMENTAL
    Level 02 : OKR PRACTICUM & OKR COACH
    Level 03 : OKR PRACTITIONER FOR ORGANIZATION

    āļŦāļĨāļąāļāļŠāļđāļ•āļĢ OKR Leadership :
    Level 04 : OKR LEADERSHIP & OKR CHAMPION
    Level 05 : OKR PROFESSIONAL

    āļœāļđāđ‰āđ€āļĢāļĩāļĒāļ™āļ—āļĩāđˆāļœāđˆāļēāļ™āļŦāļĨāļąāļāļŠāļđāļ•āļĢ OKR Series āļ‚āļ­āļ‡ 10X Consulting āđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļĢāļąāļšāļĢāļ­āļ‡ (Certified) Mentor āļˆāļēāļ 10X Consulting āđāļĨāļ° International Mentoring Center (IMC)

    āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļĒāļąāļ‡āđ„āļ”āđ‰āļĢāļąāļšāļ•āļĢāļēāļŠāļąāļāļĨāļąāļāļĐāļ“āđŒāļāļēāļĢāļĢāļąāļšāļĢāļ­āļ‡āļ„āļļāļ“āļ§āļļāļ’āļīāļ”āļīāļˆāļīāļ—āļąāļĨ (Digital Credential) āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļŠāļīāļ™āļ—āļĢāļąāļžāļĒāđŒāļ”āļīāļˆāļīāļ—āļąāļĨāļ—āļĩāđˆāđƒāļŠāđ‰āđ€āļžāļ·āđˆāļ­āļ–āđˆāļēāļĒāļ—āļ­āļ”āļ„āļ§āļēāļĄāļŠāļģāđ€āļĢāđ‡āļˆāļ—āļĩāđˆāļŠāļēāļĄāļēāļĢāļ–āđƒāļŠāđ‰āđ€āļ›āđ‡āļ™āļĨāļēāļĒāļĄāļ·āļ­āļŠāļ·āđˆāļ­āļ­āļĩāđ€āļĄāļĨāđŒāļŦāļĢāļ·āļ­āļ›āļĢāļ°āļ§āļąāļ•āļīāļŠāđˆāļ§āļ™āļ•āļąāļ§āđ‚āļ”āļĒāļĒāđˆāļ­āļ”āļīāļˆāļīāļ—āļąāļĨāļˆāļēāļ Credly āđāļĨāļ° AIS Academy āļžāļĢāđ‰āļ­āļĄāļ§āļļāļ’āļīāļšāļąāļ•āļĢāļ”āļīāļˆāļīāļ—āļąāļĨ (Digital Certificate) āļ—āļĩāđˆāļŠāļēāļĄāļēāļĢāļ–āđ€āļžāļīāđˆāļĄāļĄāļđāļĨāļ„āđˆāļēāđƒāļŦāđ‰āļāļąāļš Profile āļ‚āļ­āļ‡āļ„āļļāļ“!!!

    āļĢāļ§āļĄāļ—āļąāđ‰āļ‡āđ„āļ”āđ‰āļŠāļīāļ—āļ˜āļīāđŒāļžāļīāđ€āļĻāļĐāđƒāļ™āļāļēāļĢāđƒāļŠāđ‰āđāļžāļĨāļ•āļŸāļ­āļĢāđŒāļĄ “Drive Business Performance with AI Enabled Platform” āļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļ„āļ§āļēāļĄāļ™āļīāļĒāļĄāđƒāļ™āļĢāļ°āļ”āļąāļšāļ™āļēāļ™āļēāļŠāļēāļ•āļī

    āļšāļļāļ„āļ„āļĨ/āļ—āļĩāļĄ/āļ­āļ‡āļ„āđŒāļāļĢāļ—āļĩāđˆāļŠāļ™āđƒāļˆāļžāļąāļ’āļ™āļēāļ—āļąāļāļĐāļ°āđāļŦāđˆāļ‡āļ­āļ™āļēāļ„āļ•āđƒāļ™āđ€āļŠāļīāļ‡āļĨāļķāļāđāļšāļš
    Hand – on āļˆāļēāļāđāļšāļĢāļ™āļ”āđŒāļ—āļĩāđˆāļŠāļąāđˆāļ‡āļŠāļĄāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāđāļĨāļ°āđ€āļ„āļĨāđ‡āļ”āļĨāļąāļšāļ—āļąāđ‰āļ‡āļˆāļēāļāļāļēāļĢāļ—āļģāļ‡āļēāļ™āļāļąāļšāļœāļđāđ‰āļ™āļģāđāļĨāļ°āļœāļđāđ‰āđ€āļŠāļĩāđˆāļĒāļ§āļŠāļēāļāļˆāļēāļāļŦāļ™āđˆāļ§āļĒāļ‡āļēāļ™āļŠāļąāđ‰āļ™āļ™āļģāļ—āļąāđ‰āļ‡āđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻ āļ‹āļķāđˆāļ‡āļˆāļ°āļ—āļģāđƒāļŦāđ‰āļ„āļļāļ“ āļ—āļĩāļĄ āđāļĨāļ°āļ­āļ‡āļ„āđŒāļāļĢāļ„āļļāļ“ Upskill āļžāļĢāđ‰āļ­āļĄāļĢāļąāļšāļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡āđ‚āļ”āļĒāļāļēāļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āļ—āļĩāđˆāļŠāļ°āļ”āļ§āļāļāļ§āđˆāļē āđ€āļŦāļĄāļēāļ°āļŠāļĄāļāļąāļšāļĒāļļāļ„āļ‚āļ­āļ‡āļāļēāļĢāļ„āļīāļ”āđ„āļ”āđ‰ āļ—āļģāđ€āļ›āđ‡āļ™ āđ€āļŦāđ‡āļ™āļœāļĨ

    āļŠāļ™āđƒāļˆāļ•āļīāļ”āļ•āđˆāļ­āļŠāļ­āļšāļ–āļēāļĄ/āļ—āļģāļ™āļąāļ”āļ—āļĩāđˆ LINE OA : 10xconsulting
    email : wasit.p@10-xconsulting.com
    www.10-xconsulting.com
    10X Consulting #āļžāļąāļ’āļ™āļēāļ„āļ™āđƒāļŦāđ‰āđ€āļāđˆāļ‡ #āļŠāļĢāđ‰āļēāļ‡āļ—āļĩāļĄāđƒāļŦāđ‰āđāļāļĢāđˆāļ‡ #āļāļĢāļ°āļšāļ§āļ™āļāļēāļĢāđ€āļĒāļĩāđˆāļĒāļĄ #āļœāļĨāļĨāļąāļžāļ˜āđŒāļĒāļ­āļ”
    10X Consulting āđāļšāļĢāļ™āļ”āđŒāđāļĢāļāđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒāļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļĢāļąāļšāļĢāļ­āļ‡āđ€āļ›āđ‡āļ™ Approved, an IMC Accredited Training Center āļˆāļēāļ International Mentoring Center (IMC) āļŦāļĨāļąāļāļŠāļđāļ•āļĢ OKR Practitioner : Level 01 : OKR FUNDAMENTAL Level 02 : OKR PRACTICUM & OKR COACH Level 03 : OKR PRACTITIONER FOR ORGANIZATION āļŦāļĨāļąāļāļŠāļđāļ•āļĢ OKR Leadership : Level 04 : OKR LEADERSHIP & OKR CHAMPION Level 05 : OKR PROFESSIONAL āļœāļđāđ‰āđ€āļĢāļĩāļĒāļ™āļ—āļĩāđˆāļœāđˆāļēāļ™āļŦāļĨāļąāļāļŠāļđāļ•āļĢ OKR Series āļ‚āļ­āļ‡ 10X Consulting āđ„āļ”āđ‰āļĢāļąāļšāļāļēāļĢāļĢāļąāļšāļĢāļ­āļ‡ (Certified) Mentor āļˆāļēāļ 10X Consulting āđāļĨāļ° International Mentoring Center (IMC) āļ™āļ­āļāļˆāļēāļāļ™āļĩāđ‰āļĒāļąāļ‡āđ„āļ”āđ‰āļĢāļąāļšāļ•āļĢāļēāļŠāļąāļāļĨāļąāļāļĐāļ“āđŒāļāļēāļĢāļĢāļąāļšāļĢāļ­āļ‡āļ„āļļāļ“āļ§āļļāļ’āļīāļ”āļīāļˆāļīāļ—āļąāļĨ (Digital Credential) āļ‹āļķāđˆāļ‡āđ€āļ›āđ‡āļ™āļŠāļīāļ™āļ—āļĢāļąāļžāļĒāđŒāļ”āļīāļˆāļīāļ—āļąāļĨāļ—āļĩāđˆāđƒāļŠāđ‰āđ€āļžāļ·āđˆāļ­āļ–āđˆāļēāļĒāļ—āļ­āļ”āļ„āļ§āļēāļĄāļŠāļģāđ€āļĢāđ‡āļˆāļ—āļĩāđˆāļŠāļēāļĄāļēāļĢāļ–āđƒāļŠāđ‰āđ€āļ›āđ‡āļ™āļĨāļēāļĒāļĄāļ·āļ­āļŠāļ·āđˆāļ­āļ­āļĩāđ€āļĄāļĨāđŒāļŦāļĢāļ·āļ­āļ›āļĢāļ°āļ§āļąāļ•āļīāļŠāđˆāļ§āļ™āļ•āļąāļ§āđ‚āļ”āļĒāļĒāđˆāļ­āļ”āļīāļˆāļīāļ—āļąāļĨāļˆāļēāļ Credly āđāļĨāļ° AIS Academy āļžāļĢāđ‰āļ­āļĄāļ§āļļāļ’āļīāļšāļąāļ•āļĢāļ”āļīāļˆāļīāļ—āļąāļĨ (Digital Certificate) āļ—āļĩāđˆāļŠāļēāļĄāļēāļĢāļ–āđ€āļžāļīāđˆāļĄāļĄāļđāļĨāļ„āđˆāļēāđƒāļŦāđ‰āļāļąāļš Profile āļ‚āļ­āļ‡āļ„āļļāļ“!!! āļĢāļ§āļĄāļ—āļąāđ‰āļ‡āđ„āļ”āđ‰āļŠāļīāļ—āļ˜āļīāđŒāļžāļīāđ€āļĻāļĐāđƒāļ™āļāļēāļĢāđƒāļŠāđ‰āđāļžāļĨāļ•āļŸāļ­āļĢāđŒāļĄ “Drive Business Performance with AI Enabled Platform” āļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāļ„āļ§āļēāļĄāļ™āļīāļĒāļĄāđƒāļ™āļĢāļ°āļ”āļąāļšāļ™āļēāļ™āļēāļŠāļēāļ•āļī āļšāļļāļ„āļ„āļĨ/āļ—āļĩāļĄ/āļ­āļ‡āļ„āđŒāļāļĢāļ—āļĩāđˆāļŠāļ™āđƒāļˆāļžāļąāļ’āļ™āļēāļ—āļąāļāļĐāļ°āđāļŦāđˆāļ‡āļ­āļ™āļēāļ„āļ•āđƒāļ™āđ€āļŠāļīāļ‡āļĨāļķāļāđāļšāļš Hand – on āļˆāļēāļāđāļšāļĢāļ™āļ”āđŒāļ—āļĩāđˆāļŠāļąāđˆāļ‡āļŠāļĄāļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāđāļĨāļ°āđ€āļ„āļĨāđ‡āļ”āļĨāļąāļšāļ—āļąāđ‰āļ‡āļˆāļēāļāļāļēāļĢāļ—āļģāļ‡āļēāļ™āļāļąāļšāļœāļđāđ‰āļ™āļģāđāļĨāļ°āļœāļđāđ‰āđ€āļŠāļĩāđˆāļĒāļ§āļŠāļēāļāļˆāļēāļāļŦāļ™āđˆāļ§āļĒāļ‡āļēāļ™āļŠāļąāđ‰āļ™āļ™āļģāļ—āļąāđ‰āļ‡āđƒāļ™āļ›āļĢāļ°āđ€āļ—āļĻ āļ‹āļķāđˆāļ‡āļˆāļ°āļ—āļģāđƒāļŦāđ‰āļ„āļļāļ“ āļ—āļĩāļĄ āđāļĨāļ°āļ­āļ‡āļ„āđŒāļāļĢāļ„āļļāļ“ Upskill āļžāļĢāđ‰āļ­āļĄāļĢāļąāļšāļāļēāļĢāđ€āļ›āļĨāļĩāđˆāļĒāļ™āđāļ›āļĨāļ‡āđ‚āļ”āļĒāļāļēāļĢāđ€āļĢāļĩāļĒāļ™āļĢāļđāđ‰āļ—āļĩāđˆāļŠāļ°āļ”āļ§āļāļāļ§āđˆāļē āđ€āļŦāļĄāļēāļ°āļŠāļĄāļāļąāļšāļĒāļļāļ„āļ‚āļ­āļ‡āļāļēāļĢāļ„āļīāļ”āđ„āļ”āđ‰ āļ—āļģāđ€āļ›āđ‡āļ™ āđ€āļŦāđ‡āļ™āļœāļĨ āļŠāļ™āđƒāļˆāļ•āļīāļ”āļ•āđˆāļ­āļŠāļ­āļšāļ–āļēāļĄ/āļ—āļģāļ™āļąāļ”āļ—āļĩāđˆ LINE OA : 10xconsulting email : wasit.p@10-xconsulting.com www.10-xconsulting.com 10X Consulting #āļžāļąāļ’āļ™āļēāļ„āļ™āđƒāļŦāđ‰āđ€āļāđˆāļ‡ #āļŠāļĢāđ‰āļēāļ‡āļ—āļĩāļĄāđƒāļŦāđ‰āđāļāļĢāđˆāļ‡ #āļāļĢāļ°āļšāļ§āļ™āļāļēāļĢāđ€āļĒāļĩāđˆāļĒāļĄ #āļœāļĨāļĨāļąāļžāļ˜āđŒāļĒāļ­āļ”
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  • "āļ—āļ™āļēāļĒāļĢāļ“āļĢāļ‡āļ„āđŒ" āđ‚āļĢāđˆāđƒāļŦāđ‰āļ›āļēāļāļ„āļģāļāļ­āļ‡āļ›āļĢāļēāļšāļ„āļ”āļĩ "āļ—āļ™āļēāļĒāļ•āļąāđ‰āļĄ" āđ‚āļāļ‡ "āļžāļĩāđˆāļ­āđ‰āļ­āļĒ" āđ€āļœāļĒāļŠāļ‡āļŠāļąāļĒāđ€āļĢāļ·āđˆāļ­āļ‡āđ€āļ‡āļīāļ™āļ‹āļ·āđ‰āļ­āļšāđ‰āļēāļ™āđāļ•āđˆāļāđ‡āđ„āļĄāđˆāđ€āļ„āļĒāļ–āļēāļĄ āđ€āļžāļĢāļēāļ°āļ—āļ™āļēāļĒāļ•āļąāđ‰āļĄāđ€āļĢāļĩāļĒāļāļ„āđˆāļēāļ§āđˆāļēāļ„āļ§āļēāļĄāđāļžāļ‡ āļĒāļąāļ™āđ„āļĄāđˆāđ„āļ”āđ‰āļŠāļ™āļīāļ—āļŠāļ™āļĄāđāļĨāļ°āđ„āļĄāđˆāđ€āļ„āļĒāļĢāļđāđ‰āļˆāļąāļ "āļžāļĩāđˆāļ­āđ‰āļ­āļĒ" āļĒāļ­āļĄāļĢāļąāļšāļ—āļģāļ§āļ‡āļāļēāļĢāļ—āļ™āļēāļĒāđ€āļŠāļ·āđˆāļ­āļĄāđ€āļŠāļĩāļĒ

    āļ­āđˆāļēāļ™āļ•āđˆāļ­..https://news1live.com/detail/9670000110455

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    "āļ—āļ™āļēāļĒāļĢāļ“āļĢāļ‡āļ„āđŒ" āđ‚āļĢāđˆāđƒāļŦāđ‰āļ›āļēāļāļ„āļģāļāļ­āļ‡āļ›āļĢāļēāļšāļ„āļ”āļĩ "āļ—āļ™āļēāļĒāļ•āļąāđ‰āļĄ" āđ‚āļāļ‡ "āļžāļĩāđˆāļ­āđ‰āļ­āļĒ" āđ€āļœāļĒāļŠāļ‡āļŠāļąāļĒāđ€āļĢāļ·āđˆāļ­āļ‡āđ€āļ‡āļīāļ™āļ‹āļ·āđ‰āļ­āļšāđ‰āļēāļ™āđāļ•āđˆāļāđ‡āđ„āļĄāđˆāđ€āļ„āļĒāļ–āļēāļĄ āđ€āļžāļĢāļēāļ°āļ—āļ™āļēāļĒāļ•āļąāđ‰āļĄāđ€āļĢāļĩāļĒāļāļ„āđˆāļēāļ§āđˆāļēāļ„āļ§āļēāļĄāđāļžāļ‡ āļĒāļąāļ™āđ„āļĄāđˆāđ„āļ”āđ‰āļŠāļ™āļīāļ—āļŠāļ™āļĄāđāļĨāļ°āđ„āļĄāđˆāđ€āļ„āļĒāļĢāļđāđ‰āļˆāļąāļ "āļžāļĩāđˆāļ­āđ‰āļ­āļĒ" āļĒāļ­āļĄāļĢāļąāļšāļ—āļģāļ§āļ‡āļāļēāļĢāļ—āļ™āļēāļĒāđ€āļŠāļ·āđˆāļ­āļĄāđ€āļŠāļĩāļĒ āļ­āđˆāļēāļ™āļ•āđˆāļ­..https://news1live.com/detail/9670000110455 #News1feed #News1 #Sondhitalk #āļ„āļļāļĒāļ—āļļāļāđ€āļĢāļ·āđˆāļ­āļ‡āļāļąāļšāļŠāļ™āļ˜āļī #Thaitimes
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  • āļ­āļĩāļāļŦāļ™āļķāđˆāļ‡āļ•āļģāļ™āļēāļ™āļ‚āļ­āļ‡āļ›āļēāļāļ™āđ‰āļģ āļĢāđ‰āļēāļ™āļŦāļ§āļąāļ‡āļšāļđāđˆ #āļŠāļĄāļļāļ—āļĢāļ›āļĢāļēāļāļēāļĢ #āļāļīāļ™ #āļŦāļīāļ§ #āļ„āļĢāļąāļ§āđ„āļ—āļĒ #āļ­āļēāļŦāļēāļĢāđ„āļ—āļĒ #āļ­āļĢāđˆāļ­āļĒāļšāļ­āļāļ•āđˆāļ­ #āļĢāđ‰āļēāļ™āļ”āļĩāļšāļ­āļāļ•āđˆāļ­ #āļžāļēāļŠāļīāļĄ #āļžāļīāļāļąāļ”āļ‚āļ­āļ‡āļ­āļĢāđˆāļ­āļĒ #āđ€āļ—āļĢāļ™āļ”āđŒāļ§āļąāļ™āļ™āļĩāđ‰ #food #āļāļīāļ™āļ‡āđˆāļēāļĒāļĢāļīāļĄāļ—āļēāļ‡ #thaitimes #kaiaminute
    āļ­āļĩāļāļŦāļ™āļķāđˆāļ‡āļ•āļģāļ™āļēāļ™āļ‚āļ­āļ‡āļ›āļēāļāļ™āđ‰āļģ āļĢāđ‰āļēāļ™āļŦāļ§āļąāļ‡āļšāļđāđˆ #āļŠāļĄāļļāļ—āļĢāļ›āļĢāļēāļāļēāļĢ #āļāļīāļ™ #āļŦāļīāļ§ #āļ„āļĢāļąāļ§āđ„āļ—āļĒ #āļ­āļēāļŦāļēāļĢāđ„āļ—āļĒ #āļ­āļĢāđˆāļ­āļĒāļšāļ­āļāļ•āđˆāļ­ #āļĢāđ‰āļēāļ™āļ”āļĩāļšāļ­āļāļ•āđˆāļ­ #āļžāļēāļŠāļīāļĄ #āļžāļīāļāļąāļ”āļ‚āļ­āļ‡āļ­āļĢāđˆāļ­āļĒ #āđ€āļ—āļĢāļ™āļ”āđŒāļ§āļąāļ™āļ™āļĩāđ‰ #food #āļāļīāļ™āļ‡āđˆāļēāļĒāļĢāļīāļĄāļ—āļēāļ‡ #thaitimes #kaiaminute
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  • āļĄāļēāļ”āļđāļāļąāļ™āļ–āđ‰āļēāļ—āļģāļ›āļĢāļ°āļāļąāļ™āļšāļģāļ™āļēāļ āļ•āļąāđ‰āļ‡āđāļ•āđˆāļ­āļēāļĒāļļāļ™āđ‰āļ­āļĒāđ† āļ•āđˆāļēāļ‡āļāļąāļ™āļ­āļĒāđˆāļēāļ‡āđ„āļĢāļāļąāļšāļ­āļēāļĒāļļāđ€āļĒāļ­āļ°āđ† 😜😜😜#āļ›āļĢāļ°āļāļąāļ™āļŠāļĩāļ§āļīāļ• #āļ§āļēāļ‡āđāļœāļ™āļāļēāļĢāđ€āļ‡āļīāļ™āļ”āđ‰āļ§āļĒāļ›āļĢāļ°āļāļąāļ™ #āļ§āļēāļ‡āđāļœāļ™āļāļēāļĢāđ€āļ‡āļīāļ™ #AIA #āđāļœāļ™āđ€āļāļĐāļĩāļĒāļ“ #āļ›āļĢāļ°āļāļąāļ™āļšāļģāļ™āļēāļ #āļ›āļĢāļ°āļāļąāļ™āļšāđāļēāļ™āļēāļ #āļ›āļĢāļ°āļāļąāļ™āļšāđāļēāļ™āļēāļāļĨāļ”āļŦāļĒāđˆāļ­āļ™āļ āļēāļĐāļĩ
    āļĄāļēāļ”āļđāļāļąāļ™āļ–āđ‰āļēāļ—āļģāļ›āļĢāļ°āļāļąāļ™āļšāļģāļ™āļēāļ āļ•āļąāđ‰āļ‡āđāļ•āđˆāļ­āļēāļĒāļļāļ™āđ‰āļ­āļĒāđ† āļ•āđˆāļēāļ‡āļāļąāļ™āļ­āļĒāđˆāļēāļ‡āđ„āļĢāļāļąāļšāļ­āļēāļĒāļļāđ€āļĒāļ­āļ°āđ† 😜😜😜#āļ›āļĢāļ°āļāļąāļ™āļŠāļĩāļ§āļīāļ• #āļ§āļēāļ‡āđāļœāļ™āļāļēāļĢāđ€āļ‡āļīāļ™āļ”āđ‰āļ§āļĒāļ›āļĢāļ°āļāļąāļ™ #āļ§āļēāļ‡āđāļœāļ™āļāļēāļĢāđ€āļ‡āļīāļ™ #AIA #āđāļœāļ™āđ€āļāļĐāļĩāļĒāļ“ #āļ›āļĢāļ°āļāļąāļ™āļšāļģāļ™āļēāļ #āļ›āļĢāļ°āļāļąāļ™āļšāđāļēāļ™āļēāļ #āļ›āļĢāļ°āļāļąāļ™āļšāđāļēāļ™āļēāļāļĨāļ”āļŦāļĒāđˆāļ­āļ™āļ āļēāļĐāļĩ
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  • Prepare For The Lavish World Of Bridgerton With Regency Period Words

    This spring may be a bit steamier than usual, thanks to the return of the hit Netflix show Bridgerton. This Regency romance with a modern twist took audiences by storm last year with its unpredictable plot, historical setting, and very attractive cast of characters. If you watched the first season last year or you’re catching up now, you may find yourself wondering what some of the historical language in the show actually means. Bridgerton, like a lot of period dramas, is not 100% historically accurate, but the language, costumes, and customs on display do have real roots in the past. Here are 16 words you need to know to get ready for season two and become fluent in the language of Bridgerton.

    viscount
    You’ve likely heard of a count, but after catching up on Bridgerton, you may be wondering: what in the world is a viscount? We’ve got your back. A viscount is “a nobleman next below an earl or count and next above a baron.” It’s a hereditary title that was first recorded in English in the mid to late 1300s within a peerage or nobility system. You could think of it as a “vice count,” since it’s believed to have come from the equivalent in Old French, visconte.

    rake
    In the world of Regency romance, a rake is not a gardening tool. It’s an insult dating back to the 1600s that means “a dissolute or immoral person, especially a man who indulges in vices or lacks sexual restraint.” It comes from rakehell, an alteration of the Middle English rakel, meaning “rash, rough, coarse, hasty.” Rakes are the “bad boys” of the Bridgerton era. Of course, on TV, that may be a part of their appeal.

    promenade
    In 2022, you might make a relationship Instagram official. In the 1800s, you were likely to promenade. Promenade is a verb that means “to conduct or display in or as if in a promenade; parade.” This might mean taking a public walk with the object of your affection to make your courtship known, as Daphne and the Duke of Hastings do in season one. Fun fact: the word prom comes directly from promenade.

    duke
    You’ve likely heard the title of duke, but what do they actually do? A duke, in historical British society, is “a nobleman holding the highest hereditary title outside the royal family, ranking immediately below a prince and above a marquis.” Dukes hold the highest social rank in British peerage, with the female equivalent being a duchess. This term, which dates back to the 1100s, comes from the Medieval Latin dux, or “hereditary ruler of a small state.”

    countenance
    Countenance sounds like another fancy title, but it actually refers to “appearance, especially the look or expression of the face.” For example: The duke could scarcely hide his intrigue behind his serene countenance.

    Historically, countenance is related to control and the idea of keeping one’s cool, especially in polite society. Though it refers more generally to one’s facial expression today, countenance comes from the Old French contenance, or “behavior, bearing.” The Old French noun comes from the Latin noun continentia “self-control, restraint.”

    coming out
    In the 19th century, coming out meant something different than it does today. It was customary for young women at the time to come out, or have “a debut into society, especially a formal debut by a debutante.” This typically involved a special ball or series or balls and parties. Essentially, this debut was a signal to the community that the woman was ready for courtship and marriage.

    ton
    When you hear talk of “the ton” on Bridgerton, they aren’t mispronouncing the word town. Ton means “fashionable society,” particularly high class society during the Regency era. The word comes from le bon ton, a French phrase meaning “good or elegant form or style.” Members of the ton were generally upper class, wealthy, and respected.

    Regency
    Bridgerton is an example of a regency romance, a genre of historical romance set during the Regency era. Regency, in this sense, means “characteristic of or relating to the Regency periods in France or the United Kingdom or to the styles of architecture, furniture, art, literature, etc, produced in them.” This time period is generally believed to fall between 1811–1820.

    season
    The season is a big deal to the fictional characters in Bridgerton, but they aren’t necessarily referring to winter, spring, summer, or fall. More likely, they are referring to the social season, or “a period of fashionable social events in a particular place.” The season was a time for coming out, social events, and marriages. It’s thought to have taken place from early spring until around Christmas time.

    sire
    Today, sire is a respectful, if a little old-fashioned, form of address. But when the word is used in Bridgerton, it’s more likely meant in the archaic sense: “to beget; procreate as the father.” Men at this time were expected to “sire an heir” to secure their lineage and place in high society.

    modiste
    Any lady fit for a Bridgerton-style ball must have a modiste on hand. That’s an older term for “a female maker of or dealer in women’s fashionable attire.” As you may have guessed, English speakers borrowed the word modiste from French. In the Regency era, a modiste could not only make clothes, but also advise women on what was fashionable and appropriate for various events.

    courses
    Even Regency-era women had to worry about Aunt Flo crashing the party. Courses is an older, fancier way of saying “menses,” or a period. In the Bridgerton time period, the presence or absence of someone’s period was essentially the only way of determining whether or not she could bear children or was pregnant, so much is made of courses by the women on the show.

    high in the instep
    If you wanted to drop a sick burn on someone in the 1800s, you might say they were high in the instep. The instep is “the arched upper surface of the human foot between the toes and the ankle,” and accusing someone of being high in the instep was a way of saying they’re conceited, arrogant, or haughty.

    virtue
    In modern times, we think of virtue as personal morals or values. Historically, the term was mostly about sex. Virtue meant “chastity; virginity”, especially in reference to women and girls. It was considered of the utmost importance for a woman to “keep her virtue” until marriage. The word entered English in the late 1100s, and it can be traced to the Latin virtÅŦs, or “manliness.”

    trousseau
    Bridgerton is part romance and part historical fashion education. A trousseau is “an outfit of clothing, household linen, etc., for a bride.” The word comes from Old French trusse, literally “a little bundle.” In some instances, a trousseau may also have included jewelry and other items and been a part of a woman’s dowry. While dowries aren’t a part of modern wedding traditions, some brides still prepare a trousseau of things they intend to wear throughout their wedding festivities.

    swoon
    Now that your vocabulary is ready for the next season of Bridgerton, it’s time to let the swooning commence. To swoon means “to enter a state of hysterical rapture or ecstasy.” Whether you have a favorite duke, duchess, viscount, or modiste, chances are you’ll be acting out this term at least a few times when they appear on screen. Keep in mind that swoon comes from the Middle English swonen, or “to faint.” You may want to binge-watch carefully.

    Copyright 2024, XAKKHRA, All Rights Reserved.
    Prepare For The Lavish World Of Bridgerton With Regency Period Words This spring may be a bit steamier than usual, thanks to the return of the hit Netflix show Bridgerton. This Regency romance with a modern twist took audiences by storm last year with its unpredictable plot, historical setting, and very attractive cast of characters. If you watched the first season last year or you’re catching up now, you may find yourself wondering what some of the historical language in the show actually means. Bridgerton, like a lot of period dramas, is not 100% historically accurate, but the language, costumes, and customs on display do have real roots in the past. Here are 16 words you need to know to get ready for season two and become fluent in the language of Bridgerton. viscount You’ve likely heard of a count, but after catching up on Bridgerton, you may be wondering: what in the world is a viscount? We’ve got your back. A viscount is “a nobleman next below an earl or count and next above a baron.” It’s a hereditary title that was first recorded in English in the mid to late 1300s within a peerage or nobility system. You could think of it as a “vice count,” since it’s believed to have come from the equivalent in Old French, visconte. rake In the world of Regency romance, a rake is not a gardening tool. It’s an insult dating back to the 1600s that means “a dissolute or immoral person, especially a man who indulges in vices or lacks sexual restraint.” It comes from rakehell, an alteration of the Middle English rakel, meaning “rash, rough, coarse, hasty.” Rakes are the “bad boys” of the Bridgerton era. Of course, on TV, that may be a part of their appeal. promenade In 2022, you might make a relationship Instagram official. In the 1800s, you were likely to promenade. Promenade is a verb that means “to conduct or display in or as if in a promenade; parade.” This might mean taking a public walk with the object of your affection to make your courtship known, as Daphne and the Duke of Hastings do in season one. Fun fact: the word prom comes directly from promenade. duke You’ve likely heard the title of duke, but what do they actually do? A duke, in historical British society, is “a nobleman holding the highest hereditary title outside the royal family, ranking immediately below a prince and above a marquis.” Dukes hold the highest social rank in British peerage, with the female equivalent being a duchess. This term, which dates back to the 1100s, comes from the Medieval Latin dux, or “hereditary ruler of a small state.” countenance Countenance sounds like another fancy title, but it actually refers to “appearance, especially the look or expression of the face.” For example: The duke could scarcely hide his intrigue behind his serene countenance. Historically, countenance is related to control and the idea of keeping one’s cool, especially in polite society. Though it refers more generally to one’s facial expression today, countenance comes from the Old French contenance, or “behavior, bearing.” The Old French noun comes from the Latin noun continentia “self-control, restraint.” coming out In the 19th century, coming out meant something different than it does today. It was customary for young women at the time to come out, or have “a debut into society, especially a formal debut by a debutante.” This typically involved a special ball or series or balls and parties. Essentially, this debut was a signal to the community that the woman was ready for courtship and marriage. ton When you hear talk of “the ton” on Bridgerton, they aren’t mispronouncing the word town. Ton means “fashionable society,” particularly high class society during the Regency era. The word comes from le bon ton, a French phrase meaning “good or elegant form or style.” Members of the ton were generally upper class, wealthy, and respected. Regency Bridgerton is an example of a regency romance, a genre of historical romance set during the Regency era. Regency, in this sense, means “characteristic of or relating to the Regency periods in France or the United Kingdom or to the styles of architecture, furniture, art, literature, etc, produced in them.” This time period is generally believed to fall between 1811–1820. season The season is a big deal to the fictional characters in Bridgerton, but they aren’t necessarily referring to winter, spring, summer, or fall. More likely, they are referring to the social season, or “a period of fashionable social events in a particular place.” The season was a time for coming out, social events, and marriages. It’s thought to have taken place from early spring until around Christmas time. sire Today, sire is a respectful, if a little old-fashioned, form of address. But when the word is used in Bridgerton, it’s more likely meant in the archaic sense: “to beget; procreate as the father.” Men at this time were expected to “sire an heir” to secure their lineage and place in high society. modiste Any lady fit for a Bridgerton-style ball must have a modiste on hand. That’s an older term for “a female maker of or dealer in women’s fashionable attire.” As you may have guessed, English speakers borrowed the word modiste from French. In the Regency era, a modiste could not only make clothes, but also advise women on what was fashionable and appropriate for various events. courses Even Regency-era women had to worry about Aunt Flo crashing the party. Courses is an older, fancier way of saying “menses,” or a period. In the Bridgerton time period, the presence or absence of someone’s period was essentially the only way of determining whether or not she could bear children or was pregnant, so much is made of courses by the women on the show. high in the instep If you wanted to drop a sick burn on someone in the 1800s, you might say they were high in the instep. The instep is “the arched upper surface of the human foot between the toes and the ankle,” and accusing someone of being high in the instep was a way of saying they’re conceited, arrogant, or haughty. virtue In modern times, we think of virtue as personal morals or values. Historically, the term was mostly about sex. Virtue meant “chastity; virginity”, especially in reference to women and girls. It was considered of the utmost importance for a woman to “keep her virtue” until marriage. The word entered English in the late 1100s, and it can be traced to the Latin virtÅŦs, or “manliness.” trousseau Bridgerton is part romance and part historical fashion education. A trousseau is “an outfit of clothing, household linen, etc., for a bride.” The word comes from Old French trusse, literally “a little bundle.” In some instances, a trousseau may also have included jewelry and other items and been a part of a woman’s dowry. While dowries aren’t a part of modern wedding traditions, some brides still prepare a trousseau of things they intend to wear throughout their wedding festivities. swoon Now that your vocabulary is ready for the next season of Bridgerton, it’s time to let the swooning commence. To swoon means “to enter a state of hysterical rapture or ecstasy.” Whether you have a favorite duke, duchess, viscount, or modiste, chances are you’ll be acting out this term at least a few times when they appear on screen. Keep in mind that swoon comes from the Middle English swonen, or “to faint.” You may want to binge-watch carefully. Copyright 2024, XAKKHRA, All Rights Reserved.
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  • Should You Say “Octopuses” Or “Octopi”?

    It’s the internet’s favorite eight-armed plural debate: octopuses vs. octopi. (And that relative newcomer, octopodes.)

    Is there a “correct” plural for octopus? And what’s with the -i in octopi?

    In this article, we’ll wrap our tentacles around these questions, break down the differences between each term, and tell you which terms are acceptable and most commonly used.

    Quick summary
    Both octopuses and octopi are acceptable plurals for octopus. Of the two, octopuses is the simpler and more commonly used. The proposed plural octopodes is based on the plural of the Ancient Greek word from which octopus ultimately derives. But it’s rarely used outside of the octopuses vs. octopi debate.
    Is it octopuses or octopi?
    Like the octopus itself, the English language is, in many cases, very flexible: both octopuses and octopi are acceptable and commonly used plural forms of octopus (despite what anyone on the internet may say).

    But why octopi? Well, in Latin, there’s a class of words that end in -us. These words get pluralized by replacing -us with -i. Many English words with strong roots in Latin have retained this pluralization pattern—think alumnus/alumni and stimulus/stimuli.

    Along with octopus, there are a few cases in which both endings are used, including: platypuses/platypi; cactuses/cacti; syllabuses/syllabi; and thesauruses/thesauri (though, if you ask us, a plural is unnecessary here since you really only need one thesaurus).

    Still, in all these cases, it’s more common to pluralize with a plain old -es.

    If you’re looking for a tie-breaker, consider this: scientists who study these creatures seem to prefer the plural octopuses (though of course the preference is not universal).

    What about octopodes?
    Some people object to the plural -i ending in octopi because octopus actually derives from the Latinized form of the Greek word oktáđ“pous (meaning “eight-foot”). The plural of this word would be oktáđ“podes.

    Based on this, some have proposed the plural octopodes. Reverse-engineering a word’s plural to match its language of origin is a strange way to go about using language (especially when there are two perfectly good plurals right there), so octopodes is not commonly used. Still, some people like to use it (especially to spice up the octopuses vs. octopi debate).

    P.S. Don’t confuse octopodes with the word octopods, which refers to the eight-armed cephalopod mollusks of the order or suborder Octopoda, including octopuses and paper nautiluses.

    P.P.S. (Platypus Postscript) Platypus has an origin similar to octopus (from the Greek platýpous, meaning “flat-footed”), so the equivalent hypothetical plural would be platypodes. But we don’t see platypodes happening anytime soon.

    Do you know the difference between an alligator and a crocodile?

    Examples of octopuses and octopi used in a sentence
    You have encountered more than one octopus and you want to know how to describe your situation. Check out these example sentences, in which we show how octopuses and octopi are always interchangeable.

    - Octopuses/octopi are often solitary.
    - We saw not one but two octopuses/octopi during our dive today!
    - Different types of octopuses/octopi can vary greatly in size.

    Copyright 2024, XAKKHRA, All Rights Reserved.
    Should You Say “Octopuses” Or “Octopi”? It’s the internet’s favorite eight-armed plural debate: octopuses vs. octopi. (And that relative newcomer, octopodes.) Is there a “correct” plural for octopus? And what’s with the -i in octopi? In this article, we’ll wrap our tentacles around these questions, break down the differences between each term, and tell you which terms are acceptable and most commonly used. Quick summary Both octopuses and octopi are acceptable plurals for octopus. Of the two, octopuses is the simpler and more commonly used. The proposed plural octopodes is based on the plural of the Ancient Greek word from which octopus ultimately derives. But it’s rarely used outside of the octopuses vs. octopi debate. Is it octopuses or octopi? Like the octopus itself, the English language is, in many cases, very flexible: both octopuses and octopi are acceptable and commonly used plural forms of octopus (despite what anyone on the internet may say). But why octopi? Well, in Latin, there’s a class of words that end in -us. These words get pluralized by replacing -us with -i. Many English words with strong roots in Latin have retained this pluralization pattern—think alumnus/alumni and stimulus/stimuli. Along with octopus, there are a few cases in which both endings are used, including: platypuses/platypi; cactuses/cacti; syllabuses/syllabi; and thesauruses/thesauri (though, if you ask us, a plural is unnecessary here since you really only need one thesaurus). Still, in all these cases, it’s more common to pluralize with a plain old -es. If you’re looking for a tie-breaker, consider this: scientists who study these creatures seem to prefer the plural octopuses (though of course the preference is not universal). What about octopodes? Some people object to the plural -i ending in octopi because octopus actually derives from the Latinized form of the Greek word oktáđ“pous (meaning “eight-foot”). The plural of this word would be oktáđ“podes. Based on this, some have proposed the plural octopodes. Reverse-engineering a word’s plural to match its language of origin is a strange way to go about using language (especially when there are two perfectly good plurals right there), so octopodes is not commonly used. Still, some people like to use it (especially to spice up the octopuses vs. octopi debate). P.S. Don’t confuse octopodes with the word octopods, which refers to the eight-armed cephalopod mollusks of the order or suborder Octopoda, including octopuses and paper nautiluses. P.P.S. (Platypus Postscript) Platypus has an origin similar to octopus (from the Greek platýpous, meaning “flat-footed”), so the equivalent hypothetical plural would be platypodes. But we don’t see platypodes happening anytime soon. Do you know the difference between an alligator and a crocodile? Examples of octopuses and octopi used in a sentence You have encountered more than one octopus and you want to know how to describe your situation. Check out these example sentences, in which we show how octopuses and octopi are always interchangeable. - Octopuses/octopi are often solitary. - We saw not one but two octopuses/octopi during our dive today! - Different types of octopuses/octopi can vary greatly in size. Copyright 2024, XAKKHRA, All Rights Reserved.
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  • 5 Types Of Character Traits To Help You Create Your Complex Characters

    Characters are arguably the most important part of any fictional work. Whether in a book, television show, or movie, characters are the ones audiences identify with and the vehicles for telling the entire story. But how do you go about creating characters that people will love, fear, want to know more about, and find utterly unforgettable?

    It all begins with a character’s traits. Character traits are the essential building blocks of every character in a story, and choosing the right traits can help establish unique identities that will engage your audience from start to finish. Here’s what you need to know about writing great characters, the unique words you need to describe those characters, and how to get started on creating your own complex characters from scratch.

    What are character traits?
    When you meet a new person, you often learn about them by observing their traits. A trait is “a distinguishing characteristic or quality, especially of one’s personal nature.” The characters in stories have traits as well.

    A character trait is a literary term for adjectives and descriptions that writers use to add personality and depth to characters. In fictional stories, character traits serve a number of purposes, including:

    - Helping readers connect and identify with a character.
    - Providing insight into a character’s motivations.
    - Making it easier to differentiate between two characters.
    - Solidifying a character’s role, such as villain or hero, in the story.
    - Adding complexity to each character.


    Character traits may be internal or external. External traits are things another person might notice, like how someone looks, their particular accent when speaking, or how they carry themselves. Internal traits have more to do with what’s going on inside a character’s mind. They are the emotional elements, private thoughts, and actions that make up a character’s personality.

    The many different kinds of character traits
    When it comes to deciding on traits for your own characters, there are no rules. Just like no two people on earth are exactly alike, no two characters in a story will ever be exactly alike. Let’s check out some words you might use when describing your own characters’ one-of-a-kind traits.

    Personality

    charming
    stoic
    approachable
    reclusive
    ambitious
    impulsive
    demanding
    poised
    distrustful
    even-tempered


    Physical attributes

    lanky
    energetic
    petite
    elegant
    curvaceous
    rugged
    stately
    graceful
    fumbling
    brawny


    Beliefs and morals

    philosophical
    judicious
    greedy
    pious
    deceptive
    spiritual
    altruistic
    haughty
    stingy
    revolutionary


    Classic hero traits

    courageous
    adventurous
    honorable
    sincere
    visionary
    persistent
    humble
    reliable
    honest
    noble


    Classic villain traits

    envious
    demonic
    unscrupulous
    furtive
    mischievous
    deceitful
    brutal
    powerful
    wounded
    resourceful


    Building characters
    Now that you’re armed with a great character vocabulary, let’s learn a little more about how to build characters.

    Option one: Start with the character
    One method of character building is to begin with an idea of your character’s role or defining trait and build from there. For example: a queen.

    Ask yourself questions about your character’s motivations and the way others see them.

    - What does the queen look like?
    - How did the queen ascend to power?
    - Do people like this character? Why or why not?
    - What is someone’s first impression of this character?
    - What is this character afraid of?
    - What does this character want more than anything?

    As you answer questions about your character, their physical appearance, beliefs, personality and motivations will begin to emerge. The next step is to write them into a scene and see how these qualities impact their actions and interactions.

    Option two: Start with traits
    On the writing podcast Death of 1000 Cuts, author Tim Clare frequently uses timers and lists to flesh out ideas for everything from characters to story locations to plot points. The idea is to let the creative flow and avoid overthinking things.

    Try setting a timer for 10 minutes and making a list of interesting traits a character might possess. These might include physical attributes, personality quirks, preferences, and strengths and weaknesses, like:


    smart
    anxious
    curly hair
    wears a lot of purple
    loves video games
    hates chocolate
    lives in outer space
    holds grudges
    ambitious


    Once time has lapsed, look at your list and start to dig into the traits you wrote down. Circle 8–10 character traits and begin to flesh them out. How do these traits work together? How did your character come to possess these traits?

    As you begin to write your characters into scenes, their traits will solidify and you will get to know them better. Before you know it, they will feel real, and the traits you spent time cultivating will help drive the rest of your story.

    Copyright 2024, XAKKHRA, All Rights Reserved.
    5 Types Of Character Traits To Help You Create Your Complex Characters Characters are arguably the most important part of any fictional work. Whether in a book, television show, or movie, characters are the ones audiences identify with and the vehicles for telling the entire story. But how do you go about creating characters that people will love, fear, want to know more about, and find utterly unforgettable? It all begins with a character’s traits. Character traits are the essential building blocks of every character in a story, and choosing the right traits can help establish unique identities that will engage your audience from start to finish. Here’s what you need to know about writing great characters, the unique words you need to describe those characters, and how to get started on creating your own complex characters from scratch. What are character traits? When you meet a new person, you often learn about them by observing their traits. A trait is “a distinguishing characteristic or quality, especially of one’s personal nature.” The characters in stories have traits as well. A character trait is a literary term for adjectives and descriptions that writers use to add personality and depth to characters. In fictional stories, character traits serve a number of purposes, including: - Helping readers connect and identify with a character. - Providing insight into a character’s motivations. - Making it easier to differentiate between two characters. - Solidifying a character’s role, such as villain or hero, in the story. - Adding complexity to each character. Character traits may be internal or external. External traits are things another person might notice, like how someone looks, their particular accent when speaking, or how they carry themselves. Internal traits have more to do with what’s going on inside a character’s mind. They are the emotional elements, private thoughts, and actions that make up a character’s personality. The many different kinds of character traits When it comes to deciding on traits for your own characters, there are no rules. Just like no two people on earth are exactly alike, no two characters in a story will ever be exactly alike. Let’s check out some words you might use when describing your own characters’ one-of-a-kind traits. Personality charming stoic approachable reclusive ambitious impulsive demanding poised distrustful even-tempered Physical attributes lanky energetic petite elegant curvaceous rugged stately graceful fumbling brawny Beliefs and morals philosophical judicious greedy pious deceptive spiritual altruistic haughty stingy revolutionary Classic hero traits courageous adventurous honorable sincere visionary persistent humble reliable honest noble Classic villain traits envious demonic unscrupulous furtive mischievous deceitful brutal powerful wounded resourceful Building characters Now that you’re armed with a great character vocabulary, let’s learn a little more about how to build characters. Option one: Start with the character One method of character building is to begin with an idea of your character’s role or defining trait and build from there. For example: a queen. Ask yourself questions about your character’s motivations and the way others see them. - What does the queen look like? - How did the queen ascend to power? - Do people like this character? Why or why not? - What is someone’s first impression of this character? - What is this character afraid of? - What does this character want more than anything? As you answer questions about your character, their physical appearance, beliefs, personality and motivations will begin to emerge. The next step is to write them into a scene and see how these qualities impact their actions and interactions. Option two: Start with traits On the writing podcast Death of 1000 Cuts, author Tim Clare frequently uses timers and lists to flesh out ideas for everything from characters to story locations to plot points. The idea is to let the creative flow and avoid overthinking things. Try setting a timer for 10 minutes and making a list of interesting traits a character might possess. These might include physical attributes, personality quirks, preferences, and strengths and weaknesses, like: smart anxious curly hair wears a lot of purple loves video games hates chocolate lives in outer space holds grudges ambitious Once time has lapsed, look at your list and start to dig into the traits you wrote down. Circle 8–10 character traits and begin to flesh them out. How do these traits work together? How did your character come to possess these traits? As you begin to write your characters into scenes, their traits will solidify and you will get to know them better. Before you know it, they will feel real, and the traits you spent time cultivating will help drive the rest of your story. Copyright 2024, XAKKHRA, All Rights Reserved.
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  • āļĒāđ‰āļ­āļ™! “āļŦāļĄāļ­āļĨāļąāļāļĐāļ“āđŒ” āļœāđˆāļēāļ”āļ§āļ‡ “āļŸāļīāļĨāđŒāļĄ” āļ”āļąāļ‡āđāļĨāļ°āļ”āļąāļšāļ§āļ™āđ€āļ§āļĩāļĒāļ™ āđāļ•āđˆāļŦāļēāļāļĄāļĩāļ„āļļāļ“āļ˜āļĢāļĢāļĄ āļĒāļķāļ”āļĄāļąāđˆāļ™āđƒāļ™āļāļŽāļŦāļĄāļēāļĒ āļāđ‡āđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āļāļĨāļąāļ§āļ­āļ°āđ„āļĢ

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  • 16-11-67/01 : āļŦāļĄāļĩ CNN / THE RIVER OF NO RETURN & TIME NEVER WALK BACKWARD āļĒāļķāļ”āđāļĨāđ‰āļ§āđƒāļ„āļĢāļˆāļ°āđ‚āļ‡āđˆāļ„āļ·āļ™ āļĄāļĩāđāļ•āđˆāļĒāļķāļ”āļ•āđˆāļ­? āļŠāļēāļĢāļ•āļĢāļ‡āļˆāļēāļāđ€āļ„āļĢāļĄāļĨāļīāļ™ āļ­āļĒāļēāļāđ€āļˆāļĢāļˆāļēāļĒāļļāļ•āļīāļŠāļ‡āļ„āļĢāļēāļĄ āļ—āļģāđ„āļ”āđ‰āđāļ„āđˆ "āļĒāļ­āļĄāļ›āļĨāđˆāļ­āļĒāļ§āļēāļ‡ āđāļĨāđ‰āļ§āļ—āļģāļ•āļēāļĄāđ€āļ‡āļ·āđˆāļ­āļ™āđ„āļ‚āļœāļđāđ‰āļŠāļ™āļ°āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™" āđ„āļĄāđˆāļĄāļĩāļāļēāļĢāļ•āđˆāļ­āļĢāļ­āļ‡ āđ€āļžāļĢāļēāļ°āļŦāļēāđ„āļĄāđˆ āļāļđāļˆāļ°āļĒāļķāļ”āđāļĄāđˆāļ‡āđƒāļŦāđ‰āļŦāļĄāļ”āđ€āļāļĨāļĩāđ‰āļĒāļ‡! āļŠāļąāļ”āđ€āļˆāļ™ āļ•āļĢāļ‡āđ„āļ›āļ•āļĢāļ‡āļĄāļēāļĒāļīāđˆāļ‡āļāļ§āđˆāļē 9G āđāļĨāđ‰āļ§āļĄāļĢāļķāļ‡āļˆāļ°āļ„āļļāļĒāđ€āļžāļ·āđˆāļ­? āļĄāļąāļ™āļ„āļ·āļ­āđāļœāļ™āļ‹āđ‰āļ­āļ™āđāļœāļ™ āļšāļĩāļšāđƒāļŦāđ‰āđ€āļŦāļĩāđ‰āļĒāļĒāļ­āļĄāđāļšāļšāđ„āļĢāđ‰āđ€āļ‡āļ·āđˆāļ­āļ™āđ„āļ‚ āļāļąāļšāļŠāļđāđ‰āļ­āļĒāđˆāļēāļ‡āđ€āļ—āļŦāļĄāļ”āļŦāļ™āđ‰āļēāļ•āļąāļ āđāļĨāđ‰āļ§āļĒāļāļ—āļļāļāļŠāļĢāļĢāļžāļŠāļīāđˆāļ‡āđƒāļŦāđ‰āđ€āļ„āļĢāļĄāļĨāļīāļ™ āđ€āļŠāļ·āđˆāļ­āļ§āđˆāļēāļ›āļđāļ•āļīāļ™ āļŠāļ­āļšāļ­āļĒāđˆāļēāļ‡āļŦāļĨāļąāļ‡āļĄāļēāļāļāļ§āđˆāļē āļŠāļąāđˆāļ‡āļŠāļ­āļ™āđ„āļ­āđ‰āļ­āļĩāļ—āļĢāļĒāļĻāđ€āļœāđˆāļēāļžāļąāļ™āļ˜āļļāđŒ āļŠāļąāđˆāļ‡āļŠāļ­āļ™āđ„āļ­āđ‰āļ­āļĩāđ€āļ™āļĢāļ„āļļāļ“āļžāļĨāļąāļ‡āļ‡āļēāļ™āļ—āļĩāđˆāļžāļ§āļāļĄāļĢāļķāļ‡āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āļĄāļēāđ„āļ”āđ‰? āļ­āļĩāđ€āļšāļĩāļĒāļĢāđŒāļ­āļĒāđˆāļēāļ‡āļŦāļĄāļē āļ­āļĩāđ€āļĻāļĐāļāļĢāļąāđˆāļ‡āļ­āļĒāđˆāļēāļ‡āļ„āļ§āļēāļĒ āļĢāļąāļŠāđ€āļ‹āļĩāļĒāļ„āļļāļĄāđ€āļāļĄāļŠāđŒāļ™āļĩāđ‰ āļŦāļĄāļēāļāļāļĢāļ°āļ”āļēāļ™āļ™āļĩāđ‰āļĢāļąāļŠāđ€āļ‹āļĩāļĒāļŠāļ™āļ°āļ—āđˆāļ§āļĄāļ—āđ‰āļ™āđ„āļ›āļ™āļēāļ™āđāļĨāđ‰āļ§ NATO āđ€āļŦāļĢāļ­ āļˆāļ™āļ›āđˆāļēāļ™āļ™āļĩāđ‰ āļĒāļąāļ‡āđ„āļĄāđˆāļĄāļĩāđƒāļ„āļĢāļŠāđˆāļ‡āļ—āļŦāļēāļĢāđ€āļ•āļīāļĄ āđ€āļ—āđ€āļ‡āļīāļ™āđƒāļŦāđ‰ āđ€āļŦāļĄāļ·āļ­āļ™āļ—āļĩāđˆāļ„āļļāļĒāļāļąāļ™āđ„āļ§āđ‰ āđ€āļžāļĢāļēāļ°āļ—āļļāļāļŠāļēāļ•āļīāļŠāļĄāļēāļŠāļīāļāļ™āļēāđ‚āļ•āđ‰ āļ•āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļĄāļīāļ™āđāļĨāđ‰āļ§āļ§āđˆāļē "āļ•āļģāļ™āđ‰āļģāļžāļĢāļīāļāļĨāļ°āļĨāļēāļĒāđāļĄāđˆāļ™āđ‰āļģ" āđ€āļāđ‡āļšāđ€āđ€āļ‡āļīāļ™āđ„āļ›āļžāļąāļ’āļ™āļēāļ›āļĢāļ°āđ€āļ—āļĻ āđ€āļĨāļĩāđ‰āļĒāļ‡āļ›āļēāļāļ—āđ‰āļ­āļ‡āļ›āļĢāļ°āļŠāļēāļāļĢāļ„āļ§āļēāļĒāļ„āļļāđ‰āļĄāļāļ§āđˆāļēāđ€āļĒāļ­āļ°! āļĨāđˆāļēāļŠāļļāļ” āļ­āļĩāļĒāļīāļ§ āļˆāļ™āļ•āļĢāļ­āļ āļ—āļīāđ‰āļ‡āļĢāļ°āđ€āļšāļīāļ”āđƒāļŠāđˆāļŠāļ™āļēāļĄāļšāļīāļ™āđ€āļšāļĢāļļāļ• āļ—āļģāđ„āļ”āđ‰āđāļ•āđˆāļŠāļēāļ§āļšāđ‰āļēāļ™ āđ€āļāđˆāļ‡āļāļąāļšāļžāļ·āđ‰āļ™āļ—āļĩāđˆāļŠāļĩāđ€āļ‚āļĩāļĒāļ§ āđāļ™āđˆāļˆāļĢāļīāļ‡āļšāļļāļāđ€āļ‚āđ‰āļēāļĄāļēāļŠāļīāļŸāđˆāļ°? āļ”āļ­āļāļ™āļĩāđ‰ āđ€āļĨāļšāļēāļ™āļ­āļ™āđ€āļ‰āļĒāđ† āđ€āļžāļĢāļēāļ°āļĒāļēāļĄāļĻāļķāļāļŠāļ‡āļ„āļĢāļēāļĄ āļĄāļąāļ™āļ•āđ‰āļ­āļ‡āļĄāļĩāđāļĨāļ āđāļĨāđ‰āļ§āļ­āļ°āđ„āļĢāļĨāđˆāļ° āļ—āļĩāđˆāđāļĨāļāļ„āļļāđ‰āļĄāļāļ§āđˆāļē āļ™āļąāđˆāļ™āļ„āļ·āļ­āļāļēāļ™āļ—āļąāļžāđ€āļŦāļĩāđ‰āļĒāļĒāļīāļ§āļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļ—āļĩāđˆāļĄāļĩāđƒāļ™āļ•āļ°āļ§āļąāļ™āļ­āļ­āļāļāļĨāļēāļ‡ āļŦāļĨāļēāļĒāļ„āļ™āļŠāļ‡āļŠāļąāļĒ āļ—āļģāđ„āļĄ āđ€āļĨāļšāļēāļ™āļ­āļ™āļ–āļķāļ‡āļĒāļ­āļĄāļ›āļĨāđˆāļ­āļĒāđƒāļŦāđ‰āđ€āļŦāļĩāđ‰āļĒāļĒāļīāļ§āļĄāļąāļ™āļāļĢāđˆāļēāļ‡ āđ€āļžāļĢāļēāļ°āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļĄāļąāļ™āļ—āļģ āļœāļīāļ”āļāļŽāļŦāļĄāļēāļĒāļŠāļēāļāļĨ āļ—āļĩāđˆāđ‚āļˆāļĄāļ•āļĩ āļ‚āļ“āļ°āļĄāļĩāđ€āļ„āļĢāļ·āđˆāļ­āļšāļīāļ™āđ‚āļ”āļ™āļŠāļēāļĢ āļŠāļĩāļ§āļīāļ•āļœāļđāđ‰āļšāļĢāļīāļŠāļļāļ—āļ˜āļīāđŒāļ­āļĒāļđāđˆ āļ—āļģāđ„āļĄāļĄāļąāļ™āļˆāļ°āđ„āļĄāđˆāļĢāļđāđ‰āļ§āđˆāļē "āļœāļīāļ”āđāļĨāļ°āđ€āļŦāļĩāđ‰āļĒāđ€āļ•āđ‡āļĄāļ•āļĢāļĩāļ™" āļĄāļąāļ™āļ•āđ‰āļ­āļ‡āļāļēāļĢāđāļ„āđˆ WWIII āđāļ•āđˆāļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļĨāļšāļēāļ™āļ­āļ™āļˆāļ°āđ„āļ”āđ‰āļāļĨāļąāļšāļĄāļēāļ„āļ·āļ­ "āļĄāļ•āļīāļŠāļŦāļ›āļĢāļ°āļŠāļēāļŠāļēāļ•āļīāļ‚āļąāđ‰āļ™āđ€āļ”āđ‡āļ”āļ‚āļēāļ”" āļ„āļ·āļ­āļ–āļ­āļ™āļĢāļēāļāļ–āļ­āļ™āđ‚āļ„āļ™āļ­āļīāļŠāļĢāļēāđ€āļ­āļĨāļ—āļąāđ‰āļ‡āđāļœāđˆāļ™āļ”āļīāļ™ āļ”āđ‰āļ§āļĒāļŠāđ‰āļ™āļ•āļĢāļĩāļ™āļŠāļēāļ§āđ‚āļĨāļ! āļ–āļķāļ‡āļ”āļ­āļāļ™āļąāđ‰āļ™ āđ€āļŪāļ‹āļšāļ­āđ€āļĨāļēāļ°āļŦāđŒāļ–āļķāļ‡āļˆāļ°āđ‚āļŠāļ§āđŒāļ­āļēāļ§āļļāļ˜āđāļ—āđ‰āļˆāļĢāļīāļ‡ āļ—āļĩāđˆāđ„āļĨāđˆāļ†āđˆāļēāđ€āļŦāļĩāđ‰āļĒāļĒāļīāļ§āļ­āļĒāđˆāļēāļ‡āđ„āļĢāđ‰āļ„āļ§āļēāļĄāļ›āļĢāļēāļ“āļĩ āļžāđˆāļ§āļ‡āđ‚āļĨāļāļŠāļĄāļ™āđ‰āļģāļŦāļ™āđ‰āļē āļ„āļ§āļēāļĄāļŠāđˆāļ§āļĒāđ€āļŦāļĨāļ·āļ­āđ„āļĄāđˆāļĄāļĩ āļĄāļĩāđāļ•āđˆāļ„āļ§āļēāļĄāļŠāļ°āđƒāļˆ! āļ­āļĩāļĒāļīāļ§āļĄāļąāļ™āļŠāļĢāđ‰āļēāļ‡āļĻāļąāļ•āļĢāļđāđ„āļ§āđ‰āļ—āļąāđ‰āļ‡āđ‚āļĨāļ āļĄāļąāļ™āļ„āļīāļ”āļ§āđˆāļēāļˆāļ°āļŠāļĢāđ‰āļēāļ‡āļĢāļąāļāļĒāļīāļ§āđƒāļŦāļĄāđˆ āđ‚āļ”āļĒāđ„āļĄāđˆāļĄāļĩāļ­āļļāļ›āļŠāļĢāļĢāļ„āđŒāđ€āļŦāļĢāļ­? āļĄāļĢāļķāļ‡āļ–āļđāļāđ‚āļĨāļāļžāļīāļžāļēāļāļĐāļēāđ„āļ›āđ€āļĢāļĩāļĒāļšāļĢāđ‰āļ­āļĒāđāļĨāđ‰āļ§ āļ§āđˆāļēāļ„āļ·āļ­ "āđ„āļ­āđ‰āđ€āļŠāļ™āļĩāļĒāļ”āļ­āļąāļ›āļĢāļĩāļĒāđŒāļˆāļąāļāđ„āļĢāđ‚āļĨāļ" āļ­āļĒāļđāđˆāļĒāļēāļ āļŦāļĄāļēāļĒāļˆāļąāļšāļ•āļĢāļķāļĄ āđ„āļĄāđˆāļĄāļĩāđƒāļ„āļĢāļ„āļš āđ„āļĄāđˆāļĄāļĩāđƒāļ„āļĢāļ„āđ‰āļēāļ‚āļēāļĒāļ”āđ‰āļ§āļĒ āđāļ„āđˆāļĄāļļāļŠāļĨāļīāļĄāļ—āļąāđ‰āļ‡āđ‚āļĨāļāļĨāļ‡āđāļ‚āļ āļĄāļĢāļķāļ‡āļāđ‡āļŦāļĄāļēāđāļĨāđ‰āļ§ āļ‚āđ‰āļēāļĄāļ§āļīāļāđāļ›āđŠāļš : āļ­āļĩāđ€āļ” āļŦāļĨāļ­āļ™ āļœāļ§āļē āđ€āļžāđˆāļŠāļ™āļ˜āļī āđ€āļ­āļēāļŠāļļāļ”āļ‹āļ­āļĒ āļ›āļēāļ™āđ€āļ—āļžāļāļĢāļ°āļ—āļ·āļšāļ‹āđ‰āļģ āļ–āļđāļāđāļ‰ āļĨāļēāļāļĒāļēāļ§āļ„āļ”āļĩāļ–āļļāļ‡āļ”āļģ āļ‡āļēāļ™āļ™āļĩāđ‰āļ–āļķāļ‡āļ„āļļāļ āļ­āļĒāļđāđˆāļ”āļĩāļ”āļĩ āļ›āļēāļāļŦāļĄāļē āđ„āļ”āđ‰āļ‚āļĩāđ‰āđāļ•āļ āđ€āļŠāļĩāļĒāļŦāļĄāļē āļ­āļ­āļāļŠāļ·āđˆāļ­āđāļ™āđˆāļĄāļĢāļķāļ‡āđ€āļ­āđ‹āļĒ? āļ­āļĩāđ€āļ” āļŠāļēāļĒāđ€āļŦāļĨāļ·āļ­āļ‡ āļŪāļēāđāļ•āļ! āđ€āļ”āđ‡āļāđāļ–āļ§āļšāđ‰āļēāļ™āđ€āļĢāļĩāļĒāļāļāļąāļ™ 555+ āļāļ­āļ‡āđāļŠāđˆāļ‡āđ€āļŪāļĨāļąāđˆāļ™! āļāļīāļ•āļ•āļīāļĢāļąāļ•āļ™āđŒāđ‚āļ”āļ™! āļ„āļĢāļĄ.āļĢāļąāļšāļĢāļ­āļ‡āđ‚āļ”āļ™āļ„āļļāļāļĢāļ°āļ™āļēāļ§ āļ­āļĩāļ­āļļāđ‰āļ‡āļ­āļļāđ‰āļ‡ āļ—āļđāļĨāđ€āļāļĨāđ‰āļē āđ‚āļ”āļ™āļ–āļ­āļ”āļ”āđ‰āļ§āļĒ āđ„āļ›āļŦāļĄāļ”āļ—āļąāđ‰āļ‡āļ„āļ­āļāđ€āļŦāļĩāđ‰āļĒ? āļ™āļąāđˆāļ™āđāļ„āđˆāļ™āđ‰āļģāļˆāļīāđ‰āļĄ āđ„āļ­āđ‰āļ”āļ­āļāđƒāļŦāļāđˆāļĄāļĩāļ­āļĩāļāļŦāļĨāļēāļĒāđ€āļĢāļ·āđˆāļ­āļ‡āđ€āļ›āđ‡āļ™āļŦāļēāļ‡āļ§āđˆāļēāļ§ āļāļđāļšāļ­āļāđāļĨāđ‰āļ§āđ„āļ‡āļĨāđˆāļ°āļ§āđˆāļē āļŠāļļāļ”āļ—āđ‰āļēāļĒ "āđ€āļœāđˆāļ™āļŦāļĄāļ”āļĒāļāļ„āļ­āļāđ€āļŦāļĩāđ‰āļĒ āđāļœāđˆāļ™āļ”āļīāļ™āļŠāļ°āļ­āļēāļ”āļ—āļąāļ™āļ•āļēāđ€āļŦāđ‡āļ™" āļĻāļēāļĨāđ€āļ•āļĢāļĩāļĒāļĄāļŸāļąāļ™ āđ„āļ„āļŸāļ‡āļœāļ‡āļēāļ”āļ­āļĩāļāđāļĨāđ‰āļ§! āļ­āļĩāđ€āļŦāļĨāļĩāđˆāļĒāļĄ āļŦāļĨāļąāļāļāļēāļ™āļĄāļąāļ”āļ•āļĢāļēāļŠāļąāļ‡āļ‚āđŒāļ—āļļāļāļ”āļ­āļ āļ„āļļāļāļĒāļąāļ‡āļ™āđ‰āļ­āļĒāđ„āļ› "āļ›āļĢāļ°āļŦāļēāļĢāļŠāļĩāļ§āļīāļ•" āļšāļĩāļšāđƒāļŦāđ‰āđ€āļœāđˆāļ™ āļĄāļ­āļšāđ€āļ‡āļīāļ™āđāļœāđˆāļ™āļ”āļīāļ™āļ„āļ·āļ™ āđ€āļŦāļĩāđ‰āļĒ C āđ€āļœāđˆāļ™āļ”āđ‰āļ§āļĒ āđ€āļžāļĢāļēāļ°āđāļŦāļĨāđˆāļ‡āļŸāļ­āļāđ€āļ‡āļīāļ™āļ–āļđāļāđ„āļĨāđˆāļˆāļąāļšāđ€āļāļĨāļ·āđˆāļ­āļ™ āļŦāļ™āđˆāļ§āļĒāļ‚āđˆāļēāļ§āļāļĢāļ­āļ‡āļŠāļēāļāļĨāđ„āļĨāđˆāđ€āļāđ‡āļšāđāļĨāđ‰āļ§ āļ•āļģāļŦāļ™āļ§āļ”āđ„āļ—āļĒāđ„āļĄāđˆāļ•āđ‰āļ­āļ‡ āļ‚āļēāļĒāļ•āļąāļ§āļāļąāļ™āđ€āļĒāļ­āļ° āļ­āļĒāđˆāļēāđ€āļŠāļ·āļ­āļ āļĢāļ°āļ”āļąāļšāđ‚āļĨāļ āđƒāļŦāđ‰āļĢāļ°āļ”āļąāļšāđ‚āļĨāļāļˆāļąāļ”āļāļēāļĢ āļ‡āļ§āļ”āļ™āļĩāđ‰āđƒāļŠāđ‰āļšāļĢāļīāļāļēāļĢ KGB āđ€āļāđˆāļē āļ—āļģāđƒāļŦāđ‰āđ€āļ‡āļĩāļĒāļšāđ€āļ‚āđ‰āļēāđ„āļ§āđ‰ āđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āļŠāđˆāļ‡āļāļĨāļąāļšāļšāđ‰āļēāļ™ āļāļąāļ‡āļĄāļąāļ™āļ•āļĢāļ‡āļ™āļĩāđ‰āđāļŦāļĨāļ°! āļœāļđāđ‰āđƒāļŦāļāđˆāļŦāļĨāļąāļšāļ•āļē āļ‚āļ­āļšāļ„āļļāļ“āļ—āļĩāđˆāļŠāđˆāļ§āļĒāļāļģāļˆāļąāļ”āđ€āļŠāļ™āļĩāļĒāļ”āđāļœāđˆāļ™āļ”āļīāļ™ āļ”āđ‰āļēāļ™āļ­āļĩāđ‚āļˆāđŠāļāļ„āļ™āļ­āļĢāđŒāđ€āļĨāļ°āđ€āļ›āđ‡āļ™āđ‚āļˆāđŠāļāļŠāļĄāļŠāļ·āđˆāļ­ āļŦāļĨāļąāļ‡āļ›āļ›āļŠ.āļžāļĨāļīāļāļĨāļīāđ‰āļ™ āđ€āļ›āļĨāļĩāđˆāļĒāļ™āļŠāļĩ āđ€āļžāļĢāļēāļ°āļ­āļĩāļŦāļąāļ§āļŦāļ™āđ‰āļēāđ€āļ”āļīāļĄāļ—āļĩāđˆāļ„āļļāđ‰āļĄāļāļ°āļĨāļēāļŦāļąāļ§āļ­āļĩāđ‚āļˆāđŠāļāđ„āļ›āđ€āļĢāļĩāļĒāļšāļĢāđ‰āļ­āļĒāđāļĨāđ‰āļ§ āļˆāļēāļāļ™āļĩāđ‰āļ„āļ·āļ­āđ„āļĨāđˆāđ€āļŠāđ‡āļ„āļšāļīāļĨāļ‚āļ­āļ‡āđ€āļāđˆāļē āđ€āļāđ‡āļšāļĨāļīāđˆāļ§āļĨāđ‰āļ­āļ­āļĩāđ‚āļˆāđŠāļāđ€āļāļĨāļĩāđ‰āļĒāļ‡ āđƒāļ„āļĢāđ€āļ„āļĒāļĄāļĩāđ€āļ­āļĩāđˆāļĒāļ§āļ”āļīāđ‰āļ™āļŦāļ™āļĩāļ•āļēāļĒāļāļąāļ™āļŦāļĄāļ” āļĄāļąāļ™āđ‚āļĒāļ‡āđāļ—āļšāļˆāļ°āļ—āļļāļāļ„āļ”āļĩāđƒāļ™āļ­āļ”āļĩāļ•āļˆāļ™āļ–āļķāļ‡āļ›āļąāļˆāļˆāļļāļšāļąāļ™ āđ€āļĢāļ·āđˆāļ­āļ‡āđ€āļŦāļĩāđ‰āļĒāđ† āļ”āļąāļ‡āđ† āđƒāļŦāļāđˆāđ† āļ­āļĩāđ‚āļˆāđŠāļāļĄāļĩāđ€āļ­āļĩāđˆāļĒāļ§āļŦāļĄāļ” āđāļĨāđ‰āļ§āđƒāļ„āļĢāļĢāļąāļšāđƒāļŠāđ‰ āđāļĨāđ‰āļ§āđƒāļ„āļĢāđ„āļ”āđ‰āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒ āļĄāļĢāļķāļ‡āļˆāļ°āđ„āļ”āđ‰āđ€āļŦāđ‡āļ™āđƒāļ™āđ„āļĄāđˆāļŠāđ‰āļē āļ”āđ‰āļēāļ™āļ›āļ›āļ‡. āļĒāļīāđ‰āļĄāļ—āļąāļ™āļ—āļĩ āđ€āļ‡āļīāļ™āļŦāļĨāļēāļĒāļŦāļĄāļ·āđˆāļ™āļĨāđ‰āļēāļ™ āļˆāļ°āđ€āļ‚āđ‰āļēāļŠāļđāđˆāļ„āļĨāļąāļ‡āļŦāļĨāļ§āļ‡āļ‹āļąāļāļāļ°āļ—āļĩ āļœāļđāđ‰āđƒāļŦāļāđˆāļŠāļąāđˆāļ‡āđƒāļŦāđ‰āđ€āļāđ‡āļšāļ—āļļāļāļ”āļ­āļ āļ­āļĒāđˆāļēāđƒāļŦāđ‰āđ€āļŦāļĨāļ·āļ­āļĢāļ­āļ”āđ„āļ›āđ„āļ”āđ‰ āļāļĨāļąāļšāļĄāļēāļŠāļđāđˆāđ‚āļĨāļāļ•āļ­āđāļŦāļĨāļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡ : āđ€āļŦāļĩāđ‰āļĒāļĄāļ°āļāļąāļ™āļŠāđ‡āļ­āļ„ 8 āđ€āļ”āļ·āļ­āļ™āļāļ§āđˆāļē āđ€āļĒāđ€āļĄāļ™ āđ„āļĄāđˆāļĄāļĩāļŦāļĒāļļāļ” āđ„āļĄāđˆāļœāđˆāļ­āļ™ āļ­āļēāļ§āļļāļ˜ āļ„āļĨāļąāļ‡āđāļŠāļ‡āļĄāļŦāļķāļĄāļē āļĄāļĢāļķāļ‡āđ„āļ›āđ€āļ­āļēāļĄāļēāļˆāļēāļāđ„āļŦāļ™ āļ–āļĨāđˆāļĄāđ€āļŦāļĩāđ‰āļĒāļ§āļąāļ™āļ™āļķāļ‡āđƒāļŠāđ‰āđ€āļ›āđ‡āļ™ 100 āļĨāļđāļ āđ€āļŦāļĩāđ‰āļĒāļĒāļąāļ‡āļ—āļģāđ„āļĄāđˆāđ„āļ”āđ‰ āļŦāļ™āđ‰āļēāļ‰āļēāļāļ„āļ·āļ­āđ€āļĒāđ€āļĄāļ™ āļŦāļĨāļąāļ‡āļ‰āļēāļāļ„āļ·āļ­āļ‚āļąāđ‰āļ§āđƒāļŦāļĄāđˆ āļĄāļĢāļķāļ‡āļˆāļ°āļŠāļđāđ‰āļĒāļąāļ‡āđ„āļ‡ āļ”āļĩāļ­āļ­āļ? āļ­āļēāļ§āļļāļ˜āļĄāļĩāđ„āļĄāđˆāļ­āļąāđ‰āļ™ āļāļĢāļ°āļŠāļļāļ™āļĄāļĩāđ€āļ›āđ‡āļ™āļĨāđ‰āļēāļ™ āļāļ­āļ‡āļŦāļ™āļļāļ™āļĄāļĩāđ€āļ›āđ‡āļ™ 10 āļĨāđ‰āļēāļ™ āļĒāļąāļ‡āđ€āļŠāļĩāđ‰āļĒāļ™āļˆāļ°āļ•āļēāļĒāļŦāđˆāļēāļ­āļĒāļđāđˆāļ­āļĩāļāļĄāļąāđ‰āļĒ? āļ­āļ°āđ„āļĢāļ—āļĩāđˆāļžāļ§āļāļĄāļĢāļķāļ‡āđ‚āļˆāļĄāļ•āļĩāļĄāļē āļšāļ­āļāļ•āļĢāļ‡ "āļ‚āļĩāđ‰āļŦāļĄāļē" āđāļ„āđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāđƒāļŦāđ‰āđ€āļ›āđ‡āļ™āļ‚āđˆāļēāļ§ āļ§āđˆāļēāļĒāļąāļ‡āđ€āļŦāļĨāļ·āļ­āđ€āļ‚āļĩāđ‰āļĒāļ§āđ€āļĨāđ‡āļšāļ­āļĒāļđāđˆ āđ€āļ„āđ‰āļēāļ–āļĨāđˆāļĄāļĄāļĢāļķāļ‡ 10 āļ„āļĢāļąāđ‰āļ‡ āļĄāļĢāļķāļ‡āđ‚āļ•āđ‰āļāļĨāļąāļš 2 āļ„āļĢāļąāđ‰āļ‡ āđƒāļ„āļĢāļˆāļ°āļ•āļēāļĒāļŦāđˆāļēāļāđˆāļ­āļ™āļāļąāļ™āļĨāđˆāļ°? āļĒāļąāļ‡āļŠāđ‡āļ­āļ„āļ•āđˆāļ­ āļ–āļĨāđˆāļĄāđ€āļĢāļ·āļ­āļšāļĢāļĢāļ—āļļāļāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļšāļīāļ™ āđ€āļĢāļ·āļ­āļĢāļšāđ€āļŦāļĩāđ‰āļĒ 8 āļŠāļĄ.āļ•āļīāļ” NON STOP āļŦāđˆāļēāļāļĢāļ°āļŠāļļāļ™āļĨāļ‡ āđ‚āļ”āļĢāļ™āļ–āļĨāđˆāļĄ āļ‚āļĩāļ›āļ™āļēāļ§āļļāļ˜āļĢāđˆāļ­āļ™āđ€āļ›āđ‡āļ™āļāļđāļ‡ āļĄāļĢāļķāļ‡āļˆāļ°āđ€āļ—āļžāđ„āļ›āđ„āļŦāļ™? āļĒāļīāđˆāļ‡āļ‚āļ™āļĄāļēāđ€āļ—āđˆāļēāđ„āļŦāļĢāđˆ āļāđ‡āļˆāļšāđ€āļĢāđ‡āļ§āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™ āļ­āļĩāļĒāļīāļ§āļāļ§āļąāļāļĄāļ·āļ­āđ€āļĢāļĩāļĒāļāđ€āļĒāļ­āļ°āđ† āļāļđāļŦāļīāļ§āļĻāļžāđ€āļŦāļĩāđ‰āļĒ! āļ›āļĨ.āļŠāļąāļ‡āļ„āļĄāļ­āļąāļ‡āļāļĪāļĐāđāļ•āļāđāļĒāļāđāļĨāđ‰āļ§ āļœāļđāđ‰āļ„āļ™āļŦāļĄāļ”āļŦāļ§āļąāļ‡ āļ āļēāļĐāļĩāđāļžāļ‡ āļŠāļ§āļąāļŠāļ”āļīāļāļēāļĢāļŦāļ”āļŦāļēāļĒ āļŦāļēāđāļ”āļĢāđŠāļāđ„āļ›āļ§āļąāļ™āļ§āļąāļ™ āļŠāļ āļēāļžāđ€āļ”āļĩāļĒāļ§āļāļąāļšāļ­āđ€āļĄāļĢāļīāļāļē āđāļĨāļ°āļŠāļēāļ•āļīāļĒāļļāđ‚āļĢāļ›āļ­āļ·āđˆāļ™ āļ™āļĩāđˆāļ„āļ·āļ­āļŠāļąāļ‡āļ„āļĄāļ—āļļāļ™āļ™āļīāļĒāļĄāđ€āļŦāļĩāđ‰āļĒāļŠāļēāļĄāļēāļ™āļĒāđŒ āļ—āļĩāđˆāđ€āļ™āđ‰āļ™āđ€āļ­āļēāđāļ•āđˆāļœāļĨāļāļģāđ„āļĢ āđ‚āļ”āļĒāđ„āļĄāđˆāļŠāļ™āļāļēāļĢāļ­āļĒāļđāđˆāļāļīāļ™āļ‚āļ­āļ‡āļŠāļēāļ§āļšāđ‰āļēāļ™ āļŠāļīāļ™āļ„āđ‰āļēāļĄāļĩāđāļ•āđˆāļ‚āļķāđ‰āļ™āļĢāļēāļ„āļē āđ€āļ‡āļīāļ™āđ€āļŸāđ‰āļ­ āļ™āđ‰āļģ āđ„āļŸ āđāļžāļ‡ āļŠāļļāļ”āļ—āđ‰āļēāļĒāļšāļĩāļšāđƒāļŦāđ‰āļ­āļĒāļđāđˆāđ„āļĄāđˆāđ„āļ”āđ‰ āļ„āļ™āđāļŦāđˆāļ­āļ­āļāļ™āļ­āļāļāļąāļ™āļŦāļĄāļ” āļŦāļąāļ™āļĄāļēāđ€āļ­āđ€āļ‹āļĩāļĒāļ•āļąāđ‰āļ‡āļĢāļāļĢāļēāļ™ āļ­āļ°āđ„āļĢāļ—āļģāđƒāļŦāđ‰āļžāļ§āļāļĄāļĢāļķāļ‡āļ•āđ‰āļ­āļ‡āđ€āļˆāļ­āļŠāļ āļēāļžāļ™āļĩāđ‰ āļ„āļģāļ•āļ­āļšāđ€āļ”āļĩāļĒāļ§ "āļ›āļŠāļ•.āļ•āļ­āđāļŦāļĨāđ„āļ‡āļĨāđˆāļ°" āļ—āļĩāđˆāļĄāļĢāļķāļ‡āđ„āļ”āđ‰āđāļ•āđˆāļ‚āļĩāđ‰āļ‚āđ‰āļēāļĒāļīāļ§ āļ™āļąāļāļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āļ—āļēāļŠāļ—āļļāļ™āļŠāļēāļĄāļēāļ™āļĒāđŒ āļ­āļ­āļāļāļŽāļŦāļĄāļēāļĒāđ€āļ­āļēāđ€āļ›āļĢāļĩāļĒāļšāļŠāļēāļ§āļšāđ‰āļēāļ™ āļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āļĄāļĩāđ„āļ›āļ—āļģāđ„āļĄ āļ—āļąāđ‰āļ‡āđ† āļ—āļĩāđˆāļĄāļĢāļķāļ‡āđ€āļĨāļ·āļ­āļāļ•āļĢāļ‡āđ„āļ”āđ‰ āļŦāļĢāļ·āļ­āđ‚āļŦāļ§āļ•āđ€āļĨāļ·āļ­āļāļœāļđāđ‰āļ™āļģāļĄāļĢāļķāļ‡āđ„āļ”āđ‰āđ€āļ­āļ‡ āđ‚āļ”āļĒāđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āļœāđˆāļēāļ™āļ‚āļšāļ§āļ™āļāļēāļĢāļ—āļēāļ‡āļāļēāļĢāđ€āļĄāļ·āļ­āļ‡ āļžāļĢāļĢāļ„āļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āļĢāļąāļšāđƒāļŠāđ‰āđƒāļ„āļĢ āļ™āļąāļāļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āļĢāļąāļšāđƒāļŠāđ‰āđƒāļ„āļĢ āļ§āļīāļ˜āļĩāđāļāđ‰āļ‡āđˆāļēāļĒāļ™āļīāļ”āđ€āļ”āļĩāļĒāļ§ āđāļ„āđˆāļĄāļĢāļķāļ‡āļ•āđ‰āļ­āļ‡āļŦāļēāļ„āļ™āļ—āļĩāđˆāļ—āļģāđ€āļžāļ·āđˆāļ­āļŠāđˆāļ§āļ™āļĢāļ§āļĄ āđ„āļĄāđˆāđ€āļ›āđ‡āļ™āļ‚āļĩāđ‰āļ‚āđ‰āļēāļĒāļīāļ§ āđāļĨāļ°āļ‚āļšāļ§āļ™āļāļēāļĢāđ€āļāļēāļ°āđāļ”āļĢāđŠāļāđāļœāđˆāļ™āļ”āļīāļ™ āļ‹āļķāđˆāļ‡āļĄāļąāļ™āļŦāļēāđ„āļĄāđˆāđ„āļ”āđ‰āļ”āļ­āļ āđ€āļžāļĢāļēāļ°āļ­āļĩāļĒāļīāļ§āļĄāļąāļ™āļ„āļļāļĄāļ—āļļāļāļ­āļĒāđˆāļēāļ‡āđ„āļ§āđ‰āļŦāļĄāļ”āđāļĨāđ‰āļ§ āļˆāļ°āļĢāļ­āļ”āļ•āđ‰āļ­āļ‡āļāļģāļˆāļąāļ”āļ­āļīāļ—āļ˜āļīāļžāļĨāļĒāļīāļ§ āđāļŦāļĨāđˆāļ‡āđ€āļ‡āļīāļ™āļĒāļīāļ§ āđāļĨāļ°āļ‚āļĩāđ‰āļ‚āđ‰āļēāļĒāļīāļ§āļ•āļēāļĄāļŦāļ™āđˆāļ§āļĒāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” āļŦāļąāļ§āđ„āļĄāđˆāļ”āļĩ āļˆāļ°āļŦāļ§āļąāļ‡āļ­āļ™āļēāļ„āļ•āļˆāļēāļāđ„āļŦāļ™? āļĒāļļāđ‚āļĢāļ›āđ‚āļ‡āđˆāļĄāļēāđ€āļ›āđ‰āļ™āļĻāļ•āļ§āļĢāļĢāļĐ āļĄāļĢāļķāļ‡āļŦāļ§āļąāļ‡āļˆāļ°āđƒāļŦāđ‰āļĄāļąāļ™āļ‰āļĨāļēāļ”āļ—āļąāļ™āļ—āļĩāļ„āļ‡āļĒāļēāļ āđ€āļžāļĢāļēāļ° EGO āļĄāļąāļ™āđāļĢāļ‡ āļ‚āļ™āļēāļ”āļ–āļķāļ‡āļ•āļēāļĒāļĒāļąāļ‡āļĒāļ­āļĄ? āļĨāđˆāļēāļŠāļļāļ” āļ­āļĩāļĨāļ­āļ™ āļĄāļąāļŠāļāđŒ āđāļ­āļšāļ„āļļāļĒāļ­āļīāļŦāļĢāđˆāļēāļ™ āļĄāļĢāļķāļ‡āļ„āļīāļ”āļ§āđˆāļē āđƒāļ„āļĢāļŠāđˆāļ‡āļĄāļēāđƒāļŦāđ‰āļ„āļļāļĒāļāļąāļ™āļĨāđˆāļ°? āđ‚āļ„āļĢāļ‡āļāļēāļĢāļŠāđ€āļ›āļ‹ X āļ‚āļ­āļ‡āļĄāļąāļ™ āļˆāļ°āđ„āļ›āđ„āļŦāļ™āđ„āļĄāđˆāđ„āļ”āđ‰āđ„āļāļĨ āļŦāļēāļāđ„āļĄāđˆāļĢāđˆāļ§āļĄāļāļąāļšāļ‚āļąāđ‰āļ§āđƒāļŦāļĄāđˆ āļ­āļīāļŦāļĢāđˆāļēāļ™āļ–āļđāļāļˆāļąāļšāļ•āļēāļ§āđˆāļēāļ„āļļāļĒāļ‡āđˆāļēāļĒāļ—āļĩāđˆāļŠāļļāļ” āđ€āļžāļĢāļēāļ°āļžāļĨāļąāļ‡āļ‡āļēāļ™ āđāļĨāļ°āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļ­āļ§āļāļēāļĻ āļŠāļēāļĄāļēāļĢāļ–āđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āļāļąāļ™āđ„āļ”āđ‰ āļžāļđāļ”āļ‡āđˆāļēāļĒāđ† āļ„āļ·āļ­ āļĄāļĢāļķāļ‡āļĄāļēāđ€āļžāļ·āđˆāļ­āđ€āļŠāļ·āđˆāļ­āļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāļ‚āļąāđ‰āļ§āđƒāļŦāļĄāđˆ āļ™āļąāļĒāļĒāļ°āļ„āļ·āļ­ āļ‚āļ­āļ„āļ§āļēāļĄāļ›āļĢāļēāļ“āļĩāļ­āļĩāļĒāļīāļ§āļŠāļīāļ™āđˆāļ° āļ­āļĒāļđāđˆāļ—āļĩāđˆāļ­āļīāļŦāļĢāđˆāļēāļ™āļ§āđˆāļē "āļˆāļģāđ€āļ›āđ‡āļ™āļ•āđ‰āļ­āļ‡āļ„āļšāļĄāļĢāļķāļ‡āļĄāļąāđ‰āļĒ?" āđ‚āļ„āļĢāļ‡āļāļēāļĢāļ­āļĩāļĨāļ­āļ™ āļĄāļąāļŠāļāđŒ āļĄāļąāļ™āđ„āļ”āđ‰āđāļ„āđˆāļ™āļąāđ‰āļ™āđāļŦāļĨāļ° āļˆāļ°āđ„āļ›āđ„āļāļĨāļāļ§āđˆāļēāļ™āļĩāđ‰ āļˆāļģāđ€āļ›āđ‡āļ™āļ•āđ‰āļ­āļ‡āļžāļķāđˆāļ‡āļžāļēāđ€āļ„āļĢāļ·āļ­āļ‚āđˆāļēāļĒāļĢāļ°āļ”āļąāļšāđ‚āļĨāļ āļ­āļĒāđˆāļēāļ‡āļˆāļĩāļ™ āļĢāļąāļŠāđ€āļ‹āļĩāļĒ āļ–āļķāļ‡āđ„āļ”āđ‰āļžāļĒāļēāļĒāļēāļĄāļœāđˆāļēāļ™āļĄāļēāļ—āļēāļ‡āļ­āļīāļŦāļĢāđˆāļēāļ™ āļ„āļ§āļēāļĒāļĒāļąāļ‡āļĢāļđāđ‰? āđ€āļžāļ·āđˆāļ­āļĨāļ”āļāļĢāļ°āđāļŠāļ•āđˆāļ­āļ•āđ‰āļēāļ™āļĒāļīāļ§ āđāļĨāļ°āđ„āļ”āđ‰āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­ āđ€āļžāļĢāļēāļ°āļ”āļēāļ§āđ€āļ—āļĩāļĒāļĄāļ­āļīāļŦāļĢāđˆāļēāļ™āđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āļ—āļąāđ‰āļ‡āļĢāļąāļŠāđ€āļ‹āļĩāļĒ āļˆāļĩāļ™ āđ‚āļŠāļĄāđāļ”āļ‡ āļ”āļ­āļāļ™āļĩāđ‰ āļˆāļąāļšāļ•āļēāļ”āļđāļ§āđˆāļē āļĄāļąāļ™āļˆāļ°āļ—āļģāļŠāļģāđ€āļĢāđ‡āļˆāļŦāļĢāļ·āļ­āđ„āļĄāđˆ? āļ­āļīāļŦāļĢāđˆāļēāļ™āđ„āļĄāđˆāđ‚āļ‡āđˆ āļ­āļ°āđ„āļĢāļĨāđˆāļ°? āļ—āļĩāđˆāļ­āļīāļŦāļĢāđˆāļēāļ™āļ•āđ‰āļ­āļ‡āļāļēāļĢāļĄāļēāđ‚āļ”āļĒāļ•āļĨāļ­āļ”? āļ­āļĩāļ—āļĢāļąāļĄāļ›āļ›āđŒ āđ€āļ­āļē āļ­āļĩāļĨāļ­āļ™ āļĄāļąāļŠāļāđŒ āđ€āļ‚āđ‰āļēāļžāļ§āļ āļĒāđˆāļ­āļĄāļ•āđ‰āļ­āļ‡āļĢāļđāđ‰āļ”āļĩāļ§āđˆāļē āđ€āļžāļ·āđˆāļ­āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļ­āļ°āđ„āļĢ? āđ€āļāļĄāļŠāđŒāđ‚āļĨāļāđ€āļ•āļĢāļĩāļĒāļĄāļžāļĨāļīāļ āļāļđāđ€āļ„āļĒāļšāļ­āļāđāļĨāđ‰āļ§āđ„āļ‡āļĨāđˆāļ°āļ§āđˆāļē āļ­āļ°āđ„āļĢāļ—āļĩāđˆāļĄāļĢāļķāļ‡āđ„āļĄāđˆāđ€āļŠāļ·āđˆāļ­ āđ„āļĄāđˆāļ„āļēāļ”āļ„āļīāļ” āļ­āļēāļˆāļˆāļ°āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđ„āļ”āđ‰āļŦāļĄāļ” āļˆāļēāļāđ€āļŦāļĩāđ‰āļĒāļāļĨāļēāļĒāļĢāđˆāļēāļ‡āđ€āļ›āđ‡āļ™āļ„āļ™āļ”āļĩ āļ‚āļķāđ‰āļ™āļĄāļē āļ—āļļāļāļ­āļĒāđˆāļēāļ‡āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđ„āļ”āđ‰āđ€āļžāļĢāļēāļ°āđāļŠāļ‡āļ—āļģāļ‡āļēāļ™ āđ€āļŦāļĩāđ‰āļĒāļĒāļąāļ‡āđ„āļ‡ āļāđ‡āļ•āđ‰āļ­āļ‡āļĢāļđāđ‰āđ€āļ­āļēāļ•āļąāļ§āļĢāļ­āļ”? āļĒāļąāļ‡āļˆāļ°āļĄāļĩāļ­āļ°āđ„āļĢāđƒāļŦāđ‰āļĄāļĢāļķāļ‡āļŠāđ‡āļ­āļ„āđāļ”āļĢāđŠāļāļ­āļĩāļāđ€āļĢāļ·āđˆāļ­āļĒāđ† āļ‚āđˆāļēāļ§āļ”āļĩāļˆāļ°āļĄāļēāđ€āļĢāļ·āđˆāļ­āļĒāđ† āļˆāļ™āļĄāļĢāļķāļ‡āđāļ›āļĨāļāđƒāļˆ!āļŦāļĄāļĩ CNN(āļŠāļ‡āļ„āļĢāļēāļĄāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļ™āđˆāļēāđ€āļšāļ·āđˆāļ­ āļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļ™āđˆāļēāļŠāļąāļ‡ āļœāļđāđ‰āļ„āļ™āļ—āļąāđ‰āļ‡āđ‚āļĨāļāļˆāļ°āļˆāļąāļšāļĄāļ·āļ­āļāļąāļ™ āđ„āļĄāđˆāđ€āļ­āļēāđ€āļŦāļĩāđ‰āļĒ āđ„āļĄāđˆāđ€āļ­āļēāļŠāļ‡āļ„āļĢāļēāļĄ āđ„āļĄāđˆāđ€āļ­āļēāļĄāļēāđ€āļŸāļĩāļĒ āļĻāļēāļĨāđ€āļ•āļĩāđ‰āļĒ āļ‚āļąāđ‰āļ§āđƒāļŦāļĄāđˆāļˆāļ°āđ€āļāļīāļ”āđ€āļ•āđ‡āļĄāļ­āļąāļ•āļĢāļēāļĻāļķāļ āļœāļđāđ‰āļ„āļ™āđ€āļšāļ·āđˆāļ­āļŦāļ™āđˆāļēāļĒ āļœāļđāđ‰āļ„āļ™āļŦāļīāļ§āđ‚āļŦāļĒ āļœāļđāđ‰āļ„āļ™āļĄāļĩāļ„āļ§āļēāļĄāļŦāļ§āļąāļ‡ āđ‚āļĨāļāđ€āļ”āļīāļ™āļ•āļēāļĄāļĢāļąāļŠāđ€āļ‹āļĩāļĒ āļˆāļĩāļ™ āļ­āļīāļŦāļĢāđˆāļēāļ™ āđ‚āļŠāļĄāđāļ”āļ‡ āđ€āļžāļ·āđˆāļ­āļŦāļ§āļąāļ‡āļ­āļ™āļēāļ„āļ•āđƒāļŦāļĄāđˆāļ—āļĩāđˆāļŠāļ”āđƒāļŠāļāļ§āđˆāļē āđ‚āļĨāļāļˆāļ°āļĢāļ§āļĄāļ•āļąāļ§āđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđ€āļ”āļĩāļĒāļ§ āļāļŽāļŦāļĄāļēāļˆāļ°āđƒāļŠāđ‰āđ„āļĄāđˆāđ„āļ”āđ‰āļ­āļĩāļāļ•āđˆāļ­āđ„āļ› BRICS āđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĨāļāđāļĨāđ‰āļ§)16 āļžāļĪāļĻāļˆāļīāļāļēāļĒāļ™ 6715.58 āļ™.------------------------------------------------------------------------—āđ€āļ‚āđ‰āļēāļ–āđ‰āļģ RONIN āļ„āļĨāļīāļāļ—āļĩāđˆ LINK āļ•āļēāļĄāļ™āļĩāđ‰ : https://line.me/R/ti/p/@mheecnnāļŦāļĢāļ·āļ­āđ€āļ‚āđ‰āļē LINE OFFICIAL ACCOUNThttps://voom-studio.line.biz/account/@hfs0310u/voom āļŦāļĢāļ·āļ­āđ€āļŠāļīāļĢāđŒāļŦāļŦāļēāđƒāļ™ LINE āđ„āļ”āđ‰āļ—āļĩāđˆ @hfs0310u**āđ€āļžāļˆāļŦāļĨāļąāļāļ‚āļ­āļ‡āļŦāļĄāļĩ CNN āļ„āļ·āļ­**https://www.minds.com/mheecnn2/āđ€āļžāļˆ VK āļ‚āļ­āļ‡āļĢāļąāļŠāđ€āļ‹āļĩāļĒ āļžāļīāļĄāļ„āļģāļ§āđˆāļē Frank Mheecnnwww.vk.com/id448335733**āđ€āļžāļˆāļŦāļĄāļĩ CNN āđƒāļ™ Twitter āļ•āļąāļ§āđƒāļŦāļĄāđˆāļĨāđˆāļēāļŠāļļāļ”!**https://twitter.com/CnnMhee**āđ€āļžāļˆāļŦāļĄāļĩ CNN āđƒāļ™ FB āļŦāđ‰āļ­āļ‡āļ›āļīāļ” āļ•āļąāļ§āđƒāļŦāļĄāđˆāļĨāđˆāļēāļŠāļļāļ”!**https://www.facebook.com/chatchai.sathitsit.77
    16-11-67/01 : āļŦāļĄāļĩ CNN / THE RIVER OF NO RETURN & TIME NEVER WALK BACKWARD āļĒāļķāļ”āđāļĨāđ‰āļ§āđƒāļ„āļĢāļˆāļ°āđ‚āļ‡āđˆāļ„āļ·āļ™ āļĄāļĩāđāļ•āđˆāļĒāļķāļ”āļ•āđˆāļ­? āļŠāļēāļĢāļ•āļĢāļ‡āļˆāļēāļāđ€āļ„āļĢāļĄāļĨāļīāļ™ āļ­āļĒāļēāļāđ€āļˆāļĢāļˆāļēāļĒāļļāļ•āļīāļŠāļ‡āļ„āļĢāļēāļĄ āļ—āļģāđ„āļ”āđ‰āđāļ„āđˆ "āļĒāļ­āļĄāļ›āļĨāđˆāļ­āļĒāļ§āļēāļ‡ āđāļĨāđ‰āļ§āļ—āļģāļ•āļēāļĄāđ€āļ‡āļ·āđˆāļ­āļ™āđ„āļ‚āļœāļđāđ‰āļŠāļ™āļ°āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™" āđ„āļĄāđˆāļĄāļĩāļāļēāļĢāļ•āđˆāļ­āļĢāļ­āļ‡ āđ€āļžāļĢāļēāļ°āļŦāļēāđ„āļĄāđˆ āļāļđāļˆāļ°āļĒāļķāļ”āđāļĄāđˆāļ‡āđƒāļŦāđ‰āļŦāļĄāļ”āđ€āļāļĨāļĩāđ‰āļĒāļ‡! āļŠāļąāļ”āđ€āļˆāļ™ āļ•āļĢāļ‡āđ„āļ›āļ•āļĢāļ‡āļĄāļēāļĒāļīāđˆāļ‡āļāļ§āđˆāļē 9G āđāļĨāđ‰āļ§āļĄāļĢāļķāļ‡āļˆāļ°āļ„āļļāļĒāđ€āļžāļ·āđˆāļ­? āļĄāļąāļ™āļ„āļ·āļ­āđāļœāļ™āļ‹āđ‰āļ­āļ™āđāļœāļ™ āļšāļĩāļšāđƒāļŦāđ‰āđ€āļŦāļĩāđ‰āļĒāļĒāļ­āļĄāđāļšāļšāđ„āļĢāđ‰āđ€āļ‡āļ·āđˆāļ­āļ™āđ„āļ‚ āļāļąāļšāļŠāļđāđ‰āļ­āļĒāđˆāļēāļ‡āđ€āļ—āļŦāļĄāļ”āļŦāļ™āđ‰āļēāļ•āļąāļ āđāļĨāđ‰āļ§āļĒāļāļ—āļļāļāļŠāļĢāļĢāļžāļŠāļīāđˆāļ‡āđƒāļŦāđ‰āđ€āļ„āļĢāļĄāļĨāļīāļ™ āđ€āļŠāļ·āđˆāļ­āļ§āđˆāļēāļ›āļđāļ•āļīāļ™ āļŠāļ­āļšāļ­āļĒāđˆāļēāļ‡āļŦāļĨāļąāļ‡āļĄāļēāļāļāļ§āđˆāļē āļŠāļąāđˆāļ‡āļŠāļ­āļ™āđ„āļ­āđ‰āļ­āļĩāļ—āļĢāļĒāļĻāđ€āļœāđˆāļēāļžāļąāļ™āļ˜āļļāđŒ āļŠāļąāđˆāļ‡āļŠāļ­āļ™āđ„āļ­āđ‰āļ­āļĩāđ€āļ™āļĢāļ„āļļāļ“āļžāļĨāļąāļ‡āļ‡āļēāļ™āļ—āļĩāđˆāļžāļ§āļāļĄāļĢāļķāļ‡āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āļĄāļēāđ„āļ”āđ‰? āļ­āļĩāđ€āļšāļĩāļĒāļĢāđŒāļ­āļĒāđˆāļēāļ‡āļŦāļĄāļē āļ­āļĩāđ€āļĻāļĐāļāļĢāļąāđˆāļ‡āļ­āļĒāđˆāļēāļ‡āļ„āļ§āļēāļĒ āļĢāļąāļŠāđ€āļ‹āļĩāļĒāļ„āļļāļĄāđ€āļāļĄāļŠāđŒāļ™āļĩāđ‰ āļŦāļĄāļēāļāļāļĢāļ°āļ”āļēāļ™āļ™āļĩāđ‰āļĢāļąāļŠāđ€āļ‹āļĩāļĒāļŠāļ™āļ°āļ—āđˆāļ§āļĄāļ—āđ‰āļ™āđ„āļ›āļ™āļēāļ™āđāļĨāđ‰āļ§ NATO āđ€āļŦāļĢāļ­ āļˆāļ™āļ›āđˆāļēāļ™āļ™āļĩāđ‰ āļĒāļąāļ‡āđ„āļĄāđˆāļĄāļĩāđƒāļ„āļĢāļŠāđˆāļ‡āļ—āļŦāļēāļĢāđ€āļ•āļīāļĄ āđ€āļ—āđ€āļ‡āļīāļ™āđƒāļŦāđ‰ āđ€āļŦāļĄāļ·āļ­āļ™āļ—āļĩāđˆāļ„āļļāļĒāļāļąāļ™āđ„āļ§āđ‰ āđ€āļžāļĢāļēāļ°āļ—āļļāļāļŠāļēāļ•āļīāļŠāļĄāļēāļŠāļīāļāļ™āļēāđ‚āļ•āđ‰ āļ•āđˆāļēāļ‡āļ›āļĢāļ°āđ€āļĄāļīāļ™āđāļĨāđ‰āļ§āļ§āđˆāļē "āļ•āļģāļ™āđ‰āļģāļžāļĢāļīāļāļĨāļ°āļĨāļēāļĒāđāļĄāđˆāļ™āđ‰āļģ" āđ€āļāđ‡āļšāđ€āđ€āļ‡āļīāļ™āđ„āļ›āļžāļąāļ’āļ™āļēāļ›āļĢāļ°āđ€āļ—āļĻ āđ€āļĨāļĩāđ‰āļĒāļ‡āļ›āļēāļāļ—āđ‰āļ­āļ‡āļ›āļĢāļ°āļŠāļēāļāļĢāļ„āļ§āļēāļĒāļ„āļļāđ‰āļĄāļāļ§āđˆāļēāđ€āļĒāļ­āļ°! āļĨāđˆāļēāļŠāļļāļ” āļ­āļĩāļĒāļīāļ§ āļˆāļ™āļ•āļĢāļ­āļ āļ—āļīāđ‰āļ‡āļĢāļ°āđ€āļšāļīāļ”āđƒāļŠāđˆāļŠāļ™āļēāļĄāļšāļīāļ™āđ€āļšāļĢāļļāļ• āļ—āļģāđ„āļ”āđ‰āđāļ•āđˆāļŠāļēāļ§āļšāđ‰āļēāļ™ āđ€āļāđˆāļ‡āļāļąāļšāļžāļ·āđ‰āļ™āļ—āļĩāđˆāļŠāļĩāđ€āļ‚āļĩāļĒāļ§ āđāļ™āđˆāļˆāļĢāļīāļ‡āļšāļļāļāđ€āļ‚āđ‰āļēāļĄāļēāļŠāļīāļŸāđˆāļ°? āļ”āļ­āļāļ™āļĩāđ‰ āđ€āļĨāļšāļēāļ™āļ­āļ™āđ€āļ‰āļĒāđ† āđ€āļžāļĢāļēāļ°āļĒāļēāļĄāļĻāļķāļāļŠāļ‡āļ„āļĢāļēāļĄ āļĄāļąāļ™āļ•āđ‰āļ­āļ‡āļĄāļĩāđāļĨāļ āđāļĨāđ‰āļ§āļ­āļ°āđ„āļĢāļĨāđˆāļ° āļ—āļĩāđˆāđāļĨāļāļ„āļļāđ‰āļĄāļāļ§āđˆāļē āļ™āļąāđˆāļ™āļ„āļ·āļ­āļāļēāļ™āļ—āļąāļžāđ€āļŦāļĩāđ‰āļĒāļĒāļīāļ§āļ—āļąāđ‰āļ‡āļŦāļĄāļ”āļ—āļĩāđˆāļĄāļĩāđƒāļ™āļ•āļ°āļ§āļąāļ™āļ­āļ­āļāļāļĨāļēāļ‡ āļŦāļĨāļēāļĒāļ„āļ™āļŠāļ‡āļŠāļąāļĒ āļ—āļģāđ„āļĄ āđ€āļĨāļšāļēāļ™āļ­āļ™āļ–āļķāļ‡āļĒāļ­āļĄāļ›āļĨāđˆāļ­āļĒāđƒāļŦāđ‰āđ€āļŦāļĩāđ‰āļĒāļĒāļīāļ§āļĄāļąāļ™āļāļĢāđˆāļēāļ‡ āđ€āļžāļĢāļēāļ°āļŠāļīāđˆāļ‡āļ—āļĩāđˆāļĄāļąāļ™āļ—āļģ āļœāļīāļ”āļāļŽāļŦāļĄāļēāļĒāļŠāļēāļāļĨ āļ—āļĩāđˆāđ‚āļˆāļĄāļ•āļĩ āļ‚āļ“āļ°āļĄāļĩāđ€āļ„āļĢāļ·āđˆāļ­āļšāļīāļ™āđ‚āļ”āļ™āļŠāļēāļĢ āļŠāļĩāļ§āļīāļ•āļœāļđāđ‰āļšāļĢāļīāļŠāļļāļ—āļ˜āļīāđŒāļ­āļĒāļđāđˆ āļ—āļģāđ„āļĄāļĄāļąāļ™āļˆāļ°āđ„āļĄāđˆāļĢāļđāđ‰āļ§āđˆāļē "āļœāļīāļ”āđāļĨāļ°āđ€āļŦāļĩāđ‰āļĒāđ€āļ•āđ‡āļĄāļ•āļĢāļĩāļ™" āļĄāļąāļ™āļ•āđ‰āļ­āļ‡āļāļēāļĢāđāļ„āđˆ WWIII āđāļ•āđˆāļŠāļīāđˆāļ‡āļ—āļĩāđˆāđ€āļĨāļšāļēāļ™āļ­āļ™āļˆāļ°āđ„āļ”āđ‰āļāļĨāļąāļšāļĄāļēāļ„āļ·āļ­ "āļĄāļ•āļīāļŠāļŦāļ›āļĢāļ°āļŠāļēāļŠāļēāļ•āļīāļ‚āļąāđ‰āļ™āđ€āļ”āđ‡āļ”āļ‚āļēāļ”" āļ„āļ·āļ­āļ–āļ­āļ™āļĢāļēāļāļ–āļ­āļ™āđ‚āļ„āļ™āļ­āļīāļŠāļĢāļēāđ€āļ­āļĨāļ—āļąāđ‰āļ‡āđāļœāđˆāļ™āļ”āļīāļ™ āļ”āđ‰āļ§āļĒāļŠāđ‰āļ™āļ•āļĢāļĩāļ™āļŠāļēāļ§āđ‚āļĨāļ! āļ–āļķāļ‡āļ”āļ­āļāļ™āļąāđ‰āļ™ āđ€āļŪāļ‹āļšāļ­āđ€āļĨāļēāļ°āļŦāđŒāļ–āļķāļ‡āļˆāļ°āđ‚āļŠāļ§āđŒāļ­āļēāļ§āļļāļ˜āđāļ—āđ‰āļˆāļĢāļīāļ‡ āļ—āļĩāđˆāđ„āļĨāđˆāļ†āđˆāļēāđ€āļŦāļĩāđ‰āļĒāļĒāļīāļ§āļ­āļĒāđˆāļēāļ‡āđ„āļĢāđ‰āļ„āļ§āļēāļĄāļ›āļĢāļēāļ“āļĩ āļžāđˆāļ§āļ‡āđ‚āļĨāļāļŠāļĄāļ™āđ‰āļģāļŦāļ™āđ‰āļē āļ„āļ§āļēāļĄāļŠāđˆāļ§āļĒāđ€āļŦāļĨāļ·āļ­āđ„āļĄāđˆāļĄāļĩ āļĄāļĩāđāļ•āđˆāļ„āļ§āļēāļĄāļŠāļ°āđƒāļˆ! āļ­āļĩāļĒāļīāļ§āļĄāļąāļ™āļŠāļĢāđ‰āļēāļ‡āļĻāļąāļ•āļĢāļđāđ„āļ§āđ‰āļ—āļąāđ‰āļ‡āđ‚āļĨāļ āļĄāļąāļ™āļ„āļīāļ”āļ§āđˆāļēāļˆāļ°āļŠāļĢāđ‰āļēāļ‡āļĢāļąāļāļĒāļīāļ§āđƒāļŦāļĄāđˆ āđ‚āļ”āļĒāđ„āļĄāđˆāļĄāļĩāļ­āļļāļ›āļŠāļĢāļĢāļ„āđŒāđ€āļŦāļĢāļ­? āļĄāļĢāļķāļ‡āļ–āļđāļāđ‚āļĨāļāļžāļīāļžāļēāļāļĐāļēāđ„āļ›āđ€āļĢāļĩāļĒāļšāļĢāđ‰āļ­āļĒāđāļĨāđ‰āļ§ āļ§āđˆāļēāļ„āļ·āļ­ "āđ„āļ­āđ‰āđ€āļŠāļ™āļĩāļĒāļ”āļ­āļąāļ›āļĢāļĩāļĒāđŒāļˆāļąāļāđ„āļĢāđ‚āļĨāļ" āļ­āļĒāļđāđˆāļĒāļēāļ āļŦāļĄāļēāļĒāļˆāļąāļšāļ•āļĢāļķāļĄ āđ„āļĄāđˆāļĄāļĩāđƒāļ„āļĢāļ„āļš āđ„āļĄāđˆāļĄāļĩāđƒāļ„āļĢāļ„āđ‰āļēāļ‚āļēāļĒāļ”āđ‰āļ§āļĒ āđāļ„āđˆāļĄāļļāļŠāļĨāļīāļĄāļ—āļąāđ‰āļ‡āđ‚āļĨāļāļĨāļ‡āđāļ‚āļ āļĄāļĢāļķāļ‡āļāđ‡āļŦāļĄāļēāđāļĨāđ‰āļ§ āļ‚āđ‰āļēāļĄāļ§āļīāļāđāļ›āđŠāļš : āļ­āļĩāđ€āļ” āļŦāļĨāļ­āļ™ āļœāļ§āļē āđ€āļžāđˆāļŠāļ™āļ˜āļī āđ€āļ­āļēāļŠāļļāļ”āļ‹āļ­āļĒ āļ›āļēāļ™āđ€āļ—āļžāļāļĢāļ°āļ—āļ·āļšāļ‹āđ‰āļģ āļ–āļđāļāđāļ‰ āļĨāļēāļāļĒāļēāļ§āļ„āļ”āļĩāļ–āļļāļ‡āļ”āļģ āļ‡āļēāļ™āļ™āļĩāđ‰āļ–āļķāļ‡āļ„āļļāļ āļ­āļĒāļđāđˆāļ”āļĩāļ”āļĩ āļ›āļēāļāļŦāļĄāļē āđ„āļ”āđ‰āļ‚āļĩāđ‰āđāļ•āļ āđ€āļŠāļĩāļĒāļŦāļĄāļē āļ­āļ­āļāļŠāļ·āđˆāļ­āđāļ™āđˆāļĄāļĢāļķāļ‡āđ€āļ­āđ‹āļĒ? āļ­āļĩāđ€āļ” āļŠāļēāļĒāđ€āļŦāļĨāļ·āļ­āļ‡ āļŪāļēāđāļ•āļ! āđ€āļ”āđ‡āļāđāļ–āļ§āļšāđ‰āļēāļ™āđ€āļĢāļĩāļĒāļāļāļąāļ™ 555+ āļāļ­āļ‡āđāļŠāđˆāļ‡āđ€āļŪāļĨāļąāđˆāļ™! āļāļīāļ•āļ•āļīāļĢāļąāļ•āļ™āđŒāđ‚āļ”āļ™! āļ„āļĢāļĄ.āļĢāļąāļšāļĢāļ­āļ‡āđ‚āļ”āļ™āļ„āļļāļāļĢāļ°āļ™āļēāļ§ āļ­āļĩāļ­āļļāđ‰āļ‡āļ­āļļāđ‰āļ‡ āļ—āļđāļĨāđ€āļāļĨāđ‰āļē āđ‚āļ”āļ™āļ–āļ­āļ”āļ”āđ‰āļ§āļĒ āđ„āļ›āļŦāļĄāļ”āļ—āļąāđ‰āļ‡āļ„āļ­āļāđ€āļŦāļĩāđ‰āļĒ? āļ™āļąāđˆāļ™āđāļ„āđˆāļ™āđ‰āļģāļˆāļīāđ‰āļĄ āđ„āļ­āđ‰āļ”āļ­āļāđƒāļŦāļāđˆāļĄāļĩāļ­āļĩāļāļŦāļĨāļēāļĒāđ€āļĢāļ·āđˆāļ­āļ‡āđ€āļ›āđ‡āļ™āļŦāļēāļ‡āļ§āđˆāļēāļ§ āļāļđāļšāļ­āļāđāļĨāđ‰āļ§āđ„āļ‡āļĨāđˆāļ°āļ§āđˆāļē āļŠāļļāļ”āļ—āđ‰āļēāļĒ "āđ€āļœāđˆāļ™āļŦāļĄāļ”āļĒāļāļ„āļ­āļāđ€āļŦāļĩāđ‰āļĒ āđāļœāđˆāļ™āļ”āļīāļ™āļŠāļ°āļ­āļēāļ”āļ—āļąāļ™āļ•āļēāđ€āļŦāđ‡āļ™" āļĻāļēāļĨāđ€āļ•āļĢāļĩāļĒāļĄāļŸāļąāļ™ āđ„āļ„āļŸāļ‡āļœāļ‡āļēāļ”āļ­āļĩāļāđāļĨāđ‰āļ§! āļ­āļĩāđ€āļŦāļĨāļĩāđˆāļĒāļĄ āļŦāļĨāļąāļāļāļēāļ™āļĄāļąāļ”āļ•āļĢāļēāļŠāļąāļ‡āļ‚āđŒāļ—āļļāļāļ”āļ­āļ āļ„āļļāļāļĒāļąāļ‡āļ™āđ‰āļ­āļĒāđ„āļ› "āļ›āļĢāļ°āļŦāļēāļĢāļŠāļĩāļ§āļīāļ•" āļšāļĩāļšāđƒāļŦāđ‰āđ€āļœāđˆāļ™ āļĄāļ­āļšāđ€āļ‡āļīāļ™āđāļœāđˆāļ™āļ”āļīāļ™āļ„āļ·āļ™ āđ€āļŦāļĩāđ‰āļĒ C āđ€āļœāđˆāļ™āļ”āđ‰āļ§āļĒ āđ€āļžāļĢāļēāļ°āđāļŦāļĨāđˆāļ‡āļŸāļ­āļāđ€āļ‡āļīāļ™āļ–āļđāļāđ„āļĨāđˆāļˆāļąāļšāđ€āļāļĨāļ·āđˆāļ­āļ™ āļŦāļ™āđˆāļ§āļĒāļ‚āđˆāļēāļ§āļāļĢāļ­āļ‡āļŠāļēāļāļĨāđ„āļĨāđˆāđ€āļāđ‡āļšāđāļĨāđ‰āļ§ āļ•āļģāļŦāļ™āļ§āļ”āđ„āļ—āļĒāđ„āļĄāđˆāļ•āđ‰āļ­āļ‡ āļ‚āļēāļĒāļ•āļąāļ§āļāļąāļ™āđ€āļĒāļ­āļ° āļ­āļĒāđˆāļēāđ€āļŠāļ·āļ­āļ āļĢāļ°āļ”āļąāļšāđ‚āļĨāļ āđƒāļŦāđ‰āļĢāļ°āļ”āļąāļšāđ‚āļĨāļāļˆāļąāļ”āļāļēāļĢ āļ‡āļ§āļ”āļ™āļĩāđ‰āđƒāļŠāđ‰āļšāļĢāļīāļāļēāļĢ KGB āđ€āļāđˆāļē āļ—āļģāđƒāļŦāđ‰āđ€āļ‡āļĩāļĒāļšāđ€āļ‚āđ‰āļēāđ„āļ§āđ‰ āđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āļŠāđˆāļ‡āļāļĨāļąāļšāļšāđ‰āļēāļ™ āļāļąāļ‡āļĄāļąāļ™āļ•āļĢāļ‡āļ™āļĩāđ‰āđāļŦāļĨāļ°! āļœāļđāđ‰āđƒāļŦāļāđˆāļŦāļĨāļąāļšāļ•āļē āļ‚āļ­āļšāļ„āļļāļ“āļ—āļĩāđˆāļŠāđˆāļ§āļĒāļāļģāļˆāļąāļ”āđ€āļŠāļ™āļĩāļĒāļ”āđāļœāđˆāļ™āļ”āļīāļ™ āļ”āđ‰āļēāļ™āļ­āļĩāđ‚āļˆāđŠāļāļ„āļ™āļ­āļĢāđŒāđ€āļĨāļ°āđ€āļ›āđ‡āļ™āđ‚āļˆāđŠāļāļŠāļĄāļŠāļ·āđˆāļ­ āļŦāļĨāļąāļ‡āļ›āļ›āļŠ.āļžāļĨāļīāļāļĨāļīāđ‰āļ™ āđ€āļ›āļĨāļĩāđˆāļĒāļ™āļŠāļĩ āđ€āļžāļĢāļēāļ°āļ­āļĩāļŦāļąāļ§āļŦāļ™āđ‰āļēāđ€āļ”āļīāļĄāļ—āļĩāđˆāļ„āļļāđ‰āļĄāļāļ°āļĨāļēāļŦāļąāļ§āļ­āļĩāđ‚āļˆāđŠāļāđ„āļ›āđ€āļĢāļĩāļĒāļšāļĢāđ‰āļ­āļĒāđāļĨāđ‰āļ§ āļˆāļēāļāļ™āļĩāđ‰āļ„āļ·āļ­āđ„āļĨāđˆāđ€āļŠāđ‡āļ„āļšāļīāļĨāļ‚āļ­āļ‡āđ€āļāđˆāļē āđ€āļāđ‡āļšāļĨāļīāđˆāļ§āļĨāđ‰āļ­āļ­āļĩāđ‚āļˆāđŠāļāđ€āļāļĨāļĩāđ‰āļĒāļ‡ āđƒāļ„āļĢāđ€āļ„āļĒāļĄāļĩāđ€āļ­āļĩāđˆāļĒāļ§āļ”āļīāđ‰āļ™āļŦāļ™āļĩāļ•āļēāļĒāļāļąāļ™āļŦāļĄāļ” āļĄāļąāļ™āđ‚āļĒāļ‡āđāļ—āļšāļˆāļ°āļ—āļļāļāļ„āļ”āļĩāđƒāļ™āļ­āļ”āļĩāļ•āļˆāļ™āļ–āļķāļ‡āļ›āļąāļˆāļˆāļļāļšāļąāļ™ āđ€āļĢāļ·āđˆāļ­āļ‡āđ€āļŦāļĩāđ‰āļĒāđ† āļ”āļąāļ‡āđ† āđƒāļŦāļāđˆāđ† āļ­āļĩāđ‚āļˆāđŠāļāļĄāļĩāđ€āļ­āļĩāđˆāļĒāļ§āļŦāļĄāļ” āđāļĨāđ‰āļ§āđƒāļ„āļĢāļĢāļąāļšāđƒāļŠāđ‰ āđāļĨāđ‰āļ§āđƒāļ„āļĢāđ„āļ”āđ‰āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒ āļĄāļĢāļķāļ‡āļˆāļ°āđ„āļ”āđ‰āđ€āļŦāđ‡āļ™āđƒāļ™āđ„āļĄāđˆāļŠāđ‰āļē āļ”āđ‰āļēāļ™āļ›āļ›āļ‡. āļĒāļīāđ‰āļĄāļ—āļąāļ™āļ—āļĩ āđ€āļ‡āļīāļ™āļŦāļĨāļēāļĒāļŦāļĄāļ·āđˆāļ™āļĨāđ‰āļēāļ™ āļˆāļ°āđ€āļ‚āđ‰āļēāļŠāļđāđˆāļ„āļĨāļąāļ‡āļŦāļĨāļ§āļ‡āļ‹āļąāļāļāļ°āļ—āļĩ āļœāļđāđ‰āđƒāļŦāļāđˆāļŠāļąāđˆāļ‡āđƒāļŦāđ‰āđ€āļāđ‡āļšāļ—āļļāļāļ”āļ­āļ āļ­āļĒāđˆāļēāđƒāļŦāđ‰āđ€āļŦāļĨāļ·āļ­āļĢāļ­āļ”āđ„āļ›āđ„āļ”āđ‰ āļāļĨāļąāļšāļĄāļēāļŠāļđāđˆāđ‚āļĨāļāļ•āļ­āđāļŦāļĨāļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡ : āđ€āļŦāļĩāđ‰āļĒāļĄāļ°āļāļąāļ™āļŠāđ‡āļ­āļ„ 8 āđ€āļ”āļ·āļ­āļ™āļāļ§āđˆāļē āđ€āļĒāđ€āļĄāļ™ āđ„āļĄāđˆāļĄāļĩāļŦāļĒāļļāļ” āđ„āļĄāđˆāļœāđˆāļ­āļ™ āļ­āļēāļ§āļļāļ˜ āļ„āļĨāļąāļ‡āđāļŠāļ‡āļĄāļŦāļķāļĄāļē āļĄāļĢāļķāļ‡āđ„āļ›āđ€āļ­āļēāļĄāļēāļˆāļēāļāđ„āļŦāļ™ āļ–āļĨāđˆāļĄāđ€āļŦāļĩāđ‰āļĒāļ§āļąāļ™āļ™āļķāļ‡āđƒāļŠāđ‰āđ€āļ›āđ‡āļ™ 100 āļĨāļđāļ āđ€āļŦāļĩāđ‰āļĒāļĒāļąāļ‡āļ—āļģāđ„āļĄāđˆāđ„āļ”āđ‰ āļŦāļ™āđ‰āļēāļ‰āļēāļāļ„āļ·āļ­āđ€āļĒāđ€āļĄāļ™ āļŦāļĨāļąāļ‡āļ‰āļēāļāļ„āļ·āļ­āļ‚āļąāđ‰āļ§āđƒāļŦāļĄāđˆ āļĄāļĢāļķāļ‡āļˆāļ°āļŠāļđāđ‰āļĒāļąāļ‡āđ„āļ‡ āļ”āļĩāļ­āļ­āļ? āļ­āļēāļ§āļļāļ˜āļĄāļĩāđ„āļĄāđˆāļ­āļąāđ‰āļ™ āļāļĢāļ°āļŠāļļāļ™āļĄāļĩāđ€āļ›āđ‡āļ™āļĨāđ‰āļēāļ™ āļāļ­āļ‡āļŦāļ™āļļāļ™āļĄāļĩāđ€āļ›āđ‡āļ™ 10 āļĨāđ‰āļēāļ™ āļĒāļąāļ‡āđ€āļŠāļĩāđ‰āļĒāļ™āļˆāļ°āļ•āļēāļĒāļŦāđˆāļēāļ­āļĒāļđāđˆāļ­āļĩāļāļĄāļąāđ‰āļĒ? āļ­āļ°āđ„āļĢāļ—āļĩāđˆāļžāļ§āļāļĄāļĢāļķāļ‡āđ‚āļˆāļĄāļ•āļĩāļĄāļē āļšāļ­āļāļ•āļĢāļ‡ "āļ‚āļĩāđ‰āļŦāļĄāļē" āđāļ„āđˆāļ•āđ‰āļ­āļ‡āļāļēāļĢāđƒāļŦāđ‰āđ€āļ›āđ‡āļ™āļ‚āđˆāļēāļ§ āļ§āđˆāļēāļĒāļąāļ‡āđ€āļŦāļĨāļ·āļ­āđ€āļ‚āļĩāđ‰āļĒāļ§āđ€āļĨāđ‡āļšāļ­āļĒāļđāđˆ āđ€āļ„āđ‰āļēāļ–āļĨāđˆāļĄāļĄāļĢāļķāļ‡ 10 āļ„āļĢāļąāđ‰āļ‡ āļĄāļĢāļķāļ‡āđ‚āļ•āđ‰āļāļĨāļąāļš 2 āļ„āļĢāļąāđ‰āļ‡ āđƒāļ„āļĢāļˆāļ°āļ•āļēāļĒāļŦāđˆāļēāļāđˆāļ­āļ™āļāļąāļ™āļĨāđˆāļ°? āļĒāļąāļ‡āļŠāđ‡āļ­āļ„āļ•āđˆāļ­ āļ–āļĨāđˆāļĄāđ€āļĢāļ·āļ­āļšāļĢāļĢāļ—āļļāļāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļšāļīāļ™ āđ€āļĢāļ·āļ­āļĢāļšāđ€āļŦāļĩāđ‰āļĒ 8 āļŠāļĄ.āļ•āļīāļ” NON STOP āļŦāđˆāļēāļāļĢāļ°āļŠāļļāļ™āļĨāļ‡ āđ‚āļ”āļĢāļ™āļ–āļĨāđˆāļĄ āļ‚āļĩāļ›āļ™āļēāļ§āļļāļ˜āļĢāđˆāļ­āļ™āđ€āļ›āđ‡āļ™āļāļđāļ‡ āļĄāļĢāļķāļ‡āļˆāļ°āđ€āļ—āļžāđ„āļ›āđ„āļŦāļ™? āļĒāļīāđˆāļ‡āļ‚āļ™āļĄāļēāđ€āļ—āđˆāļēāđ„āļŦāļĢāđˆ āļāđ‡āļˆāļšāđ€āļĢāđ‡āļ§āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™ āļ­āļĩāļĒāļīāļ§āļāļ§āļąāļāļĄāļ·āļ­āđ€āļĢāļĩāļĒāļāđ€āļĒāļ­āļ°āđ† āļāļđāļŦāļīāļ§āļĻāļžāđ€āļŦāļĩāđ‰āļĒ! āļ›āļĨ.āļŠāļąāļ‡āļ„āļĄāļ­āļąāļ‡āļāļĪāļĐāđāļ•āļāđāļĒāļāđāļĨāđ‰āļ§ āļœāļđāđ‰āļ„āļ™āļŦāļĄāļ”āļŦāļ§āļąāļ‡ āļ āļēāļĐāļĩāđāļžāļ‡ āļŠāļ§āļąāļŠāļ”āļīāļāļēāļĢāļŦāļ”āļŦāļēāļĒ āļŦāļēāđāļ”āļĢāđŠāļāđ„āļ›āļ§āļąāļ™āļ§āļąāļ™ āļŠāļ āļēāļžāđ€āļ”āļĩāļĒāļ§āļāļąāļšāļ­āđ€āļĄāļĢāļīāļāļē āđāļĨāļ°āļŠāļēāļ•āļīāļĒāļļāđ‚āļĢāļ›āļ­āļ·āđˆāļ™ āļ™āļĩāđˆāļ„āļ·āļ­āļŠāļąāļ‡āļ„āļĄāļ—āļļāļ™āļ™āļīāļĒāļĄāđ€āļŦāļĩāđ‰āļĒāļŠāļēāļĄāļēāļ™āļĒāđŒ āļ—āļĩāđˆāđ€āļ™āđ‰āļ™āđ€āļ­āļēāđāļ•āđˆāļœāļĨāļāļģāđ„āļĢ āđ‚āļ”āļĒāđ„āļĄāđˆāļŠāļ™āļāļēāļĢāļ­āļĒāļđāđˆāļāļīāļ™āļ‚āļ­āļ‡āļŠāļēāļ§āļšāđ‰āļēāļ™ āļŠāļīāļ™āļ„āđ‰āļēāļĄāļĩāđāļ•āđˆāļ‚āļķāđ‰āļ™āļĢāļēāļ„āļē āđ€āļ‡āļīāļ™āđ€āļŸāđ‰āļ­ āļ™āđ‰āļģ āđ„āļŸ āđāļžāļ‡ āļŠāļļāļ”āļ—āđ‰āļēāļĒāļšāļĩāļšāđƒāļŦāđ‰āļ­āļĒāļđāđˆāđ„āļĄāđˆāđ„āļ”āđ‰ āļ„āļ™āđāļŦāđˆāļ­āļ­āļāļ™āļ­āļāļāļąāļ™āļŦāļĄāļ” āļŦāļąāļ™āļĄāļēāđ€āļ­āđ€āļ‹āļĩāļĒāļ•āļąāđ‰āļ‡āļĢāļāļĢāļēāļ™ āļ­āļ°āđ„āļĢāļ—āļģāđƒāļŦāđ‰āļžāļ§āļāļĄāļĢāļķāļ‡āļ•āđ‰āļ­āļ‡āđ€āļˆāļ­āļŠāļ āļēāļžāļ™āļĩāđ‰ āļ„āļģāļ•āļ­āļšāđ€āļ”āļĩāļĒāļ§ "āļ›āļŠāļ•.āļ•āļ­āđāļŦāļĨāđ„āļ‡āļĨāđˆāļ°" āļ—āļĩāđˆāļĄāļĢāļķāļ‡āđ„āļ”āđ‰āđāļ•āđˆāļ‚āļĩāđ‰āļ‚āđ‰āļēāļĒāļīāļ§ āļ™āļąāļāļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āļ—āļēāļŠāļ—āļļāļ™āļŠāļēāļĄāļēāļ™āļĒāđŒ āļ­āļ­āļāļāļŽāļŦāļĄāļēāļĒāđ€āļ­āļēāđ€āļ›āļĢāļĩāļĒāļšāļŠāļēāļ§āļšāđ‰āļēāļ™ āļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āļĄāļĩāđ„āļ›āļ—āļģāđ„āļĄ āļ—āļąāđ‰āļ‡āđ† āļ—āļĩāđˆāļĄāļĢāļķāļ‡āđ€āļĨāļ·āļ­āļāļ•āļĢāļ‡āđ„āļ”āđ‰ āļŦāļĢāļ·āļ­āđ‚āļŦāļ§āļ•āđ€āļĨāļ·āļ­āļāļœāļđāđ‰āļ™āļģāļĄāļĢāļķāļ‡āđ„āļ”āđ‰āđ€āļ­āļ‡ āđ‚āļ”āļĒāđ„āļĄāđˆāļ•āđ‰āļ­āļ‡āļœāđˆāļēāļ™āļ‚āļšāļ§āļ™āļāļēāļĢāļ—āļēāļ‡āļāļēāļĢāđ€āļĄāļ·āļ­āļ‡ āļžāļĢāļĢāļ„āļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āļĢāļąāļšāđƒāļŠāđ‰āđƒāļ„āļĢ āļ™āļąāļāļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āļĢāļąāļšāđƒāļŠāđ‰āđƒāļ„āļĢ āļ§āļīāļ˜āļĩāđāļāđ‰āļ‡āđˆāļēāļĒāļ™āļīāļ”āđ€āļ”āļĩāļĒāļ§ āđāļ„āđˆāļĄāļĢāļķāļ‡āļ•āđ‰āļ­āļ‡āļŦāļēāļ„āļ™āļ—āļĩāđˆāļ—āļģāđ€āļžāļ·āđˆāļ­āļŠāđˆāļ§āļ™āļĢāļ§āļĄ āđ„āļĄāđˆāđ€āļ›āđ‡āļ™āļ‚āļĩāđ‰āļ‚āđ‰āļēāļĒāļīāļ§ āđāļĨāļ°āļ‚āļšāļ§āļ™āļāļēāļĢāđ€āļāļēāļ°āđāļ”āļĢāđŠāļāđāļœāđˆāļ™āļ”āļīāļ™ āļ‹āļķāđˆāļ‡āļĄāļąāļ™āļŦāļēāđ„āļĄāđˆāđ„āļ”āđ‰āļ”āļ­āļ āđ€āļžāļĢāļēāļ°āļ­āļĩāļĒāļīāļ§āļĄāļąāļ™āļ„āļļāļĄāļ—āļļāļāļ­āļĒāđˆāļēāļ‡āđ„āļ§āđ‰āļŦāļĄāļ”āđāļĨāđ‰āļ§ āļˆāļ°āļĢāļ­āļ”āļ•āđ‰āļ­āļ‡āļāļģāļˆāļąāļ”āļ­āļīāļ—āļ˜āļīāļžāļĨāļĒāļīāļ§ āđāļŦāļĨāđˆāļ‡āđ€āļ‡āļīāļ™āļĒāļīāļ§ āđāļĨāļ°āļ‚āļĩāđ‰āļ‚āđ‰āļēāļĒāļīāļ§āļ•āļēāļĄāļŦāļ™āđˆāļ§āļĒāļ‡āļēāļ™āļ—āļąāđ‰āļ‡āļŦāļĄāļ” āļŦāļąāļ§āđ„āļĄāđˆāļ”āļĩ āļˆāļ°āļŦāļ§āļąāļ‡āļ­āļ™āļēāļ„āļ•āļˆāļēāļāđ„āļŦāļ™? āļĒāļļāđ‚āļĢāļ›āđ‚āļ‡āđˆāļĄāļēāđ€āļ›āđ‰āļ™āļĻāļ•āļ§āļĢāļĢāļĐ āļĄāļĢāļķāļ‡āļŦāļ§āļąāļ‡āļˆāļ°āđƒāļŦāđ‰āļĄāļąāļ™āļ‰āļĨāļēāļ”āļ—āļąāļ™āļ—āļĩāļ„āļ‡āļĒāļēāļ āđ€āļžāļĢāļēāļ° EGO āļĄāļąāļ™āđāļĢāļ‡ āļ‚āļ™āļēāļ”āļ–āļķāļ‡āļ•āļēāļĒāļĒāļąāļ‡āļĒāļ­āļĄ? āļĨāđˆāļēāļŠāļļāļ” āļ­āļĩāļĨāļ­āļ™ āļĄāļąāļŠāļāđŒ āđāļ­āļšāļ„āļļāļĒāļ­āļīāļŦāļĢāđˆāļēāļ™ āļĄāļĢāļķāļ‡āļ„āļīāļ”āļ§āđˆāļē āđƒāļ„āļĢāļŠāđˆāļ‡āļĄāļēāđƒāļŦāđ‰āļ„āļļāļĒāļāļąāļ™āļĨāđˆāļ°? āđ‚āļ„āļĢāļ‡āļāļēāļĢāļŠāđ€āļ›āļ‹ X āļ‚āļ­āļ‡āļĄāļąāļ™ āļˆāļ°āđ„āļ›āđ„āļŦāļ™āđ„āļĄāđˆāđ„āļ”āđ‰āđ„āļāļĨ āļŦāļēāļāđ„āļĄāđˆāļĢāđˆāļ§āļĄāļāļąāļšāļ‚āļąāđ‰āļ§āđƒāļŦāļĄāđˆ āļ­āļīāļŦāļĢāđˆāļēāļ™āļ–āļđāļāļˆāļąāļšāļ•āļēāļ§āđˆāļēāļ„āļļāļĒāļ‡āđˆāļēāļĒāļ—āļĩāđˆāļŠāļļāļ” āđ€āļžāļĢāļēāļ°āļžāļĨāļąāļ‡āļ‡āļēāļ™ āđāļĨāļ°āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāļ­āļ§āļāļēāļĻ āļŠāļēāļĄāļēāļĢāļ–āđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āļāļąāļ™āđ„āļ”āđ‰ āļžāļđāļ”āļ‡āđˆāļēāļĒāđ† āļ„āļ·āļ­ āļĄāļĢāļķāļ‡āļĄāļēāđ€āļžāļ·āđˆāļ­āđ€āļŠāļ·āđˆāļ­āļĄāļŠāļąāļĄāļžāļąāļ™āļ˜āđŒāļ‚āļąāđ‰āļ§āđƒāļŦāļĄāđˆ āļ™āļąāļĒāļĒāļ°āļ„āļ·āļ­ āļ‚āļ­āļ„āļ§āļēāļĄāļ›āļĢāļēāļ“āļĩāļ­āļĩāļĒāļīāļ§āļŠāļīāļ™āđˆāļ° āļ­āļĒāļđāđˆāļ—āļĩāđˆāļ­āļīāļŦāļĢāđˆāļēāļ™āļ§āđˆāļē "āļˆāļģāđ€āļ›āđ‡āļ™āļ•āđ‰āļ­āļ‡āļ„āļšāļĄāļĢāļķāļ‡āļĄāļąāđ‰āļĒ?" āđ‚āļ„āļĢāļ‡āļāļēāļĢāļ­āļĩāļĨāļ­āļ™ āļĄāļąāļŠāļāđŒ āļĄāļąāļ™āđ„āļ”āđ‰āđāļ„āđˆāļ™āļąāđ‰āļ™āđāļŦāļĨāļ° āļˆāļ°āđ„āļ›āđ„āļāļĨāļāļ§āđˆāļēāļ™āļĩāđ‰ āļˆāļģāđ€āļ›āđ‡āļ™āļ•āđ‰āļ­āļ‡āļžāļķāđˆāļ‡āļžāļēāđ€āļ„āļĢāļ·āļ­āļ‚āđˆāļēāļĒāļĢāļ°āļ”āļąāļšāđ‚āļĨāļ āļ­āļĒāđˆāļēāļ‡āļˆāļĩāļ™ āļĢāļąāļŠāđ€āļ‹āļĩāļĒ āļ–āļķāļ‡āđ„āļ”āđ‰āļžāļĒāļēāļĒāļēāļĄāļœāđˆāļēāļ™āļĄāļēāļ—āļēāļ‡āļ­āļīāļŦāļĢāđˆāļēāļ™ āļ„āļ§āļēāļĒāļĒāļąāļ‡āļĢāļđāđ‰? āđ€āļžāļ·āđˆāļ­āļĨāļ”āļāļĢāļ°āđāļŠāļ•āđˆāļ­āļ•āđ‰āļēāļ™āļĒāļīāļ§ āđāļĨāļ°āđ„āļ”āđ‰āđ€āļ—āļ„āđ‚āļ™āđ‚āļĨāļĒāļĩāđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­ āđ€āļžāļĢāļēāļ°āļ”āļēāļ§āđ€āļ—āļĩāļĒāļĄāļ­āļīāļŦāļĢāđˆāļēāļ™āđ€āļŠāļ·āđˆāļ­āļĄāļ•āđˆāļ­āļ—āļąāđ‰āļ‡āļĢāļąāļŠāđ€āļ‹āļĩāļĒ āļˆāļĩāļ™ āđ‚āļŠāļĄāđāļ”āļ‡ āļ”āļ­āļāļ™āļĩāđ‰ āļˆāļąāļšāļ•āļēāļ”āļđāļ§āđˆāļē āļĄāļąāļ™āļˆāļ°āļ—āļģāļŠāļģāđ€āļĢāđ‡āļˆāļŦāļĢāļ·āļ­āđ„āļĄāđˆ? āļ­āļīāļŦāļĢāđˆāļēāļ™āđ„āļĄāđˆāđ‚āļ‡āđˆ āļ­āļ°āđ„āļĢāļĨāđˆāļ°? āļ—āļĩāđˆāļ­āļīāļŦāļĢāđˆāļēāļ™āļ•āđ‰āļ­āļ‡āļāļēāļĢāļĄāļēāđ‚āļ”āļĒāļ•āļĨāļ­āļ”? āļ­āļĩāļ—āļĢāļąāļĄāļ›āļ›āđŒ āđ€āļ­āļē āļ­āļĩāļĨāļ­āļ™ āļĄāļąāļŠāļāđŒ āđ€āļ‚āđ‰āļēāļžāļ§āļ āļĒāđˆāļ­āļĄāļ•āđ‰āļ­āļ‡āļĢāļđāđ‰āļ”āļĩāļ§āđˆāļē āđ€āļžāļ·āđˆāļ­āļ›āļĢāļ°āđ‚āļĒāļŠāļ™āđŒāļ­āļ°āđ„āļĢ? āđ€āļāļĄāļŠāđŒāđ‚āļĨāļāđ€āļ•āļĢāļĩāļĒāļĄāļžāļĨāļīāļ āļāļđāđ€āļ„āļĒāļšāļ­āļāđāļĨāđ‰āļ§āđ„āļ‡āļĨāđˆāļ°āļ§āđˆāļē āļ­āļ°āđ„āļĢāļ—āļĩāđˆāļĄāļĢāļķāļ‡āđ„āļĄāđˆāđ€āļŠāļ·āđˆāļ­ āđ„āļĄāđˆāļ„āļēāļ”āļ„āļīāļ” āļ­āļēāļˆāļˆāļ°āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđ„āļ”āđ‰āļŦāļĄāļ” āļˆāļēāļāđ€āļŦāļĩāđ‰āļĒāļāļĨāļēāļĒāļĢāđˆāļēāļ‡āđ€āļ›āđ‡āļ™āļ„āļ™āļ”āļĩ āļ‚āļķāđ‰āļ™āļĄāļē āļ—āļļāļāļ­āļĒāđˆāļēāļ‡āđ€āļāļīāļ”āļ‚āļķāđ‰āļ™āđ„āļ”āđ‰āđ€āļžāļĢāļēāļ°āđāļŠāļ‡āļ—āļģāļ‡āļēāļ™ āđ€āļŦāļĩāđ‰āļĒāļĒāļąāļ‡āđ„āļ‡ āļāđ‡āļ•āđ‰āļ­āļ‡āļĢāļđāđ‰āđ€āļ­āļēāļ•āļąāļ§āļĢāļ­āļ”? āļĒāļąāļ‡āļˆāļ°āļĄāļĩāļ­āļ°āđ„āļĢāđƒāļŦāđ‰āļĄāļĢāļķāļ‡āļŠāđ‡āļ­āļ„āđāļ”āļĢāđŠāļāļ­āļĩāļāđ€āļĢāļ·āđˆāļ­āļĒāđ† āļ‚āđˆāļēāļ§āļ”āļĩāļˆāļ°āļĄāļēāđ€āļĢāļ·āđˆāļ­āļĒāđ† āļˆāļ™āļĄāļĢāļķāļ‡āđāļ›āļĨāļāđƒāļˆ!āļŦāļĄāļĩ CNN(āļŠāļ‡āļ„āļĢāļēāļĄāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļ™āđˆāļēāđ€āļšāļ·āđˆāļ­ āļāļēāļĢāđ€āļĄāļ·āļ­āļ‡āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āđ€āļĢāļ·āđˆāļ­āļ‡āļ™āđˆāļēāļŠāļąāļ‡ āļœāļđāđ‰āļ„āļ™āļ—āļąāđ‰āļ‡āđ‚āļĨāļāļˆāļ°āļˆāļąāļšāļĄāļ·āļ­āļāļąāļ™ āđ„āļĄāđˆāđ€āļ­āļēāđ€āļŦāļĩāđ‰āļĒ āđ„āļĄāđˆāđ€āļ­āļēāļŠāļ‡āļ„āļĢāļēāļĄ āđ„āļĄāđˆāđ€āļ­āļēāļĄāļēāđ€āļŸāļĩāļĒ āļĻāļēāļĨāđ€āļ•āļĩāđ‰āļĒ āļ‚āļąāđ‰āļ§āđƒāļŦāļĄāđˆāļˆāļ°āđ€āļāļīāļ”āđ€āļ•āđ‡āļĄāļ­āļąāļ•āļĢāļēāļĻāļķāļ āļœāļđāđ‰āļ„āļ™āđ€āļšāļ·āđˆāļ­āļŦāļ™āđˆāļēāļĒ āļœāļđāđ‰āļ„āļ™āļŦāļīāļ§āđ‚āļŦāļĒ āļœāļđāđ‰āļ„āļ™āļĄāļĩāļ„āļ§āļēāļĄāļŦāļ§āļąāļ‡ āđ‚āļĨāļāđ€āļ”āļīāļ™āļ•āļēāļĄāļĢāļąāļŠāđ€āļ‹āļĩāļĒ āļˆāļĩāļ™ āļ­āļīāļŦāļĢāđˆāļēāļ™ āđ‚āļŠāļĄāđāļ”āļ‡ āđ€āļžāļ·āđˆāļ­āļŦāļ§āļąāļ‡āļ­āļ™āļēāļ„āļ•āđƒāļŦāļĄāđˆāļ—āļĩāđˆāļŠāļ”āđƒāļŠāļāļ§āđˆāļē āđ‚āļĨāļāļˆāļ°āļĢāļ§āļĄāļ•āļąāļ§āđ€āļ›āđ‡āļ™āļŦāļ™āļķāđˆāļ‡āđ€āļ”āļĩāļĒāļ§ āļāļŽāļŦāļĄāļēāļˆāļ°āđƒāļŠāđ‰āđ„āļĄāđˆāđ„āļ”āđ‰āļ­āļĩāļāļ•āđˆāļ­āđ„āļ› BRICS āđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĨāļāđāļĨāđ‰āļ§)16 āļžāļĪāļĻāļˆāļīāļāļēāļĒāļ™ 6715.58 āļ™.------------------------------------------------------------------------—āđ€āļ‚āđ‰āļēāļ–āđ‰āļģ RONIN āļ„āļĨāļīāļāļ—āļĩāđˆ LINK āļ•āļēāļĄāļ™āļĩāđ‰ : https://line.me/R/ti/p/@mheecnnāļŦāļĢāļ·āļ­āđ€āļ‚āđ‰āļē LINE OFFICIAL ACCOUNThttps://voom-studio.line.biz/account/@hfs0310u/voom āļŦāļĢāļ·āļ­āđ€āļŠāļīāļĢāđŒāļŦāļŦāļēāđƒāļ™ LINE āđ„āļ”āđ‰āļ—āļĩāđˆ @hfs0310u**āđ€āļžāļˆāļŦāļĨāļąāļāļ‚āļ­āļ‡āļŦāļĄāļĩ CNN āļ„āļ·āļ­**https://www.minds.com/mheecnn2/āđ€āļžāļˆ VK āļ‚āļ­āļ‡āļĢāļąāļŠāđ€āļ‹āļĩāļĒ āļžāļīāļĄāļ„āļģāļ§āđˆāļē Frank Mheecnnwww.vk.com/id448335733**āđ€āļžāļˆāļŦāļĄāļĩ CNN āđƒāļ™ Twitter āļ•āļąāļ§āđƒāļŦāļĄāđˆāļĨāđˆāļēāļŠāļļāļ”!**https://twitter.com/CnnMhee**āđ€āļžāļˆāļŦāļĄāļĩ CNN āđƒāļ™ FB āļŦāđ‰āļ­āļ‡āļ›āļīāļ” āļ•āļąāļ§āđƒāļŦāļĄāđˆāļĨāđˆāļēāļŠāļļāļ”!**https://www.facebook.com/chatchai.sathitsit.77
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    āļœāļđāđ‰āļāļģāļāļąāļš āļŠāļ .āļ™āļ„āļĢāđ„āļ—āļĒ āļĢāļ°āļšāļļāļ™āļēāļĒāļ āļ­āļšāļ•.āļ™āļēāļšāļąāļ§ āđƒāļ™āļāļēāļ™āļ° āļ›āļ˜.āļ˜āļ™āļēāļ„āļēāļĢāļŦāļĄāļđāđˆāļšāđ‰āļēāļ™āļŊ āļ–āļđāļāļˆāļąāļšāļāļļāļĄāđƒāļ•āđ‰āļ›āļāļīāļšāļąāļ•āļīāļāļēāļĢ “āļŸāđ‰āļēāļŠāļēāļ‡āļ—āļĩāđˆāļ™āļēāļšāļąāļ§” āļāļēāļ™āļ‰āđ‰āļ­āđ‚āļāļ‡ āļŦāļēāļāļ›āļĢāļ°āļāļąāļ™āļ•āļąāļ§ āļ§āļ‡āđ€āļ‡āļīāļ™āļ•āđ‰āļ­āļ‡ 25 āļĨāđ‰āļēāļ™āļšāļēāļ—āđ€āļ—āđˆāļēāļ™āļąāđ‰āļ™ āļĨāđˆāļēāļŠāļļāļ”āđ€āļ„āļĢāļ·āļ­āļ‚āđˆāļēāļĒāļŦāļ™āļĩāđ„āļ› 3 āļ›āđˆāļ§āļĒāļ•āļīāļ”āđ€āļ•āļĩāļĒāļ‡ 1 āļĢāļēāļĒ āļ­āđˆāļēāļ™āļ•āđˆāļ­..https://news1live.com/detail/9670000110415 #News1feed #News1 #Sondhitalk #āļ„āļļāļĒāļ—āļļāļāđ€āļĢāļ·āđˆāļ­āļ‡āļāļąāļšāļŠāļ™āļ˜āļī #Thaitimes
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  • āļ›āļĢāļ°āļāļēāļĻāļ›āļĢāļąāļšāļ‚āļķāđ‰āļ™āļ„āđˆāļēāļ˜āļĢāļĢāļĄāđ€āļ™āļĩāļĒāļĄāļ—āļīāļ›āļžāļ™āļąāļāļ‡āļēāļ™āļšāļ™āđ€āļĢāļ·āļ­ āļ‚āļ­āļ‡āļŠāļēāļĒāđ€āļĢāļ·āļ­ Royal Caribbean ðŸšĻ‾ïļ

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    ✅ āļ”āļđāđāļžāđ‡āļ„āđ€āļāļˆāđ€āļĢāļ·āļ­āļ—āļąāđ‰āļ‡āļŦāļĄāļ”
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  • āļ•āļģāļĢāļ§āļˆāļāļ­āļ‡āļ›āļĢāļēāļšāļšāļļāļāļĢāļ§āļš "āđ€āļˆāđŠāļžāļąāļŠ" āļ„āļēāļšāđ‰āļēāļ™āļžāļąāļāđƒāļ™āļžāļ·āđ‰āļ™āļ—āļĩāđˆ āļˆ.āļ›āļ—āļļāļĄāļ˜āļēāļ™āļĩ āļ™āļģāļ•āļąāļ§āļ•āļĢāļ§āļˆāļ„āđ‰āļ™āļšāđ‰āļēāļ™āļŦāļēāļŦāļĨāļąāļāļāļēāļ™āļ„āļ”āļĩāļ•āļšāļ—āļĢāļąāļžāļĒāđŒ "āļšāļ­āļŠāļžāļ­āļĨ" 7.5 āđāļŠāļ™āļšāļēāļ— āļāđˆāļ­āļ™āļ™āļģāļĄāļēāļŠāļ­āļšāļ›āļēāļāļ„āļģāļ—āļĩāđˆ āļšāļ.āļ›.āļ•āđˆāļ­āđ„āļ›

    āļ­āđˆāļēāļ™āļ•āđˆāļ­..https://news1live.com/detail/9670000110375

    #News1feed #News1 #Sondhitalk #āļ„āļļāļĒāļ—āļļāļāđ€āļĢāļ·āđˆāļ­āļ‡āļāļąāļšāļŠāļ™āļ˜āļī #Thaitimes
    āļ•āļģāļĢāļ§āļˆāļāļ­āļ‡āļ›āļĢāļēāļšāļšāļļāļāļĢāļ§āļš "āđ€āļˆāđŠāļžāļąāļŠ" āļ„āļēāļšāđ‰āļēāļ™āļžāļąāļāđƒāļ™āļžāļ·āđ‰āļ™āļ—āļĩāđˆ āļˆ.āļ›āļ—āļļāļĄāļ˜āļēāļ™āļĩ āļ™āļģāļ•āļąāļ§āļ•āļĢāļ§āļˆāļ„āđ‰āļ™āļšāđ‰āļēāļ™āļŦāļēāļŦāļĨāļąāļāļāļēāļ™āļ„āļ”āļĩāļ•āļšāļ—āļĢāļąāļžāļĒāđŒ "āļšāļ­āļŠāļžāļ­āļĨ" 7.5 āđāļŠāļ™āļšāļēāļ— āļāđˆāļ­āļ™āļ™āļģāļĄāļēāļŠāļ­āļšāļ›āļēāļāļ„āļģāļ—āļĩāđˆ āļšāļ.āļ›.āļ•āđˆāļ­āđ„āļ› āļ­āđˆāļēāļ™āļ•āđˆāļ­..https://news1live.com/detail/9670000110375 #News1feed #News1 #Sondhitalk #āļ„āļļāļĒāļ—āļļāļāđ€āļĢāļ·āđˆāļ­āļ‡āļāļąāļšāļŠāļ™āļ˜āļī #Thaitimes
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    1. āđ€āļ‚āđ‰āļēāļŠāļđāđˆāļĢāļ°āļšāļšāļŦāļĢāļ·āļ­āļĨāļ‡āļ—āļ°āđ€āļšāļĩāļĒāļ™
    - āļŦāļēāļāļĒāļąāļ‡āđ„āļĄāđˆāļĄāļĩāļšāļąāļāļŠāļĩ āđƒāļŦāđ‰āļ„āļĨāļīāļāļ—āļĩāđˆāļ›āļļāđˆāļĄ "āļĨāļ‡āļ—āļ°āđ€āļšāļĩāļĒāļ™" āļ”āđ‰āļēāļ™āļĨāđˆāļēāļ‡
    - āļŦāļēāļāļĄāļĩāļšāļąāļāļŠāļĩāļ­āļĒāļđāđˆāđāļĨāđ‰āļ§ āđƒāļŦāđ‰āļāļĢāļ­āļ āļ­āļĩāđ€āļĄāļĨ/āļŠāļ·āđˆāļ­āļœāļđāđ‰āđƒāļŠāđ‰ āđāļĨāļ° āļĢāļŦāļąāļŠāļœāđˆāļēāļ™ āļˆāļēāļāļ™āļąāđ‰āļ™āļāļ” "āđ€āļ‚āđ‰āļēāļŠāļđāđˆāļĢāļ°āļšāļš"

    2. āļĨāļ‡āļ—āļ°āđ€āļšāļĩāļĒāļ™āļŠāļĢāđ‰āļēāļ‡āļšāļąāļāļŠāļĩ
    - āļāļĢāļ­āļ āļŠāļ·āđˆāļ­-āļ™āļēāļĄāļŠāļāļļāļĨ
    - āđƒāļŠāđˆ Username (āļ­āļēāļˆāđ€āļ›āđ‡āļ™āđ€āļšāļ­āļĢāđŒāđ‚āļ—āļĢāļŦāļĢāļ·āļ­āļŠāļ·āđˆāļ­āļœāļđāđ‰āđƒāļŠāđ‰āļ‡āļēāļ™)
    - āđƒāļŠāđˆ Email (āļŠāļģāļŦāļĢāļąāļšāļĢāļąāļšāļĢāļŦāļąāļŠ OTP)
    - āļ•āļąāđ‰āļ‡ āļĢāļŦāļąāļŠāļœāđˆāļēāļ™ āļ„āļ§āļēāļĄāļĒāļēāļ§āļ­āļĒāđˆāļēāļ‡āļ™āđ‰āļ­āļĒ 6 āļ•āļąāļ§āļ­āļąāļāļĐāļĢ
    - āļ•āļīāđŠāļāļĒāļ­āļĄāļĢāļąāļšāđ€āļ‡āļ·āđˆāļ­āļ™āđ„āļ‚ āļˆāļēāļāļ™āļąāđ‰āļ™āļāļ” "Sign Up"

    3. āļĒāļ·āļ™āļĒāļąāļ™āļ•āļąāļ§āļ•āļ™āļ”āđ‰āļ§āļĒ OTP
    - āļĢāļ°āļšāļšāļˆāļ°āļŠāđˆāļ‡āļĢāļŦāļąāļŠ OTP āđ„āļ›āļ—āļĩāđˆāļ­āļĩāđ€āļĄāļĨāļ‚āļ­āļ‡āļ„āļļāļ“
    - āđƒāļŠāđˆāļĢāļŦāļąāļŠ 6 āļŦāļĨāļąāļāļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāđƒāļ™āļŠāđˆāļ­āļ‡āļ—āļĩāđˆāļāļģāļŦāļ™āļ”
    - āļāļ” "Next" āđ€āļžāļ·āđˆāļ­āļ”āļģāđ€āļ™āļīāļ™āļāļēāļĢāļ•āđˆāļ­

    4. āļŦāļēāļ OTP āđ„āļĄāđˆāļ–āļđāļāļ•āđ‰āļ­āļ‡āļŦāļĢāļ·āļ­āđ„āļĄāđˆāđ„āļ”āđ‰āļĢāļąāļš
    - āļāļ” "āļŠāđˆāļ‡āļĢāļŦāļąāļŠāđƒāļŦāļĄāđˆ" āđ€āļžāļ·āđˆāļ­āļ‚āļ­ OTP āļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡
    - āļ•āļĢāļ§āļˆāļŠāļ­āļšāļ­āļĩāđ€āļĄāļĨāļ—āļĩāđˆāļĨāļ‡āļ—āļ°āđ€āļšāļĩāļĒāļ™āļ§āđˆāļēāļ–āļđāļāļ•āđ‰āļ­āļ‡
    - āļŦāļēāļāļĒāļąāļ‡āđ„āļĄāđˆāđ„āļ”āđ‰ āđƒāļŦāđ‰āļĨāļ­āļ‡ Sign Out āđāļĨāļ°āđ€āļ‚āđ‰āļēāļŠāļđāđˆāļĢāļ°āļšāļšāđƒāļŦāļĄāđˆ
    - āļŦāļĢāļ·āļ­āļ•āđ‰āļ­āļ‡āļāļēāļĢāļ„āļ§āļēāļĄāļŠāđˆāļ§āļĒāđ€āļŦāļĨāļ·āļ­āđƒāļŦāđ‰āļ—āļąāļāđ„āļ›āļ—āļĩāđˆ Line: @sondhitalk

    5. āđ€āļĢāļīāđˆāļĄāļ•āļąāđ‰āļ‡āļ„āđˆāļēāļšāļąāļāļŠāļĩ (Step 1)
    - āļ­āļąāļ›āđ‚āļŦāļĨāļ”āļĢāļđāļ›āļ āļēāļžāļ‚āļ­āļ‡āļ„āļļāļ“āđ‚āļ”āļĒāļāļ”āļ—āļĩāđˆāđ„āļ­āļ„āļ­āļ™āļāļĨāđ‰āļ­āļ‡
    - āđ€āļĨāļ·āļ­āļāļĢāļđāļ›āļˆāļēāļāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļŦāļĢāļ·āļ­āļ–āđˆāļēāļĒāđƒāļŦāļĄāđˆ
    - āļāļ” "Next Step" āđ€āļžāļ·āđˆāļ­āđ„āļ›āļ•āđˆāļ­

    6. āļ­āļąāļ›āđ€āļ”āļ•āļ‚āđ‰āļ­āļĄāļđāļĨāļŠāđˆāļ§āļ™āļ•āļąāļ§ (Step 2)
    - āļŦāļēāļāļĒāļąāļ‡āđ„āļĄāđˆāļžāļĢāđ‰āļ­āļĄ āļŠāļēāļĄāļēāļĢāļ–āļ‚āđ‰āļēāļĄāļ‚āļąāđ‰āļ™āļ•āļ­āļ™āļ™āļĩāđ‰āđ„āļ”āđ‰āđ‚āļ”āļĒāļāļ” "Next Step"

    7. āđ€āļŠāļĢāđ‡āļˆāļŠāļīāđ‰āļ™āļāļēāļĢāļ•āļąāđ‰āļ‡āļ„āđˆāļē (Step 3)
    - āđ€āļžāļīāđˆāļĄāđ€āļžāļ·āđˆāļ­āļ™āļˆāļēāļāļĢāļ°āļšāļšāđāļ™āļ°āļ™āļģāđ„āļ”āđ‰ āļŦāļĢāļ·āļ­ āļ‚āđ‰āļēāļĄāđ„āļ›āđ„āļ”āđ‰āđ€āļĨāļĒ
    - āļāļ” "Finish" āđ€āļžāļ·āđˆāļ­āđ€āļĢāļīāđˆāļĄāđƒāļŠāđ‰āļ‡āļēāļ™āļĢāļ°āļšāļš

    8. āļŦāļ™āđ‰āļēāļŦāļĨāļąāļāļ‚āļ­āļ‡ Thaitimes
    - āļĄāļļāļĄāļ‹āđ‰āļēāļĒāļšāļ™: āđ€āļ›āļīāļ”āđ€āļĄāļ™āļđāļŦāļĨāļąāļāđ€āļžāļ·āđˆāļ­āđ€āļ‚āđ‰āļēāļ–āļķāļ‡āļŸāļąāļ‡āļāđŒāļŠāļąāļ™āļ•āđˆāļēāļ‡ āđ† āđ€āļŠāđˆāļ™ āļšāļ—āļ„āļ§āļēāļĄ āļāļĨāļļāđˆāļĄ āļŦāļĢāļ·āļ­ āđ€āļžāļˆ
    - āļ•āļĢāļ‡āļāļĨāļēāļ‡: āđƒāļŠāđ‰āđ‚āļžāļŠāļ•āđŒāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§ āļĢāļđāļ›āļ āļēāļž āļŦāļĢāļ·āļ­āļ§āļīāļ”āļĩāđ‚āļ­ āđāļŠāļĢāđŒāļĨāļ‡āđ‚āļ‹āđ€āļŠāļĩāļĒāļĨāļ‚āļ­āļ‡ Thaitimes
    - āļĄāļļāļĄāļ‚āļ§āļēāļšāļ™: āđ€āļ‚āđ‰āļēāđ‚āļ›āļĢāđ„āļŸāļĨāđŒāļ‚āļ­āļ‡āļ„āļļāļ“

    āļžāļĢāđ‰āļ­āļĄāđƒāļŠāđ‰āļ‡āļēāļ™ Thaitimes āđ„āļ”āđ‰āđ€āļĨāļĒ!

    āļ•āđ‰āļ­āļ‡āļ„āļ§āļēāļĄāļŠāđˆāļ§āļĒāđ€āļŦāļĨāļ·āļ­āđāļˆāđ‰āļ‡āđ„āļ›āđ„āļ”āđ‰āļ—āļĩāđˆ Line: @sondhitalk

    #thaitimes #sondhitalk
    [Thaitimes App Version3.0] āļ§āļīāļ˜āļĩāļāļēāļĢāļĨāļ‡āļ—āļ°āđ€āļšāļĩāļĒāļ™ Thaitimes 1. āđ€āļ‚āđ‰āļēāļŠāļđāđˆāļĢāļ°āļšāļšāļŦāļĢāļ·āļ­āļĨāļ‡āļ—āļ°āđ€āļšāļĩāļĒāļ™ - āļŦāļēāļāļĒāļąāļ‡āđ„āļĄāđˆāļĄāļĩāļšāļąāļāļŠāļĩ āđƒāļŦāđ‰āļ„āļĨāļīāļāļ—āļĩāđˆāļ›āļļāđˆāļĄ "āļĨāļ‡āļ—āļ°āđ€āļšāļĩāļĒāļ™" āļ”āđ‰āļēāļ™āļĨāđˆāļēāļ‡ - āļŦāļēāļāļĄāļĩāļšāļąāļāļŠāļĩāļ­āļĒāļđāđˆāđāļĨāđ‰āļ§ āđƒāļŦāđ‰āļāļĢāļ­āļ āļ­āļĩāđ€āļĄāļĨ/āļŠāļ·āđˆāļ­āļœāļđāđ‰āđƒāļŠāđ‰ āđāļĨāļ° āļĢāļŦāļąāļŠāļœāđˆāļēāļ™ āļˆāļēāļāļ™āļąāđ‰āļ™āļāļ” "āđ€āļ‚āđ‰āļēāļŠāļđāđˆāļĢāļ°āļšāļš" 2. āļĨāļ‡āļ—āļ°āđ€āļšāļĩāļĒāļ™āļŠāļĢāđ‰āļēāļ‡āļšāļąāļāļŠāļĩ - āļāļĢāļ­āļ āļŠāļ·āđˆāļ­-āļ™āļēāļĄāļŠāļāļļāļĨ - āđƒāļŠāđˆ Username (āļ­āļēāļˆāđ€āļ›āđ‡āļ™āđ€āļšāļ­āļĢāđŒāđ‚āļ—āļĢāļŦāļĢāļ·āļ­āļŠāļ·āđˆāļ­āļœāļđāđ‰āđƒāļŠāđ‰āļ‡āļēāļ™) - āđƒāļŠāđˆ Email (āļŠāļģāļŦāļĢāļąāļšāļĢāļąāļšāļĢāļŦāļąāļŠ OTP) - āļ•āļąāđ‰āļ‡ āļĢāļŦāļąāļŠāļœāđˆāļēāļ™ āļ„āļ§āļēāļĄāļĒāļēāļ§āļ­āļĒāđˆāļēāļ‡āļ™āđ‰āļ­āļĒ 6 āļ•āļąāļ§āļ­āļąāļāļĐāļĢ - āļ•āļīāđŠāļāļĒāļ­āļĄāļĢāļąāļšāđ€āļ‡āļ·āđˆāļ­āļ™āđ„āļ‚ āļˆāļēāļāļ™āļąāđ‰āļ™āļāļ” "Sign Up" 3. āļĒāļ·āļ™āļĒāļąāļ™āļ•āļąāļ§āļ•āļ™āļ”āđ‰āļ§āļĒ OTP - āļĢāļ°āļšāļšāļˆāļ°āļŠāđˆāļ‡āļĢāļŦāļąāļŠ OTP āđ„āļ›āļ—āļĩāđˆāļ­āļĩāđ€āļĄāļĨāļ‚āļ­āļ‡āļ„āļļāļ“ - āđƒāļŠāđˆāļĢāļŦāļąāļŠ 6 āļŦāļĨāļąāļāļ—āļĩāđˆāđ„āļ”āđ‰āļĢāļąāļšāđƒāļ™āļŠāđˆāļ­āļ‡āļ—āļĩāđˆāļāļģāļŦāļ™āļ” - āļāļ” "Next" āđ€āļžāļ·āđˆāļ­āļ”āļģāđ€āļ™āļīāļ™āļāļēāļĢāļ•āđˆāļ­ 4. āļŦāļēāļ OTP āđ„āļĄāđˆāļ–āļđāļāļ•āđ‰āļ­āļ‡āļŦāļĢāļ·āļ­āđ„āļĄāđˆāđ„āļ”āđ‰āļĢāļąāļš - āļāļ” "āļŠāđˆāļ‡āļĢāļŦāļąāļŠāđƒāļŦāļĄāđˆ" āđ€āļžāļ·āđˆāļ­āļ‚āļ­ OTP āļ­āļĩāļāļ„āļĢāļąāđ‰āļ‡ - āļ•āļĢāļ§āļˆāļŠāļ­āļšāļ­āļĩāđ€āļĄāļĨāļ—āļĩāđˆāļĨāļ‡āļ—āļ°āđ€āļšāļĩāļĒāļ™āļ§āđˆāļēāļ–āļđāļāļ•āđ‰āļ­āļ‡ - āļŦāļēāļāļĒāļąāļ‡āđ„āļĄāđˆāđ„āļ”āđ‰ āđƒāļŦāđ‰āļĨāļ­āļ‡ Sign Out āđāļĨāļ°āđ€āļ‚āđ‰āļēāļŠāļđāđˆāļĢāļ°āļšāļšāđƒāļŦāļĄāđˆ - āļŦāļĢāļ·āļ­āļ•āđ‰āļ­āļ‡āļāļēāļĢāļ„āļ§āļēāļĄāļŠāđˆāļ§āļĒāđ€āļŦāļĨāļ·āļ­āđƒāļŦāđ‰āļ—āļąāļāđ„āļ›āļ—āļĩāđˆ Line: @sondhitalk 5. āđ€āļĢāļīāđˆāļĄāļ•āļąāđ‰āļ‡āļ„āđˆāļēāļšāļąāļāļŠāļĩ (Step 1) - āļ­āļąāļ›āđ‚āļŦāļĨāļ”āļĢāļđāļ›āļ āļēāļžāļ‚āļ­āļ‡āļ„āļļāļ“āđ‚āļ”āļĒāļāļ”āļ—āļĩāđˆāđ„āļ­āļ„āļ­āļ™āļāļĨāđ‰āļ­āļ‡ - āđ€āļĨāļ·āļ­āļāļĢāļđāļ›āļˆāļēāļāđ€āļ„āļĢāļ·āđˆāļ­āļ‡āļŦāļĢāļ·āļ­āļ–āđˆāļēāļĒāđƒāļŦāļĄāđˆ - āļāļ” "Next Step" āđ€āļžāļ·āđˆāļ­āđ„āļ›āļ•āđˆāļ­ 6. āļ­āļąāļ›āđ€āļ”āļ•āļ‚āđ‰āļ­āļĄāļđāļĨāļŠāđˆāļ§āļ™āļ•āļąāļ§ (Step 2) - āļŦāļēāļāļĒāļąāļ‡āđ„āļĄāđˆāļžāļĢāđ‰āļ­āļĄ āļŠāļēāļĄāļēāļĢāļ–āļ‚āđ‰āļēāļĄāļ‚āļąāđ‰āļ™āļ•āļ­āļ™āļ™āļĩāđ‰āđ„āļ”āđ‰āđ‚āļ”āļĒāļāļ” "Next Step" 7. āđ€āļŠāļĢāđ‡āļˆāļŠāļīāđ‰āļ™āļāļēāļĢāļ•āļąāđ‰āļ‡āļ„āđˆāļē (Step 3) - āđ€āļžāļīāđˆāļĄāđ€āļžāļ·āđˆāļ­āļ™āļˆāļēāļāļĢāļ°āļšāļšāđāļ™āļ°āļ™āļģāđ„āļ”āđ‰ āļŦāļĢāļ·āļ­ āļ‚āđ‰āļēāļĄāđ„āļ›āđ„āļ”āđ‰āđ€āļĨāļĒ - āļāļ” "Finish" āđ€āļžāļ·āđˆāļ­āđ€āļĢāļīāđˆāļĄāđƒāļŠāđ‰āļ‡āļēāļ™āļĢāļ°āļšāļš 8. āļŦāļ™āđ‰āļēāļŦāļĨāļąāļāļ‚āļ­āļ‡ Thaitimes - āļĄāļļāļĄāļ‹āđ‰āļēāļĒāļšāļ™: āđ€āļ›āļīāļ”āđ€āļĄāļ™āļđāļŦāļĨāļąāļāđ€āļžāļ·āđˆāļ­āđ€āļ‚āđ‰āļēāļ–āļķāļ‡āļŸāļąāļ‡āļāđŒāļŠāļąāļ™āļ•āđˆāļēāļ‡ āđ† āđ€āļŠāđˆāļ™ āļšāļ—āļ„āļ§āļēāļĄ āļāļĨāļļāđˆāļĄ āļŦāļĢāļ·āļ­ āđ€āļžāļˆ - āļ•āļĢāļ‡āļāļĨāļēāļ‡: āđƒāļŠāđ‰āđ‚āļžāļŠāļ•āđŒāđ€āļĢāļ·āđˆāļ­āļ‡āļĢāļēāļ§ āļĢāļđāļ›āļ āļēāļž āļŦāļĢāļ·āļ­āļ§āļīāļ”āļĩāđ‚āļ­ āđāļŠāļĢāđŒāļĨāļ‡āđ‚āļ‹āđ€āļŠāļĩāļĒāļĨāļ‚āļ­āļ‡ Thaitimes - āļĄāļļāļĄāļ‚āļ§āļēāļšāļ™: āđ€āļ‚āđ‰āļēāđ‚āļ›āļĢāđ„āļŸāļĨāđŒāļ‚āļ­āļ‡āļ„āļļāļ“ āļžāļĢāđ‰āļ­āļĄāđƒāļŠāđ‰āļ‡āļēāļ™ Thaitimes āđ„āļ”āđ‰āđ€āļĨāļĒ! āļ•āđ‰āļ­āļ‡āļ„āļ§āļēāļĄāļŠāđˆāļ§āļĒāđ€āļŦāļĨāļ·āļ­āđāļˆāđ‰āļ‡āđ„āļ›āđ„āļ”āđ‰āļ—āļĩāđˆ Line: @sondhitalk #thaitimes #sondhitalk
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